红死魔的假面舞会the masque of the red death

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歌剧魅影歌词

歌剧魅影歌词

THINK OF MECHRISTINEThink of me, think of me, fondly, when we've said goodbye. Remember me once in a while - please promise me you'll try.When you find that, onceagian, you long, to take you heart back and be free -if you ever find a moment,spare a thought for me ...We never said our love was evergreen, or as unchanging as the sea -but if you can still remember,stop and think of me ...Think of all the thingswe've shared and seen -don't think about the thingswhich might have been ...Think of me, think of me waking, silent and resigned.Imagine me, trying too hard toput you from my mind.Recall those days, look back onall those times, think of the thingswe'll never do -there will never be a day, whenI won't think of you ...RAOULCan it be?can it be Christine?Bravo!What a change!You're really not a bitthe gawkish girl that once you were ... She may not remember me, butI remember her ...CHRISTINEWe never said our love was evergreen,or as unchanging as the sea -but please promise me,that sometimes,you will think of me!(中文)请你记得我记着我 .记着我爱你,即使我不能说记着我,记着我爱你当你已不爱我即使命运分离你我即使你从未爱过我即使你已不再爱我但请你记住我从未奢望爱情冬夏常在或如大海横无边界但是假如你仍爱我请说你记得我记得我的笑我的哭泣请记着我爱你,即使你不爱我想着我当天色微明晨光穿过云朵请想着我你就是一切,一切的我往事如昨忧伤缠绕着我为何你从不说爱我但我说即使天地复合.真爱永不落.鲜花凋落,枝头又见硕果万物皆有命能奈何但无论夕阳是否降落我爱永不落但无论夕阳是否降落我爱永不落!——whish you are somehow here again盼望君再来You were once my one companionYou were all that matteredYou were once a friend and fatherThen my world was shatteredWishing you were somehow here again Wishing you were somehow near Sometimes it seemed if I just dreamed Somehow you would be hereWishing I could hear your voice again Knowing that I never would Dreaming of you won’t help me to doAll that you dreamed I couldPassing bells and sculpted angelsCold and monumentalSeem for you the wrong companions You were warm and gentleToo many years fighting back tears Why can’t the pa st just die?Wishing you were somehow here again Knowing we must say goodbyeTry to forgive, teach me to liveGive me the strength to tryNo more memories, no more silent tears No more gazing across the wasted years Help me say goodbyeHelp me say goodbyeMIRROR ( ANGEL OF MUSIC )PHANTOMInsolent boy!This slave of fashion,basking in your glory!Ignorant fool!This brave young suitor,sharing in my triumph!CHRISTINEAngel! I hear you!Speak -I listen ...stay by my side, guide me!Angel, my soul was weak -forgive me ...enter at last, Master!PHANTOMFlattering child, you shall know me,see why in shadow I hide!Look at you face in the mirror -I am there inside!CHRISTINEAngel of Music!Guide and guardian!Grant to me your glory!Angel of Music!Hide no looger!Come to me, strange angel ...PHANTOMI am your Angel ...Come to me: Angel of Music ...RAOULWhose is that voice ...?Who is that in there ...?PHANTOMI am your Angel of Music ...Come to me: Angel of Music ...RAOULChristine! Angel!(中文)魔镜.歌剧魅影花花公子你愚不可及,觊觎着我的荣誉花花公子你放荡不羁,亵渎了我的欢乐我听你说,我听你诉说我的心充满快乐。

《歌剧魅影》英文版 歌词

《歌剧魅影》英文版 歌词

1.Overture(前奏曲)- 乐器2.Think of me(想想我)- 卡尔洛塔、克里斯提娜、拉乌尔3.Angel of music(音乐天使)- 梅格、克里斯提娜4.Little Lotte/The Mirror(小洛蒂/镜子)- 克里斯提娜、魅影、拉乌尔5.The Phantom of the Opera(剧院魅影)- 克里斯提娜、魅影6.The music of the Night(夜的音乐)- 魅影7.I Remember/Stranger Than You Dreamt It(我记得/梦中的陌生人)- 克里斯提娜、魅影8.Magical Lasso(魔法套锁)- 布盖、吉莉夫人、梅格9.Notes/Prima Donna(信件/首席女高音) - 吉莉夫人、费尔明、安德烈、拉乌尔、卡尔洛塔、梅格、魅影10.Poor Fool, He Makes Me Laugh(可怜的傻瓜/他真搞笑) - 卡尔洛塔、皮尔吉11.Why Have You Brought Me Here?/I've Been There(为何带我到此?/我曾去过)- 拉乌尔、克里斯提娜12.All I Ask of You(别无所求)- 拉乌尔、克里斯提娜13.All I Ask of You Reprise (别无所求-回响) - 魅影14.Masquerade(假面舞会)- 吉莉夫人、费尔明、安德烈、克里斯提娜、拉乌尔、梅格、卡尔洛塔、皮尔吉、雷耶尔15.Notes/Twisted Every Way(信件/诸事不顺)- 安德烈、费尔明、吉莉夫人、魅影、克里斯提娜、拉乌尔、梅格、卡尔洛塔、皮尔吉16.Rehearsal (彩排)- 卡尔洛塔、皮尔吉、雷耶尔、吉莉夫人、克里斯提娜17.Wishing you were somehow here again(真希望你还在这里)- 克里斯提娜18.Wandering Child/Bravo, Bravo(迷惘的孩子/万岁,万岁)- 克里斯提娜、拉乌尔、魅影19.Don Juan Triumphant (凯旋的唐璜)- 卡尔洛塔、皮尔吉、帕萨里诺20.The point of no return(覆水难收)- 克里斯提娜、魅影21.Down Once More/Track Down This Murderer(再探地穴/找到凶手)- 费尔明、安德烈、帕萨里诺、梅格、雷耶尔、吉莉夫人22.The point of no return reprise / All I Ask of You Reprise(覆水难收-回响/别无所求-回响)- 克里斯提娜、魅影、拉乌尔1.Think of meThink of me,think of me fondly,when we've said goodbye.Remember me, once in a while ,please promise me you'll try.when you find that,once again,you long to take your heart back and be free -if you ever find a moment,spare a thought for me...we've never said our love was evergreen,or as unchanging as the sea -but if you can still remember,stop and think of me...think of all the things we've shared and seen -don't think about the things which might have been...think of me,think of me waking,silent and resigned.Imagine me,trying too hard to put you from my mind.recall those days,look back on all those times,think of the things we'll never do -there will never be a day,when I won't think of you...flowers fade, the fruits of summer fadeThey have their seasons, so do weBut please promise meThat sometimes you will think of me spare a thought for me we'll never do -there will never be a day,when I won't think of you .2.Mirror ( Angel Of Music )PHANTOMInsolent boy!This slave of fashion,basking in your glory!Ignorant fool!This brave young suitor,sharing in my triumph!CHRISTINEAngel! I hear you!Speak -I listen ...stay by my side, guide me!Angel, my soul was weak -forgive me ...enter at last, Master!PHANTOMFlattering child, you shall know me, see why in shadow I hide!Look at you face in the mirror -I am there inside!CHRISTINEAngel of Music!Guide and guardian!Grant to me your glory!Angel of Music!Hide no longer!Come to me, strange angel ...PHANTOMI am your Angel of musicCome to me: Angel of Music ...RAOULwhose is that voice...?Who is that in there...?Christine! Christine!PHANTOMI am your Angel of Music ...Come to me: Angel of Music ...3.Phantom of the Opera CHRISTINEIn sleep he sang to me,in dreams he came ...that voice which calls to meand speaks my name ...And do I dream again?For now I findthe Phantom of the Opera is there - inside my mind ...PHANTOMSing once again with meour strange duet ...My power over yougrows stronger yet ...And though you turn from me,to glance behind,the Phantom of the Opera is there - inside your mind ...CHRISTINEThose who have seen your facedraw back in fear ...I am the mask you wear ...PHANTOMIt's me they hear ...BOTHYour/My spirit and your/my voice,in one combined:the Phantom of the Opera is there - inside your/my mind ...CHORUSHe's there, the Phantom of the Opera ... Beware the Phantom of the Opera ...括号里的是舞台版的:(PHANTOMIn all your fantasies,you always knewthat man and mystery ...CHRISTINE... were both in you ...BOTHAnd in this labyrinth,2.where night is blind,the Phantom of the Opera is there/here -inside your/my mind ... )PHANTOMSing, my Angel of Music!CHRISTINEHe's there, the Phantom of the Opera...4.Music of the Night这首歌MC版本参见括号里的PHANTOMNight time sharpens heightens each sensation ...Darkness stirs and wakes imaginationSilently the senses abandon their defensesSlowly, gently, night unfurls its splendor.Grasp it, sense it -tremulous and tenderTurn your face away from the garish light of day,Turn your thoughts away from cold, unfeeling lightAnd listen to the music of the nightClose your eyesand surrender to your darkest dreams,Purge your thoughts of the life you knew before,Close your eyesLet your spirit start to soarAnd you’ll liveas you’ve never lived before.Softly, deftly, music shall caress you ...Hear it, feel it, secretly possess you ...Open up your mind let your fantasies unwindin this darkness that (which) you know you cannot fight - The darkness of the music of the night ...Let your mind start a journeyThrough (into) a strange new world,Leave all thoughts of the life (world) you knew before. Let your soul take you where you long to be (burn) Only then can you belong to meFloating, falling, sweet intoxicationTouch me, trust me, savor each sensation ...Let the dream beginlet your darker side give into the power of the music that I write -the power of the music of the night ...You alone can make my song take flighthelp me make the music of the night.5.Prima DonnaANDREYour public needs you!FIRMINwe need you, too!CARLOTTAWould you not rather have your precious little ingénue?ANDRE/FIRMINSignora, no!The world wants you!Prima Donna, first lady of the stage!Your devotees are on their knees to implore you!ANDRECan you bow out when they're shouting your name?FIRMINThink of how they all adore you!BOTHPrima Donna, enchant us once again!ANDREThink of your muse ...FIRMINand of the queues round the theatre!BOTHCan you deny us the triumph in store?Sing, prima Donna, once more!RAOULChristine spoke of an angel ...CARLOTTAPrima donna, your song shall live again!ANDRE/FIRMINThink of your public!CARLOTTAYou took a snub, but there's a public who needs you!GIRYShe has heard the voice of the angel of music ...ANDRE/FIRMINThose who hear your voice liken you to an angel!CARLOTTAThink of their cry of undying support!RAOULIs this her angel of music...?ANDREWe get our opera ...FIRMINShe gets her limelight!CARLOTTAFollow where the limelight leads you!ANDRE/FIRMINLeading ladies are a trial!CARLOTTAPrima donna, your song shall never die!You'll sing again and to unending ovation!RAOULOrders! Warnings!Lunatic demandsANDRE/FIRMINlunatic demands are regular occurrences!CARLOTTAThink how you'll shine in that final encore!Sing, prima donna, once more!ANDRE/FIRMINSurely there'll be further scenes -worse than this!RAOULI must see these demands are rejected!ANDRE/FIRMINWho'd believe a diva happy to relieve achorus girl who's gone and slept with the patron? Raoul and the soubrette, entwined in love's duet! Although he may demur, he must have been with her! You'd never get away with all this in a play,but if it's loudly sung and in a foreign tongue,it's just the sort of story audiences adore,In fact a perfect opera!RAOULHis game is over!GIRYThis is a game you cannot hope to win!RAOULAnd in Box Five a new game will begin ...GIRYFor, if his curse is on this opera ...MEGBut if his curse is on this opera ...ANDRE/FIRMINPrima donna, the world is at your feet!A nation waits, and how it hatesto be cheated!Light up the stageWith that age-old rapportSing, prima donna, once more!3. 6.All I Ask of YouRAOULNo more talk of darkness,Forget these wide-eyed fears,I'm here, nothing can harm you -my words will warm and clam you.Let me be your freedom,let daylight dry your tears,I'm here, with you, beside you,to guard you and to guide you .CHRISTINESay you love me every waking moment,Turn my head with talk of summertime,Say you need me with you,now and always,promise me that all you say is true -that's all I ask of you ...RAOULLet me be your shelter,let me be your light.You're safe:No-one will find you -your fears are far behind you ...CHRISTINEAll I want is freedom,a world with no more night ...and you, always besides me,to hold me and to hide me ...RAOULThen say you'll share with me onelove, one lifetime ...let me lead you from your solitude ...Say you need me with you here, beside you ... anywhere you go, let me go too -Christine,that's all I ask of you ...CHRISTINESay you'll share with me onelove, one lifetime ...say the word and I will follow you ...BOTHShare each day with me, eachnight, each morning ...CHRISTINESay you love me ...RAOULYou know I do ...BOTHLove me -that's all I ask of you ...Anywhere you go let me go too ...Love me -that's all I ask of you ...7.MasqueradeFIRMINMonsieur Andre?ANDREMonsieur Firmin?FIRMINDear Andre, what a splendid party!ANDREThe prologue to a bright new year!FIRMINQuite a night! I'm impressed!ANDREWell, one does one's best ...ANDRE/FIRMINHere's to us!ANDREThe toast of all the cityFIRMINWhat a pity that the 'Phantom' can’t be hereCHORUSMasquerade!Paper faces on parade ...Masquerade!Hide your face, so the world will never find you!Masquerade!Every face a different shade..Masquerade!Look around -there's another mask behind you!Flash of mauve .. Splash of puce ...Fool and king ... Ghoul and goose ...Green and black ... Queen and priest ...Trace and rouge ... Face of beast ...Faces !...Take you turn,Take a ride on the merry-go-round ...in an inhuman race ...Eye of gold ... Thigh of blue ...True is false ... Who is who ...?Curl of lip ... Swirl of gown ...Ace of hearts ... Face of clown ...Faces ...Drink it in, drink it up, till you've drownedin the light ... in the sound ...But who can name the face ...Masquerade!Grinning yellows, spinning reds ...Masquerade!Take your fill -let the spectacle astound you!Masquerade!Burning glances, turning heads ...Masquerade!Stop and stareat the sea of smiles around you!Masquerade!Seething shadows, breathing lies ...Masquerade!You can fool any friend who ever knew you!Masquerade!Leering satyrs, peering eyes ...Masquerade!Run and hide -But a face will still pursue you!GIRYWhat a night!MEGWhat a crowd!ANDREMakes you glad!4.FIRMINMakes you proud!All the creme de la creme!CARLOTTAWatching us watching them!ANDREThree months Of relief!CARLOTTAOf delight!ANDRE/FIRMINOf Elysian peace!MEG/GIRYAnd we can breathe at last!CARLOTTANo more notes!PIANGINo more ghosts!GIRYHere's to health!ANDREHere's a toast: to a prosperous year!FIRMINTo our friends who are here!PIANGI/CARLOTTAAnd may our splendor never fade!FIRMIN/ANDREWhat a blessed release!GIRYAnd what a masquerade!CHRISTINEThink of it! A secret engagement! Look - your future bride!Just think of it!RAOULBut why is it secret?What have we to hide?You promised meCHRISTINENo, Raoul, please don’t.They’ll seeRAOULLet them seeIt's an engagement, not a crime!Christine, what are you afraid of!CHRISTINELet's not argue ...RAOULLet's not argue ...CHRISTINEPlease pretend ...RAOULI can only hope I'll ...CHRISTINEYou will understand in timeRAOUL.I will understand in timeALLMasquerade!Paper faces on parade!Masquerade!Hide your face, so the world will never find you!Masquerade!Every face a different shade!Masquerade!Look around -There's another mask behind you!Masquerade!Burning glances turning heads ... Masquerade!Stop and stare at the sea of smiles around you!Masquerade!Grinning yellows, spinning reds ... Masquerade!Take your fill -let the spectacle astound you!8.Wishing You Were Somehow Here AgainCHRISTINEYou were once my one companion ...you were all that mattered ...You were once a friend and father -then my world was shattered ...Wishing you were somehow here again ... Wishing you were somehow near ... Sometimes it seemed,if I just dreamed,somehow you would be here ...Wishing I could hear your voice again ... knowing that I never would ...Dreaming of you won't help me to doall that you dreamed I could ...Passing bellsand sculpted angels,cold and monumental,seem, for you, the wrong companions - you were warm and gentle ...Too many yearsfighting back tears ...Why can't the past just die ...?Wishing you were somehow here again ... knowing we must say goodbye ...Try to forgive ...teach me to live ...give me the strength to try ...No more memories, no more silent tears ... No more gazing across the wasted years ... Help me say goodbyeHelp me say goodbye9.The Point of No ReturnPHANTOMPassarino - go away!For the trap is set and waits for its prey!You have come here in pursuit ofyour deepest urge,in pursuit of that wish,which till now has been silent,silent ...I have brought you,that our passions may fuse and merge -in your mind you've already succumbed to me, dropped all defenses,completely succumbed to me -now you are here with me:no second thoughts, you've decided,decided ...Past the point of no return -no backward glances:Our games of make-believe are at an end ...Past all thought of "if" or "when" -no use resisting:abandon thought, and let the dream descend ...What raging fire shall flood the soul?What rich desire unlocks its door?What sweet seduction lies before us...?Past the point of no return,the final threshold -what warm, unspoken secrets will we learn?Beyond the point of no return ...CHRISTINEYou have brought me to that momentwhen words run dry,to that moment when speech disappears into silence, silence ...I have come here,hardly knowing the reason why ...In my mind, I've alreadyimagined our bodies entwining, defenseless and silent -and now I am here with you:no second thoughts, I've decided,decided ..Past the point of no return -no going back now:our passion-play has now at last begun ...Past all thought of right or wrong -one final question:how long should we two wait, before we're one...?When will the blood begin to race,the sleeping bud burst into bloom?When will the flames, at last, consume us...?BOTHPast the point of no return,the final threshold -the bridge is crossed, so stand and watch it burn ... We've passed the point of no return ...PHANTOMSay you'll share with me onelove, one lifetime ...Lead me, save me from my solitude ...Say you want me with you, here beside you ... Anywhere you go let me go too -Christine, that's all I ask of ...10.Learn to be lonelyChild of the wildernessBorn into emptinessLearn to be lonelyLearn to find your way in darknesswho will be there for youComfort and care for youlearn to be lonelyLearn to be your one companionEver dreamed out in the worldThere are arms to hold you?You've always knownYour heart was on its ownSo laugh in your lonelinessChild of the wildernessLearn to be lonelyLearn how to love life that is lived aloneLearn to be lonelyLife can be livedLife can be lovedAlone.11.No One Would ListenNo one would listenNo one but herHeard as the outcast hearsShamed into solitudeShunned by the multitudeI learned to listenIn my dark, my heart heard musicI long to teach the worldRise up and reach the worldNo one would listenI alone could hear the musicThen, at last, a voice in the gloomSeemed to cry "I hear you"I hear your fearsYour torment and your tearsShe saw my lonelinessShared in my emptinessNo one would listenNo one but herHeard as the outcast hearsNo one would listenNo one but herHeard as the outcast hears...最后一段精彩绝伦,歌词可能还不好找,奉上。

