英美文学名词解释复习要点 (1)

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英美文学名词解释(1)

英美文学名词解释(1)

1puritanism清教主义The dogmas 教条preached by Puritans. They believed that all men were predestined命中注定and the individual ‘s free will played no part in his quest for salvation. This was a rejection of the dogmas preached by the Roman Catholic Church and its rites仪式. The Puritans also advocated a strict moral code which prohibited many earthly pleasures such as dancing and other merry-makings.清教徒提倡严格的道德准则禁止如跳舞和其他许多世俗的快乐的气质。

They stressed the virtues of self-discipline,自律thrift节俭and hard work as evidence that one was among the “elect” to be chosen to go to Heaven after death2RomanticismThe term refers to the literary and artistic movements of the late 18th and early 19th century. Romanticism rejected the earlier philosophy of the Enlightenment, which stressed that logic and reason were the best response humans had in the face of cruelty, 残忍的stupidity, superstition,迷信的and barbarism. Instead, the Romantics asserted that reliance 依赖upon emotion and natural passions provided a valid and powerful means of knowing and a reliable guide to ethics 伦理and living. The Romantic movement typically asserts 声称,代言the unique nature of the individual, the privileged status 特权地位of imagination and fancy想象和幻想, the value of spontaneity over “artifice” and “convention”价值的理解“技巧”和“公约”,the human need for emotional outlets, the spiritual destruction 精神上的摧残of urban life.城市生活。

