英语毕业论文《嘉莉妹妹》中的新女性形象分析

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英语本科毕业论文范文欣赏(共7篇)

英语本科毕业论文范文欣赏（共7篇）第一篇：美国文学作品中的女性形象研究摘要：本文以美国文学作品为研究对象，通过分析不同时期作品中的女性形象，探讨女性角色在美国社会历史背景下的变迁。

本文选取了《红字》、《嘉莉妹妹》和《飘》三部作品，分别代表19世纪、20世纪初和20世纪中叶的美国文学，旨在揭示女性在追求独立、自由和平等过程中的心路历程。

一、引言美国文学作品中，女性形象丰富多彩，她们或勇敢追求真爱，或为独立自由而奋斗。

本文将通过分析三部经典作品中的女性角色，带您领略美国文学中的女性魅力。

二、19世纪的女性形象——《红字》中的海丝特·白兰在纳撒尼尔·霍桑的《红字》中，海丝特·白兰勇敢地面对世俗的偏见，坚定地追求真爱。

她的形象代表了19世纪美国女性在封建礼教束缚下，对自由和爱情的渴望。

三、20世纪初的女性形象——《嘉莉妹妹》中的嘉莉西奥多·德莱塞的《嘉莉妹妹》描绘了一个从乡村到城市的女性奋斗史。

嘉莉在追求物质生活改善的过程中，逐渐觉醒，开始寻求精神独立。

她的形象反映了20世纪初美国女性在工业化进程中的困惑与挣扎。

英语本科毕业论文范文欣赏（共7篇）第二篇：跨文化交际中的英语语用失误分析摘要：随着全球化进程的加快，跨文化交际日益频繁。

本文聚焦于英语语用失误，分析其在跨文化交际中的表现形式及其产生的原因。

通过对具体案例的深入探讨，本文旨在为英语学习者提供有效的跨文化交际策略。

四、语用失误的定义与分类语用失误是指在交际过程中，由于语言使用不当导致交际目的未能实现的现象。

本文将语用失误分为两类：语用语言失误和社交语用失误，并分别进行阐述。

五、跨文化交际中的语用语言失误案例分析本章节通过具体案例分析，展示了英语学习者在词汇、语法和语篇层面可能出现的语用语言失误，并探讨了这些失误背后的文化差异。

六、跨文化交际中的社交语用失误案例分析社交语用失误往往涉及交际双方的社交规范和文化习俗。

关于英美文学论文开题报告范文

关于英美文学论文开题报告范文篇一论文题目：The Destiny of Sister Carrie-An Analysis of “New Female Image” in Sister Carrie(嘉莉妹妹的命运-浅析《嘉莉妹妹》中的新女性形象)一、选题动机、可行性分析、意义、重点和创新点：1选题动机：对作者的作品比较感兴趣，而且嘉莉妹妹比较贴近现实生活。

在现今社会中有很多女性的生活与嘉莉很相近，可以引起共鸣。

I am very interested in the author’s writing themes. And Sister Carrie relatively close to real life. In today's society there are many women in the life and Carrie very close, can resonate.2可行性分析：(1)选题意义：反映现今社会的诸多问题，以启示人们树立正确的人生观和价值观。

<嘉莉妹妹>是西奥多•德莱塞的杰出代表作,该小说勾勒了人类历史发展进程中消费主义和自然主义所展示的一幅精彩画面,真实地再现了20世纪初的美国大都市生活。

Reflect the many problems of modern society, is a lesson people establish a correct outlook on life and values.(2)选题重点：对嘉莉这个主要人物的性格以及影响她的外界环境因素的分析。

The main characters of the character of Carrie and her impact on the analysis of environmental factors(3)选题创新点：从侧面反映现实生活From the side of the situation reflects real life二、本选题国内外研究现状There are not so much articles which talk about the Sister Carrie国内外研究此课题的文章并不多见, 在美国文学史上,嘉莉妹妹一直是颇具争议的人物形象.三、毕业论文研究基础及研究方法：(1)研究基础：I have read the novel before and I am very interested in the themethe novel involves ,together with we learned the novel not long before. Afterthe teacher analysizes it for us carefully, I have a further understandingto it.我以前就读过这本小说的中文版本，看完之后我对里面涉及的主题很感兴趣。

《嘉莉妹妹》女性主义探析嘉莉妹妹女性主义论文

《嘉莉妹妹》女性主义探析嘉莉妹妹女性主义论文一时代背景19世纪末20世纪初，美国社会处于由传统工业向现代工业的转型期，工业化和机械化程度日益增强，传统的精神信仰受到了经济发展的冲击，新的精神信仰尚未形成，而女性在当时以男性为中心的社会中仍处于附属地位。

这一时期西方正处于第一次女权运动浪潮之中, 女性开始为争取自身的解放而奋斗，批判男权主义的女权主义应运而生。

2848年，伊丽莎口•凯蒂•斯坦顿和卢科瑞蒂亚•莫特带领女权主义改革者在塞内卡瀑布举行聚会，要求修正法典里许多对妇女不公平的待遇。

纽约州召开了妇女代表大会，争取选举权运动。

这期间，美国社会出现了成千上万的•新女性”。

一般来讲，“新女性”指两类妇女，一类是劳动阶层的年轻女工，另一类是不安于传统女性命运的中产阶级少女和少妇。

“新女性”大都具有强烈的自我意识和独立的个性，受过一定程度的教育，性观念较为开放，不为传统的家庭观念所束缚。

她们常常通过各种方式为自己争取更大的独立权利，并呼吁与男人一样享有平等的权利。

’新女性”的崛起为当时的美国文学提供了全新的素材，注入了新的活力。

大批•新女性”以•自主、独立、蔑视传统”的姿态出现在美国社会，并以否定传统婚姻和家庭观念的大胆行为来挑战男权社会。

但是仍然有许多男性作家，如杰克•伦敦、亨利•詹姆斯等为捍卫男性权威、维护传统妇道而把•新女性”刻画成性情古怪，行为异常，令读者嫌恶的角色。

当时的女性仍然受着清教主义的影响，主流女性形象是温文尔雅的淑女，是虔诚的清教徒，这也就说明，当时的女性在婚后应该全心全意相夫教子，不能毫无顾忌地放纵自我的情感，整天沉溺于男欢女爱。

女性应该是纯洁无瑕的，应该是纯洁高尚的化身，不能读任何有关性和性爱的故事。

尽管德莱塞勇于而对现实，在《嘉莉妹妹》中描绘了以嘉莉为代表的“新女性”的形象，却也未能摆脱遭致恶评的命运。

德莱塞并未像其他世俗之人一样把嘉莉描绘成一个为了虚荣和欲望出卖肉体的低级女性，而是一个•被动的奋斗者”, 属于高层次的女性。

《嘉莉妹妹》女性主义特征解读

《嘉莉妹妹》女性主义特征解读《嘉莉妹妹》是一部由美国作家夏洛特·珍德( Charlotte Perkins Gilman)创作的短篇小说，以第一人称视角讲述了主人公嘉莉在医生、丈夫以及家庭的禁锢下所经历的心灵折磨与抗争的故事。

本文将从女性主义的角度对《嘉莉妹妹》中的特征进行解读。

嘉莉代表了被压迫的女性群体，她在社会中受到了多重的禁锢与限制。

小说中，嘉莉被医生诊断为患有神经衰弱，违背了医生的嘱咐，嘉莉开始展开一系列秘密的活动。

这一点意味着嘉莉试图摆脱被家庭和医学权威所束缚的阻碍，她追求的是自由和个人独立。

小说中对于妇女在家庭中的地位与角色的描绘表现了小说的女性主义倾向。

在小说中，嘉莉是一个合格的主妇，她把照顾丈夫和儿子放在首位，过着尽职尽责的家庭生活。

嘉莉在这样的生活中感到了无尽的压抑与束缚，她对自我的渴望、对自由和个人独立的追求逐渐涌起。

小说中对嘉莉在家庭中的日常生活的描写充满了女性主义的意味。

嘉莉住在一个可以被视为她精神囚禁的房间里，这个房间的窗户被钉死，空气充满了她丈夫和医生所制定的规则和条条框框。

这个房间象征着嘉莉内心的囚禁和她在家庭中的地位的束缚。

嘉莉对这个房间的描述表达了她对于这种束缚的反感和渴望解脱的情感。

小说中描写嘉莉心灵变化的进程，表现了女性主义的意味。

嘉莉在房间的墙壁上看到了一个典型的象征女性被束缚的图案，她称之为“僵局”。

随着故事的发展，嘉莉开始逐渐抗争，并最终撕碎了房间中的墙纸，她释放了自己，摆脱了主人公认同以及社会束缚带来的精神困扰。

这一变革过程代表了嘉莉在女性地位与权利争取中的意识觉醒和抗争精神。

《嘉莉妹妹》体现了女性主义的多个特征。

小说通过主人公嘉莉的经历和内心感受，揭示了女性在家庭和社会中所经历的种种压制与禁锢。

嘉莉的抗争和追求个人独立的故事也呼应了女性主义的核心理念，即追求妇女在社会、家庭和个体生活中的平等和自由。

《嘉莉妹妹》堪称一部充满女性主义特征的经典作品。

(英语论文)嘉莉妹妹解读(英文)

A BRIEF ANALYSIS OF SISITER CARRIE《嘉莉妹妹》解读June, 2007Xiaogan UniversityAbstractSister Carrie tells the story of a small country girl Carrie who moves to Chicago to realize her “American Dream”and eventually becomes a Broadway star in New York. Despite living a luxurious life, she is lost in sprit. Reading the novel, we may easily notice Carrie’different needs and desires arising gradually and also the betrayal of traditional moral code in the process of pursuing material gain. The paper analyzes the reasons why Carrie has various needs at different stages of life, mainly based on Maslow’s hierarchy of needs. One is Carrie’s inner desires; the other is the outside force, including temptations of environment, cities, etc. The interaction between them makes Carrie lose herself eventually. It seems to tell people that in modern society material supplies more and more abundantly, but we should never pursue it blindly and much importance should be attached to happiness and stability created by spirit. It is essential to ponder the significance and the value of life.Key words: Sister Carrie; desire; lost; hierarchy of needs从马斯洛层次需要理论重新解读《嘉莉妹妹》摘要《嘉莉妹妹》讲述一位农村女孩嘉莉不甘贫穷来到芝加哥实现自己的“美国梦”，最终成为纽约百老汇一位著名的演员，享受奢华的物质却陷入精神迷失的故事。

