Protools SYNC HD中文使用手册

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pro tools教程

数字音频工作站Pro Tools LE教程王磊PRO TOOLS 初级教程说明：本教程只适用于刚刚接触或正要学习PRO TOOLS的同学使用。

今天要给同学说一下在数字音频工作站领域中，最为流行并享有盛誉的音频软件Pro Tools（当然PRO TOOLS的高端产品视频功能也很强大，但我们这里只说音频这方面）。

由Digidesign公司出品的Pro Tools一直是录音行业所推崇的音频处理系统，专业版的TDM系统一般有Pro Tools 24 MIX Plus；Pro Tools 24 MIX；Pro Tools 24等；以及刚刚推出的Pro Tools HD系统。

Pro Tools的软件至今也已升级到6.9的版本。

还有最近出的两个小玩意MBOX和DIGI002。

我们所说的DIGI001系统是这些中最简单的一个，就是由简化版的PRO TOOLS LE软件加上硬件DIGI001组成。

简化版的Pro Tools我们称它为Pro Tools LE，由于绝大多数人都拿不出几十万人民币来购置一套带有硬件DSP功能的Pro Tools 的专业级系统，因此在这里我们就以简化版的Pro Tools 来详细介绍一下，几乎具备TDM系统的大部分重要功能的软件Pro Tools LE与硬件DiGi 001的具体使用。

首先我们先来认识它们：第一节Digi 001这个就是它了，（当然图中少了一块PCI的插卡，因为我没搞到它的图）Digi 001主要由外置接线箱（AD/DA转换器）和PCI插卡组成，中间用电缆连接，是一套真正的“即插即用”系统。

先看前面，在它的前面板上有两个Neutrik复合式（卡侬或大三芯通用）的Mic/LINE前级放大器，有独立的增益控制（GAIN），带有-26db的固定哀减（PAD）按钮，是专门为输入线路信号时使用的。

此外这两个接口还配有48V幻相供电（PHANTOM POWER），可直接接入需48V的电容话筒进行工作。

汉邦高科操作

HDVR 软件V1.3用户手册(版本V1.3)目录重要提示 (3)第一章硬件及软件安装 (4)1.1 硬件安装 (4)1.1.1 硬件驱动安装 (4)1.1.2 连接向导 (10)1.2 软件安装 (12)第二章系统控制 (15)2.1 概述 (15)2.2 系统控制面板 (20)2.3 摄像机设置 (21)2.3.1 预览修改 (22)2.3.2 录像设置 (24)2.3.3 报警设置（内含智能操作讲解） (25)2.3.4 色彩调整 (31)2.3.5 自动工作计划设置 (33)2.3.6 云台设置 (36)2.4 系统设置 (37)2.4.1 短信服务器 (38)2.4.2 E-Mail 服务器 (38)2.4.3 手机监控服务配置 (39)2.4.4 系统设置 (41)第三章回放 (43)3.1 概述 (43)3.2 主菜单 (44)3.2.1 浏览抓帧 (44)3.2.2 局部放大 (45)3.2.3 回放模式 (47)3.2.4 刻录 (49)3.3 回放控制 (50)3.4 智能搜索 (51)3.5 即时回放 (53)第四章其他功能 (54)4.1 概述 (54)4.2 用户管理 (55)4.2.1 本地用户管理 (55)4.2.2 远程用户管理 (56)4.3 工具 (58)4.3.1 电子地图编辑器 (58)4.3.2 电子地图浏览器 (60)4.3.3 本地报警输出控制 (60)4.3.4 报警触发自动全屏 (61)4.4 磁盘管理 (61)4.4.6 清盘及写盘故障信息 (61)4.4.7 本地磁盘信息 (62)4.5 日志管理 (63)4.6 数字矩阵 (63)4.6.1 设置 (64)4.6.2 使用数字矩阵 (66)4.7 矩阵控制 (66)4.8 通讯 (66)4.8.1 语音对讲 (66)4.8.2 发送手机短信 (68)4.9 网路设备管理 (68)4.10 视频输出 (69)4.10.1 设置视频输出 (69)4.10.2 设置视频输出轮巡 (70)4.11自动域名解析工具 (70)第五章HDVR 客户端 (71)5.1 运行客户端 (71)5.2 分控设置 (72)5.3 远程预览 (74)5.4 远程系统设置 (74)5.5 存储设置 (76)5.6 HDVR 客户端回放 (76)5.6.1 本地回放 (76)5.6.2 远程回放 (77)第六章IE 远程访问 (80)6.1 启用IE 浏览器中A CTIVE X 选项 (80)6.2 IE 分控设置 (80)6.3 IE 远程预览 (80)附录一菜单结构 (82)重要提示为了您的系统能够稳定运行，请您务必按下面指示操作：1．至少将磁盘分为两个区，第一个分区用来装windows 操作系统和应用程序，其他分区用来储存录像资料。

Pro Tools教程及指南合集说明书

#THPTVFM
$2995
THOMSON DELMAR BOOK:
PRO TOOLS FOR VIDEO, FILM AND MULTIMEDIA
Designed for independent filmmakers, music engineers, and musicians composing and/or producing for film, video and multimedia. This extensive guide gives in-depth coverage and tips of all aspects of syncing, editing and mixing, various film file formats, and the equipment needed for producing professional film and multi-media projects.
BOOKS / TUTORIAL CD-ROMs & DVDs
COOL-BREEZE CD-ROM:
PRO TOOLS 7 CSI STARTER, BY COLIN MACQUEEN
For anyone beginning to use Pro Tools for production, this interactive CD-ROM gives you the hands-on tips you need to be up and running quickly. Tutorials not only include functionality, but also production techniques, special shortcuts, and before and after audio examples.

