Gone with the wind《飘》节选赏析
Gone with the wind《飘》的简析
Structure
• Gone with the wind is divided into five parts and is composed of sixty one chapters, it contain 660 pages. The story set in Atlanta, depicting the lives of Southerners before the Civil War. Work depicts many southerners of that era's image, the center of the figure accounted for Scarlett O'Hara, Rhett Butler, David Ashley, Melanie, who is one of Korea's typical. Their customs etiquette, manners, spiritual ideas, political attitudes, that dress, etc., described in the novel are very detailed. Novels can be successfully reproduced the South of that era of social life in this region.
Gone with the wind
Bibliographical information
• Gone with the wind is a novel written by Margaret Mitchell and it was first published in 1936. Mitchell was born in the city of Atlanta, Georgia, in november 8, 1900, in a lawyer family. She studied at Washington Seminary Smith College in Massachusetts, 1922-1926, she served as the local newspaper “Atlanta Journal” reporter.
玛格丽特《飘》句子赏析
玛格丽特《飘》句子赏析整理了《飘》的句子赏析，希望对你的学习有帮助。
《飘》句子赏析《飘》是一部非常好的作品。
它表达出来的思想是不用说的，这跟大多数名著一样闪耀着思想的光辉。
另外，我觉得它是我见过的小说当中描写人物外貌与心理最出众的，这是相当出色的。
它的描写手法让人惊叹，让我如痴如醉，爱不释手!《飘》，是我最喜爱的书之一。
我喜欢Scarlett(斯佳丽)的勇敢坚强，喜欢Rhett(瑞特)的机智果断，喜欢Melanie(玫兰妮)的外柔内刚。
都表现得凄婉动人，荡气回肠，玛格丽特·米切尔用诗一般的语言将气势磅礴的南北战争和一段凄婉动人的情展现在读者的眼前。
波澜起伏的情节、栩栩如生的人物、单纯而又复杂的内心描写，让《飘》成为20世纪文坛上的一颗熣灿夺目的明珠。
读完《飘》后有三段话我印象最深：明天又是另外的一天美貌并不能使人高尚，衣着也不能使人尊贵。
我向来不是那样的人，不能耐心地拾起一些碎片，把它们黏合在一起，然后对自己说这个修补好了的东西跟新的一模一样。
一样东西破碎了就是破碎了——我宁愿记住它最好时的模样，而不想把它修补好，然后终生看着那些碎了的地方。
我觉得斯佳丽就像个小孩子一样，对自己想要的东西异常执着，而对自己所拥有的东西却不屑一顾。
一面在拼命让自己幸福，一面又不断地把幸福推离，把爱人推向深渊。
斯佳丽是个矛盾体，可又有谁不是矛盾体呢?世上没有绝对的好与坏，睿智与愚钝。
很多人觉得她自私，偏执，不择手段，不解风情。
但是，我所看到的斯佳丽，是一个美貌与智慧并重的女人。
她仿佛只为了自己而生存，她把身边所有的人当成自己的附属品，男人对她好，是正常的，因为他们恋慕她的美。
女人对她好，也是正常的，因为她们自知不及她。
其实，在她的灵魂深处闪耀着人性光芒。
在临危受命之际，她一样想着要逃，她没法面对这种残酷的现实，可是，为了遵守她深爱的人的承诺，她还是留了下来，并且用尽了一切的方法保住了玫兰丽与孩子的平安。
在感情上，她虽然都走错了方向，可是她对于阿希礼的感情无疑是真挚并且忠贞的。
经典英文名著阅读赏析-《飘》节选
经典英文名著阅读赏析-《飘》节选★以下是###英文写作翻译频道为大家整理的《经典英文名著阅读赏析-《飘》节选》，供大家参考。
更多内容请看本站频道。
THE WAR went on, successfully for the most part, but people had stopped saying “One more victory and the war is over,” just as they had stopped saying the Yankees were cowards. It was obvious to all now that the Yankees were far from cowardly and that it would take more than one victory to conquer them. However, there were the Confederate victoriesin Tennessee scored by General Morgan and General Forrest and the triumph at the Second Battle of Bull Run hung up like visible Yankee scalps to gloat over. But there was a heavy price on these scalps. The hospitals and homes of Atlanta were overflowing with the sick and wounded, and more and more women were appearing in black. The monotonous rows of soldiers’ graves at Oakland Cemetery stretched longer every day.Confederate money had dropped alarmingly and the price of food and clothing had risen accordingly. The commissary was laying such heavy levies on foodstuffs that the tables of Atlanta were beginning to suffer. White flour was scarce and so expensive that corn bread was universal instead of biscuits, rolls and waffles. The butcher shops carried almost no beef and very little mutton, and that mutton cost so much only the rich could afford it. However there was still plenty of hog meat, as well as chickens and vegetables.The Yankee blockade about the Confederate ports had tightened, and luxuries such as tea, coffee, silks, whalebonestays, colognes, fashion magazines and books were scarce and dear. Even the cheapest cotton goods had skyrocketed in price and ladies were regretfully making their old dresses do another season. Looms that had gathered dust for years had been brought down from attics, and there were webs of homespun to be found in nearly every parlor. Everyone, soldiers, civilians, women, children and negroes, began to wear homespun. Gray, as the color of the Confederate uniform, practically disappeared and homespun of a butternut shade took its place.Already the hospitals were worrying about the scarcity of quinine, calomel, opium, chloroform and iodine. Linen and cotton bandages were too precious now to be thrown away when used, and every lady who nursed at the hospitals brought home baskets of bloody strips to be washed and ironed and returned for use on other sufferers.But to Scarlett, newly emerged from the chrysalis of widowhood, all the war meant was a time of gaiety and excitement. Even the small privations of clothing and food did not annoy her, so happy was she to be in the world again.When she thought of the dull times of the past year, with the days going by one very much like another, life seemed to have quickened to an incredible speed. Every day dawned as an exciting adventure, a day in which she would meet new men who would ask to call on her, tell her how pretty she was, and how it was a privilege to fight and, perhaps, to die for her. She could and did love Ashley with the last breath in her body, but that did not prevent her from inveigling other men into asking to marry her.The ever-present war in the background lent a pleasant informality to social relations, an informality which older people viewed with alarm. Mothers found strange men calling on their daughters, men who came without letters of introduction and whose antecedents were unknown. To their horror, mothers found their daughters holding hands with these men. Mrs. Merriwether, who had never kissed her husband until after the wedding ceremony, could scarcely believe her eyes when she caught Maybelle kissing the little Zouave, René Picard, and her consternation was even greater when Maybelle refused to be ashamed. Even the fact that René immediately asked for her hand did not improve matters. Mrs. Merriwether felt that the South was heading for a complete moral collapse and frequently said so. Other mothers concurred heartily with her and blamed it on the war.But men who expected to die within a week or a month could not wait a year before they begged to call a girl by her first name, with “Miss,” of course, preceding it. Nor would they go through the formal and protracted courtships which good manners had prescribed before the war. They were likely to propose in three or four months. And girls who knew very well that a lady always refused a gentleman the first three times he proposed rushed headlong to accept the first time.This informality made the war a lot of fun for Scarlett. Except for the messy business of nursing and the bore of bandage rolling, she did not care if the war lasted forever. In fact, she could endure the hospital with equanimity now because it was a perfect happy hunting ground. The helpless wounded succumbed to her charms without a struggle. Renewtheir bandages, wash their faces, pat up their pillows and fan them, and they fell in love. Oh, it was Heaven after the last dreary year!Scarlett was back again where she had been before she married Charles and it was as if she had never married him, never felt the shock of his death, never borne Wade. War and marriage and childbirth had passed over her without touching any deep chord within her and she was unchanged. She had a child but he was cared for so well by the others in the red brick house she could almost forget him. In her mind and heart, she was Scarlett O’Hara again, the belle of the County. Her thoughts and activities were the same as they had been in the old days, but the field of her activities had widened immensely. Careless of the disapproval of AuntPitty’s friends, she behaved as she had behaved before her marriage, went to parties, danced, went riding with soldiers, flirted, did everything she had done as a girl, except stop wearing mourning. This she knew would be a straw that would break the backs of Pittypat and Melanie. She was as charming a widow as she had been a girl, pleasant when she had her own way, obliging as long as it did not discommode her, vain of her looks and her popularity.She was happy now where a few weeks before she had been miserable, happy with her beaux and their reassurances of her charm, as happy as she could be with Ashley married to Melanie and in danger. But somehow it was easier to bear the thought of Ashley belonging to some one else when he was far away. With the hundreds of miles stretching between Atlanta and Virginia, he sometimes seemed as much hers as Melanie’s.So the autumn months of 1862 went swiftly by with nursing, dancing, driving and bandage rolling taking up all the time she did not spend on brief visits to Tara. These visits were disappointing, for she had little opportunity for the long quiet talks with her mother to which she looked forward while in Atlanta, no time to sit by Ellen while she sewed, smelling the faint fragrance of lemon verbena sachet as her skirts rustled, feeling her soft hands on her cheek in a gentle caress.Ellen was thin and preoccupied now and on her feet from morning until long after the plantation was asleep. The demands of the Confederate commissary were growing heavier by the month, and hers was the task of making Tara produce. Even Gerald was busy, for the first time in many years, for hecould get no overseer to take Jonas Wilkerson’s place and he was riding his own acres. With Ellen too busy for more than a goodnight kiss and Gerald in the fields all day, Scarlett found Tara boring. Even her sisters were taken up with their own concerns. Suelle n had now come to an “understanding”with Frank Kennedy and sang “When This Cruel War Is Over” with an arch meaning Scarlett found well-nigh unendurable,and Carreen was too wrapped up in dreams of Brent Tarleton to be interesting company.Though Scarlett always went home to Tara with a happy heart, she was never sorry when the inevitable letters came from Pitty and Melanie, begging her to return. Ellen always sighed at these times, saddened by the thought of her oldest daughter and her only grandchild leaving her.“But I mustn’t be selfish and keep you here when you are needed to nurse in Atlanta,” she said. “Only—only, my darling, it seems that I never get the time to talk to you and to feel that you are my own little girl again before you are gone fro m me.”