邵逸夫一代娱乐教父的传奇简历中英双语
邵逸夫
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Contents
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Who is Run Run Shaw? How did he get rich? A great philanthropist Achievements in his life
Who is RUN RUN SHAW?
Born in Ningbo, Zhejiang, China in 1907. His father is a boss of a famous paint company in Shanghai Chairman of TVB(Television Broadcasts Limited). A Hong Kong media mogul. Stably ranked in the rich list of HK
Achievements in his life
百年传奇--邵逸夫
百年传奇--邵逸夫2014-01-07邵逸夫•原名邵仁楞，号逸夫，香港知名的电影制作人、娱乐业大亨、慈善家，生于大清浙江宁波镇海，父亲是上海锦泰昌颜料公司的老板邵行银。
图为年轻时的邵逸夫•邵家八兄弟姐妹中，他排行第六，旧上海时代人称“邵老六”，来港后尊称“六叔”。
50年代，六叔勤奋见称，当年在南洋带着菲林及放映机东奔西走放映作品，因而有人唤他作“RunRun”，随后创立了电影王国。
邵邨人、邵仁枚、邵逸夫，摄于上世纪50年代在天一公司，邵家老二负责编剧、制片，老三和邵逸夫负责发行，此外邵逸夫还担任过摄影。
发妻黄美珍（左）第二任妻子方逸华（右）•60年代，邵逸夫毕生红颜众多，但只有两段婚姻，对发妻黄美珍（左）更赞不绝口：“她understand my life！好幸福。
”至于第二任妻子方逸华（右），六叔跟她相处逾半世纪，恩爱不减当年。
60年代，邹文怀（右）曾是六叔头号爱将，两人像拍档多过宾主，后来邹文怀另起炉灶创立嘉禾，变成两雄对峙局面。
70年代，“我是天生钟意看电影的。
”六叔试过一天看9部电影，几乎所有国家的电影都看遍。
70年代，处事严谨、亲力亲为乃六叔（左二）天性，连试镜选角都亲自审核，从不假手于人。
70年代，邵氏王国当年雄霸亚洲电影市场，更捧红无数明星，丁红、杜娟、范丽等名字响彻亚洲。
1950年，邵逸夫于1932年迎娶黄美珍，两人育有四名子女：维铭、素雯、素云及维钟，至今儿孙满堂。
1960年，李丽华和严俊主演的邵氏电影《杨贵妃》于中环皇后戏院首映，六叔邀当时的港督柏立基（左）担任嘉宾。
1962年，著名影星尤伯连纳（YulBrynner中）访港参观邵氏影城，六叔与邹文怀（右）亲迎做导游。
1966年，六叔于1958年成立邵氏兄弟（香港）有限公司，先后掀起黄梅调及武侠片热潮，一手捧红无数影星。
1967年11月19日，无线电视TVB正式启播，正是六叔（左一）的60大寿，港督戴麟趾（前）任剪彩嘉宾。
1975年，邵氏全盛时期粒粒皆星，汪禹、井莉、岳华、谷峰等齐穿戏服合照晒冷，六叔颇有君临天下之势1983年，选港姐是盛事，出炉三甲翌日接受六叔颁支票奖金是指定动作，且看稚气未脱的张曼玉（右），多么教人怀念的80年代！1988年，三藩市将9月8日定为“邵逸夫日”表扬其贡献，并由出炉全美玫瑰皇后郭秀云代表市长向六叔呈送纪念牌及证书。
邵逸夫
邵逸夫：兩個女人成就的一代傳奇影視大亨1952, 邵逸夫聽方逸華唱歌時, 她比他小了整整24歲. 1997年5月6日, 90歲的邵逸夫與62歲的方逸華在美國拉斯維加斯正式注註冊結婚.*邵逸夫：兩個女人成就的一代傳奇影視大亨*邵逸夫是一位傳奇人物，拍攝了中國第一部有聲電影，見證了中國電影從默片到有聲、從黑白到彩色的全部歷史。
同時，他以個人財產成立“邵氏基金” ，為內地教育事業捐款達25億港元，加之他在英國、美國、新加坡及香港等地的巨額捐贈，在古今捐資助學史上可稱當之無愧的第一人。
更讓人稱奇的是，邵逸夫不僅人生傳奇，他的愛情故事也像他的公司拍出來的電影一樣，充滿了浪漫的傳奇色彩……*與前輩女友一見鍾情，衝破世俗走進第一次婚姻***邵逸夫祖籍寧波，1907 年，出生于上海一個富有家庭，父親邵玉軒育有5男3女，邵逸夫在兄弟姐妹中排行第六，所以後來被香港影視圈尊稱為“六叔”。
邵逸夫從小天資聰穎，尤其痴迷于戲劇與電影。
那時，他最大的夢想是能在電影行業中大展身手。
因為家道中落，1926 年，剛從中學畢業的邵逸夫，應三哥邵仁枚之邀，南下新加坡，開始涉足電影業。
在新加坡和馬來西亞，邵氏兄弟親自扛著放映機和影片，在烈日下長途跋涉，深入到華僑眾多的農場去放露天電影。
那時的電影放映設備很落後，要用手工一格格地搖片子，一場電影放下來，累得腰酸手痛，但邵逸夫硬是咬咬牙挺了過來。
兄弟兩用了幾年時間，走遍了新加坡和馬來西亞的大小鄉鎮，漸成名氣。
當時，新加坡最聞名的富豪余東璇十分賞識邵氏兄弟，邀請他們到家中做客。
那天，他們應邀來到余府，余東璇親自出門迎接，身旁還站著一位身著白色連衣裙、清新脫俗、氣質高貴典雅的美貌女子。
余東璇介紹說：這是黃美珍小姐。
飯後，余東璇請邵仁枚在書房談業務合作意向，就讓黃美珍陪邵逸夫到花園中遊玩。
兩個年輕人在花園中邊走邊天南地北地聊了起來，他們聊得最多的是電影。
一席忘情的暢敘，彼此都覺得有很多共同話題，大有相見恨晚之感。
邵逸夫人生传奇
氏兄 弟 带 着一 架 破 旧 的无 声 放 映机 和
一
部有声 电影 《 白金龙》，轰动一方 。
这部电影为邵逸 夫大规模进行 电影
天 “ 天一 ”成立 之初 ，清一 色是 家族 “ 一 ”影片 ，在 举 目无 亲 的南洋 乡村
万元 ，仅 班底 ：老 大邵醉翁 是制 片兼导演 ，老二 巡 回放映 ，并 开设游 艺场和 电影 院。他 制作轰 开了道路 ，影 片成本 １
一
公司 的新 电影 。
舞 ，之 后一 口气 拍 出 《 女侠 李 飞飞》 、
１３ ９ １年 ，邵 逸夫 前 往美 国购买 有 哇 、越南 、婆罗州 等东南 亚各地 已拥有
２ 农 家之友 ８
２ １．６Leabharlann ０ ０ ２古今传奇・ 人轶事 名
电影 院 １０多家 和 ９家游 乐场 ，并建 立 形成一张 巨大的发行 网络 。７ １ ０年代 ，邵 出品 ，必属佳片 ”此话绝非诳语 。 了完 整的 电影发 行 网 ，称 雄东 南亚影 业 氏影 院开始 闯入世 界影 片市场 ，先后 在 市场 。当时 “ 一”在上 海 ，邵 氏兄 弟 美国 、加拿 大与欧洲若干国家 自建戏 院， 天 同打造邵 氏家族 的电影王 国。
讲 。 板” 。他 早年 就读 于 家乡庄 市 叶 氏 中兴 后 ，邵 逸 夫 几 乎 干 遍 了天 一 公 司 的 所 有 回所 需 的 “ 话 机 器 ”
学校 ，与包玉 刚 、包从 兴 、赵安 中等为 部 门。正是这种全 面 的基 本训练 ，使他 办 的英 文 学校 “ 年会 中学” 青 ，为此 练 倒他 ！ 就 一 口流利 的英语 。邵家 四兄弟都 没有
散尽千金济众生
多年来 ，邵逸 夫一直 稳居香 港超 级
16_Bruce Lee
Bruce LeeBruce Lee was born in 1940 in San Francisco, California while his father, an opera singer from Hong Kong, was on tour there. According to the Chinese calendar, Lee was born during the Hour of the Dragon in the Year of the Dragon, so his family often called him "Little Dragon." But young Bruce was not like his nickname. He was actually a weak, sick child.His parents gave him the English name "Bruce" for his American birth certificate. Bruce's Chinese name was Li Jun Fan, which is a girl's name. His parents were very superstitious and gave Bruce a girl's name to trick the evil spirits. One of their sons had died before Bruce was born, and they were afraid Bruce would die too. Bruce's mother even pierced one of his ears so the spirits would think he was a girl.In 1941, the Lee family returned to Hong Kong. Bruce's father knew some important people that worked in the movie business. They