英语论文】《嘉莉妹妹》文学评论(英文)

LITERATURE REVIEW—AN ANALYSIS OF DREISER’S SISTER CARRIE《嘉莉妹妹》文学评论An 18-year-old girl without money or connections ventures forth from her small town in search of a better life in Theodore Dreiser's revolutionary first novel. The chronicle of Carrie Meeber's rise from obscurity to fame--and the effects of her progress on the men who use her and are used in turn--aroused a storm of controversy and debate upon its debut in 1900. The author's nonjudgmental portrait of a heroine who violates the contemporary moral code outraged some critics. A century later, Dreiser's characters continue to fascinate readers. The protagonist Carrie is still a controversial character. Many critics regard Carrie as a “fallen woman”, and there are also some critics regard her a s a “new woman”.Many people hold such an opinion that Sister Carrie is a tragedy, in which carrie is described as an immoral woman and she had an empty life though she succeeded as a famous player at the end of the novel. They conclude that “it is impossible to possess true happiness in a money-oriented capitalism society.”①(Li qi-shan 45).Jiang yu-qin says that “the city changed Carrie,a once innocent country girl into a seemingly successful empty life.”②(Jiang yu-qin 135)In her abstract she points out that Carrie represents the women who “experience desiring,chasing,struggling,falling and disillusioning.” Carrie was successful eventually from material aspect, but still unhappy spiritually.We can find such a paragraph in Peng dan-kui’s “Theodore and his Sister Carrie ”, “She(Carrie) has two persons to help her,but instead of getting better, she goes from bad to worse. Actually there is no one who can be the saviour for Carrie in the society. And she comes to realize it is impossible to be a success by working hard honestly…….Carrie is just one of the many victims of the city’s influence and of the capitalist society.”③(Peng dan-kui 75)From this passage, we can conclude that Mr. Peng takes Carrie as a traditional woman victim in a corrupted society. In other words, he denies that Carrie has her own motivates as an independent person.There are also many critics about the character carrie abroad.For example, in Sister Carrie and the Hidden Longing for Love: Sublimation or Subterfuge?Leon F. Seltzer says, “The thesis of this study is Carrie’s longing is shown by Dreiser(though never clearly understood by him )to be a longling for love and emotional relatedness. Such a longing, however, can never know fulfillment because, on one level, carrie is depicted as deficient in the capacity to love and, on far more essential level, her creator ( a man at once sterile and promiscuous, who….)was incapable of appreciating either the nature orpossibiities of human intimacy.”④(Leon F. Seltzer 192)We notice that seltzer descried carrie as a woman without the capability of love. Here he also attacked dreiser.From so many critics, we can see there are really many people they don’t appreciate Carrie. They think she is degenerate, immoral,cold-blooded, and without a lofty soul.But like everything has two sides, lots of other people have different viewpoints. They don’t take carrie so simply, so traditionally. They argue that carrie, from some aspects, stands for “new woman”, which we can see in Wu hong-yun’s Sister Carrie under the unconventional discourse of feminism. First she declares that “Carrie is not a victim ” of the captilist world, on the contrary, she is a victor, be cause “she (Carrie) proves her ability and realizes her value through her own efforts in the capitalist fatherhood society.”⑤(Wu hong-yun 36) Then Mrs. Wu put forward the idea “Carrie is not a immoral woman”, and she admires Carrie highly with the words like “spirit independently”, “rational and witty”, “hard working”, “a new woman” from the feminist angle. She even justifies Carrie’s desire for material gains. She insists that carrie shows a quality of “modern females”.It’s not superisingly that we can find almost the same words in Wang gang-hua’s article. He even puts Carrie to a new higher level. Here is a paragraph from his Carrie’s desires and motives : “in short, carrie shaped her own perfect image through the reflection in mirror , the discernment and the confirmation of the surrounding people. This kind of self-shaping cultivated carrie’s own consciousness, that is, she regards herself as an independent subject, and keeps an independent position in social activities. Thereafter, carrie gradully stepped into being active from passive.”⑥(Wang gang-hua 92) If we surf on the internet, we can find lots of critics about Sister Carrie. Clare Virginia Eby says in his Cultural and Historical Contexts for Sister Carrie, “Dreiser's evolutionary treatment of ethics in Sister Carrie ultimately verges toward the revolutionary, in that he tries to get readers to suspend judgment on actions that would typically be condemned as immoral, such as Carrie's premarital sex and Hurstwood's theft….. Dreiser discourages readers from viewing Carrie as immoral, instead drawing attention to the obsolescence of traditional moral standards. The ending of the novel is especially significant in this regard, for Dreiser breaks with long-standing literary tradition that "fallen women" must be fully punished, preferably by a grisly death. Carrie, to the contrary, may be unfulfilled or lonely at the novel's end, but she is very much alive and eminently successful in the eyes of the world.”⑦He added, “Carrie is not simply rebelling against her husband(Hurtswood) but more significantly against the role that women were traditionally supposed to follow. As historian Barbara Welter describes the nineteenth century ideal for the white middle class, the "True Woman" was expected to be pious, pure, domestic, and submissive. However a competing model for femininity emerged in the U.S. around the 1880s. The "New Woman" typically had a career and was economically independent. Frequently New Women aligned themselves with members of their own sex rather than in conventional marriages. Carrie follows this pattern …… Yet the typical New Woman was be tter educated and frequently more politically inclined than Carrie, and so we might best thinkof Dreiser's heroine as a transitional figure, moving from the Victorian model of True Woman toward the recognizably modern New Woman.”⑧From these two paragraphs, we can know clearly about Eby’s understanding of Carrie.Too many critics about Carrie exist from 1900 when dreiser finished the novel till now, and I can’t cite them one by one. Here I just classified them into two groups. From the totally different views, we can see that different people does hold different opinions. To me, I also have my own understanding of Carrie.First, I really can’t agree Carrie is a “fallen woman”.Those who criticized that she is greedy for material gains and she loses her sense of morality when she pursues her desire, to me, they failed to understand the novel deeply and they failed to treat carrie equally as well. It’s quite true that carrie had sexual relations with two men, which maybe the most unbearable thing for those who said Carrie is “immoral”, but when we read the novel, actually we can say that Carrie’s intention was to have a good husband.First she met Drouet who attracted her with his beautiful clothes and fine manners which represented he belongs to a high class. That is very nature, as I say. Carrie came from a poor peasant family and she wanted to search a better life in Chigago. When she met such a young man who was “ an experienced traveller, a brisk man of the world”⑨(Dreiser 9) and was so courteous to her. “It disposed her pleasantly toward all he might do.”⑩(10)After Carrie arrived the Hanson’s, she found things disappointing. She did efforts to search a job, but she failed at last. Drived by the desire for survival, she eventually accepted drouet. Here we should notice that though the main reason Carrie accepted Drouet is he had the money to support her, but on the other hand, Carrie did have some good feelings on him. Besides, Drouet promised to marry her. So at the beginning, the story went like lots of other love stories. Poor young beautiful girl comes to a big city and wants a “better life”, then she meets a rich man who makes she believe that they love each other, inevitably she wishes a wedding with the man. That happens a lot now. but in the fact, the man didn’t have a plan to marry her.And later, Carrie found another man who seemed worth her love. Hurtswood stands for a calss higher than Drouet’s. He was more attractive and he knew women’s heart better. Carrie once hesitated, but Drouet really couldn’t touch her heart any longer. Drouet himself was not a guy who really wanted to get married. So Carrie didn’t resist when Hurstwood lied to her and brought her to New York. That happened on a base that Carrie thought Hurstwood would marry her and gave her a happy life. That’s human’s instinct. Carrie’s instinct is to survive and to live better. That’s all. She didn’t have any intrigues like Mrs.Hurstwood. We still can say she is pure. She was just drived by the circumstances. So sexual relations with two men didn’t make carrie a “fallen woman”.Secondly, I do n’t agree completely that Carrie is a “new woman”.When Carrie met the living crisis in New York, at the beginning, she still believed that Hurstwood could made all things right. But later, she found Hurstwood was fallingrapidly. She tried to encourage Hurstwood to find a job to support the family, but he failed. He couldn’t find his place in the bigger city New York at all. But Carrie didn’t want to wait and die. She got a job in a theatre,not so easily, then she left him. Here we can often see many critics said carrie is “stone-hearted”. To me, Carrie’s behavior may be a bit cruel, but still can be forgave. Think what an enviroment she lives in! she needs to live! I also explain her action as a result of her instinct.Next, Carrie made herself successful on the stage by a small chance. She got money and fame gradually. But these can’t make her a “new woman”, because her success has much contingency. Her self-consciousness hadn’t be aroused untill she met Ames, a young engineer. His influence causes Carrie to become disillusioned with her success as an actress in comedy and makes her desire to perform more dramatic works. He introduced some writers to Carrie, and also gave some astonishing views about the surrounding people, which made Carrie think he was a special man. From that, Carrie started to think about lots of other things deeply. I say, Carrie at this moment is still not a“new woman”. She doesn’t has her own understanding of the world. She still can’t think and action as an independent woman.To sum up, I don’t think Carrie is “immoral”. When she is drived by her instinct to find a way to live, she has nothing to blame for. As Jerome Loving said, “For him(dreiser), man-all of humankind—was still halfway between animal instinct and ideal of human morality,and so alack of morality was to be expected.”⑾(Jerome Loving 92 The last titan:a life of theodore dreiser)To some extent, I agree with Eby’s opinion that Carrie is “a transitional figure, moving from the Victorian model of True Woman toward therecognizably modern New Woman”.Notes:⑦⑧Clare Virginia Eby:// /collections/rbm/dreiser/scculhist.htmlBibliography:(1)李其珊.《嘉莉妹妹》中的对比和象征艺术[J]玉林师范学院学报（哲学社会科学）2004(2)姜玉琴. 城市:一个承载事业、绞杀灵魂的谬体-从德莱塞的《嘉丽妹妹》到尤凤伟的《泥鳅》[J]外国文学研究2004(3)彭丹逵. 德莱塞和他的《嘉莉妹妹》[J]嘉兴大学学报1995(4)Leon F. Seltzer. Sister Carrie and the Hidden Longing for Love: Sublimation orSubterfuge?--- Twentieth Century Literature, V ol. 22, No. 2 (May, 1976) , pp. 192-209(5)王刚华. 嘉莉妹妹的欲望和驱动力[J]外国文学研究2002(6)Clare Virginia Eby .Cultural and Historical Contexts for Sister Carrie:// /collections/rbm/dreiser/scculhist.html(7)Dreiser,Theodore. Sister Carrie. Pennsylvania:University of Pennsylvania Press 1981(8)Loving,Jerome. The last titan:a life of theodore dreiser.California :University of California Press 1997(9)Pizer ,Donald. New Essays on Sister Carrie. New York:Cambridge University Press1991(10)Yoshinobu, Hakutani . Sister Carrie and the Problem of Literary NaturalismTwentieth Century Literature, V ol. 13, No. 1 (Apr., 1967) , pp. 3-17绝密文件，核心资料，拒绝盗版支持正版，从我做起，一切是在为了方便大家！。