pro tools HD native

Pro Tools HD Native可以让你完全借助电脑CPU的力量去运行Pro Tools HD软件，它是一块PCI-E卡，可支持所有HD系列的音频接口，
包括新的HD Omni, HD I/O, HD MADI音频接口，老的192 I/O, 192 Digital I/O, 96 I/O音频接口，
Pro Tools HD Native的价格和无法运行TDM插件的现实有点不给力，不过起码这表明Avid在想尽一切办法冲破之前的旧观念，在往HD Native的方向转变，只是这第一次的转变还不够大──你依然需要花3500美元来购买一个可以让Pro Tools HD用CPU来运算的许可，而且你还是必须购买Avid旗下的音频接口而没有其它的选择。
•支持Mac OS X 10.6和Windows 7系统
只要你对你的电脑性能有足够的自信，就不必再购买HD Core或HD Accel DSP卡了，完全用CPU来混音，用RTAS或外部效果器来进行音频处理。
Pro Tools HD Native这块卡不便宜啊，要3500美元。这个价格等于给了你一个串接I/O音频接口到电脑的中转，还有运行Pro Tools HD软件的合法授权──仅此而已，看起来有点“一块超大Pro Toools HD Native更像是Avid对Pro Tools HD被破解（可使用电脑CPU和任何音频接口来运行Pro Tools HD软件）的一个回应，但Avid还需要把步子迈得再大一些，才能在Native时代取得胜利。
10月6日22:45更新：之前说错了，用Pro Tools HD Native卡连接I/O音频接口之后，它会支持Core Audio和ASIO，你也可以不使用Pro Tools HD软件，而让Cubase、Logic、SONAR等任何DAW软件配合HD I/O音频接口来工作。

Protools SYNC HD中文使用手册

目錄 iii
時間碼偏置補償 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 生成與再生成時間碼 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 生成 Window Dub. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
SYNC 週邊裝置特性. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 系統要求和相容性 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 註冊 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 關於本手冊 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 關於 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

protools手册第二章

第二章：Protools系统集成TDM系统设备ProTools TDM系统有以下几种集成方式：ProTools 24 MIXplus核心系统包括：Mix Core卡Mix Farm卡ProTools软件Digidesign音频接口ProTools24MIX核心系统包括：Mix Core卡ProTools软件Digidesign音频接口ProTools24核心系统包括：D24音频卡DSP Farm卡ProTools软件Digidesign音频接口ProTools III PCI核心系统包括：Disk 输入/输出音频卡DSP Farm卡ProTools软件Digidesign音频接口TDM系统的播放、编辑和Voice限制下面的表格列出了每种TDM系统的音频播放、录制及V oice 限制，术语<VirtualV oice>是指音频轨可以共享系统中可用V oice的最大值。

ProTools TDM系统可以打开一个最多含有128轨音频的Session，但任何超出该系统VirtualV oice限制的音频轨将自动关闭。

所有ProTools TDM系统都提供总数达32路的内部混合总线，TDM系统的音频接口ProTools TDM系统可以采用以下几种音频接口：♦888/24和888/20输入/输出接口，应用在ProTools24MIX/ MIXplus、ProTools24或ProToolsIII PCI系统上。