helped Bruce Lee to become a child movie star. Bruce acted in his first movie when he was only six years old. By the time he was 18, he had appeared in 20 movies. In the movie The Orphan, Bruce played a gang member who was always in trouble. This was very much like his real life. Bruce didn't like to study and he got into trouble so often that he wasthrown out of school. He spent most of his time in the streets fighting with other kids.As a child, Bruce was small, thin, and weak and wore eyeglasses. Other boys bullied him, so he needed to protect himself. When he was about nine, he started taking lessons in an ancient Chinese way of fighting called kung fu. He practiced every day, and soon he thought about nothing else. Bruce became a better fighter, but knowing kung fu also got him into trouble. One day he was arrested after he was in a serious fight where some people were hurt. At that point, his parents decided to send him to America. They hoped he would stay out of trouble there.When Bruce Lee arrived in the United States at age 18, his life changed completely. At first, he gave dance lessons in San Francisco's Chinatown. Then he moved to Seattle, Washington, where his father's friend owned a restaurant. Lee worked as a waiter in the evenings. During the day, he went to school and earned his high school diploma. Then he went to the University of Washington to study philosophy. After a while, he started teaching kung fu, and later opened his own school.At first, Lee only taught other Asians. But eventually he opened his school to everyone. Some traditional Chinese people,or elders, were angry about this because traditionally the Chinese didn't teach their fighting secrets to non-Asians. They challenged Lee to fight with one of their kung fu experts. They were amazed when Lee won. The elders never troubled him again.In 1964, Lee married one of his kung fu students, Linda Emery. They had two children, Brandon and Shannon. In 1964, Lee also won a prestigious international martial arts championship. A lot of people began to notice Lee. Everyone was amazed by his incredible speed and power. Lee developed a unique style of kung fu. He also concentrated on building up his body. Lee believed that meditation and concentration were just as important as exercise. He read every book he could find on all types of hand-to-hand fighting. He ran, lifted weights, and did everything he could to improve his physical fitness. While he ate, he would hit his hand on the empty chair next to him to make it stronger. He did sit-ups while he watched television. He even kicked and punched in his sleep. He drank flower tea and different kinds of high-protein drinks. One way that he made high-protein drinks was to put steaks into a blender. In restaurants, Lee usually ordered two meals. His favorite meal was beef with oyster sauce. He also took huge amounts of herbsand vitamins. At parties he did push-ups using only one finger and he proudly took off his shirt when people asked to see his muscles.In 1965, a television producer who saw Lee perform at the Long Beach Championships contacted him. He offered Lee the part of Kato, a crime fighter in the television series The Green Hornet.Lee was thrilled, and he accepted immediately. Unfortunately, The Green Hornet was only on television for six months. Lee was very popular, but it was hard for him to find other jobs. There were very few roles for Asians in Hollywood at that time. Lee was desperate because he needed to support 11is family. Finally, he decided to return to Hong Kong to make movies there.In Hong Kong, Bruce Lee was already a star. The Green Hornet was on television there and his old movies were still in the theaters. A Hong Kong producer immediately offered Lee a starring role in a movie called The Big Boss. Then Lee made Fists of Fury,which was an incredible success everywhere in Asia. After that, he decided to make his own movie. He was the writer, star, and director