The Masquerade of the Red Death[CP静临]

The Masquerade of the Red Death[CP静临]

The Masquerade of the Red Death我要说的话:于是先要恭君的诸多意见嗯,感谢文终于赶出来了!>V<。

希望恭君能够喜欢。

这篇文依旧是根据爱伦坡的小说改编的。

或者说依旧是从爱伦坡哪里得到的灵感。

灵感源自《红死魔的面具》(The Masque of the Red Death)。

被在下稍加改编,名字改为The Masquerade of the Red Death。

也就是“红死魔的假面舞会”。

原文很美很哥特。

我挺喜欢的。

而且背景也和恭君要求的“文艺复兴”相互照应,故选择了这篇。

文笔还是欠练,但是由于学习任务的繁重,只有机会在自己的草稿纸上写些简单的随笔文。

但是都很嫩,实在上不去台面OTL。

不知道感谢文是不是都得写H?所以只写了又隐又微又烂的字母……(喂!如果写的不好或者是雷区请绕道……嗯等等恭君你是例外!(拽住恭少废话多赶活~于是下面开始放文。

The Masquerade of the Red Death关键词:文艺复兴能力限制狂暴重生CP:静临赠给:十年后云雀恭弥To be thoroughly conversant with a man's heart, is to take our final lesson in the iron-clasped volume of despair.要想彻底的了解一个男人,就要走在铁链紧握的卷集上的最后一课。

-爱伦坡“红死”这一颇具戏剧性的疾病,在现在这个年代可早已肆虐了不短的时间。

在我们伟大的主降临下后的1350多年间,像这般可怕的瘟疫实在是前所未有。

这种疾病的具体表现又惊悚又奇特——那就是全身出血。

没错,全身出血,一片殷红,令人发指。

只要有人患上了这病,从脸上的点点梅红一直到浑身腥腻,不过是半个钟头的事情。

最可悲的是,仿佛是主对人们的惩戒一般,这撒旦一般的现象偏偏出现在了这世界上最美的地方——佛罗伦萨。

然而当时的一位小有权势的贵族——折原临也,却依旧满面春风,仿佛他与这一切是隔离的。

歌剧简介

歌剧简介

1 啊,花已凋零——贝利尼歌剧《梦游女》中阿米娜的咏叹调(1楼)2 啊,上帝,给我力量——比才歌剧《卡门》中米卡埃拉的咏叹调(4楼)3 爱情乘着玫瑰翅膀——威尔第歌剧《游吟诗人》中丽昂诺拉的咏叹调(6楼)4 求爱神给我安慰——莫扎特歌剧《费加罗的婚礼》中伯爵夫人的咏叹调(7楼)5 别说我,尊敬的人——莫扎特歌剧《唐璜》中安娜的咏叹调(9楼)6 纯净的天使——威尔第歌剧《命运之力》中莱奥诺拉的咏叹调(10楼)7 多奇怪——威尔第歌剧《茶花女》中薇奥列塔的咏叹调(12楼)8 多谢,好友们——威尔第歌剧《西西里晚祷》中爱蕾娜的咏叹调(21楼)9 厄尔南尼,我们私奔吧——威尔第歌剧《厄尔南尼》中爱尔薇拉的咏叹调(22楼)10 愤怒,我的愤怒——佩格莱西歌剧《女仆主妇》中塞尔皮娜的咏叹调(23楼)11 复仇的痛苦——莫扎特歌剧《魔笛》中夜后的咏叹调(24楼)12 姑娘的秋波——多尼采蒂歌剧《唐·帕斯夸勒》中诺莉娅的咏叹调(25楼)13 挂满了柔软帐幕——普契尼歌剧《曼侬·列斯库》中曼侬的咏叹调(26楼)14 她抬头仰望——威尔第歌剧《假面舞会》中奥斯卡的咏叹调(27楼)15 可爱的名字——威尔第歌剧《弄臣》中吉尔达的咏叹调(31楼)16 离家去远方——卡塔拉尼歌剧《瓦蕾》中瓦蕾的咏叹调(32楼)17 妈妈被杀害——乔尔达诺歌剧《安德烈·谢尼埃》中玛达蕾娜的咏叹调(33楼)18 漫步街上——歌剧《绣花女》中穆塞塔的咏叹调(34楼)19 美妙时刻已来临——莫扎特歌剧《费加罗婚礼》种苏珊娜的咏叹调(7楼)20 那天深夜在大海上——博依托歌剧《梅菲斯特》中玛格丽塔的咏叹调(36楼)21 你鞭打我吧——莫扎特歌剧《唐璜》中彩琳娜的咏叹调(9楼)22 你那冰凉的心——普契尼歌剧《图兰朵》中柳儿的咏叹调(37楼)23 你无情的背叛了我——莫扎特歌剧《唐璜》中爱尔薇拉的咏叹调(9楼)24 我亲爱的爸爸——普契尼歌剧《加尼·斯基基》中劳莱塔的咏叹调(38楼)25 晴朗的一天——普契尼歌剧《蝴蝶夫人》中巧巧桑的咏叹调(44楼)26 人们叫我咪咪——普契尼歌剧《绣花女》中咪咪的咏叹调(34楼)27 上帝啊!给我安宁——威尔第歌剧《命运之力》中莱奥诺拉的咏叹调(10楼)28 胜利归来——威尔第歌剧《阿依达》中阿依达的咏叹调(45楼)29 圣洁女神——贝利尼歌剧《诺尔玛》中诺尔玛的咏叹调(46楼)30 圣母玛丽亚——威尔第歌剧《奥赛罗》中苔丝狄蒙娜的咏叹调(47楼)31 失去妈妈的孩子——普契尼歌剧《修女安吉里卡》中安吉里卡的咏叹调(48楼)32 是分手的时候了——多尼采蒂歌剧《军中女郎》中玛丽亚的咏叹调(49楼)33 死亡啊!——蓬皮耶利歌剧《乔贡达》中乔贡达的咏叹调(50楼)34 他那温柔的声音——贝利尼歌剧《清教徒》中爱尔薇拉的咏叹调(51楼)35 万籁无声——多尼采蒂歌剧《拉美摩尔的露契亚》中露契亚的咏叹调(57楼)36 为艺术,为爱情——普契尼歌剧《托斯卡》中托斯卡的咏叹调(58楼)37 我去死,先求你——威尔第歌剧《假面舞会》中阿美莉娅的咏叹调(27楼)38 我是作家忠实的仆人——契雷亚歌剧《阿德里亚娜·莱库弗》(59楼)39 夜深沉——威尔第歌剧《游吟诗人》中莱昂诺拉的咏叹调(6楼)40 一个女孩正十五——莫扎特歌剧《女人心》中黛斯碧娜的咏叹调(60楼)41 永别了,快乐的梦——威尔第歌剧《茶花女》中维奥列塔的咏叹调(12楼[/url])42 在这座宫殿里——普契尼歌剧《图兰朵》中图兰朵的咏叹调(37楼)。

假面舞会

假面舞会

剧《假面舞会》创作背景三幕悲歌剧,索马编剧,威尔第谱曲。

这剧本原来是著名的剧本作者斯克利布为奥贝尔所写的《古斯塔夫三世》,别名《化妆舞会》。

歌剧台词后由索马改为意大利文,题材是取自18世纪末,瑞典国所发生的古斯塔夫三世暗杀事件。

1858年,在那波利的圣·卡洛尔剧场为初演而排练中,刚好当时一位意大利人企图暗杀拿破仑三世,因此采取类似这种题材的歌剧作品,实际上就不可能上演。

后来与剧场商讨,即改名为《化妆舞会》,且在索马的建议下,把舞台从瑞典改到当时在英国支配下的十七世纪北美波士顿城;古斯达夫三世变成波士顿总督李卡德,因此而获准公演。

1859年2月17日,于罗马阿波罗剧院首次公演。

尽管剧中舞台和主角都更改了,可是此剧依然受到罗马人狂热欢迎。

而且借机歌颂意见大利独立运动的核心人物桑第尼亚王维多利亚·艾曼纽,很有趣的是他的名字 Vitorio Emannele Re D’Italia的第一个字母连起来,正好是《威尔第》(Verdi)。

于是人们就把这位伟大歌剧作曲家看成是爱国的象征,在大街小巷高喊“Viva Verdi”(威尔第万岁)。

1861年又在巴黎、伦敦、纽约等地进行国际性的首演。

后来,1935年在瑞典头一次照原作的模式上演后,1958年11月巴黎歌剧院也用原作演出,这时主角又回到古斯达夫三世。

自此,其它歌剧院在上演此剧时,偶尔也会以原作的模样演奏。

《假面舞会》、《命运之力》和《唐·卡罗》,被推崇为威尔第中期的三大杰作。

在此剧无论是在形式上还是连戏剧的内容上都达到真正的雄伟壮丽的境界。

剧情简介里卡多准备开一场舞会,他邀请好友雷纳托的妻子阿米莉亚参加,因为他也深爱着她。

他的僮仆埃德加尔多警告有人想谋害他的生命时,里卡多并不在意,他甚至嘲笑女巫乌丽卡的预言。

乌丽卡先在她的小屋秘密接见阿米莉亚,她要的是能够遗忘里卡多的秘方。

然后,乌丽卡又告诉乔装前来声算命的里卡多他会死在一位朋友之手。

史蒂芬金——精选推荐

史蒂芬金——精选推荐
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编辑本段个人简介
斯蒂芬·金 1947年出生于 美国缅因州 一贫困家庭 。在州立大 学学习英国 文学。毕 业后因 工资菲薄而走 上写作之路。 70年代 中期声名渐起 ,被《纽约时报 》誉为 “现代 恐怖小说 大师”。自80年代至90年代以来,历年的美 国畅销书排行榜,他 的小说总是 名列榜首,久居不下。他是当今世界上读 者最多、声名最大的美国小说 家。他的每一 部 作品,都 成为好莱 坞制片商 的抢手 货。1979年,在他 32岁时,成 为全世界 作家中 首屈一指的亿 万富翁。 今天,他的每 部作品的版税,均逾千万美金 之巨。 金 的作品,超越 于传统的恐怖小说。他不靠具体 的意象来获得
她的 猫。太精彩 了,绝对是 神来之笔。 可导演坚持 把它剪掉! 真是个败兴 鬼! ”的确
里维斯 .提古没能营造出太好的惊 悚气氛,尽管这部 三段式影片每段故事都十分出众 。
比如第一个讲 述詹姆斯.伍德与一家戒烟 公司签约,这家公司的规矩 是一旦签约绝无
反悔,以后 只要你吸一口烟,全家就会 惨遭电击——究竟是这个公司眼 线四布,还是
中文名: 外文名: 国籍: 出生地:
史蒂芬·金 Stephen King
美国 美国缅因州
出生日期: 职业: 主要成就: 代表作品:
1947年 作家
文艺界富豪榜 《肖申克的救赎》
目录
个人简介 人物生平早年生活 教育与早期创作
艺术风格 作品评论魔女嘉莉 玉米田的小孩 亚特兰蒂斯之心 伴我同行 猫眼 宠物坟场 死亡禁地 绿里 鬼怪 肖申克的救赎 夜月风高 闪灵 危情十日
内 心深处仍 有无法言 说的心 事,那就 是他十 分渴望成 为马克·吐温式 的大作家 ,但不
管他 如何努力 ,人们总 是称他为 “恐怖小说 家”——无疑, 这令他异常 沮丧。

the Masque of the Red Death (Edgar Allan Poe)

the Masque of the Red Death (Edgar Allan Poe)

The Masque of the Red Death by Edgar Allan Poe The red death had long devastate d the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal--the madness andthe horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stain s upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress, and termination of the disease, were incident s of half an hour.But Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knight s and dames of his court, and with these retired to the deep seclusion of one of his crenellated abbey s. This was an extensive and magnificent structure, the creation of the prince's own eccentric yet august taste. A strong and lofty wall girdle d it in. This wall had gate s of iron. The courtiers, having entered, brought furnace s and massy hammers and weld ed the bolts.They resolved to leave means neither of ingress nor egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the "Red Death."It was toward the close of the fifth or sixth month of his seclusion that the Prince Prospero entertain ed his thousand friends at a masked ball of the most unusual magnificence.It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held. There were seven--an imperial suite, In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extant is scarcely impeded. Here the case was very different; as might have been expected from the duke's love of the "bizarre." The apartments were so irregularly disposed that the vision embrace d but little more than one at a time. There was a sharp turn at the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor of whichpursue d the windings of the suite. These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue--and vividly blue were its windows. The second chamberwas purple in its ornament s and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnish ed and lighted with orange--the fifth with white--the sixth with violet.The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations. The panes were scarlet--a deep blood color. Now in no one of any of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro and depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite each window, a heavy tripod, bearing a brazier of fire, that projected its ray s through the tinted glass and so glaring ly lit the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or back chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes was ghastly in the extreme, and produced so wild a look upon the countenance s of those who entered, that there were few of the company bold enough to set foot within its precincts at all. It was within this apartment, also, that there stood against the western wall, a gigantic clock of ebony. It pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce cease d their evolutions; and there was a brief disconcert of the whole gay company; and while the chimes of the clock yet rang. it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brow s as if in confused revery or meditation. But when the echoes had fully ceased, a light laughter at once pervade d the assembly; the musicians looked at each other and smiled as ifat their own nervousness and folly, and made whispering vow s, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes (which embrace three thousand and six hundred seconds of Time that flies), there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before. But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke were peculiar. He had a fine eye for color and effects. He disregarded the "decora" of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be sure he was not.He had directed, in great part, the movable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm--much of what has been seen in "Hernani." There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers stalked, in fact, a multitudeof dreams. And these the dreams--writhe d in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hallof the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away--they have endured but an instant--and a light half-subdued laughter floats after them as they depart. And now the music swell s, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays of the tripods. But to the chamber which lies most westwardly of the seven there are now none of the maskers who venture, for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appalls; and to him whose foot falls on the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments.But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now therewere twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps that more of thought crept, with more of time into the meditations of the thoughtful among those who revelled. And thus too, it happened, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, of horror, and of disgust.In an assembly of phantasms such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince's indefinite decorum. There are chord s in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jest s, there are matters of which no jest can be made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliment s of the grave. The mask which conceal ed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone sofar as to assume the type of the Red Death. His vesture was dabble d in blood and his broad brow, with all the features of his face, was besprinkled with the scarlet horror.When the eyes of Prince Prospero fell on this spectral image (which, with a slow and solemn movement, as if more fully to sustain its role, stalked to and fro among the waltzers) he was seen to be convulsed, in the first moment with a strong shudder either of terror or distaste; but in the next, his brow reddened with rage."Who dares"--he demanded hoarsely of the courtiers who stood near him--"who dares insult us with this blasphemous mockery? Seize him and unmask him--that we may know whom we have to hang, at sunrise, from the battlements!"It was in the eastern or blue chamber in which stood Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly, for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who, at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumption s of the mummer had inspired the whole party, there were found none who put forth a hand to seize him; so that, unimpeded, he passed within a yard of the prince's person; and while the vast assembly, as with one impulse, shrank from the centers of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple--to the purple to the green--through the green to the orange--through this again to the white--and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddened with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attain ed the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry--and the dagger dropped gleaming upon the sable carpet, upon which most instantly afterward, fell prostrate in death the Prince Prospero. Then summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and seizing the mummer whose tall figure stood erect and motionless within the shadow of the ebony clock, gasp ed in unutterable horror at finding the grave cerements and corpse-like mask, which they handled with so violent a rudeness, untenanted by any tangible form.And now was acknowledged the presence of the red death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedew ed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. Andthe flames of the tripods expired. And darkness and decay and the red death held illimitable dominion over all.。