♦1622输入/输出接口，应用在ProTools24MIX/MIXplus或ProTools24系统上。

♦ADAT桥输入/输出接口，应用在ProTools24MIX/ MIXplus、ProTools24或ProToolsIII PCI系统上。

下面的表格列出了ProTools TDM系统连接的各种音频接口的输入/输出能力，在扩展的ProTools TDM系统中，音频接口最。

Pro Tools H 操作指南说明书

Contents1Introduction31.1Main Applications (3)2Operation42.1Ratio (5)2.2Overshoot (5)2.3Recovery (6)2.4Rise Time (6)2.5Deadband (7)2.6Threshold (7)2.7Level Control and Overdrive (8)2.7.1Overdrive Processing (8)2.7.2Loudness Enhancement (8)3Description of Controls94Speciﬁcations114.1Pro Tools | HDX– Instances per chip (11)5Preset Manager Toolbar12 6Supported Platforms13 7System Requirements13 8Copyright and Acknowledgements141INTRODUCTION 1IntroductionThe Sonnox Oxford TransMod is an application that allows the dynamic level of signals to be modiﬁed,over time,by transients in the programme material.The eﬀect is to bring transient events in the programme forward,or push them to the background,such that the attack of instruments can be accentuated or softened depending on the settings provided.The application was developed to address a common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive eﬀects of acoustic musical instruments.Such eﬀects are easily achieved with the TransMod because its purpose designed adaptive processing acts on diﬀerential information in the programme,so that the overall long-term programme level is minimally aﬀected,and sensitivity to control parameters is drastically reduced.1.1Main Applications•Radically change the dynamics of instruments•Accentuate or ﬂatten attacks and transients•Bring sounds forward or push them back•Increase or reduce the eﬀects of ambience•Produce rounded and dynamic percussive eﬀects•Harden up and give life to dull or ﬂat-sounding recordings and mixes,without the unwanted changes in overall timbre associated with multi-band compressiontechniques•Increase overall modulation potential by the reduction of very short peaks2OPERATION 2OperationThe Sonnox TransMod functions by producing a continuous value that is proportional to the dynamic level encountered at its input (ie.the programme level envelope).This value is then subjected to processing that extracts the rate of change of the programme level envelope,which is used to modify the forward gain of the output signal during periods of dynamic activity in the programme.In this way the resulting level envelope at the output of the TransMod can be modiﬁed dramatically to accentuate or attenuate aspects of the dynamic proﬁle of the sound,whilst drawing from the natural characteristics of the original programme signal.2.1Ratio2OPERATION 2.1RatioThe ratio value represents the lineardB ratio by which the output gain will be modiﬁedby instantaneous changes in the input level.Positive values will increase the gain of the signalduring transients.So,for example,when the ratiocontrol is set at +1,a drum ‘thwack’ that has a peakof 10dB above the average level will produce a levelincrease of twice that (20dB)at the output,becausethe gain during the transient will be increasedby the same amount as its level diﬀerence.For negative ratios the reverse is true,and for a negative ratio of -1 the drum attack transient would be reduced to the corresponding average level of the signal,and will therefore be removed.With the ratio control in its central position (0),the TransMod process does not aﬀect the signal at all.2.2OvershootThe overshoot time sets the period over which the dynamic changes occur,depending on the input programme dynamics.A short overshoot period will enhance (or reduce) transients for a very short time and cause only the leading edges of the transients to be modiﬁed.For example,a small overshoot time can accentuate short-term events in the programme for small percussion instruments such as bells,whilst largely ignoring large and softer transients from instruments such a drums etc.Increasing the overshoot period allows transient enhancement to occur over longer periods,therefore providing a method to tune the action to suit the programme material and produce the required eﬀect.The adaptive nature of the processing,over both level and time,allows optimal settings of the timing value to be achieved for complete tracks and even complex ﬁnal mixes. Because the TransMod process is so rapid,low settings may not be heard because the duration of the transients being aﬀected are too short.Generally the most audible eﬀects occur from the mid position of the overshoot control upwards.2.3Recovery2OPERATION 2.3RecoveryThe recovery control modiﬁes the long-term timingof the envelope processing.Small recovery valueswill allow action to almost each and every transient,even if they repeated very rapidly in the programmematerial.Longer recovery values will gentlyand progressively reduce the action depending onthe rate at which transients occur in the programme.So,for example,setting a long recovery value canprevent excessive action on small rapid transientsin the signal (ie.hi-hat spill),which directly followlarge transients (ie.a bass or snare drum).The recovery time is adaptive such that after a period of absence for large transients,small transients in quieter sections of the programme will be progressively included once more into the process,in the normal way. The eﬀects of changing the recovery are usually quite subtle,and for the most part small to midrange settings will work best for most typical material.2.4Rise TimeThe rise time value modiﬁes the response of the envelope detector to fast transients and provides a method to decrease the sensitivity of the process to short term events in the programme.With the control set at minimum,all transients,however short,will be processed.Increasing the rise time value reduces the overall speed of the envelope detector,such that short-term transients will be progressively ignored as they fall beneath the value of the rise time setting.This control can be used to prevent unwanted action from fast,largely inaudible transients, or it can be used as a sound eﬀect.For example,a rise time value can be set such that the initial attack of an instrument is excluded during an overall transient reduction or increase. This allows you to ‘model’ the sound of the overshoot to soften or harden the eﬀect.2.5Deadband2OPERATION 2.5DeadbandThe deadband value provides a method to excludeless signiﬁcant transient modiﬁcations from theﬁnal processing output.For example,if a deadbandof 3dB is set,changes resulting from the TransModprocessing below a total diﬀerential gain changeof 3dB are excluded from the process,and thesignal is unaﬀected under these conditions.The deadband control can be used to preventaction from small level changes or insigniﬁcanttransients,which may otherwise adversely aﬀectthe programme.In this case,it is best to start with the deadband set to zero and increase it only if unwanted action becomes evident,particularly during quiet sustained passages.The deadband control may also be used to produce dramatic eﬀects by focussing the TransMod action on only the loudest transients in the programme.In this case,it’s best to set low thresholds and high ratios to get the maximum action,before progressively increasing the deadband to exclude smaller events from the eﬀect.2.6ThresholdThe threshold control causes the process to operate only on programme material above the set level,ignoring all signals below that value.Unlike all the other TransMod processing,the threshold is related to absolute input levels,and therefore care must be taken to set a low enough threshold value to allow action on the required range of programme.Careful threshold setting may be used to focus only on the louder events in the programme.This may be particularly useful when aiming for compression sounds with negative ratio settings.To generate increased attack with positive ratios,the TransMod process works most eﬀectively when operating on the majority of the programme range, i.e.the lower the threshold the greater the possible eﬀect may be.Note:Care must be taken with very low threshold settings since programme material starting2.7Level Control and Overdrive2OPERATION from silence may produce a large initial overshoot.2.7Level Control and OverdriveAlthough the TransMod process works to maintain constant average signal levels in the programme,the process can produce signiﬁcantly larger peak levels if positive ratio values are used.With highly percussive sounds and long overshoot settings,the peak levels can potentially increase up to +24dB greater than in the original programme.This eﬀect will be seen on the peak meters provided in the output section of the plug-in.Since most workstation applications provide no headroom above the peak level operating target that most users aim for,the extra transient information provided by the TransMod is highly susceptible to clipping in the application environment.If this occurs,the transients are lost forever and cannot be recovered in the mix by level control further down line (ie. your mix faders etc.).Therefore care must be taken to set appropriate gain settings to avoid clipping.2.7.1Overdrive ProcessingThe overdrive process is included to allow a degree of relief from premature clipping if high modulation levels are required,by providing a method for the harmonic content of peak information above digital max to be included in the ﬁnal output of the TransMod process.When set to maximum (100%) the overdrive process will allow peak information up to 6dB greater than max to be included without the sound of hard clipping,whilst avoiding digital overloads entirely.Overdrive processing will also change the harmonic content of the programme to provide warmth and richness to many programme types.2.7.2Loudness EnhancementWhen used with negative ratios,the TransMod can provide an eﬃcient method to increase the loudness of programme by reducing very short transients that may otherwise cause overloads.In many cases,very short transients may not be a prominent part of the programme sound,and can be reduced without damaging the sonic character of the results.If very short-term peaks are reduced,more modulation gain can be achieved without overloads.Since the look-ahead process timing can act on the signal before itappears at the output of the plug-in,short-term peaks can be eﬀectively reduced without apparent loss of overall sonic character.To achieve this eﬀectively,very small overshoot and recovery values should be used with a minimum rise time setting,in order to catch the fastest transients only.A negative ratio coupled with a suitable dead band setting can be obtained that reduces transients by the required amount,allowing the overall level of the programme to be increased before limiting occurs.Note:Since the TransMod is an adaptive process that constantly changes witprogramme content,the peak limiting function will not be as predictable and accurate as that provided by a programme limit.3Description of ControlsNote that the parameter settings provide continuous feedback of settings values,and have type-in ﬁelds so you can change values directly from your keyboard.Input SectionINPUT meterDisplays Input drive levels.GAINProvides adjustment of gain from –24 to +24dB.THRESHOLDAdjusts the level threshold for the onset of processing.DEADBANDControls the range of transient programme change that is ignored by the TransMod process,from 0dB to 6dB.Eﬀect SectionRATIOControls the overall eﬀect of the TransMod process.Positive settings producetransient enhancement and negative settings cause reduction.EFFECT meterabove the IN button Displays the peak overall gain and loss of transients in theprogramme material resulting from the TransMod process between + 24dB and-24dB.IN button Switches eﬀect in and out,maintaining constant delay and gain forcomparison purposes.OVERSHOOTControls the timing proﬁle of the transient modiﬁcation.Output SectionRECOVERYControls the response of the TransMod process to long-term programme levelchanges,from 3 to 200mS.OVERDRIVEProvides additional harmonic and overload enhancement eﬀects to the TransMod output signal,from 0% to 100%.RISE TIMEControls the response speed of the TransMod process to short duration envelope transients,from 100µS to 30mS.4SPECIFICATIONSOUTPUT meterDisplays output drive levels.Output SectionClicking the Sonnox button produces a drop-down options menu.4Speciﬁcations4.1Pro Tools | HDX– Instances per chip48 kHz96 kHz192 kHzMono1573Stereo14635PRESET MANAGER TOOLBAR 5Preset Manager ToolbarThe Oxford TransMod plug-in comes equipped with its own onboard Preset Manager, which is displayed as a toolbar at the top of the plug-in window,just as if the host created it (see above).The reasoning behind this is to allow increased portability of your presets across all the host applications,while also providing a consistent and versatile interface. Although most host platforms allow the creation and loading of presets,thosehost-created preset ﬁles are not portable between diﬀerent host applications.With the Oxford plug-ins’ preset manager,you can create a named preset in one host application and load it when using an alternative application.The Preset Manager ToolBar is enabled via the Sonnox button Options Menu (see Description of Controls).The Sonnox Preset Manager is fully described in a companion document —Sonnox Toolbar and Preset Manager Operation Manual— available for download on the Support Documentation page of .7SYSTEM REQUIREMENTS 6Supported Platforms•Avid Pro Tools (AAX Native and DSP32/64-bit)•VST hosts (32/64-bit)•AU hosts (32/64-bit)•Mac Intel OSX10.6 or higher•Windows 7 and 8 (32/64-bit)7System RequirementsFor latest System requirements,please visit .All versions•Free iLok account•Appropriate product licence•iLok2Pro Tools•Approved Digidesign/Avid CPU and hardware conﬁguration•Pro Tools 10.3.5 (Native or HD), or higherVST Native•VST compliant host application (e.g.Cubase,Nuendo,etc.)Audio Units•Approved Apple CPU and OSX10.6 or higher•Audio Unit Host application (e.g.Logic,Digital Performer,etc.)8COPYRIGHT AND ACKNOWLEDGEMENTS 8Copyright and AcknowledgementsTrademarks and content copyright©2007-present Sonnox®Ltd.All rights reserved.Sonnox®and the ﬁve dots logo are registered trademarks of Sonnox Ltd.This product is manufactured and supplied by Sonnox Ltd.This product is protected by one or more European and/or US patents.DIGIDESIGN, AVID and PRO TOOLS are trademarks or registered trademarks of Avid Technology Inc.VST is a trademark of Steinberg AG.All other product and Company names are trademarks or registered trademarks of their respective holders.。