of The Way of the Dragon. At that time, it was the most successful Asian movie in history.Lee was both a superstar and a hero to his Asian audiences.Lee did all his own fight scenes, which was unusual. His movements were so fast that he had to slow down for the movies. If he moved at his normal speed, his arms and legs would be a blur on the screen. In his movies, Lee always played the average person fighting for people's rights. Sometimes he fought against foreign invaders; other times he defended a town against drug dealers. His movies always gave people hope and pride. The people in the audience often stood up and cheered at the end.Soon after, a Hollywood studio offered to produce Lee's next movie, Enter the Dragon. It was a dream come true for Lee. Things were going very well for him, but life as a celebrity was very hard. Crowds of fans followed him wherever he went. He had a beautiful mansion in Hong Kong with an eight-foot stone wall around it so nobody could climb over. Every room was locked to prevent people from stealing. He worked very long hours and he missed his family. Lee started to talk about retiring soon, so he would be able to relax and spend more time with his family.Only three weeks before Enter the Dragon was going to open in movie theaters, Lee died suddenly. He was only 32 years old. The cause of death was an unusual swelling of the brain. Lee was in perfect physical condition, so people were shockedby his sudden death. They began to spread rumors about him. Some people said Lee was still alive and would come back some day. Others said envious kung fu masters had killed him. Others said there was a curse on him. Sadly, this seemed to be true when Lee's only son also died young. At age 28, Brandon Lee was accidentally shot during the filming of a movie.Kung fu was almost unknown outside of Asia before Lee amazed his audiences with his almost supernatural abilities. After his death, Bruce Lee became a legend. Enter the Dragon was a huge international success and martial arts became popular all over the world.pierce vt. to make a small hole in or through something, using an object with a sharp point刺穿gang n. a group of young people who spend time together, and who are often involved in crime or drugs and whooften fight against other groups(闹事的青少年)一群，一伙bully vt. someone who uses their strength or power to frighten or hurt someone who is weaker 欺负blur n. a shape that you cannot see clearly 模糊swelling n. an area of your body that has become larger thannormal, because of illness or injury肿瘤rumor n. information or a story that is passed from one person to another and which may or may not be true谣言；传闻envious adj. wanting something that someone else has忌妒的；羡慕的supernatural adj. impossible to explain by natural causes, andtherefore seeming to involve the powers ofgods or magic 超自然的；神奇的参考译文：李小龙1940年，李小龙出生在加利福尼亚州的旧金山，他的父亲是个香港歌剧演员，当时正在那里巡回演出。
邵逸夫···
六叔是谁？六叔在香港，名叫邵逸夫。
宁波镇海人，父亲是上海锦泰昌颜料公司的老板邵行银，邵家八兄弟姐妹，他排行第六，故人称“六叔”。
中国内地遍地都是的名叫逸夫楼的建筑大都是由他捐建，自上世纪八十年代中期开始，他几乎年年捐出过亿元，到今天，他合共同捐出三十几个亿，他常对人施恩，比如当年帮助顾嘉辉留学美国，不但做了他的担保人，还照顾他香港家人的生活，一个月给五百块让他安心读书，但做公司却极为小气，几乎到了锱铢必究的地步，从邵氏时代到TVB时代，他手下的艺人从来拿的是全世界最低的工资，低到让人笑话，他也不管，因为他算得精，你们拿着低工资好赖混个脸熟，那不是也有了登台做秀拍广告的机会啦。
“那不是钱么！”TVB的主管这么对人说。
工作狂最多一日看9部电影，一年700多部旗下明星无数，他纵横香港娱乐圈三十余年，电影王国邵氏不用说，后来成立TVB，更成垄断，这个电视台差不多影响了绝大多数香港人四十年的生活，事业如此成功，最大的原因是什么？也许来源于这个男人无限狂热的工作热情。
有人曾经问六叔，生命中什么最重要？他答工作。
第二重要呢？还是工作。
蔡澜回忆邵老板年轻时精力旺盛，每天只睡5小时，下午小睡一个钟，其余时间全都用来看电影。
“最高纪录，一日看过九部。
”一年要看700多部电影，还说：“我是天生钟意看电影。
”六淑的勤力出了名，事业这么成功，他还是一样谦虚：“我很勤力，又有运气，相士说我发财是因为我是木型，瘦瘦高高像一枝木。
”当然，六叔最牛的还不是这两点，而是他70岁时还有40岁时的容貌，八十几岁还能担任上市公司主席，快一百岁的时候还爱拉着港姐的小手说“你好白净”——真正的异人。
所以很多人乐于追踪他的回春术，从前他常吃人参，一年要吃四支上好人参，当时的人参价格就高达几万元一枝。
自从1977年他拜师练气功后，就停止进食人参，每天清晨5时半起床后锻炼2小时，他练气功后“身子变得轻”，而且“一练，三分钟之内一身都热了”。
除了早睡早起练气功，他平时生活非常规律，简单朴素，不讲究名牌，同时，他也保持了对生活的热情——具体来说就是对美女的热情。
邵逸夫
In 1957, the Space Age began as the Soviet Union launched Sputnik, the
In 1958, the first trans-Atlantic passenger jetliner service was begun by British Overseas Airways Corporation (BOAC) with flights between London and New York.