英美文学复习_名词解释

英美文学复习_名词解释

1) Dramatic Monologue1. By dramatic monologue it is meant that a poet chooses a dramatic moment or a crisis, in which his characters are made to talk about their lives, and about their minds and hearts. In “listening” to those one-sided talks, readers can form their own opinions and judgments about the speaker‟s personality and about what has really happened.2. In some degree almost every poem can be called a dramatic monologue, a single speaker is saying something to someone, even if only to himself. But whereas the speaker of lyric is the poet himself, the speaker of a dramatic monologue is a fictional character or an historical figure appearing at critical moment. His utterance is conditioned by the situation, and is usually directed to silent audience. The speaker commonly reveals aspects of his personality of which he himself is unaware.3. A kind of narrative poem in which one character speaks to one or more listeners whose replies are not given in the poem. The occasion is usually a crucial one i n the speaker‟s personality as well as the incident that is the subject of the poem.2) Stream of Consciousness1. In Joyce‟s opinion, the artist, who wants to reach the highest stage and to gain the insights necessary for the creation of dramatic art, should rise to the position of godlike objectivity; he should have the complete conscious control over creative process and depersonalize his own emotion in the artistic creation. He should appear as a omniscient author and present unspoken materials directly from the psyche of the characters, or make the characters tell their own inner thoughts in monologues. This literary approach to the presentation to psychological aspects of characters is usually termed as “stream of consciousness”.2. The termed was coined by William James, an American philosopher and psychologist. In literature, it is a technique first used in narrative fiction in the late 19th century to evince subjective as well as objective reality. It is an attempt especially in noble writing to recreate the actual flow, pattern and sense of thoughts as they pass through a person‟s head in real life, or to describe experiences as it is actually felt by a person as it is taking place.It reveals the character‟s feelings, thoughts and actions, often fo llowing an associative rather than a logical sequence without any commentary by the author. The technique of stream of consciousness attempts to portray the remote, preconscious state that exists before the mind organizes sensations. Consequently the recreation of a stream of consciousness often lacks the unity, explicit cohesion and direct thoughts.3. “Stream-of-Consciousness” or “interior monologue”, is one of the modern literary techniques. It is the style of writing that attempts to imitate the natural flow of a character‟s thoughts, feelings, reflections, memories, and mental images as the character experiences them. It was first used in 1922 by the Irish novelist James Joyce. Those novels broke through the bounds of time and space, and depicted vividly and skillfully the unconscious activity of the mind fast changing and flowing incessantly, particularly the hesitant, misted, distracted and illusory psychology people had when they faced reality. The modern American writer William Faulkner successfully advanced this technique. In his stories, action and plots were less important than the reactions and inner musings of the narrators. Time sequences were often dislocated. The reader feels himself to be a participant in the stories, rather than an observer. A high degree of emotion can be achieved by this technique.3) New England Transcendentalism / American TranscendentalismIt is the summit of the Romantic movement in the history of American literature. It was started in New England in the 1830s. Gradually its influence began to spread all over the country. Basically, Transcendentalism has been defined philosophically as “the recognition in man of the capacity of knowing truth intuitively, or of attaining knowledge transcending the reach of the sense.” Transcendentalists place emphasis on the importance of the Oversoul, the individual and Nature. The concepts that accompanied Transcendentalism include the idea that nature in ennobling and the idea that the individual is divine and therefore, self-reliant, New England Transcendentalism is the product of a combination of native American Puritanism and European Romanticism.4) Free Verse1. It means poetry without a fixed beat or regular rhyme scheme. A looser andmore open-ended syntactical structure is frequently favored. Lines and sentences of different lengths are left lying side by side just as things are, undisturbed and separate. There are few compound sentences to draw objects and experience into a system of hierarchy.2. It is a kind of poetry that does not conform to any regular metre. The length of its lines is irregular, as is its use of rhyme-if any. Instead of a regular metrical pattern it uses more flexible cadences or rhythmic groupings sometimes supported by anaphora and other devices repetition. Now the most widely practiced verse form in English , it has precedents in translations of the biblical Psalms and in some poems of Blake and Goethe, but established itself only in the late 19th and early 20th centuries with Walt Whitman, the French Symbolists, and the poets of modernism. Free verse should not be confused with blank verse, which does observe a regular metre in its unrhymed lines. 5) NaturalismThe impact of Darwin‟s evolutionary theory on the American thought and the influence of the 19th century French literature on the American men of letters helped another school of realism: American naturalism took root in America. The American naturalists accepted the more negative interpretation of the this theory and used it to account for the behavior of those characters in literary works who were regarded as more or less complex combinations of inherited attributes, their habits conditioned by social and economic forces. Naturalism is evolved from realism when the author‟s tone in writing bec omes less serious and less sympathetic but more ironic and more pessimistic. It is no more than a gloomy philosophical approach to reality, or to human existence.6) DarwinismThe term comes from Charles Darwin‟s evolutionary theory. Darwinists think that those who survive in the world are the fittest and those who can not adapt themselves to the environment will perish. They believe that man has evolved from lower forms of life. Humans are special not because God created them in His image, but because they have successfully adapted to changing environmental conditions and have passed on their survival-making characteristics genetically. Influenced by this theory, some American naturalist writers apply Darwinism as an explanation of human nature and social reality. 7) Local colorismThe particular concern about the local character of a region is called “local colorism”, a unique part of American literary realism. Major local colorists include Hamlin Garland, Mark Twain, etc. Generally, their writings are concerned with the truthful color of local life. The characteristic setting is the isolated small town. Local colorists were consciously nostalgic about a vanishing way of life and tried to record a present that faded before their eyes. They dedicated themselves to minutely accurate descriptions of the life of their regions. They worked from personal experience to record the facts of a local environment and suggested that the native life was shaped by the curious conditions of the locale.8) CalvinismIt refers to the religious teachings of John Calvin and his followers. Calvin taught that only certain persons, the elect, were chosen by God to be saved, and these could be only saved by God‟s grace. Calvinism forms the basis for the doctrines and practices of the Huguenotes, Puritans, Presbyterians, and the Reformed churches.9) The Aesthetic [iːs'θetɪk; es-] MovementIt is a literary and artistic tendency of the late 19th century which may be understood as a further phase of Romanticism in reaction against philistine bourgeois values of practice efficiency and morality. The term is often used synonymously with Aestheticism, which is a doctrine or disposition that regards beauty as an end in itself and attempts to preserve the arts from subordination to moral, didactic, or political purposes.10) Epiphany [ɪ'pɪfəni]The term is used in Christi an theology for a manifestation of God‟s presence in the world. It was taken over by James Joyce to denote secular revelation in the everyday world. Joyce defined an epiphany as …a sudden spiritual manifestation‟ in which the …whatness‟ of a common object or gesture appears radiant to the observer.。