展光紫锐下载工具中文说明

Download tool 用户手册版本8.03.14目录1 概述 (3)2 硬件配置 (4)2.1 硬件需求 (4)2.2 硬件设置 (4)3 软件配置 (7)3.1 软件需求 (7)3.2 软件设置 (8)3.2.1 端口设置 (8)3.2.2 下载内容设置 (8)3.2.3 Flash设置 (9)3.2.4 标志位设置 (10)3.2.5 SN设置 (11)3.2.6 蓝牙设置 (12)4 使用下载工具 (13)4.1 启动程序 (13)4.2 启动下载 (13)4.3 下载Lod (14)4.5 单独开始、停止下载 (15)4.6 取下设备 (15)5故障处理 (15)1 概述文档介绍download tool 的基本功能与使用说明，包括硬件配置，软件配置，故障处理等。

Download tool 主要用于向手机导入相关程序、用户数据等，还可以擦除Flash中的内容，如用户数据、校准数据、出厂设置，并能同时写入手机SN和主板SN等。

2 硬件配置2.1 硬件需求1.带PCI插槽或多个USB接口的PC。

2.MOXA CARD 1-8（或1-16）或USB hub，支持波特率为921600(bps)的传输速度。

3.下载线.4.下载专用尾插或夹具。

5.直流电源2.2 硬件设置目前Download tool支持8个串口同时下载。

连接方式见下图1图1如果使用MOXA CARD ，只须将MOXA CARD 插入PC内某一口空闲的PCI槽，接上1-8口线，安装MOXA 驱动即可。

安装完成后，在设备管理器中看到它映射出的8个串行端口（图2所示），即表示安装成功。

安装MOXA CARD驱动之前，可以将PC自带的COM口的端口调整，以便使MOXA卡映射出8个连续的端口号，如图2中MOCA CARD 的8个端口使用的COM口依次是1到8，便于识别。