In 1976, agriculture secretary Earl Butz resigned in the wake of a controversy over a joke he'd made about blacks.
In 1978, funeral services were held at the Vatican for Pope John Paul the First.
In 1777, George Washington's troops launched an assault on the British at Germantown, Pennsylvania, resulting in heavy American casualties.
In 1822, the 19th president of the United States, Rutherford B. Hayes, was born in Delaware, Ohio.
“我的财富取之于民众，应用回到民众”。
邵逸夫从1985年开始，截至目前，通过教育部向内地捐款41亿2千万港元。建设邵逸夫楼5709栋。41亿港元不包括他之前没有通过教育部向内地捐款的数目，也没包括他捐助的其他事业，当然也不包括邵逸夫奖。2008年中国四川发生汶川地震，邵逸夫捐款一亿。2009年香港地区特大水灾，邵逸夫捐款一亿。为援助台湾“8.8水灾”，邵逸夫委托其夫人到赈灾晚会现场捐款1.08亿新台币。2010年4月14日青海玉树大地震邵逸夫捐款1亿港币！
4725260_“娱乐之王”邵逸夫的传奇一生
76Jan16 - Jan31,2014WORLD VISION 2014.NO.02旅游香港知名的影视制作人、娱乐业大亨、些时候出现身体不适，经抢救无效，示，虽然知道终会有这一日，邵爵士夫人方逸华女士和家人致以深切慰问。
另行公布。
邵逸夫生于1907年10月4日，原名邵仁楞，生于镇海，祖籍浙江宁波。
曾任香港电视广播有限公司（TVB）荣誉主席，邵氏兄弟电影公司的创办人之一，曾出品制作过近千部电影，在20世纪50~70年代末是香港电影产业的领军人物。
邵逸夫生自商贾之家，父亲是上海锦泰昌颜料公司的老板邵行银。
邵家八兄弟姐妹中，他排行第六，旧上海时代人称“邵老六”，日后在香港影视业内被尊称“六叔”。
邵逸夫在1958年于香港成立邵氏兄弟电影公司，前后近30年拍摄过逾千部华语电影。
邵逸夫主导的邵氏电影公司，代表了一个电影时代的辉煌成就。
他一手扶持了大导演张彻、李翰祥、楚原，一手捧红了在上世纪60~70年代走红的王羽、姜大卫、狄龙等众多电影明星。
邵氏电影当时行销港台以及东南亚，影响力至今不衰。
除了自制电影之外，邵逸夫亦有投资西方电影，其中1982年的科幻电影《银翼杀手》最为经典。
1977年，邵获英女王伊丽莎白二世册封为下级勋位爵士，成为香港娱乐业获“爵士”头衔的第一人。
1985年香港电影产业格局变化，邵逸夫逐步停止了邵氏电影的制作，开始转向电视剧领域。
之后他领导的TVB 电视台迅速崛起，从TVB 也走出了周润发、刘德华、梁朝伟这样的天王巨星。
邵逸夫于2011年卸任TVB 主席，当时已是104岁高龄，是世界上最年长卸任的上市公司主席。
“有华人的地方，就有邵氏电影和香港无线电视的节目”。
邵逸夫爵士捐赠的教育资金亦遍布中国，国内众多高等院校均有邵逸夫命名的“逸夫楼”。
邵逸夫晚年积极从事慈善事业，历年来他捐助社会公益、慈善事务超过100多亿港元。
尤其对中国内地教育事业和科技事业，邵逸夫捐赠的教育资金遍布全国各地。
“娱乐之王”邵逸夫的传奇一生教父的诀别文 | 李清邵家四兄弟（仁杰、仁棣、仁枚、仁楞）从此改了别号，从买卖电影片子到放电影，邵醉翁后来成立中国电影史上赫赫有名的“天一影业公司”，自己拍起了电影。
邵逸夫其人
邵(shao)逸夫（1907年11月19日—2014年1月7日），原名邵仁楞（leng），生于上海，祖籍浙江宁波镇海。
香港电视广播有限公司荣誉主席，邵氏兄弟电影公司的创办人之一，香港、上海商会成员，香港著名的电影制作者。
邵逸夫用光影织梦，从1907到2014，在长达一个世纪的过程里，将邵氏打造成为东方的电影帝国。
更是执掌无线电视台，为70和80后几代人谱写了完美的荧屏记忆。
谈及他的一生，总是绕不过造星、TVB、邵氏电影等话题。
而阔绰如逸夫楼慈善，吝啬在明星片酬等代表性事件之间强烈对比，更是让这个百岁之后仍头脑清健，事事亲为的传奇老者一生显得既有伟大之处，又添平凡细节。
他曾说：“我做事的态度，便是要把每件事都做好，即使是最微细的部分，也要彻底做好。
一样事情不做到十全十美，我是绝对不放松的。
同时我自己的工作时间也很长，一早就来（上班），很晚很晚才下班”。
邵氏拍每一部影片，首先考虑的是观众喜欢不喜欢。
凡是观众不喜欢的，就坚决不拍。
邵逸夫称自己制片相当“严谨”，为了保证影片质量，他对影片严格把关。
出现劣片，若无法补救，宁愿烧掉。
他说：“在早期，我成日烧片，没有好的戏，我宁愿烧，烧掉好多部。
”“观众看了劣片一定好不开心，看多了，就会对你失去信心，所以做劣片不如烧。
”据称，邵氏在迄今的37年间，烧掉的影片以十部计。
“邵氏出品，必属佳片”此话绝非诳语。
（严谨认真）很多人认为邵逸夫是商业奇才。
他在各种身份的转变上游刃有余，他的思维、策略、胆识在当时的电影市场没人比得上。
这是许多人的共识。
在知天命之年放弃东南亚的事业奔赴香港重新开始，年过古稀时又转而进军电视行业打造TVB，这样的魄力不是人人都有。
竹聿名用粤语中的“斩手指”这个词来形容邵逸夫的果敢利落：“邵逸夫对于电影的热爱毋庸置疑，但在当时香港电影市场走向衰落时，他竟然能割掉心头肉，将邵氏公司…放弃‟转投电视行业，纵观影视圈这么多年再没有别人可以做到。
”（取舍胆识）六叔并非香港最有钱的人，但却是香港富豪中屈指可数的大慈善家。
邵逸夫英语演讲
The main contributions of the philanthropist
Shaw Foundation
Shaw prize
mathematics astronomy life sciences and medical
成就荣誉
美国三藩市将每年的9月 获英女皇册封为 KNIGHT 8日定为“邵逸夫日”， 以表彰在社会公益贡献。 美国旧金山市将每年的9 月8日定为“邵逸夫日”
Before the War
After the War
In1967 He create the TV Program----------TVB.
Charity business
Tsinghua university(1999)
Peking
university
The main contributions of the philanthropist
BACHELOR，
赐予爵士衔头。
。
1974年
1977年
1990年
1991年
获英女王颁发CBE勋衔 以表扬他在娱乐事业的 成就，港督麦理浩爵士 主持授勋。
中国政府将中 国发现的2899 号行星名为“ 邵逸夫星”。
Sir Run Run Shaw is a moivemak er,media tycoon,ph ilanthropi st.
1.Run Run Shaw and his kingdom of films
2.charity business
3.Honor and progresses
1.He was born in November 17th . 1907
邵逸夫其人
邵逸夫，原名邵仁楞，香港电视广播有限公司主席、著名的电影制作者、慈善家。
邵逸夫生平
1907年11月19日生于宁波市镇海镇。
1926年 19岁中学毕业随兄长到新加坡开拓电影市场，从此对电影制作产生兴趣。
1930年在新加坡成立了“邵氏兄弟公司”。
1932年邵氏兄弟在香港摄制完成第一部有声片《白金龙》。
1937年邵氏被迫关门。
1957年成立邵氏兄弟(香港)有限公司。
1970年代踏足当时发展迅猛的电视业，与无线电视（TVB）合作，培训艺员。
1980年出任无线董事局主席。
2003年创立邵逸夫奖。
2011年正式退休。
2014年1月7日凌晨家中离世。
邵逸夫简介_邵逸夫简历、个人资料
邵逸夫
邵逸夫
姓名：邵逸夫
性别：男
出生年月：1907年
籍贯：上海
职务：邵氏兄弟有限公司主席
邵逸夫，原籍上海，邵氏兄弟有限公司主席，持该公司(今年3月底市值是6.18亿美元)72.29％股权，透过邵氏持电视广播和电视企业23.5％及30.3％(市值是14.22亿美元和1.68亿美元)，新加坡新达城市10％，在欧洲、美、加等地均有私人资产.
邵氏兄弟于87年停止所有电影制作，物业发展和投资是主要收入来源，该公司不少戏院，近年已陆续拆卸重建为小型戏院与商业楼宇.91年，以5000万美元认购美国美思百货(macys)，持10.3%股权.
最近，邵氏家族与英国西敏寺公爵家族在港成立grosvenor asset management ltd，成立一个为数亿美元的基金，投资中、港及东南亚地产市场.95年2月,邵氏兄弟(香港)及邵氏基金合共出售10%的电视广播股份予英国
上市传媒及娱乐公司庇亚逊集团(pearson)，金额是13.02亿多港元.