“I’m always your little girl,” Scarlett would say and bury her head upon Ellen’s breast, her guilt rising up to accuse her. She did not tell her mother that it was the dancing and the beaux which drew her back to Atlanta and not the service of the Confederacy. There were many things she kept from her mother these days. But, most of all, she kept secret the fact that Rhett Butler called frequently at Aunt Pittypat’s house.During the months that followed the bazaar, Rhett called whenever he was in town, taking Scarlett riding in his carriage, escorting her to danceables and bazaars and waiting outside the hospital to drive her home. She lost her fear of his betraying her secret, but there always lurked in the back of her mind the disquieting memory that he had seen her at her worst and knew the truth about Ashley. It was this knowledge that checked her tongue when he annoyed her. And he annoyed her frequently.He was in his mid-thirties, older than any beau she had ever had, and she was as helpless as a child to control and handle him as she had handled beaux nearer her own age. He always looked as if nothing had ever surprised him and much had amused him and, when he had gotten her into a speechless temper, she felt that she amused him more than anything in the world. Frequently she flared into open wrath under hisexpert baiting, for she had Gerald’s Irish temper along with the deceptive sweetness of face she had inherited from Ellen. Heretofore she had never bothered to control her temperexcept in Ellen’s presence. Now it was painful to have to choke back words for fear of his amused grin. If only hewould ever lose his temper too, then she would not feel at such a disadvantage.After tilts with him from which she seldom emerged the victor she vowed he was impossible, ill-bred and no gentleman and she would have nothing more to do with him. But sooner or later, he returned to Atlanta, called, presumably on Aunt Pitty, and presented Scarlett, with overdone gallantry, a box of bonbons he had brought her from Nassau. Or preempted aseat by her at a musicale or claimed her at a dance, and she was usually so amused by his bland impudence that she laughed and overlooked his past misdeeds until the next occurred.For all his exasperating qualities, she grew to look forward to his calls. There was something exciting about him that she could not analyze, something different from any man she had ever known. There was something breathtaking in the grace of his big body which made his very entrance into aroom like an abrupt physical impact, something in the impertinence and bland mockery of his dark eyes that challenged her spirit to subdue him.“It’s almost like I was in love with him!” she thought, bewildered. “But I’m not and I just can’t understand it.”But the exciting feeling persisted. When he came to call, his complete masculinity made Aunt Pitty’s well-bred and ladylike house seem small, pale and a trifle fusty. Scarlettwas not the only member of the household who reactedstrangely and unwillingly to his presence, for her kept Aunt Pitty in a flutter and a ferment.While Pitty knew Ellen would disapprove of his calls onher daughter, and knew also that the edict of Charleston banning him from polite society was not one to be lightly disregarded, she could no more resist his elaborate compliments and hand kissing than a fly can resist a honey pot. Moreover, he usually brought her some little gift from Nassau which he assured her he had purchased especially forher and blockaded in at risk of his life—papers of pins and needles, buttons, spools of silk thread and hairpins. It was almost impossible to obtain these small luxuries now—ladies were wearing hand-whittled wooden hairpins and coveringacrons with cloth for buttons—and Pitty lacked the moral stamina to refuse them. Besides, she had a childish love of surprise packages and could not resist opening his gifts. And, having once opened them, she did not feel that she couldrefuse them. Then, having accepted his gifts, she could not summon courage enough to tell him his reputation made it improper for him to call on three lone women who had no male protector. Aunt Pitty always felt that she needed a male protector when Rhett Butler was in the house.“I don’t know what it is about him,” she would sigh helplessly. “But—well, I think he’d be a nice, attractive man if I could just feel that—well, that deep down in his heart he respected women.”Since the return of her wedding ring, Melanie had feltthat Rhett was a gentleman of rare refinement and delicacyand she was shocked at this remark. He was unfailingly courteous to her, but she was a little timid with him,largely because she was shy with any man she had not known from childhood. Secretly she was very sorry for him, afeeling which would have amused him had he been aware of it. She was certain that some romantic sorrow had blighted hislife and made him hard and bitter, and she felt that what he needed was the love of a good woman. In all her shelteredlife she had never seen evil and could scarcely credit its existence, and when gossip whispered things about Rhett and the girl in Charleston she was shocked and unbelieving. And, instead of turning her against him, it only made her more timidly gracious toward him because of her indignation at what she fancied was a gross injustice done him.Scarlett silently agreed with Aunt Pitty. She, too, felt that he had no respect for any woman, unless perhaps for Melanie. She still felt unclothed every time his eyes ran up and down her figure. It was not that he ever said anything. Then she could have scorched him with hot words. It was the bold way his eyes looked out of his swarthy face with a displeasing air of insolence, as if all women were his property to be enjoyed in his own good time. Only with Melanie was this look absent. There was never that cool look of appraisal, never mockery in his eyes, when he looked at Melanie; and there was an especial note in his voice when he spoke to her, courteous, respectful, anxious to be of service.“I don’t see why you’re so much nicer to her than to me,” said Scarlett petulantly, one afternoon when Melanie and Pitty had retired to take their naps and she was alone with him.For an hour she had watched Rhett hold the yarn Melanie was winding for knitting, had noted the blank inscrutable expression when Melanie talked at length and with pride of Ashley and his promotion. Scarlett knew Rhett had no exalted opinion of Ashley and cared nothing at all about the factthat he had been made a major. Yet he made polite replies and murmured the correct things about Ashley’s gallantry.And if I so much as mention Ashley’s name, she hadthought irritably, he cocks his eyebrow up and smiles that nasty, knowing smile!“I’m much prettier than she is,” she continued, “andI don’t see why you’re nicer to her.”“Dare I hope that you are jealous?”“Oh, don’t presume!”“Another hope crushed. If I am ‘nicer’ to Mrs. Wilkes, it is because she deserves it. She is one of the very few kind, sincere and unselfish persons I have ever known. But perhaps you have failed to note these qualities. And moreover, for all her youth, she is one of the few great ladies I have ever been privileged to know.”“Do you mean to say you don’t think I’m a great lady, too?”“I thin k we agreed on the occasion of our first meeting that you were no lady at all.”“Oh, if you are going to be hateful and rude enough to bring that up again! How can you hold that bit of childish temper against me? That was so long ago and I’ve grown upsi nce then and I’d forget all about it if you weren’t always harping and hinting about it.”“I don’t think it was childish temper and I don’t believe you’ve changed. You are just as capable now as then of throwing vases if you don’t get your own way. But y ou usually get your way now. And so there’s no necessity for broken bric-a-brac.”“Oh, you are—I wish I was a man! I’d call you out and—”“And get killed for your pains. I can drill a dime at fifty yards. Better stick to your own weapons—dimples, vases and the like.”“You are just a rascal.”“Do you expect me to fly into a rage at that? I am sorry to disappoint you. You can’t make me mad by calling me names that are true. Certainly I’m a rascal, and why not? It’s a free country and a man may be a ra scal if he chooses. It’s only hypocrites like you, my dear lady, just as black at heart but trying to hide it, who become enraged when called by their right names.”She was helpless before his calm smile and his drawling remarks, for she had never before met anyone who was so completely impregnable. Her weapons of scorn, coldness and abuse blunted in her hands, for nothing she could say would shame him. It had been her experience that the liar was the hottest to defend his veracity, the coward his courage, theill-bred his gentlemanliness, and the cad his honor. But notRhett. He admitted everything and laughed and dared her tosay more.He came and went during these months, arriving unheralded and leaving without saying good-by. Scarlett never discovered just what business brought him to Atlanta, for few other blockaders found it necessary to come so far away from the coast. They landed their cargoes at Wilmington or Charleston, where they were met by swarms of merchants and speculatorsfrom all over the South who assembled to buy blockaded goodsat auction. It would have pleased her to think that he made these trips to see her, but even her abnormal vanity refusedto believe this. If he had ever once made love to her, seemed jealous of the other men who crowded about her, even tried to hold her hand or begged for a picture or a handkerchief to cherish, she would have thought triumphantly he had been caught by her charms. But he remained annoyingly unloverlike and, worst of all, seemed to see through all her maneuverings to bring him to his knees.Whenever he came to town, there was a feminine fluttering. Not only did the romantic aura of the dashing blockader hang about him but there was also the titillating element of the wicked and the forbidden. He had such a bad reputation! And every time the matrons of Atlanta gathered together to gossip, his reputation grew worse, which only made him all the more glamorous to the young girls. As most of them were quite innocent, they had heard little more than that he was “quite loose with women”—and exactly how a man went about the business of being “loose” they did not know. They alsoheard whispers that no girt was safe with him. With such a reputation, it was strange that he had never so much askissed the hand of an unmarried girl since he first appearedin Atlanta. But that only served to make him more mysterious and more exciting.Outside of the army heroes, he was the most talked-about man in Atlanta. Everyone knew in detail how he had been expelled from West Point for drunkenness and “somethingabout women.” That terrific scandal concerning theCharleston girl he had compromised and the brother he hadkilled was public property. Correspondence with Charleston friends elicited the further information that his father, a charming old gentleman with an iron will and a ramrod for a backbone, had cast him out without a penny when he was twenty and even stricken his name from the family Bible. After thathe had wandered to California in the gold rush of 1849 and thence to South America and Cuba, and the reports of his activities in these parts were none too savory. Scrapes about women, several shootings, gun running to the revolutionistsin Central America and, worst of all, professional gambling were included in his career, as Atlanta heard it.There was hardly a family in Georgia who could not own to their sorrow at least one male member or relative who gambled, losing money, houses, land and slaves. But that was different.A man could gamble himself to poverty and still be a gentleman, but a professional gambler could never be anything but an outcast.Had it not been for the upset conditions