拯救大兵瑞恩英语PPT

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英语复仇者联盟ppt_Avengers

Black Widow and Hawkeye The agents of S.H.I.E.L.D they were couple.
Thor is a god in Norse mythology . He can control the Thunder with his hammer .And without his magic hammer, Thor is just a big strong boy. He came to the mortal world to protect the Earth.
There are six heros in this film.
Iron Man`s real name is Tony Stark . He can fly and fighting after putting on the armor.
Tony Stark/Iron Man He is the complete playboy who also happens to be an engineering genius. He creates an armored suit and become a super hero---Iron Man
Thor
This is Thor `s brother…..Loki. In fact, Loki was adopted by Thor` s father Oudin. Loki is the enemy of the Avengers .
There are many super heros in American culture, they always save the world at a crucial moment . This is a complex of the Americaபைடு நூலகம்s . But I want to say, we are all heroes, we can determine our own destiny.

拯救大兵瑞恩1

自己的目标前进，终于在一处要塞处找到了坚守阵地的瑞恩。当瑞恩听说自己的三个兄弟都已经牺牲，自己可以回家时，他立即否决了这件事“我不能扔下我的战友，我要坚守在这里直到援军来到。如果我牺牲了，你们就将现在的情景和我的妈妈解释，我想他会理解的。”瑞恩，你没有让突击队失望，你用自己的实际行动得到了所有人的尊重。米约翰决定带领突击队留下了，一起同瑞恩的小分队坚守阵地，歼灭敌人，等待援军的到来。在战斗接近尾声时，米约翰牺牲前对瑞恩说 “不辜负”米约翰实际上想说的是：“不辜负因救你而牺牲的战友，不辜负陆军参谋长马歇尔将军下救你的命令，不辜负我们的国家。我想任何人看到这里时都会有深深的感动。
诺曼底登陆
诺曼底登陆
诺曼底登陆
Captain John H. Miller
• 米勒，美军上尉，拯救活动的指挥官。面对德军的枪林弹雨，他并不老练，每当大战来临，他的手还会颤抖不止。就是这样一个看似普通的指挥官，在之后的营救活动中起到了无法替代的作用。用真实的情感影响情绪激动是我每一个人。在对待战友之情上，他表现多重情感，海滩之战，他失去94个战友，但他并没有表露出太多的伤感，但他记着每一个离开的兄弟的名字，当随队军医被打中，嘴里喊着妈妈离开人世时，米勒独自一人哭泣，跟让我们了解了一个铁血军人的惜友之情。或许他把这次拯救行动当成自我拯救的一个过程， “救了瑞恩，就离家近了一步”就是他的最真实想法。通过这次拯救行动，给我们还原了一个真正的有血有肉的英雄。
• 镜头2：在拯救瑞恩的途中，突击队遇到了德军的一个雷达站，在米约翰下令摧毁这个雷达站时，队友不同意，米约翰说：“如果我们不炸掉它，他们就可能会攻击我们或我们的战友就会受到更多的伤害，我不能视而不见。”米约翰想的是自己的任务，战友的生命，及国家的利益，有这样的信念支撑，他做的理直气壮。战斗结束时，突击队失去了一个战友，一名队友想离开：为了一个士兵，已经牺牲了两名战友，到现在还没有找到他，前面还不知道有什么危险在等着我们，我要退出。米约翰说：我在进入部队之前当老师，春季时还当橄榄球教练。我只想早点完成任务，结束战争，早些回家。我想，我们在任何时候都不需要战争，我们需要一个和平，安宁的家园。

拯救大兵瑞恩

我办到了，我们替他止住血了I've got it! We've stopped the bleeding!
去你的Fuck!
混蛋，赶尽杀绝Just give us a fucking chance, you son of a bitch!
韦德，走吧你这个混蛋Wade, come on! You son of a fucking cocksucker!
对准沙坑对准沙坑Fire in the hole! Fire in the hole!
对准沙坑Fire in the hole!
对准沙坑Fire in the hole!
可以反攻了，找掩护到沙坑的另一边We're in business! Defilade! Other side of the hole!
我们得打开这个缺口We've got to get this draw open!
在滩头上见I'll see you on the beach!
避开弹坑，分成左右两列Clear the mortar hole! Right and left!
到旁边去Over the side!
从左右方下水Port and starboard!
谢谢Thank yo...
长官，怎么办？What now, sir?
收集武器弹药收集武器弹药Gather weapons and ammo! Gather weapons and ammo!
莱宾？你的手枪呢？Reiben! Where's your BAR?
在水底差点给敌军害我被淹死Bottom of the Channel. The bitch tried to drown me.