使用USB hub 下载也十分简单，只需把专用USB下载线接入PC的USB接口或USB hub的接口，然后再对映射出来的串行端口按MOXA卡类似的方法设置好即可。

pro tools教程

数字音频工作站Pro Tools LE教程王磊PRO TOOLS 初级教程说明：本教程只适用于刚刚接触或正要学习PRO TOOLS的同学使用。

Pro Tools的软件至今也已升级到6.9的版本。

还有最近出的两个小玩意MBOX和DIGI002。

我们所说的DIGI001系统是这些中最简单的一个，就是由简化版的PRO TOOLS LE软件加上硬件DIGI001组成。

此外这两个接口还配有48V幻相供电（PHANTOM POWER），可直接接入需48V的电容话筒进行工作。

如何使用ProTools进行音频录制和混音制作

如何使用ProTools进行音频录制和混音制作第一章：ProTools简介ProTools是一款专业的音频录制和混音制作软件，被广泛应用于音乐制作、电影制作和广播电视等领域。

它具有强大的功能和灵活的操作界面，可以实现高质量的音频处理和编辑。

本章将介绍ProTools的基本概念和界面布局，给读者一个全面的了解。

1.1 ProTools的基本概念ProTools是由Avid Technology公司开发的一款数字音频工作站软件，它可以实现多轨录音、混音、编辑和效果处理。

它支持多种音频接口和音频文件格式，可以与各种音频设备进行兼容和交互。

1.2 ProTools的界面布局ProTools的界面分为编辑窗口、混音窗口和传送窗口等几个部分。

编辑窗口主要用于录音和编辑音频，混音窗口用于将录制好的音轨进行混音处理，传送窗口用于传输和接收音频信号。

第二章：音频录制音频录制是音频制作的基础，良好的录音质量对于后期的处理和制作至关重要。

本章将介绍如何使用ProTools进行音频录制，包括设置录音设备、调整参数和监控录音过程。

2.1 设置录音设备在ProTools中，首先需要将录音设备连接到计算机，并通过软件设置进行识别和配置。

具体步骤如下：（1）打开ProTools软件，选择“设置”菜单中的“音频设备设置”选项；（2）在音频设备设置对话框中，选择正确的音频接口和输入输出设备，并设置采样率和缓冲区大小；（3）点击“应用”按钮保存设置。

2.2 调整录音参数在进行音频录制之前，需要根据实际情况进行参数调整，以获得最佳的录音效果。

具体步骤如下：（1）在编辑窗口中选择要录制的音轨；（2）点击“属性”按钮，进入音轨属性对话框；（3）在音轨属性对话框中，设置音轨的输入通道和音量，选择录音格式和分辨率；（4）点击“确认”按钮保存设置。

2.3 监控录音过程在录制音频时，需要及时监控录音过程，以确保录音质量。

ProTools提供了多种监控方式，包括实时录音波形显示、音频信号监视和耳机监控等。

ClinProTools user manual ClinProTools使用手册

ClinProToolsClinProToolsClinProTools 使用指南基本流程：¾ 编辑方法的参数 ¾ 分组调入样品数据 ¾ 建立模型：选择算法、设定参数、进行运算和显示结果 ¾ 分析未知样品：调入数据和显示结果ClinProTools是专门用于对临床蛋白质组学数据进行分组统计分析的软件。

要事先把各个样品文件分组存入对应的文件夹中。

先编辑参数,再分组调入数据,然后建立模型。

编辑方法的一般参数打开File> General Settings菜单，设置表格显示格式等参数。

编辑谱图处理的参数打开Data Preparation> Settings Spectra Preparation菜单，设置谱图处理的参数：是否去基线、排除无效谱图和噪音谱图、谱峰对齐、设置分析质量范围。