due to the war and his own services to the Confederate government, Rhett Butler would never have been received in Atlanta. But now, even the most strait laced felt that patriotism called uponthem to be more broad minded. The more sentimental were inclined to view that the black sheep of the Butler familyhad repented of his evil ways and was making an attempt to atone for his sins. So the ladies felt in duty bound tostretch a point, especially in the case of so intrepid a blockader. Everyone knew now that the fate of the Confederacy rested as much upon the skill of the blockade boats ineluding the Yankee fleet as it did upon the soldiers at the front.Rumor had it that Captain Butler was one of the bestpilots in the South and that he was reckless and utterly without nerves. Reared in Charleston, he knew every inlet, creek, shoal and rock of the Carolina coast near that port, and he was equally at home in the waters around Wilmington.He had never lost a boat or even been forced to dump a cargo. At the onset of the war, he had emerged from obscurity with enough money to buy a small swift boat and now, whenblockaded goods realized two thousand per cent on each cargo, he owned four boats. He had good pilots and paid them well, and they slid out of Charleston and Wilmington on dark nights, bearing cotton for Nassau, England and Canada. The cottonmills of England were standing idle and the workers were starving, and any blockader who could outwit the Yankee fleet could command his own price in Liverpool. Rhett’s boats were singularly lucky both in taking out cotton for the Confederacy and bringing in the war materials for which the South was desperate. Yes, the ladies felt they could forgive and forget a great many things for such a brave man.He was a dashing figure and one that people turned tolook at. He spent money freely, rode a wild black stallion,and wore clothes which were always the height of style and tailoring. The latter in itself was enough to attract attention to him, for the uniforms of the soldiers were dingy and worn now and the civilians, even when turned out in their best, showed skillful patching and darning. Scarlett thought she had never seen such elegant pants as he wore, fawn colored, shepherd’s plaid, and checked. As for his waistcoats, they were indescribably handsome, especially the white watered-silk one with tiny pink rosebuds embroidered on it. And he wore these garments with a still more elegant air as though unaware of their glory.There were few ladies who could resist his charms when he chose to exert them, and finally even Mrs. Merriwether unbent and invited him to Sunday dinner.Maybelle Merriwether was to marry her little Zouave when he got his next furlough, and she cried every time she thought of it, for she had set her heart on marrying in a white satin dress and there was no white satin in the Confederacy. Nor could she borrow a dress, for the satin wedding dresses of years past had all gone into the making of battle flags. Useless for the patriotic Mrs. Merriwether to upbraid her daughter and point out that homespun was the proper bridal attire for a Confederate bride. Maybelle wanted satin. She was willing, even proud to go without hairpins and buttons and nice shoes and candy and tea for the sake of the Cause, but she wanted a satin wedding dress.Rhett, hearing of this from Melanie, brought in from England yards and yards of gleaming white satin and a lace veil and presented them to her as a wedding gift. He did itin such a way that it was unthinkable to even mention paying him for them, and Maybelle was so delighted she almost kissed him. Mrs. Merriwether knew that so expensive a gift—and agift of clothing at that—was highly improper, but she could think of no way of refusing when Rhett told her in the most florid language that nothing was too good to deck the brideof one of our brave heroes. So Mrs. Merriwether invited himto dinner, feeling that this concession more than paid forthe gift.He not only brought Maybelle the satin but he was able to give excellent hints on the making of the wedding dress.Hoops in Paris were wider this season and skirts were shorter. They were no longer ruffled but were gathered up in scalloped festoons, showing braided petticoats beneath. He said, too, that he had seen no pantalets on the streets, so he imagined they were “out.” Afterwards, Mrs. Merriwether told Mrs. Elsing she feared that if she had given him any encouragement at all, he would have told her exactly what kind of drawers were being worn by Parisiennes.Had he been less obviously masculine, his ability torecall details of dresses, bonnets and coiffures would have been put down as the rankest effeminacy. The ladies alwaysfelt a little odd when they besieged him with questions about styles, but they did it nevertheless. They were as isolated from the world of fashion as shipwrecked mariners, for few books of fashion came through the blockade. For all they knew the ladies of France might be shaving their heads and wearing coonskin caps, so Rhett’s memory for furbel ows was an excellent substitute for Godey’s Lady’s Book. He could and did notice details so dear to feminine hearts, and after eachtrip abroad he could be found in the center of a group of ladies, telling that bonnets were smaller this year and perched higher, covering most of the top of the head, that plumes and not flowers were being used to trim them, that the Empress of France had abandoned the chignon for evening wear and had her hair piled almost on the top of her head, showing all of her ears, and that evening frocks were shockingly low again.For some months, he was the most popular and romantic figure the town knew, despite his previous reputation, despite the faint rumors that he was engaged not only in blockading but in speculating on foodstuffs, too. People who did not like him said that after every trip he made to Atlanta, prices jumped five dollars. But even with thisunder-cover gossip seeping about, he could have retained his popularity had he considered it worth retaining. Instead, it seemed as though, after trying the company of the staid and patriotic citizens and winning their respect and grudging liking, something perverse in him made him go out of his way to affront them and show them that his conduct had been only a masquerade and one which no longer amused him.It was as though he bore an impersonal contempt for everyone and everything in the South, the Confederacy in particular, and toot no pains to conceal it. It was his remarks about the Confederacy that made Atlanta look at him first in bewilderment, then coolly and then with hot rage. Even before 1862 passed into 1863, men were bowing to him with studied frigidity and women beginning to draw their daughters to their sides when he appeared at a gathering.He seemed to take pleasure not only in affronting the sincere and red-hot loyalties of Atlanta but in presenting himself in the worst possible light. When well-meaning people complimented him on his bravery in running the blockade, he blandly replied that he was always frightened when in danger, as frightened as were the brave boys at the front. Everyone knew there had never been a cowardly Confederate soldier and they found this statement peculiarly irritating. He always referred to the soldiers as “our brave boys” and “our heroes in gray” and did it in su ch a way as to convey the utmost in insult. When daring young ladies, hoping for a flirtation, thanked him for being one of the heroes who fought for them, he bowed and declared that such was not the case, for he would do the same thing for Yankee women if the same amount of money were involved.Since Scarlett’s first meeting with him in Atlanta on the night of the bazaar, he had talked with her in this manner, but now mere was a thinly veiled note of mockery in his conversations with everyone. When praised for his services to the Confederacy, he unfailingly replied that blockading was a business with him. If he could make as much money out of government contracts, he would say, picking out with his eyes those who had government contracts, then he would certainly abandon the hazards of blockading and take to selling shoddy cloth, sanded sugar, spoiled flour and rotten leather to the Confederacy.Most of his remarks were unanswerable, which made themall the worse. There had already been minor scandals about those holding government contracts. Letters from men at the front complained constantly of shoes that wore out in a week,。
《飘》经典段落摘抄语录欣赏
《飘》经典段落摘抄语录欣赏《飘》以亚特兰大以及附近的一个种植园为故事场景，描绘了内战前后美国南方人的生活。
下面店铺为大家带来《飘》经典段落摘抄，欢迎大家阅读!经典段落摘抄篇一Scarlett, whose room lay across the hall from her mother’s, knew from babyhood the soft soundof scurrying bare black feet on the hardwood floor in the hours of dawn, the urgent tappingson her mother’s door, and the muffled, frightened negro voices that whispered of sicknessand birth and death in the long row of whitewashed cabins in the quarters. As a child, sheoften had crept to the door and, peeping through the tiniest crack, had seen Ellen emergefrom the dark room, where Gerald’s snores were rhythmic and untroubled, into theflickering light of an upheld candle, her medicine case under her arm, her hair smoothedneatly place, and no button on her basque unlooped.思嘉的房间在她母亲房间的对面，中间隔着个穿堂。
她从小就熟悉了：在天亮前什么时候一个光着脚的黑人急促脚步在硬木地板上轻轻走过，接着是母亲房门上匆忙的叩击声，然后是黑人那低沉而带惊慌的耳语，报告本地区那长排白棚屋里有人生病了，死了，或者养了孩子。
飘读书笔记摘抄加赏析(3篇)
第1篇一、摘抄1. “人生就像一盒巧克力，你永远不知道下一颗是什么味道。
”（斯嘉丽·奥哈拉）2. “我不能放弃，我必须坚持下去，我不能让我的母亲和妹妹失望。
”（斯嘉丽·奥哈拉）3. “我爱艾希利，但他不是我心爱的人。
”（斯嘉丽·奥哈拉）4. “我愿意用我所有的力量和智慧去换取艾希利的爱。
”（斯嘉丽·奥哈拉）5. “命运不是开玩笑的，你必须勇敢地面对它。
”（斯嘉丽·奥哈拉）6. “我愿意用我的一生去证明，我斯嘉丽·奥哈拉是一个坚强的女人。
”（斯嘉丽·奥哈拉）二、赏析《飘》是美国作家玛格丽特·米切尔创作的一部经典小说，讲述了南北战争时期南方贵族斯嘉丽·奥哈拉的生活经历。
这部小说以独特的视角，描绘了那个时代的风云变幻，展现了人性的复杂与美好。
1. 斯嘉丽的坚韧与勇敢斯嘉丽是这部小说的主人公，她是一个典型的南方贵族女性，但她的性格却十分坚韧。
在战争和困境面前，她从未放弃过，始终保持着乐观和勇敢。
她用自己的智慧和勇气，一步步克服了生活中的种种困难，赢得了人们的尊重和爱戴。
正如她所说：“我不能放弃，我必须坚持下去，我不能让我的母亲和妹妹失望。
”这种坚韧和勇敢，正是她性格的魅力所在。
2. 人性的复杂与美好《飘》中的人物形象丰富多彩，每个人物都有自己的性格特点。
斯嘉丽的母亲梅兰妮善良、宽容，她的丈夫艾希利忠诚、温柔，而她的情敌苏珊·艾尔辛则自私、虚伪。
这些人物的性格特点，展现了人性的复杂与美好。
作者通过这些人物，揭示了战争对人性的摧残，同时也展现了人们在困境中依然保持着善良和美好的品质。
3. 历史的厚重感《飘》以南北战争为背景，展现了那个时代的风云变幻。
小说中的战争场面描写得淋漓尽致，让人仿佛置身于那个时代。
作者通过对历史的回顾，让人们更加深刻地认识到战争的残酷和和平的珍贵。
同时，小说中关于南方贵族的衰落和北方工业的崛起，也反映了历史的变迁。
诗歌赏析gone with the wind
TT1: 直到他的脚步声从楼上穿堂渐渐消失而去，她就 觉得世上万有皆空了。 TT2: 随着楼上穿堂里他的脚步声渐渐消失，她觉得这 世界上对她关系重大的 最后一个人也不复存在了 。 TT3: 他的脚步渐渐远去,消失在楼上过道里.，她最后 一线希望也随之而去。
三种译文虽然都注意了重复这一点，但我们认为对原句重 复句的表现还可以再进一步加强，即可以使用相同的词语， 不仅仅是含义相同的词-----达到原文想要表达的效果。所 以译文还可以略做调整：
译文1 她现在已经很明白，他那冷静脑子所下的判决，已
经不是任何的感情和理性所能挽回了。
译文2 她现在才明白，任何感情或理智上的力量都已无法
使那个冷酷的头脑改变它的判决。
译文3 现在她才明白想求助他感情或理性的一切努力都白
费力气，他那冷静头脑的决定不会动摇半分。
误译：语义
译文3将emotion or reason翻译为“他感情或理性”， 与原文有出入。 正确理解与措辞可以参考译文1、2“任何情感或理智”。 原文在emotion or reason前面没有使用任何限定性措 辞，而实际上这个emotion or reason应该属于小说主 人公Scarlet所有，指她在祈求Rhett不要离开自己时多 动用的两种手段：从感性方面的祈求或从理性方面的祈 求。 译文3把这个emotion or reason理解并表达为“他感情 或理性”，即属于Rhett的“感情或理性”，显然违背 了原文语义，为误义。
随着他的脚步声在楼上过道里渐渐消失，她觉得世界上对 她关系重大的最后一个人也消失了。
（3）She
ห้องสมุดไป่ตู้
knew now that there was no appeal of emotion or reason which would turn that cool brain from its verdict.