拯救大兵瑞恩ppt

《拯救大兵瑞恩》（Saving Private Ryan）是美国经典战争电影之一，描述诺曼底登陆后，瑞恩家4名于前线参战的儿子中，除了隶属101空降师二等兵的小儿子詹姆斯· 瑞恩仍下落不明外，其他3个儿子皆已于两周内陆续战死。美国陆军参谋长马歇尔上将得知此事后出于人道考量，特令前线组织一支8人小队，只为在人海茫茫、枪林弹雨中找出生死未卜的二等兵詹姆斯· 瑞恩，并将其平安送回后方。该片最为人津津乐道的是开头的诺曼底登陆抢滩场面，相当程度重现了当年的残酷与惨烈。

他最近曾因在科幻凉险片《废墟》一片中演活了一位智勇双全的芝加哥警探而一举荣获马德里电影节最佳男主角奖。在奥立佛· 斯通导演的《闪电杀手》中他饰演的正义警探形象，也颇受好评。塞兹摩尔的作品还有《烈火悍将》、《蓝衣魔鬼》、《热火》、《执法悍将》、《真实一瞬间》等。

特· 达蒙以《心灵捕手》一片赢得今年奥斯卡的最佳原著剧本奖，同时他以此片获得奥斯卡最佳男主角提名，成为与莱昂纳多· 迪卡普里奥各领风骚的偶像明星。达蒙还曾主演过弗兰西斯· 科波拉的影片《造雨人》，在此之间，他在《生死豪情》中也有令人瞩目的表现，他成功饰演了一名在海湾战争中深怀负罪感的卫生兵。此外他的作品还有《谍影重重三部曲》、《绿区》等。

在电影史上前二十部最卖座影片中，有七部影片是与斯皮尔伯格的名字紧紧联系在一起的。包括他导演的《侏罗纪公园》及其续集《失落的世界》和他担任执行制片的《黑衣人》。 1994年，斯皮尔伯格以一部感天动地的影片《辛德勒的名单》一举荣获奥斯卡最佳导演和最佳影片奖.使所谓“斯皮尔伯格只会拍商业片”的说法不攻自破。《辛德勒的名单》不仅赢得了七尊奥斯卡金像，还获得了几家评论组织的荣誉大奖和七项英国电影学会奖。凭籍此片斯皮尔伯格还获得金球奖最佳导演奖和美国导演协会最佳导演奖，这是继《紫色姊妹花》之后他第二次获得导演协会奖。斯皮尔伯格还曾以《外星人》、《法柜奇兵》及《第三类接触》而荣获奥斯卡奖提名，同时这几部影片还为他赢得了美国导演协会最佳导演奖提名。而他所得的八项导演协会奖提名也使他能与大名鼎鼎的希区柯克、比利· 弗尔德和弗里德· 泽纳曼平起平坐。斯皮尔伯格的第一部电影是《苏格兰德快递》。此后，他的每一部影片都几乎成为票房奇迹，《侏罗纪公园》、《大白鲨》、《直到永远》、《夺宝奇兵》和印第安纳· 琼斯英雄片系列《法柜奇兵》、《勇者无惧》等都是世界影迷耳熟能详的电影作品。 1984年，斯皮尔伯格成立了自己的安布林娱乐公司。在安布林公司的旗号下，人们又可以发现一些票房巨片，如《谁陷害了兔子罗杰》、《回到未来一、二、三集》、《鬼马小精灵》、《龙卷风》、《黑衣人》和《佐罗的面具》等。 1994年，斯皮尔伯格宣布与杰弗里· 卡赞伯格和大卫· 格芬联手组成梦工厂影片公司。斯皮尔伯格热衷于慈善事业，他将《辛德勒的名单》赢得的收入全部捐出，组建了正义者基金会。他还创立了肖赫见证历史基金会，收录了二战集中营大屠杀中42000 名幸存者的自述。此外斯皮尔伯格还是为遭受苦难的儿童提供医疗保健和娱乐的星光基金会的董事长。

