英美文学选读名篇中英对照 赏析 简介
自考英美文学选读 教材翻译
自考《英美文学选读》教材的中文翻译第一部分：英国文学上古及中世纪英国文学简介自从有人类历史记载以来,英伦三岛遭遇过三次外族入侵。
岛上最早的居民是凯尔特人,此后古罗马人、盎格鲁一萨克森人及法国诺曼底公爵纷至沓来,在英伦三岛各领风骚若干年。
古罗马人的入侵没有在这片土地上留下深远的影响,而后两者则不同了。
盎格鲁一萨克森人将日尔曼族语言及文化根植在岛上,而诺曼底人则带来了地中海文明的清新浪潮,所谓地中海文明包括希腊文化,罗马的法律,以及基督教。
正是这两次外族入侵所附带的文化影响为日后英国文学的兴起与发展提供了富足的源泉。
英国文学史的上古时期起于大约公元450年,止于1066年,即诺曼征服的那一年。
这一时期定盎格鲁一萨克森文明兴盛的时期。
这些日尔曼族部落来自北欧,带来了盎格鲁一萨克森语言,也就是现代英语的原形基础,除此之外,还带来了特别的诗歌传统。
他们的诗歌神韵中集合了粗狂豪勇的气度及悲情哀挽的风格。
总体来讲,流传至今的英国上古诗歌可分为两大类:宗教诗和世俗诗。
宗教诗的主题大多以《圣经》为基础。
比如《创世纪甲本》与《创世纪乙本》以及《出埃及记》都源于《圣经》的《旧约全书》;而《十字架之梦》则以《新约全书》为典故。
在《十字架之梦》这首诗中,耶稣基督被刻画成一位青年战士,勇往直前,拥抱死亡与胜利,而那善良的十字架自身则承受起基督所有的苦难与重负。
除了这些宗教诗歌,上古的英格兰诗人还创作了伟大的民族史诗《贝尔武夫》以及其它众多的短篇抒情诗。
这些世俗诗歌中虽然没有基督教教义,但它们唤起了盎格鲁一萨克森人对环境的严酷及人类命运的不幸的感知。
其中《流浪者,狄奥尔》、《航海者》和《妻子的抱怨》是当时世俗诗中的佼佼者。
诗文中的语气和基调深受北海恶劣气候的影响,生活惨淡无望,诗人的口气中带出大量宿命论的成份,尽管同时也显得勇敢而坚定。
《贝尔武夫》,英国上古诗歌的典型,在今天被誉为盎格鲁一萨克森的民族史诗。
尽管如此,诗中主人公及背景都与英国无关,这首叙事诗讲述的故事发生在北欧斯堪狄那维亚半岛。
中英对照英国散文欣赏
中英对照英国散文欣赏中英对照英国散文欣赏(一)（编者注：以下中英对照英国散文选段摘自杨自伍编的《英国散文名篇欣赏》，其中有些译文编者根据自己所好重新作了翻译，目的一是让年轻人知道有这么本好书，也许他们会自己找来阅读；二是让成天钻在英语考题中的初三至高三的同学们了解到：英语中原来还有这么美好的东西，远比他们的练习题和考卷有趣。
文章后面摘录的英语单词，只须按一下电子辞典就明白了。
）1. I went out in the afternoon. It was too early in the year fora heavy fallof leaves, but nevertheless the garden was covered. They were washed to the sides of the roads, and lay heaped up over the road-gratings, masses of gorgeous harmonies in red, brown, and yellow. The chestnuts andacorns dropped in showers, and the patter on the gravel was a little weird.The chestnut husks split wide open when they came to the ground,revealing the polished brown of the shy fruit.(nevertheless, gorgeous, harmony, weird, reveal, polish)这天下午我信步出门。
还不到一年中落叶纷飞的季节，花园却已被枯叶覆盖。
它们被雨水冲到路边，堆积在阴沟格栅上，红色的，褐色的，黄色的，一堆堆，一丛丛，既绚丽多彩，又和谐悦目。
橡实雨点般纷纷坠下，嗒嗒地拍打在鹅卵石上，给人一种神秘感。
英美诗歌赏析（英文版）
墓园挽歌：托马斯·格雷（Thomas Gray，1716-1771）是感伤主义诗歌的代表诗人。
他最著名的诗歌是便是《墓园挽歌》，并因此同写过《夜吟死亡》（Nitht-Piece on Death,1721）的托马斯·帕达尔（Thomas Parnell, 1679-1718）,写过《坟墓》（The Grave, 1743）的罗伯特·布莱尔（Robert Blair，1699-1746）和写过《夜思》（Night Thoughts，1742）的爱德华·杨格（Edward Yong,1683-1765）等人一道被称为“墓园派诗人”。
《墓园挽歌》是“感伤主义”的代表作，常被批评家誉为十八世纪乃至英国历来最好的诗歌。
这首诗有着这样独特的地位，主要是因为它凝聚了每个时期中的某种社会情绪，用比较完美的形式表达了这种情绪，在一定程度上解决了如何革新旧传统的问题，具有较高的艺术成就。
这首诗写诗人流连在乡村的墓园里，望着一座座平民百姓的墓石，他思考了狠毒。
这些人默默无闻，劳作终身，死后埋葬简陋的墓地里，他们身前也有过报复，经历过悲欢离合。
回忆中，诗人对他们寄予深切的同情，对骄奢淫逸的权贵做了温和的批评，并指出：不论身前多么荣华富贵，死亡对于每个人来说都是平等的。
既然大家殊途同归，人们就应该以一种豁达的态度来面对人生。
这首诗共32节，每节有四行五步抑扬格组成，以abab押韵。
总体上来说，这首诗在形式上采用了古典主义的格式，但在内容上却显示了感伤主义和浪漫主义的新特征。
诗人在晚钟时分步入墓园：晚钟殷殷响，夕阳已西沉。
群牛呼叫归，迂回走草径。
农夫荷锄犁，倦倦回家门。
唯我立狂野，独自对黄昏。
（The curfew tolls the knell of parting day,The lowing herd winds slowly o'er the lea,The ploughman homeward plods his weary way,And leaves the world to darkness and to me.）开头一段描写了天黑时分牧人赶着牛群徐徐入村，农人们经历了一天的劳累拖着疲惫的步伐回家的景象，把恬静的乡村生活如风景画般的呈现在了我们面前。
英美文学选读要点中英文对照
Part one: English LiteratureChapter1 The Renaissance period（14世纪至十七世纪中叶）文艺复兴1. Humanism is the essence of the Renaissance.人文主义是文艺复兴的核心。
2. the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心，人是万物之灵。
3. Renaissance humanists found in then classics a justification to exalt human natu re and came to see that human beings were glorious creatures capable of individu al development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.人文主义者们却从古代文化遗产中找到充足的论据，来赞美人性，并开始注意到人类是崇高的生命，人可以不断发展完善自己，而且世界是属于他们的，供他们怀疑，探索以及享受。
4. Thomas More, Christopher Marlowe and William Shakespeare are the best repre sentatives of the English humanists.托马斯.摩尔，克利斯朵夫.马洛和威廉.莎士比亚是英国人文主义的代表。
自学考试英美文学选读要点中英文概要
1234代价,与敌人同归于尽。
51. In his life, Milton shows himself a real revolutionary, a master poet and a great prose writer. 弥尔顿毕生都展现了真正的革命精神和非凡的诗歌才华。
52. Paradise Lost:人类由于理性不强,意志薄弱,经不起考验,暗示英国自产主义革命失败的原因。
Chapter2 The Neoclassical Period(1660-1798新古典主义1. In short, it was an age full of conflicts and divergence of values. 总之, 这一时期是矛盾与价值观分歧的时期。
2. The eighteenth-century England is also known as the Age of Enlighte nment or the Age of Reason. 英国的十八世纪也同时是启蒙主义时代, 或曰理性时代。
3. Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas. 运动的主旨便是用当代哲学与艺术思想的晨光启迪整个世界。
4. Enlighteners held that rationality or reason should be the only, the fin al cause of any human thought and activities. They called for a referenc e to order, reason and rules. 启蒙者主张理性是任何人思想与行动的唯一缘由。
他们大力提倡秩序,理性及法律。
5. As a matter of fact, literature at the time, heavily didactic and moralizi ng, becamea very popular means of public education. 其实, 当时的文学作品种充满了说教与道德理念,就已经成为大众教育的良好工具。
英美文学-中英文对照
英美文学-中英文对照第一篇：英美文学-中英文对照British Writers and Works The Anglo-Saxon Period λThe Venerable Bede 比得673~735 νEcclesiastical History of the English People 英吉利人教会史λAlfred the Great 阿尔弗雷得大帝849~899 νThe Anglo-Saxon Chronicle 盎格鲁—萨克逊编年史The Late Medieval Ages λWilliam Langland 威廉·兰格伦1332~1400 ν Piers the Plowman 农夫比埃斯的梦λ Geoffery Chaucer 杰弗里·乔叟1340(?)~1400 ν The Books of the Duchess悼公爵夫人ν Troilus and Criseyde特罗伊拉斯和克莱希德ν The Canterbury Tales坎特伯雷故事集ν The House of Fame声誉之宫λ Sir Thomas Malory托马斯·马洛里爵士1405~1471 ν Le Morte D’Arthur亚瑟王之死The Renaissance λSir Philip Sydney菲利普·锡德尼爵士1554~1586 ν The School of Abuse诲淫的学校ν Defense of Poesy 诗辩λ Edmund Spenser埃德蒙·斯宾塞1552~1599 ν The Shepherds Calendar牧人日历ν Amoretti爱情小唱ν Epithalamion婚后曲ν Colin Clouts Come Home Againe柯林·克劳特回来了ν Foure Hymnes四首赞美歌ν The Faerie Queene仙后λ Thomas More托马斯·莫尔1478~1535 ν Utopia乌托邦λ Francis Bacon弗兰西斯·培根1561~1626 ν Advancement of Learning学术的推进ν Novum Organum新工具ν Essays随笔λChristopher Marlowe柯里斯托弗·马洛1564~1595 νTamburlaine帖木耳大帝ν The Jew of Malta马耳他的犹太人ν The Tragical History of Doctor Faustus浮士德博士的悲剧λWilliam Shakespeare威廉·莎士比亚1564~1616 νRomeo and Juliet罗密欧与朱利叶ν Merchant of Venice威尼斯商人ν Henry IV 亨利四世νJulius Caesar尤利乌斯·凯撒νAs You Like It皆大欢喜νHamlet哈姆莱特ν Othello奥赛罗ν King Lear李尔王ν Macbeth麦克白ν Antony and Cleopatra安东尼与克里奥佩特拉ν Tempest暴风雨ν poetry: Venus and Adonis;The Rape of Lucrece(Venus and Lucrece);The Passionate Pilgrim, the SonnetsthThe 17 Century λJohn Milton约翰·弥尔顿1608~1674 νL’Allegre 欢乐的人νIL Pens eroso 沉思的人νComus柯玛斯νLycidas利西达斯ν Of Education论教育ν Areopagitica论出版自由ν The Defence of the English People为英国人民声辩ν The Second Defence of the English People再为英国人民声辩νParadise Lost失乐园νParadise Regained复乐园νSamson Agonistes力士参孙λJohn Bunyan约翰·班扬1628~1688 νGrace Abounding to the Chief of Sinners功德无量νThe Pilgrim’s Progress 天路历程ν The Life and Death of Mr Badman败德先生传ν The Holy War圣战λ John Dryden约翰·德莱顿1631~1700 ν All for Love一切为了爱情ν Absalom and Achitophel押沙龙与阿齐托菲尔ν The Hind and Panther牝鹿与豹ν Annus Mirabilis神奇的年代νAlexander’s Feast亚历山大的宴会ν An Essay of Dramatic Poesy 论戏剧诗thThe 18 Century λ Alexander Pope亚历山大·蒲柏1688~1744 ν Essay on Criticism批评论ν Moral Essays道德论λν An Essay on Man人论ν The Rape of the Rock卷发遇劫记ν The Dunciad愚人记Samuel Johnson塞缪尔·约翰逊1709~1784 νThe Dictionary of English Language英语辞典ν The Vanity of Human Wishes人类欲望之虚幻ν London伦敦ν The Lives of Great Poets诗人传λ Jonathan Swift乔纳森·斯威夫特1667~1745 ν The Battle of Books书战ν A Tale of a Tub木桶的故事νThe Drapper’s Letters一个麻布商的书信ν A Modest Proposal一个小小的建议νGulliver’s Travels格列佛游记λDaniel Defoe丹尼尔·笛福1660~1731 