嘉莉妹妹中嘉莉的人物性格分析

《嘉莉妹妹》中嘉莉的人物性格分析An Analysis of Carrie's Character inSister CarrieAbstract: This thesis will make a brief interpretation to social criticism of Theodore Dreiser's first masterpiece Sister Carrie. It tells a story of a girl, Carrie,who was reduced from an innocent city immigrant to a commodity, andfinally to an actress by the city environment which was permeated with anatmosphere of ceaseless commercialization. Until now, Sister Carrie isstill controversial book. And the thesis will mainly analyse Carrie'scharacter, external and internal factors affecting her and the growth of herindependent consciousness. According to those analyses, we know thisbook is still a wake-up call and its significance of social criticism doesn'tdetract at all with time gone. It is worthwhile to read again.Key words: Carrie; analysis of character; social criticism摘要：这篇论文将对西奥多·德莱塞的第一部代表作《嘉莉妹妹》的社会批判意义做一简要阐述。

（英语毕业论文）浅析《嘉莉妹妹》中新女性形象

（英语毕业论文）浅析《嘉莉妹妹》中新女性形象最新英语专业全英原创毕业论文，都是近期写作1 浅析《动物庄园》中极权主义形成的必然性2 浅析情景教学法对初中英语课堂教学的影响3 从杨必翻译的《名利场》看文学翻译中的归化与异化4 On the Sufferings of the Protagonists in Wilde’s Fairy Tales from the Aesthetic Perspective5 浅析艾米丽?迪金森诗歌的主题思想6 An Analysis of Symbols in Young Goodman Brown7 Cultural Connotation of Color Words in Chinese and Western Culture8 中英文名词性后缀的比较及其对翻译的启示9 《呼啸山庄》中的爱与复仇10 经典英文电影台词的文体分析11 分析《永别了，武器》中Henry的硬汉形象12 《睡谷的传说》中理想与现实的矛盾13 电视公益广告的多模态话语分析14 从《热爱生命》和《马丁?伊登》中透视杰克?伦敦心中对生命的执爱15 浅析英文商务信函的写作格式与文体风格16 Cultural Differences Between English and Chinese by Analyzing Brand Names17 A Comparison of the English Color Terms18 论《呼啸山庄》中希思克利夫的性格19 英汉新词形成因素研究20 翻译中的性别－－《简?爱》几个中译本的女性主义解读21 现实主义和唯美主义的水乳交融—评茨威格《一个陌生女人的来信》22 英汉死亡委婉语的文化差异及其分类对比23 An Analysis of Huckleberry Fi nn’s Personality24 论圣经诗篇的修辞特点25 《嘉莉妹妹》中嘉莉的欲望分析26 浅析《愤怒的葡萄》中主要人物的性格特征27 詹姆斯鲍德温《桑尼的布鲁士》中男主人公桑尼的自我救赎28 解析《爱玛》中女主人公的形象29 从苔丝和曼桢的角色分析中西文化下女性的抗争30 福克纳《我弥留之际》中达尔形象解析31 英语委婉语的表达模式和应用32 A Comparison of the English Color Terms33 英语委婉语及其翻译34 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(英语系经贸英语)贸易壁垒下中国企业跨国经营的突破之路—以华为为例71 论初中生英语学习资源策略培养72 《了不起的盖茨比》中象征主义的研究73 从《人与鼠》看斯坦贝克艺术风格74 初中英语教学中的角色扮演75 The Alternation of Language: A Study of Microblogging V ocabulary76 永不凋落的玫瑰—从女性主义分析《红字》中的海斯特77 海明威的“冰山原则”与其短篇小说的人物对话78 小学英语教学中的体态语应用79 A Study on Narrative Techniques in A Rose for Emily80 论英语演讲开场的决定性因素和相关策略81 从心理语言学的角度探讨消极情绪的语言表达82 《小妇人》中教养方式的分析83 浅谈罗密欧与朱丽叶的爱情悲剧84 论圣经诗篇的修辞特点85 从主述位理论看奥巴马就职演讲的连贯性86 如何有效地扩展大学生英语词汇87 Text Memorization and English Learning88 Gone with the Wind: From Novel to Film89 从《无名的裘德》看哈代的现代性意识90 广告中的熟语模因探析91 功能目的论视角下的仿拟翻译的应用分析92 浅析《不存在的人》中主人公的觉醒93 法语给英语带来的影响94 英语习语非稳定性结构特征研究95 从《牧师的黑面纱》看霍桑矛盾的宗教情结96 论《麦田里的守望者》中的佛教禅宗因素97 论环境和社会制度对人的行为和品格的影响——以《雾都孤儿》中南希的形象分析为例98 《暮色》两中译本中文化缺省重构的对比研究99 商务英语翻译中的隐喻研究100 中西校园流行语的文化对比101 试比较中美中学历史教育中历史思维的培养102 A Comparative Study of Cultural Connotations of Yellow and Huang in English and Chinese 103 论《一个小时的故事》中马拉德夫人女性意识的觉醒104 论《野性的呼唤》中的自然主义105 威廉?麦克佩斯?萨克雷《名利场》的道德研究106 从礼貌原则分析美国总统就职演说辞的语用特色107 中西思维方式差异对跨文化交际的影响108 Analysis of Cross Cultural Business Communication Failure109 论个人主义对美国英雄电影的影响110 从《印度之行》看福斯特的人文主义思想观111 The Victims of Upper Class: A Comparative Study on the Two Heroes of The Great Gatsby and Tender Is the Night 112 谈商务英语信函的语言特点及其翻译113 凯瑟琳与苔丝悲剧命运的比较114 不同英汉颜色词的象征意义及其翻译115 从公示语的语言特色谈其翻译116 情感教学在初中英语课堂中的理论和实践117 对美国个人主义和中国集体主义的一些讨论118 跨文化交际中的社交语用失误及其对英语教学的启示119 华兹华斯和弗罗斯特自然观的比较120 英语形容词的翻译121 中西方饮食文化对比122 从传统节日庆祝方式的角度比较中英文化差异123 浅谈中西体态语的差异124 A Study on Chinglish of EFL Learners in Junior High Schools in China125 论修辞格在英语广告中的运用126 《女勇士》中的文化冲突与文化融合127 中美面子观比较及其对商务谈判策略的启示128 《杀死一只知更鸟》中主人公的成长危机129 小说《鸡蛋的胜利》中扭曲的“美国梦”130 王尔德童话《快乐王子》中的对比艺术131 女性形象下的女权主义思想——浅析汤亭亭小说《女勇士》132 The Pursuit and Disillusionment of the American Dream—On Martin Eden133 《了不起的盖茨比》中两个女主人公的道德沦丧的探析134 归化和异化在影片名翻译中的应用135 关于《白鲸》中的象征主义手法运用的研究与探讨136 论如何提高初中英语课堂教学效率137 《飘》中斯佳丽的性格特征解读138 埃德加·爱伦·坡幽默小说研究139 《荆棘鸟》的女性主义解读140 《还乡》中游苔莎的悲剧命运分析141 中西面子观的比较研究142 《苏菲的选择》中的人性分析143 Grammatical Analysis of Academic Writing144 从《麦琪的礼物》看欧亨利留给世人的礼物145 分析阿加莎克里斯蒂在其侦探小说《阳光下的罪恶》中的写作手法146 解析《喧哗与骚动》中凯蒂悲剧的必然性147 A Study of Chinglish as Found in Students’ Writings148 论中西婚姻观的差异149 女性社会价值的深情呼唤—小说《到灯塔去》中拉姆齐夫人和莉丽人物形象的对比研究150 A Study on Fuzziness of Advertising Language151 跨文化交际中英语副语言的表现和交际功能152 美国俚语的文化及特征153 多媒体英语教学的优势与劣势154 论口译的原则与技巧155 An Analysis of the Feminism in The Scarlet Letter156 鼓励性教学方法在中学英语教学中的应用157 浅谈来自《圣经》的英语习语158 委婉语的适用性原则和策略159 浅谈中西婚俗的文化差异160 The Joy Luck Club－A Bittersweet Picture of Chinese-Americans across Two Generations 161 狄更斯小说《远大前程》中的批判现实主义特点解读162 从跨文化角度论商标的翻译163 中西商务谈判中的跨文化因素研究164 浅析《双城记》中的牺牲精神165 英国议会制辩论－－探究与实践166 探析《蝴蝶梦》中的悬念写作手法167 从心理学角度看哈克贝利.费恩的性格168 影响中学生英语学习的心理因素分析169 商务英语口译能力的培养与对策170 中美企业文化研究171 论《宠儿》中的象征意象172 中西礼貌用语的语用对比研究173 American Individualism and Its Reflection in the Film Erin Brockovich174 主位推进模式在语篇翻译中的应用175 从功能对等论看中餐菜单的英译176 On the Translation of Communicative Rhetoric in Literature—Analysis of the two Chinese versions of Jane Eyre 177 中西跨文化交际中的礼貌问题之比较分析178 从女性主义角度浅析《诺桑觉寺》179 初中英语课堂教师话语分析180 分析《等待》的悲剧181 中英征婚广告对比分析研究182 英语会话中间接拒绝语的语用研究183 On the Feminist Consciousness Reflected in Pride and Prejudice184 论《卡斯特桥市长》的现实意义185 英语环境的营造对中学生英语学习的影响186 A Study of Beauty in Sound, Form and Meaning Displayed in Zhang Peiji’s Prose Translation 187 关于中国文化教学的文献综述188 英文商务索赔信的人际意义功能分析189 Advertising and Its Application190 商务英语翻译中的跨文化因素191 尼斯湖和西湖—中西方旅游性格差异研究192 解读《小镇畸人》中三位畸形女性193 浅析《还乡》中游苔莎的悲剧根源194 论《白鲸》主角的悲剧实质195 The Tragic Fate of Tess196 从《卡斯特桥市长》看哈代作品中的宿命论色彩197 英汉文化差异对英语俚语汉译的影响198 广告英语修辞特点及其翻译199 撒旦和孙悟空的形象和文化内涵对比200 从中美数字谚语看中美文化的差异。