玛格丽特《飘》句子赏析
玛格丽特《飘》句子赏析《飘》是美国女作家玛格丽特·米切尔(1900—1949)十年磨一剑的作品，也是惟一的作品。
店铺整理了《飘》的句子赏析，希望对你的学习有帮助。
《飘》句子赏析《飘》是一部非常好的作品。
它表达出来的思想是不用说的，这跟大多数名著一样闪耀着思想的光辉。
另外，我觉得它是我见过的小说当中描写人物外貌与心理最出众的，这是相当出色的。
它的描写手法让人惊叹，让我如痴如醉，爱不释手!《飘》，是我最喜爱的书之一。
我喜欢Scarlett(斯佳丽)的勇敢坚强，喜欢Rhett(瑞特)的机智果断，喜欢Melanie(玫兰妮)的外柔内刚。
都表现得凄婉动人，荡气回肠，玛格丽特·米切尔用诗一般的语言将气势磅礴的南北战争和一段凄婉动人的情展现在读者的眼前。
波澜起伏的情节、栩栩如生的人物、单纯而又复杂的内心描写，让《飘》成为20世纪文坛上的一颗熣灿夺目的明珠。
读完《飘》后有三段话我印象最深：明天又是另外的一天美貌并不能使人高尚，衣着也不能使人尊贵。
我向来不是那样的人，不能耐心地拾起一些碎片，把它们黏合在一起，然后对自己说这个修补好了的东西跟新的一模一样。
一样东西破碎了就是破碎了——我宁愿记住它最好时的模样，而不想把它修补好，然后终生看着那些碎了的地方。
我觉得斯佳丽就像个小孩子一样，对自己想要的东西异常执着，而对自己所拥有的东西却不屑一顾。
一面在拼命让自己幸福，一面又不断地把幸福推离，把爱人推向深渊。
斯佳丽是个矛盾体，可又有谁不是矛盾体呢?世上没有绝对的好与坏，睿智与愚钝。
很多人觉得她自私，偏执，不择手段，不解风情。
但是，我所看到的斯佳丽，是一个美貌与智慧并重的女人。
她仿佛只为了自己而生存，她把身边所有的人当成自己的附属品，男人对她好，是正常的，因为他们恋慕她的美。
女人对她好，也是正常的，因为她们自知不及她。
其实，在她的灵魂深处闪耀着人性光芒。
在临危受命之际，她一样想着要逃，她没法面对这种残酷的现实，可是，为了遵守她深爱的人的承诺，她还是留了下来，并且用尽了一切的方法保住了玫兰丽与孩子的平安。
Gone with the wind 乱世佳人
Gone with the wind 乱世佳人（飘1939）随影而思影片以美国南北战争（1861-1865）时美丽的南部的田园牧游生活开场，看似没好的田园生活却充满了奴隶制的罪恶，在田园里采摘棉花的是黑人奴隶，赶着牛羊放牧的也是黑人奴隶，他们除了本色的黑属于自己之外，剩下的只有单薄瘦弱的身躯和被剥夺的自由。
接下来的一幕与前面的黑奴的生活形成了鲜明的对比，两位看似绅士的庄园子弟围绕了影片的主人公斯佳丽在高谈阔论，他们充满了自傲，甚至憧憬着南北战争，盲目地自信着能在战场上大显身手。
他们围绕在斯佳丽的两旁，试图用对战争的高谈阔论来吸引和打动这位美丽的少女，犹如两只雄天鹅在一只美丽的白天鹅面前争跳“求爱舞”，可悲的是斯佳丽对他们的谈论并不感兴趣，她所感兴趣得是庄园主和有爵位的人所举办的舞会，因为她可以在舞会上邂逅她的情人，她一直挂念的情人-----艾西利。
她讨厌战争，因为战争会破坏舞会，破坏她所向往的舞会上与情人的翩翩起舞，破坏她与情人的缠绵浪漫。
在她的眼中根本就不会有战争的到来，因为在她看来，只应该有充满浪漫和激情的舞会，只应该有香醇的美酒和缠绵悱恻的爱情。
然而她身旁的两位充满自信的绅士却不以为然，他们憧憬着战争。
斯佳丽对两位绅士的谈论毫无兴趣，甚至以“你们再谈论战争，我就进去了”的警告让两位停止对战争的谈论，以免打扰了她心中的梦。
可两位绅士对战争的憧憬远远超过了斯佳丽的警告，他们继续谈论，甚至期望斯佳丽能支持他们上战场，犹如两位角斗士要在比武场上一绝高低一般。
当斯佳丽起身故作要进屋时，两位绅士意识到了留住美人可比谈论战争重要。
他们开始转变话题，谈论斯佳丽所感兴趣得舞会，他们期盼着在舞会上与斯佳丽为伴，当斯佳丽随意答应愿意与两位绅士共舞时，黑天鹅发出了求爱成功般得叫喊。
可惜的是斯佳丽接着说了一句话“如果我没跟别人跳的话，我才会答应和你们跳。
”高兴的叫喊顿时变成了失望和以一个秘密为诱饵的“舞伴交易。
”当两位绅士告诉斯佳丽，艾西利要娶他的表妹---来自亚特兰大的梅勒妮时，斯佳丽蒙了。
(乱世佳人)Gone_with_the_Wind_英文介绍及赏析
ARGARET ITCHELL WAS BORNlawyer and the president of the Atlanta Historical Society, and her mother was a suffragette (a woman in support of extending the right to vote, especially to women) and an advoc ate of women’s rights in general. Mitchell grew up listening to stories about Atlanta during the Civil War, stories often told by people who had lived through the war. Mitchell attended Smith College, a women’s college in Northampton, Massachusetts. In 1919, she returned to Atlanta and began to live a lifestyle considered wild by the standards of the 1920s. After a disastrous first marriage, Mitchell began a career as a journalist and married an advertising executive named John Robert Marsh. In 1926, encouraged by her husband, Mitchell began to write the novel that would become Gone with the Wind. She went through nine complete drafts of the thousand-page work, setting an epic romance against the Civil War background she knew so well. In the first ei ght drafts, the protagonist was called Prissy Hamilton, not Scarlett O’Hara (as the character was renamed in the final draft).Gone with the Wind differs from most Civil War novels by glorifying the South and demonizing the North. Other popular novels about the Civil War, such as Stephen Crane’s The Red Badge of Courage, are told from a Northern perspective and tend to exalt the North’s values. Mitchell’s novel is unique also for its portrayal of a strong-willed, independent woman, Scarlett O’Hara, who shares many characteristics with Mitchell herself. Mitchell frequently defied convention, divorcing her first husband and pursuing a career in journalism despite the disapproval of society.Gone with the Wind was published in 1936, ten years after Mitchell began writing it. A smash success upon publication, Gone with the Wind became—and remains even now—one of the best-selling novels of all time. It received the 1937 Pulitzer Prize. In the late 1930s a film version of the novel was planned, and David O. S elznick’s nationwide search for an actress to play Scarlett O’Hara captivated the nation’s attention. The resulting film starred Vivien Leigh and Clark Gable as Scarlett O’Hara and Rhett Butler, and it quickly became one of the most popular motion pictures of all time.Mitchell was less than thrilled by the sweeping popularity of her work. She found the spotlight uncomfortable and grew exhausted and ill. Gone with the Wind is her only novel, though she continued to write nonfiction. Mitchell volunteered extensively during World War II and seemed to regain her strength. In 1949 a car struck and killed Mitchell while she was crossing Peachtree Street in Atlanta.Many critics question the literary merit and outdated racial stances of Gone with the Wind. Some consider the novel fluffy, partly because women of Mitchell’s time rarely received credit for serious literary fiction and partly because the novel features a romance along with its historical plot. Both blacks and whites have harshly criticized Mitchell’s sympathetic depiction of slavery and the Ku Klux Klan and her racist depiction of blacks. The novel is most valuable ifread with an understanding of three historical contexts: our own, Mitchell’s, and Scarlett’s.Plot OverviewI T IS THE SPRING OF 1861.Scarlett O’Hara, a pretty Southern belle, lives on Tara, a large plantation in Georgia. She concerns herself only with her numerous suitors and her desire to marry Ashley Wilkes. One day she hears that Ashley is engaged to Melanie Hamilton, his frail, plain cousin from Atlanta. At a barbecue at the Wilkes plantation the next day, Scarlett confesses her feelings to Ashley. He tells her that he does love her but that he is marrying Melanie because she is similar to him, whereas he and Scarlett are very different. Scarlett slaps Ashley and he leaves the room. Suddenly Scarlett realizes that she is not alone. Rhett Butler, a scandalous but dashing adventurer, has been watching the whole scene, and he compliments Scarlett on being unladylike.The Civil War begins. Charles Hamilton, Melanie’s timid, dull brother, proposes to Scarlett. She spitefully agrees to marry him, hoping to hurt Ashley. Over the course of two months, Scarlett and Charles marry, Charles joins the army and dies of the measles, and Scarlett learns that she is pregnant. After Scarlett gives birth to a son, Wade, she becomes bored and unhappy. She makes a long trip to Atlanta to stay with Melanie and Melanie’s aun t, Pittypat. The busy city agrees with Scarlett’s temperament, and she begins to see a great deal of Rhett. Rhett infuriates Scarlett with his bluntness and mockery, but he also encourages her to flout the severely restrictive social requirements for mourning Southern widows. As the war progresses, food and clothing run scarce in Atlanta. Scarlett and Melanie fear for Ashley’s safety. After the bloody battle of Gettysburg, Ashley is captured and sent to prison, and the Yankee army begins bearing down on Atlanta. Scarlett desperately wants to return home to Tara, but she has promised Ashley she will stay with the pregnant Melanie, who could give birth at any time.On the night the Yankees capture Atlanta and set it afire, Melanie gives birth to her son, Beau. Rhett helps Scarlett and Melanie escape the Yankees, escorting them through the burning streets of the city, but he abandons them outside Atlanta so he can join the Confederate Army. Scarlett drives the cart all night and day through a dangerous forest full of deserters and soldiers, at last reaching Tara. She arrives to find that her mother, Ellen, is dead; her father, Gerald, has lost his mind; and the Yankee army has looted the plantation, leaving no food or cotton. Scavenging for subsistence, a furious Scarlett vows never to go hungry again.Scarlett takes charge of rebuilding Tara. She murders a Yankee thief and puts out a fire set by a spiteful Yankee soldier. At last the war ends, word comes that Ashley is free and on his way home, and a stream of returning soldiers begins pouring through Tara. One such soldier, a one-legged homeless Confederate named Will Benteen, stays on and helps Scarlett with the plantation. One day, Will brings terrible news: Jonas Wilkerson, a former employee at Tara and current government official, has raised the taxes on Tara, hoping to drive theO’Haras out so that he mig ht buy the plantation. Distraught, Scarlett hurries toAtlanta to seduce Rhett Butler so that he will give her the three hundred dollars she needs for taxes. Rhett has emerged from the war a fabulously wealthy man, dripping with earnings from his blockade-running operation and from food speculation. However, Rhett is in a Yankee jail and cannot help Scarlett. Scarlett sees her sister’s beau, Frank Kennedy, who now owns a general store, and forges a plan. Determined to save Tara, she betrays her sister and marries Frank, pays the taxes on Tara, and devotes herself to making Frank’s business more profitable.After Rhett blackmails his way out of prison, he lends Scarlett enough moneyto buy a sawmill. To the displeasure of Atlanta society, Scarlett becomes a shrewd businesswoman. Gerald dies, and Scarlett returns to Tara for the funeral. There, she persuades Ashley and Melanie to move to Atlanta and accept a share in her lumber business. Shortly thereafter, Scarlett gives birth to Frank’s child, Ella Lorena.A free black man and his white male companion attack Scarlett on her way home from the sawmill one day. That night, the Ku Klux Klan avenges the attack on Scarlett, and Frank ends up dead. Rhett proposes to Scarlett and she quickly accepts. After a long, luxurious honeymoon in New Orleans, Scarlett and Rhett return to Atlanta, where Scarlett builds a garish mansion and socializes with wealthy Yankees. Scarlett becomes pregnant again and has another child, Bonnie Blue Butler. Rhett dotes on the girl and begins a successful campaign to win back the good graces of the prominent Atlanta citizens in order to keep Bonnie from being an outcast like Scarlett.Scarlett and Rhett’s marriage begins happily, but Rhett becomes increasingly bitter and indifferent toward her. Scarlett’s feelings for Ashley have diminished into a warm, sympathetic friendship, but Ashley’s jea lous sister, India, finds them in a friendly embrace and spreads the rumor that they are having an affair. To Scarlett’s surprise, Melanie takes Scarlett’s side and refuses to believe the rumors.After Bonnie is killed in a horse-riding accident, Rhett nearly loses his mind, and his marriage with Scarlett worsens. Not long after the funeral, Melanie