美国文学重点名词解释

美国文学重点名词解释

2.6.Transcendentalism: is literature,philosophical and literary movement that flourished in New England from about 1836 to1860. It originated among a small group of intellectuals who were reaching against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, their own faith centering on the divinity of humanity and the natural world instead. Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, and from such English authors as Carlyle,Coleridge, and Wordsworth. The ideas of transcendentalism were most eloquently expressed by Ralph Waldo Emerson in such essays as Nature and Self-Reliance and by Henry David Thoreau in his book Walden..Symbolism象征主义:It is the writing technique of using symbols. It’s a literary movement that arose in France in the last half of the 19th century and that greatly influenced many English writer, particularly poets, of the 20th century. It enables poets to compress a very complex idea or set of ideas into one image or even one word. It’s one of the most powerful devices thatpoets employ in creation.8.American naturalism:this term was cr eated by Emile Zola. Charles Darwin’s evolutionary theory played an important role in naturalism. In the works off naturalism,characters were conceived as complex combinations of inherited attributes and habits conditioned by social and economic forces. At the end of the 19th century,this pessimistic form of realism appeared in america. Naturalism attempted to achieve extreme objectivity and frankness. Characters in the works of naturalism were dominated by their environment and heredity. Naturalism emphasized:the world was around;men had no free will;religious“truth”were illusory;the destiny of human beings was misery in life and oblivion in death. The dominant figures in naturalism were Stephen crane,Frank Norris, Jack London and Theodore Dreiser.3.The lost generation: included the young English and American expatriates as well as men and women caught in the war and cut from the old value and yet unable to come to terms with the new era when civilization had gone mad. These writers adopted unconventional style of writing and reacted against the tendencies of the older writers in the 1920s. The term came from Gertrude Stein who said in Hemingway's presence that“you are all a lost generation.”4.Local colorismAs a trend became dominant in American literature in the 1860s and early 1870s,it is defined by Hamlin Garland as having such quality of texture and background that it could not have been written in any other place or by anyone else than a native stories of local colorism have a quality of circumstantial(详细的) authenticity(确实性), as local colorists tried to immortalize(使不朽) the distinctive natural, social and linguistic features. It is characteristic of vernacular(本.国语) language and satirical(讽刺的) humor. The major local colorist is Mark Twain.5.Jazz age: the novelist F. Scott Fitzgerald coined the term"Jazz Age" retroactively to refer to the decade after World War I and before the stock market crash in 1929, during which Americans embarked upon what he called "the gaudiest spree in history". Jazz Age is inextricably associated with the wealthy white"flappers" and socialites immortalized in Fitzgerald's fiction.6.Free verse: is a poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse structure, instead, it uses the cadences of natural speech. While it alternates stressed and unstressed syllables as stricter verse forms do, free verse does so in a looser way. Whitman's poetry is an example of free verse at its most impressive. It has since been used by Ezra Pound, T.S. Eliot and other major American can poets of the 20th century.7.The iceberg analogy: The Iceberg Theory is a writing theory by American writer Ernest Hemingway, as follows:if a writer of a prose knows enough about what he is writing about he may omit things that he knows and the reader,if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them.1.Poe's Poetic IdeasA.His conviction that the function of poetry is not to summarize and interpret earthly experience,but to create a mood in which the soul soars toward supernal beauty.B.He insists that poetry must be disembarrassed of that moral sense.C.Poe believes that the elevation of excitement of the soul should be “the poetic principle” thuspoe try must concern itself only with “supernal beauty”.D.Poe defines poetry as “the rhythmical creation of beauty” a definition giving unexampledemphasis upon the importance of the rhythmical or musical element in poetry.2.Whitman's style1) The sprawling lines of the poems are often extremely long.2) Parallelism: the parallel lines say the same thing but use different words.3) Envelope structure: the first line begins with the subject, and then more and more lines list modifiers till the verb appears in the last line of the stanza. This is like enclosing a whole list of ideas in an envelope.4) Catalogue technique: means listing. Typical poems by Whitman make long, long lists of images, ofsights, sounds, smells, taste, and touch.5) No regular pattern.6) The verse unit is usually an independent clause.3.Formal features of Dickinson's poetryA.Dickson's poems are usually based on her own experience, her sorrows and joys. Dickinson wasoriginal. She sounded idiosyncratic, sometimes.B.Love is another subject Dickinson dwells on.C.Many poems Dickinson wrote are about