论《嘉利妹妹》中的新女性形象

论《嘉利妹妹》中的新女性形象一、综述国内外对本课题的研究动态，说明选题的依据和意义：因西奥多•德莱塞的第一部小说《嘉莉妹妹》展示了社会转型时期新旧两种不同意识形态的较量，是美国文学史上的里程碑。

唐纳德•皮泽尔的四篇原创论不仅反映长期以来《嘉莉妹妹》的研究方法，也反映了近来学术和文学评论所关心的一些问题。

托马斯•里吉奥探讨了《嘉莉妹妹》中的主人公是以德莱塞的家人或是他的经验为原型的，以展示德莱塞心理描述的深度。

巴巴拉•霍其曼发现嘉莉的演员职业是理解她性格的关键，同时也是德莱塞塑造人物的关键。

理查德•莱恩讨论了德莱塞基本信仰与《嘉莉妹妹》自然主义形成的关系。

艾伦•特拉钦伯格考察了德莱塞叙述风格。

但是不管从那方面研究我认为都是为人物形象的形成作铺垫。

国内以蒋道超的《德莱塞研究》和毛信德的《德莱塞》为代表也对德莱塞的著作进行研究。

德莱塞的作品在我国翻译介绍颇多，但有关他的研究的专著则相对较少，因而，这本《德莱塞研究》可以说是非常及时地弥补了这一方面的不足。

《德莱塞研究》这本书注重研究的系统性，涵盖面广，既有他的生平介绍，又有对其作品的分析。

尤为可贵的是，作者在对德莱塞创作思想进行分析时，注重参照德莱塞当时所处的社会历史环境，并且这种分析又更多地体现和强调在哲学思想的层面上。

国内外都曾有学者对《嘉莉妹妹》中的人物形象有所研究，为此，本文依靠前人的研究方法和研究成果，试图在这方面表达出一些自己对《嘉莉妹妹》中新女性形象的理解，即通过对德莱塞自然主义思想、哲学思想、生平、著作等各方面的研究，及对《嘉莉妹妹》的研究，具体人物的对比分析，分析《嘉莉妹妹》中的新女性形象化及其环境，本能和欲望对她性格形成所造成的影响。

二、研究的基本内容，拟解决的主要问题：本文从欲望本能和环境决定论方面，结合自然主义、女性主义等文学批评理论分析嘉莉妹妹如何从一个听任男人摆布的初到大城市的乡下女孩到一名自食其力、经济独立的“新女性”，这个过程实际上是对传统的“女性特质”观念的改写。

从女主义角度解读《嘉莉妹妹》英语-33页精选文档

XXXX大学本科毕业论文（设计）任务书编号：论文（设计）题目：从女性主义角度解读《嘉莉妹妹》学院： XXX学院专业：英语教育班级： XXXX级英语教育X班学生姓名：XXX 学号： XXXXXXXX 指导教师： XX 职称：XX1、论文（设计）研究目标及主要任务本论文的研究目标是从女性主义角度解读女主人公嘉莉.米贝的新女性形象。

2、论文（设计）的主要内容本论文分为两章，第一章介绍嘉莉从依附家庭成员和情人到实现独立，并分析其依赖的客观社会原因。

第二章讨论了嘉莉自我意识的觉醒。

3、论文（设计）的基础条件及研究路线本论文的基础条件是不同的研究者对文章的不同解读。

研究路线是对嘉莉.米贝在男权社会的新女性形象进行具体的阐释和解读。

4、主要参考文献E.L. Doctorow. 1958. An Introduction to Sister Carrie. New York: A Bantam Book, Inc.Abrham H. Maslow , G.N. 1970. a theory of human motivation. New York: Harper & RowCharvetr, J. 1982. Feminism. London: J.M. Dent& Sons Ltd.,蒋道超，2019，《德莱赛研究》，上海：上海外语教育出版社。

朱达，1989，《论德莱赛的〈嘉莉妹妹〉》，外国文学研究。

教师：年月日教研室主任：年月注：一式三份，学院（系）、指导教师、学生各一份XXXX大学本科生毕业论文（设计）开题报告书XXX学院英语教育专业 XXXX 届XXXX大学本科生毕业论文（设计）评议书XXXX大学本科生毕业论文（设计）文献综述本科生毕业论文设计从女性主义角度解读《嘉莉妹妹》作者姓名XXX指导教师XX所在学院 XXX学院专业（系）英语教育班级（届） XXXX级英教X班完成日期 XXXX 年 5 月 8 日Feminist reading onSister CarrieByXXXXProf. XX, TutorA Thesis Submitted to Department of EnglishLanguage and Literature in PartialFulfillment of theRequirements for the Degree of B.A in EnglishAt XXXX UniversityMay 8, XXXXAbstractTheodor Dreiser is a distinguished writer in American literature in twentieth century. He boasts readers all over the world. In the meantime, Dreiser is widely discussed in critical filed. His first novel, Sister Carrie is his first novel and typical representative of naturalism and has remained a hot topic in American literature.By now, this novel has been researched from various perspectives, but few from feministic aspects systematically.With American society at the turn of the 19th and 20th century, the novel witnesses great transformation of that era. The booming industrialization changes people’s life style as well as their way of thinking and ideology, especially female’s thoughts. Sister Carrie juxtaposes rise to become a celebrity of a country girl and degradation of an affluent manager to a homeless beggar and finally resorts to suicidal. However, popularized commercialism and patriarchal thoughts imposes negative influence on woman, despite of which, Carrie achieves independence from family and lover and realizes talent and beauty awareness.The thesis is composed of two chapters.Chapter one introduces the emergence of new woman in the deeply-rooted patriarchal society, analyzes Carrie’s independence from family and lovers and explains the objective reason for her dependence- consumerist society.Chapter two discusses three kinds of traditional woman and their fate pattern and concentrates on Carrie’s gradual achievement of beauty awareness and talent awareness and her attitude to reality from passiveness to activeness.The significance of the study includes two aspects. Firstly, through the analysis, the researcher wants readers to be more familiar with plot and characters of this novel, not merely regards it as a naturalistic work. Secondly, the research tries to employ concrete supporting theories to analyzeKey words independence self-consciousness freedom摘要西奥多.德莱赛是二十世纪美国文学史上的一名著名作家。

从女性主义角度分析《嘉莉妹妹》中嘉莉的新女性形象

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Henry’s Short Stories197 控制学对英语家教影响的实证分析198 《宠儿》中塞丝的性格特征分析199 英语新词汉译原则研究200 A Thousand Splendid Suns: from the Perspective of Initiation Story。

《嘉莉妹妹》中嘉莉的性格分析

An Analysis of the Personalities of Sister Carriein Sister Carrie《嘉莉妹妹》中嘉莉的性格分析摘要《嘉莉妹妹》是美国小说家西奥多·德莱塞的第一部长篇小说, 嘉莉妹妹是文中的主角，作品揭露出一位在现实社会生活中温柔，善良，美丽的社会乡村少女在资本主义社会环境中转变成为独立，自信，聪明，优雅，有内涵的新女性，刚开始嘉莉妹妹把自己的希望寄托在男性身上，结果自己遭受了两次欺骗，到后来她认识到只有通过自己的努力才能改变自己的命运。