拯救大兵瑞恩英语

小分队终于到达目的地，在与
quest to find him. He is distressed 德军的遭遇中，与101空降师的
at the loss of his brothers, but does 瑞恩不期而遇，尽管瑞恩知道
not feel it is fair to go home, asking Miller to tell his mother that he
该拯救小组的任务就落在了刚刚完成登陆任务的约翰·米勒上尉身上，而米勒上尉和他的部队刚刚经历过奥马哈海滩登陆战的惨烈激战，伤亡很大，此时米勒已经顾不上闲暇歇息，而必须组建一支小队即刻出发开始拯救任务，他匆匆地挑选了几位身边较为优秀的士兵，然后又临时从别的部队征召了几名专业兵种，在别的部队还在原地休整的时候，米勒的八人小队又开始踏上长驱直入敌方占领地带，在茫茫未知的. 广阔地域中寻找一名叫瑞恩的士兵的征途。
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synopsis 剧情简介 .
《拯救大兵瑞恩》（Saving Private Ryan）是美国经典战争电影之一，描述诺曼底登陆后，瑞恩家4名于前线参战的儿子中，除了隶属101空降师二等兵的小儿子詹姆斯·瑞恩仍下落不明外，其他3个儿子皆已于两周内陆续战死。美国陆军参谋长马歇尔上将得知此事后出于人道考量，特令前线组织一支8人小队，只为在人海茫茫、枪林弹雨中找出生死未卜的二等兵詹姆斯·瑞恩，并将其平安送回后方。该片最为人津津乐道的是开头的诺曼底登陆抢滩场面，相当程度重现了当年的残酷与惨烈。
• Flak38 20毫米防空炮,本来是轻型高射炮。平射改打 . 步兵了 ,直接后果是，可以把人打成碎片。。。
小分队队员使用0.30子弹. 勃朗宁M1919型机枪

拯救大兵瑞恩英语PPT课件

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1
synopsis 剧情简介
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2
《拯救大兵瑞恩》（Saving
Private Ryan）是美国经典战
争电影之一，描述诺曼底登陆
后，瑞恩家4名于前线参战的
儿子中，除了隶属101空降师
二等兵的小儿子詹姆斯·瑞恩
仍下落不明外，其他3个儿子
皆已于两周内陆续战死。美国
陆军参谋长马歇尔上将得知此
事后出于人道考量，特令前线组织一支8人小队，只为在人海茫茫、枪林弹雨中找出生死未卜的二等兵詹姆斯·瑞恩，并将其平安送回后方。该片最为人津津乐道的是开头的诺曼底登陆抢滩场面，相当程度重现了当年的残酷与惨烈。
from the beach.
行大规模的. 组织进攻。
11
.
12
二In t等he 兵Uni詹ted姆Sta斯tes·De瑞par恩tm所ent在of 的WGean部reirna队lWG就aesohr被ingeg远tMona远,rDsh.地Cal.l,抛is 离到了info德rm军ed 前tha线t th的ree后of 方the。fou詹r 姆
Smith and Jon Voight.In
this movie,he is a
.
9
sharpshooter.
THE STORY
剧情
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10
On the morning of June
6, 1944, the beginning of
the Normandy invasion,
American soldiers
第二次世界大战后期，德军东部战场正打得不可开交，英美联军则于1944年6月6日（代号D日）在法国的诺曼底大区开始进行大军团的全面登陆，试图从西部直取德军总部柏林，而在地面部队的登陆作战之前，部分分队已经空降到了远离诺曼底的法国内陆地区，试图在破坏骚扰德军的部署能力之后再与登陆的部队集结，以便员A介ST绍

Earn this,earn it——拯救大兵瑞恩

Earn this，Earn it——拯救大兵瑞恩这是一部隔了１3年才看的电影，看完之后却让我迷恋的一发而不可收。

战争，就像爱情一样，永恒的话题。

金色的衣阿华农场远处慢慢驶来一辆汽车，母亲慢慢抬起头，注视着驶来的汽车，满满的明白，步履蹒跚的走到门口，最终跌坐在门廊上，一片寂静，镜头从背后慢慢注视着母亲抽泣的背影，潸然泪下。

“哀哀父母，生我劬劳”，为了护国，只能舍家。

在战争中，有多少父母失去了他们的儿子？有多少家庭支离破碎？生命是如此脆弱，脆弱到令人心惊。

子弹射入脑颅，鲜血尚未溅到地上；利刃插进胸腔，心脏仍在舒张抽搐。

生命已然逝去，留下的那些痕迹，只如流水滑过指缝后，手上残留的水渍般蒸发。

身处战争中的人，脆弱如指尖下的虫蚁。

“生命在于一呼一吸之间”，佛家这句偈语在战场上得到了极佳的诠释。

这一刻，还活着，下一刻，已死去，血流如河，积骨如山，生与死的一刹凝固成历史。

这才是战争，复杂的构成，简单的结果，不管哪方获胜，落败的都是人类。

为什么？为什么造物主创造了人类，却又让我们如斯羸弱，不堪一击？究竟生的价值在哪里？拯救瑞恩这个任务体现了美国人的浪漫情怀甚至异想天开的作风，小分队内部也有分歧，他们咒骂这个任务，认为是bullshit，怀疑浪费军方宝贵资源或者以八个人去换一个人的生命是否值得，毕竟每个人都有会对儿子望眼欲穿的母亲。