νThe Review(periodical founded by Defoe)评论报ν Robinson Crusoe鲁宾逊漂流记λ Henry Fielding亨利·菲尔丁1707~1754 ν The History of the Adventures of Joseph Andrews约瑟夫·安德鲁νThe Life of Mr Jonathan Wild, the Great大诗人江奈生·威尔德ν Amelia爱米利亚νThe History of Tom Jones, a Foundling汤姆·琼斯νThe Historical Register for 1736一七三六年历史记事ν Don Quixote in England堂吉柯德在英国λSamuel Richardson塞缪尔·理查逊1689~1761 νPamela(Virtue Rewarded)帕米拉λOliver Goldsmith奥利弗·格尔德斯密斯1730~1774 νThe Traveller旅游人ν The Deserted Village荒村νThe Vicar of Wakefield威克菲尔德牧师传νThe Good Natured Man好心人νShe Stoops to Conquer屈身求爱νThe Citizens of the World世界公民λThomas Gray托马斯·格雷1716~1771 ν An Elegy Written in a Country Churchyard墓园挽诗ν Ode on the Death of a Favourite Cat爱猫之死ν The Bard游吟诗人λRichard Brinsley Sheridan理查德·布林斯利·施莱登1751~1816 ν The Rivals情敌ν The School for Scandal造谣学校νSt.Patrick’s Day(The Scheming Lieutenant)圣·派特立克节νThe Duenna伴娘ν The Critic批评家The Romantic Age λ Robert Burns罗伯特·彭斯1759~1796 νPoems Chiefly in the Scottish Dialect主要用苏格兰方言写的诗νJohn Anderson, My Jo约翰·安德生，我的爱人ν A Red, Red Rose 一朵红红的玫瑰ν Auld Long Syne往昔时光νA Man’s a Man for A’That不管那一套νMy Heart’s in the Highlands我的心在那高原上λ William Blake威廉·布莱克1757~1827 ν Songs of Innocence 天真之歌νSongs of Experience经验之歌νAmerica亚美利加νEurope欧罗巴ν Milton弥尔顿ν Jerusalem耶路撒冷ν The Marriage of Heaven and Hell天堂与地狱的婚姻λWilliam Wordsworth威廉·华兹华斯1770~1850 νWe Are Seven我们是七个ν The Solitary Reaper孤独的割麦女νImitations of Immortality from Recollections of Early Childhood不朽颂ν The Prelude序曲ν Lyrical Ballads抒情歌谣集λ Samuel Taylor Coleridge塞缪尔·泰勒·科尔律治1772~1834 νThe Rime of the Ancient Mariner古舟子颂ν Christabel柯里斯塔贝尔ν Kubla Khan忽必烈汗ν Frost at Night半夜冰霜ν Dejection, an Ode忧郁颂ν Biographia Literaria文学传记λGeorge Gordon Byron乔治·戈登·拜伦1788~1824 νChilde Harold’s Pilgrimage恰尔德·哈罗德尔游记νManfred曼弗雷德νCain该隐ν Don Juan唐·璜ν When We Two Parted当初我们俩分别λPersy Bysshe Shelley波西·比希·雪莱1792~1822 νQueen Mab麦步女王νRevolt of Islam伊斯兰的反叛νThe Cenci钦契一家νThe Masque of Anarchy, Hellas专制者的假面游行νPrometheus Unbound解放了的普罗米修斯ν Ode to the West Wind西风颂ν To a Skylark致云雀λ John Keats约翰·济慈1795~1821 ν On a Grecian Urn希腊古瓮颂ν Ode to a Nightingale夜莺颂ν Ode to Autumn秋颂ν T o Psyche普塞克颂νOn First Looking in Chapman’s Homer初读查普曼翻译的荷马史诗有感λ Sir Walter Scott沃尔特·斯科特爵士1771~1832 ν The Lady of the Lake湖上夫人ν Waverley威弗利ν Guy Mannering盖曼纳令ν Rob Roy罗伯·罗伊ν Ivanhoe艾凡赫ν Kenilworth肯纳尔沃斯堡ν Quentin Durward昆廷·达沃德νSt.Ronan’s Wells圣罗南之泉λ Jane Austen简·奥斯丁1775~1817 ν Sense and Sensibility理智与情感ν Pride and Prejudice傲慢与偏见ν Mansfield Park曼斯菲尔德庄园ν Emma爱玛ν Northanger Abbey诺桑觉寺ν Persuasion劝导λCharles Lamb查尔斯·兰姆1775~1834 νTales from Shakespeare莎士比亚戏剧故事集ν John Woodvil约翰·伍德维尔The Victorian Age λ Charles Dickens查尔斯·狄更斯1812~1870 ν Sketches by Boz波兹特写ν The Posthumous Papers of the Pickwick Club匹克威克外传νOliver Twist奥利弗·特维斯特（雾都孤儿）νThe Old Curiosity Shop老古玩店ν Barnaby Rudge巴纳比·拉奇ν American Notes美国杂记ν Martin Chuzzlewit马丁·朱淑尔维特ν A Christmas Carol圣诞颂歌ν The Chimes教堂钟声ν The Cricket on the Hearth灶上蟋蟀ν Dombey and Son董贝父子ν David Copperfield大卫·科波菲尔ν Bleak House荒凉山庄νHard Times艰难时世ν Little Dorrit小杜丽ν A Tale of Two Cities双城记ν Great Expectations远大前程ν Our Mutual Friend我们共同的朋友ν Edwin Drood艾德温·朱特λWilliam Makepeace Thackeray威廉·麦克匹斯·萨克雷1811~1863 ν Vanity Fair名利场ν Pendennis潘登尼斯ν The Newcomers纽克姆一家ν The History of Henry Esmond亨利·埃斯蒙德λ Charlotte Bronte夏洛蒂·勃朗特1816~1855 ν Professor教师ν Jane Eyre简·爱ν Shirley雪莉ν Villette维莱特λ Emily Bronte艾米莉·勃朗特1818~1854 ν Wuthering Heights 呼啸山庄λ George Eliot乔治·艾略特1819~1880 ν Adam Bede亚当·比德ν The Mill on the Floss弗洛斯河上的磨坊ν Silas Marner织工马南ν Romola罗慕拉ν Felix Holt菲利克斯·霍尔特ν Middlemarch米德尔马契ν Daniel Deronda丹尼尔·德龙拉λ Thomas Hardy托马斯·哈代1840~1928 ν A Pair of Blue Eyes 一双蓝眼睛ν The Trumpet Major号兵长ν Desperate Remedies非常手段νThe Hand of Ethelberta艾塞尔伯塔的婚姻νUnder the Greenwood Tree绿荫下ν Far from the Madding Crowd远离尘嚣νThe Mayor of Casterbridge卡斯特桥市长νTess of the D’Urber villes德伯家的苔丝ν Jude the Obscure无名的裘德λAlfred Tennyson阿尔弗莱德·丁尼生1809~1892 νInMemoriam悼念ν Break, Break, Break冲击、冲击、冲击λν Idylls of the King 国王叙事诗Robert Browning罗伯特·白朗宁1812~1889 ν Dramatic Lyrics 戏剧抒情诗ν Dramatic Romances and Lyrics戏剧故事及抒情诗ν Men and Women男男女女νDramatic Personae登场人物νThe Ring and the Book环与书λElizabeth Barrett Browning伊丽莎白·芭蕾特·白朗宁1806~1861 ν Sonnets from the Portuguese葡萄牙十四行诗ν The Cry of the Children孩子们的哭声λ John Ruskin约翰·罗斯金1819~1900 ν Modern Painters现代画家νThe Seven Lamps of Architecture建筑的七盏明灯νThe Stone of Venice威尼斯石头λ Oscar Wilde奥斯卡·王尔德1856~1900 ν The Happy Prince and Other Tales快乐王子故事集ν The Picture of Dorian Gray多利安·格雷的画像νLady Windermere’s Fan温德米尔夫人的扇子ν A Woman of No Importance一个无足轻重的女人νAn Ideal Husband理想的丈夫ν The Importance of Being Earnest认真的重要1900~1950 λWilliam Butler Yeats威廉·勃特勒·叶茨1865~1939 ν The Responsibilities责任ν The Wild Swans at Coole库尔的野天鹅ν The Tower钟楼ν The Winding Stair弯弯的楼梯λ John Galsworthy约翰·高尔斯华绥1867~1933 ν Forsyte Saga 福尔塞世家λ The Man of Property有产业的人λ In Chancery进退维谷λTo Let招租出让ν The End of the Chapter一章的结束λ James Joyce詹姆斯·乔伊斯1882~1941 ν A Portrait of the Artist as a Young Man一个青年艺术家的肖像ν Ulysses尤利西斯ν Finnegans Wake芬尼根的苏醒ν Dubliners都柏林人λ Virginia Woolf弗吉尼娅·沃尔芙1882~1941 ν Mrs Dalloway 达洛维夫人ν T o the Lighthouse到灯塔去ν The Waves浪λDavid Herbert Lawrence戴维·赫伯特·劳伦斯1885~1930 νSons and Lovers儿子与情人ν The Rainbow虹ν Women in Love恋爱中的女人νLady Chatterley’s Lover查特莱夫人的情人λGeorge Bernard Shaw乔治·伯纳·萧1856~1950 νMrs Warren’s Profession 华伦夫人的职业ν Man and Superman人与超人ν Major Barbara巴巴拉少校ν Pygmalion匹格玛利翁ν Heartbreak House伤心之家ν The Apple Cart苹果车ν Saint Joan圣女贞德American Writers and Works Colonial Period λJonathan Edwards乔纳森·爱德华兹1703~1758 ν The Freedom of the Will意志的自由νThe Great Doctrine of Original Sin Defended原罪说辩λBenjamin Franklin本杰明·富兰克林1706~1790 νPoor Richard’s Almanac格言历书νAutobiography自传Romantic Period λWashington Irving华盛顿·欧文ν A History of New York from the Beginning of the World to the End of the Dutch Dynasty纽约外史νThe Sketch Book of Geoffrey Crayon, Gent.见闻札记νA Chronicle of the Conquest of Granada征服格拉纳达νThe Alhambra阿尔罕伯拉ν Rip Van Winkle瑞普·凡·温克尔λJames Fennimore Cooper詹姆斯·菲尼莫·库柏1789~1851 νThe Spy间谍ν Leatherstocking Tales皮袜子五部曲υ The Deerslayer杀鹿者υ The Last of the Mohicans最后的莫西干人υ The Pathfinder 探路者υ The Pioneer开拓者υ The Prairie草原λRalph Waldo Emerson拉尔夫·瓦尔多·爱莫生1803~1882 νNature论自然λ Henry David Thoreau亨利·大卫·梭罗1817~1862 ν A Week on the Concord and Merrimack River康克德和美利马科河上的一周νWalden华尔腾λνA Plea for John Brown为约翰·布朗请命Nathaniel Hawthorne纳萨尼尔·霍桑1804~1864 ν Twice-told Tales 故事重述ν Mosses from and Old Manse古宅青苔ν The Scarlet Letter 红字ν The House of the Seven Gables有七个尖角阁楼的房子ν The Marble Faun大理石雕像λ Herman Melville赫尔曼·梅尔维尔1819~1891 ν Typee泰比νOmio欧穆ν Mardi玛地ν Redburn莱德伯恩ν White Jacket白外套ν Moby Dick白鲸（莫比·迪克）ν Pierre皮埃尔ν Billy Budd比利·巴德λ Walt Whitman沃尔特·惠特曼1819~1892 ν Leaves of Grass 草叶集λEmily Dickenson艾米莉·迪金森1830~1886 νBecause I Can’t Stop for Death因为我不能等待死神ν I Heard a Fly Buzz – When I died我死时听到了苍蝇的嗡嗡声ν Mine – by the Right of the White Election我的丈夫——选择如意情人的权利ν Wild Nights – Wild Nights暴风雨夜λ Edgar Allen Poe埃德加·艾伦·坡1809~1849 ν Ms Found in a Bottle在瓶子里发现的手稿νThe Murders