最终她通过自己努力和才能登上百老汇红五星舞台，成为一名大都市独立的新型女性。

本文旨在通过对嘉莉妹妹的性格分析，使读者清楚地认识到成为一名新时代的独立的女性，不能把希望依赖于别人，只有通过自己的努力才可以实现自我的价值，并最终取得成功。

同时新时代的女性首先应该在经济上独立，从而获得人格上的独立，赢得别人的尊重，而嘉莉妹妹正是通过依靠自己才成为了一名经济独立，而又有自信和内涵的新女性。

关键词：嘉莉妹妹；性格分析；性格形成原因；作者写作目的AbstractSister Carrie is written by American Theodore Dreiser. Sister Carrie is leading role. In the works, Sister Carrie is described as a gentle, kind-hearted, beautiful, country girl, eventually; she turns into be a independent, confident, smart, elegant, new metropolis female. In the beginning, she puts her hope on male. Unfortunately she is deceived twice by men. In the end she appears on Broadway red throne through her hard efforts and becomes a new independent metropolis female.This article, aiming at the analysis of sister Carrie’s characters, introduces readers a new independent female who can’t rely hope on anybody only through her own efforts to achieve self-value and success. At first, a new female must obtain economical independence to gain personal independence, and win the respect of others. Owning to her efforts, Sister Carrie becomes a female with financial independence, confidence and inner beauty.Key Words: Sister Carrie; character analysis; cause of formation; the writer’s writing purposeContents摘要 (I)Abstract (II)1. Introduction (1)2. The Characters of Sister Carrie (1)2.1 Innocence and Simplicity (1)2.2 The Character of Sister Carrie after Her Coming into City (2)2.2.1 Her Diligence and Gumption (2)2.2.2 Her Romantism and Realism (3)2.2.3 Her Independence and Persistence (4)2.2.4 A Forceful Woman in Life (4)3. The Reasons of the Formation of Sister Carrie’s Later Personalities (5)3.1 Internal Causes (5)3.1.1 The Backgroud of Family (5)3.1.2 Rebellious Character (6)3.2 External Causes (6)3.2.1 The Background of Capitalism and Consumerism (6)3.2.2 The Influence of Individual Experience (7)4. Defects of Sister Carrie’s Personality (7)4.1 Her Vanity (7)4.2 The Lack of Rational Education (8)5. The Writer’s purpose (9)6. Conclusion (9)Bibliography (12)Acknowledgments (13)1. IntroductionSister Carrie is the first novel written by the American novelist Theodore Dreiser When the industrial and commercial cities have been rising, a large number of rural population have poured into the city. Carrie,eighteen years old, a smart and simple girl, in order to get rid of poverty, boards on a train to Chicago with only four U.S., hoping to have a better life. However, the harsh reality breaks her dream because of her unemployment and disease. In desperation, she becomes the mistress of the salesman Chas.H.Drouet, and then she comes across a hotel manager, G.W. Hurstwood who was attracted by her simple beauty. Hurstwood lures Carrie to New York, stealing the money of the hotel. In New York, because of Hurstwood’s deteriorating economy and unemployment, Carrie is forced to find job. Then she earns their living by hard work. Finally, owing to chance, she becomes a popular actress, squeezing into the high society and abandons poor Hurstwood. Carrie is famous for her persistence and effort. But she is not happy, even feels lonely.This paper is divided into six sections. The first chapter introduces the background of Sister Carrie. The second chapter reviews the characters of Sister Carrie. At first the personalities of Sister Carrie is analyzed in the rural areas, and then the characters of Sister Carrie is analyzed in the city. The third chapter analyses the reasons of Sister C arrie’s personality’s formation. The fourth chapter tells Sister C arrie’s defects of personality.The fifth chapter analyses the writer’s intention. In the last chapter the Sister C arrie’s characters are summarized.Duing to her complicated characteristic, a few questions need to be asked. What kind of person she is? What are the causing factors to the formation of her characters? What are defects in her personality and why does the author create such a character?2. The Characters of Sister Carrie2.1 Innocence and SimplicityIn the first place, she is a brave girl.“When Sister Carrie boarded the afternoontrain for Chicago, her total outfit consisted of a small trunk, a cheap imitation alligator-skin satchel, a small lunch in a paper box, and a yellow leather snap purse, containing her ticket, scrap of paper with her sister’ s address in Van Buren Street, and four dollars in money,”(Theodore Dreiser,1981:1-2)from the paragraph, we can see she is a courageous girl. When Sister Carrie goes out alone with little money, she is only eighteen years old. In the second place, she is easy to be moved by heterosexual complaisance and sweet words at the train for Chicago. She encounters Drouet on the train for Chicago and after getting off the train, Drouet asks for taking the package for Carrie, she says, “Very kind of you.” and feels that it is really lucky to get such a complaisant care in a strange land. Besides, at the train she gives a heterosexual stranger her address after they communicate with each other after a while without the vigilanceIn conclusion, it can be seen that Sister Carrie is brave, innocent and simple.2.2 The Character of Sister Carrie after Her Coming into city2.2.1 Her Diligence and GumptionCarrie’s diligences are found expression in the work. She goes out to find a job the next day she arrives in Chicago. For running all day, she finally finds a job in a shoes factory with a payment of five point four dollars every week. Though having to work long hours in a poor working condition with a low pay, long working hours, poor working conditions, she endures that. Later because she wears thin clothes, she gets a cold and loses her job. If she does not find a job, her sister wants to ask her to go home. But she does not give up living in Chicago; finally she becomes the mistress of Drouet. And at that time, the Masonic which Drouet belonged to is performing a “fund-raising Play”. At the meantime, the play lacks of heroine. Drouet asks Carrie to have a try, so Carrie replies to try. From that moment Carrie practices painstakingly at home every day and then it is a good choice to get rid of privation. So she knows that if she wants to succeed, she has to work hard and finally Carrie performs this role successfully. This experience lays a solid foundation for her to success in the Broadway. Hurstwood lures Carrie to New York and they lives together. Carrie is a housewife in her first time, before Hurstwood loses his job and stays at home. Theenvironment is getting increasingly embarrassment; Carrie has to go out to look for a job to do. Although she is only a humble chorus actor in a choir, then she does not give up hope and makes an effort, eventually she becomes more and more popular, enjoying a prosperous life. Without her hard work, Carrie could not have been successful at last. Her gumption is expressed in the way how she improves herself. In Chicago, Carrie learns the conversations and manners of the people in graded society.2.2.2 Her Romantism and RealismHer romance is reflected in her illusion. Her romantic fantasy is that she will eventually get back as long as she works hard. Only in this way her hard work will not be wasted. After she finds a even low-paid job, she imagines that she will be happy. Her fantasy is that she has a nice future than before—live a happy life waiting for her “For the next day Carrie indulge d in the most high-flows peculation. Her fancy plunged recklessly into privileges and amusements which would have been much more becoming had she been cradled a child of fortune. With ready will and quick mental selection she scattered her illusion four-fifty per week with a swift and graceful hand. Indeed, as she sat in her rocking-chair these several evenings before going to bed and looked out upon the pleasantly lighted street, this money cleared for its prospective possessor the way to every joy and every bauble which the heart of woman may desire. I will have a fine time, she thought”(Theodore Dreiser,1981:1-3). But her fantasy is soon shattered, and in this competitive metropolis, it is very difficult for one without any experience to find a work. Earning four point five dollars salary per week and working in poor condition are almost unbearable for her. Besides she also needs to pay her sister and brother-in-law for food. The rest of salary is not enough to offer her necessaries. Moreover her job is lost, because she is ill for three days. Her romance is also reflected in her emotional fantasies. Her first fantasy is that Chas.H.Drouet will marry her after she becomes his mistress. When she comes cross Mr.G.W.Hurstwood and lives together with him. Her second fancy is that she and Hurstwood will have an ideal combination. But the Drouet does not really want to marry her, and then the Hurstwood just avoids his wife’s outrage and rudeness to find a safe haven. Finally her emotional illusions have been shattered totally. Althoughachieving fame and fortune, she still is not happy, even Hurstwood has returned his original beauty and glory, he could not allure her. She knows that these material substances are not happiness in her own present state. Fame is not everything. She has twice been deceived by men, so that she no longer holds the magic about life and love. Her romance is because she does not understand that social competition is brutal, sinister. What’s more she does not get the people’s hearts. Her reality is because life hones church she no longer easily believes a man. Only by own efforts to live the life you want.2.2.3 Her Independence and PersistenceCarrie’s independence is not spontaneous, but is forced out. She comes to Chicago to stay with her sister and brother-in-law’s home and ha s to look for a job by herself, and then when she gets a job, she must pay the meals for her sister. After she is unemployed, she is not welcomed; they propose her to return home. At that time Carrie encounters Drouet when she is in distress, and she takes him as the last straw, which makes her abandon relations to go alone. And breaking up with Drouet, she has to find a job again. Later she is lured to New York by Hurstwood, Carrie cannot stand with poor life, and Hurstwood cannot find jobs. Their life has a problem, so she goes out again to look for a job, and tries several times. And finally she becomes a famous actress in the Broadway in a small chorus. Her persistence is embodied in searching jobs. In a prosperous city, she cannot find job after running all day. But she doesn't give up. At that time, she is only an eighteen years old. Although feeling shy and ashamed, she is full of courage to have a try. Finally, she obtains job through her efforts. In the end she becomes a famous actor and gets success through her persistence.2.2.4 A Forceful Woman in LifeCarrie dares to face the difficulties of life, and takes an optimistic attitude to face the difficulties. When she arrives in Chicago, in order to adapt to living in a flourishing city, she begins to change her mind. She does not only simply abandon the lifestyle of her mother’s generation, but also makes efforts to adapt to the new way of life in modern America. At first the initial stage of herself-fashioning, when Carrielives with her sister Minnie, she begins to focus on self-fashioning. She separates from her sister Minnie, because her sister is a traditional woman who is busy with household chores every day and seems to have lost herself, and the thought of tradition life is what Carrie wants to abandon, so Carrie would like to choose a new way of life. Carrie earns money to buy beautiful clothes for her and wants to go entertainment. She knows what kinds of life she wants. When living into the apartment with Drouet, Carrie starts to model herself in ideal. In addition to cultivate her, Carrie pays attention to the behavior and wants to be more elegant as well as more temperament. As a result, she becomes a quite charming girl. At the same time, she walks in graceful footsteps, not so heavy, she is beautiful and elegant. Eventually Mrs. Vance introduces her cousin Armstrong to Carrie; Armstrong’s thoughts have influence on Carrie about having a great degree, which makes her pursue the spiritual world from the initial simple material desires to the pursuit of art. That makes Carrie begin to realize that the pursuit of material comfort is not enough; the pursuit of spirit is the most important to her.3.The Reasons of t he Formation of Sister Carrie’s Later Personalities 3.1 Internal Causes3.1.1 The Backgroud of FamilyOrigin often leaves imprint in one’s personality or inner world. Carrie’s extreme thirst for material and her lack of rational are found a little clue in her early life in Colombia. She is afraid of returning home. Her sympathy for the poor and downtrodden people, as well as fear about the fate dating back to her father’s life mixed with complex feelings of pity and shame. Therefore, she has to be persistent in finding a job and offer fundamental life by herself. Walking in the streets of the city, she sees the clothes shabby girl and