“为什么要让我们八个人去救一个人呢？”这是八人小组面临的抉择。

置身于瞬间万千生命消逝的战场，他们却要冒生命危险让一个素不相识的人脱离危险。

生活中类似这般普罗米修斯式的死劫比比皆是，战争就是绝佳的例证。

生命与生命之间不负责任的价值比较毫无意义，生命的本能不会给予人们权衡利弊的时间。

死亡会使一切平等，可是，为什么要等到死呢，生命本身不正是平等的吗？“为什么要让我们八个人去救一个人呢？”这是八人小组面临的抉择。

置身于瞬间万千生命消逝的战场，他们却要冒生命危险让一个素不相识的人脱离危险。

生活中类似这般普罗米修斯式的死劫比比皆是，战争就是绝佳的例证。

拯救大兵瑞恩电影简介英语作文

Saving Private Ryan: A Cinematic Epic ofBrotherhood and SacrificeAmidst the chaos and carnage of war, one mission stands out as a testament to the indomitable spirit of brotherhood and sacrifice. "Saving Private Ryan" is a film that tells the story of such a mission, and it does so with breathtaking realism and emotional depth. Directed by Steven Spielberg and written by Robert Rodat, the film stars Tom Hanks, Matt Damon, and an ensemble cast of actors who bring to life the intensity and humanity of the conflict.The film opens with a sequence that is both shocking and heartbreaking. A group of American soldiers, part of the 2nd Ranger Battalion, are on a mission to retrieve Private James Ryan, the youngest brother of three servicemen who have already made the ultimate sacrifice for their country. As the story unfolds, we learn that the Ryan family has lost three sons in combat, and the government has decided that no more Ryan brothers should die. Thus, the mission to save Private Ryan becomes not just amilitary operation, but a personal crusade for those who are part of it.The film交替运用紧张的战斗场面与士兵们的日常生活场景，生动展现了战争对人性的影响。

拯救大兵瑞恩_中英双语

In France, three days after D-Day, Miller receives orders to find Ryan. To accomplish the task, he assembles six men from his company, Sergeant Horvath, Privates Reiben ， Mellishand , sharpsho oter Jackson and medic Wade ，plus one detailed from another division, Corporal Upham ， a clerk who speaks fluent French and German.
当小分队的士兵们陷入敌区，各种困难和危险相继扑面而来，人力和装备的严重不足，对语言与地形的不熟悉，还有路边墙角随时可能埋伏着的危险的敌人，面对身边的战友们一个个相继倒下去，他们逐渐开始怀疑这项任务的合理性：为什么这一个士兵，就值得让八名士兵去冒死拯救？瑞恩的一条命为何比他们的生命更有价值？但是，尽管他们心存疑惑，他们还是坚决执行上级的命令。而拯救的旅程也像是一条通往死亡的道路，一条漫漫的考验战争中每个人心中人性观念与价值的磨练之路，一条充斥着自我矛盾与自我救赎的道路。
Barry Pepper (Private Jackson)
Barry Pepper recently wrapped production on the film "Enemy of the State," due out this fall, in which he co-stars with Gene Hackman, Will Smith and Jon Voight.In this movie,he is a sharpshooter.

Module6《WarandPeace》IntegratingSkills配套课件(外研版选修6)

但是，村民们把我们当成英雄来对待，一时间，我觉得所
有的恐怖和危险都是值得的。
▶Helping old people is a worthwhile activity.
帮助老人是一项很有意义的活动。 ▶We had a long wait， but it was worthwhile because we got the tickets. 我们等了很久，但还算值得，因为我们买到票了。
He will sell his house at a sacrifice because he needs money.
3.mess n. 混乱的局面；脏乱的东西；一团糟
v. 弄脏，弄乱(常与up搭配)
【原句】It was so sudden， after the mess and confusion of war on the beach.(P79)它是那么突然，在混乱的局面之后，
1.be supposed to 本应该，被期望或被要求（按规则、惯例
等）做某事【原句】If I remember rightly, we weren’t supposed to do that.(P76) 如果我没有记错的话，我们不能那样做。
▶Everyone is supposed to wear a seatbelt in the car.
那湿碟子从她手中掉下来。
▶The fruit dropped down from the tree. 果实从树上掉下来了。 ▶Children who are forced to drop out of school hope they can come back. 被迫辍学的孩子们希望能回到学校读书。
在人类战争史上，从来也没有一次像这样，以如此少的兵力取得如此巨大的成功，保护如此多的众生。具有否定意义的副词放在句首时，一般采用倒装语序，如no, not, never, seldom, little, hardly,rarely, at no time,