has a miscarriage and falls very ill. Distraught, Scarlett hurries to see her. Melanie makes Scarlett promise to look after Ashley and Beau. Scarlett realizes that she loves and depends on Melanie and that Ashley has been only a fantasy for her. She concludes that she truly loves Rhett. After Melanie dies, Scarlett hurries to tell Rhett of her revelation. Rhett, however, says that he has lost his love for Scarlett, and he leaves her. Grief-stricken and alone, Scarlett makes up her mind to go back to Tara to recover her strength in the comforting arms of her childhood nurse and slave, Mammy, and to think of a way to win Rhett back. Character ListScarlett O’Hara - The novel’s protagonist. Scarlett is a pretty, coquettish Southern belle who grows up on the Georgia plantation of Tara in the years before the Civil War. Selfish, shrewd, and vain, Scarlett inherits the strong will of her father, Gerald, but also desires to please her well-bred, genteel mother, Ellen. When hardships plague Scarlett, she shoulders the troubles of her family andfriends. Scarlett’s simultaneous desire for the Southern gentleman Ashley andthe opportunistic New Southerner Rhett Butler parallels the South’s struggle to cling to tradition and still survive in the new era.Scarlett O’Hara (In-Depth Analysis)Rhett Butler - Scarlett’s third husband, and a dashing, dangerous adventurer and scoundrel. Expelled from West Point and disowned by his prominent Charleston family, Rhett becomes an opportunistic blockade-runner during the war, emerging as one of the only rich Southern men in Atlanta after the war. Rhett proves himself a loving father and, at times, a caring husband. Though he loves Scarlett, his pride prevents him from showing her his love, and it even leads him to brutality. Candid, humorous, and contemptuous of silly social codes, Rhett exposes hypocrisy wherever he goes. He represents postwar society, a pragmatic, fast-paced world in which the strong thrive and the weak perish.Rhett Butler (In-Depth Analysis)Ashley Wilkes - The handsome, chivalrous, and honorable heir to the Twelve Oaks plantation near Tara. Ashley bewitches Scarlett through most of the novel. After the war, Ashley becomes resigned and sad, and he regrets not marrying Scarlett. Committed to his honor and Southern tradition, he cannot adjust to the postwar South. Ashley represents the values and nostalgia of the Old South.Ashley Wilkes (In-Depth Analysis)Melanie Hamilton Wilkes - The frail, good-hearted wife of Ashley Wilkes. Melanie provokes Scarlett’s jealous hatred throughout most of the novel. After the two women suffer together through the Civil War, however, a strong bond forms between them. Eventually, Scarlett understands that Melanie’s unflagging love and support has been a source of strength for her. Like Ashley, Melanie embodies the values of the Old South, but in contrast to Ashley’s futile dreaming, Melanie faces the world with quiet but powerful inner strength.Gerald O’Hara - Scarlett’s father. Gerald is a passionately loyal Confederate who immigrated to America from Ireland as a young man. His strong will, tendency to drink, and selfishness echo in Sca rlett’s nature. Scarlett also inherits Gerald’s love for the South and for his plantation, Tara.Ellen O’Hara - Scarlett’s mother, and a descendent of the aristocratic Robillard family. Ellen marries Gerald and devotes herself to running Tara after her father forbids her love affair with Philippe, her cousin. Refined and compassionate, strong and firm, Ellen serves as an impossible ideal for the willful Scarlett. Even after Ellen’s death, Scarlett struggles with the competing desires to please her mother and please herselfMammy - Scarlett’s childhood nurse. Mammy is an old, heavyset slave who was also nurse to Scarlett’s mother, Ellen. Loyal and well-versed in Southern etiquette, Mammy keeps Scarlett in line. After Ellen’s death, Mammy becomesfor Scarlett one of the only living reminders of the Old South.Frank Kennedy - Scarlett’s weak-willed but kind second husband. Frank is described as an ―old maid in britches.‖ Scarlett steals him away from her sister Suellen so that he will pay the taxes necessary to save Tara.Charles Hamilton - Melanie’s brother and Scarlett’s first husband. Charles is a timid and bland boy for whom Scarlett feels no love. Charles’s death early in the war confines Scarlett to the role of widow. Scarlett finds the social expectations surrounding widowhood—that she wear a black veil, for example, and refrain from laughter and pleasure—overly restrictive.Aunt Pittypat Hamilton - Melanie and Charles Hamilton’s aunt. Aunt Pittypat is a flighty old maid who faints from shock several times a day. Scarlett lives with Aunt Pittypat for much of her stay in Atlanta.Bonnie Blue Butler - Scarlett’s third and last child. Bonnie is the daughter of Rhett Butler. Spoiled and strong-willed like her mother, Bonnie elicits utter devotion from Rhett and eventually replaces Scarlett as the center of Rhett’s attention.Suellen O’Hara - Scarlett’s younger sister. Suellen is a selfish, petty girl who marries Will Benteen after Scarlett steals Frank from her.Carreen O’Hara - Scarlett’s youngest sister. Carreen is a good-natured girl who turns to religion after the war and joins a convent.India Wilkes - Ashley’s cold and jealous sister. India never forgives Scarlett for stealing Stuart Tarleton from her during their youth. At one point India catches Scarlett embracing Ashley and gossips about the sight, causing a great debate among all of Atlanta society.Big Sam - The gigantic slave and foreman of the field hands at Tara. Big Sam saves Scarlett from her attacker in Shantytown.Pork - Gerald O’Hara’s first slave. Pork is loyal and devoted to the O’Haras. Prissy - The daughter of Dilcey, a slave at Twelve Oaks. Prissy is a foolish, lazy young slave prone to telling lies. The late discovery of Prissy’s lie that she knows how to assist at childb irth compels Scarlett to deliver Melanie’s baby herself, which is one of Scarlett’s first significant acts of self-sufficiency.Emmie Slattery - A young woman whose poor white family lives in the swamp bottom near Tara. Emmie is considered ―white trash,‖and Scarlett’s class-conscious, genteel society dislikes Emmie, as does the narrator.Jonas Wilkerson - The Yankee overseer of Tara whom Gerald fires for impregnating Emmie Slattery. Jonas works for the Freedmen’s Bureau after the war and marries Emmie. He raises taxes on Tara to try to force out the O’Haras, prompting Scarlett’s marriage to Frank Kennedy.Belle Watling - An Atlanta prostitute with whom Rhett Butler has along-term affair. She wins the gratitude of the Atlanta Ku Klux Klan by providing them with an alibi for a murder.Will Benteen - A one-legged Confederate soldier who becomes a fixture at Tara after the war despite his lack of family or wealth. Will makes Tara a marginally profitable farm. His competence allows Scarlett to move to Atlanta and leave him in charge.Wade Hampton Hamilton - Scarlett’s oldest child. The son of Charles Hamilton, Wade inherits his father’s timid and bland disposition.Ella Lorena Kennedy - Scarlett’s second child. Ella Lorena is the ugly, silly daughter of Frank Kennedy.Analysis of Major CharactersScarlett O’HaraThe protagonist of Gone with the Wind, Scarlett is a dark-haired, green-eyed Georgia belle who struggles through the hardships of the Civil War and Reconstruction. Scarlett exhibits more of her fat her’s hard-headedness than her mother’s refined Southern manners. Although initially she tries to behave prettily, her instincts rise up against social restrictions. Determination defines Scarlett and drives her to achieve everything she desires by any means necessary. This determination first manifests itself in her narcissistic and sometimes backstabbing efforts to excite the admiration of every young man in the neighborhood. Later, under threat of starvation and even death, she is determined to survive and does so by picking cotton, running her entire plantation, forging a successful business, and even killing a man.Scarlett also aims to win Ashley Wilkes, and her failure to do so guides the plot of the novel. Ashley’s marriage to Melanie Hamilton and re jection of Scarlett drive nearly all of Scarlett’s important subsequent decisions. Scarlett marries Charles Hamilton to hurt Ashley, stays by Melanie’s side through the war because she promises Ashley she will, and loses her true love, Rhett Butler, because of her persistent desire to win Ashley. Scarlett possesses remarkable talent for business and leadership. She recovers her father’s plantation, Tara, after the war leaves it decimated, and she achieves great success with her sawmill in Atlanta. Despite her sharp intelligence, however, she has almost no ability to understand the motivations and feelings of herself or others. Scarlett lives her life rationally: she decides what constitutes success, finds the most effective means to succeed, and does not consider concepts like honor and kindness. She often professes to see no other choices than the ones she makes.Scarlett’s development precisely mirrors the development of the South. She changes from spoiled teenager to hard-working widow to wealthy opportunist, reflecting the South’s change from leisure society to besieged nation to compromised survivor. Scarlett embodies both Old and New South. She clings to Ashley, who symbolizes the idealized lost world of chivalry and manners, but she adapts wonderfully to the harsh and opportunistic world of the New South, ultimately clinging to dangerous Rhett, who, like Scarlett, symbolizes the combination of old and new.Rhett ButlerDark, dashing, and scandalous, Rhett Butler brings excitement to Scarlett’s life and encourages her impulse to change and succeed. Thrown out of both West Point and his aristocratic Charleston family for dishonorable behavior, Rhett, like Scarlett, goes after what he wants and refuses to take ‘no’ for an answer. He earns his fortune throug h professional gambling, wartime blockade-running, and food speculation, behavior that earns him the contempt and even hatred of what he terms the Old Guard—the old Southern aristocracy. Rhett sees through hypocrisy and self-delusion, horrifying people by cutting down their egos and illusions with agility and pleasure.Whereas Ashley cannot