despair of those pale and shabbily dressed men; she will bit her lip with standing. Although the principle is often nagging around her ears, but it can’t save herself from her strong fear of being likely to suffer that fate. So she wants to make her every effort to achieve her goal. Carrie’s mind can’t defuse thetension of painful memories from the childhood which is most clearly seen in her relationship with men. Carrie measures their value directly whether they offer her food, shelter, clothing and pleasure within the capacity of the external factors, which is call of her nature. She continuously obtains material substances from men when she is missing something. Unfortunately she always suffers pain. Finally she reaches her dream by her efforts and independence.3.1.2 Rebellious CharacterLeaving a tearful mother, Carrie boards on train to a strange and complicated big city. We could feel tne courage of an 18 years old young girl and the heart of the rebel. With a taste prosperity of Chicago, she soon begins to resist common lifestyle of the brother-in-law. Then, just as leaving her hometown in Wisconsin, Carrie once again escapes from the residence of a brother-in-law, matting her relationship with a man’s privacy. This is the strongest hint of rebel, and also leaves a clue that she doesn’t only actualize herself, but also becomes new metropolis female.3.2 External Causes3.2.1 The Background of Capitalism and ConsumerismThe background of the novel is based on the economic condition in nineteenth century early USA dominated by agriculture. The transition from agricultural economy depending on family to capitalist economy relying on operating capitalism mainly is based on the development of industry in nineteenth century. Working out of the family is more and more prevalent. Meanwhile women at the nearest large cities search for work, which reflects an international trend. Women start to work out of the family and pursue themselves. By 1890, the national labor consists of 17% women. Thanks to capitalism and consumerism background, the traditional idea that women should pay totally attention to husband and children converts to working out of family. Sister Carrie is one of women working out of the family.Capitalist economic development relies on the rapid transfer of products from producers to consumers. The most important social changes described in the novel is from the production to consumption. On the one hand the mass retail has wider implications; on the other hand customers benefit from low prices and a wide range ofoptions. In this way the consumers are related with consumption. Particularly, Sister Carrie is a potential consumer who desires to control her fate and reach her goal. She realizes that she needs to get her dream through hard effort. So capitalism background is an indispensable element for Carrie to model a new metropolis female.3.2.2 The Influence of Individual ExperienceChicago is a city full of hope, luck and rise. At the beginning of the novel author wants to preach a concept “the city is full of cunning deception, rather than any man in Chicago attracted heroines”. Carrie looks forward to Chicago “a huge magnet, attracting people full of hope and despair from all sides”. But in fact she suffers failure at first. In Chicago, she meets a salesman Drouet and falls in love with him. She wants to be his wife and waits for a long time. In the end, she is conscious of her innocence. Drouet just regards her as a mistress, besides, Drouet is dissolute. He can’t give Sister Carrie a good future. When she is confused, she comes across Hurstwood and is attracted by him. She falls in love again; unfortunately she is deceived by Hurstwood. When she lives with Hurstwood in New York,she goes out for hunting a job. Finally she leaves Hurstwood. Fortunately, she realizes her dream by herself, and becomes a famous actress. Her independence and effort can be dated back to her experience. It helps Carrie accomplish her success.4. Defects of Sister Carrie’s Personality4.1 Her VanityCarrie is a woman with strong vanity and desire for material which leads her to become a victim of the two men-Drouet and Hurstwood, which also contributes to her success in the future. She is always yearning for clothes and Jewelry, so when she goes to the department store to look for a job, Carrie is attracted by each item whether it is cheap trinkets, or expensive jewelry. Each piece is attracted to her. She wants to wear all the jewelry and desires to have them all. That delicate slippers and stockings, trimmed with beautiful trim skirts and petticoats, all every color of the lace, ribbons, combs, and flower package, what a wonderful thing if she can have them all. Herheart is filled with the desire of possessing them. Later she lives in New York with Hurstwood in some time and once the next door neighbor－Mrs. Vance invites her to the theater. Her vanity is revealed totally by the comparisons with Mrs. Vance. Carrie thinks she is pretty enough, but when compared with Mrs. Vance, she is not pretty at all. How could Mrs. Vance have so many cute little things? Carrie feels more uncomfortable when she goes on the street with Mrs. Vance, because it is filled with strong rich and flaunted atmosphere in the street, she thinks she is incompatible in this atmosphere. The fact is that that she could never have the bright appearance like Mrs.Vance’s, which makes she feel very pain. Later she vows that she would dress more gorgeously and come here again. At the same time, she is eager to dress gorgeously to show off in public place. Carrie’s vanity is manifested in her desire for goods and the comparisons with others, and is displayed in her pursuit of fame and fortune, too. Because her vanity makes her not satisfy her present status, so that she goes out of the circle of her own life, and ultimately, she obtains success and feels that she has been looked forward to.To sum up, Carrie is to adored materials to control her desire for pursuing fame and status. Fortunately she gains success.4.2 Lack of Rational EducationCarrie is often fallen by external environment, which, especially, is reflected in her emotional affairs. She is always easily controlled by men, partly because she makes every decision depending on someone’s ideas. Partly because she is lack of education, then it is an essential factor for her to master her fate. Lacking of knowledge leads to her weakness. There is none of family education in her childhood. The only way to consult is to listen to instruction of her father who carefully explains everything. When Carrie is not able to find correct direction from her experience, her conscience is her honest and knowledgeable adviser. Carrie is not educated; she does not have chance to learn knowledge from books that is a closed garden to her. She comes to the city in order to look for the greatest happiness in life.5. The Writer’s PurposeFrom the above analysis, it is obvious to see that Carrie is an hard-working, romantic and persistent woman who is fond of pursuing fame and vanity. Certainly, what is the purpose of the author to shape such a character? There are two reasons. Firstly, in order to highlight the characteristics of naturalism, the author writes Sister Carrie that is embodied the character of Naturalistic literary. One of the purposes of shaping figure in this works is to reflect naturalistic features. The natural feature is that people need to grasp every opportunity to work hard in a competitive society in order to success. On the contrary, the author models a loser－Hurstwood. He is no longer young and capable. Eventually he makes a choice to commit suicide. This is the naturalistic Portrayal. Secondly, when Theodore Dreiser creates Sister Carrie, Darwin’s theory of evolution and survival of the fittest theory are prevailing. Consumption ideology emphasizes people on costing and occupying things. The idea of possession weakens the traditional thrift, savings, and automation ethic. When Dreiser writes Sister Carrie, American women have begun to be affected by consumerism. They begin to challenge traditional moral standards. On the one hand, they no longer believe that the responsibility of women is to help husband and teach children. On the other hand, women should stay at home to do housework. On the contrary, women think they should have their job and earn money by themselves to enjoy life.6. ConclusionThrough hard work, Carrie is turned into a successful actress from an innocent village girl. During this process Sister Carrie is shaped to a new female character. Carrie is no longer manipulated by any man. On the contrary, with an independent career, she is independent in economic, which finally helps her become an independent woman, and realizes the independence of personality. Carrie becomes brave and mature through searching for job. Her success is accompanied by performance talent and her efforts, however in this process; her consciousness hasbeen awakened at the bottom of her heart. It is reviewed by the Dreiser in his book, It is a feature for a woman to be protected, supported and loved. But the power of women is suppressed by the tradition concept. Carrie is conscious of her acting abilities by chance, but she has been accustomed to live comfortably under the male protection so as to refuse to face up to own strengths. She does not fully display her talent until she is frustrated with men. For example, when she learns that Hurstwood cheats on her and then Drouet leaves her, eventually she decides to go out looking for a job. She has needs, but she is not amenable to be tricked or to be bribed by any men. She is going to support herself. This concept helps Carrie develop women’s self-awakening. Furthermore, Carrie finds job in the cinema. It is compared with former jobs, even though it is still not easy, she adds a lot of courage. Besides when Hurstwood is out of job, Carrie attempts to look for a job. Finally she decides to go to a play regardless of her husband’s objection. This job is twice as hard as the former, but Carrie gets a position in the chorus by her tenacity and courage .Her talent is soon recognized. Carrie begins to realize own strength in the promoting process. A man a little word, will not make her mind again. She knows men every well, which eventually creates the Sister Carrie’s image. She walks out of the small world of her family. She, among the public field, gains economic independence, which is a prerequisite for women to seek to further pursuit based on financial independence. Carrie once has previously relied on Drouet and Hurstwood to get happiness before obtaining self-reliance. She wants to marry Drouet who refuses her. Immediately, she changes her hopes on Hurstwood who turns out to be impossible. And she’s like an object, from one man to another man. Because Carrie is not economically independent, it is pointless to talk about personal independence. Eventually, Carrie becomes a famous actress and achieves her worth. She no longer needs to rely on anyone and she also gets honor. Obviously, Carrie achieves real personality independence after being economical independence.Sister Carrie eventually becomes a new woman; of course there are also limitations in her personality. However, she dares to pursue individual liberation; meanwhile she also actively seizes the opportunity to adapt to the social progress. Onthe contrary, compared with her sister－Minnie Vance , Hurstwood’s wife and other female characters, she can be regarded as a representative of the females.Bibliography[1] Matthaei,J.A. An Economic History of Women in America. New York:Schocken.1982:10-12.[2] Theodore Dreiser. Sister Carrie. Beijing: Foreign Language Teaching andStudying Press , 1981 : 136.[3] Theodore Dreiser, Sister Carrie.The Pennsylvania Edition. New York: Penguin.1981:1-3.[4] Woolfolk,A. Educational Psychology.The United States of America: A Division ofSimon&Schuster,Inc.1993:50-52.[5] 霍顿，罗德. 美国文学思想背景[M]. 人民文学出版社,1991:2-5.[6] 方华文. 嘉莉妹妹[M].译林出版社:2011:7-9.[7] 蒋道超. 德莱塞研究[M]. 上海: 上海外语教育出版社, 2002 : 125.[8] 蒋道超. 德莱塞研究[M]. 上海: 上海外语教育出版社, 2002 : 222.[9] 史志康. 美国文学背景概观[M]. 上海外语教育出版社, 1998:24-26.[10] 王钢华. 嘉莉妹妹的欲望和驱动力[J].外国文学研究,2002,12(3):8.AcknowledgmentsFirstly, I would like to express my gratitude to all the people who helped me during the writing of this paper. Without their help, this thesis would have been impossible.I am extremely grateful to my tutor XXX for her valuable direction and suggestion, for her constant encouragement and generosity in spending her precious time on my paper.Special thanks go to the Anyang normal college humanistic management university where gives me the opportunity to study my favorite major English teaching. Therefore I would like to express my heartfelt gratitude to all the respectful teachers who have taught me during my undergraduate study.Last but not least, I would like to take this opportunity to thank my dear parents, for their encouragement and always supporting me to finish this thesis.。