爱伦·坡:《红死魔的面具》

爱伦·坡:《红死魔的面具》

红死魔的面具爱伦·坡话说“红死”在国内肆虐已久,象这般致命,这般可怕的瘟疫委实未曾有过。

这病的具体表现和特征就是出血——一片殷红,令人发指。

患者初时感到剧痛,突然一阵头昏眼花,于是全身毛孔大量出血丧命。

只要患者的身上,特别是脸上一出现猩红色斑点就是染上这瘟疫的预兆,这时诸亲好友谁也不敢近身去救护他和慰问他。

患者从得病到发病,一直到送命,还不消半小时工夫。

可是荣王爷倒照样欢欢喜喜,他胸有成竹,天不怕地不怕。

当他领地里的老百姓死了一半的时候,他便从宫里武士和命妇中挑了一千名体壮心宽的伴当,把他们召到跟前,然后带了他们隐居到他治下一座雉堞高筑的大寺院里去。

这座寺院占地宽广,建筑宏伟,完全按照王爷那古怪而骄奢的口味兴建而成。

寺院四周围着坚固的高墙。

墙上安着铁门。

这批门客进了寺院,便随带熔炉和大铁锤,把门闩全都焊上。

他们横下心来,决不留开方便之门,哪怕今后在里头憋不住,一时绝望发狂,也无从出入。

寺院里储粮充足,有备无患,他们对什么瘟疫都不放在心上了。

外界闹得如何,悉听自便。

再说伤心也罢,挂虑也罢,都是庸人自扰。

王爷早已安排好一切寻欢作乐的设备。

有说笑逗乐的,有即兴表演的,有跳芭蕾舞的,有演奏乐曲的,有美女,还有醇酒。

寺院里应有尽有,尽可以安享太平,寺院外却是“红死”猖獗。

在寺院里隐居了将近五六个月的工夫,这时外边正闹得天翻地覆,荣王爷却开了一个盛况空前的化装舞会,请这一千名伴当玩乐。

这场化装舞会啊,真个是穷奢极侈。

这里且容我把举行舞会的场地介绍一下。

一共有七间屋子,原是一套行宫。

不过若在一般宫中,这种套间只要把折门向两边推开,推齐墙跟,眼前望出去就一片笔直,整个套间一览无遗。

而这里的情况大不相同,因为这位王爷就爱别出心裁,其余可想而知了。

这些屋子造得极不整齐,一下子只能看到一个地方。

每隔二三十步路的地方就有一个急转角,每个转角都可以看到新奇的景物。

左右两面墙中间都开着又高又窄的哥特式窗子,窗外是一条围绕这套行宫的回廊。

the masque of the red death

the masque of the red death

"红死病"蹂躏这个国度已有多时。

从不曾有过如此致命或如此可怕的瘟疫。

鲜血是其象征,是其标志--血之殷红与血之恐怖。

有剧烈的疼痛,有突发的头晕,接着便是毛孔大量出血而来的死亡。

患者身上,而尤其是脸上一旦出出现红斑,那便是隔离其亲友之救护和同情的禁令。

这种瘟疫从感染,发病到死亡的整个过程,前后也就半个小时。

但普洛斯佩罗亲王快活,无畏而精明。

眼见其疆域内的人口锐减一半,他便从宫中召集了一千名健壮而乐观的骑士淑女,并带着他们退隐到一座非常偏远的城堡式宅院。

那是一座宽敞而宏伟的建筑,是亲王那与众不同但令人敬畏的情趣之创造。

宅院四周环绕着一道坚固的高墙。

大门全用钢铁铸就。

亲王的追随者们带来了熔炉和巨锤,进宅院之后便熔死了所有门闩。

他们决心破釜沉舟,不留退路,以防因绝望或疯狂而产生的想出去的冲动。

宅院内的各种必需品非常充裕。

有了这样的防御措施,那些绅士淑女们便可以藐视瘟疫的蔓延。

墙外的世界能够自己照料自己。

在这种时候去忧心忡忡是庸人自扰。

亲王早就做好了寻欢作乐的一切安排。

宅内有插科打诨的小丑,有即席吟诵的诗人,有表演芭蕾的舞女,有演奏音乐的乐师,而且还有美女和酒浆。

所有的欢乐和平安都在墙内。

墙外则是红死病的天下。

就在这种隔离生活的第五个月或第六个月将近之时,也就是墙外的瘟疫最猖獗的时候,普洛斯佩罗亲王为他的一千名追随者举行了一场异常豪华的假面舞会。

那假面舞会的场面真可谓骄奢淫逸。

不过先容我讲讲举行舞会的场所。

那一共是七个房间--一组富丽堂皇的套房。

但在一半宫殿里这样的套房只须把各间的双扇门推开到墙边便能形成一条笔直的长廊,整个套房也就几乎一览无遗。

可这组套房的情况却迥然不同,正如从亲王追奇逐异的嗜好中就可以料到一样。

这七个房间的布局极不规则,所以一眼只能看到一个房间。

套房中每隔二三十米便是一个转角,每拐过一个转角都有一种新的效果。

每个房间左右两边墙上的正中都有一扇又高又窄的窗户,窗户面对一条封闭的回廊,回廊绕这组套房蜿蜒迂回。

世界七大奇迹英文学生读本

世界七大奇迹英文学生读本

In
dia
n
Oc
Mexico 1
India
ea
3
n
China
5
A
Written by David Dreier

Seven Wonders You Can Visit Level U Leveled Book © Learning A–Z Written by David Dreier All rights reserved.

Seven Wonders You Can Visit
an
Asia
Photo Credits: Front cover: © Dngood/; back cover: © REUTERS/Krishnendu Halder/ Landov; pages 3, 22 (inset): © Dan Breckwoldt/; page 4: © Mirek Hejnicki/; page 6 (top): © Witold Skrypczak/ Lonely Planet Images; pages 6 (bottom), 16, 17: © Sean Caffrey/Lonely Planet Images; page 7: © Richard Nowitz/National Geographic Stock; page 8: © Mike Theiss/ Ultimate Chase/Corbis; page 9 (main): © Steven Francis/Alamy; page 9 (inset): © REUTERS/Gregg Newton; page 10: © Mildred Dearborn/Canadian Press/AP Images; page 11: © Lori Epstein/National Geographic Stock; page 12: © Riccardo De Luca/ AP Images; page 13: © De Agostini Editore Picture Library/Photolibrary; page 14: © Li Shaobai/Imaginechina/AP Images; page 15: © Tim Makins/Lonely Planet Images; page 18: © Tim Barker/Lonely Planet Images; page 19: © Christopher Groenhout/ Lonely Planet Images; page 20: © PCL/Alamy; page 21: © John Banagan/ Lonely Planet Images; page 22 (top): © Unamused/; page 22 (center): © Xinhua Press/Corbis; page 22 (bottom): © /Luciano Mortula; page 23 (top): © /John Woodworth; page 23 (bottom and inset): © Mike Theiss/National Geographic Stock Front cover: The Inca city of Machu Picchu sits high on a mountaintop in the Andes Mountains of Peru. Only 2,500 people are allowed to visit each day. Back cover: Girls cheer for the Ta j Mahal. Over 100 million people voted for their favorite Wonders of the World.

迈克杰克逊 经典歌曲所有名称翻译 新专辑

迈克杰克逊 经典歌曲所有名称翻译 新专辑

3《BAD》真棒
1. Bad (真棒)4:06 2. The Way You Make Me Feel(你给我的感觉) 4:58 3. Speed Demon (速度之魔)4:01 4. Liberian Girl(利比里亚女孩) 3:52 5. Just Good Friends(只是好朋友) 4:05 6. Another Part Of Me(我的同伴) 3:53 7. Man In The Mirror(镜中男人) 5:18 8. I Just Can't Stop Loving You (止不住的爱恋)4:23 9. Dirty Diana (风骚的戴安娜)4:52 10. Smooth Criminal (犯罪高手)4:16 11. Leave Me Alone (不要打扰我)4:40
2《thriller》颤栗
01.Wanna Be Startin' Someth' 想要开始某事 02.Baby Be MiБайду номын сангаасe 做我宝贝 03.The Girl Is Mine 她是我的 04.Thriller 颤栗 05.Beat It 避开 06.Billie Jean 比莉·琼 07.Human Nature 人之天性 08.P. Y. T. (Pretty Young Thing) 美丽小东西 09.The Lady In My Life我生命中的女人
8《michael》 迈克尔
1. Hold My Hand (Duet with Akon) 握我的手(与阿肯的合唱)
2. Hollywood Tonight 今夜好莱坞
3. Keep Your Head Up 高昂你的头
4. (I Like) The Way You Love Me (我喜欢)你爱我的方式