Saving Private Ryan 拯救大兵瑞恩

一、整体把握Before watching the movie,think about the following questi ons.And here are some useful materials on this movie,click to download it.1. Review the history of the second world war.What is the position of A merica in fighting with the Fascist countries?2.Take family for example,what is the influence of the war?Do you think why human warring?Express your idea after you watching this film. 二、选段分析Gen.Marshall: I have a letter here......written a long time ago to a Mrs Bixby in Boston. So bear with me. “Dear Madam. I have been shown in the files of the War Department a statement -of the Adjutant General of Massachusetts -'that you are the mother of five sons who have died gl oriously on the field of battle. I feel how weak and fruitless must be any words of mine that would attempt to beguile you from the grief' -of a loss so overwhelming... but I can't refrain from tendering the consolatio n that may be found -in the thanks of the republic they died to save. May our Heavenly Father assuage the anguish of your bereaveme nt-and leave you only the cherished memory of the loved and lost -an d the solemn pride that must be yours to have laid such a sacrifice -up on the altar of freedom. Yours very sincerely and respectfully, -Abraham Lincoln.”That boy is alive. We are going to send somebody to find him. And we are going to get him the hell out of there.Task 1:Fill in the blanks of the scene【Missing Words from the Scene】bear with mein the files ofin the thanks ofthe hell out of thereTask 2:Language Notesbeguile 分散注意力grief 悲痛assuage 减轻痛苦anguish 极度的痛苦bereavement 丧亲【Beautiful Sentences】1. I feel how weak and fruitless must be any words of mine that w ould attempt to beguile you from the grief' -of a loss so overwhelmi ng...你受到这么大的打击，我再怎么安慰也无济于事。

The Battle Against AIDS_英语ppt

.—— 被一个人深深爱着会让你坚强，而深深地爱一个人会让你勇敢。
2.What is the reason?
• Greg began competing in diving at age 10. He was American’s diving prince, he wined many gold medals. But in 1988 Olympic in Seoul. Korea, when he climbed the ladder, his body lost control and then he hit his head on the board. What was worse, he cut
All men are born equal regardless of race or color.
12. guard against (Line 60)
prevent sth. from happening
The coach reminded us to guard against over-confidence.
9. illustrate (Line 35)
vt. show the meaning of (sth.) by giving pictures or examples
The pictures can best illustrate the process of aging.
10. at risk (Line 51)
through the placenta（胎盘）, childbirth（分娩）, lactation （哺乳期）, etc
Sexual transmission
Transmitted through blood.