估计其财富为14亿美元。
108岁“娱乐界教父”邵逸夫：7字“养生方”，福寿自然长
108岁“娱乐界教父”邵逸夫：7字“养生方”，福寿自然长1笑。
他被誉为“娱乐界教父”，经典作品无数；他寿高108岁，活到天年；他的两段婚姻都幸福美满，让人艳羡。
他就是邵逸夫先生，在养生方面，他的第一个秘诀就是“笑”。
俗话说，笑一笑，十年少，日子越过越美妙。
笑容就是美容，月貌花容，快乐年轻；笑容也是包容，海纳百川，魅力无穷。
常言道，不如意事常八九，能与人言无二三。
面对艰难险阻，面对崎岖坎坷，最好的做法就是：心静如水，微笑面对。
不论是工作上，还是生活中，邵逸夫先生总是笑容可掬，春风满面。
别人开心，干劲十足；自己高兴，延年益寿。
2干。
众所周知，邵逸夫先生是工作狂人，他曾经高调宣布，干到100岁，再让自己退休。
过了期颐之年，他依然精神矍铄，活力四射，充沛的精神让人震惊。
他依然做着喜欢的工作，全心全意，乐此不疲，用高密度劳动践行了“生命不息，奋斗不止”的真谛。
有记者采访，问他养生秘诀。
邵逸夫先生直言不讳：工作让我充实快乐，只有保持工作人才能长寿。
古时候有句话叫做，人活七十古来稀。
邵逸夫先生不服老，80岁打卡上班，90岁健步如飞；100岁还主持工作。
他每晚睡觉5小时，白天午休1小时，其他时间，基本上都在兢兢业业工作。
他还别出心裁，把自己的汽车布改装成小型办公室，做到人在旅途“现场办公”。
3学。
邵逸夫先生有个原则“永远学习”。
这也就是传统思想里的“活到老，学到老”。
他主张，把所学所知灵活地运用到生活工作当中去，举一反三。
除了上班、开会，邵逸夫先生大量时间都花费在学习上，乐此不疲。
读书、看报、听广播、看新闻，是他日常的“4大内容”。
除此之外，因为工作需要，他还要观看不计其数的影视作品，让自己在“专业技能”方面保持敏感度和先进性。
邵逸夫先生认为，学习，是一种探索，一种乐趣；是一种自我提升，一种自我完善。
在学习中，身心陶醉，乐此不疲；在学习中，活力充沛，生命保鲜。
4足。
我们常说，知足者常乐。
生活里，邵逸夫先生是个容易知足的人，一点小事，就能让他开怀大笑。
104岁邵逸夫忆传奇往事
104岁邵逸夫忆传奇往事本刊记者/沈 国《香港商报》曾这样评论他，“他的一生，斡旋在财富、权谋与美人之间。
他的故事是一个标准的港式传奇。
”他一生拍过逾千部电影、得过金马、金像等几十项大奖；缔造了香港电视广播有限公司TVB帝国；他是娱乐业大亨，是中国的默多克，他是六叔——邵逸夫。
六叔造就的巨星不胜枚举，致使TVB被外界称之为：“造星工厂”。
不论是周润发、周星驰、刘德华、梁朝伟、刘嘉玲、张曼玉、张学友、赵雅芝等资深艺人，还是如今依然大红大紫的张柏芝、刘青云、佘诗曼、欧阳震华等等众多大众耳熟能详的影、视、歌明星，从最早的造型包装到后期宣传，每一步都有着TVB独特的推广手段，使得电影电视收视长虹，旗下艺人个个身价不菲。
而TVB的缔造者，掌管了香港无线43年的六叔，为何能将一个小小的电视公司发展成影响全港、到全国甚至在亚洲也勇夺席位的娱乐帝国？我们且看一场名叫《六叔》的电影传奇。
邵氏家族与十里洋场的际遇六叔，原名叫邵仁楞，字逸夫，取意安逸，家里兄弟姊妹八人，邵仁楞因排行老六而得名“六叔”， 籍贯浙江宁波。
六叔是个富家子弟，其父邵玉轩是有名的颜料商人，不但在生意上经营有方，而且关心时政，曾支持孙中山的革命活动，在当时的上海工商界颇为活跃，1920年他病逝上海时，康有为、虞洽卿及曾任苏浙总督的卢永祥、民国元老谭延阁等晚清与民国风云人物纷纷为其题辞致哀，邵父能够得到这样的礼遇足以窥视其身份，但这样显赫的家世并没有让邵玉轩的子女们有继承家业的打算，邵家五兄弟几乎全部进入娱乐圈，对电影着了迷。
俗话说“三分天注定，七分靠打拼”，这注定的三分，就是其父邵逸轩和电影的际遇——第一次接触电影，始于与朋友的一次游玩，当时电影刚刚进入中国，还处于无声期，谁也弄不懂那么一块白布上，怎么会凭空出现山水树木、活人畜牲！邵玉轩被眼前的景象迷住了，他感慨于这个神奇又富有生命力的“电影”，它是那么生动、逼真。
这个高级商人有着极高的商业敏感和不俗的投资眼光，他惊叹之余，马上去打听电影的知识，原来他在心里已经开始筹划着把电影当作一个有利可图的行当，以商业模式运营！这便是邵氏举家投身电影业，沦陷在大上海十里洋场的最初渊源，当时的邵父怎会知道，邵家的命运从此将电影紧紧的绑在一起，而爱子邵逸夫则会在此叱咤一生。
邵逸夫的人生传奇励志故事
邵逸夫的人生传奇励志故事香港娱乐界大亨邵逸夫于2014年1月 7日6时55分逝世，享年107岁。
而其中有88年都在影视行业里沉浮。
他把优秀的华语电影带到了整个东南亚地区，是中国有声电影的直接推动者，建立的邵氏电影公司更曾是一度被誉为“东方的好莱坞”。
提起邵逸夫，电影界的人恐怕不会陌生。
邵逸夫是香港知名的电影制作人、慈善家，自1965年起担任电视广播有限公司董事，1966年出任董事局下辖行政委员会主席;1977年，邵获英女王伊丽莎白二世册封为下级勋位爵士，成为香港娱乐业获“爵士”衔头的第一人;1980年出任董事局行政主席。
在他的运作下，曾产生了《上海滩》、《霍元甲》、《射雕英雄传》等经典电视剧，也挖掘出周润发、周星驰、梁朝伟、刘德华、刘嘉玲等大牌明星，正因如此，他因此被喻为“香港影视大亨”。
邵逸夫，原名邵仁楞，1907年10月4日出生于上海，祖籍为浙江省宁波市，父亲是上海锦泰昌颜料公司的老板邵行银。
因他在兄弟姐妹中排行第六，故人称“六叔”。
邵逸夫受教于美国，19岁中学毕业后，便随兄长邵仁枚去新加坡开拓电影市场，从此走上了电影制作的生涯。
那么，邵老如此长寿的秘决到底是什么呢?一、老从脚上起，睡前锻炼脚邵逸夫曾向香港特首曾荫权传授长寿秘诀，那就是：每晚睡前躺在床上，脚掌前后、左右摆动64次，还要在地上转64圈。
这是他从“老自脚上起”这一养生格言中领略出的。
邵逸夫这一独特的养生法从中年开始，一直坚持到耄耋之年因腿脚不便，才逐渐减少。
但老年人多锻炼脚部，确实是好处多多。
二、保持工作才会长寿在70年代，邵逸夫每年要看六七百部影片，最高纪录是一天看9部片子。
甚至直到古稀之年，邵逸夫仍坚持每天工作16个小时。
工作是邵老的重要养生秘诀。
他曾说过：只有保持工作才会长寿，他每天晚上只睡5个小时，中午小睡1个小时，其余时间都在工作。
直到现在，他还出席每两周一次的无线高层会议。
除了上班和开会，邵逸夫还有一项重要工作，那就是看电影和电视。
邵逸夫人生传奇
农家之友2012.06从颜料世家到影业王国1907年，邵逸夫出生于宁波镇海庄市朱家桥老邵村一个富商家庭，邵氏世代以商为业。
其父邵玉轩于19世纪末前往日趋繁华的上海“淘金”，并于1901年设立一家颇具规模的“锦泰昌”颜料号。
邵玉轩育有5男3女。
邵逸夫排行第六，故后人称他为“六叔”、“六老板”。
他早年就读于家乡庄市叶氏中兴学校，与包玉刚、包从兴、赵安中等为前后届同学，后赴上海就学于美国人开办的英文学校“青年会中学”，为此练就一口流利的英语。
邵家四兄弟都没有继承父业，全部投身娱乐圈。
五兄弟中，大哥邵醉翁于1924年创办天一影片公司，开始闯入当时尚属草创时期的中国电影业。
“天一”成立之初，清一色是家族班底：老大邵醉翁是制片兼导演，老二邵囤人擅长编剧，老三邵仁枚精于发行。
创业之初，他们分工合作，完成一切工作，公司犹如家庭式作坊。
公司摄制的第一部影片《立地成佛》放映后，即深受上海市民欢迎，结果赚得盘溢钵满。
旗开得胜，邵氏兄弟们为之欢欣鼓舞，之后一口气拍出《女侠李飞飞》、《梁祝痛史》、《义妖白蛇传》和《孟姜女》等黄梅调古装戏，深受观众喜欢。
刚刚中学毕业的邵逸夫也被兄长们拍的片子搞得心痒难耐，在片场中觅得一个“伙计”之职，除了打扫卫生，管理演员的道具，还要随时打杂。
后来，哥哥又把他派去放映组，专跑片源。
2年以后，邵逸夫几乎干遍了天一公司的所有部门。
正是这种全面的基本训练，使他后来主持电影公司时，什么问题都难不倒他！后来，三哥邵仁枚到新加坡开发东南亚市场。
1926年，邵逸夫应三哥之邀，也南下新加坡协助，从此注定其一生与电影业的不解之缘。
那段时间，邵氏兄弟带着一架破旧的无声放映机和“天一”影片，在举目无亲的南洋乡村巡回放映，并开设游艺场和电影院。
他们历经磨难，备尝艰辛，星马的穷乡僻壤留下了他们的身影。
1930年，邵氏兄弟挂牌成立了“邵氏兄弟公司”，先后买下了美芝路的新娱乐剧院和曼舞罗戏院，专门上映天一公司的新电影。
邵逸夫名人故事
邵逸夫名人故事
邵逸夫名人故事
邵逸夫
大清光绪33年，他出生于宁波的一个富商之家，他没有继承家业，而是投身热爱的电影。
30年代，他和哥哥背着放映机跑遍了整个南洋，后因日寇侵略而惨淡收场。
50年代，他在天命之年赴港创业，在一片荒山野岭中成立了邵氏影业，开创了东方好莱坞的巅峰时期。
60年代，他敏锐地意识到电视时代的来临，创办了TVB。
如今，香港的传奇巨星都曾时这里怀揣梦想、摸爬滚打的小学员。
当面大家都尊称他“六叔”，背后却说：没见过这么小气的老板，盒饭加个菜都要算计半天。
70年代，他开始投身慈善，从香港到内地，到处可见以他的.名字命名的医院、教学楼、图书馆，总投入超过百亿港币。
他说：我见过中国最为衰弱的时候，这些钱能用来为民族培养人才，我很欣慰。
2014年1月7日，他以107岁的高龄仙逝，习主席在悼词中说：邵逸夫先生一生热爱国家、关心民祉、慷慨捐赠、惠及多方，其爱国之情，其为国之志，人们将铭记在心。
邵逸夫英语介绍短文
邵逸夫英语介绍短文Run Run Shaw is a prominent entrepreneur, philanthropist, and television producer who has made profound impacts on China's culture, education, and technological development.Born in 1907, Run Run Shaw is the founder of Shaw Brothers Studio, a film production company with vast influence in the film industry. His family has played a significant role in the film industry, and Run Run Shaw himself achieved great success in this field. Apart from operating the film company, he also engaged in television production and philanthropy.His philanthropy focused on education, healthcare, and culture. He donated large sums of money to build schools, hospitals, and libraries, providing support for various cultural events. His charitable actions not only had an impact on Hong Kong but also had a positive influence in mainland China and beyond.In addition to his charitable work, Run Run Shaw also had a profound impact on China's technological development. He invested in and built multiple technology parks, providing a platform for China'stechnology industry to grow. These technology parks have become important bases for China's technological innovation and cultivated numerous tech talents.Run Run Shaw passed away in 2014, but his legacy and contributions are still remembered. His undertakings have not only left a profound impact on China's culture, education, and technological development but also inspired more people to engage in charitable undertakings and the development of the cultural industry.。
闪耀星空邵逸夫