编辑峰计算的参数打开Data Preparation> Settings Peak Calculation 菜单，设置峰计算参数：信噪比，是计算峰面积还是峰高。

分组调入样品数据（至少两组）打开File> Open Model Generation Class 菜单，逐个调入建模所需的各组数据。

调入两组样品数据后的界面调入两组样品数据后，就可看到这样的界面。

左上图可以逐个显示各个样品的谱图，左下图以准胶图的形式同时显示所有样品的谱图。

进行峰统计分析调入数据后，点击峰统计报告按钮，即对各组谱图进行统计分析，并显示峰统计列表。

显示的峰统计表在峰统计表中分别显示每个峰的峰编号、质量数、均值差、p值、各组的均值、标准偏差和变异系数等信息。

峰强度的组间最大均值差p值峰强度的各组均值各组的标准偏差CV值建立模型：选择模型算法、设定算法参数和名称可以选用不同的算法，分别建立模型。

进行模型运算点击Calculate按钮,进行模型运算,建立过程中，状态栏显示为”calculating”。

P V Tool Pro 用户手册说明书

P/V Tool® ProUser GuideAssessing lung recruitability and performing recruitment maneuvers in adult patientsThis User Guide describes how to assess recruitability and perform recruitment maneuvers in adult patients.While the information contained herein is believed to be accurate, it does not represent an official recommen-dation from Hamilton Medical, nor may it substitute an opinion, assessment, or instructions provided by a trained healthcare professional.This User Guide does not replace the clinical judgment of a physician, nor the content of the ventilator Operator’s Manual, which should always be available when using the ventilator.P/V Tool Pro is available as an option on the HAMILTON-C3/C6/G5 ventilators; it is a standard feature on the HAMILTON-S1 ventilator.References are provided at the back of this guide, on page 23.P/V Tool Pro2021-12-07Table of contents1. Overview (4)2. Conditions for use (6)3. Recruitment protocols: BASIC and ADVANCED (9)4. Step 1. Assess lung recruitability (10)5. Step 2a. Performing a recruitment maneuver (13)6. Step 2b. Performing a second recruitment maneuver (17)7. Performing decremental PEEP titration (20)8. Performing a third recruitment maneuver (21)9. Esophageal pressure measurement (22)10. Reference (23)1.1 Recruitment strategy and P/V Tool ProIn ARDS patients, a recruitment strategy combines recruitment maneuvers and positive end-expiratory pressure (PEEP) to prevent atelectrauma. Recruitment maneuver stands for a process of intentional transient increase of transpulmonary pressure (Ptranspulm) above values used during regular mechanical ventilation, where the main objective is to open unstable distal airways and/or airless alveoli. The maneu-ver is also often called an alveolar recruitment maneuver, as the opening of collapsed alveolar units is believed to represent the major effect of a recruitment maneuver.¹ PEEP may decrease ventilator-induced lung injury by keeping those lung regions open that may otherwise collapse.2The percentage of potentially recruitable lung varies widely among ARDS patients. Zones of collapsed and consolidated alveoli in the most dependent lung frequently require airway-opening pressures of more than 35 – 40 cmH2O to recruit.2Knowledge of the percentage of potentially recruitable lung is important for establishing the therapeutic efficacy of PEEP. Setting PEEP levels too low may reduce the possible benefits of PEEP, while use of high PEEP levels in patients with a low percentage of potentially recruitable lung provides little benefit and may actually be harmful.3P/V Tool ProP/V Tool Pro provides a bedside method for assessing lung recruitability and carrying out recruitment maneuvers.4, 5, 6Flow of less than or equal to 10 l/min has beenshown to be quick, safe, and reliable for determiningthe lung mechanics by means of a pressure-volume(P/V) loop at the bedside.7We suggest using the minimum ramp speed of2 cmH2O/s to eliminate the pressure change fromresistive elements of the respiratory system.To access this graph in P/V Tool ProX Touch the P/V Tool graphics panel and select the Paw/Flow option. 1.2 Quasi-static low-flow pressure/volume curvePaw cmH2O Flow l/min2.1 Important notes about recruitment and P/V Tool Pro• Most patients require deep sedation, with some patients requiring an additional neuromuscular blockade to prevent spontaneous breathing efforts.• Monitoring the patient‘s hemodynamics during maneuvers (diagnostic and recruitment) is crucial.In the event of any hemodynamic impairment, STOP the maneuver immediately.• Ensure the ETT cuff is inflated to a pressure higher than the maximum pressure specified in the P/V Tool settings.*• The patient must receive at least five (5) breaths between P/V Tool recruitment maneuvers.• Before use, carefully review the indications and contraindications for performing a recruitment maneuver, described next on pages 7 and 8.• P/V Tool Pro is disabled in several ventilation modes. Refer to your ventilator Operator’s Manual for details.* If using IntelliCuff, cuff pressure is monitored and maintained automatically.2.2 Indications for performing a recruitment maneuverIndications for use• Early in the management of moderate to severe ARDS.• As part of an open-lung approach.• In the case of impairment with oxygenation after an intervention such as surgery, resuscitation, or similar.Conditions for use• The patient is intubated and passive, that is, not breathing spontaneously.• The breathing circuit is gas tight. There must be no gas leak throughout the entire system of the ventilator, the breathing circuit, or at the ventilated patient.• Nebulization is deactivated. P/V Tool Pro is disabled during nebulization and for five (5) breaths following nebulization.• The flow sensor must perform optimally. The accuracy of the information provided depends on the quality of the flow sensor connection. P/V Tool Pro is disabled when the Flow sensor calibration needed alarm is active.2.3 Contraindications for performing a recruitment maneuverUse of the P/V Tool is contraindicated if any of the following conditions apply:• Air leaks• Pregnancy• Lung emphysema• Hemodynamic instability• Confirmed or suspected intracranial hypertension• Patients who cannot tolerate high intrapulmonary pressure (for example, right heart failure)3. Recruitment protocols: BASIC and ADVANCED The BASIC protocol comprises two steps that must be performed in the order shown.Do not skip a step!Step 1.Assess lung recruitabilityStep 2a.First lung recruitment maneuverIn the event that the BASIC protocol does not result in effective recruitment, proceed to the ADVANCED protocol.Step 2b.Second lung recruitment maneuverB A S IC P R O T O C O 4.2 Assess potential for recruitmentTo assess the patient‘s potential for lung recruitment, calculate the normalized maximum distance (NMD) using the low-flow P/V waveform (see page 10, example on page 12).8High potential for recruitmentNMD% ≥ 41%Low potential for recruitmentNMD% < 41%Consider:• Keeping PEEP < 10 cmH2O • Prone positioning• Persistent hypoxemia Consider ECMOSee page 12 for examples.Paw cmH2OV mlMax. vol. = 1500Max. dV = 330Max. dV / Max. volume = 600/1350NMD% = 44%V mlMax. vol. = 1350Max. dV = 600Paw cmH2O dV mldV ml5. Step 2a. Performing a recruitment maneuver5.1 Before you start• Before performing a recruitment maneuver, consider decreasing the Oxygen setting to reach an SpO2 value of 92%.16When the SpO2 saturation is above 92%, it can be difficult to evaluate the improvement inoxygenation after the recruitment maneuver.• If NMD%≥ 41% (pages 11 and 12), a recruitment maneuver is warranted.8Effective recruitmentWhen both of the following criteria are met, recruitment was effective:• Volume increase at Ptop was greater than 2.0 ml/kg IBW 6 (page 16)• SpO2 was above 97% within 5 minutes 17Ineffective recruitmentIf either of the above criteria was not met, proceed to the advanced protocol (page 17).NOTE. Effective recruitment increases respiratory system compliance, and results in eitheran increase in tidal volume or a reduction in driving pressure.5.3 Assess the effectiveness of the maneuverThe following criteria help you assess whether the recruitment maneuver was effective.* To view the volume difference, touch the P/V Tool graphics panel and select the Paw cmH2OV mldV mlA D V A N C E D P R O T O C O LONLY use the ADVANCED protocol if the first recruitment maneuver (using the BASIC protocol) was well tolerated hemodynamically.• Try to limit the patient‘s respiratory system driving pressure * to a maximum of 15 cmH2O after the recruitment maneuver.• If the patient shows indications of increased chest wall elastance, for example, morbid obesity or intra-abdominal hypertension, consider esophageal pressure measurement to guide your recruit-ment strategy (page 22).• Before performing the recruitment maneuver, consider decreasing the Oxygen setting to reach an SpO2 value of 92%.16When the SpO2 saturation is above 92%, it can be difficult to evaluate the improvement in oxy-genation after the recruitment maneuver.6. Step 2b. Performing a second recruitment maneuver6.1Before you start* Driving Pressure = Pplat – PEEPtotal6.3 Assess the effectiveness of the maneuverThe following criteria help you assess whether the recruitment maneuver was effective.Effective recruitmentWhen both of the following criteria are met, recruitment was effective.• Volume increase at Ptop was greater than 2.0 ml/kg IBW 6 (page 16)• SpO2 was above 97% within 5 minutes 17If the second recruitment maneuver was effective, perform decremental PEEP titration(page 20) to determine optimal PEEP for use in a third and final recruitment maneuver(page 21).Ineffective recruitmentIf either of the above criteria was not met, the recruitment maneuver was not effective.Consider using esophageal manometry in your recruitment strategy (page 22).21Hamilton Medical | P/V Tool Pro User Guide A D V A N C E D P R O T O C8. Performing a third recruitment maneuver8.1 Specify settings for a recruitment maneuverPstart: Optimal PEEPPtop: 50 cmH2OEnd PEEP: Optimal PEEP Ramp speed: 5 cmH2O/sTpause:10 s 13To start the maneuverX Touch Start/Stop maneuver .In the P/V Tool Settings window, specify the following settings to perform a third recruitmentmaneuver:10. Reference1 Oxford Textbook of Critical Care2 Borges, João, et al. Am J Respir Crit Care Med 174.3 (2006):268-278.3 Gattinoni, Luciano, et al. New England Journal of Medicine 354.17(2006): 1775-1786.4 Maggiore, Salvatore, et al. Am J Respir Crit Care Med 164.5(2001): 795-801. Web.5 Grasso, Salvatore, et al. Am J Respir Crit Care Med 171.9(2005): 1002-1008.6 Demory, Didier, et al. Intensive Care Med 34.11 (2008):2019-2025.7 Daniela Pasero M.D., Giorgio A. Iotti M.D., and Mirko Belliato M.D. White Paper: Respiratory system pressure-volume curve: Validation of a new, automatic, pressure ramp method of acquirement; 2004.8 Chiumello, D., et al. Critical Care Medicine, 48(10) (2020): 1494–1502.9 Borges, Joao B., et al. American journal of respiratory and critical care medicine 174.3 (2006): 268-278.10 Gattinoni, L. Current opinion in critical care 21.1 (2015): 50-57.11 Kacmarek, R., et al. Critical care medicine 44.1 (2016): 32-42.12 Kacmarek, Robert M., et al. Critical care medicine 44.1 (2016): 32-42.13 Arnal, Jean-Michel, et al. Intensive care medicine 37.10 (2011): 1588.14 Chiumello, D., et al., Intensive care medicine 39.8 (2013): 1377-1385.15 Kassis, E., Intensive care medicine 43.8 (2017): 1162-1163.16 Jones J. G., Jones S. E. J Clin Monit Comput 2000; 16:337–50.17 Tusman, G., et al (2014). Analgesia, 118(1), 137–144.23 Hamilton Medical | P/V Tool Pro User GuideManufacturer:Hamilton Medical AGVia Crusch 8, 7402 Bonaduz, Switzerland+41 (0)58 610 10 20*************************Specifications are subject to change without notice. Some features are options. Not all features are available in allmarkets. For all proprietary trademarks and third-party trademarks used by Hamilton Medical AG, see /trademarks. © 2021 Hamilton Medical AG. All rights reserved.10067117/01。