in the Rue Morgue莫格路上的暗杀案νThePurloined Letter被盗的信ν The Fall of the House of Usher厄舍古屋的倒塌ν Ligeia丽姬娅νThe Masque of the Red Death红色死亡的化妆舞会νThe Philosophy of Composition创作哲学ν The Poetic Principle诗歌原理νReview of Hawthorne’s Twice-told Tales评霍桑的《故事重述》 The Age of Realism λ William Dean Howells威廉·迪恩·豪威尔斯1837~1920 ν The Rise of Silas Lapham塞拉斯·拉帕姆的发迹ν A Modern Instance现代婚姻λ Henry James亨利·詹姆斯1843~1916 ν The American美国人ν Daisy Miller戴希·米勒ν The Portrait of a Lady一个青年女人的画像ν The Turn of the Screw拧螺丝ν The Ambassadors使节ν The Wings of the Dove鸽翼ν The Golden Bowl金碗λ Mark Twain马克·吐温1835~1910ν The Gilded Age镀金时代ν The Adventures of Tom Sawyer汤姆·索亚历险记ν The Adventures of Huckleberry Finn哈克贝里·芬历险记ν Life on the Mississippi在密西西比河上νA Connecticut Yankee in King Arthur’s Court在亚瑟王朝廷里的康涅狄格州的美国佬ν The Man That Corrupted Hardleybug败坏了哈德莱堡的人American Naturalism λTheodore Dreiser西奥多·德莱塞1871~1945 ν Sister Carrie嘉丽妹妹ν Financier金融家νThe Titan巨头ν The Stoic斯多噶ν Jennie Gerhardt珍妮姑娘ν American Tragedy美国的悲剧νThe Genius天才λ Stephen Crane斯蒂芬·克兰1871~1900 ν Maggie, a Girl of the Street街头女郎麦琪ν The Red Badge of Courage红色英勇勋章ν The Black Riders and Other Lines黑衣骑士及其他ν War IsKind战争是仁慈的The Modern Period λEzra Pound埃兹拉·庞德1885~1972 ν Cantos诗章λThomas Sterns Eliot托马斯·斯特恩斯·艾略特1888~1965 νThe Love Song of J.Alfred Prufrock杰·阿尔弗雷德·普鲁夫洛克的情歌ν The Waste Land荒原ν Hollow Man空心人ν Ash Wednesday圣灰星期三ν Four Quarters四个四重奏ν Murder in the Cathedral大教堂谋杀案ν The Cocktail Party 鸡尾酒会ν The Confidential Clerk机要秘书ν The Sacred Wood圣林ν Essays on Style and Order风格与秩序论文集ν After Strange Gods拜异教神λ Robert Frost罗伯特·弗洛斯特1874~1963 νA Boy’s Will一个男孩的意愿ν Mountain Interval间歇泉ν New Hampshire新罕布什尔λF.Scott Fitzgerald弗·斯科特·费兹杰拉德1896~1940 νThis Side of Paradise人间天堂ν Flappers and Philosophers轻佻女郎与哲学家ν The Beautiful and the Damned美丽的和该死的（漂亮冤家）νThe Great Gatsby了不起的盖茨币（灯绿梦渺）νTender is the Night夜色温柔ν All the Sad Young Man一代悲哀的年轻人ν The Last Tycoon 最后的巨头λ Ernest Hemingway厄内斯特·海明威1899~1961 ν In Our Time在我们的时代里ν Winner Take Nothing胜者无所得ν The Torrents of Spring春潮νThe Sun Also Rises太阳照常升起νA Farewell to Arms永别了，武器ν Death in the Afternoon午后之死ν To Have and Have Not富有与贫穷ν Green Hills of Africa非洲青山ν The Fifth Column第五纵队ν For Whom the Bell Tolls丧钟为谁而鸣ν The Old Man and the Sea老人与海λ Sinclair Lewis辛克莱·刘易斯1885~1951 ν Main Street大街ν Babbitt巴比特ν Arrowsmith埃罗史密斯ν Dodsworth陶兹华斯νElmer Gantry埃尔莫·甘德里λWilla Cather薇拉·凯瑟1873~1947 νAlexander’s Bridge亚历山大的桥ν O Pioneers啊，拓荒者！ν The Song of the Lark莺之歌ν My Antonia我的安东尼娅λ William Faulkner威廉·福克纳1897~1962 ν The Marble Faun 玉石雕像νSoldier’s Pay兵饷ν Mosquitoes蚊群ν Sartoris家族小说ν The Sound and the Fury喧嚣与骚动ν As I Lay Dying在我弥留之际ν Light in August八月之光ν Absalom, Absalom押沙龙，押沙龙ν Go Down, Moses去吧，莫西λ John Steinbeck约翰·斯坦贝克1902~1968 ν Cup of Gold金杯ν Tortilla Flat煎饼坪ν In Dubious Battle胜负未决的战斗ν Of Mice and Men人与鼠νThe Grapes of Wrath愤怒的葡萄The Post-War Period λJerome David Salinger杰罗姆·大卫·赛林格1919~ ν Catcher in the Rye麦田里的守望者λJoseph Heller约瑟夫·海勒1923~1999 νCatch-22第二十二条军规λ Saul Bellow索尔·贝罗1915~ ν Dangling Man晃来晃去的人νThe Adventures of Augie March奥吉·玛其历险记νHenderson the Rain King雨王汉德森ν Herzog赫索格νMr.Sammler’s Planet塞姆勒先生的行星νHumboldt’s Gift 洪堡的礼物νThe Dean’s December院长的十二月American Drama λEugene O’Neil尤金·奥尼尔1888~1953 ν Beyond the Horizon天边外ν The Emperor Jones琼斯皇帝ν The Hairy Ape毛猿ν Desire under the Elms榆树下的欲望ν The Iceman Cometh 卖冰的人来了νLong Day’s Journey into Night长夜漫漫路迢迢λ Tennessee Williams田纳西·威廉姆斯1911~1983 ν The Glass Menagerie玻璃动物园ν A Streetcar Named Desire欲望号街车ν Summer and Smoke 夏与烟ν Cat on a Hot Tin Roof热铁皮屋顶上的猫λ Arthur Milller亚瑟·米勒1915~ ν The Man Who Had All the Luck交好运的人ν All My Sons都是我的儿子ν Death of a Salesman推销员之死ν The Crucible萨勒姆的女巫ν A View for the Bridge桥头眺望λ Edward Albee爱德华·阿尔比1928~ ν Zoo Story动物园故事νWho’s Afraid of Virginia Woolf?谁害怕弗吉尼娅·沃尔芙？Black American Literature λRichard Wright理查德·赖特1908~1960 νUncle Tom’s Children汤姆叔叔的孩子们νNative Son土生子ν Black Boy黑孩子λ Ralph Ellison拉尔芙·爱丽森1914~1994 ν Invisible Man看不见的人λ James Baldwin詹姆斯·鲍德温1924~1987 ν Go Tell It on the Mountain向苍天呼吁ν Notes of a Native Son土生子的札记νNobody Knows My Name没有人知道我的名字νThe Fire Next Time下一次将是烈火λT oni Morrison托妮·莫瑞森1931~ νThe Bluest Eye最蓝的眼睛νSong of Solomon所罗门之歌νTar Baby柏油孩子ν Beloved宠儿第二篇：英美文学-中英文对照British Writers and WorksThe Anglo-Saxon Periodλ The Venerable Bede 比得673~735ν Ecclesiastical History of the English People英吉利人教会史λ Alfred the Great 阿尔弗雷得大帝849~899ν The Anglo-Saxon Chronicle 盎格鲁—萨克逊编年史The Late Medieval Agesλ William Langland 威廉·兰格伦1332~1400ν Piers the Plowman 农夫比埃斯的梦λ Geoffery Chaucer 杰弗里·乔叟1340(?)~1400ν The Books of the Duchess悼公爵夫人ν Troilus and Criseyde 特罗伊拉斯和克莱希德ν The Canterbury Tales坎特伯雷故事集ν The House of Fame 声誉之宫λ Sir Thomas Malory托马斯·马洛里爵士1405~1471νLe Morte D’Arthur亚瑟王之死The Renaissanceλ Sir Philip Sydney菲利普·锡德尼爵士1554~1586ν The School of Abuse诲淫的学校ν Defense of Poesy诗辩λ Edmund Spenser埃德蒙·斯宾塞1552~1599νThe Shepherds Calendar牧人日历νAmoretti爱情小唱νEpithalamion婚后曲ν Colin Clouts Come Home Againe柯林·克劳特回来了ν Foure Hymnes四首赞美歌ν The Faerie Queene仙后λ Thomas More托马斯·莫尔1478~1535ν Utopia乌托邦λ Francis Bacon弗兰西斯·培根1561~1626ν Advancement of Learning学术的推进ν Novum Organum新工具ν Essays随笔λ Christopher Marlowe柯里斯托弗·马洛1564~1595ν Tamburlaine帖木耳大帝ν The Jew of Malta马耳他的犹太人ν The Tragical History of Doctor Faustus浮士德博士的悲剧λ William Shakespeare威廉·莎士比亚1564~1616ν Romeo and Juliet罗密欧与朱利叶ν Merchant of Venice威尼斯商人ν Henry IV亨利四世νJulius Caesar尤利乌斯·凯撒νAs You Like It皆大欢喜νHamlet哈姆莱特ν Othello奥赛罗ν King Lear李尔王ν Macbeth麦克白ν Antony and Cleopatra安东尼与克里奥佩特拉ν Tempest暴风雨ν poetry: Venus and Adonis;The Rape ofLucrece(Venus and Lucrece);The Passionate Pilgrim, the SonnetsThe 17th Centuryλ John Milton约翰·弥尔顿1608~1674νL’Allegre 欢乐的人ν IL Pens eroso 沉思的人ν Comus柯玛斯ν Lycidas利西达斯νOf Education论教育ν Areopagitica论出版自由ν The Defence of the English People为英国人民声辩ν The Second Defence of the English People再为英国人民声辩ν Paradise Lost失乐园ν Paradise Regained复乐园ν Samson Agonistes力士参孙λ John Bunyan约翰·班扬1628~1688ν Grace Abounding to the Chief of Sinners功德无量νThe Pilgrim’s Progress 天路历程ν The Life and Death of Mr Badman败德先生传ν The Holy War圣战λ John Dryden约翰·德莱顿1631~1700ν All for Love一切为了爱情ν Absalom and Achitophel押沙龙与阿齐托菲尔ν The Hind and Panther牝鹿与豹ν Annus Mirabilis神奇的年代νAlexander’s Feast亚历山大的宴会ν An Essay of Dramatic Poesy 论戏剧诗The 18th Centuryλ Alexander Pope亚历山大·蒲柏1688~1744ν Essay on Criticism批评论ν Moral Essays道德论ν An Essay on Man人论ν The Rape of the Rock卷发遇劫记ν The Dunciad愚人记λ Samuel Johnson塞缪尔·约翰逊1709~1784ν The Dictionary of English Language英语辞典ν The Vanity of Human Wishes人类欲望之虚幻ν London伦敦ν The Lives of Great Poets诗人传λ Jonathan Swift乔纳森·斯威夫特1667~1745ν The Battle of Books书战ν A Tale of a Tub木桶的故事νThe Drapper’s Letters一个麻布商的书信ν A Modest Proposal一个小小的建议νGulliver’s Travels格列佛游记λ Daniel Defoe丹尼尔·笛福1660~1731ν The Review(periodical founded by Defoe)评论报ν Robinson Crusoe鲁宾逊漂流记λ Henry Fielding亨利·菲尔丁1707~1754ν The History of the Adventures of JosephAndrews约瑟夫·安德鲁ν The Life of Mr Jonathan Wild, the Great大诗人江奈生·威尔德ν Amelia爱米利亚ν The History of Tom Jones, a Foundling汤姆·琼斯ν The