闪耀星空邵逸夫第一篇：闪耀星空邵逸夫闪耀星空邵逸夫Run Run Shaw: The Last Emperor of Chinese MoviesBy Richard Corliss Jan.07, 2014In 1964, astronomers at China…s Purple Mountain Observatory discovered a small main-belt asteroid between Mars and Jupiter.They named it 2899 Runrun Shaw, in honor of a Hong Kong movie-studio boss.Shao Yifu, known worldwide as Run Run Shaw, was no minor planet.Among the bosses of any film industry, in Asia, Europe or Hollywood, he was the sun and the moon, and the launcher of many stars, including Chow Yun-fat and Maggie Cheung.Shaw‟s entertainment empire stretched from Taiwan to Malaysia, and from the silent era to the present — nearly 90 years in all.With his death today, at the astounding age of 107(The New York Times says 106, but we‟re not quibbling), one can bid farewell to the last emperor of Chinese movies.The Shaw Brothers logo —the “SB”initials on a scallop-shaped shield — appeared on many of the biggest hits in the first golden age of Hong Kong cinema.The studio‟s top stars of the ‟60s were women.Linda Lin Dai graced Li Hanxiang‟s blockbuster opera film The Kingdom and the Beauty and the four-hour love-and-war epic The Blue and the Black.Vivacious Cheng Peipei, Chan Ping and Lily Ho played the lovelorn trio in Shaw‟s lively, MGM-style musical Hong Kong Nocturne, directed by the Japanese import Umetsugu Inoue.But Cheng Peipei steered Shaw in a new direction when, at the age of 20, she played a solemn warrior goddess in King Hu‟s seminal wuxia film, Come Drink With Me.With the success of Chang Cheh‟s The One-Armed Swordsman, which triggered a martial-arts craze in Hong Kong, the company‟s focus switched on a dime from femme to macho, and Run Run Shaw became the kung-fu mogul.The 1972 King Boxer / Five Fingers of Death, starring Lo Lieh as the man with the Iron Fist, was the first martial arts film to be widely released in the West;in America it earned more than 12 times its $300,000 production cost, a year before Bruce Lee‟s breakthrough Enter the Dragon.In 1978 Chang Cheh introduced a quintet of new stars in The Five Deadly Venoms.A quarter-century later, Quentin Tarantino would blend the ferocious action of the Chang Cheh movies with the implacable heroine of Come Drink With Me in his two-part Kill Bill — which began with the Shaw Brothers scallop and trumpet fanfare.The pictures produced by Run Run and his sibling Runme from the 1950s to 1985 set the colony‟s standard for opulence, vigor and splash in a dozen genres.But for decades Run Run refused to put his old films on video, or even allow film museums to show them.The studio‟s action classics were seen, if at all, in muddy bootlegs that often chopped or squeezed the wide-screen panoramas down to TV shape and dubbed the Mandarin dialogue into an Anglicized cacophony of kung fu grunts and maniacal giggles.In 2000 Shaw corrected that crime against cinemanity with an $84-million deal for video rights to the studio‟s 760-film complete library;the buyer was Celestial Pictures, a subsidiary of the UTSB media conglomerate owned by Malaysian tycoon Ananda Krishnan.Thanks to this Shaw-bank redemption, cinephiles could again see what Run Run wrought, in the glorious original colors and breathtaking ShawScope.Shaw‟s empire extended beyond movies.He was the founding owner of Television Broadcast Ltd.(TVB), by far the most popular HongKong television channel for 45 years.He made his billions in entertainment and gave back nearly as much in philanthropy, especially for medical and scientific research;it sometimes seems as if half the public buildings in Hong Kong have his name on them.But he didn‟t get rich by being a softie.A 1960 TIME story, titled “What Makes Run Run Run?”, described him as “a mixture of Barnum & Bailey and Todd-AO.He willfully holds conferences at 2 a.m., buys and sells talent like cattle.He is the master of the Asian hard sell.” And what he sold, Hong Kong, China and the world bought.Born on Oct.10th or 14th in 1906 or ‟07, Shao Yifu was the sixth of seven surviving children born to Shao Yuh Hsuen, a Shanghai textile manufacturer.(Hence Run Run‟s later nickname, Uncle Six.)The family is said to stretch back 14 generations to the Ming Dynasty.Learning English in private schools and at the YMCA, Run Run interrupted his studies at 19 to join his three elder brothers: Zuiweng(later Runji), Cunren(Runde)and Renmei(Runme).Family legend has it that the nicknames came from their father‟s English wordplay on the word “rickshaw.”The brothers changed their surname when Papa disapproved of their entering show business.Strapped for cash in 1925, and forced to abandon either their home or a theater the family owned, they sold the house and moved into the theater.Runji, a lawyer, wrote a play to be staged there, and the Shaws quickly made a film of it: A Man Came to the World and He Made Good.They founded the Tianyi(Unique)Film Company, one of the three major producer-distributors in the fledgling Chinese film business.Runji and Runde worked in Shanghai, Runme and Run Run in Singapore.In 1934 Runde opened a branch in Hong Kong.Buying theaters to showcase their product, the Shaws builta business that by 1939, according to John A.Lent‟s book The Asian Film Industry, “included [139] theaters, nine amusement parks and legitimate theaters in Malaya, Singapore, Thailand, Borneo and Java.” In 1940, with the Japanese occupying Shanghai and threatening Singapore, Tianyi moved its operations to Pak Tai Street in Kowloon, Hong Kong, changed its name to Nanyang and made Cantonese films for the local market.