nature, in which her general skepticism about therelationship between man and nature is well-expressed. Dickinson sees nature as both gailybenevolent and cruel.D.Dickinson's poetry is unique and unconventional in its own way. Her poems have no titles, henceare always quoted by their first lines.E.On the ethical level Dickinson emphasizes free will and human responsibility.All these characteristics of her poetry were to become popular through Stephen Crane with the Imagists such as Ezra Pound and Amy Lowell in the 20th century. She became, with Stephen Crane, the precursor of the Imagist moverment.4.The theme and techniques in Eliot's "The Waste Land"Theme:The theme is modern spiritual barrenness, the despair and depression that followed the WWI, the sterility and turbulence of the modern world, and the decline and break-down of western culture. It also shows the search for regeneration by people living in a chaotic world.Technique:The poem’s noti ceable characteristics are varied length and rhythm to harmonize with the changing subject matter, the unrhymed lines, lots of borrowings from some thirty-five different writers, the employment of materials such as the legends of the Holy Grail, Frazer’s a nthropological work The Golden Bough several popular songs, and passages in six foreign languages, including Sanskrit. The poem, therefore, is obscure and hard to understand, needless to say its absence of logical continuity. The poem The Wast Land by T. S. Eliot, nevertheless, is broadly acknowledged as one of the most recognizable landmarks of modernism.5.Analysis of "Richard Cory" by Edwin Arlington Robinson"Richard Cory" is a short dramatic poem about a man whose outward appearance belies his inner turmoil. The tragedy in the poem reflects in its spirit the tragedies in Edwin Arlington Robinson's own life: Both of his brothers died young, his family suffered financial failures, and Robinson himself endured hardship before his poetry gained recognition—thanks in part to praise from an influential reader of them, Theodore Roosevelt.Robinson published the poem himself in 1897 as part of a poetry collection called Children of the Night. The poem is a favorite of students and teachers because of the questions it poses about the the title character.6.Comment on"Stopping by Woods on a Snowy Evening" by Robert FrostA.It is a peaceful poem and makes man feel relaxed when we read the lines: "The only other sounds the sweep of easy wind and downy flake." Frost also uses alliteration and repetition in his poems. The rhyme scheme he uses is a-a-b-a.B.It is one of the most quietly moving of Frost’s lyrics. On the surface, it seems to be simple, descriptive verses, records of close observation, graphic and homely pictures.C.It uses the simplest terms and commonest words. But it is deeply meditative, adding far-reaching meanings to the homely music. It uses its superb craftsmanship to come to a climax of responsibility: the promises to be kept, the obligation to be fulfilled. Few poems have said so much in so little.7.Theme and technique in The Great Gatsby by Fitzgerald1. Themes of The Great Gatsby: It resents the decline of the American dream in1920s, the hollowness of the upper class and the falseness of ideals and moves toward disillusion.2. Now Gatsby’s life follow a clear pattern: there is, at first, a dream, then disenchantment, and finallya sense of failure and despair. Gatsby’s personal experience approximates the whole of the American experience up to the first few decades of the 20th century.3. The novel is the presentation of the 1920s, and of what has become known as American Dream. 8.ment on Hemingway's style and Farewell to Arms"1. Hemingway was a glamorous public hero of sorts whose style of writing and living was probably more imitated than any other writers in human memory.2. In one sense Hemingway wrote all his life about one theme, which is neatly summed up in the famous phrase, “grace under pressure”, and created one hero who acts that theme out.3. In the same way that Fitzgerald’s Tales of the Jazz Age becomes a symbol for an age, Hemingway’s book paints the image of a whole generation, the Lost Ge neration.4. Lieutenant Henry in A Farewell to Arms stands the Hemingway hero, an average man of decidedly masculine taste sensitive and intelligent, a man of action; and with other people, somewhat an outsider, keeping emotion under control, stoic and self-disciplined in a dreadful place where one cannot have happiness.5. Hemingway’s world is a world essentially chaotic and meaningless, in which man fights a solitary struggle against a force he does not even understand.6. The war dominates so that the love story represents a mere dream and the brutal and atrocious realities of life do not allow materializing it.10.Analyze "Dry September" by William Faulkner11.“Dry September” was written in 1931, and is a well-known story of Faulkner.This story touches upon the strange relationship between sex and violence, examines the psychological state of the main characters, and exposes the crime of racial discrimination which makes one bristle with anger.The tone of this story contributes much to its effectiveness, particularly to the imagery of infernal heat and dryness and to the setting itself.From the character Miss Minnie the reader could perceive the obvious impact of Freud’s ideas on William Faulkner.。