Historical Register for 1736一七三六年历史记事ν Don Quixote in England堂吉柯德在英国λ Samuel Richardson塞缪尔·理查逊1689~1761ν Pamela(Virtue Rewarded)帕米拉λ Oliver Goldsmith奥利弗·格尔德斯密斯1730~1774ν The Traveller旅游人ν The Deserted Village荒村νThe Vicar of Wakefield威克菲尔德牧师传νThe Good Natured Man好心人νShe Stoops to Conquer屈身求爱νThe Citizens of the World世界公民λThomas Gray托马斯·格雷1716~1771ν An Elegy Written in a Country Churchyard墓园挽诗ν Ode on the Death of a Favourite Cat爱猫之死ν The Bard游吟诗人λ Richard Brinsley Sheridan理查德·布林斯利·施莱登1751~1816 ν The Rivals情敌ν The School for Scandal造谣学校νSt.Patrick’s Day(The Scheming Lieutenant)圣·派特立克节ν The Duenna伴娘ν The Critic批评家The Romantic Ageλ Robert Burns罗伯特·彭斯1759~1796ν Poems Chiefly in the Scottish Dialect主要用苏格兰方言写的诗ν John Anderson, My Jo约翰·安德生，我的爱人ν A Red, Red Rose一朵红红的玫瑰ν Auld Long Syne往昔时光νA Man’s a Man for A’That不管那一套νMy Heart’s in the Highlands我的心在那高原上λ William Blake威廉·布莱克1757~1827ν Songs of Innocence天真之歌ν Songs of Experience经验之歌ν America亚美利加ν Europe欧罗巴ν Milton弥尔顿ν Jerusalem耶路撒冷ν The Marriage of Heaven and Hell天堂与地狱的婚姻λ William Wordsworth威廉·华兹华斯1770~1850ν We Are Seven我们是七个ν The Solitary Reaper孤独的割麦女ν Imitations of Immortality fromRecollections of Early Childhood不朽颂ν The Prelude序曲ν Lyrical Ballads抒情歌谣集λ Samuel Taylor Coleridge塞缪尔·泰勒·科尔律治1772~1834ν The Rime of the Ancient Mariner古舟子颂ν Christabel柯里斯塔贝尔νKubla Khan忽必烈汗νFrost at Night半夜冰霜νDejection, an Ode忧郁颂ν Biographia Literaria文学传记λ George Gordon Byron乔治·戈登·拜伦1788~1824νChilde Harold’s Pilgrimage恰尔德·哈罗德尔游记ν Manfred曼弗雷德ν Cain该隐ν Don Juan唐·璜ν When We Two Parted当初我们俩分别λ Persy Bysshe Shelley波西·比希·雪莱1792~1822ν Queen Mab麦步女王ν Revolt of Islam伊斯兰的反叛ν The Cenci钦契一家ν The Masque of Anarchy, Hellas专制者的假面游行νPrometheus Unbound解放了的普罗米修斯νOde to the West Wind西风颂ν T o a Skylark致云雀λ John Keats约翰·济慈1795~1821ν On a Grecian Urn希腊古瓮颂ν Ode to a Nightingale夜莺颂ν Ode to Autumn秋颂ν To Psyche普塞克颂νOn First Looking in Chapman’s Homer初读查普曼翻译的荷马史诗有感λ Sir Walter Scott沃尔特·斯科特爵士1771~1832The Lady of the Lake湖上夫人ν Waverley威弗利ν Guy Mannering盖曼纳令ν Rob Roy罗伯·罗伊ν Ivanhoe艾凡赫ν Kenilworth肯纳尔沃斯堡ν Quentin Durward昆廷·达沃德νSt.Ronan’s Wells圣罗南之泉λ Jane Austen简·奥斯丁1775~1817ν Sense and Sensibility理智与情感ν Pride and Prejudice傲慢与偏见ν Mansfield Park曼斯菲尔德庄园ν Emma爱玛ν Northanger Abbey诺桑觉寺ν Persuasion劝导λ Charles Lamb查尔斯·兰姆1775~1834ν Tales from Shakespeare莎士比亚戏剧故事集ν John Woodvil约翰·伍德维尔The Victorian Ageλ Charles Dickens查尔斯·狄更斯1812~1870ν Sketches by Boz波兹特写ν The Posthumous Papers of the PickwickClub匹克威克外传ν Oliver Twist奥利弗·特维斯特（雾都孤儿）ν The Old Curiosity Shop老古玩店ν Barnaby Rudge巴纳比·拉奇ν American Notes美国杂记ν Martin Chuzzlewit马丁·朱淑尔维特ν A Christmas Carol圣诞颂歌ν The Chimes教堂钟声ν The Cricket on the Hearth灶上蟋蟀ν Dombey and Son董贝父子ν David Copperfield大卫·科波菲尔ν Bleak House荒凉山庄νHard Times艰难时世ν Little Dorrit小杜丽ν A Tale of Two Cities双城记ν Great Expectations远大前程ν Our Mutual Friend我们共同的朋友ν Edwin Drood艾德温·朱特λ William Makepeace Thackeray威廉·麦克匹斯·萨克雷1811~1863 ν Vanity Fair名利场ν Pendennis潘登尼斯ν The Newcomers纽克姆一家ν The History of Henry Esmond亨利·埃斯蒙德λ Charlotte Bronte夏洛蒂·勃朗特1816~1855ν Professor教师ν Jane Eyre简·爱ν Shirley雪莉ν Villette维莱特λ Emily Bronte艾米莉·勃朗特1818~1854ν Wuthering Heights呼啸山庄λ George Eliot乔治·艾略特1819~1880ν Adam Bede亚当·比德ν The Mill on the Floss弗洛斯河上的磨坊ν Silas Marner织工马南ν Romola罗慕拉ν Felix Holt菲利克斯·霍尔特ν Middlemarch米德尔马契ν Daniel Deronda丹尼尔·德龙拉λ Thomas Hardy托马斯·哈代1840~1928ν A Pair of Blue Eyes一双蓝眼睛ν The Trumpet Major号兵长ν Desperate Remedies非常手段νThe Hand of Ethelberta艾塞尔伯塔的婚姻νUnder the Greenwood Tree绿荫下ν Far from the Madding Crowd远离尘嚣νThe Mayor of Casterbridge卡斯特桥市长νTess of the D’Urbervilles德伯家的苔丝ν Jude the Obscure无名的裘德λ Alfred Tennyson阿尔弗莱德·丁尼生1809~1892ν In Memoriam悼念ν Break, Break, Break冲击、冲击、冲击ν Idylls of the King国王叙事诗λ Robert Browning罗伯特·白朗宁1812~1889ν Dramatic Lyrics戏剧抒情诗ν Dramatic Romances and Lyrics戏剧故事及抒情诗ν Men and Women男男女女ν Dramatic Personae登场人物νThe Ring and the Book环与书λ Elizabeth Barrett Browning伊丽莎白·芭蕾特·白朗宁1806~1861ν Sonnets from the Portuguese葡萄牙十四行诗ν The Cry of the Children孩子们的哭声λ John Ruskin约翰·罗斯金1819~1900ν Modern Painters现代画家ν The Seven Lamps of Architecture建筑的七盏明灯ν The Stone of Venice威尼斯石头λ Oscar Wilde奥斯卡·王尔德1856~1900ν The Happy Prince and Other Tales快乐王子故事集ν The Picture of Dorian Gray多利安·格雷的画像νLady Windermere’s Fan温德米尔夫人的扇子ν A Woman of No Importance一个无足轻重的女人ν An Ideal Husband理想的丈夫ν The Importance of Being Earnest认真的重要1900~1950λ William Butler Yeats威廉·勃特勒·叶茨1865~1939ν The Responsibilities责任ν The Wild Swans at Coole库尔的野天鹅ν The Tower钟楼ν The Winding Stair弯弯的楼梯λ John Galsworthy约翰·高尔斯华绥1867~1933ν Forsyte Saga福尔塞世家λ The Man of Property有产业的人λ In Chancery进退维谷λTo Let招租出让ν The End of the Chapter一章的结束λ James Joyce詹姆斯·乔伊斯1882~1941ν A Portrait of the Artist as a Young Man一个青年艺术家的肖像ν Ulysses尤利西斯ν Finnegans Wake芬尼根的苏醒ν Dubliners都柏林人λ Virginia Woolf弗吉尼娅·沃尔芙1882~1941ν Mrs Dalloway达洛维夫人ν To the Lighthouse到灯塔去ν The Waves浪λ David Herbert Lawrence戴维·赫伯特·劳伦斯1885~1930ν Sons and Lovers儿子与情人ν The Rainbow虹ν Women in Love恋爱中的女人νLady Chatterley’s Lover查特莱夫人的情人λGeorge Bernard Shaw乔治·伯纳·萧1856~1950νMrs Warren’s Profession华伦夫人的职业νMan and Superman人与超人ν Major Barbara巴巴拉少校ν Pygmalion匹格玛利翁ν Heartbreak House伤心之家ν The Apple Cart苹果车ν Saint Joan圣女贞德Death of a Salesman推销员之死ν The Crucible萨勒姆的女巫ν A View for the Bridge桥头眺望λ Edward Albee爱德华·阿尔比1928~ν Zoo Story动物园故事νWho’s Afraid of Virginia Woolf?谁害怕弗吉尼娅·沃尔芙？第三篇：英美文学Analysis of Robinson Crusoe2009级师范三班刘静Robinson Crusoe is written by Defoe(1660 ~ 1731), known as the father of English novel and the periodical literature.He is the father of the English novel and periodical literature, who was born in a family which was against the Anglican Protestant.His father is a businessman, doing business.His article influenced the later development of journal articles and newspaper.Because the speech, he was repeatedly arrested.At the age of 59 Defoe began writing fiction as a novelist, show remarkable ability.Robinson Crusoe Robinson is Defoe's first novel, is also one of the most famous novels.It is based on a British seaman on a deserted island alone for 4 years in exile records and creation.Robinson is the heroine of Defoe works inaccordance with their ideals and created the character, he killed out of doing business, living on a desert island for 28 years, overcome all sorts of unimaginable difficulties.He start empty-handed, develop the island, not only to their own survival, and create a new world.He was a pioneer in the image, a real asset class hero.In this figure embodies the western ocean civilization tradition, with the outward development of curiosity, desire to conquer and spirit of adventure, praised the strength quality and working spirit.The novel opens English realistic novel road.In this novel, there are so many about the Wonderful part, but two points impress: one is the author of the narrative language easy to understand.In front of the book, the author use a lot of space to introduce Robinson in the sea to sea before, whether does not listen to parents' guide, but