“During the Japanese control of Southeast Asia,” Lent writes, “Shaw theaters were confiscated and Run Run was imprisoned on charges of subversion.But after the war they were back in business at full strength, thanks to the hoard of jewels Run Run had hidden.”In 1947, the brothers re-opened their Singapore film studio and released their first postwar film, Singapore at Night.The studio produced 167 Malay films before it closed in 1967;the last film was Nora Zain Female Agent 001, one of many Shaw films to exploit the James Bond craze.Throughout his career as a studio boss, Run Run borrowed every occidental movie trend, lending each the special Shaw glamour and pizzazz.In 1950, Nanyang reclaimed its Hong Kong production facility, renaming it the Shaw Brothers Studio, and calling the company Shaw and Sons Company Ltd.(Perhaps their father had become reconciled to financial success.)To challenge the dominant MP & GI studio, Shaw expanded in 1957, bringing Run Run and Runme from Singapore to head a new company, Shaw Brothers(Hong Kong)Ltd.From the Crown government, for 45 cents per sq.ft., Run Run bought a 46-acre plot in Clearwater Bay, Kowloon.He shaved 60 feet off a hill, to even the land, and built Movietown, which opened fully in 1961.Run Run developed a studio system along Hollywood lines but with a Hong Kong work ethic: 20-40films a year produced on 12 sound stages that operated in three eight-hour shifts, with employees signed to eight-year contracts that paid about HK$2000 a week plus room and board.Many lived in four dormitories Shaw built on the lot.In the mid-‟60s such future stars as Yueh Hua, Lily Ho, Chan Ping, Jenny Wu, Li Qing and Cheng Peipei were all on the same floor.“We look to their living quarters, their comfortable living, their dresses, their social problem,” said the paternalist Run Run in an interview he gave in English in 1964.“The only thing that we cannot control is their loving [sic] affairs.” Everyone worked 60-hour weeks;it is said that some found the only way to supplement their incomes was to become involved with the local triads.The studio became known as Hollywood East — and earned that appellation.As the 2003 documentary Cinema Hong Kong: The Beauties of the Shaw Studio notes, “Shaw had built the biggest film studio in what was then the third largest film industry in the world,” after the U.S.and India.“Each of the Shaw brothers evolved and set up separate companies within the Shaw empire,” wrote critic Stephen Teo, who describes Run Run as “a shrewd promoter and Cecil B.De Mille-type showman who was no less an aesthete and a true connoisseur of film.” TIME reported that “when The Brothers Karamazov, starring bald Yul Brynner, played the Shaw circuit, Run Run organized a head-shaving contest with a prize for the shiniest pate [and] started a teen-age craze for bald heads.”Shaw pictures, which typically cost about HK$100,000(five times the industry average), set the colony‟s standard for opulence, vigor and splash in a dozen genres—not just the martial-arts epics for which the world knows old Hong Kong movies, but opera films, period farces, tragic romances, sex comedies and effervescent musicals.Shaw also published twofilm magazines, Hong Kong Movie News and Southern Screen, distributed across Southeast Asia.Though the local language was(and is)Cantonese, something like 90% of Shaw‟s films were in imperial Mandarin, meaning that many natives of Hong Kong had to learn another language to enjoy the most popular films made there.In the ‟50s and ‟60s Shaw created and nurtured a galaxy of female stars: Li Lihua, Lin Dai, Lin Cui, Le Di, Ling Bo, Li Jing, to name just the actresses with “L” names.“We have at least 50 actresses, 24 actors,”said Run Run in a 1964 interview.“In Hong Kong the actresses are more important than actors, because we have more beautiful girls.” From The Beauties of the ShawStudio: “Shaw believed that for his actresses to be married was bad box office.He exercised enormous control over their lives.If an actress wanted to leave for a rival studio he could be quite ruthless.” T anny Tien Ni, who starred in Shaw‟s spate of erotic dramas in the ‟70s, recalled: “I had a Taiwanese passport.The Shaw studio had always sponsored my work permit.So they used this as a weapon.Suddenly, without warning, they withdrew their guarantee.If this had happened, I would have been forced to leave the country.” T o stay in Hong Kong, Tien Ni kept busy: she made 51 feature films in six years.Raymond Chow had been Shaw‟s first head of publicity and then, as vice-general manager, the supervisor of production.In 1970 Chow left to form Golden Harvest, which soon rivaled and then overtook Shaw.Run Run‟s dominance bred arrogance — or maybe it was the other way around — and a midlife calcification.When Bruce Lee, born in San Francisco to a prominent Chinese opera star and his wife, returned to Hong Kong after co-starring in the ABC-TV series The Green Hornet, Shaw lowballed him with a contract offer ofHK$10,000 a film.Chow beat the offer and Golden Harvest reaped the reward of Lee‟s international stardom before his 1973 death.Chow also outbid Shaw for one of the many martial-arts actors hoping to be “the next Bruce Lee”— and voilà, Jackie Chan proved to be the biggest worldwide star the colony had ever produced.Shaw Brothers didn‟t fold;it continued to feed the great Chinese diaspora throughout Southeast Asia, occasionally penetrating Europe and North America with the wuxia films of Chang Cheh, King Hu, Chor Yuen and Liu Chia-liang.The erotic