拯救大兵瑞恩SavingPrivateRyan经典电影英文影评

拯救大兵瑞恩SavingPrivateRyan经典电影英文影评拯救大兵瑞恩Saving Private Ryan英文影评Devastating. If, for some reason, I was asked to write a one-word review of Saving Private Ryan, that would be the term I would use. As was true of director Steven Spielberg's other masterpiece, Schindler's List, the impact of this motion picture must be experienced; it cannot be adequately described. No film since last year's The Sweet Hereafter has left such a searing and indelible imprint on my mind and soul. This movie did not need to be released at the end of the year to be considered for a flood of Oscar nominations; it's so forceful that no one who sees it will be able to forget it -- not even Academy members with two-month memory spans.Saving Private Ryan opens with a 30-minute cinematic tour de force that is without a doubt one of the finest half-hours ever committed to film. This sequence, a soldier's-eye view of the D-Day invasion of Normandy, is brilliant not only in terms of technique but in the depth of viewer reaction it generates. It is certainly the most violent, gory, visceral depiction of war that I have ever witnessed on screen. Spielberg spares the viewer nothing of the horrors of battle, using every tactic at his disposal to convey the chaos and senseless waste that lies at the core of any engagement. We are presented with unforgettable, bloody images of bodies being cut to pieces by bullets, limbs blown off, entrails spilling out, and a variety of other assorted examples of carnage. And, when the tide comes in with the waves breaking on the body-strewn beach, the water is crimson. Those who are at all squeamish will find the opening of Saving Private Ryan unbearable. This aspect of the film almost earned it an NC-17rating; only the fact that Spielberg rigorously avoids even a hint of exploitation convinced the MPAA to award an R.In addition to showing what happens when projectiles rip into the soft flesh of the human body, the director employs other methods to capture the essence of battle - hand-held cameras, a slight speeding up of the images, muted colors, and several different kinds of film stock. Put it all together, and it adds up to a dizzying, exhausting assault on the senses. As good as the rest of Saving Private Ryan is, andit's very good, the D-Day attack on Omaha Beach is the sequence that everyone will remember most clearly.Most World War II movies fall into one of two categories: heroic tales of glory and valor or biopics (myall-time favorite film, Patton, falls in the latter camp). Saving Private Ryan is neither. Instead, it's a condemnation of war wrapped in a tale of human courage and sacrifice. In many ways, the picture painted by this movie is more grim than the one Oliver Stone presented in Platoon, which has often been cited as the most daring anti-war film to come out of Hollywood. Saving Private Ryan quickly and brutally dispels the notion that war is anything but vicious, demoralizing violence that makes a cruel joke out of the human body and spirit. Although the film is only loosely based on a true incident, it's hard not to accept these characters and events as real.Saving Private Ryan begins with a short sequence in modern-day France that shows one man visiting a particular grave in the sea of white crosses that marks the memorial to those who died liberating the country. From there, the film slips more than five decades back in time, to June 6, 1944. The D-Day invasion at "Bloody Omaha" Beach forms a prologue to the main story.Following the opening half-hour sequence, we learn that two of the four Ryan brothers died in this action, while a third perished elsewhere. The mother is receiving all three telegrams on the same day. The U.S. army chief of staff, General George C. Marshall (Harve Presnell), is stirred by the grief-stricken woman's plight, and decidesto send a group of men into the French countryside to find and rescue the fourth son, paratrooper Private James Ryan (Matt Damon).Captain John Miller (Tom Hanks), a hero and survivor of the Omaha Beach battle, is chosen to lead the team of eight men whose goal is, in Miller's words, like finding "a needle in a stack of needles." Hishand-picked team includes six men who have served with him throughout the war and one newcomer: Upham (Jeremy Davies), a French/German/English translator who has never seen active combat. Together, they strike out across the French countryside, heading in the general direction of Cherbourg. Along the way, they learn that skirmishes in small towns can be as deadly as the attack on the beach.There's nothing especially complex about the structure of Saving Private Ryan. The film, which runs nearly three hours, is bookended by two major battle scenes. In between, smaller fights alternate with quiet, character-building moments that flesh out the soldiers, allowing them to escape the threat of stereotyping. Spielberg, along with writer Robert Rodat and the actors, ensures that everyone in the movie is developed into a multi-dimensional individual for whom we can grieve if and when they die. They are "citizen soldiers" -- ordinary men caught in the teeth of extraordinary circumstances. With the exception of alittle manipulation at the end (when tears are actually a welcome source of relief from the film's intensity), Saving Private Ryan rigorously avoids toying with our emotions.Although this is not Tom Hanks' highest-profile role, it is one of his best performances. His portrayal of John Miller is the perfect mix of war-weariness, resignation, and a devotion to duty. Theteacher-turned-killer, who has lost 94 men in assorted battles from Africa to France, survives the madness by recalling special memories of his wife pruning rose bushes, while worrying that she will not recognize the husband who returns to her, because, "With every man I kill, the farther away from home I feel."The supporting cast is uniformly excellent. Edward Burns' Reiben uses cynicism and sarcasm to hide his uncertainty about the validity of his latest mission. Like the others in the group, he isn't sure whether saving one man's life is worth risking eight others. Burns, the actor/director who entered the public's awareness after making The Brothers McMullen, turns in a fine performance. Jeremy Davies (Spanking the Monkey) makes Upham a believable figure whose horror at the sudden onslaught of trauma and violence is something almost everyone in the audience will relate to. Matt Damon, who exploded into the spotlight with The Rainmaker and Good Will Hunting, is solid in a role that calls for the character to be as much a symbol as an individual. Finally, perhaps the best secondary performance is given by Tom Sizemore (The Relic), whose portrayal of Miller's faithful friend and sergeant is vivid and engaging.Spielberg's meticulous period detail effectively re-creates the war-torn countryside of occupied France. The American soldiers visit two bombed-out towns where all that remains standing arethe half-shattered husks of once-impressive structures. Many of the weapons that appear in Saving Private Ryan are authentic period pieces, bought from collectors. And, following the successful landing at Normandy, we are treated to a spectacular panorama of the beach, with a variety of mighty ships anchored offshore and the sky thick with blimps. Even though the Omaha Beach sequences were filmed in Ireland, they nevertheless offer a sense of verisimilitude that those familiar with the actual place on the English Channel shore will find hard to dispel.With Saving Private Ryan set alongside Schindler's List, Steven Spielberg, once known as a purveyor of well-crafted-but-lightweight feel-good fare, has given us two of the decade's most gripping, disturbing, and powerful motion pictures. I consider Schindler's List to be one of the most amazing movies I have ever experienced, and, in many ways, Saving Private Ryan is its equal. Although both films take place during the same time period, they focus on different ideas. Schindler's List personifies good (Schindler) and evil (Amon Goeth), and plays out the struggle against a tragic backdrop. In Saving Private Ryan, there are no human villains, and the enemy isn't so much the Germans as it is the implacable, destructive specter of war. The film's central question (When is one life more important than another?) is never really answered. For those who are willing to brave the movie's shocking and unforgettable images, Saving Private Ryan offers a singular motion picture experience. I will be surprised if another film tops it for the best of 1998.。