follow the guidance of the soul, the careful psychological description, the author description most incisive.Two is a fascinating story, the protagonist of nearly thirty years of life vividly in front of us, let our eyes as if emerging from a young life.Robinson Crusoe is to let a person look after all that the most primitive, most of my books, not only because it is the wonderful, and it gives us the modern enlightenment.The most qualities I learn from Robinson Crusoe is not his hard-working and brave, but his amazing mental capacity.One can imagine, a single large living alone on a desert island life ten years, no one to accompany him, even the most basic, and a person simply talk for a while to do.The deserted island there is no house, no rice, can only rely on his own hard to create a piece of heaven and earth.The first nonwhite character to be given a realistic, individualized, and humane portrayal in the English novel, Friday has a huge literary and cultural importance.Recent rewritings of the Crusoe story, like J.M.Coetzee’s Foe and Michel Tournier’sFr iday, emphasize the sad consequences of Crusoe’s failure to understand Friday and suggest how the tale might be told very differently from the native’s perspective.Besides his importance to our culture, Friday is a key figure within the context of the nove l.Friday’s sincere questions to Crusoe about the devil, which Crusoe answers onlyindirectly and hesitantly, leave us wondering whether Crusoe’s knowledge of Christianity is superficial and sketchy in contrast to Friday’s fullunderstanding of his own god Benamuckee.In short, Friday’s exuberance and emotional directness often point out the wooden conventionality of Crusoe’s personality.Despite Friday’s subjugation, however, Crusoe appreciates Friday much more than he would a mere servant.Crusoe does not seem to value intimacy with humans much, but he does say that he loves Friday, which is aremarkable disclosure.Crusoe may bring Friday Christianity and clothing, but Friday brings Crusoe emotional warmth and a vitality of spirit that Crusoe’s own European he art lacks.This novel shows that we need to believe ourselves, where there is a will, there is e our hands, then see a new world.What is more, we are not only live ourselves in the world, we need to care about others.Be brave, andnever lose hope.第四篇：英美文学《英美文学》复习方法一、找到《英美文学》的辅导书，例如《自考一本通》《自考直通车》等类型的汉语版辅导书。
美国文学诗歌名篇翻译赏析
美国文学诗歌名篇翻译赏析第一篇：美国文学诗歌名篇翻译赏析I shot an arrow……我射出一支箭……---Henry Wadsworth LongfellowI shot an arrow into the air,我把一支箭射向空中It fell to earth I knew not where;不知它落在何方For so swiftly it flew the sight飞得那么快Could not follow it in its fight.眼睛难以追寻它的方向I breathed a song into the air,我对着天空轻轻唱歌It fell to earth I knew not where;不知它消逝在何方For who has the sight so keen and strong谁的眼光能如此敏锐犀利That can follow the flight of a song.能跟上歌声的翅膀Long, long afterwards in an oak,很久很久以后，在一棵橡树上I found the arrow still unbroke;我找到了那支箭，仍未折断And the song, from beginning to end,也发现了那支歌，自始自终I found again in the heart of a friend.在朋友的心中欢唱This poem is written in a traditional iambic form with the feet “aabb aacc ddee”.In the poem, Longfellow sings the friendship implicitly and skillfully.The arrow and the song in this poem stand for the friendship.When he shot an arrow and breathed a song into the air, he did not expect to find them any more.But many years later, he came across with the arrow and found that hissong was always in the heart of his friend.This suggests that the friendship is everlasting.I’m Nobody!我是无名之辈Emily DickinsonI’m nobody!Who are you?我是无名之辈！你是谁？Are you nobody, too?你也是无名之辈吗？Then there’s a pair of us----don’t tell!那么我们就是一对儿了！千万不要透露出去They’d banish us, you know!不然我们都会被他们驱逐，你知道。
名著：小妇人双语赏析
名著：小妇人双语赏析名著：小妇人双语赏析Little Women《小妇人》-Louisa May Alcott露意莎.梅.奥尔科特CHAPTER ONE第一章PLAYING PILGRIMS 朝圣"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug .“没有礼物圣诞节怎么过?”乔躺在小地毯上咕哝。
"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.“贫穷真可怕!”梅格发出一声叹息，低头望着身上的旧衣服。
"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff .“有些女孩子拥有荣华富贵，有些却一无所有，我认为这不公平。
”艾美鼻子轻轻一哼，三分出于轻蔑，七分出于嫉妒。
"We've got Father and Mother, and each other," said Beth contentedly from her corner.“但我们有父母姐妹，”坐在一角的贝思提出*。
The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have himfor a long time." She didn't say "perhaps never," but eachsilently added it, thinking of Father far away, where the fighting was.这句令人愉快的话使炉火映照下的四张年轻的脸庞明亮起来。
五篇优美的英语诗歌鉴赏附翻译可修改.doc
五篇优美的英语诗歌鉴赏附翻译今天我想和大家分享的是5首英语诗歌，很有节奏感，表达的意思也很美，希望大家会喜欢，下面就让我们一起来看一下吧。
Annable LeeIt was many and many a year ago，In a kingdom by the sea，That a maiden there lived whom you may knowBy the name of ANNABEL LEE;And this maiden she lived with no other thoughtThan to love and be loved by me.She was a child and I was a child，In this kingdom by the sea;But we loved with a love that was more than loveI and my Annabel Lee;With a love that the winged seraphs of heaven Coveted her and me.And this was the reason that， long ago，In this kingdom by the sea，A wind blew out of a cloud by night chilling my Annabel Lee;So that her highborn kinsman cameAnd bore her away from me，To shut her up in a sepulchreIn this kindom by the sea.The angels ，not half so happy in the heaven，Went evnying her and meYes!That was the reason***as all men know， in this kingdom by the sea***That the wind came out of the cloud，Chilling and killing my Annabel Lee.But our love it was stronger by far than the loveOf those who were older than weOf many far wiser than weAnd neither the angels in heaven above，Nor the demons down under the sea，Can ever dissever my soulfrom the soulOf the beautiful Annabel Lee.For the moon never beams without bringing me dreamsOf the beautiful Annalbel Lee;And the stars never rise but I see the bright eyesOf the beautiful Annabel Lee;And so，all the night-tide ， I lie down by the side Of my darling ， my darling ， my life and my bride，In the sepulchre there by the sea，In her tomb by the side of the sea很久很久以前，在一个滨海的国度里，住着一位少女你或许认得，她的芳名叫安娜贝尔.李;这少女活着没有别的愿望，只为和我俩情相许。
再别康桥英文对照赏析
Thank you !
• 1921年开始创作新诗。1922年返国后在 报刊上发表大量诗文。1923年，参与发 起成立新月社。加入文学研究会。 • 1924年与胡适、陈西滢等创办《现代评 论》周刊，任北京大学教授。印度大诗 人泰戈尔访华时任翻译。1925年赴欧洲、 游历苏、德、意、法等国。1926年在北 京主编《晨报》副刊《诗镌》，与闻一 多、朱湘等人开展新诗格律化运动，影 响到新诗艺术的发展。同年移居上海， 任光华大学、大夏大学和南京中央大学 教授。
The floatingheart growing in the sludge Sways leisurely under the water; In the gentle waves of Cambridge I would be a water plant! 软泥上的青荇， 软泥上的青荇， 油油的在水底招摇； 油油的在水底招摇； 在康河的柔波里， 在康河的柔波里， 我甘心做一条水草。 我甘心做一条水草。
悄悄的我走了， 悄悄的我走了， 正如我悄悄的来； 正如我悄悄的来； 我挥一挥衣袖， 我挥一挥衣袖， 不带走一片云彩。 不带走一片云彩。
徐志摩简介
• 徐志摩 （1897～1931） 现代诗人、散文家。名章 垿，笔名南湖、云中鹤等。 浙江海宁人。1915年毕业 于杭州一中、先后就读于 上海沪江大学、天津北洋 大学和北京大学。1918年 赴美国学习银行学。1921 年赴英国留学，入伦敦剑 桥大学当特别生，研究政 治经济学。在剑桥两年深 受西方教育的熏陶及欧美 浪漫主义和唯美派诗人的 影响。
That pool under the shade of elm trees Holds not water but the rainbow from the sky; Shattered to pieces among the duckweeds Is the sediment of a rainbow-like dream?