spectacles directed by Li Hanxiang, slumming after his opera films, also filled the studio‟s coffers.In the mid-‟70s Shaw had a few international co-production deals: with Hammer Films(Dracula and the 7 Golden Vampires)and with producers from Spain(Bloody Money), Italy(Supermen Against the Orient)and West Germany(Mighty Peking Man).Run Run also helped finance Ridley Scott‟s Blade Runner — a flop on its 1982 release, a science-fiction classic soon after.Raymond Chow was succeeded as the production chief by Mona Fong Yat-wa, a former minor actress(she can b e seen singing “Have Fun Tonight” in the 1957 Mambo Girl)and one of the few women to run a film studio in that era;she also kept company with Run Run after working hours.Fong is said to have been jealous of pretty actresses, thus was happy to keep Shaw films an all-male preserve.In 1983, Sir Run Run(he was knighted by the Queen in 1977)shut down the studio, reviving it briefly in 1995 with five films produced or distributed by Shaw.He concentrated on TVB, which began transmitting on Oct.12, 1967 as the first commercial station in Hong Kong.It regularly attracted 70%-plus of local viewers with predecessors of American Idol(song contests)and The Sopranos(longform drama).Its Cantonese-language Jadechannel was supplemented by the English-language Pearl channel.Shaw also stayed active in Hong Kong as the owner of office blocks, malls, hotels, apartment houses and an amusement park.And in 2002, when Celestial released the first 10 features of its Shaw Brothers library, Run Run, ever vital at 95, presided over a star-laden party reuniting many of the directors and actors who had worked, and lived, under his knowing eye.Run Run‟s 50-year marriage to(Lady)Lily Shaw, a Malaysian, produced two sons, Vee-ming andHarold, and two daughters, Violet and Dorothy, none of whom cared to join the family business.Lily died in 1987, and 10 years later, in Las Vegas, Run Run married Mona Fong.He stayed nimble by practicing Chi Gong exercises each day.Into his second century he kept showing up, relatively fit, at TVB anniversary functions, and didn‟t surrender control of the company until 2011.Spotted a few years ago at the Hong Kong airport in a wheelchair steered by his housekeeper, Shaw claimed his health was fine.He was just hitching a ride.Now Uncle Six is on his last journey — as short as the grave, or as far as the asteroid 2899 Runrun Shaw.第二篇：XX届成人礼发言稿：梦想闪耀星空XX届成人礼发言稿：梦想闪耀星空尊敬的各位家长、老师，亲爱的同学们：今天，是XX届同学的毕业典礼暨成人宣誓仪式，阳光因此灿烂，温度也由此热烈，如同我们激动的心情。
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邵逸夫一代娱乐教父的传奇简历中英双语
HONG KONG – Sir Run Run Shaw, one of the pioneers of the 20th century Chinese film industry, has died age 106.
20世纪中国电影工业的奠基人之一——邵逸夫先生逝世，享年106岁。
Shaw, who co-founded the Shaw Brothers film studio with his brother Runme, had been involved in the film industry in Shanghai and Singapore since age 19.
与兄长邵仁枚共创邵氏影业的邵逸夫，早在19岁就于上海、新加坡投身电影工业。
The Shaw Brothers company was in its heyday in the 1960s and 1970s and was influential in both the Asian and Western film industries. He personally has credits on some 360 films, ranging from martial arts classics to Ridley Scott’s “Blade Runner”.
20世纪六七十年代，邵氏电影达到全盛期，对亚洲电影甚至西方电影工业都有深广的影响。
邵逸夫个人出品了360部电影，包括众多武侠经典以及雷德利斯科特的经典科幻史诗《银翼杀手》。
你知道科幻经典《银翼杀手》也是邵逸夫出品的吗?
Shaw was also founder in 1967 of Television Broadcasts (TVB), Hong Kong’s dominant free-to-air broadcaster and still one of the major forces of content production and talent management in the region.
邵逸夫于1967年创建的TVB在香港电视节目里拥有不可替代的垄断地位，是最大的内容供应商之一，而且培养了大量的领域精英。
He was last month honored in Hong Kong by the British Academy of Film & Television Arts, whose London headquarters is home to the Run Run Shaw Theatre.
上个月英国电影和电视艺术学院(BAFTA)授予邵逸夫特别奖，其总部是邵逸夫剧院的所在地。
Born in 1907 in Ningbo, China as Shao Ren Leng. He followed his third brother to Singapore to start the Shaw Organization – a company still bears that name today – and in the 1930s formed first the Tian Yi Film company in Shanghai and then the South Seas Film studio in Hong Kong.
1907年，邵逸夫生于宁波，原名邵仁楞。
他追随自己的三兄在新加坡开启“邵氏公司”(至今公司保留原名)，并于1930年在上海创办天一电影公司，然后在香港又创办了南洋电影工作室。
After WWII and the upheavals in China of the late 1940s Hong Kong –and to a lesser extent Singapore – became the centers of the Chinese film industry. Shaw Studios was active in both places.
第二次世界大战后的上世纪40年代后期，中国进入大动荡。
香港成为中国电影工业的中心，规模仅次于新加坡。
邵氏电影在这两个区域都很活跃。
Between 1947 and 1972 Shaw and rival Cathay were dominant in the Singapore films industry, producing up to 20 films per year, and giving rise to the “golden era” of Singapore cinema, often also known as the “Studio Era”. While the producers were Chinese, Shaw typically employed directing talent from around the region to make his pictures.
1947年到1972年之间，邵氏及竞争对手国泰两家统治了新加坡电影工业，每年高达20部电影的制作量，而且通过扩张，将新加坡院线推向黄金时代，这个时期也被称为“电影制作时代”。
尽管制作人是中国人，但邵逸夫却聘请当地导演人才来创作自己的电影。
That was a modus operandi that he repeated in Hong Kong when the rivalry with Golden harvest —formed by former Shaw employees Raymond Chow and Leonard Ho —was at its keenest. Shaw frequently employed Japanese and Taiwanese directors, as well as giving many Hong Kong directors their first breaks.
邵逸夫的这种做法在当年与嘉禾电影(由邵氏前员工邹文怀、何冠昌共同创建)在香港打得不可开交的时候，仍然沿袭。
邵逸夫频繁的聘用日本、台湾导演，而且帮组香港本地导演新人完成自己的处女作。
Shaw’s birthday and his exact age have long been clouded in mystery — his widow Mona Shaw (aka Mona Fong) has often refused to clarify the issue — and other sources put his age at 107.
邵逸夫的生日与年龄一直是一个谜，他的遗孀方逸华女士对此也不予澄清。
也有另一种说法，邵逸夫现年107岁。
He died at 6.55 am local time in Hong Kong on Jan 7, 2014.
邵逸夫于2014年1月7日香港本地时间上午6.55逝世。