外研版高中英语选修6 Module6 War and Peace课件

3. “---men will say, ‘ This was their finest hour.’”
4. “Never in the field of human conflict was so much owed by so many to so few.”
5. “Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.
Read the passage quickly and point out the structure of the passage: Part 1: paragraph 1: Winston Churchill is
famous for his speeches. Part 2: paragraphs 2-6: Five examples of
3). 常与there连用 There remained in the hotel only one room unbroken. 旅馆里只有一间房没有受到破坏。 There remains a still more difficult task for us. 还有一项更艰巨的工作需要我们去做。
1. “ I would say to the House, as I said to those who have joined the Government, ‘I have nothing to offer but blood, toil, tears and sweat.’”
2. “ We shall fight on the beaches, we shall fight on the landing ground, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender.”

高考英语 Module 6 War and Peace总复习课件

②If they guess wrong，they will be condemned to death. 如果猜错了，他们就会被处死。 ③Those who cannot remember the past are condemned to repeat it. 忘记过去的人注定会重蹈覆辙。
5 . ( 2 0 11 ·济南模拟 ) T h e d e s t r u c t i o n o f r a i n f o r e s t s h a s
解析： occupy oneself with sth./in doing sth.忙于(做)某事，在句
中occupy与主语she之间为主动关系，故用现在分词形式作状语。
答案： A
4．Fully________in looking after three children at home，she no
4．He who loses wealth loses much；he who loses a friend loses more；he who loses________(勇气) loses all.
答案： courage 5．His devotion to the________(解放) of the human being will be remembered. 答案： liberation 6．They were in________(意见不和) about the move to Cambridge. 答案： disagreement
7．You might find it________(值得做的) to consult a financial adviser.
答案： worthwhile 8．They have been________(专心) in reading newspapers. 答案： occupied 9．There is an exciting new________(突破) in medical research. 答案： breakthrough 10．Don’t be________(泄气的) by the failure—try again. 答案： discouraged