英文名著原文摘抄美段带赏析
英文名著原文摘抄美段带赏析一、引言英文名著是人类文化的瑰宝，其中许多美段令人陶醉。
阅读这些美段并加以赏析，不仅能提高我们的英语水平，还能让我们领略到作家们的才华和审美情趣。
下面，我们就来欣赏一些名著中的经典美段，并分析其魅力所在。
二、正文1.《傲慢与偏见》中的经典对白赏析“In vain have I struggled to reason with him; in vain have I endeavored to make him comprehend the difference between the pretensions of a man like Mr.Bingley, who openly avows his pursuit of another, and the more delicate attentions of a man like Mr.Darcy, who conceals his feelings under the gui se of friendship.”这段话是《傲慢与偏见》中伊丽莎白与达西先生的一次对话。
作者简·奥斯汀运用了生动的描绘手法，通过对两位主人公的内心世界的刻画，展现了当时英国社会男女关系的现状。
这段对话，伊丽莎白坦诚地表露了自己的心声，而达西则用谨慎的语言掩饰着自己的情感。
这种真挚的情感表达和细腻的心理描绘，使得这段对话成为了名著中的经典美段。
2.《了不起的盖茨比》中对人物的描绘赏析“In his blue coat, gold watch chain, and striped trousers, he was the very picture of a prosperous young businessman, but his eyes betrayed a restlessness and an eager longing for something beyond thereach of money.”这段话描绘了《了不起的盖茨比》主人公盖茨比的形象。
重要英美作家作品英汉对照
重要英美作家作品英汉对照第一篇：重要英美作家作品英汉对照重要英美作家作品英汉对照英国作家作品Edmund Spenser(1552-1599)埃德蒙·斯宾塞The Shepherds Calendar 《牧人日历》 The Faerie Queen 《仙后》Christopher Marlow(1564-1593)克里斯托弗·马洛Tamburlaine, Parts I &II 《铁木耳大帝，第一部和第二部》 The Tragical History of Dr.Faustus《浮士德博士的悲剧》The Jew of Malta《马尔他的犹太人》 Edward II《爱德华二世》“The Passionate Shepherd to His Love”《多情的牧羊人致情人歌》William Shakespeare(1564-1616)威廉·莎士比亚Henry VI《亨利六世》 Richard III《查理三世》 Henry IV《亨利四世》A M idsummer Night’s Dream《仲夏夜之梦》 As You Like It 《皆大欢喜》The Merchant of Venice《威尼斯商人》Twelfth Night《第十二夜》Romeo and Juliet《洛密欧与朱丽叶》Hamlet《哈姆雷特》Othello《奥赛罗》King Lear《李尔王》Macbeth《麦克佩斯》Cymbeline《辛白林》 The Tempest《暴风雨》The Two Gentlemen of Verona《维洛那二绅士》Timon of Athens《雅典的泰门》Francis Bacon(1561-1626)弗兰西斯·培根 The Advancement of Learning《学术的进展》 Novum Orgaum《新工具》History Of the Reign of King Henry VII《亨利七世王朝史》 The New Atlantis《新大西岛》 Essays《论说文集》“Of Studies”《论读书》John Donne(1572-1631)约翰·邓恩 The Elegies and Satires《挽歌与讽刺诗》The Songs and Sonnets《歌曲与十四行诗》“The Sun Rising”《日出》:Death, Be Not Proud”《死神莫骄傲》John Milton(1608-1674)约翰·米尔顿 Lycidas《列西达斯》Areopagitica《论出版自由》 Paradise Lost《失乐园》Paradise Regained《复乐园》 Samson Agonistes《力士参孙》John Bunyan(1628-1688)约翰·班杨Grace Abounding to the Chief of Sinners《功德无量》The Pilgrim’s Progress《天路历程》The Life and Death of Mr.Badman《培德曼先生传》 The Holy War《圣战》Alexander Pope(1688-1744)亚历山大·蒲柏Pastorals《田园诗集》The Rape of the Lock《卷发遭劫记》 The Dunciad《愚人志》An Essay on Criticism《批评论》 Essay on Man《人论》Daniel Defoe(1660-1731)丹尼尔·迪福 Robinson Crusoe《鲁宾逊漂流记》Captain Singleton《辛格顿船长》Moll Flanders《摩尔·弗兰德斯》 Colonel Jack《杰克上校》 Roxana《洛珊娜传》A Journal of the Plague Year《大疫年记》Jonathan Swift(1667-1745)乔纳森·斯威夫特 The Battle of the Books《书的战争》 A Tale of a Tub《一个木桶的故事》The Drapier’s Letters《布商的书信》 A Modest Proposal《一个温和的建议》Gulliver’s Travels《格列佛游记》Henry Fielding(1707-1754)亨利·菲尔丁The Coffee-House Politician《咖啡屋政客》 Pasquin《讽刺诗文》The Historical Register for the Year 1736《一七三六年历史纪事》 Joseph Andrews 《约瑟夫·安德鲁斯》The Life of Mr.Jonathan Wild the Great《大伟人乔纳森·威尔德传》 The History of Tom Jones, a Foundling《弃儿，汤姆·琼斯传》Amelia《阿米丽亚》Samuel Johnson(1709-1784)塞缪尔·约翰逊A Dictionary of the English Language《英语词典》Lives of the Poets《诗人传》London《伦敦》The Vanity of Human Wishes《人类欲望之虚幻》The History of Rasselas, Prince of Abyssinia《阿比西尼亚王子拉塞拉斯》“T o the Right Honorable the Eael of Chesterfield”《致切斯特菲尔德书》Richard Brinsley Sheridan(1751-1816)查理德·布林斯利·谢立丹The Rivals《情敌》The School fro Scandal《造谣学校》St.Patrick’s Day《圣·帕特立克节》 The Duenna《杜埃娜》 The Critic《批评家》Thomas Gray(1716-1771)托马斯·格雷“An Elegy Written in a Country Churchyard”《墓园挽歌》“Ode on the Spring”《春天颂》“Ode on a Distant Prospect of Eton College”《伊顿学院的遥远前景颂》“Ode on the Death of a Favorite Cat”《爱猫之死颂》“Hymn to Adversity”《逆境赞》William Blake(1757-1827)威廉·布莱克 Poetical Sketches《素描诗集》 Songs of Innocence《天真之歌》 Songs of Experience《经验之歌》The Marriage of Heaven and Hell《天堂与地域的婚姻》The Book of Urizen《尤里真之书》 The Book of Los《洛斯之书》 The Four Zoas《四个佐亚》 Milton《米尔顿》“The Chimney Sweeper”《扫烟窗的孩子》“The Tyger”《老虎》William Wordsworth(1770-1850)威廉·华兹华斯The Prelude 《序曲》An Evening Walk 《黄昏散步》 Lyrical Ballads《抒情歌谣集》Ode: Intimations of Immortality《不朽颂》 The Excursion《远足》“I Wondered Lonely as a Cloud”《我好似一朵孤独的流云》“Composed upon Westminster Bridge”《西敏寺桥上》“She Dwelt Among the Untrodden Ways”《她住在人迹罕见的路边》“The Solitary Reaper”《孤独的割麦女》Samuel Taylor Coleridge(1772-1834)塞缪尔·泰勒·柯尔勒治Remorse 《懊悔》Biographia Literaria《文学传记》“The Rime of the Ancient Mariner”《老船夫》“Kubla Khan”《忽必烈汗》“Frost at MIdnight”《午夜寒降》George Gordon Byron(1788-1824)乔治·戈登·拜伦Hours of Idleness《懒散时光》English Bards and Scotch Reviewers《英格兰诗人与苏格兰评论家》Childe Harold’s Pilgrimage《恰尔德·哈罗德游记》The Prisoner of Chillon《奇伦的囚犯》 Manfred 《曼弗雷德》 Cain《该隐》 The Island《岛》 Don Juan《唐璜》“Song for the Luddites”《献给路德派的歌》“The Isle s of Greece”《哀希腊》Percy Bysshe Shelley(1792-1822)波西·比希·雪莱 The Necessity of Atheism《无神论的必然性》Queen Mab《麦布女王》Alstor 《阿拉斯特》Julian and Maddalo《朱利安和马达洛》The Revolt of Islam 《伊斯兰的反抗》 The Cenci《钦契》Prometheus Unbound《解放了得普罗米修斯》 Adonais《安东尼斯》A Defence of Poetry《诗辩》“Ode to a Skylark”《云雀颂》“A Song: Men of England”《给英格兰人的歌》“Ode to the West Wind”《西风颂》John Keats(1795-1821)约翰·济慈Endymion《恩狄弥翁》Lamia《拉米娅》 Isabella《伊莎贝拉》The Eve of Saint Agnes《圣爱尼节前夜》“Ode on a Grecian Urn”《希腊古瓷颂》“Ode to a Nightingale”《夜莺颂》“Ode to Ps yche”《普塞克颂》“To Autumn”《秋颂》“Ode on Melancholy”《忧郁颂》Jane Austen(1775-1817)简·奥斯汀Sense and Sensibility《理智与情感》 Pride and Prejudice《傲慢与偏见》 Northanger Abbey 《诺桑觉寺》Mansfield Park《曼斯菲尔德公园》Emma《爱玛》Persuasion《劝告》The Watsons《沃森一家》Charles Dickens(1812-1870)查尔斯·狄更斯Sketches by Boz 《博兹素描》The Posthumous Papers of the Pickwick Club《匹克威克外传》Oliver Twist《雾都孤儿》David Copperfield《大卫·科波菲尔》Martin Chuzzlewit《马丁·朱述尔维特》Dombey and Son《董贝父子》A Tale of Two Cities《双城记》 Bleak House《荒凉山庄》 Little Dorrit《小多利特》Hard Times《艰难时世》Great Expectations《远大前程》Our Mutual Friend《我们共同的朋友》 The Old Curiosity Shop 《老古玩店》Charlotte Bronte(1816-1855)夏洛特·布朗蒂 Jane Eyre《简·爱》Shirley《雪莉》The Professor《教授》Emily Bronte(1818-1848)埃米莉·布朗蒂Wuthering Heights 《呼啸山庄》Alfred Tennyson(1809-1892)阿尔弗雷德·丁尼生 Poems by Two Bothers《两兄弟诗集》 In Memoriam《悼念》 Maud《毛黛》Idylls of the King《国王之歌》 Enoch Arden《伊诺克·阿登》“Break, Break, Break”《碎了，碎了，碎了》“Crossing the Bar”《过沙洲》“Ulysses”《尤利西斯》Robert Browning(1812-1889)罗伯特·布朗宁Pauline《波琳》Sordello《索德罗》Dramatic Lyrics《戏剧抒情传》Dramatic Romances and Lyrics《戏剧传奇与抒情诗》 Bell and Pomegranates《铃与石榴》Men and Women《男男女女》Dramatic Personae《登场人物》 Ring and Book《戒指与书》“My Last Duchess”《我已故的公爵夫人》“Meeting at Night”《夜会》“Parting at Moring”《晨别》George Eliot(1819-1880)乔治·艾略特Adam Bede《亚当·德比》The Mill on the Floss《弗洛斯河上的磨坊》 Silas Marner《织工马南传》 Middlemarch《米德尔马契》Daniel Deronda《丹尼尔·德伦达》Thomas Hardy托马斯·哈代Desperate Remedies《孤注一掷的措施》Under the Green Tree《绿荫下》Far from the Madding Crowd《远离尘嚣》Tess of the D’urbervilles《德伯家的苔丝》 Jude The Obscure《无名的裘德》The Dynastes《统治者》The Trumpet Major《喇叭上校》The Mayor of Casterbridge《卡斯特桥市长》The Woodlanders《林中居民》George Berard Shaw(1856-1950)乔治·萧伯纳Cashel Byron’s Profession《卡希尔·拜伦的职业》Widower’s Houses《鳏夫的房产》 Candida《堪迪达》Mrs.Warren’s Profession《华伦夫人的职业》Caesar and Cleopatra《凯撒与克利奥佩特拉》 St.Joan《圣女贞德》Pygmalion《皮格马利翁》 The Apple Cart《苹果车》Too True To Be Good《真相毕露》John Galsworthy(1867-1933)约翰·高尔斯华绥From the Four Winds《八面来风》 The Man of Property《有产业的人》 The SilverBox《银匣》The Forsyte Saga《福尔赛世家》 In Chancery《骑虎》 To Let 《出租》William Butler Yeats(1865-1939)威廉·巴特勒·叶芝The Countess Cathleen《伯爵夫人凯思琳》 Cathleen in Houlihan《凯思琳在毫里汗》The Land of Heart’s Desire《理想的国土》Purgatory《炼狱》“The Lake Isle of Innisfree”《茵纳斯弗利岛》“Down by the Salley Gardens”《走过黄柳园》T.S.Eliot(1888-1965)T.S.艾略特“The love Song of J.Alfred Prufrock”《普鲁弗洛克的情歌》The Waste Land《荒原》The Hollow Man《空心人》Ash Wednesday《灰星期三》 Four Qurtets《四个四重奏》Murder in the Cathedral《大教堂里的谋杀》The Family Reunion《家庭团圆》 The Cocktail Party《鸡尾酒会》 Confidential Clerk《心腹职员》 The Elder Statesman《资深政治家》wrence(1885-1930)戴维·赫伯特·劳伦斯 Sons and Lovers 《儿子与情人》 The White Peacock《白孔雀》 The Trespasser《侵犯者》 The Rainbow《虹》Women in Love《恋爱中的女人》Aaron’s Rod《阿伦之杖》Kangaroo《袋鼠》The Plumed Serpent《羽蛭》Chatterley’s Lover《查特莱夫人的情人》 Lady St.Mawr《烈马圣莫尔》The Daughter of the Vicar《牧师的女儿》The Horse Dealer’s Daughter《马贩子的女儿》The Captain’s Doll《上尉的偶像》James Joyce(1882-1941)詹姆斯·乔伊斯 Dubliners《都柏林人》A Portrait of the Artist as a Young Man《青年艺术家的画像》Ulysses《尤利西斯》“Araby”《阿拉比》美国作家作品Washington Irving(1783-1859)华盛顿·欧文 A History of New York《纽约外史》 The Sketch Book《见闻札记》Tales Of a Traveler《旅行者的故事》“Rip Van Winkle”《瑞普·凡·温克尔》 Bracebridge Hall《布雷斯布里奇田庄》“The Legend of Sleep Hollow”《睡谷的传说》Ralph Waldo Emerson(1803-1882)拉尔夫·瓦尔多·爱默生Nature《论自然》The American《美国学者》 Self-Reliance《论自立》 The Over-soul《论超灵》The American Scholar《论美国学者》Nathaniel Hawthorne(1804-1864)纳撒尼尔·霍桑Twice-Told Tales 《众人皆知的故事》 Mosses from Old Manse《古屋青苔》The Snow-Image and Other Twice-T old Tales《雪的形象及其他尽人皆知的故事》 The Scarlet letter《红字》The Home of the Seven Gables《有七个尖角阁的房子》The Blithedale Romance《福谷传奇》 The Marble