Hocus pocus女巫也疯狂全部对白

Hocus pocus女巫也疯狂全部对白

{2295}{2353}Emily?{2357}{2379}Emily!{2383}{2459}Come, little children{2463}{2561}l'll take thee away{2565}{2636}- lnto a land|- Emily!{2640}{2750}Of enchantment{2754}{2831}Come, little children{2835}{2933}- The time's come to say|- Elijah! Elijah!{2937}{3006}- Hast thou seen my sister Emily?|- Nay.{3010}{3076}But look. They conjure.{3080}{3125}Oh, God. The woods!{3343}{3382}Emily!{3425}{3473}- She's done for.|- Not yet!{3477}{3553}You wake my father.|Summon the elders. Go!{3678}{3731}Emily!{4582}{4617}Come, child.{5269}{5321}- Ahh.|- Oh, yes.{5325}{5358}- Emily.|- Huh?{5702}{5814}Oh, look.|Another glorious morning.{5818}{5905}lt makes me sick!{5909}{5964}- Sisters!|- Yes, Winnie.|- We're coming, Winnie.{5968}{6022}Right away. Sorry.{6026}{6080}Must've been an imp.{6084}{6193}My darling.|My little book.{6197}{6289}We must continue with our spell now that|our little guest of honour has arrived.{6293}{6373}Wake up. Wake up, darling.{6377}{6505}Yes. Oh, come along, darling.|There you are.{6508}{6566}- Mary!|- Right here, Winnie, right here.{6569}{6633}- Sorry.|- Hello. Hello.{6637}{6734}- l've noticed sister Sarah|isn't helping.|- l lured the child here. {6737}{6819}Leave her be.|She hath done her chore.{6823}{6865}- You're right, l'm wrong.|- Mmm.{6869}{6927}All right.{6931}{6973}'Tis time!{7029}{7155}There it is: ''Bring to a full rolling|bubble. Add two drops oil of boil.''{7158}{7215}Ah-ah-ah. l got it. lt's heavy.|You do that, l'll do this.{7408}{7482}''Mix blood of owl|with the herb that's red.{7486}{7561}Turn three times,|pluck a hair from my head.{7565}{7649}Add a dash of pox|and a dead man's toe.''{7653}{7749}- Dead man's toe,|and make it a fleshy one.|- Dead man's toe! {7753}{7821}Dead man's toe|Add a dead man's toe{7825}{7881}Dead man's toe|Dead man's t--{7885}{7941}Dead, dead, dead, dead|Dead, dead, dead, dead{7944}{7977}D-- Ooh!{8012}{8097}- Uh-oh. Dead man's toe|- Fresh one.{8142}{8191}- Dead man, dead man|- Dead man's toe, add a--{8263}{8371}Will you two stop that!|l need to concentrate!{8375}{8427}Sorry, uh--{8431}{8489}She needs to concentrate.{8697}{8773}''Green newt saliva.''{8777}{8885}- l-l smell a child.|- Ehh, what dost thou call that? {8889}{8937}- A child.|- Hmph!{8941}{9014}Sisters, gather 'round.{9018}{9085}- One thing more, and all is done.|- Yes?{9089}{9159}Add a bit|of thine own tongue.{9225}{9326}Oh, Winnie, thou art divine.{9330}{9395}'Tis ready for tasting.{9399}{9510}One drop of this|and her life will be mine.{9514}{9571}- l mean, ours.|- Yeah.{9661}{9723}All right, girl.{9727}{9783}Open up your mouth.{9787}{9861}- No!|- A boy!{9865}{9955}- Get him, you fools!|- l got him. l knew l smelled a boy! {9959}{10017}l got him. Come on. Come on.{10021}{10053}- Get away!|- Here you go.{10057}{10101}- Get away from my potion!|- Ohh!{10207}{10239}Ohh!{10275}{10333}- Winnie!|- My potion!{10350}{10382}Emily!{10493}{10537}Hmm. Hmm.{10741}{10826}Winnie. Winnie.{10830}{10901}- Look.|- Ahh!{10905}{10970}Sisters, prepare thyselves.{10974}{11055}'Tis her life force.|The potion works!{11059}{11146}Take my hands.|We will share her.{11150}{11214}Oh, Winnie,|how generous of thee.{11670}{11743}Sisters, behold!{11747}{11875}l am beautiful!|Boys will love me!{11912}{11959}We're young!{11994}{12055}Well, younger.{12059}{12103}But it's a start!{12138}{12182}Sisters!{12219}{12274}Winifred, thou art|a mere sprig of a girl.{12278}{12336}Liar! But l shall be|a sprig forever,{12340}{12447}once l suck the life out of|all the children in Salem! {12451}{12513}Let's brew another batch!{12517}{12615}You hag! There are not enough|children in the world to make|thee young and beautiful!{12619}{12685}- Hag.|- Uh-oh.{12689}{12786}Sisters, did you hear|what he called you?{12790}{12833}Whatever shall we do with him?{12837}{12902}Let's barbecue and fillet him.{12906}{12996}- Hang him on a hook|and let me play with him?|- No!{13000}{13090}Book, darling, come to Mommy.{13094}{13183}Yes. His punishment|must be more fulsome,{13187}{13235}more lingering.{13239}{13323}Dazzle me, my darling.{13327}{13397}Let's see: amnesia, bunions,|chilblains, cholera.{13400}{13463}- We can do better than that, l think.|- Yes.{13467}{13512}Let's see what we have. Oh!{13516}{13600}Ahh. Perfect.{13603}{13661}As usual.{13664}{13766}- His punishment shall not be to die,|- No?{13770}{13864}but to live forever|with his guilt.{13867}{13956}- As what, Winnie, as what?|- As what, Winnie, as what?|- Jump back! {13960}{14017}Twist the bones|and bend the back.{14021}{14069}ltch-it-a-cop-it-a,|Mel-a-ka-mys-tic-a.{14073}{14123}Trim him of his baby fat.{14127}{14177}ltch-it-a-cop-it-a,|Mel-a-ka-mys-tic-a.{14181}{14233}Give him fur,|black as black.{14237}{14295}- Just...|- Like...|- This.{14745}{14784}- Open!|- Witches!{14788}{14835}Daughters of darkness!|Open this door!{14839}{14898}- Hide the child!|- The child!|- Come on!{14902}{14998}Witches? Uh, there be|no witches here, sir!{15002}{15070}Don't get your knickers|in a twist!{15074}{15145}We are just three kindly|old spinster ladies!{15149}{15217}Uh, spending a quiet|evening at home!{15221}{15277}Sucking the lives|out of little children!{15309}{15369}- Winifred Sanderson?|- Yes?{15373}{15429}l will ask thee one final time.{15433}{15501}- Yes?|- What hast thou done|with my son Thackery?{15505}{15557}- Thackery. Mmm.|- Answer me!{15561}{15625}- Well, l don't know.|- Speak!{15628}{15674}Cat's got my tongue.{15856}{15911}This is-- This is|terribly uncomfortable.{15914}{15963}Sisters, sing.{16055}{16134}Thrice l with mercury purify|and spit upon the 12 tables {16138}{16217}- Don't listen! Cover your ears!|- Listen to them not!{16309}{16385}Ah! Fools! All of you!{16389}{16438}My ungodly book speaks to you.{16442}{16497}On All Hallows Eve|when the moon is round,{16501}{16595}a virgin will summon us|from under the ground.{16599}{16665}Ohh! Ohhh! We shall be back!{16669}{16747}And the lives of all|the children shall be mine!{17297}{17343}Away!{17347}{17397}Away, beast!{17485}{17528}Poor Thackery Binx.{17532}{17618}Neither his father, his mother,|nor anyone else...{17622}{17677}ever knew what became of him...{17681}{17763}those 300 years ago.{17767}{17864}And so the Sanderson Sisters...{17868}{17962}were hanged|by the Salem town folk.{17966}{18049}Now, there are those who say|that on Halloween night...{18053}{18186}a black cat still guards|the old Sanderson house,{18190}{18293}warning off any who|might make the witches...{18297}{18357}come back to life!{18448}{18510}Gimme a break.{18514}{18604}Aha. We seem to have|a sceptic in our midst.{18608}{18657}Mr Dennison,|would you care to share...{18661}{18742}your California, laid-back,|tie-dyed point of view?{18788}{18827}Okay.{18831}{18878}Granted that, uh,|you guys here in Salem...{18882}{18955}are all into these, uh, black|cats and witches and stuff. {18959}{19013}- Stuff?|- Fine.{19017}{19101}But everyone here knows that Halloween|was invented by the candy companies.{19105}{19164}- Ohh!|- lt's a conspiracy.{19168}{19228}lt just so happens that|Halloween is based...{19232}{19300}on the ancient feast|called All Hallows Eve.{19304}{19390}lt's the one night of the year|where the spirits of the dead|can return to Earth.{19469}{19529}Well said, Allison.{19611}{19722}Well, in case Jimi Hendrix shows|up tonight, here's my number. {19865}{19911}Come on, let's go.{19915}{19945}- Hey, wait up.|- Did he call you?{19949}{19993}- Yeah.|- Well, what did he say?{19997}{20057}Max. Fat chance.{20621}{20663}- Allison.|- Hi.{20667}{20778}Hi. Look, um, l'm sorry.|l didn't mean to embarrass you in class. {20782}{20834}You didn't.{20838}{20906}- My name is Max Dennison.|- Yeah, l know.|You just moved here, huh? {20910}{20981}- Yeah, last week.|- Must be a big change for you.{20985}{21033}Yeah, that's for sure.{21037}{21141}- You don't like it here?|- Oh, the leaves are great, but-- {21145}{21233}- l-l don't know.|Just all this Halloween stuff.|- You don't believe in it?{21237}{21317}What, do you mean, like,|the Sanderson Sisters? No way.{21321}{21395}- Not even on Halloween?|- Especially not on Halloween.{21437}{21501}Trick or treat.{21759}{21825}- Hey, Christie, wait for me.|- No, l don't think so.|- l'm coming! {22646}{22720}Halt! Who are you?{22724}{22777}Max. l just moved here.{22781}{22850}- From where?|- Los Angeles.{22915}{22981}- L.A.?|- Ohh!{22985}{23067}- Dude!|- Tubular.{23071}{23123}l'm Jay. This is Ernie.{23171}{23240}How many times l gotta tell you,|my name ain't Ernie no more. {23244}{23309}- lt's lce.|- Oh.|- lce.{23414}{23458}This is lce.{23539}{23621}So, let's have a butt.{23625}{23667}Ah, no, thanks. l don't smoke.{23671}{23727}They're very health conscious|in Los Angeles.{23829}{23873}You got any cash...{23909}{23958}Hollywood?{23962}{24026}- No.|- Gee.{24029}{24143}We don't get any smokes from|you, we don't get any cash. {24147}{24216}What am l supposed to do|with my afternoon?{24220}{24286}Maybe you could learn to|breathe through your nose.{24373}{24417}Whoa!{24421}{24482}Check out|the new cross-trainers.{24486}{24550}Cool. Let me try 'em on.{24597}{24630}Ah-ah.{24697}{24773}- Later, dude!|- See ya, Hollywood!{25180}{25248}- Hey, Max! Hey, how was school?|- lt sucked!{25252}{25293}Hey, hey, hey,|watch your language.{25369}{25437}l can't believe|you made me move here!{25585}{25641}Huh. He wasn't wearing|any shoes.{25674}{25743}Well, must be|some form of protest.{26082}{26127}Hey, guys.{26521}{26581}Oh, Allison.{26585}{26649}You're so soft.|l just wanna--{26676}{26721}- Boo!|- Dani!{26813}{26887}l scared you, l scared you!|Ha ha ha-ha ha!{26891}{26989}l'm Allison. Allison.|Kiss me. l'm Allison!{26993}{27046}Mom and Dad told you|to stay out of my room!{27050}{27101}Don't be such a crab!{27104}{27189}Guess what. You're gonna|take me trick-or-treating.{27193}{27263}- Not this year, Dani.|- Mom said you have to.{27267}{27345}- Well, she can take you.|- She and Dad are going to|a party at Town Hall.{27349}{27395}Well, you're eight!|Go by yourself!{27557}{27645}No way! This is my first time!|l'll get lost!{27649}{27733}Besides, it's a full moon|outside! The weirdos are out!{27829}{27953}Come on, Max. Couldn't you|forget about being a cool|teenager just for one night?{27957}{28008}Please? Come on.{28012}{28113}We used to have so much fun together|trick-or-treating. Remember? {28117}{28171}lt'll be like old times.{28175}{28241}No. The old days are dead.{28245}{28329}lt doesn't matter what you say.|You're taking me!{28332}{28377}Wanna bet?{28589}{28653}Mom!{28713}{28801}Let's go. Hurry up!|The bewitching hour is about to begin! {28804}{28849}Wow-- Aah! Please help me!|Aah!{28853}{28929}-lsn't that a scary witch?|-Stop! You look very scary. Wow! {28994}{29058}What about you, Max?|What are you supposed to be?{29062}{29112}- A rap singer.|- Oh.{29116}{29160}Well, your hat should be|on sideways, shouldn't it?{29164}{29208}- Say ''Halloween''!|- Halloween!|- Halloween!{29310}{29367}- Trick or treat!|- Trick or treat!{29543}{29599}- Lighten up, Max.|- Can we go home now?{29603}{29647}No.{29854}{29915}Let's just go this way.{29919}{29941}Dani.{29989}{30034}Ding-ding. Ding-ding.{30038}{30115}- Stop and pay the toll, kid.|- Ten chocolate bars. No licorice. {30119}{30221}- Dump out your sack.|- Drop dead. Moron.{30225}{30277}- Whoa!|- Ooh!{30281}{30333}Yo, twerp.{30337}{30405}- How'd you like to be hung|off that telephone pole?|- Yeah! {30409}{30529}l'd just like to see you try,|because it just so happens|l've got my big brother with me.{30532}{30573}- Oooh!|- Max!{30651}{30725}- Hollywood!|- Oh, no!{30862}{30955}So, you're doing|a little trick-or-treating.{30959}{31003}- Ding-dong.|- Whoo!{31057}{31119}- l'm just taking|my little sister around.|- Mmm.{31123}{31167}That's nice.{31171}{31254}- Whoa! l love the costume!|- Yeah!{31257}{31341}But what are you supposed to be?|A New Kid On The Block? {31379}{31450}For your information,|he's a Little Leaguer.{31454}{31505}- Whoa!|- Ooh, tough guy!|- l'm a Little Leaguer!{31509}{31541}Whoa!{31575}{31632}Yeah!{31635}{31729}- Wait a minute.|Everybody pays the toll.|- Stuff it, zitface. {31732}{31773}- Why, you little--|- Hey!{31776}{31853}lce, here. Pig out.{31857}{31905}Come on, Dani, let's go.{31909}{31945}Jerk.{31949}{32010}And Hollywood,|the shoes fit great!{32073}{32103}Yeah!{32107}{32154}- Trick or treat!|- You should've punched him.{32157}{32214}He would've killed me.{32218}{32290}- At least you would've died like a man.|- Hey!{32360}{32448}You just humiliated me in front|of half the guys at school! {32451}{32522}So collect your candy|and get out of my life!{32526}{32578}l wanna go home now!{32629}{32714}- Trick or treat!|- Trick or treat!|- Hi. Hi. Ooh, there's plenty-- {32980}{33035}Dani, l'm sorry.{33039}{33099}Trick or treat!{33103}{33169}lt's just that|l hate this place.{33173}{33224}l miss all my friends.{33228}{33274}l wanna go home!{33278}{33359}Well, this is your home now,|so get used to it.{33402}{33449}Yeah.{33453}{33536}Trick or treat!{33540}{33608}- Give me one more chance?|- Why should l?{33660}{33704}Because l'm your brother.{33885}{33953}Whoa. Check that out.{33981}{34025}What?{34029}{34081}Something just flew|across the moon.{34240}{34309}- Fooled ya.|- Let's go, jerkface.{34313}{34349}- Trick or treat!|- Trick or treat!{34353}{34397}- Wow!|- Wow!{34401}{34447}Check out this house!{34451}{34508}Ehh. Rich people.{34512}{34579}They'd probably make us|drink cider and bob for apples.{34583}{34649}- My accountant suggested penny stocks.|- Yeah.{34745}{34791}- Trick or treat!|- Trick or treat!{34852}{34916}- Jackpot!|- Ahh.{34919}{34953}Whoa!{34995}{35057}Max Dennison.{35061}{35089}Allison!{35093}{35175}Ohh. Allison, hmm?{35179}{35243}l thought you weren't|into Halloween.{35247}{35325}l'm not. l'm, l'm just taking|my little sister Dani around. {35329}{35370}That's nice.{35374}{35453}- l always do it.|- My parents made him.{35457}{35509}Do you guys want some cider?{35513}{35553}- No.|- Sure.{35661}{35721}- Ah, yes.|- Oh, l had my eye on that.{35806}{35850}Thanks.{35949}{36004}So, um, how's the party?{36008}{36082}Boring. lt's just a bunch of my parents'|friends. They do this every year.{36152}{36217}l've got candy duty.{36221}{36299}- By the way, Dani, l love your costume.|- Thank you.{36303}{36346}l really like yours too.{36350}{36437}Of course, l couldn't wear anything|like that because l don't have any--{36441}{36501}What do you call 'em, Max?|Yabos?{36556}{36605}Max likes your yabos.{36609}{36669}ln fact, he loves 'em.{36743}{36820}- l'm really into witches.|- Really? Me too.{36824}{36878}We just learned about|those sisters in school.{36882}{36929}Oh, you mean|the Sanderson Sisters?{36933}{36988}l know all about them.|My mom used to run the museum.{36992}{37040}There's a museum about 'em?{37044}{37160}Yeah, but they shut it down because, um,|a lot of spooky things happened there.{37164}{37233}Well, wh-why don't we go to|this old Sanderson house?{37297}{37353}Well, come on,|make a believer out of me.{37393}{37461}Okay, let me get changed.|They'll never miss me.{37605}{37651}Max, l'm not going up there.{37655}{37745}My friends at school told me all|about that place. lt's weird! {37749}{37805}Dani, this is the girl|of my dreams.{37809}{37889}- So? Take her to the movies|like a normal person.|- Dani! {37943}{38005}Look, just-- just do|this one thing for me,{38009}{38053}and l'll do anything you say.{38057}{38106}Please?{38110}{38174}- Please? Please?|- Oh-- Okay. Okay.{38177}{38267}Next year we go trick-or-treating|as Wendy and Peter Pan. {38271}{38315}With tights, or it's no deal.{38376}{38434}Okay, okay. Deal. Deal. Fine.{38522}{38623}Legend has it that the bones|of a hundred children were|buried within these walls.{38627}{38671}Oh, great.{39026}{39065}Ecch.{39341}{39421}- l can't see a thing.|- Ooh.{39487}{39555}Well, there's a light switch|around here somewhere.{39889}{39933}Found a lighter.{40132}{40176}Whoa!{40321}{40375}Here's the original cauldron.{40379}{40437}And upstairs|is where they slept.{40565}{40649}Oh, and be careful where you|step. The floors are old.{40738}{40817}''This is the spell book|of Winifred Sanderson.{40821}{40899}lt was given to her|by the devil himself.{40903}{40947}The book is bound|in human skin...{40951}{41056}and contains the recipes for her|most powerful and evil spells.'' {41060}{41104}l get the picture.{41153}{41203}What's that?{41207}{41275}Oh. lt's the black flame candle.{41484}{41572}Hmm. Black flame candle.{41576}{41634}''Made from the fat of a hangman.{41638}{41713}Legend says that on a full moon it|will raise the spirits of the dead... {41717}{41773}when lit by a virgin|on Halloween night.''{41849}{41907}Hmm.{41911}{41997}So let's light the sucker|and meet the old broads.{42001}{42069}- Will you do the honours?|- No, thanks.{42073}{42093}Well--{42240}{42317}- Stupid cat!|- Okay, Max, you've had your fun.{42321}{42385}lt's time to go.|Come on, Allison.{42389}{42449}Max, she's right. Let's go.{42453}{42529}Oh, come on. lt's just|a bunch of hocus pocus.{42533}{42627}Max, l'm not kidding this time.|lt's time to go!{42631}{42675}Max, no!{42745}{42803}Uh-oh.{43732}{43796}What happened?{43799}{43865}A virgin... lit the candle.{44373}{44425}We are home!{44429}{44477}Oh, sweet revenge!{44481}{44562}Do you see, sisters?|My curse worked perfectly!{44566}{44606}That's because thou art perfect.{44771}{44849}l knew l left this cauldron on.|Didn't l tell you? Oh, l knew it. {44853}{44957}My lucky rat tail!|Just where l left it!{45014}{45128}But who lit|the black flame candle? Hmm.{45260}{45325}Wake up. Wake up, sleepyhead.{45329}{45411}Oh, l've missed you.|Did you miss me too?{45457}{45494}Come on, now,|we've got work to do.{45498}{45532}- Winnie.|- Yes?{45536}{45597}l smell children.{45646}{45677}Sic 'em!{45721}{45785}- lt's a little girl.|- Mmm!{45789}{45855}Seven. Maybe eight.|And a half.{45859}{45912}Ooh, let us play with her!{45916}{45992}Come, little children{45996}{46082}l'll take thee away{46086}{46212}- ln--|- Come out, my dear.|We will not harm thee.{46216}{46269}We love children!{46305}{46369}l thought thou would|never come, sisters.{46373}{46419}Greetings, little one.{46423}{46491}- 'Twas l who brought you back.|- lmagine.{46539}{46611}Such a pretty little...{46615}{46654}child.{46658}{46738}Look at her. And she's|so well fed, isn't she?{46742}{46807}Plump. Plump!{46811}{46842}Shis-ka-baby.{46876}{46978}Tell me, dumpling,|what is the year?{46982}{47034}1993.{47038}{47150}Sisters, we have been gone|300 years.{47154}{47213}Well, Winnie,|how time flies, huh?{47219}{47261}When you're dead!{47498}{47582}lt's been great fun, but l--|l guess l'd better be going. {47586}{47630}Oh, stay for supper.{47680}{47728}l'm-- l'm-- l'm not hungry.{47732}{47785}Oh, but we are.{47846}{47913}- Soup!|- Hey!{47917}{47977}- Let go of my little sister.|- Roast him, Winnie.{47981}{48045}No, let me.|Let me play with him.{48337}{48383}You. There.{48435}{48491}l haven't lost my touch,|sisters. See?{48495}{48535}- Winnie, Winnie--|- Max!{48569}{48645}- Hello. Goodbye.|- Hello, hello.{48694}{48751}Max!{48821}{48867}- Mary!|- Well, hello--{48929}{48974}- Oh, my, my, my, my, my.|- Don't!{49026}{49066}Okay!{49070}{49147}- You leave my brother alone!|- Ohh!{49184}{49223}- Max!|- l'll get you!{49278}{49373}- Get him! Get this ani--|Get this beast off me!|- Max, come on. Let's go!{49445}{49479}Get out! Go, go, go!{49515}{49570}Get it off! Ahh-ha-ha-ha-ha!{49686}{49720}- Hey!|- Hmm?{49761}{49817}You've messed with the|great and powerful Max...{49821}{49873}and now must suffer|the consequences.{49877}{49933}l summon the burning rain|of death.{49937}{49998}- Burning what?|- Burning rain of death.|- Burning rain of death. {50041}{50089}He makes fire in his hand.{50177}{50238}Ohh! Ohh! The burning|rain of death! Ohh! Ohh!{50242}{50297}Come on, you idiots!|Get under shelter!{50301}{50357}Come on, you fools!{50481}{50529}Nice going, Max!{50533}{50585}- lt's all your fault!|- You can talk.{50589}{50690}- Yeah, no kidding.|Now, get the spell book.|- You idiots! {50694}{50761}Come on, move it!{50765}{50829}N-N-No, it's not!|lt's the burning rain of death!{50917}{50982}Sic 'em! Aah! My book!{51057}{51142}Don't! He's going for my book!|Ohhh!{51146}{51193}- My book!|- He's got the book!|- The book!{51226}{51265}Max! Max, over here!{51269}{51315}- Come on! Come on!|- This way!{51381}{51430}Ohh! Confound it!{51464}{51541}- Winnie!|- We are dead!|- Shut up!{51545}{51611}- lt is but water!|- Huh?{51615}{51655}- Most refreshing.|- Ahh. lt is.{51659}{51720}- You idiot!|- Ahhh!|- The boy has tricked us!{51724}{51782}- And he's stolen the book!|- Ahhh!|- After him!|- Ohh!{52007}{52106}- 'Tis a b-black river.|- Perhaps it is not too deep.{52251}{52315}- 'Tis firm!|- Careful, Winnie.|- Hmm. Mmm.{52319}{52381}- 'Tis firm as stone.|- Why-- Why, it's a road!{52384}{52422}- Firm as stone|- Sisters!|- Firm as stone{52426}{52470}My book!{52870}{52955}Whoa, whoa, whoa, whoa!|Come on! This is a graveyard!{52959}{53058}lt's hallowed ground.|Witches can't set foot here.{53062}{53105}- He talks.|- Oh.{53149}{53193}Follow me!{53371}{53443}Over here.|l want to show you something.{53446}{53515}Give you an idea of exactly|what we're dealing with.{53684}{53753}''William Butcherson,|lost soul''?{53757}{53809}Billy Butcherson|was Winifred's lover,{53813}{53870}but she found him sporting|with her sister Sarah,{53874}{53957}so she poisoned him and sewed|his mouth shut with a dull needle... {53961}{54027}so he couldn't tell her|secrets even in death.{54031}{54096}- Winifred always was the jealous type.|- You're Thackery Binx. {54100}{54162}- Yes.|- Huh. So the legends are true.{54165}{54236}Well, come along. l want|to show you something else.{54351}{54424}Teenagers again.|l hate Halloween.{54428}{54483}Man, this is the worst night of|the year. You wanna give me a hand? {54487}{54545}- Who-- Who-- Who-- Who are they?|- Boys?{54549}{54589}Witch hunters. Observe.{54593}{54701}They wear black robes and carry|axes to chop the wood to burn us. {54705}{54753}- Hold me.|- What a pretty spider.{54795}{54886}Sisters! Let me make|one thing perfectly clear.{54890}{54962}The magic|that brought us back...{54965}{55033}only works tonight,|on All Hallows Eve.{55037}{55114}When the sun comes up,|we are dust.{55118}{55147}- Dust?|- Toast!{55151}{55192}Toast?{55196}{55249}- Pudding!|- Aaah!{55253}{55333}Fortunately the potion l brewed|the night we were hanged... {55337}{55401}will keep us alive|and young forever.{55405}{55494}Unfortunately the recipe for|that potion is in my spell book, {55498}{55534}and the little wretches|have stolen it!{55538}{55617}Therefore, it stands to reason,|does it not, sisters dear, {55621}{55679}that we must find the book,|brew the potion...{55683}{55772}and suck the lives out of the children|of Salem before sunrise. {55776}{55898}Otherwise, it's curtains!|We evaporate! We cease to exist! {55902}{55962}Dost thou comprehend?{55965}{56002}You explained it|beautifully, Winnie.{56006}{56053}The way you sort of started out|with the adventure part... {56057}{56107}- and then you sort of slowly--|- Explained what?{56136}{56217}- Come! We fly!|- Fly!{56221}{56299}Because of me my little|sister's life was stolen.{56303}{56411}For years l waited for my life to end|so l could be reunited with my family.{56415}{56517}But Winifred's curse|of immortality kept me alive.{56521}{56585}Then one day l figured out|what to do with my eternal life. {56589}{56678}Now, l'd failed Emily,|but l wouldn't fail again.{56682}{56784}When Winifred and her sisters returned,|l'd be there to stop them. {56788}{56879}So for three centuries l've guarded|the house on All Hallows Night, {56883}{56957}when l knew some airhead virgin|might light that candle. {56961}{57045}- Nice going, airhead.|- Hey, look, l'm sorry, okay?{57092}{57173}We're talking about three ancient hags|versus the 20th century. {57177}{57254}- How bad can it be?|- Bad.{57258}{57315}- Stay out of there!|- Why?{57319}{57401}lt holds Winifred's most dangerous|spells. She must not get it. {57405}{57449}Well, let's torch the sucker.{57626}{57694}lt's protected by magic.{57851}{57957}lt's just a bunch|of hocus pocus!{57961}{58005}- Sarah!|- Mmm?{58009}{58062}Mary.{58065}{58155}- Max!|- Brave little virgin|who lit the candle.{58159}{58238}- l'll be thy friend.|- Hey, take a hike!{58242}{58285}Ooh! Ouch!{58317}{58417}- Book!|- Huh?{58421}{58483}- Come to Mommy!|- 'Fraid not!{58487}{58561}Thackery Binx,|thou mangy feline!{58565}{58617}- Still alive?|- And waiting for you!{58621}{58677}Ohh! Thou hast waited|in vain!{58681}{58730}And thou will fail|to save thy friends,{58734}{58790}just as thou failed|to save thy sister!{58831}{58877}Grab the book!{59218}{59298}- They can't touch us here, right?|- Well, they can't.{59336}{59375}l don't like the way|you said that.{59378}{59438}Unfaithful lover|long since dead,{59442}{59496}deep asleep in thy wormy bed,{59500}{59565}wiggle thy toes,|open thine eyes,{59569}{59641}twist thy fingers|toward the sky.{59645}{59705}Life is sweet.|Be not too shy.{59709}{59802}On thy feet, so sayeth l!{60038}{60082}Max! Max!{60358}{60402}Huh?{60677}{60725}Hi. Hello, Billy.{60757}{60818}Catch those children!|Get up!{60821}{60897}Get up! Get out of that ditch!|Faster!{61127}{61171}ln here!{61459}{61491}Yes!{61790}{61840}- Are you okay?|- Mm-hmm.{61844}{61912}- What is this place, Binx?|- lt's the old Salem crypt.|- Here, take the book.{61915}{62029}- lt connects to the sewer|and up to the street.|- Oh. Uh, charming. {62080}{62165}- Uh, don't look up, Dani.|- Don't worry. l won't.{62169}{62243}Relax. l've hunted mice|down here for years.{62246}{62325}- Mice?|- Oh, God.|- Oh, God. Just great.{62371}{62453}Oh, cheese and crust!|He's lost his head!{62457}{62527}Ha! Damn that Thackery Binx!|Damn him!{62531}{62606}Billy, which way did they go?|Aaah!{62609}{62658}Billy, listen to me.{62662}{62754}Follow those children,|you maggot museum, and get my book! {62758}{62853}Then come find us!|We'll be ready for them!{62857}{62938}Quit staring at me!|Get moving down that hole!{62942}{62985}- Damn, damn, double damn!|- Oh!{62989}{63029}Broom, ho!{63074}{63118}This way!{63246}{63293}- Broom, ho.|- Ahh.{63351}{63392}They're here.|l know they're here.{63396}{63461}- l know they're here,|but where are they?|- Winnie, look. {63465}{63553}- Sniff them out, Mary.|- Uh, they're, they're, uh--。