ProTool图形的单元教程

5.1.2
ProTool 中自定义项目的用户界面 .......................................................... 5-7
ProTool 用户手册如何组态基于图形的单元
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5.2 5.2.1 5.2.2 5.2.3 5.2.4 5.2.5 5.2.6 5.2.7 5.3 5.3.1 5.3.2 5.3.3 5.3.4 5.3.5 5.4 5.4.1 5.4.2 5.4.3 5.4.3.1 5.4.3.2 5.4.4 5.4.4.1 5.4.4.2 5.5 5.5.1 5.5.2 5.5.3 5.5.4 5.5.5 5.5.5.1 5.6 5.7 5.8 5.8.1 5.8.1.1 5.8.1.2 5.8.1.3 5.9 5.9.1 5.9.2 5.9.3 5.9.4 5.9.5 5.9.6 5.9.7 5.9.8 5.9.9 5.9.10
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1 什么是 ProTool？ ............................................................................... 1-1
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在操作单元上进行画面分区 .................................................................. 4-12

录音师protools软件操作

I n s t r u c t o r :S a n l y Y a nAVID protools 10How to recordingProtools 10 教学内容1 什么是protools 以及相关版本• 2 如何按装与问题解决• 3 如何快速征服protools软件protools 10 ProTools是AVID公司出品的工作站软件系统，最早只是在苹果电脑上出现，后来也有了PC版。

ProTools软件内部算法精良，对音频、MIDI、视频都可以很好地支持，由于其算法的不同，单就音频方面来讲，其回放和录音的音质，是大大优于我们现在PC上流行的各种音频软件的。