《女性自我解放与社会束缚：《嘉莉妹妹》中的女性形象剖析》

女性自我解放与社会束缚：《嘉莉妹妹》中的女性形象剖析
引言
在现代社会中，女性的地位和角色正不断发生变化。

然而，仍然存在许多社会
束缚限制着女性的自我解放。

本文将以《嘉莉妹妹》为例，分析小说中的女性
形象，并探讨她们如何在面对社会束缚时寻求自我解放。

主体部分
1. 嘉莉
•嘉莉作为小说中的主要女性角色，展现了强烈的自我意识和独立精神。

•描述嘉莉如何追求知识、追求事业，并摆脱传统家庭观念带来的限制。

•分析嘉莉在面对社会眼光和压力时，如何勇敢地选择与众不同。

2. 迪伊西奥
•迪伊西奥是另一个重要的女性角色，她身上展示了传统观念对女性所带来的束缚。

•阐述迪伊西奥无法真实地表达自己的感受与需求，因为她过于关注他人的评价。

•分析迪伊西奥受到社会期望的影响，如何遭受痛苦并最终实现了自我解放。

3. 社会束缚与女性解放
•探讨女性在传统观念和社会期望中所面临的束缚。

•分析女性如何在婚姻、家庭、职业等不同领域中承受着压力和限制。

•讨论女性如何通过教育、职业发展和自我实现来摆脱这些束缚。

结论
《嘉莉妹妹》中的女性形象向我们展示了女性自我解放与社会束缚之间的复杂关系。

嘉莉和迪伊西奥的角色使我们意识到，虽然社会期望和传统观念仍然存在，但女性们可以通过勇气、独立精神和努力寻求自我解放。

只有在摆脱社会束缚后，女性才能真正地实现自己的潜力，并为社会做出更大的贡献。

英语毕业论文《嘉莉妹妹》中的新女性形象分析

(英语毕业论文)《嘉莉妹妹》中的新女性形象分析————————————————————————————————作者：————————————————————————————————日期：2最新英语专业全英原创毕业论文，都是近期写作1 商务合同中的语篇衔接分析2 An Analysis of the Problems on Chinese Early Childhood Education3 论《傲慢与偏见》中婚姻选择的经济动因4 On the Female Image in The Oval Portrait5 从消费心理学角度谈汽车品牌名称的翻译6 论《呼啸山庄》中的象征主义运用7 伊恩.麦克尤恩作品《赎罪》中的成长主题探析8 Three Discriminations to Little Black American Girls in The Bluest Eye9 从麦琪的礼物中折射出欧亨利对已故妻子的爱10 论《德伯维尔家的苔丝》中的环境描写－－－－从视觉和听学的角度11 论中美家庭教育的差异12 外语学习中学习动机的影响13 创世神话与民族特性—《旧约》与中国古代民间传说14 英语演讲语篇中的parallelism及其汉译策略—以奥巴马就职演说稿为例15 论《教授的房子》中圣彼得教授对自我的追求16 The Analysis of the Tragic Fate of Tess in Tess of The D'Urbervilles17 英语教学中非言语交流与跨文化交际中能力的培养18 分析《嘉莉妹妹》中赫斯渥的人物形象19 从《阿甘正传》看美国青年文化20 A Paralysed Wilderness—The Appreciation and Analysis of Symbols in Araby21 男女二元等级对立的颠覆－－《奥兰多》之女性主义解读22 文化差异对英语阅读的影响23 高中英语任务型语法教学初探24 Existentialism in Pride and Prejudice25 从"龙"一词的文化内涵看汉英文化的差异26 归化和异化策略在《红楼梦》文化负载词翻译中的应用27 试析海明威《丧钟为谁而鸣》中的人物形象28 女性社会价值的深情呼唤—小说《到灯塔去》中拉姆齐夫人和莉丽人物形象的对比研究29 音意兼译—外来词中译之首选法30 论《呼啸山庄》中男女主人公对真爱的追求31 欧亨利与马克吐温的讽刺对比——以短篇小说为例32 浅谈涉外谈判礼仪的重要性33 试论班扬《天路历程》中基督徒的精神历程34 广告语的特点及其翻译技巧35 A Probe into Charles Dickens’ Family Values Reflected in A Christmas Carol36 《理智与情感》中的婚姻37 从原型批评理论来看<<哈利波特>>系列小说中的人物原型38 《看不见的人》的主人公形象解析39 A Study on Problems and Strategies in Phonetic Teaching of Spoken English in JEFC40 李白《静夜思》六种英译本的对比研究41 浅析英汉颜色词的文化内涵及翻译42 The differences on advertising translations under the Chinese and Western cultures43 浅析美国传奇总统的共性44 英汉习语翻译中文化意象的转换45 论《儿子与情人》中“花”的象征意义46 论《红字》中海斯特的抗争与命运47 弗吉尼亚.伍尔夫《海浪》的叙事技巧分析48 美国基督新教与中国儒家的伦理道德的比较49 从精神分析学角度探究《呼啸山庄》中的希斯克里夫50 简爱的独立性格剖析51 女性主义视角下的《了不起的盖茨比》52 凯特.肖邦小说《觉醒》中的超验主义思想分析53 《抽彩》和《蝇王》的艺术魅力比较54 撒旦和孙悟空的形象和文化内涵对比55 经典英语电影台词的语言特征和文化态度56 大学英语四级考试的效度57 论《杀死一只知更鸟》中的象征58 解读布莱克的《伦敦》与华兹华斯的《在西敏寺桥上》的诗歌异同59 合作学习在初中英语写作教学中应用的可行性研究60 浅析《最蓝的眼睛》中佩科拉的悲剧根源61 从《绝望主妇》析字幕翻译的目的和归化策略62 从关联理论的角度看科技英语翻译63 中美大学课堂文化比较研究64 《西风颂》两个汉译版本的文体分析65 比较研究王维与华兹华斯的自然观66 习语的文化现象及翻译策略研究67 浅议英语诗歌中的书写变异68 On the Cultural Signification and Translation of Animal Idioms69 On The Narrative Perspective Type of J. M. Coetzee’s Disgrace70 The Characters and Personality of American Slang71 视频辅助和背景知识对听力理解的作用72 浅析《喜福会》中母亲们悲惨遭遇的成因73 《简.爱》的简和《德伯家的苔丝》的苔丝的比较研究74 Cultures and Intercultural Communications75 中英广告宣传方式的比较研究76 论象征主义在《喜福会》中的体现77 英汉颜色词的文化内涵78 从阿里巴巴BB电子商务平台论中小企业的发展趋势79 《了不起的盖茨比》叙述者尼克分析80 中式英语与标准英语的差别81 On the Progressive Awakening of Feminine Consciousness in The Hours82 动物习语中文化意象的比较与翻译83 浅析“红”和“黑”在中英文中的文化及语义对比84 Cultural Differences in Business Negotiations: East and West85 功能对等理论在新闻英语翻译中的应用86 试析英汉颜色习语折射出的中西文化异同87 艾米莉.狄金森的死亡观研究88 对《傲慢与偏见》中伊丽莎白性格的分析89 中式菜名的英译90 从安利（中国）的成功看直销模式在我国的发展91 中西礼貌用语的语用对比研究92 Verification of Soft Term in Letter of Credit93 语言变体的翻译——《哈克贝利费恩历险记》的两汉译本的比较94 《第十二夜》中女性人物特征分析95 从主述位理论看奥巴马就职演讲的连贯性96 Terror of the Soul-Analysis of Features in Poe’s Gothic Fictions97 交际法在大学英语教学中的现状探究98 分析《基督山伯爵》爱德蒙的二重性格99 An Analysis of the Symbolic Meanings of the Letter “A” in T he Scarlet Letter100 A Comparative Study of the Character of Tess and Jane Eyre101 欧亨利《最后一片叶子》解读102 On Freudian Interpretation of Dreams In Sense and Sensibility103 《简爱》中的女性主义意识初探104 Who Stole Our Panda——An Analysis of Cross-Cultural Transmission Through an American Movie Kung Fu Panda105 英汉习语渊源对比及其常用分析方法106 中西跨文化交际中非语言行为的比较研究107 旅游翻译中的文化差异和处理策略108 安妮赖斯小说《夜访吸血鬼》的新哥特世界109 影响英语专业学生阅读理解因素的分析及对策探讨110 从叙事结构分析电影《撞车》中对种族歧视问题的诠释111 The Conflict between Desire and Surroundings：an Analysis of Clyde in An American Tragedy112 歧义的语用研究113 论伍尔夫《到灯塔去》女权主义主题思想及对中国女性文学之影响114 在英语教学中发展学生的自主学习能力115 英语中源于希腊罗马神话主要神祇姓名词汇的认知探索116 从用词的角度分析商务英语信函的翻译117 目的论指导下的英语字幕翻译策略118 《哈姆雷特》中不言而喻的隐喻魅力(开题报告+论文+文献综述)119 英语动结式V+PP的语义整合研究120 目的论视角下的广告翻译121 浅析新闻发布会口译语言的语体学特点122 论《西风颂》背后的精神力量123 《弗洛斯河上的磨坊》中麦琪悲剧原因分析124 从成长教育理论视角解读奥利弗.退斯特的生活经历125 浅论《汤姆琼斯》的现实主义特征126 从玛丽沃斯通克拉夫特的女性主义观点看《傲慢与偏见》的女性形象塑造127 语法翻译法视角下的中学生英语家教辅导128 从文化的角度审视中西习语的来源129 从《成长的烦恼》和《家有儿女》的对比看中西方家庭价值观的差异130 《隐形人》中主人公的性格分析131 论中西方思维方式的差异132 澳大利亚文学中的丛林文化—以亨利.劳森《赶牲畜人的妻子》为例133 解读艾丽斯.沃克《紫色》中的家庭134 女性主义视角下《傲慢与偏见》的情态意义解读135 “Lady First” Reflected in Different Cultures136 从生态女性主义视角解读《喜福会》137 浅析英语语言中的性别歧视现象138 中英姓名文化内涵的探究139 论华裔女星在好莱坞电影中的角色转变140 从《野性的呼唤》浅析杰克伦敦的哲学思想及其哲学倾向141 The Religious Thoughts in The Pilg rim’s Progress142 谈英汉文学作品中数字的模糊性及其翻译143 浅析英语拟声词的功能144 由《红楼梦》中人名的英译看中西文化差异145 浅析《喜福会》中的母女关系146 The Lexical Features of Black English in RAP Music and its Influence147 试析邓恩《别离辞.节哀》中圆规与圆的意象148 小说《黑猫》中双重人格149 《远大前程》中皮普的心路历程150 英语语音学习中的母语负迁移现象研究151 浅析合作学习在英语专业口语教学中的应用152 魔法世界的双重间谍——《哈利波特》西佛勒斯.斯内普的矛盾形象分析153 浅析《最蓝的眼睛》中的创伤和治愈154 图式理论在高中英语阅读中的运用155 春节与圣诞节的对比研究156 日用品广告语言中中西方价值观差异比较研究157 融入与挑战－－从生态角度看《老人与海》与《瓦尔登湖》158 文化视角下的英汉委婉语翻译探讨159 论《爱玛》中简.奥斯丁的女性主义观160 中餐菜谱翻译的错误分析161 On English-Chinese Translation of Automobile Brand Names162 英语广告的语言特点163 从违反合作原则看电影语言的会话含义——以《最后的武士》为例164 女权主义翻译理论关照下的《呼啸山庄》多个译本比较研究165 从功能翻译理论看电影《功夫熊猫》的字幕翻译166167 《卡拉维拉斯县驰名的跳蛙》中的幽默168 The Transcultural Differences in the Translation of Commercial Advertisements 169 傲慢与偏见中的婚姻观170 Psychological Analysis of Stuttering in The King’s Speech171 以马斯洛需求层次理论分析《傲慢与偏见》中的爱情婚姻观172 Sister Carrie—A Woman Lost in the Material World173 以赫索格为代表的索尔贝娄作品中知识分子的困境与出路174 从数字看中西方文化差异175 玛莎.诺曼戏剧中的母女关系研究176 浅析《德伯家的苔丝》中的苔丝悲剧的成因177 广告的翻译178 从鹿鼎记和唐吉诃德的主要人物的较对比来比中西方侠文化179 论《一个温和的建议》中的黑色幽默180 初中英语词汇教学法研究综述181 生态哲人约翰.斯坦贝克182 使用影视片对中学生进行英语听说教学183 对小说《野草在歌唱》的功能文体分析184 英美日常交际礼仪对比分析185 A Comparative Study of Coincidental Plots in Jane Eyre and Tess of the d’Urbervilles186 英语广告语中的隐喻认知187 On Wisdom of Tao in Tao De Jing and the Subjectivity of Translator－－Based upon Translations of Wu（无）and You（有）188 通过《喧哗与骚动》中三兄弟各自对于凯蒂的叙述分析三人各自性格特征189 Gothic Romance: Inheritance and Development of Medieval Romance－－A Case Study of The Castle of Otranto190 解析《红字》中的红与黑191 从《嘉莉妹妹》看德莱塞的女性观192 关于高中生英语阅读策略运用情况的调查193 论戏剧《威尼斯商人》中夏洛克的悲剧形象194 On Characteristic Features of the Main Characters in The Moon and Sixpence195 从认知语言学的视角下浅析隐喻和换喻的异同196 浅谈中学英语教学中交际任务型教学活动的设计197 合作教学理论在初中英语阅读中的运用198 Conversational Humor in American Sitcoms——A Case Study of The Big Bang Theory199 论《红字》中海丝特的女性身份重构200。