AESOP_Fables

AESOP_Fables

Aesop's Fables Translated by George Fyler TownsendAesop's Fables (1)Translated by George Fyler Townsend (1)Preface (7)The Wolf and the Lamb (11)The Bat and the Weasels (11)The Ass and the Grasshopper (12)The Lion and the Mouse (12)The Charcoal−Burner and the Fuller (12)The Father and His Sons (12)The Boy Hunting Locusts (12)The Cock and the Jewel (12)The Kingdom of the Lion (13)The Wolf and the Crane (13)The Fisherman Piping (13)Hercules and the Wagoner (13)The Ants and the Grasshopper (13)The Traveler and His Dog (13)The Dog and the Shadow (14)The Mole and His Mother (14)The Herdsman and the Lost Bull (14)The Hare and the Tortoise (14)The Pomegranate, Apple−Tree, and Bramble (14)The Farmer and the Stork (15)The Farmer and the Snake (15)The Fawn and His Mother (15)The Bear and the Fox (15)The Swallow and the Crow (15)The Mountain in Labor (15)The Ass, the Fox, and the Lion (16)The Tortoise and the Eagle (16)The Flies and the Honey−Pot (16)The Man and the Lion (16)The Farmer and the Cranes (16)The Dog in the Manger (17)The Fox and the Goat (17)The Bear and the Two Travelers (17)The Oxen and the Axle−Trees (17)The Thirsty Pigeon (18)The Raven and the Swan (18)The Goat and the Goatherd (18)The Miser (18)The Sick Lion (18)The Horse and Groom (19)The Ass and the Lapdog (19)The Lioness (19)The Boasting Traveler (19)The Cat and the Cock (19)The Boy and the Filberts (20)The Lion in Love (20)The Laborer and the Snake (20)The Wolf in Sheep's Clothing (20)The Ass and the Mule (21)The Frogs Asking for a King (21)The Boys and the Frogs (21)The Sick Stag (21)The Salt Merchant and His Ass (21)The Oxen and the Butchers (22)The Lion, the Mouse, and the Fox (22)The Vain Jackdaw (22)The Goatherd and the Wild Goats (22)The Mischievous Dog (23)The Fox Who Had Lost His Tail (23)The Boy and the Nettles (23)The Man and His Two Sweethearts (23)The Astronomer (23)The Wolves and the Sheep (24)The Old Woman and the Physician (24)The Fighting Cocks and the Eagle (24)The Charger and the Miller (24)The Fox and the Monkey (24)The Horse and His Rider (25)The Belly and the Members (25)The Vine and the Goat (25)Jupiter and the Monkey (25)The Widow and Her Little Maidens (25)The Shepherd's Boy and the Wolf (25)The Cat and the Birds (26)The Kid and the Wolf (26)The Ox and the Frog (26)The Shepherd and the Wolf (26)The Father and His Two Daughters (26)The Farmer and His Sons (27)The Crab and Its Mother (27)The Heifer and the Ox (27)The Swallow, the Serpent, and the Court of Justice (27)The Thief and His Mother (27)The Old Man and Death (27)The Fir−Tree and the Bramble (28)The Mouse, the Frog, and the Hawk (28)The Man Bitten by a Dog (28)The Two Pots (28)The Wolf and the Sheep (28)The Aethiop (29)The Fisherman and His Nets (29)The Old Woman and the Wine−Jar (29)The Fox and the Crow (29)The Two Dogs (30)The Stag in the Ox−Stall (30)The Hawk, the Kite, and the Pigeons (30)The Widow and the Sheep (30)The Wild Ass and the Lion (31)The Eagle and the Arrow (31)The Sick Kite (31)The Lion and the Dolphin (31)The Lion and the Boar (31)The One−Eyed Doe (32)The Shepherd and the Sea (32)The Ass, the Cock, and the Lion (32)The Mice and the Weasels (32)The Mice in Council (32)The Wolf and the Housedog (33)The Rivers and the Sea (33)The Playful Ass (33)The Three Tradesmen (33)The Master and His Dogs (33)The Wolf and the Shepherds (33)The Dolphins, the Whales, and the Sprat (34)The Ass Carrying the Image (34)The Two Travelers and the Axe (34)The Old Lion (34)The Old Hound (34)The Bee and Jupiter (34)The Milk−Woman and Her Pail (35)The Seaside Travelers (35)The Brazier and His Dog (35)The Ass and His Shadow (35)The Ass and His Masters (36)The Oak and the Reeds (36)The Fisherman and the Little Fish (36)The Hunter and the Woodman (36)The Wild Boar and the Fox (36)The Lion in a Farmyard (37)Mercury and the Sculptor (37)The Swan and the Goose (37)The Swollen Fox (37)The Fox and the Woodcutter (37)The Birdcatcher, the Partridge, and the Cock (38)The Monkey and the Fishermen (38)The Flea and the Wrestler (38)The Two Frogs (38)The Cat and the Mice (38)The Doe and the Lion (39)The Farmer and the Fox (39)The Seagull and the Kite (39)The Philosopher, the Ants, and Mercury (39)The Mouse and the Bull (39)The Lion and the Hare (40)The Peasant and the Eagle (40)The Image of Mercury and the Carpenter (40)The Bull and the Goat (40)The Dancing Monkeys (40)The Monkeys and Their Mother (41)The Oaks and Jupiter (41)The Hare and the Hound (41)The Traveler and Fortune (41)The Bald Knight (41)The Shepherd and the Dog (41)The Lamp (42)The Lion, the Fox, and the Ass (42)The Bull, the Lioness, and the Wild−Boar Hunter (42)The Oak and the Woodcutters (42)The Hen and the Golden Eggs (42)The Ass and the Frogs (42)The Crow and the Raven (43)The Trees and the Axe (43)The Crab and the Fox (43)The Woman and Her Hen (43)The Ass and the Old Shepherd (43)The Kites and the Swans (44)The Wolves and the Sheepdogs (44)The Hares and the Foxes (44)The Bowman and Lion (44)The Camel (44)The Wasp and the Snake (44)The Dog and the Hare (45)The Bull and the Calf (45)The Stag, the Wolf, and the Sheep (45)The Peacock and the Crane (45)The Fox and the Hedgehog (45)The Eagle, the Cat, and the Wild Sow (46)The Thief and the Innkeeper (46)The Mule (46)The Hart and the Vine (46)The Serpent and the Eagle (47)The Crow and the Pitcher (47)The Two Frogs (47)The Wolf and the Fox (47)The Walnut−Tree (47)The Monkey and the Dolphin (48)The Jackdaw and the Doves (48)The Horse and the Stag (48)The Kid and the Wolf (48)The Prophet (48)The Fox and the Monkey (49)The Thief and the Housedog (49)The Man, the Horse, the Ox, and the Dog (49)The Apes and the Two Travelers (49)The Wolf and the Shepherd (50)The Hares and the Lions (50)The Lark and Her Young Ones (50)The Fox and the Lion (50)The Weasel and the Mice (50)The Boy Bathing (51)The Ass and the Wolf (51)The Seller of Images (51)The Fox and the Grapes (51)The Man and His Wife (51)The Peacock and Juno (52)The Hawk and the Nightingale (52)The Dog, the Cock, and the Fox (52)The Wolf and the Goat (52)The Lion and the Bull (52)The Goat and the Ass (53)The Town Mouse and the Country Mouse (53)The Wolf, the Fox, and the Ape (53)The Fly and the Draught−Mule (53)The Fishermen (53)The Lion and the Three Bulls (54)The Fowler and the Viper (54)The Horse and the Ass (54)The Fox and the Mask (54)The Geese and the Cranes (54)The Blind Man and the Whelp (54)The Dogs and the Fox (55)The Cobbler Turned Doctor (55)The Wolf and the Horse (55)The Brother and the Sister (55)The Wasps, the Partridges, and the Farmer (55)The Crow and Mercury (56)The North Wind and the Sun (56)The Two Men Who Were Enemies (56)The Gamecocks and the Partridge (56)The Quack Frog (56)The Lion, the Wolf, and the Fox (57)The Dog's House (57)The Birds, the Beasts, and the Bat (57)The Spendthrift and the Swallow (57)The Fox and the Lion (57)The Owl and the Birds (58)The Trumpeter Taken Prisoner (58)The Ass in the Lion's Skin (58)The Sparrow and the Hare (58)The Flea and the Ox (58)The Goods and the Ills (58)The Dove and the Crow (59)Mercury and the Workmen (59)The Eagle and the Jackdaw (59)The Fox and the Crane (59)Jupiter, Neptune, Minerva, and Momus (60)The Eagle and the Fox (60)The Man and the Satyr (60)The Ass and His Purchaser (60)The Two Bags (61)The Stag at the Pool (61)The Jackdaw and the Fox (61)The Lark Burying Her Father (61)The Gnat and the Bull (61)The Bitch and Her Whelps (61)The Dogs and the Hides (62)The Shepherd and the Sheep (62)The Grasshopper and the Owl (62)The Monkey and the Camel (62)The Peasant and the Apple−Tree (62)The Two Soldiers and the Robber (63)The Trees Under the Protection of the Gods (63)The Mother and the Wolf (63)The Ass and the Horse (63)Truth and the Traveler (63)The Cat and Venus (65)The She−Goats and Their Beards (65)The Camel and the Arab (66)The Miller, His Son, and Their Ass (66)The Crow and the Sheep (66)The Fox and the Bramble (66)The Wolf and the Lion (66)The Dog and the Oyster (67)The Ant and the Dove (67)The Partridge and the Fowler (67)The Flea and the Man (67)The Thieves and the Cock (67)The Dog and the Cook (67)The Travelers and the Plane−Tree (68)The Lion, Jupiter, and the Elephant (68)The Lamb and the Wolf (68)The Rich Man and the Tanner (69)The Shipwrecked Man and the Sea (69)The Mules and the Robbers (69)The Viper and the File (69)The Lion and the Shepherd (69)The Camel and Jupiter (69)The Panther and the Shepherds (70)The Ass and the Charger (70)The Eagle and His Captor (70)The Bald Man and the Fly (70)The Olive−Tree and the Fig−Tree (70)The Eagle and the Kite (71)The Ass and His Driver (71)The Thrush and the Fowler (71)The Rose and the Amaranth (71)The Frogs' Complaint Against the Sun (71)LIFE OF AESOP (71)Aesop's FablesTranslated by George Fyler Townsend This page copyright © 2001 Blackmask Online.•PrefaceThe Wolf and the Lamb••The Bat and the Weasels•The Ass and the Grasshopper•The Lion and the Mouse•The Charcoal−Burner and the Fuller•The Father and His Sons•The Boy Hunting Locusts•The Cock and the Jewel•The Kingdom of the Lion•The Wolf and the Crane•The Fisherman Piping•Hercules and the Wagoner•The Ants and the Grasshopper•The Traveler and His Dog•The Dog and the ShadowThe Mole and His Mother••The Herdsman and the Lost Bull•The Hare and the Tortoise•The Pomegranate, Apple−Tree, and Bramble•The Farmer and the Stork•The Farmer and the Snake•The Fawn and His Mother•The Bear and the Fox•The Swallow and the Crow•The Mountain in Labor•The Ass, the Fox, and the Lion•The Tortoise and the Eagle•The Flies and the Honey−Pot•The Man and the Lion•The Farmer and the Cranes•The Dog in the Manger•The Fox and the Goat•The Bear and the Two Travelers•The Oxen and the Axle−Trees•The Thirsty Pigeon•The Raven and the SwanThe Goat and the Goatherd••The Miser•Aesop's Fables The Ass and the Lapdog••The Lioness•The Boasting TravelerThe Cat and the Cock•The Piglet, the Sheep, and the Goat•The Boy and the Filberts•The Lion in Love•The Laborer and the Snake•The Wolf in Sheep's Clothing••The Ass and the MuleThe Frogs Asking for a King•The Boys and the Frogs•The Sick Stag•The Salt Merchant and His Ass•The Oxen and the Butchers••The Lion, the Mouse, and the FoxThe Vain Jackdaw•The Goatherd and the Wild Goats••The Mischievous DogThe Fox Who Had Lost His Tail•The Boy and the Nettles••The Man and His Two SweetheartsThe Astronomer•The Wolves and the Sheep••The Old Woman and the PhysicianThe Fighting Cocks and the Eagle••The Charger and the Miller•The Fox and the MonkeyThe Horse and His Rider•The Belly and the Members•The Vine and the Goat•Jupiter and the Monkey•The Widow and Her Little Maidens•The Shepherd's Boy and the Wolf••The Cat and the BirdsThe Kid and the Wolf•The Ox and the Frog•The Shepherd and the Wolf•The Father and His Two Daughters•The Farmer and His Sons••The Crab and Its MotherThe Heifer and the Ox•The Swallow, the Serpent, and the Court of Justice••The Thief and His MotherThe Old Man and Death•The Fir−Tree and the Bramble••The Mouse, the Frog, and the HawkThe Man Bitten by a Dog•The Two Pots••The Fisherman and His Nets••The Huntsman and the Fisherman•The Old Woman and the Wine−Jar•The Fox and the Crow•The Two Dogs•The Stag in the Ox−StallThe Hawk, the Kite, and the Pigeons••The Widow and the Sheep•The Wild Ass and the LionThe Eagle and the Arrow••The Sick Kite•The Lion and the Dolphin•The Lion and the Boar•The One−Eyed Doe•The Shepherd and the SeaThe Ass, the Cock, and the Lion••The Mice and the Weasels•The Mice in Council•The Wolf and the Housedog•The Rivers and the Sea•The Playful Ass•The Three Tradesmen•The Master and His Dogs•The Wolf and the Shepherds•The Dolphins, the Whales, and the Sprat •The Ass Carrying the Image•The Two Travelers and the Axe•The Old LionThe Old Hound••The Bee and Jupiter•The Milk−Woman and Her Pail•The Seaside Travelers•The Brazier and His Dog•The Ass and His Shadow•The Ass and His Masters•The Oak and the ReedsThe Fisherman and the Little Fish••The Hunter and the WoodmanThe Wild Boar and the Fox••The Lion in a Farmyard•Mercury and the SculptorThe Swan and the Goose••The Swollen Fox•The Fox and the Woodcutter•The Birdcatcher, the Partridge, and the Cock •The Monkey and the Fishermen•The Flea and the Wrestler•The Two Frogs•The Cat and the Mice•The Lion, the Bear, and the FoxThe Farmer and the Fox••The Seagull and the Kite•The Philosopher, the Ants, and Mercury•The Mouse and the Bull•The Lion and the Hare•The Peasant and the EagleThe Image of Mercury and the Carpenter••The Bull and the Goat•The Dancing MonkeysThe Monkeys and Their Mother••The Oaks and Jupiter•The Hare and the Hound•The Traveler and Fortune•The Bald Knight•The Shepherd and the DogThe Lamp••The Lion, the Fox, and the Ass•The Bull, the Lioness, and the Wild−Boar Hunter •The Oak and the Woodcutters•The Hen and the Golden Eggs•The Ass and the Frogs•The Crow and the Raven•The Trees and the Axe•The Crab and the Fox•The Woman and Her Hen•The Ass and the Old Shepherd•The Kites and the Swans•The Wolves and the SheepdogsThe Hares and the Foxes••The Bowman and Lion•The Camel•The Wasp and the Snake•The Dog and the Hare•The Bull and the Calf•The Stag, the Wolf, and the Sheep•The Peacock and the CraneThe Fox and the Hedgehog••The Eagle, the Cat, and the Wild SowThe Thief and the Innkeeper••The Mule•The Hart and the VineThe Serpent and the Eagle••The Crow and the Pitcher•The Two Frogs•The Wolf and the Fox•The Walnut−Tree•The Gnat and the Lion•The Monkey and the Dolphin•The Jackdaw and the Doves•The Horse and the StagThe Prophet••The Fox and the Monkey•The Thief and the Housedog•The Man, the Horse, the Ox, and the Dog •The Apes and the Two Travelers•The Wolf and the ShepherdThe Hares and the Lions••The Lark and Her Young Ones•The Fox and the LionThe Weasel and the Mice••The Boy Bathing•The Ass and the Wolf•The Seller of Images•The Fox and the Grapes•The Man and His WifeThe Peacock and Juno••The Hawk and the Nightingale•The Dog, the Cock, and the Fox•The Wolf and the Goat•The Lion and the Bull•The Goat and the Ass•The Town Mouse and the Country Mouse •The Wolf, the Fox, and the Ape•The Fly and the Draught−Mule•The Fishermen•The Lion and the Three Bulls•The Fowler and the Viper•The Horse and the AssThe Fox and the Mask••The Geese and the Cranes•The Blind Man and the Whelp•The Dogs and the Fox•The Cobbler Turned Doctor•The Wolf and the Horse•The Brother and the Sister•The Wasps, the Partridges, and the Farmer The Crow and Mercury••The North Wind and the SunThe Two Men Who Were Enemies••The Gamecocks and the Partridge•The Quack FrogThe Lion, the Wolf, and the Fox••The Dog's House•The Wolf and the Lion•The Birds, the Beasts, and the Bat•The Spendthrift and the Swallow•The Fox and the Lion•The Owl and the Birds•The Trumpeter Taken Prisoner•The Ass in the Lion's SkinThe Flea and the Ox••The Goods and the Ills•The Dove and the Crow•Mercury and the Workmen•The Eagle and the Jackdaw•The Fox and the CraneJupiter, Neptune, Minerva, and Momus ••The Eagle and the Fox•The Man and the SatyrThe Ass and His Purchaser••The Two Bags•The Stag at the Pool•The Jackdaw and the Fox•The Lark Burying Her Father•The Gnat and the BullThe Bitch and Her Whelps••The Dogs and the Hides•The Shepherd and the Sheep•The Grasshopper and the Owl•The Monkey and the Camel•The Peasant and the Apple−Tree•The Two Soldiers and the Robber•The Trees Under the Protection of the Gods •The Mother and the Wolf•The Ass and the Horse•Truth and the Traveler•The Cat and Venus•The She−Goats and Their BeardsThe Camel and the Arab••The Miller, His Son, and Their Ass•The Crow and the Sheep•The Fox and the Bramble•The Wolf and the Lion•The Dog and the Oyster•The Ant and the Dove•The Partridge and the FowlerThe Flea and the Man••The Thieves and the CockThe Dog and the Cook••The Travelers and the Plane−Tree•The Hares and the FrogsThe Lion, Jupiter, and the Elephant••The Lamb and the Wolf•The Rich Man and the Tanner•The Shipwrecked Man and the Sea•The Mules and the Robbers•The Viper and the File•The Lion and the Shepherd•The Camel and Jupiter•The Panther and the Shepherds•The Eagle and His Captor•The Bald Man and the Fly•The Olive−Tree and the Fig−Tree•The Eagle and the KiteThe Ass and His Driver••The Thrush and the Fowler•The Rose and the AmaranthThe Frogs' Complaint Against the Sun••LIFE OF AESOPPrefaceTHE TALE, the Parable, and the Fable are all common and popular modes of conveying instruction. Each is distinguished by its own special characteristics. The Tale consists simply in the narration of a story either founded on facts, or created solely by the imagination, and not necessarily associated with the teaching of any moral lesson. The Parable is the designed use of language purposely intended to convey a hidden and secret meaning other than that contained in the words themselves; and which may or may not bear a special reference to the hearer, or reader. The Fable partly agrees with, and partly differs from both of these. It will contain, like the Tale, a short but real narrative; it will seek, like the Parable, to convey a hidden meaning, and that not so much by the use of language, as by the skilful introduction of fictitious characters; and yet unlike to either Tale or Parable, it will ever keep in view, as its high prerogative, and inseparable attribute, the great purpose of instruction, and will necessarily seek to inculcate some moral maxim, social duty, or political truth. The true Fable, if it rise to its high requirements, ever aims at one great end and purpose representation of human motive, and the improvement of human conduct, and yet it so conceals its design under the disguise of fictitious characters, by clothing with speech the animals of the field, the birds of the air, the trees of the wood, or the beasts of the forest, that the reader shall receive advice without perceivingthe presence of the adviser. Thus the superiority of the counsellor, which often renders counsel unpalatable, is kept out of view, and the lesson comes with the greater acceptance when the reader is led, unconsciously to himself, to have his sympathies enlisted in behalf of what is pure, honorable, and praiseworthy, and to havehis indignation excited against what is low, ignoble, and unworthy. The true fabulist, therefore, discharges a most important function. He is neither a narrator, nor an allegorist. He is a great teacher, a corrector of morals, a censor of vice, and a commender of virtue. In this consists the superiority of the Fable over the Tale or the Parable. The fabulist is to create a laugh, but yet, under a merry guise, to convey instruction. Phaedrus, the great imitator of Aesop, plainly indicates this double purpose to be the true office of the writer of fables.Duplex libelli dos est: quod risum movet,Et quod prudenti vitam consilio monet.The continual observance of this twofold aim creates the charm, and accounts for the universal favor, of the fables of Aesop. "The fable," says Professor K. O. Mueller, "originated in Greece in an intentional travestieof human affairs. The 'ainos,' as its name denotes, is an admonition, or rather a reproof veiled, either from fear of an excess of frankness, or from a love of fun and jest, beneath the fiction of an occurrence happening among beasts; and wherever we have any ancient and authentic account of the Aesopian fables, we find it to be the same." lThe construction of a fable involves a minute attention to (1) the narration itself; (2) the deduction of the moral; and (3) a careful maintenance of the individual characteristics of the fictitious personages introduced into it. The narration should relate to one simple action, consistent with itself, and neither be overladen with aand so intimately interwoven with, and so necessarily dependent on, the narration, that every reader should be compelled to give to it the same undeniable interpretation. The introduction of the animals or fictitious characters should be marked with an unexceptionable care and attention to their natural attributes, and to the qualities attributed to them by universal popular consent. The Fox should be always cunning, the Hare timid, the Lion bold, the Wolf cruel, the Bull strong, the Horse proud, and the Ass patient. Many of these fables are characterized by the strictest observance of these rules. They are occupied with one short narrative, from which the moral naturally flows, and with which it is intimately associated. "'Tis the simple manner," says Dodsley, 2 "in which the morals of Aesop are interwoven with his fables that distinguishes him, and gives him the preference over all other mythologists. His 'Mountain delivered of a Mouse,' produces the moral of his fable in ridicule of pompous pretenders; and his Crow, when she drops her cheese, lets fall, as it were by accident, the strongest admonition against the power of flattery. There is no need of a separate sentence to explain it; no possibility of impressing it deeper, by that load we too often see of accumulated reflections." 3 An equal amount of praise is due for the consistency with which the characters of the animals, fictitiously introduced, are marked. While they are made to depict the motives and passions of men, they retain, in an eminent degree, their own special features of craft or counsel, of cowardice or courage, of generosity or rapacity.These terms of praise, it must be confessed, cannot be bestowed on all the fables in this collection. Many of them lack that unity of design, that close connection of the moral with the narrative, that wise choice in the introduction of the animals, which constitute the charm and excellency of true Aesopian fable. This inferiority of some to others is sufficiently accounted for in the history of the origin and descent of these fables. The great bulk of them are not the immediate work of Aesop. Many are obtained from ancient authors prior to the time in which he lived. Thus, the fable of the "Hawk and the Nightingale" is related by Hesiod; 4 the "Eagle wounded by an Arrow, winged with its own Feathers," by Aeschylus; 5 the "Fox avenging his wrongs on the Eagle," by Archilochus. 6 Many of them again are of later origin, and are to be traced to the monks of the middle ages: and yet this collection, though thus made up of fables both earlier and later than the era of Aesop, rightfully bears his name, because he composed so large a number (all framed in the same mould, and conformed to the same fashion, and stamped with the same lineaments, image, and superscription) as to secure to himself the right to be considered the father of Greek fables, and the founder of this class of writing, which has ever since borne his name, and has secured for him, through all succeeding ages, the position of the first of moralists.7The fables were in the first instance only narrated by Aesop, and for a long time were handed down by the uncertain channel of oral tradition. Socrates is mentioned by Plato 8 as having employed his time while in prison, awaiting the return of the sacred ship from Delphos which was to be the signal of his death, in turning some of these fables into verse, but he thus versified only such as he remembered. Demetrius Phalereus, a philosopher at Athens about 300 B.C., is said to have made the first collection of these fables. Phaedrus, a slave by birth or by subsequent misfortunes, and admitted by Augustus to the honors of a freedman, imitated many of these fables in Latin iambics about the commencement of the Christian era. Aphthonius, a rhetorician of Antioch, A.D. 315, wrote a treatise on, and converted into Latin prose, some of these fables. This translation is the more worthy of notice, as it illustrates a custom of common use, both in these and in later times. The rhetoricians and philosophers were accustomed to give the Fables of Aesop as an exercise to their scholars, not only inviting them to discuss the moral of the tale, but also to practice and to perfect themselves thereby in style and rules of grammar, by making for themselves new and various versions of the fables. Ausonius, 9 the friend of the Emperor Valentinian, and the latest poet of eminence in the Western Empire, has handed down some of these fables in verse, which Julianus Titianus, a contemporary writer of no great name, translated into prose. Avienus, also a contemporary of Ausonius, put some of these fables into Latin elegiacs, which are given by Nevelet (in a book we shall refer to hereafter), and are occasionally incorporated with the editions of Phaedrus.。