拯救大兵瑞恩英文影评

拯救大兵瑞恩英文影评拯救大兵瑞恩英文影评The soldiers assigned to find Pvt. Ryan and bring himhome can do the math for themselves. The Army Chief of Staff has ordered them on the mission for propaganda purposes: Ryan's return will boost morale on the homefront, and put a human face on the carnage at Omaha Beach. His mother, who has already lost three sons in the war, will not have to add another telegram to her collection. But the eight men on the mission also have parents--and besides, they've been trained to kill Germans, not to risk their lives for publicity stunts. ``This Ryan better be worth it,'' one of the men grumblesIn Hollywood mythology, great battles wheel and turn on the actions of individual heroes. In Steven Spielberg's ``Saving Private Ryan,'' thousands of terrified and seasick men, most of them new to combat, are thrown into the face of withering German fire. The landing on Omaha Beach was not about saving Pvt. Ryan. It was about saving your skin.The movie's opening sequence is as graphic as any war footage I've ever seen. In fierce dread and energy it's on a par with Oliver Stone's``Platoon,'' and in scope surpasses it--because in the bloody early stages the landing forces and the enemy never meet eye to eye, but are simply faceless masses of men who have been ordered to shoot at one another until one side is destroyed.Spielberg's camera makes no sense of the action. That is the purpose of his style. For the individual soldier on the beach, the landing was a chaos of noise, mud, blood, vomit and death. The scene is filled with countless unrelated pieces of time, as when asoldier has his arm blown off. He staggers, confused, standing exposed to further fire, not sure what to do next, and then he bends over and picks up his arm, as if he will need it later.This landing sequence is necessary to establish the distance between those who give the order that Pvt. Ryan be saved, and those who are ordered to do the saving. For Capt. Miller (Tom Hanks) and his men, the landing at Omaha has been a crucible of fire. For Army Chief George C. Marshall (Harve Presnell) in his Washington office, war seems more remote and statesmanlike; he treasures a letter Abraham Lincoln wrote consoling Mrs. Bixby of Boston, about her sons who died in the Civil War. His advisors question the wisdom and indeed the possibility of a mission to save Ryan, but he barks, ``If the boy's alive we are gonna send somebody to find him--and we are gonna get him the hell out of there.'' That sets up the second act of the film, in which Miller and his men penetrate into French terrain still actively disputed by the Germans, while harboring mutinous thoughts about the wisdom of the mission. All of Miller's men have served with him before--except for Cpl. Upham (Jeremy Davies), the translator, who speaks excellent German and French but has never fired a rifle in angerand is terrified almost to the point of incontinence. I identified with Upham, and I suspect many honest viewers will agree with me: The war was fought by civilians just like him, whose lives had not prepared them for the reality of battle.The turning point in the film comes, I think, when the squadron happens upon a German machinegun nest protecting a radar installation. It would be possible to go around it and avoid a confrontation. Indeed, that would be following orders. But they decide to attack the emplacement, and that is a form of protest:At risk to their lives, they are doing what they came to France to do, instead of what the top brass wants them to do.Everything points to the third act, when Private Ryan is found, and the soldiers decide what to do next. Spielberg and his screenwriter, Robert Rodat, have done a subtle and rather beautiful thing: They have made a philosophical film about war almost entirely in terms of action. ``Saving Private Ryan'' says things about war that are as complex and difficult as any essayist could possibly express, and does it with broad, strong images, with violence, with profanity, with action, with camaraderie. It is possible to express even the most thoughtful ideas in the simplest words and actions, and that's what Spielberg does. The film is doubly effective, because he communicates his ideas in feelings, not words. I was reminded of ``All Quiet on the Western Front.'' Steven Spielberg is as technically proficient as any filmmaker alive, and because of his great success, he has access to every resource he requires. Both of those facts are important to the impact of ``Saving Private Ryan.'' He knows how to convey his feelings about men in combat, and he has the tools, the money and the collaborators to make it possible.His cinematographer, Janusz Kaminski, who also shot ``Schindler's List,'' brings a newsreel feel to a lot of the footage, but that's relatively easy compared to his most important achievement, which is to make everything visually intelligible. After the deliberate chaos of the landing scenes, Kaminski handles the attack on the machinegun nest, and a prolonged sequence involving the defense of a bridge, in a way that keeps us oriented. It's not just men shooting at one another. We understand the plan of the action, the ebb and flow, the improvisation, the relative positions of the soldiers.Then there is the human element. Hanks is a good choice as Capt. Miller, an English teacher who has survived experiences so unspeakable that he wonders if his wife will even recognize him. His hands tremble, he is on the brink of breakdown, but he does his best because that is his duty. All of the actors playing the men under him are effective, partly because Spielberg resists the temptation to make them zany ``characters'' in thetradition of World War II movies, and makes them deliberately ordinary. Matt Damon, as Pvt. Ryan, exudes a different energy, because he has not been through the landing at Omaha Beach; as a paratrooper, he landed inland, and although he has seen action he has not gazed into the inferno.They are all strong presences, but for me the key performance in the movie is by Jeremy Davies, as the frightened little interpreter. He is our entry into the reality because he sees it clearly as a vast system designed to humiliate and destroy him. And so it is. His survival depends on his doing the very best he can, yes, but even more on chance. Eventually he arrives at his personal turning point, and his action writes the closing words of Spielberg's unspoken philosophical argument.``Saving Private Ryan'' is a powerful experience. I'm sure a lot of people will weep during it. Spielberg knows how to make audiences weep better than any director since Chaplin in ``City Lights.'' But weeping is an incomplete response, letting the audience off the hook. This film embodies ideas. After the immediate experience begins to fade, the implications remain and grow。