face reality and change, Rhett thrives on both. Because of his opportunism, Rhett symbolizes the New South. However, as the novel progresses, we see that Rhett does care about the Old South. At two critical points in the novel, Rhett abandons Scarlett to commit himself to the Old South. First, he leaves Scarlett in hostile territory and joins the Confederate army. Second, at the end of the novel he leaves Scarlett and goes in search of remnants of the Old South. This sentimentality complicates Rhett’s character and reveals that he is partially motivated by emotion. Ultimately, Rhett symbolizes pragmatism, the practical acceptance of the reality that the South must face in order to survive in a changed world. He understands that the U.S. government has overhauled the Southern economy and that the old way of life is gone forever. He adapts to the situation masterfully, but he does not fully abandon the idealized Southern past. Rhett falls in love with Scarlett, but, despite their eventual marriage, their relationship never succeeds because of Scarlett’s obsession with Ashley and Rhett’s reluctance to express his feelings. Because Rhett knows that Scarlett scorns men she can win easily, Rhett refuses to show her she was won him. He mocks her, argues with her, and eventually resorts to cruelty and indifference in order to win her. But his fondness for her is evident in his support of her, as he encourages her to shun social customs and gives her money to start her own business.Ashley WilkesBlond, dreamy, and honorable, Ashley Wilkes is the foil to Rhett’s dark, realistic opportunism. Ashley courts Scarlett but marries Melanie Hamilton, thus setting in motion Scarlett’s centra l conflict. Ashley is the perfect prewar Southern gentleman: he excels at hunting and riding, takes pleasure in the arts, and comes from an excellent family. Scarlett’s idealization of Ashley slowly fades as time goes on, and she finally sees that the Ashley she loves is not a real man but a man embellished and adorned by her imagination. Ashley admits to his love for Scarlett, but as a gentleman he ignores this love in order to marry Melanie, the more socially appropriate match for him. He excels at battle despite his doubts about the Southern cause. As the novel progresses, though, Ashley displays signs of weakness and incompetence. After the war he is worthless on the plantation and cannot adjust to the new world. Whereas Rhett and Scarlett survive by sacrificing their commitment to tradition, Ashley cannot or will not allow himself to thrive in a changed society. He sinks even lower as he sacrifices his honor—the only thing he still values in himself—by accepting charity from Scarlett in the form of a share in her mill and by kissing her twice.Ashley represents the Old South and Southern nostalgia for the prewar days. He epitomizes the old lifestyle and cannot function in the New South that emerges during and after the war. Scarlett clings to him like many Southerners cling to dreams of their old lives, but her eventual recognition of Ashley’s weakness and incompetence enables her to see that dreaming of a lost world makes one weak.Themes, Motifs & SymbolsThemesThemes are the fundamental and often universal ideas explored in a literary work.The Transformation of Southern CultureGone with the Wind is both a romance and a meditation on the changes that swept the American South in the 1860s. The novel begins in 1861, in the days before the Civil War, and ends in 1871, after the Democrats regain power in Georgia. The South changes completely during the intervening years, and Mitchell’s novel illustrates the struggles of the Southern people who live through the Civil War era.The novel opens in prewar Georgia, where tradition, chivalry, and pride thrive. As the Civil War begins, the setting shifts to Atlanta, where the war causes the breakdown of traditional gender roles and power structures. When the South loses the war and the slaves are freed, putting a stop to the Southern way of life, the internal conflict intensifies. White men fear black men, Southerners hate profiteering or domineering Northerners, and impoverished aristocrats resent the newly rich. Mitchell’s main characters embody the conflicting impulses of the South. Ashley stands for the Old South; nostalgic and unable to change, he weakens and fades. Rhett, on the other hand, opportunistic and realistic, thrives by planting one foot in the Old South and one foot in the New, sometimes even defending the Yankees.Overcoming Adversity with WillpowerScarlett manages to overcome adversity through brute strength of will. She emerges as a feminist heroine because she relies on herself alone and survives the Civil War and Reconstruction unaided. She rebuilds Tara after the Yankee invasion and works her way up in the new political order, taking care of helpless family members and friends along the way. Mitchell suggests that overcoming adversity sometimes requires ruthlessness. Scarlett becomes a cruel businesswoman and a domineering wife, willingly coarsening herself in order to succeed. Other characters succeed by exercising willpower, among them Old Miss Fontaine, who watched Indians scalp her entire family as a child and then gritted her teeth and worked to raise her own family and run a plantation. Rhett Butler also wills his way to success, although he covers up his bullheaded willpower with a layer of ease and carelessness.The Importance of LandIn Chapter II, Gerald tells Scarlett that ―[l]and is the only thing in the world that amounts to anything.‖ At critical junctures Scarlett usually remembers that land, specifically Tara, is the only thing that matters to her. When Scarlett escapes to Tara from Atlanta during the war, she lies sick and weak in the garden at neighboring Twelve Oaks and the earth feels ―soft and comfortable as a pillow‖ against her cheek. After feeling the comfort of the land, she resolves to look forward and continue the struggle with newfound vigor. Scarlett prizes land even over love. When Ashley rejects Scarlett’s proposed affair, he gives her a clump of Tara’s dirt and reminds her that she loves Tara more than she loves him. Feeling the dirt in her hand, Scarlett realizes that Ashley is right. At the end of the novel, when all else is lost, Scarlett thinks of Tara and finds strength and comfort in its enduring presence.MotifsMotifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.Female Intelligence and CapabilityDespite the severe gender inequality of their time, women in Gone with the Wind show strength and intelligence that equals or bests the strength and intelligence of men. Scarlett is cunning, and manipulates men with ease. She runs Tara when her father falls ill, and eventually realizes that she has a better head for business than most men. She becomes a very successful mill owner, running every aspect of the business and putting her weak, incompetent husband to shame. Melanie, although she is a subdued figure, exhibits increasing strength as the novel progresses, and she eventually emerges as the novel’s strongest female character. She provides much of Scarlett’s strength, although Scarlett realizes this only at the end of the novel. Melanie also protects Ashley from the world he cannot face. Despite her humble means, she single-handedly facilitates the restoration of Atlanta society. Old Miss Fontaine and Ellen also demonstrate strength and intelligence. Both women act as head of the family, and the narrator describes Ellen as the true mind and strength behind Tara.Alcohol AbuseAlcohol abuse occurs throughout the novel, as Gerald, Scarlett, and Rhett all rely heavily on drinking. Characters use alcohol to cope with stress, but when they abuse alcohol, disaster ensues. Drinking is partly responsible for Gerald’s death: he rides his horse while drunk, misses a jump, and is thrown to his death. Mitchell suggests that Scarlett cheapens herself unnecessarily by drinking. Gerald disapproves of her drinking, which begins only after she escapes Atlanta, because ladies never drink liquor in polite Southern society. Scarlett continues to drink at Tara whenever she feels overworked or troubled, and she brings her habit to Atlanta when she moves back. Rhet t’s drinking reveals his insecurity, a disaster for Rhett since he is obsessed with mastery and self-sufficiency. Rhett begins to drink heavily as his relationship with Scarlett deteriorates, and he drinks even more when their daughter, Bonnie, dies.ProstitutionProstitution threatens and embarrasses the characters, but it alsointrigues them. Scarlett first sees a prostitute in Atlanta and is instantly fascinated. The woman she sees is Belle Watling, and the fascination she feels persists throughout the novel. Belle is an exaggerated version of Scarlett, which perhaps explains Scarlett’s interest in her. Both women ignore social mandates, manipulate and seduce men, and trade sex for money. Scarlett offers to prostitute herself to Rhett in order to get money for taxes, putting herself in Belle’s moral camp. If Scarlett can be read as a high-class prostitute, Belle can be read as alow-class aristocrat. Belle has the ideal aristocrat’s impulse to help the needy; she saves Atlanta’s Ku Klux Klan members fr om prosecution by providing an alibi for them. Mitchell depicts Belle as human and generous and perhaps morally superior to the ruthless Scarlett she resembles.Symbols。
《飘》（节选）三种译作之比较及赏析
《飘》(节选)三种译作之比较及赏析《飘》(Gone with the Wind)是美国著名女小说家玛格丽特・米西尔(Margaret Mitchell,1900―1949)的成名作。
她生于亚特兰大市,曾获文学博士学位,担任过《亚特兰大新闻报》的记者。
1937年《飘》获得普利策奖。
1939年她获纽约南方协会金质奖章。
1949年,她不幸死于车祸。
她短暂的一生并未留下太多的作品,但只一部《飘》足以奠定她在世界文学史中不可动摇的地位。
《飘》一经出版,立刻畅销全国,再版70多次,并被译成40多种文字,传遍全球,至今畅销不衰。
一、作者背景和作品介绍1900年11月8日,玛格丽特・米切尔出生于美国佐治亚州亚特兰大市的一个律师家庭。
她的父亲曾经是亚特兰大市的历史学会主席。
米切尔曾就读于华盛顿神学院、马萨诸塞州的史密斯学院。
1925年与约翰・马尔什结婚,婚后辞去报职,潜心写作。
米切尔一生中只发表了《飘》这部长篇巨著。
她从1926年开始着力创作《飘》,十年之后,作品问世,一出版就引起了强烈的反响。
由于家庭的熏陶,米切尔对美国历史,特别是南北战争时期美国南方的历史产生了浓厚的兴趣。
她在家乡听闻了大量有关内战和战后重建时期的种种轶事和传闻,接触并阅读了大量有关内战的书籍。
她自幼在南部城市亚特兰大成长,耳濡目染了美国南方的风土人情,这里的自然环境和社会环境成了米切尔文思纵横驰骋的背景和创作的源泉。
当26岁的玛格丽特决定创作一部有关南北战争的小说时,亚特兰大自然就成了小说的背景。
《飘》是一部描写爱情的小说。
这本书以美国南北战争时期的南方社会为背景,以郝思嘉为主线,描写了几对青年的爱情纠葛。
作者站在同情农奴主的立场上,描写了美国南北战争和战后重建的情况,情节生动、笔调幽默,具有南方浪漫传奇小说的传统。
米切尔以她女性的细腻,精确地把握了人物复杂的心理活动,成功地塑造了郝思嘉这一复杂的人物形象。
小说的构思极富浪漫情调,人物和场景的描写细腻生动,语言优美生动,对白个性化,使得整部作品极具魅力。
名著飘赏析
After all， tomorrow Is another day.