梦工厂出品电影名称

梦工厂出品电影名称

Dreamworks ProductYear中文翻译Title末日戒备 The Peacemaker The Peacemaker捕鼠气 Mouse Hunt Amistad断锁怒潮 Amistad MouseHunt蚁哥正传 AntZ Paulie天地大冲撞 Deep Impact(ParamountPictures)Deep Impact阿鹦爱说笑 Paulie Small Soldiers埃及王子 The Prince of Egypt Saving Private Ryan拯救大兵瑞恩 Saving Private Ryan (Paramount Pictures)Antz魔幻小战士 Small Soldiers(with Universal Studios)The Prince of Egypt美国丽人 American Beauty In Dreams触电之旅 Forces of Nature Forces of Nature 惊爆银河系/星河救兵 Galaxy Quest The Love Letter 鬼入侵 The Haunting The Haunting超异能梦魇 In Dreams American Beauty 情有千千结 The Love Letter Galaxy Quest成名之路 Almost Famous(with Columbia Pictures)The Road to El Dorado荒岛余生 Cast Away(20世纪福克斯)Gladiator 咪走鸡 Chicken Run(with AardmanAnimations)Road Trip竞争者 The Contender Small Time Crooks发力无边 An Everlasting Piece(withColumbia Pictures)Chicken Run角斗士 Gladiator (Universal Studios)What Lies Beneath约瑟夫传说:埃及之谜 Joseph: King ofDreams(Direct to Video)Almost Famous重返荣耀 The Legend of Bagger Vance(20世纪福克斯)Meet the Parents 拜见岳父大人 Meet the Parents(wUniversal Studios)The Contender勇闯黄金城 The Road to El Dorado The Legend of Bagger Vance哈啦上路(Road Trip)Joseph: King of Dreams1997 1998 19992000贫贱夫妻百事吉(Small Time Crooks)Cast Away危机四伏 What Lies Beneath(20世纪福克斯)An Everlasting PieceA.I.人工智能 A.I. ArtificialIntelligence(华纳兄弟)The Mexican 美丽心灵 A Beautiful Mind (UniversalStudios)Shrek爱情魔咒 The Curse of the JadeScorpionEvolution进化 Evolution(with Columbia Pictures)A.I. Artificial Intelligence叛将风云 The Last Castle The Curse of the Jade Scorpion危险情人 The Mexican The Last Castle 怪物史莱克 Shrek (plus a sequel in2004 and an upcoming sequel in 2007)A Beautiful Mind我知道你是谁 Catch Me If You Can The Time Machine 好莱坞大结局 Hollywood Ending Hollywood Ending少数派报告 Minority Report(20世纪福克斯)Spirit: Stallion of the Cimarron美版午夜凶铃(The Ring《午夜凶铃》西洋篇 )Minority Report毁灭之路 Road to Perdition(20世纪福克斯)Road to Perdition小马王 Spirit: Stallion of theCimarronThe Tuxedo 时光机器 The Time Machine(华纳兄弟)The Ring燕尾服 The Tuxedo Catch Me If You Can情关难过 Anything Else Biker Boyz夜行杀阵 Biker Boyz Old School魔法灵猫 The Cat in the Hat(UniversalStudios)Head of State乌龙元首 Head of State Sinbad: Legend of the Seven Seas尘雾家园 House of Sand and Fog Seabiscuit重返校园 Old School Anything Else空头支票 Paycheck(Paramount Pictures)The Cat in the Hat壮志奔腾 Seabiscuit(with Spyglass Entertainment and Universal Studios)House of Sand and Fog2002 2001 2003辛巴达七海传奇 Sinbad: Legend of the Seven SeasPaycheck 王牌播音员 Anchorman: The Legend of Ron BurgundyWin a Date with Tad Hamilton!落日杀神 Collateral(Paramount Pictures)Eurotrip 贱钱眼开 Envy(with Columbia Pictures)Envy 欧洲派 EurotripShrek 2雷蒙·斯尼奇的不幸历险 Lemony Snicket's A Series of Unfortunate Events(Paramount Pictures Nickelodeon Movies)The Stepford Wives 拜见岳父大人2 Meet theFockers(Universal Studios)The Terminal怪物史莱克2 Shrek 2Anchorman: TheLegend of RonBurgundy超完美娇妻 The Stepford Wives(1975年电影重拍) (Paramount Pictures)Collateral谁来陪我过圣诞 Surviving ChristmasSurvivingChristmas幸福终点站 The TerminalLemony Snicket's A Series ofUnfortunate Events征服偶像 Win a Date with Tad Hamilton!Meet the Fockers 梦想奔驰 Dreamer (Inspired by a TrueStory)The Ring Two逃出克隆岛 The Island(华纳兄弟)War of theWorlds就像在天堂 Just like Heaven The Island 马达加斯加 Madagascar Red Eye 赛末点 Match Point Just Like Heaven 艺伎回忆录 Memoirs of a Geisha(合作哥伦比亚影片公司,Spyglass Entertainment)The Prize Winner of Defiance,Ohio 慕尼黑 Munich(合作宇宙工作室)Dreamer The Prize Winner of Defiance, OhioMemoirs of aGeisha红眼航班 Red Eye Munich 刹灵 The Ring TwoMatch Point20052004超级无敌掌门狗:人兔的诅咒 Wallace &Gromit: The Curse of the Were-Rabbit (合作Aardman Animations)世界大战 War Of The Worlds(合作Paramount Pictures,Amblin Entertainment)追梦女郎 Dreamgirls(派拉蒙影业合作)She's the Man 父辈的旗帜 Flags of Our Fathers(华纳兄弟合作)The Last Kiss鼠国流浪记 Flushed AwayFlags of Our Fathers终情之吻 The Last Kiss Dreamgirls硫磺岛家书 Letters from Iwo Jima(华纳兄弟合作)Letters from Iwo Jima篱笆墙外 Over the Hedge Perfume: TheStory of aMurderer香水 Perfume: The Story of a Murderer 足球尤物 She's the Man 蜂电影 Bee Movie Norbit 冰刀双人组 Blades of Glory Blades of Glory 恐怖社区 DisturbiaDisturbia 七日之痒 The Heartbreak Kid Transformers 追风筝的人 The Kite RunnerThe Heartbreak Kid糯米正传 NorbitThings We Lost in the Fire 怪物史莱克3 Shrek the Third The Kite Runner 理发师陶德 Sweeney Todd: The Demon Barber of Fleet StreetSweeney Todd:The Demon Barber of Fleet Street1942年夏天 Things We Lost in the Fire 变形金刚 Transformers 禁入废墟 The Ruins The Ruins 功夫熊猫 Kung Fu Panda Tropic Thunder 热带惊魂 Tropic Thunder Ghost Town 通灵牙医 Ghost Town Eagle Eye 鹰眼 Eagle EyeRevolutionary Road马达加斯加2 Madagascar: Escape 2Africa革命之路Revolutionary Road200620072008独奏者 The Soloist Hotel for Dogs狗狗旅馆 Hotel for Dogs The Uninvited 大战外星人 Monsters vs. AliensI Love You, Man变形金刚2:狂派再起 Transformers:Revenge of the Fallen (with Paramount)The Soloist可爱的骨头 The Lovely Bones (co-production with FilmFour)Transformers:Revenge of the Fallen不请自来 The Uninvited The Lovely Bones寻找伴郎 I Love You, Man灵动:鬼影实录 Paranormal Activity 我配不上她 She's Out of My LeagueShe's Out of My League 猪头晚餐 Dinner for SchmucksDinner for Schmucks怪物史莱克4 Shrek Goes Fourth(distribution only through Paramount)驯龙高手How To Train Your Dragon 超级大坏蛋 Megamind 关键第四号 I Am Number Four I Am Number Four 功夫熊猫2 Kung Fu Panda 2Cowboys & Aliens牛仔与外星人 Cowboys and Aliens The Help变形金刚3:月黑之时 Transformers: Darkof the MoonFright Night铁甲钢拳 Real Steel Real Steel 姊妹 The HelpWar Horse吸血鬼就在隔壁 Fright Night 战马 War Horse200920102011丁丁历险记 Tintin穿靴子的猫 Puss in Boots 临终千言 A Thousand Words A Thousand Words 我们这样的人 People Like UsPeople Like Us马达加斯加3:欧洲大逃亡 Madagascar 3:Europe's Most WantedLincoln守护者联盟 Rise of the Guardians 林肯 Lincoln疯狂原始人The Fifth Estate 极速蜗牛Delivery Man 天才眼镜狗Need for Speed 驯龙高手2 How To Train Your Dragon 2The Hundred-Foot Journey米其林情缘Bridge of Spies The BFGThe LightBetween Oceans The Girl on the TrainOffice Christmas Party201420122013Release Date26-Sep-97First DreamWorks film10-Dec-97co-production with HBO Films19-Dec-9717-Apr-98co-production with Mutual Film Company 8-May-98co-production with Paramount Pictures10-Jul-98co-production with Universal Pictures and AmblinEntertainment24-Jul-98Nominee for the Academy Award for Best Picture; co-production with Paramount Pictures, Amblin Entertainment and Mutual Film Company2-Oct-98co-production with Pacific Data Images; DreamWorks' first computer animated feature film18-Dec-98DreamWorks' first traditionally animated feature film 15-Jan-99co-production with Amblin Entertainment19-Mar-9921-May-9923-Jul-991-Oct-99Winner of the Academy Award for Best Picture25-Dec-9931-Mar-005-May-00Winner of the Academy Award for Best Picture; co-production with Universal Studios and Scott FreeProductions19-May-00co-production with The Montecito Picture Company 19-May-0023-Jun-00co-production with Pathé and Aardman Animations, DreamWorks' first stop-motion animated feature film21-Jul-00co-production with 20th Century Fox and ImageMovers 13-Sep-00co-production with Columbia Pictures6-Oct-00co-production with Universal Pictures13-Oct-00co-production with Cinerenta Medienbeteiligungs KG3-Nov-00co-production with 20th Century Fox and AlliedFilmmakers7-Nov-0022-Dec-00co-production with 20th Century Fox and ImageMovers, international distribution only.25-Dec-00co-production with Columbia Pictures 2-Mar-01co-production with Newmarket Films18-May-01First winner of the Academy Award for Best AnimatedFeature Film8-Jun-01co-production with Columbia Pictures and The MontecitoPicture Company26-Jun-01co-production with Warner Bros. and AmblinEntertainment24-Aug-01in association with VCL Communications GmbH 19-Oct-0121-Dec-01Winner of the Academy Award for Best Picture; co-production with Universal Pictures and ImagineEntertainment8-Mar-02co-production with Warner Bros. 3-May-0224-May-02Nominee for the Academy Award for Best AnimatedFeature21-Jun-02co-production with 20th Century Fox and AmblinEntertainment12-Jul-02co-production with 20th Century Fox27-Sep-02co-production with Vanguard Films18-Oct-0225-Dec-02co-production with Amblin Entertainment31-Jan-0321-Feb-03co-production with The Montecito Picture Company 28-Mar-032-Jul-0325-Jul-03Nominee of the Academy Award for Best Picture; co-production with Universal Studios, Spyglass Entertainment, and The Kennedy/Marshall Company19-Sep-0321-Nov-03co-production with Universal Pictures and ImagineEntertainment19-Dec-0325-Dec-03co-production with Paramount Pictures23-Jan-0420-Feb-04co-production with The Montecito Picture Company30-Apr-04co-production with Columbia Pictures, Castle Rock Entertainment and Baltimore Spring/Creek Pictures19-May-04Nominee for the Academy Award for Best AnimatedFeature11-Jun-04co-production with Paramount Pictures 18-Jun-04co-production with Amblin Entertainment 9-Jul-046-Aug-04co-production with Paramount Pictures 22-Oct-0417-Dec-04co-production with Paramount Pictures and NickelodeonMovies22-Dec-04co-production with Universal Pictures18-Mar-05co-production with The Kennedy/Marshall Company29-Jun-05co-production with Paramount Pictures and AmblinEntertainment22-Jul-05co-production with Warner Bros.19-Aug-0516-Sep-0514-Oct-05co-production with Revolution Studios and ImageMovers 21-Oct-0523-Dec-05Studio credit only; co-production with Columbia Pictures, Spyglass Entertainment, AmblinEntertainment, and Red Wagon Productions23-Dec-05Nominee of the Academy Award for Best Picture, International distribution only; co-production with Universal Studios, Amblin Entertainment, TheKennedy/Marshall Company28-Dec-05co-production with BBC Films17-Mar-06co-production with Lakeshore Entertainment15-Sep-06US distribution only, produced by LakeshoreEntertainment20-Oct-06US distribution only, co-production with Warner Bros.and Amblin Entertainment15-Dec-06co-production with Paramount Pictures20-Dec-06International distribution only; co-production with Warner Bros. and Amblin Entertainment27-Dec-06US distribution only, produced by Constantin Film 8-Feb-0730-Mar-07co-production with MTV Films, Red Hour Films and SmartEntertainment13-Apr-07co-production with The Montecito Picture Company2-Jul-07co-production with Paramount Pictures and Hasbro Films 5-Oct-0719-Oct-0714-Dec-07co-production with Sidney Kimmel Entertainment and Participant Productions; distributed by ParamountClassics21-Dec-07co-production with Warner Bros., Parkes/MacDonald Productions and The Zanuck Company4-Apr-08co-production with Spyglass Entertainment and Red HourFilms8-Aug-08co-production with Red Hour Films19-Sep-08co-production with Spyglass Entertainment and Pariah 26-Sep-0826-Dec-08co-production with BBC Films and Paramount Vantage16-Jan-09co-production with Nickelodeon Movies, Cold Spring Pictures, Donners' Company and The Montecito PictureCompany30-Jan-09co-production with Cold Spring Pictures, Parkes/MacDonald Productions, The Montecito Picture Company and Vertigo Entertainment20-Mar-09co-production with The Montecito Picture Company24-Apr-09co-production with Universal Studios, StudioCanal, Participant Media, Between Two Trees, Working Title Films and Krasnoff/Foster Entertainment)24-Jun-09co-production with Paramount Pictures and Hasbro Films December 11,2009 (premiere) January 15, 2010 (wide)co-production with Paramount Pictures, FilmFour andWingnut Films12-Mar-10co-production with Paramount Pictures and Mosaic MediaGroup30-Jul-10co-production with Paramount Pictures, Spyglass Entertainment, Parkes/MacDonald Productions, Everyman Pictures, Reliance ADA Group and Reliance BIGEntertainmen18-Feb-11co-production with Bay Films and Reliance BIGEntertainment29-Jul-11co-production with Universal Studios, Relativity Media, Reliance BIG Entertainment and ImagineEntertainment10-Aug-11co-production with 1492 Pictures, Participant Media, Imagination Abu Dhabi and Reliance BIG Entertainment;Academy Award for Best Picture nominee19-Aug-11co-production with Reliance BIG Entertainment7-Oct-11co-production with ImageMovers, Reliance BIG Entertainment and 21 Laps Entertainment25-Dec-11co-production with Reliance BIG Entertainment, Amblin Entertainment and The Kennedy/Marshall Company;Academy Award for Best Picture nominee9-Mar-12co-production with Paramount Pictures, Saturn Films and Work After Midnight Films29-Jun-12co-production with Reliance BIG Entertainment and K/OPaper Products11/9/2012 (limited) 11/16/2012 (wide)co-production with 20th Century Fox, Reliance Entertainment, Participant Media, The Kennedy/Marshall Company and Amblin Entertainment; Academy Award forBest Picture nominee18-Oct-13co-production with Reliance Entertainment, ParticipantMedia and Anonymous Content22-Nov-13co-production with Reliance Entertainment14-Mar-14co-production with Reliance Entertainment andElectronic ArtsAugust 8, 2014[1]co-production with Reliance Entertainment, Participant Media, Image Nation, Amblin Entertainment and HarpoFilms [2]October 16, 2015[3]co-production with Fox 2000 Pictures, Reliance Entertainment, Participant Media, TSG Entertainment and Amblin Entertainment; Academy Award for BestPicture nominee1-Jul-16Uncredited only; co-production with Walt Disney Pictures, Amblin Entertainment, Reliance Entertainment, Walden Media, and The Kennedy/MarshallCompany[4]September 2, 2016[7]co-production with Reliance Entertainment, ParticipantMedia and Heyday FilmsOctober 7,2016[8]co-production with Reliance Entertainment 9-Dec-16co-production with Paramount PicturesWalt Disney Studios Motion PicturesUniversal Pictures Paramount PicturesWalt Disney Studios Motion PicturesWalt Disney Studios Motion Pictures / Mister Smith EntertainmentWalt Disney Studios MotionPictures[5]Walt Disney Studios Motion Pictures / Mister Smith Entertain ment[6]Universal Pictures[9]Paramount Pictures Paramount Pictures / Mister Smith Entertainment。