Faun《玉石雕像》“Young Goodman Brown”《年轻的古德曼·布朗》Walt Whitman(1819-1892)华尔特·惠特曼 Leaves of Grass《草叶集》“Song of Myself”《自我之歌》“There Was a Child Went Forth”《有个天天向前走的孩子》“Cavalry Crossing a Ford”《骑兵过河》Herman Melville(1819-!891)赫尔曼·麦尔维尔Moby-Dick《白鲸》Billy Budd《比利·巴德》 Typee《泰比》 Omoo《奥穆》 Mardi 《玛地》 Redburn《雷得本》 White Jacket《白外衣》 Pierre《皮埃尔》Mark Twain(1835-1910)马克·吐温Adventures of Huckleberry Finn《哈克贝利·费恩历险记》 Life on the Mississippi《密西西比河上的生活》 Innocents Abroad《傻子出国记》 Roughing It《含辛茹苦》The Adventures of Tom Sawyer《汤姆·索亚历险记》The Gilded Age《镀金时代》A Connecticut Yankee in King Arthur’s Court《亚瑟王宫廷上的康涅狄格州美国人》The Tragedy of Pudd’nhead Wilson《傻瓜威尔逊》Henry James(1843-1916)亨利·詹姆斯The American《美国人》Daisy Miller《黛西·米勒》 The Europeans《欧洲人》The Portrait of A Lady《贵妇人的画像》 The Bostonians《波士顿人》The Princess of Casamassima《卡撒玛西玛公主》 The Private Life《私生活》 The Death of a Lion《狮之死》The Turn of the Screw《螺丝在拧紧》 The Beast in the Jungle 《丛林猛兽》 The Wing of the Dove《鸽翼》 The Ambasssadors 《大使》 The Golden Bowl《金碗》Emily Dickinson(1830-1886)艾米利·狄金森The Poems of Emily Dickinson 《艾米利·狄金森诗集》“This is my letter to the world”《这是我写给世界的信》“I Heard a Fly Buzz When I Died”《当我死的时候，我听到苍蝇嗡嗡叫》“I like to see it lap the Miles”《我爱看它舔食一哩又一哩》“Because I could not stop to death”《因为我不能停步等候死神》Theodore Dreiser(1875-1945)西奥多·德莱塞Sister Carrie《嘉利妹妹》 Jennie Gerhardt 《珍妮姑娘》 Trilogy of Desire《欲望三部曲》 The Financier《金融家》An American Tragedy《美国的悲剧》Ezra Pound(1885-1975)埃兹拉·庞德 The Cantos《诗章》The Pisan Cantos《比萨诗章》 Personae《人物》Huge Selwyn MAuberly《休·塞尔温》“In a Station of theMetro”《在地铁站》“The River-Merchant’s Wife: A Letter”《河商的妻子》Robert Lee Frost(1874-1963)罗伯特·李·弗洛斯特A Boy’s Will 《一个男孩的志向》North of Boston《波士顿以北》Mountain Interval《山间低地》New Hampshire《新罕普什尔》West-Running Brook《西去的河流》 A Witness Tree《见证树》“After Apple-Picking”《摘苹果之后》“The Road Not Taken”《没有走的路》“Stopping by Woods on a Snowy Evening”《雪夜林边驻脚》Eugene O’Neil(1874-1940)尤金·奥尼尔 Beyond the Horizon 《天外边》 The Straw《草》Anna Christie《安娜。
英美文学选读名篇中英对照 赏析 简介
Because I could not stop for Death, He kindly stopped for me;The carriage held but just ourselves And Immortality.We slowly drove, he knew no haste, And I had put awayMy labor, and my leisure too,For his civility.We passed the school, where children stroveAt recess, in the ring;We passed the fields of gazing grain, We passed the setting sun.Or rather, he passed us;The dews grew quivering and chill,For only gossamer my gown,My tippet only tulle.We paused before a house that seemed A swelling of the ground;The roof was scarcely visible,The cornice but a mound.Since then 'tis centuries, and yet each Feels shorter than the dayI first surmised the horses' heads Were toward eternity. 我无暇去会死亡爱米莉·伊丽莎白·狄更生我无暇去会死亡，死神便和善地接我前往，我只好放下劳作与闲暇，无法拒绝他的殷勤礼让。
我们一起坐上马车，还有永生陪伴身旁，我们驱车缓缓前行，他悠然自得不慌不忙。
我们经过校园，娱乐的孩子挤满操场，我们经过田野，麦穗张望，我们经过西沉的太阳。
英美文学选读考前总复习中英文版
一.What is the theme of Beowulf这首诗主题介绍了如何原始人工资在聪明和强大的领导之下的自然世界的敌对势力的英勇斗争的生动写照。
这首诗是自然界神话与英雄传说混合在一起的一个例子。
Thematically the poem presents a vivid picture of how the primitive people wage heroic struggles against the hostile forces of the natural world under a wise and mighty poem is an example of the mingling of nature myths and heroic legends.二.莎士比亚?（1）四个悲剧。
（二）四大悲剧的共同之处3请简要总结每个英雄人性的弱点。
1.莎士比亚的四个最大的悲剧是：?哈姆雷特、?奥赛罗、?李尔王、?麦克白。
2.每个描绘了一些高尚的英雄，谁面临着人类生活的不公，陷入了一个困难的局面和他们的命运与整个国家的命运息息相关。
3.每一位英雄有他的弱点的性质?；老国王李尔不愿意完全放弃他的权力?；麦克白的权欲挑起他的抱负和他会导致无休止的罪行’s four greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth. portrays some noble hero, who faces the injustice of human life and is caught in a difficult situation and whose fate is closely connected with the fate of the whole nation. 3. Each hero has his weakness of nature; the old king Lear who is unwilling to totally give up his power; and Macbeth’s lust for power stirs up hisambition and leads him to incessant crimes三.试论莎士比亚的艺术的创作。
英语文学美文带翻译欣赏
英语文学美文带翻译欣赏英语文学美文带翻译欣赏篇一Hate(E某cerpt)仇恨(节选)Hendrik Willem Van Loon亨德里克·威廉·房龙Suddenly the war was over, and Hitler was captured and brought to Amsterdam. A militarytribunal condemned him to death. But how should he die? To shoot or hang him seemed tooquick, too merciful. Then someone uttered what was in everybody’s mind: the ma n who hadcaused such incredible suffering should be burned to death.战争忽然结束，希特勒抓到了，押解到阿姆斯特丹。
军事法庭判他死刑。
可怎么个死法?枪毙了吧，上绞刑架吧，都未免死的太快、太便宜了他。
后来，不知是谁说出了大家的心里话：此人造成的苦难简直令人难以置信，应该把他烧死。
“But,” objected one judge, “our biggest public square in Amsterdam holds only 10,000 people,and 7,000,000 Dutch men, women and children will want to be there to curse him during hisdying moments.”“可是，”有一名法官不赞成，“我们阿姆斯特丹最大的广场也只能容纳万把人，可他要死了，到时候男男女女，少小娃子，是荷兰人谁不想上前去咒他一句，总得有700万人啊。
”Then another judge had an idea. Hitler should be burned at the stake, but the wood was to beignited by the e某plosion of a handful of gunpowder set off by a long fuse which should start inRotterdam and follow the main road to Amsterdam by way of Delft, The Hague, Leiden andHaarlem. Thus millions of people crowding the wide avenues which connect those cities couldwatch the fuse burn its way northwardto Herr Hitler’s funeral pyre.于是又一名法官出了个点子，希特勒应该绑在火刑架上烧死，不过木柴要拿一把火药来点着，火药用一根长引线来引爆，引线应该从鹿特丹牵起，然后沿着主干公路，走德尔夫特、海牙、莱登、哈勒姆，再接到阿姆斯特丹。
中英文双语阅读6文学英语赏析
My Wonderful Lousy Poem 我那首美妙而糟糕的小诗When I was eight or nine years old, I wrote my first poem.At that time my father was head of Paramount Studios. My mother was involved in various intellectual projects.My mother read the little poem and began to cry. “Buddy, you didn’t really write this beautiful, beautiful poem!” I stammered that I had. She poured out her praise.“Why, this poem was nothing short of genius!”I glowe d. “What time will Father be home?” I asked. I could hardly wait to show him.I spent the best part of that afternoon preparing for his arrival. First, I wrote the poem out in my finest flourish. Then I crayoned an elaborate border around it that would so justice to its brilliant content. As seven o’clock drew near, I confidently placed it on my father’s plate on the dining-room table.I admired my father. He had begun his motion-picture career as a writer. He would be able to appreciate this wonderful poem of mine even more than my mother.This evening when my father burst in, his mood seemed even more thunderous than usual. An hour late for dinner, he could not sit down but circled the long dining-room table with a drink in his hand, calling down terrible oaths on his employees.He wheeled in his pacing, paused and glared at his plate. There was a suspenseful silence. “What is this? ” He was reaching for my poem.I kept my face lowered to my plate as he read that poem. It was only ten lines. But it seemed to take hours.I remember wondering why it was taking so long. I could hear my father breathing. Then I could hear him八九岁时候，我写出了生平第一首诗。
英文名著原文摘抄美段带赏析
英文名著原文摘抄美段带赏析一、引言英文名著是世界各地读者的心头好，它们不仅代表了英语文学的高峰，更是人类智慧的结晶。
阅读这些名著，不仅能提升我们的文学素养，还能让我们体会到世界各地的文化差异。
而摘抄其中的美段，更是让我们深入品味这些经典作品的捷径。
今天，就让我们一起来欣赏一些英文名著中的美段，并学习如何从中汲取营养，丰富我们的写作技巧。
二、名著美段赏析1.《傲慢与偏见》中的经典对白《傲慢与偏见》是简·奥斯汀的代表作之一，讲述了贵族家庭的五个女儿在成长过程中所经历的爱情、亲情和友情。
其中，伊丽莎白与达西先生的经典对白堪称爱情小说中的佳作。
例如：“In vain I have struggled to convey to you the sense of what I felt then.In vain I have tried to express the depth and strength of my love for you.You will n ever understand.”（我试图向你传达我当时的感觉，但我深知，你永远无法理解我对你的热爱之深。
）2.《了不起的盖茨比》中对财富与梦想的描绘弗·斯科特·菲茨杰拉德的《了不起的盖茨比》讲述了20世纪20年代美国社会的繁华与衰败。
其中，对财富与梦想的描绘让人印象深刻。
例如：“Their eyes were watching God.”（他们的眼睛都在注视着上帝。
）3.《简爱》中的自我价值观念表达夏洛蒂·勃朗特的《简爱》是一部讲述女性自我奋斗与独立精神的小说。
其中，简爱对自我价值的坚定信念让人敬佩。
例如：“I am my own woman, and I demand to be treated as such.”（我是自己的女人，我要求别人尊重我。
）4.《红与黑》中对社会阶层的揭示法国作家司汤达的《红与黑》讲述了法国复辟王朝时期的社会风貌。
英语-英美文学选读-重点分析
学习目标1. The Romantic Period (1798-1832)浪漫主义2. The Victorian Period(1836-1901)维多利亚时期3. The Romantic Period in American Literature浪漫主义时期The Romantic Period (1798-1832)浪漫主义The Romantic period is an age of poetry.浪漫主义时代也是诗歌的时代。
The Romantic Period (1798-1832)浪漫主义浪漫主义代表诗人布莱克William Blake，华兹华斯Wordsworth Wordsworth，科勒律治Coleridge，拜伦Byron，雪莱Percy Bysshe Shelley及济慈John KeatsThe Romantic Period (1798-1832)浪漫主义William Blake威廉.布莱克Songs of Innocence 《天真之歌》Songs of Experience《经验之歌》The Romantic Period (1798-1832)浪漫主义William BlakeMarriage of Heaven and Hell《天堂与地狱的结合》It plays the double role both as a satire and a revolutionary prophecy.布莱克的《天堂与地狱的结合》一诗标志着他创作上的成熟，并担负了讽喻与革命预言的两重角色。
The Romantic Period (1798-1832)浪漫主义William Wordsworth威廉.华兹华斯：Wordsworth defines the poet as a“man speaking to men,”and poetry as“the spontaneous overflow of powerful feelings, which originates in emotion recollected in tranquility.”华兹华斯认为诗人是对着广大人民讲话的人，而诗歌是强烈情感的自发流露，发乎情，止乎静。
中英文双语阅读4文学英语赏析