ProTools相对于其他音频处理软件有不小的优势。

处理音频的功能极其强大、人性化、可加载的插件也比其他软件上的插件好很多，且处理过的音频在音质上没有损失，其他的音频软件单单在这点上就不尽人意。

对于音乐本来来讲，音质是最基本也是最重要的。

世界各地的音乐制作人之所以都在用ProTools来做音乐的后期处理，当然是因为这么复杂专业性的工作不单单只需要一个软件就解决了，还需要其他周边的硬件来支持，所谓软硬结合就是这个道理。

1 什么是protools 以及相关版本protools 10 1 全世界用得最多的录音软件2 产品线配套很多一环扣一环• 3 资本市场做的很好非常有钱• 4 美国人总是大忽悠5 中国人总是爱被忽悠1 什么是protools 以及相关版本protools 10 分为 5个版本，需要ilok才能使用ilok 一代ilok 二代1 什么是protools 以及相关版本•AAX (Avid Audio eXtension) 。

为了解决架构对插件带来的影响，Pro Tools提出了新的AAX插件格式，这个新的格式统一了native和DSP插件的处理，不过这对开发者来说又是一大挑战，因为他们必须将老的TDM插件改成AAX格式才可以。

由于将定点架构换成了浮点，所以带来的结果必然导致AAX插件处理后的声音听起来跟以前的TDM不一样了，我不清楚这对声音来说有多大的影响，但插件开发者必须花上数年去解决这个事情。

protools快速上手一看就会

Pro Tools 快速上手，一看就会众所周知，ProTools是录音、缩混的业界标准，有着高音质、稳定性好等诸多优点，几乎所有专业录音棚里都在用它。

在早期，ProTools门槛很高，需要专门的硬件一起购买，而现在的ProTools已经不再需要专门的硬件来支持，纯软件版本配合任意声卡就能干活，价格也已经非常实惠，如果是购买MboxPro等AVID自家声卡，包装里也会附赠完整版的ProTools软件，因此，越来越多的朋友已经开始用ProTools来干活。

其实，音频软件的操作都是大同小异的，如果您之前用过Cubase等软件，那么上手ProTools是很简单的事情，常用的还是那些功能，只是界面和选项不同罢了。

下面我们就立即开始，用最简单的图解来给新手介绍一下ProTools最常用的一些功能，相信您看完之后立刻就可以用它干活啦。

1，开工这个没什么好说的，打开软件就会有选框，选创建空白工程就行了。

自带的那些模板也可以没事研究一下，因为它已经调好了一些效果之类的东西，可以看看它都是挂的什么，怎么调的。

但最常用的其实还是空白工程。

建一个新文件夹，把工程建立在里边就可以了。

如图1-1和1-2所示。

图1-1：新建工程图1-2：选择新工程的路径2，建新音轨新建空白工程后，按快捷键“花”+Shift+N，就会弹出新建轨道的窗口了。

如图2-1所示。

这里的选项一目了然。

常用的音轨分单声道和立体声两种。

一般如果是用一支话筒录音，就选单声道、音频轨。

注意了一支话筒就是一个声道，要用单声道录，而不是立体声轨，初学的新手千万不要闹笑话。

立体声轨一般用来录制乐器、放置立体声的声音文件如伴奏轨等。

图2-1：新建轨道3，音轨选项默认下音轨上有些选项是不显示的，在音轨左边点开扩展菜单，将常用的打上勾就可以都显示了，比如插入和发送效果器的机架是很常用的，一般是显示出来比较方便。

如图3-1所示。

图3-1：音轨选项显示一般PT默认就是用第一个端口来输入，如图3-2所示，在这里选择输入端口，话筒插在哪就选哪。

PROIITools

PROII中文工具PROIITools™ 简明用户手册维维计算机技术有限责任公司htcsoft@目录第一节概论 (1)第二节使用方法 (1)2.1 系统安装 (1)2.2 使用 (2)第三节服务器管理 (5)3.1 概要 (5)3.2 服务器管理 (5)3.3 客户管理 (6)第一节概论PROII是典型的化工流程模拟软件，广泛应用于石油化工等过程工业领域，在中国有大量的用户群。

PROII是英文软件，其报表格式不符合中国习惯。

尽管后续版本不断增强其报表能力，但是毕竟无法生成我们习惯的、特别是工业设计规定格式的报表。

PROIITools™在此背景下诞生。

PROIITools™使用特殊的技术，用户使用它打开PROII的*.prz、*.pr1文件，就可以“一键”生成整个模拟的物料平衡表文件，它是中文的Excel文件,完全符合工业设计的要求。

格式精美，数据可靠。

PROIITools™™的高速度将给设计人员带来极大的方便。

PROII用户需要经常改变模拟方案，重复计算，重复生成物料平衡表。

常常改变一下PROII流程计算并不困难，用户头痛的是要重新制作物料平衡表。

设想一下成千个流股的物料平衡表手工生成的麻烦程度。

有了PROIITools™，这个问题将成为历史。

第二节使用方法2.1 系统安装2.1.1软件授权PROIITools™软件必须得到使用许可（授权）方可使用。

授权使用专用的硬件，该硬件是一个专用的USB卡，插到USB插槽即可。

单机版本用户把USB硬件插到本机器上，网络版用户把USB硬件插到服务器计算机上即可。

本软件有一个安装程序setup.exe，可引导用户完成安装，安装过程十分简单。

安装完成后，桌面出现软件启动图标。

网络版用户需要额外在局域网络上安装服务器的setup.exePROII和Excel是运行环境，必须安装。

2.2 使用2.2.1主要菜单和功能启动软件后，出现如图2的界面。

菜单分为两种，下拉式文字菜单和图标（按钮）菜单，它们的功能一样，这里只解释文字菜单。