红死魔的假面舞会the masque of the red death

红死魔的假面舞会the masque of the red death

The masque of the red deathIt was a huge and extraordinary castle, built to Prince Prospero's own plan. It had strong high walls and great gates of heavy metal. Now when the Prince and his friends arrived at the castle gates they went inside, locked the gates carefully and threw away the keys. In that way no one would be able to enter or escape. They were all there together, far away from the Red Death. Now they could forget the world outside and think only of themselves. They had everything they needed to amuse themselves, because the Prince had forgotten nothing. He had brought in food and wine, actors, musicians, and dancers. All of this, and life itself, was inside the castle. Outside lay the Red Death.Towards the end of the fifth or sixth month, while the Red Death was at its most deadly outside, the Prince gave a wonderful masked ball for his friends. It was a wild and wonderful ball, but first let me tell you about the rooms in which he gave the ball. There were seven rooms in all. In most castles, of course, the rooms for great parties or dances join each other end to end. In this way, when the doors at the end of each room are opened, the seven rooms become one huge room, and you can see from the first room right through to the last one. In prospero's castle, it was different. Each room turned suddenly round a corner into the next, so if you were standing in one room it was impossible to see into the other rooms.这座城堡规模宏大,非同凡响,是按照普洛斯佩罗亲王亲自设计的蓝图建造的,它有着巍然高耸的坚固城墙以及沉甸甸的金属大门。

综合英语4Unit7TheMonster..

综合英语4Unit7TheMonster..

2018/10/6
Free Template from
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• • • •
1. agony n. extremely physical or mental suffering <释例>She was in agony of indecision. 她陷于扰豫不决的痛苦中。
2018/10/6 Free Template from 4
• 威廉· 理查德· 瓦格纳 • (Wilhelm Richard Wagner,1813年 5月22日-1883年2月13日) • 德国作曲家。他是德国歌剧史上一位 举足轻重的人物。前面承接莫扎特、 贝多芬的歌剧传统,后面开启了后浪 漫主义歌剧作曲潮流,理查德· 施特劳 斯紧随其后。同时,因为他在政治、 宗教方面思想的复杂性,成为欧洲音 乐史上最具争议的人物。
Text I
The Monster
Background information: 1. About the text: This text first appeared as a radio talk, entitled A Monster. Later it was published with the title Of Men and Music in the United States in 1937. 2. About the author: Deems Taylor, American musician and critic.
他的代表作品有歌剧尼伯龙根的指环帕西法尔罗恩格林纽伦堡的名歌手等等11部部歌剧9首序曲1部交响乐4部钢琴奏鸣曲及大量合唱曲艺术歌曲等并写了艺术与革命歌剧与戏剧等几部关于歌剧改革的著作
Unit 8
The Monster

电影情书插曲

电影情书插曲

电影情书插曲电影情书插曲篇一:《致电影的一封情书》中所有经典电影及配乐《致电影的一封情书》中所有经典电影及配乐By 握不住的灵魂#1# Grouplove - Tongue Tied* 00:03 泰坦尼克号Titanic (1997)“Want you go to a real party?”* 00:12 艺术家 The Artist (2011)* 00:14 阳光姐妹淘 ?? (2011)* 00:15 两小无猜 Melody (1971)* 00:16 月升王国 Mooise Kingdom (2012)* 00:17 王子殿下 Your Highness (2011)* 00:18 布吉舞Стиляги (2008)* 00:19 海盗电台 The Boat That Rocked (2009)* 00:19 独家新闻 Scoop (2006)* 00:20 127小时 127 Hours (2010)* 00:23 摇滚年代 Rock of Ages (2012)* 00:25 通往仙境 To the Wonder (2012)* 00:26 绝代艳后 Marie Antoinette (2006)* 00:27 两小无猜 Melody (1971)* 00:28 雨中曲 Singin" in the Rain (1952)* 00:29 摩登时代 Modern Times (1936)* 00:30 宿醉2 The Hangover Part II (2011)* 00:31 泰迪熊 Ted (2012)* 00:32 海盗电台 The Boat That Rocked (2009)* 00:33 贫民窟的百万富翁 Slumdog Millionaire (2008)* 00:34 涉外大饭店 The Best Exotic Marigold Hotel (2011)* 00:35 黑暗阴影 Dark Shadows (2012)* 00:36 泰坦尼克号 Titanic (1997)* 00:37 一夜狂欢 A Hard Day"s Night (1964)* 00:38 我与梦露的一周 My Week with Marilyn (2011) * 00:39 女人就是女人 Une femme est une femme (1961) * 00:39 在路上 On the Road (2012)* 00:41 通往仙境 To the Wonder (2012)* 00:42 泰坦尼克号 Titanic (1997)* 00:43 悬崖上的金鱼姬崖の上のポニョ (2008)* 00:44 太坏了 Superbad (2007)* 00:45 疯狂愚蠢的爱 Crazy, Stupid, Love (2011)* 00:46 巴黎,我爱你 Paris, je t"aime (2006)* 00:47 荒野生存 Into the Wild (2007)* 00:48 四个婚礼和一个葬礼 Four Weddings and a Funeral (1994)* 00:49 独裁者 The Dictator (2012)* 00:50 喜剧之王 The King of Comedy (1982)* 00:51 一天 One Day (2011)* 00:51 单身男子 A Single Man (2009)* 00:52 里约大冒险 Rio (2011)* 00:53 被解救的姜戈 Django Unchained (2012)* 00:54 大傻瓜 Vollidiot (2007)* 00:55 天才一族 The Royal Tenenbaums (2001)* 00:55 超级英雄 Super (2010)* 00:56 狗镇之主 Lords of Dogtown (2005)* 00:57 篮球日记 The Basketball Diaries (1995)* 00:57 八部半 8? (1963)* 00:58 龙虎少年队 21 Jump Street (2012)* 00:59 让子弹飞 (2010)* 00:59 蝙蝠侠:黑暗骑士 The Dark Knight (2008)* 01:00 海盗电台 The Boat That Rocked (2009)* 01:01 一周 One Week (1920)* 01:03 四头狮子 Four Lions (2010)* 01:03 社交网络 The Social Network (2010)* 01:04 X计划 Project X (2012)* 01:05 芭萨提的颜色 Rang De Basanti (2006)* 01:06 罗马假日 Roman Holiday (1953)* 01:07 精武门精武門 (1972)* 01:07 X计划 Project X (2012)* 01:08 爱在黎明破晓前 Before Suise (1995)* 01:09 天才一族 The Royal Tenenbaums (2001)* 01:12 白日梦国度 Daydream Nation (2010)* 01:13 触不可及 Intouchables (2011)* 01:14 大师 The Master (2012)* 01:15 海盗电台 The Boat That Rocked (2009)* 01:16 我爱你莫里斯 I Love You Phillip Morris (2009)* 01:17 通往仙境 To the Wonder (2012)* 01:18 操行零分Zéro de conduite: Jeunes diables au collège (1933)* 01:19 两小无猜 Jeux d"enfants (2003)* 01:20 现代启示录 Apocalypse Now (1979)* 01:21 低俗小说 Pulp Fiction (1994)* 01:22 狗男女 Go (1999)* 01:23 无敌破坏王 Wreck-It Ralph (2012)* 01:23 魔法师的学徒 The Sorcerer"s Apprentice (2010)* 01:25 城市之光 City Lights (1931)* 01:26 登堂入室 Dans la maison (2012)* 01:26 通往仙境 To the Wonder (2012)* 01:21 金玉满堂金玉滿堂 (1995)#2# Imagine Dragons - Radioactive* 01:29 指环王1:魔戒再现 The Fellowship of the Ring (2001) “You shall not pass!”* 01:35 一代宗师 The Grandmaster (2013)* 01:35 悲惨世界Les Misérables (2012)* 01:36 悲惨世界Les Misérables (2012)* 01:38 公民凯恩 Citizen Kane (1941)* 01:38 无法无天 Lawless (2012)* 01:39 环形使者 Looper (2012)* 01:40 乡下人 Hick (2011)* 01:41 恶魔的替身 The Devil"s Double (2011)* 01:42 超能失控 Chronicle (2012)* 01:43 沉默的羔羊 The Silence of the Lambs (1991)* 01:44 饥饿游戏 The Hunger Games (2012)* 01:45 X战警:第一战 X-Men: First Class (2011)* 01:46 V字仇杀队 V for Vendetta (2005)* 01:47 西部往事 C"era una volta il West (1968)* 01:48 坠入 The Fall (2006)* 01:49 哈利·波特与死亡圣器(下) the Deathly Hallows: Part 2 (2011)* 01:50 逃离德黑兰 Argo (2012)* 01:51 西北偏北 North by Northwest (1959)* 01:53 猎杀本·拉登 Zero Dark Thirty (2012)* 01:53 迫降航班 Flight (2012)* 01:54 普罗米修斯 Prometheus (2012)* 01:55 谍影重重4 The Bourne Legacy (2012)* 01:56 白雪公主之魔镜魔镜 Mirror Mirror (2012)* 01:56 白雪公主与猎人 Snow White and the Huntsman (2012)* 01:57 哈利·波特与死亡圣器(下) the Deathly Hallows: Part 2 (2011)* 01:59 黑衣人3 Men in Black III (2012)* 01:59 蝙蝠侠:黑暗骑士 The Dark Knight (2008)* 02:00 雨果 Hugo (2011)* 02:01 致命急件 Premium Rush (2012)* 02:03 霍比特人1:意外之旅 The Hobbit: An Unexpected Journey (2012)* 02:05 白雪公主与猎人 Snow White and the Huntsman (2012)* 02:08 无耻混蛋 Inglourious Basterds (2009)* 02:09 变形金刚3 Transformers: Dark of the Moon (2011)* 02:10 飞越疯人院 One Flew Over the Cuckoo"s Nest (1975)* 02:12 猜火车 Trainspotting (1996)* 02:15 通往仙境 To the Wonder (2012)* 02:16 盗梦空间 Inception (2010)* 02:17 蝙蝠侠:黑暗骑士崛起 The Dark Knight Rises (2012)* 02:18 环形使者 Looper (2012)* 02:19 盗梦空间 Inception (2010)* 02:20 康斯坦丁 Constantine (2005)* 02:21 搏击俱乐部 Fight Club (1999)* 02:22 诸神之怒 Wrath of the Titans (2012)* 02:22 一代宗师 The Grandmaster (2013)* 02:24 勇敢传说 Brave (2012)* 02:25 出租车司机 Taxi Driver (1976)* 02:28 黑暗阴影 Dark Shadows (2012)* 02:29 迫降航班 Flight (2012)* 02:30 碟中谍4 Mission: Impossible - Ghost Protocol (2011)* 02:30 亚伯拉罕·林肯:吸血鬼猎人 Abraham Lincoln: Vampire Hunter (2012)* 02:32 被解救的姜戈 Django Unchained (2012)* 02:32 大侦探福尔摩斯2:诡影游戏 Sherlock Holmes: A Game of Shadows (2011)* 02:33 谍影重重4 The Bourne Legacy (2012)* 02:33 亚伯拉罕·林肯:吸血鬼猎人 Abraham Lincoln: Vampire Hunter (2012)* 02:33 功夫熊猫2 Kung Fu Panda 2 (2011)* 02:34 美国队长 Captain America: The First Avenger (2011)* 02:36 蝙蝠侠:黑暗骑士崛起 The Dark Knight Rises (2012)* 02:36 谍影重重4 The Bourne Legacy (2012)* 02:37 功夫熊猫2 Kung Fu Panda 2 (2011)* 02:40 海啸奇迹 Lo imposible (2012)* 02:41 盗梦空间 Inception (2010)* 02:42 变形金刚3 Transformers: Dark of the Moon (2011)* 02:43 云图 Cloud Atlas (2012)* 02:44 雷神 Thor (2011)* 02:45 伤心小号曲 Balada triste de trompeta (2010)* 02:45 一代宗师 The Grandmaster (2013)* 02:46 铁甲钢拳 Real Steel (2011)* 02:48 超级战舰 Battleship (2012)* 02:49 源代码 Source Code (2011)* 02:50 无耻混蛋 Inglourious Basterds (2009)* 02:51 少年派的奇幻漂流 Life of Pi (2012)* 02:52 一代宗师 The Grandmaster (2013)* 02:53 寻求正义 Seeking Justice (2011)* 02:54 在路上 On the Road (2012)* 02:55 通缉令 Wanted (2008)* 02:55 触不可及 Intouchables (2011)* 02:56 云图 Cloud Atlas (2012)* 02:58 亡命驾驶 Drive (2011)* 02:59 这个杀手不太冷Léon (1994)* 03:03 诸神之怒 Wrath of the Titans (2012)* 03:04 无耻混蛋 Inglourious Basterds (2009)* 03:07 勇敢传说 Brave (2012)* 03:09 不明身份 Unknown (2011)* 03:11 海啸奇迹 Lo imposible (2012)* 03:12 复仇者联盟 The Avengers (2012)* 03:14 西游记大结局之仙履奇缘 (1995)* 03:16 普罗米修斯 Prometheus (2012)* 03:17 异星战场 John Carter (2012)* 03:18 饥饿 Hunger (2008)* 03:19 血色将至 There Will Be Blood (2007)* 03:20 西游降魔篇 (2013)* 03:21 复仇者联盟 The Avengers (2012)* 03:24 猩球崛起 Rise of the Planet of the Apes (2011) * 03:27 超凡蜘蛛侠 The Amazing Spider-Man (2012)* 03:28 雷神 Thor (2011)* 03:29 一代宗师 The Grandmaster (2013)* 03:31 英雄 (2002)* 03:34 三个火枪手 The Three Musketeers (2011)* 03:35 特警判官 Dredd (2012)* 03:36 黑暗阴影 Dark Shadows (2012)* 03:36 环形使者 Looper (2012)* 03:37 雷神 Thor (2011)* 03:38 细节 The Details (2011)* 03:41 云图 Cloud Atlas (2012)#3# Mew - Comforting Sounds* 03:45 这个杀手不太冷Léon (1994) “I love you ,Leon”* 03:58 少年派的奇幻漂流 Life of Pi (2012)* 03:59 钢铁苍穹 Iron Sky (2012)* 04:01 无姓之人 Mr. Nobody (2009)* 04:02 本杰明·巴顿奇事 The Curious Case of Benjamin Button (2008)* 04:03 超市夜未眠 Cashback (2006)* 04:04 通灵男孩诺曼 ParaNorman (2012)* 04:05 荒野生存 Into the Wild (2007)* 04:07 天气预报员 The Weather Man (2005)* 04:08 雷神 Thor (2011)* 04:09 反基督者 Antichrist (2009)* 04:10 钢琴家 The Pianist (2002)* 04:11 机械师 The Machinist (2004)* 04:12 127小时 127 Hours (2010)* 04:13 V字仇杀队 V for Vendetta (2005)* 04:14 潜水艇 Submarine (2011)* 04:15 碧海蓝天 Le grand bleu (1988)* 04:17 天才一族 The Royal Tenenbaums (2001)* 04:19 泰坦尼克号 Titanic (1997)* 04:21 随心所欲 Vivre sa vie: Film en douze tableaux (1962)* 04:25 细节 The Details (2011)* 04:26 暖暖内含光 Eternal Sunshine of the Spotless Mind (2004)* 04:27 超脱 Detachment (2011)* 04:28 无姓之人 Mr. Nobody (2009)* 04:30 永远的莉莉亚 Lilya 4-ever (2002)* 04:31 蓝白红三部曲之蓝 Trois couleurs: Bleu (1993)电影情书插曲篇二:浅谈电影《情书》中的配乐浅谈电影《情书》中的配乐《情书》是一部唯美含蓄的爱情电影,主要讲述了两个陌生而外貌相似的女子因为一个误会开始了通信,而后一段少年往事中的暗恋,逐渐被抽丝剥茧、真相大白。