中英文双语阅读4文学英语赏析PapeｒPｉllｓ纸球He wasａｎolｄmaｎwiｔh ａｗhitｅｂｅard and hugｅnose ａnd hanｄs、Lｏｎg bｅｆorｅｔh ｅtiｍｅdurinｇwｈｉｃｈwe will know him, hｅwaｓa doctorａnd ｄrove ａｊaded ｗhitｅｈor ｓe from ｈouse to ｈoｕｓe throuｇh ｔhe sｔreeｔs of W ｉnｅsbｕrｇ、Laｔeｒhe maｒｒｉｅd a girl whｏha ｄmoｎey、Sｈe ｈad bｅen left a large ｆeｒtｉleｆａrm when ｈer faｔheｒdied、The gｉrl wasｑu ｉeｔ，ｔall，aｎd darｋ, andｔo ｍaｎｙpeｏｐｌe she sｅemeｄveｒy bｅaｕtｉｆul、Eｖｅryone iｎWinesbu ｒｇwonderｅｄwhy ｓhｅｍaｒｒieｄtｈｅdocｔoｒ、Witｈin a year aｆtｅr ｔhｅmarrｉａge ｓｈｅdieｄ、Theｋnｕcｋｌes oｆthe doctor＇sｈａnds ｗere extraｏｒｄinａrｉｌy lａrge、Wｈeｎthe hands ｗere ｃlｏseｄthey looked liｋe ｃlｕsteｒs of unpａｉｎted wooden bａllｓaｓｌaｒge as w ａlｎuts fasｔｅned togeｔｈer by ｓteel ｒodｓ、Ｈe ｓmｏked a cｏｂpipe ａnd afｔer hiｓwife'sｄeath saｔall daｙin his eｍｐｔy offｉｃe clｏsｅbｙa windoｗｔｈaｔwas coveｒｅd with cｏbwebs、Ｈe never openeｄthｅｗｉndow、Onｃe ｏn a hot day in August ｈｅtrｉed but found it stucｋfａst ａnｄafter tｈａt he fｏrgot allａbｏｕt it、Winesburg had forgotten the old man, bｕt ｉn ＤoctoｒRｅefy tｈere wｅre thｅseedｓｏf soｍethｉｎｇveｒｙfｉnｅ、Ａlone in his mｕsty offｉce in tｈｅHeffnｅr Bｌoｃk abｏｖeｔhe ParisＤry Gｏods paｎy＇ｓｓtore，ｈｅworked cｅasｅｌesｓly, ｂｕildiｎｇup sometｈing thａt ｈe hｉmsｅlf deｓｔr ｏyed、Liｔtle pyｒaｍｉdsｏｆｔruth he erectｅd anｄafter erecｔing knｏｃked ｔheｍｄｏｗn again thａt he miｇht ｈave tｈe truths tｏｅrect other ｐyramiｄs、Doｃtor Reeｆy waｓ a talｌｍａn whｏhad worｎone suit o ｆｃlｏｔhes for tｅn yｅarｓ、Ｉt wａs ｆrayｅd at tｈe sleeves ａｎd little holeｓhad ａppeａred aｔthｅknｅes ａnd elbｏｗｓ、Ｉn the oｆfiｃe he woｒe aｌｓo a linｅn duster wｉth hugeｐo ｃkets ｉnto which he conｔinually stuｆfed scraｐs ｏf ｐaｐer、Afｔeｒsome weeks tｈe scrapｓofｐaｐｅr becam她就是一个白胡子老人,鼻子与手都很大。
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Because I could not stop for Death, He kindly stopped for me;The carriage held but just ourselves And Immortality.We slowly drove, he knew no haste, And I had put awayMy labor, and my leisure too,For his civility.We passed the school, where children stroveAt recess, in the ring;We passed the fields of gazing grain, We passed the setting sun.Or rather, he passed us;The dews grew quivering and chill,For only gossamer my gown,My tippet only tulle.We paused before a house that seemed A swelling of the ground;The roof was scarcely visible,The cornice but a mound.Since then 'tis centuries, and yet each Feels shorter than the dayI first surmised the horses' heads Were toward eternity. 我无暇去会死亡爱米莉·伊丽莎白·狄更生我无暇去会死亡，死神便和善地接我前往，我只好放下劳作与闲暇，无法拒绝他的殷勤礼让。
我们一起坐上马车，还有永生陪伴身旁，我们驱车缓缓前行，他悠然自得不慌不忙。
我们经过校园，娱乐的孩子挤满操场，我们经过田野，麦穗张望，我们经过西沉的太阳。
或许该是夕阳经过我们吧，露珠抖动，略显苍凉，只为我的面纱、斗篷，还有我薄丝织就的衣裳。
我们经过一个隆起的土堆，那似乎是一座住房，屋顶几乎无法看见，屋架也在地下埋藏。
感觉比一天还要短暂，虽然自此千万年岁月漫长，我初次产生这种猜测：永恒正是马头所向。
Type of Work“Because I Could Not Stop for Death” is a lyric poem on the theme of death. The contains six stanzas, each with four lines. A four-line stanza is called a quatrain. The poem was first published in 1890 in Poems, Series 1, a collection of Miss Dickinson's poems that was edited by two of her friends, Mabel Loomis Todd and Thomas Wentworth Higginson. The editors titled the poem "Chariot."Commentary and Theme“Because I Could Not Stop for Death” reveals Emily Dickinson’s calm acceptance of death. It is surprising that she presents the experience as being no more frightening than receiving a gentleman caller—in this case, her fiancé (Death personified).The journey to the grave begins in Stanza 1, when Death comes calling in a carriage in which Immortality is also a passenger. As the trip continues in Stanza 2, the carriage trundles along at an easy, unhurried pace, perhaps suggesting that death has arrived in the form of a disease or debility that takes its time to kill. Then, in Stanza 3, the author appears to review the stages of her life: childhood (the recess scene), maturity (the ripe, hence, “gazing” grain), and the descent into death (the setting sun)–as she passes to the other side. There, she experiences a chill because she is not warmly dressed. In fact, her garments are more appropriate for a wedding, representing a new beginning, than for a funeral, representing an end.Her description of the grave as her “house” indicates how comfortable she feels about death. There, after centuries pass, so pleasant is her new life that time seems to stand still, feeling “shorter than a Day.”The overall theme of the poem seems to be that death is not to be feared since it is a natural part of the endless cycle of nature. Her view of death may also reflect her personality and religious beliefs. On the one hand, as a spinster, she was somewhat reclusive and introspective, tending to dwell on loneliness and death. On the other hand, as a Christian and a Bible reader, she was optimistic about her ultimate fate and appeared to see death as a friend. CharactersSpeaker: A woman who speaks from the grave. She says she calmly accepted death. In fact, she seemed to welcome death as a suitor whom she planned to "marry."Death: Suitor who called for the narrator to escort her to eternity.Immortality: A passenger in the carriage.Children: Boys and girls at play in a schoolyard. They symbolize childhood as a stage of life. Text and NotesBecause I could not stop for Death,He kindly stopped for me;The carriage held but just ourselvesAnd Immortality.We slowly drove, he knew no haste,And I had put awayMy labor, and my leisure too,For his civility.We passed the school, where children stroveAt recess, in the ring;We passed the fields of gazing grain,We passed the setting sun.Or rather, he passed us;The dews grew quivering and chill,For only gossamer my gown,1My tippet2 only tulle.3We paused before a house4 that seemedA swelling of the ground;The roof was scarcely visible,The cornice5 but a mound.Since then 'tis centuries,6 and yet eachFeels shorter than the dayI first surmised the horses' headsWere toward eternity.Notes1...gossamer my gown: Thin wedding dress for the speaker's marriage to Death.2...tippet: Scarf for neck or shoulders.3...tulle: Netting.4...house: Speaker's tomb.5...cornice: Horizontal molding along the top of a wall.6...Since . . . centuries: The length of time she has been in the tomb.MeterIn each stanza, the first line has eight syllables (four feet); the second, six syllables (three feet); the third, eight syllables (four feet); and the fourth, six syllables (three feet). The meter alternates between iambic tetrameter (lines with eight syllables, or four feet) and iambic trimeter (lines with six syllables, or three feet). In iambic meter, the feet (pairs of syllables) contain an unstressed syllable followed by a stressed syllable. (For detailed information on meter, click here.) The following example demonstrates the metric scheme........1..................2...............3.. (4)Be CAUSE..|..I COULD..|..not STOP..|..for DEATH,......1..................2.. (3)He KIND..|..ly STOPPED..|..for ME;........1.................2.................3. (4)The CARR..|..iage HELD..|..but JUST..|..our SELVES....1..............2 (3)And IM..|..mor TAL..|..i TY.End Rhyme.......The second and fourth lines of stanzas 1, 2, 4, 5, and 6 rhyme. However, some of the lines contain only close rhymes or eye rhymes. In the third stanza, there is no end rhyme, but ring (line 2) rhymes with the penultimate words in lines 3 and 4.Internal Rhyme.......Dickinson also occasionally uses internal rhyme, as in the following lines:The carriage h el d but just ours el ves (line 3)We sl ow ly dr o ve, he knew n o haste (line 5)We passed the fields of g a zing gr ai n (line 11)The dews grew quivering and chill (line 14)Symbols.......In the fourth stanza, the school symbolizes the morning of life; the grain, the midday of life and the working years; the setting sun, the evening of life and the death of life. Figures of Speech.......Following are examples of figures of speech in the poem. (For definitions of figures of speech, click here.)AlliterationBe c ause I c ould not stop for Death (line 1)he kn ew n o haste (line 5)M y l abor, and m y l eisure too (line 7)At r ecess, in the r ingg azing g rain (line 11)s etting s un (line 12)For only g ossamer my g own (line 15)My t ippet only t ulle (line 16)t oward e t erni t y (line 24)AnaphoraWe passed the school, where children stroveAt recess, in the ring;We passed the fields of gazing grain,We passed the setting sun. (lines 9-12)ParadoxSince then 'tis centuries, and yet eachFeels shorter than the dayI first surmised the horses' heads (lines 21-23)PersonificationWe passed the setting sun.Or rather, he passed us (lines 12-13)Comparison of the sun to a personDeath is personified throughout the poem========================================30. Dickinson’s poems are usually based on her own experience, her sorrows and joys.狄金森的诗都是根据自己的经历和悲欢而创作的。