稿件见诸报端。这些稿件中有一组便是玛格丽特为过去南
玛
方邦联将领写的专题报道。
格
在经历了一次失败的婚姻之后，玛格丽特于1925年与佐治
丽
亚热力公司的广告部主任约翰·马施结婚。1926年，由于腿
特
部负伤，玛格丽特不得不辞去报社的工作。在丈夫的鼓励下， 她开始致力于创作。
米
切
尔
·
“我不知道一个作家的生活会是这个样子。如果我 事先知道的话，我绝不会企图去当一名作家。过去的几 十年里我的生活一直非常宁静。这是我自己选择的一种 生活方式，因为我不善于与人交往；因为我希望工作， 喜欢安静；也因为我身体不很好，需要休息。近日来， 我的生活已经彻底丧失了那种宁静安谧的气氛。”
第三次，当弗兰克为了保护她而
被打死后，一直在一旁静静的观看的 白瑞德终于决定打破自己不结婚的决 定，为了让她不再为钱嫁人，他让她 毫无后顾之忧，但郝思嘉却仍挂念着 艾希礼
直至白瑞德的最后一丝信念被消磨光 时，她才明白真正的爱人是谁
斯嘉丽，我从来不是那样的人，不能耐心的拾起一些碎 片，把它们粘合在一起，然后对自己说这个修补好了的东西 跟新的完全一样。一样东西破碎了就是破碎了——我宁愿记 住它最好时的模样，而不想把它修补好，然后终生看着那些 破碎了的地方。
就是一次爱情的交锋。
白瑞德与斯嘉丽 的四个经典场景
瑞瑞特特为在了经帮历助了斯丧佳女丽之重痛返和故斯里佳，丽拼 在死精弄神了上一的匹背身叛负后重，伤面的对老玫马兰，妮并的帮 之助死她，把对玫一兰切妮都抱灰到心马失车望上至，极同，时回一 家路收历拾经行辛李苦，，返并回在自即己将的要故到乡达，的查时 尔候斯，顿瑞。特当看愚到蠢许的多斯南佳方丽兵最前后仆发后现继， 自视己死已如深归爱，瑞深特感时震，撼才，发并现决已定最上终战 失场去，了为自保己卫最家心园爱尽的一人份。力瑞。特最后 走得十分干脆，让斯佳丽深感懊悔。 直到这里，我们才听到那颗曾经为 爱而柔软的心破碎的声音，同时也 因为破碎而对斯佳丽变得“冷酷无 情”
《飘》经典片段赏析
《飘》经典片段赏析
她曾经怀着惊恐和沮丧的心情回到塔拉去过，后来在它的庇护下恢复了，又坚强地武装起来，重新投入战斗。
凡是她以前做过的，无论怎样----请上帝保佑，她能够再来一次！
至于怎么做，她还不清楚。
她现在不打算考虑这些。
她唯一需要的是有个歇息的空间来熬受痛苦，有个宁静的地方来舔她的伤口，有个避难所来计划下一个战役。
她一想到塔拉就似乎有一只温柔而冷静的手在悄悄抚摩她的心似的。
她看得见那幢雪白发亮的房子在秋天转红的树叶掩映中向她招手欢迎，她感觉得到乡下黄昏时的宁静气氛像祝祷时的幸福感一样笼罩在她周围，感觉得到落在广袤的绿白相映的棉花田里的露水，看得见跌宕起伏的丘陵上那些赤裸的红土地和郁郁葱葱的松树。
……
她具有她的家族那种不承认失败的精神，即使失败就摆在眼前。
如今就凭这种精神，她把下巴高高翘起。
她能够让瑞德回来。
她知道她能够。
世界上没有哪个男人她无法得到，只要她下定决心就是了。
“我明天回塔拉再去想吧。
那时我就经受得住一切了。
明天，我会想出一个办法把他弄回来。
毕竟，明天又是另外的一天呢。
”。
关于《飘》的文学赏析
关于《飘》的文学赏析无为县姚沟镇：肖本波摘要：《飘》以19世纪60年代美国南北战争和战后重建时期为背景，以女主人公斯佳丽的爱情纠葛和生活遭遇为主线，着力刻画了姿色迷人、聪明能干的大庄园主女儿思嘉的形象。
作者把浪漫的爱情故事与现实中美国南北战争的描写贯穿在一起，双线交织，错落有致。
既写出了斯佳丽与阿希礼，巴特勒之间的爱情纠葛，读来曲折动人；又展现出一幅幅惊心动魄，纵横交错的南北战争和战后重建的历史画卷，似一首雄浑瑰丽的史诗，特别是斯佳丽的敢于面对现实不向命动低头，顽强不屈的拼搏奋斗，给人以极大的心灵震撼和精神鼓舞。
生活仿佛与斯佳丽开了一个无以伦比的玩笑，却又是真实的存在，她需要为自己的执拗和任性付出最惨痛的代价，在一切都随风飘过之后，斯佳丽成熟了。
关键词：《飘》；故事情节；人物；赏析《飘》以19世纪60年代美国南北战争和战后重建时期为背景，以女主人公思嘉的爱情纠葛和生活遭遇为主线，着力刻画了姿色迷人、聪明能干的大庄园主女儿思嘉的形象。
她争强好胜、贪婪冷酷、为达目的不择手段。
本书在描绘人物生活与爱情的同时，勾勒出南北双方在政治、经济、文化各个层面的异同，具有浓厚的史诗风格，堪称美国历史转折时期的真实写照，同时也成为历久不衰的爱情经典。
小说里美丽的南国，雾气弥漫，阳光灿烂，以丰厚的物质打底，人们的容貌与欲望同时得到精心雕塑，繁复细致，温柔优雅，而生活则糜烂奢华。
充满生机的土地，积累了太多记忆与经验，一代代发酵、腐化，最终瓦解。
一、《飘》的故事情节赏析（一）“爱情”成为作品的主题追逝爱情，这总是一个不会老去，近乎永恒的主题。
年轻的美利坚国土上那次最惨重的战争给她构筑了最宏伟的舞台背景，而无疑，斯佳丽这位迷人的南方姑娘成为最耀眼的主人公。
斯佳丽和阿希礼的爱情一开始，不知道那能不能算做爱情。
她是真正爱阿希礼的么？她一直没有意识到：阿希礼的爱她永远也不可能得到。
斯佳丽只是一尾披带华丽鳞片的鱼儿，水中激起的流畅波纹让她自负于自己的美丽。
第2章《飘》评析【几种译文对照版】
• 但读者在阅读的过程中却会不时为斯佳丽 的真实所感动。她貌似自私，却没有在危 难时刻抛下情敌；她貌似贪图钱财，但更 多是为了家庭为了自己关心的人而努力； 她为爱情而疯狂，而在失去爱情的最后关 头却重拾对生活的信心。斯佳丽就像一株 有着顽强生命力的野草，尽管几经挫折， 却不放弃任何一次生存下来的机会。
第3章 《简爱》几种译 文评析
广东外语外贸大学高级翻译学院 李 明 教授 博士
一、关于《飘》
• 《飘》是美国女作家玛格丽特·米歇尔 创作的反映美国南北战争的浪漫主义小 说。 • 故事发生在南北战争前夕，乔治亚州塔 拉庄园的千金小姐斯佳丽疯狂地爱上了 邻居艾希利，而艾希利却爱上了斯佳丽 的亲戚韩媚兰。斯佳丽盛怒之下嫁给了 自己根本不爱的查尔斯。查尔斯病死战 争中后，斯佳丽认识了商人白瑞德。白 瑞德对斯佳丽展开追求却并未成功。
• 译文三：1861年4月的一个晴朗的下午，思 嘉同塔尔顿家的孪生兄弟斯图尔特和布伦 特坐在她父亲的塔拉农场阴凉的走廊了， 她标致的模样儿使四周的一派春光显得更 明媚如画了。 • 译文四：1861年4月的一个下午，春光明媚， 斯佳丽同斯图尔特和布伦特一道坐在她父 亲的农场——塔拉农场——门廊的阴凉处， 她那模样宛如画中美人。
• But it was an arresting face, pointed of chin, square of jaw. • 译文一：可是质地虽然不调和，她那一张脸 蛋儿实在迷人得很，下巴颏儿尖尖的，牙床 骨儿方方的。 • 译文二：不过这张脸还是挺引人注目，尖尖 的下巴颏儿，方方的牙床骨儿。 • 译文三：不过这张脸，连同那尖尖的下巴和 四四方方的牙床骨，是很引人注意的。 • 译文四：但她的这张脸着实迷人：尖尖的下 巴，方方的下颌，
• 译文二：她脸蛋上极其明显地融合了父亲的 容貌特征，既有母亲那种沿海地区法国贵族 后裔的优雅，也有父亲那种肤色红润的爱尔 兰人的粗野， • 译文三：她脸上混杂着两种特征，一种是她 母亲的娇柔，一种是她父亲的粗犷，前者属 于法兰西血统的海滨贵族，后者来自浮华俗 气的爱尔兰人，这两种特征显得不太调和了。 • 译文四：斯佳丽的脸上特别明显地混杂着两 种特征：一是母亲眉目清秀的特征，一是父 亲浓眉大眼的特征。她母亲是法国沿海地区 贵族的后裔，父亲是皮肤红润的爱尔兰人。
Gone with the Wind中译文赏析
Gone with the Wind中译文赏析发表时间：2018-07-30T11:24:09.937Z 来源：《知识-力量》2018年8月下作者：赵秀[导读] Gone with the Wind 是美国著名女作家玛格丽特·米歇尔所著，一部带着伤感怀旧情怀的小说。
它以南北战争为背景，重点刻画了一位外表迷人、内心冷酷、性格坚强、头脑精明、命运坎坷的南方佳人的典型艺术形象。
（山东科技大学，山东青岛 266590）摘要：Gone with the Wind 是美国著名女作家玛格丽特·米歇尔所著，一部带着伤感怀旧情怀的小说。
它以南北战争为背景，重点刻画了一位外表迷人、内心冷酷、性格坚强、头脑精明、命运坎坷的南方佳人的典型艺术形象。
其艺术表达方面造诣很高，书中棱角分明的人物和由于主人公之间各自不同的性格和道德观造成的巨大差别，使得小说跌宕起伏，引人入胜。
该小说至今已有多个译本出现，比较著名的有傅东华先生，陈廷良先生，以及戴侃、李野光先生的译本。
本文拟翻译策略、语言风格等方面对这三个译本的第一章开头两个自然段进行对比赏析。
关键词：小说；翻译策略；语言风格1. 从翻译策略上看小说开头两个自然段，其内容是通过对女主人公——Scarlet O’Hara的外貌以及穿着打扮等细节描写，其中对眼睛的重彩刻画暗示了她不规矩、大胆任性的性格特征，为人物的进一步描写及故事情节的展开做铺垫。
因此对这两段意思的传达是非常重要的，逐字逐句的翻译很难达到好的效果。
1）归化和异化归化是傅译最显著的特征，戴、李译属于异化。
比如第一自然段中“her thick black brows”傅译成“两撇墨墨的娥眉”，第二自然段中“new green flowered-muslin dress”译成“新制的绿色花布春衫”。
“娥眉”和“春衫”一词都具有很浓的中国色彩。
这两个短语在陈译和戴、李译中分别是“两道又浓又黑的剑眉”和“绿花布的新衣”（陈译），“两撇墨黑的浓眉”和“新做的绿花布衣裳”。
Gone with the Wind 影评
Gone with the Wind 影评
《飘》是一部经典的电影，它给我带来了深深的感动和共鸣。
这部电影以南北
战争为背景，讲述了一个坚强而独立的女性角色斯嘉丽·奥哈拉的故事。
首先，我要称赞电影的制作团队，他们在再现历史场景方面做得非常出色。
电
影中的战争场面令人震撼，让我仿佛亲身经历了那段动荡的时期。
同时，电影
还展现了那个时代南方庄园的壮丽景色，让观众感受到了旧时代的风华。
然而，《飘》最吸引我的地方是它的人物塑造。
斯嘉丽·奥哈拉是一个非常复杂
的角色，她既有坚强的意志和无尽的勇气，又有脆弱和无助的一面。
她是一个
非常现实的女性，为了生存和保护自己的家人，她不择手段，甚至不惜伤害别人。