浅析爱伦·坡小说《红死病的假面》

浅析爱伦·坡小说《红死病的假面》

浅析爱伦·坡小说《红死病的假面》本文从网络收集而来,上传到平台为了帮到更多的人,如果您需要使用本文档,请点击下载按钮下载本文档(有偿下载),另外祝您生活愉快,工作顺利,万事如意!在美国文学史上,埃德加·爱伦·坡(Edgar Al-lan poe)(1809~1849)是游离于美国主流文化之外但却拥有特殊地位的天才诗人,小说家和文学评论家。

尤其是他一生所著的超过70篇的短篇小说因其在“任何时代下都独一无二的风格”,被后世奉为侦探推理小说的鼻祖和恐怖小说的大师。

近年来,针对其恐怖小说的代表作之一,出版于1842年的《红死病的假面》(The Masque of the Red Death) ,众多专家学者分别从象征主义、哥特风格、梦幻性主题等单一角度进行了系统性的探讨和研究。

一、爱伦·坡及其小说概述作为最能代表爱伦·坡风格的短篇恐怖小说,《红死病的假面》继承了18世纪欧洲哥特风格小说的传统,并从中吸收了中世纪颇为流行的恐怖艺术概念。

诸如,充满了没落和惊悚气氛的幽灵城堡,被遗弃的萧条的村落还有古怪反常的人们。

并独辟蹊径,在欧洲传统恐怖小说理念中加入心理惊悚因素。

如小说发生的地点是“一座非常偏远的城堡式宅院”,里面有颇具中古特色的“黑色大钟”,并且虽然宅院“富丽堂皇”,但字里行间却流露出一种低沉压抑的气氛。

而舞会上的人“有人装扮成肢体与面具不相成的怪物。

有人穿戴着精神病患者才能想出的怪装。

有许多人装扮得漂亮,许多人装扮得荒唐,许多人装扮得怪诞,有一些人装扮得可怕,还有不少人装备得令人恶心”。

二、唯美主义爱伦·坡竭尽所能描绘了欧洲文艺复兴时期近乎奢靡的生活。

《红死病的假面》中,人们的面具怪诞乖张,火光点亮了暗黑的帷幔,气氛阴郁而诡异。

跳舞的男人女人,面色惨白,在黑暗中疯狂舞蹈。

人群中,一个轮廓带着“红死病”的面具,裹着尸布,忽然之间又消失,只剩下面具和尸布。

爱伦·坡《红死魔的面具》的修辞手法及效果

爱伦·坡《红死魔的面具》的修辞手法及效果

有 人 的性 命 。本 文 基 于 爱 伦 ·坡 所 提 出 的 这 种 坡 的 大 多 数 作 品 ,如 本 文 将 讨 论 的 《红 死 魔 的 面
“整体 效果 论 ”,分析 《红 死魔 的 面具 》中修辞 手 法 , 具》,直接诉 诸人类心灵深处 的恐惧感 ,产 生让人 探 讨这 些 手法 是如何 体 现小 说 的整体 效果 ,体 现小 敬畏 之美 ,传达 小说 主题 。
坡 所说 的效 果 。与其文 学创 作 的思想 核心— —
方面取得了显著成就,尤其是哥特式小说和侦探小 对 美 的追 求 、对 美 的表现 紧密 相关 。古 往 今 来 ,对
说深受读者喜爱。他不但总结出了较 为系统 的文 美 的探讨 在 文 学创 作 与 批 评 中反复 讨 论 过 。在 坡
学理论 ,且将理论付诸于 自己的创作实践。《红死 看 来 ,美 “是 心灵 的激 动 和心灵 的愉 悦振 奋 ”[2],因
魔 的面具 》(The Masque ofthe Red Death)是 其 哥 特 而 ,“人们 谈 论 美 的 时候 ,不 是 一 种 性 质 … … 而是
式 小说 的代 表作 。在 该 短 篇 小 说 中 ,“红 死 病 ”肆 一 种效果 ”_2]。坡 的大多数作 品都直接或 间接地
有极 强 的说服力 ,能 增 强 文 章 的表 达 效 果 和 气 势 , 读 者 的情感 ,感受 作 品中人对 于死 亡 的恐 惧 和作 品
的人 “脸 无 人 色 ”… ,“没 一 个 胆 敢 进 屋 ”_1]。“黑 丝 绒 ”“血 红 的玻璃 ”“大香 炉 ”等 具 体 的意 象 激发 读 者结 合 iSl己的 想象 ,ia然 联 想 到 了 死 寂 的坟 墓 , 恐 惧 之情 油然 而生 。. ̄lsJ'b,钟声 象 征 了 “死 亡 的钟 声 ”[1]。在第 七 问 屋 子 中 ,也 就 是 最 西 边 的房 间 , 有 一 大“乌 檀 木时钟 ”[1],声音 “又 沉 闷 又呆 滞 又单 调 ”[ ,使得 周遭 “万 籁俱 寂 ,声 息 全无 ”[ ,听 到 的 人 “面 如死 灰 ”¨J,引起 一 阵 “混乱 和 震惊 ”_l J。这 沉 闷 的钟声 ,加 之 人 群 的 反 应 ,配 上 作 者关 于此 间 屋 子装 饰 的 描 写 ,自然 让 人 想 到 了 “丧 钟 ”。这 样

歌剧魅影音乐赏析

歌剧魅影音乐赏析

The Phantom歌剧魅影随着水晶吊灯上的盖布被拉下,音乐突然闯入画面,管风琴以严峻的表情奏出上行和下行的半音阶式的音乐动机——这一动机在剧中重复出现,堪称魅影的标志性音乐,影片随之从黑白画面转为彩色画面,给观众带来神秘华丽的视觉享受。

当水晶吊灯缓缓升起时,伴随着水晶的耀眼光芒,破败不堪的大厅顿时焕发出光彩,这个半音阶式的音乐动机随着镜头的移动变得热烈起来,这时出现了一支雄伟的旋律,最后旋律由弦乐和铜管乐器一起演奏,随着架子鼓的加入音乐呈现出更加辉煌的气势,很好的表现了歌剧院当年的热闹场面和非凡气派。

序曲Angel of Music演出结束后,当克里斯汀离开化妆间时,突然一阵疾风吹灭了歌剧院所有的蜡烛,定音鼓急促地敲击过后,魅影的声音突然闯入,他用歌声斥责拉乌尔追求克里斯汀的行为,克里斯汀和他一唱一和,诉说着心中的渴望。

通过这一咏叹调,两人用歌声替代语言,表达了心中的情感。

phantom of the opera克里斯汀终于将自己的手交给了魅影,这时,这个半音阶式音乐动机再次出现,音乐的风格突然转变,交响乐队以强劲的摇滚节奏,配合电声乐器再次奏响,音乐更加富于力量,与魅影此刻对克里斯汀强烈的占有欲望的情绪非常贴近;克里斯汀引吭高歌,表达对魅影在音乐才华上的倾慕;而魅影则视克里斯汀为天使,是自己的专有财产。

两种不同的情绪在这里激烈的碰撞,形成音乐上强烈的对比,增强了情节的戏剧性。

Music of the Night在这个短小而神秘的唱段之后,魅影深情款款地唱出了这部剧最优美的段落——《夜之乐章》。

由跳进音程引出的音乐旋律在弦乐轻柔的和弦伴奏下,魅影唱出了对克里斯汀的渴望和期翼。

圆号短小的连接句后进入了第二段。

随着旋律线条逐渐上升,音乐情绪渐渐高涨。

更多的铜管乐器加入进来,最后达到了全曲的最高音,这也是这首歌曲最吸引人的地方。

一揭面具当克里斯汀醒来后缓缓地向魅影走去,此时,响起温柔的小提琴声(angel of music上半段的旋律),仿佛是魅影丑陋外表下渴望美好的心声。

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The masque of the red deathIt was a huge and extraordinary castle, built to Prince Prospero's own plan. It had strong high walls and great gates of heavy metal. Now when the Prince and his friends arrived at the castle gates they went inside, locked the gates carefully and threw away the keys. In that way no one would be able to enter or escape. They were all there together, far away from the Red Death. Now they could forget the world outside and think only of themselves. They had everything they needed to amuse themselves, because the Prince had forgotten nothing. He had brought in food and wine, actors, musicians, and dancers. All of this, and life itself, was inside the castle. Outside lay the Red Death.Towards the end of the fifth or sixth month, while the Red Death was at its most deadly outside, the Prince gave a wonderful masked ball for his friends. It was a wild and wonderful ball, but first let me tell you about the rooms in which he gave the ball. There were seven rooms in all. In most castles, of course, the rooms for great parties or dances join each other end to end. In this way, when the doors at the end of each room are opened, the seven rooms become one huge room, and you can see from the first room right through to the last one. In prospero's castle, it was different. Each room turned suddenly round a corner into the next, so if you were standing in one room it was impossible to see into the other rooms.这座城堡规模宏大,非同凡响,是按照普洛斯佩罗亲王亲自设计的蓝图建造的,它有着巍然高耸的坚固城墙以及沉甸甸的金属大门。

现在,亲王和他的朋友们来到城堡的大门前;他们进入城堡,仔细地锁好大门,然后将钥匙扔掉。

这样一来,就没有一个人能够进入或是逃走了;他们都在一起,远远地避开红死魔,并且得以忘掉外面的世界,仅仅关注他们自己。

供自己取乐用的东西他们样样都有,因为亲王什么都没忘了带。

他带来了食物、美酒、演员、乐师和舞者。

所有这一切,再加上生命本身,均处于城堡内部;城堡外面则是红死病的天下。

到了第五或第六个月的末尾,外面正是红死病最为猖獗的时候,亲王却举办了一个盛大的假面舞会招待他的朋友们。

舞会开得热烈奔放、精彩绝伦,不过首先让我来向诸位介绍一下举办舞会的场地。

总共有七间屋子。

当然,在大多数城堡里,举行大型宴会或舞会的房间都是彼此衔接、首尾相连的。

按照这种布局,每一间屋子两端的门一开,七间屋子就会变成一个大房间,你可以从第一间屋子径直望见最后一间。

然而在普洛斯佩罗的城堡里,情形就有所不同了,每一个房间要绕过一个拐角才突然转而成为下一个房间。

这样,如果你站在其中一个房间里,你是不可能望见其他几个房间的。

In the middle of each wall, on the right and left, there was a tall, narrow window opening onto the closed passage which ran along beside all seven rooms. Each window was made of different coloured glass, and the colour of the glass was the same as the colour of the room that it opened onto. The first room, for example, was blue, and so its windows were also a deep blue. The second room was purple, and so the windows, too, were purple. The third was green, with green windows, the fourth orange, the fifth white, and the sixth violet. The seventh room was black. Its walls were black, its thick, heavy carpet was also black. But its windows were red - a deep blood-red.There were no candles in any of the rooms. The only light came from fires, in hanging metal baskets, which were in the passages outside the rooms. Each fire was opposite a window, and so the light from the fire shone through the coloured glass and filled eachroom with strange and fantastic shadows. But in the black room the firelight that shone through the blood-red window changed the room into something too horrible to describe. In that strange light, faces became wild and frightening, and few people were brave enough to enter the room at all.在每间屋子左右两面墙的中部,各开着一扇又高又窄的窗户,窗外是一个封闭的走廊,它在全部七个房间旁边经过。

每扇窗户都镶着不同颜色的玻璃,而玻璃的颜色又同窗户所处的房间的色调相一致。

比如,第一个房间是蓝色的,所以它的两扇窗户都是深蓝色的;第二个房间是紫色的,它的窗户也就是紫色的;第三个房间是绿色的,安着绿窗户;第四个为橙黄色;第五个为白色;第六个为紫罗兰色。

第七个房间是黑色的,四壁涂成黑色,又厚又重的地毯也是黑色的;然而这间屋子的窗户却是红色的——一种深浓的血红。

哪间屋子里都是不点蜡烛的。

唯有的光亮来自屋子外面走廊里挂着的金属吊篮中燃着的火焰。

每一团火焰正对着一扇窗户,于是火光透过彩色玻璃映射进来,使每一间屋子都布满古怪、奇异的影子。

可是,那间黑色屋子在透过血红色窗户投射进来的火光映照下却变得难以形容地恐怖人。

在那怪异的光芒中,一张张面孔显得又疯狂又可怖;根本就没有几个人胆大得敢走进那间屋子。

In this room, against the farthest wall, stood a huge black clock. Every hour it chimed loud and deep and clear, filling the castle with its long, gloomy sound. And while the clock chimed, the musicians stopped playing and even the wildest dancers stood still, in silence and fear, listening to the passing of another hour … But when the chiming stopped, people looked at each other and laughed, trying hard to pretend that they had not been frightened. Happiness came into the castle again, until the clock chimed the passing of the next hour, and the same fear returned.Prince Prospero's ball, although given in these strange rooms, was wild and happy. The Prince had planned everything - the colours, the paintings on the walls, even the cloaks and masks worn by each one of his friends. He had chosen all the clothes with the greatest of care, putting together the beautiful and the ugly, the strange and the fantastic, the surprising and the frightening.在这间屋子里,靠着最远处那面墙立着一座黑色的大钟,每到整点便以洪亮、深沉、清晰的声音报时,让那悠长、阴森的轰鸣响彻整个城堡。

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