德莱塞笔下的新女性形象_嘉莉妹妹的个性分析

2009年第25卷第3期中北大学学报(社会科学版)V o l.25　N o.3　2009 (总第105期)JOURNAL OF NORTH UN IVERSIT Y OF CH INA(S OC I AL SC IENCE ED ITI ON)(Sum.105)文章编号:167321646(2009)0320036204德莱塞笔下的新女性形象——嘉莉妹妹的个性分析Ξ王　蓉(山西农业大学文理学院,山西晋中030801) 摘　要:　在美国文学史上,德莱塞塑造的嘉莉妹妹一直是个有争议的人物形象。

本文从19世纪末20世纪初美国新兴消费文化和新女性崛起这一特定社会历史背景出发,从自我实现、自主选择、自我塑造三个方面尝试解读嘉莉妹妹这一形象在个性上表现出的新女性内涵。

关键词:　消费文化;新女性;自我实现中图分类号:　I24 文献标识码:　AI m a ge of New W om a n S ha pe d by The odo reD re is e r——S is te r C a rrieW ANG Rong;Co llege of A rts and ScienceΚShanxi A gricultural U niversityΚJ inzhong030801ΚCh inaΓAbstractΠIn the h isto ry of Am erican literatu reΚSister Carrie shaped by T heodo re D reiser has al w ays ben a focu s of con troversy.T h is paper com b ines the background of the con sum p ti on cu ltu re of Am erica w ith the em ergence of new w om an to illu strate the new w om anΕs character of Carrie.T he paper analyzes her character from th ree aspectsΠself2actualizati onΚself2cho ice and self2shap ing.Key wordsΠcon sum p ti on cu ltu reΜnew w om anΜself2actualizati on0　引　言西奥多・德莱塞是20世纪美国第一位杰出的自然主义作家,他的第一部小说《嘉莉妹妹》[1]是美国文学史上一部具有划时代意义的优秀作品。

从女性主义角度解读《嘉莉妹妹》英语论文

大学本科毕业论文（设计）任务书编号：论文（设计）题目：从女性主义角度解读《嘉莉妹妹》学院：学院专业：英语教育班级：级英语教育班学生姓名：学号：指导教师：职称：1、论文（设计）研究目标及主要任务本论文的研究目标是从女性主义角度解读女主人公嘉莉.米贝的新女性形象。

2、论文（设计）的主要内容本论文分为两章，第一章介绍嘉莉从依附家庭成员和情人到实现独立，并分析其依赖的客观社会原因。

第二章讨论了嘉莉自我意识的觉醒。

3、论文（设计）的基础条件及研究路线本论文的基础条件是不同的研究者对文章的不同解读。

研究路线是对嘉莉.米贝在男权社会的新女性形象进行具体的阐释和解读。

4、主要参考文献E.L. Doctorow. 1958. An Introduction to Sister Carrie. New York: A Bantam Book, Inc.Abrham H. Maslow , G.N. 1970. a theory of human motivation. New York: Harper & RowCharvetr, J. 1982. Feminism. London: J.M. Dent& Sons Ltd.,蒋道超，1999，《德莱赛研究》，上海：上海外语教育出版社。

朱达，1989，《论德莱赛的〈嘉莉妹妹〉》，外国文学研究。

教师：年月日教研室主任：年月注：一式三份，学院（系）、指导教师、学生各一份XXXX大学本科生毕业论文（设计）开题报告书XXXX大学本科生毕业论文（设计）评议书XXXX大学本科生毕业论文（设计）文献综述本科生毕业论文设计从女性主义角度解读《嘉莉妹妹》作者姓名XXX指导教师XX所在学院 XXX学院专业（系）英语教育班级（届） XXXX级英教X班完成日期 XXXX 年 5 月 8 日Feminist reading onSister CarrieByXXXXProf. XX, TutorA Thesis Submitted to Department of EnglishLanguage and Literature in PartialFulfillment of the Requirements for the Degree of B.A in EnglishAt XXXX UniversityMay 8, XXXXAbstractTheodor Dreiser is a distinguished writer in American literature in twentieth century. He boasts readers all over the world. In the meantime, Dreiser is widely discussed in critical filed. His first novel, Sister Carrie is his first novel and typical representative of naturalism and has remained a hot topic in American literature.By now, this novel has been researched from various perspectives, but few from feministic aspects systematically.With American society at the turn of the 19th and 20th century, the novel witnesses great transformation of that era. The booming industrialization changes people’s life style as well as their way of thinking and ideology, especially female’s thoughts. Sister Carrie juxtaposes rise to become a celebrity of a country girl and degradation of an affluent manager to a homeless beggar and finally resorts to suicidal. However, popularized commercialism and patriarchal thoughts imposes negative influence on woman, despite of which, Carrie achieves independence from family and lover and realizes talent and beauty awareness.The thesis is composed of two chapters.Chapter one introduces the emergence of new woman in the deeply-rooted patriarchal society, analyzes Carrie’s independence from family and lovers and explains the objective reason for her dependence- consumerist society.Chapter two discusses three kinds of traditional woman and their fate pattern and concentrates on Carrie’s gradual achievement of beauty awareness and talent awareness and her attitude to reality from passiveness to activeness.The significance of the study includes two aspects. Firstly, through the analysis, the researcher wants readers to be more familiar with plot and characters of this novel, not merely regards it as a naturalistic work. Secondly, the research tries to employ concrete supporting theories to analyzeKey words independence self-consciousness freedom摘要西奥多.德莱赛是二十世纪美国文学史上的一名著名作家。

美国文学选读期末论文嘉莉妹妹

Analysis of Carrie as a Materialist According to the Naturalism inSister Carrie.Abstract：In the masterpiece Sister Carrie, Theodore Dreiser tells a story of Carrie’s rise from a poor country girl to Broadway star. In the novel, Dreiser uses lots of words to describe the psychology of Carrie from the satisfaction of basic life to the realization of self-development. This thesis aims to analysis the influence of naturalism on the main character Carrie in the road of desire. In the way of her development, th ere are two kinds of people: one is Carrie’s sister and the other is Drouet and Hurstwood, give Carrie the chance to fashion her ideal ego and be a successful actress. The former one stands for the poverty. In there, Carrie is driven by basic needs for survival and physiological necessities. The later one lets Carrie know she should realize her value but not to depend on man. The author finally indicates that in the survival of the fittest world people who industriously adapt to the society can live longer and better.Key Words: naturalism; Theodore Dreiser; Carrie; desire通过自然主义分析《嘉莉妹妹》中嘉莉这一物质主义形象摘要：西奥多德莱赛在他的杰作《嘉莉妹妹》中讲述了一位农村女孩到城市谋生最后成为百老汇名演员的故事。

从女性主义角度解读《嘉莉妹妹》英语论文本科学位论文

2、论文（设计）的主要内容本论文分为两章，第一章介绍嘉莉从依附家庭成员和情人到实现独立，并分析其依赖的客观社会原因。

第二章讨论了嘉莉自我意识的觉醒。

3、论文（设计）的基础条件及研究路线本论文的基础条件是不同的研究者对文章的不同解读。

研究路线是对嘉莉.米贝在男权社会的新女性形象进行具体的阐释和解读。

4、主要参考文献E.L. Doctorow. 1958. An Introduction to Sister Carrie. New York: A Bantam Book, Inc.Abrham H. Maslow , G.N. 1970. a theory of human motivation. New York: Harper & RowCharvetr, J. 1982. Feminism. London: J.M. Dent& Sons Ltd.,蒋道超，1999，《德莱赛研究》，上海：上海外语教育出版社。

朱达，1989，《论德莱赛的〈嘉莉妹妹〉》，外国文学研究。

《嘉莉妹妹》中嘉莉的人物性格分析

若云軒外语系本科毕业论文论文英文题目: An analysis on Carrie’s Character inSister Carrie论文中文题目: 《嘉莉妹妹》中嘉莉的人物性格分析本科毕业论文（设计）目录OutlineThesis statement: Though a detailed analysis, this paper defines the character of Sister Carrie and highlights her naivete, diligence, romantic and independence.I. Introduction1. The introduction to American Naturalism2. The introduction to Theodore Dreiser3. The introduction to Sister CarrieII. Analysis of Carrie’s Character1. Analysis of her naivete and simplicity2. Analysis of her diligence and gumption3. Analysis of her romantic and realistic4. Analysis of her independenceIII. The Reflection on Sister CarrieIV. ConclusionWorks CitedAn Analysis on Carrie’s Character in Sister CarrieAbstractSister Carrie is a novel written by Theodore Dreiser about Carrie who is the protagonist in this work. She is a gentle, kind, beautiful young country girl in capitalist society who comes to a metropolis later where she starts achieving her own American Dream. Carrie wishes to change her destiny and desires for money and luxurious things. She is eager to become a member of the high social classes. No matter how pimping she is, dream is important and essential to her future success because dream or ambition plays a significant role in driving her forward. Later she become a famous, independent, confident, intelligent and elegant actress. Sister Carrie has been called the “greatest of all American urban novels.”This paper aims at analyzing Carrie’s character and making readers understand that a new era of independent women should achieve self value and get succeed by their own efforts. Modern women should firstly be independent financially just like Carrie who relys on herself to become a new woman with confidence and connotation.Keywords: Sister Carrie character independence摘要嘉莉妹妹是德莱塞西奥多的一部小说，她是这部作品中的主人公。