这种复杂性使她成为一个令人难以忘怀的角色。
此外，电影还展现了斯嘉丽与男主角雷特·巴特勒之间的爱情故事。
他们之间的
关系充满了矛盾和争执，但又充满了激情和吸引力。
他们的爱情故事让我深思，爱情是否真的能战胜一切，或者在某些情况下，我们是否应该放弃爱情。
最后，电影中的音乐也是一大亮点。
配乐充满了情感和戏剧性，与电影的剧情
完美融合。
每当我听到那首经典的主题曲《飘》时，我不禁陷入深深的回忆和
思考。
总的来说，《飘》是一部让人难以忘怀的电影。
它通过复杂的角色、动人的爱情故事和精彩的制作，给观众带来了深深的感动和共鸣。
这部电影不仅仅是一部
娱乐作品，更是一部关于人性、爱情和生存的经典之作。
无论你是电影爱好者
还是对历史感兴趣，我都强烈推荐你去欣赏这部伟大的电影。
(乱世佳人)Gone with the Wind 英文介绍及赏析
Gone with the Winddiffers from most Civil War novels by glorifying the South and demonizing the North. Other popular novels about the Civil War, such as Stephen Crane’sThe Red Badge of Courage,are told from a Northern perspective and tend to exalt the North’s values. Mitchell’s novel is unique also for its portrayal of a strong-willed, independent woman, Scarlett O’Hara, who shares many characteristics with Mitchell herself. Mitchell frequently defied convention, divorcing her first husband and pursuing a career in journalism despite the disapproval of society.
《飘》主要内容概要及赏析
《飘》主要内容概要及赏析（最新版）编制人：__________________审核人：__________________审批人：__________________编制单位：__________________编制时间：____年____月____日序言下载提示：该文档是本店铺精心编制而成的，希望大家下载后，能够帮助大家解决实际问题。
文档下载后可定制修改，请根据实际需要进行调整和使用，谢谢!并且，本店铺为大家提供各种类型的经典范文，如诗歌散文、原文赏析、读书笔记、经典名著、古典文学、网络文学、经典语录、童话故事、心得体会、其他范文等等，想了解不同范文格式和写法，敬请关注!Download tips: This document is carefully compiled by this editor.I hope that after you download it, it can help you solve practical problems. The document can be customized and modified after downloading, please adjust and use it according to actual needs, thank you!In addition, this shop provides you with various types of classic sample essays, such as poetry and prose, original text appreciation, reading notes, classic works, classical literature, online literature, classic quotations, fairy tales, experience, other sample essays, etc. if you want to know the difference Please pay attention to the format and writing of the sample essay!《飘》主要内容概要及赏析【导语】：《飘》外国文学作品简析【美国】密西尔玛格丽特密西尔(19001949)，是美国作家，一生只写过一部小说，这部小说就是《飘》。
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
SCARLETT O’HARA was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were.
思嘉·奥哈拉长得并不漂亮，但是男人们像 塔尔顿家那对孪生兄弟为她的魅力所迷住 时，就不会这样想了。
Above them, her thick black brows slanted upward, cutting a startling oblique line in hermagnolia -white skin—that skin so prized by Southern women and so carefully guarded withbonnets , veils and mittens against hot Georgia suns. 上面是两条墨黑的浓眉斜在那里，给她木兰花 般白皙的肌肤划上十分分明的斜线，这样白皙 的皮肤对南方妇女是极其珍贵的。她们常常用 帽子、面纱和手套把皮肤保护起来，以防受到 佐治亚炎热太阳的暴晒。
4.hazel ['heizl] n. 榛, 淡褐色 This small animal has a pair of hazel eyes. 这只小动物有一双淡褐色的眼睛。 5.bristly adj. 1. (毛发)短而硬的2. 长满刚毛; 粗糙的3. 林立的4. 易怒的 She finds his beard too bristly. 她觉得他的胡须太扎人。
2.In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. 【难句解析】这句话相当于her face blends the delicate features and the heavy ones... 【句子译文】她脸上有着两种特征，一 种是她母亲的娇柔，来自法兰西血统 的海滨贵族；一种是她父亲的粗犷。
Gone with the wind
CHAPTER I第一章 SCARLETT O’HARA was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent , and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel , starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in hermagnolia -white skin—that skin so prized by Southern women and so carefully guarded withbonnets , veils and mittens against hot Georgia suns.
1.but men seldom realized it when caught by her charm as the Tarleton twins were.
【难句解析】it指上句所指的“SCARLETT O’HARA was not beautiful”，when后面省 略了they(men),as此处表示“和...一样” 【句子译文】但是男人们像塔尔顿家那对孪 生兄弟为她的魅力所迷住时，就不会这样 想了。
6.slant [slɑ:nt] vt. 使倾斜, 歪曲 vi. 倾斜 We slanted across the river. 我们斜渡过河。 7.oblique adj. 间接的, 斜的 He made oblique references to her lack of experience. 他拐弯抹角地说她缺乏经验。 8.magnolia n. 木兰, 玉兰类的植物 9.bonnet n. 软帽 The little girl wears a red bonnet. 那小女孩戴着一顶小红帽。 10.mitten ['mitn] n. 连指手套, 露指手套 In winter she wears mittens. 冬天时她戴连指手套。
Thank you !
In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent , and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel , starred with bristly black lashes and slightly tilted at the ends.
她脸上有着两种特征，一种是她母亲的娇柔， 来自法兰西血统的海滨贵族；一种是她父亲的 粗犷，来自浮华俗气的爱尔兰人，这两种特征 混在一起显得不太协调，但这张脸上尖尖的下 巴和四方的牙床骨，是很引人注意的，她那双 淡绿色的眼睛纯净得没有一丝褐色，配上乌黑 的睫毛和翘起的眼角，显得韵味十足。
1.descent [di'sent] n. 下落, 家世, 倾斜, 侵袭 He traces his descent back to an old norman family. 他追踪自己的世系上溯至一个古老的诺曼家族。 2.florid adj. 华丽的, 红润的, 炫耀的, 绚丽的 a florid complexion 红润的面色 3.arresting adj. 醒目的, 引人注意的, 有趣的 An arresting sculpture 一座引人注意的雕塑