paradise lost英美文学名词解释(一)

paradise lost英美文学名词解释(一)

paradise lost英美文学名词解释(一)Paradise Lost英美文学引言Paradise Lost是伟大的英美文学作品之一,旨在讲述人类起源和墮落的故事。

以下是与Paradise Lost相关的名词:1. 约翰·弥尔顿 (John Milton)•约翰·弥尔顿是17世纪英国著名的诗人和政治家。

•他是Paradise Lost的作者,被誉为英国文学的伟大创作者之一。

2. Paradise Lost•《失乐园》是约翰·弥尔顿的史诗诗歌作品,被认为是英美文学中最伟大的作品之一。

•该作品以叙事形式讲述了圣经中亚当和夏娃的墮落故事,融入了神话、宗教和哲学等元素,思想深邃。

3. 史诗诗歌 (Epic Poetry)•史诗诗歌是一种叙事性的诗歌形式,常常以神话、英雄或重大历史事件为题材。

•Paradise Lost被认为是一部史诗诗歌,以其庞大的叙事范围和深刻的主题使其在英美文学中占据重要地位。

4. 亚当 (Adam) 和夏娃 (Eve)•亚当和夏娃是圣经中的首个人类夫妻,被认为是人类的祖先。

•Paradise Lost中,亚当和夏娃被描绘为至善无罪的人类,但由于被魔鬼所引诱,他们墮入罪恶之中。

5. 天堂 (Paradise) 和地狱 (Hell)•天堂是上帝的居所,被描绘为完美、和谐和纯洁的地方。

•地狱则是邪恶和黑暗的领域,由魔鬼和堕落天使居住。

•Paradise Lost通过对天堂和地狱的描绘,探讨了善恶、正邪和人类的自由意志等哲学议题。

6. 上帝 (God) 和魔鬼 (Devil)•上帝是基督教中的至高无上存在,被描绘为至善、全知全能的创造者。

•魔鬼是一位堕落天使,反叛天堂而被驱逐到地狱。

•Paradise Lost中,上帝和魔鬼之间的斗争和争议成为故事的核心。

结论Paradise Lost是一部浩大的文学作品,通过纵览人类起源和墮落的故事,探讨了善恶、正邪和自由意志等重大主题。

英美文学考试名词解释和简答(自己整理的)

英美文学考试名词解释和简答(自己整理的)

英美文学考试名词解释和简答(自己整理的)1.The glorious revolution (光荣革命): the overthrow(推翻、瓦解) of king JamesⅡof England takes place in 1688 by a union of parliamentarians with an invading army led by William of Orange who, as a result ascended(上升、登高)the English throne(君主、王权)as William Ⅲ of England. It was also known as White Revolution because it caused no bloodshed(流血、杀戮). It marked the real beginning of the constitutional monarchy in England.2. How did the “Glorious Revolution” break out? What was the significance of it?In 1685 Charles II died and was succeeded by his brother James II. James, who was brought up in exile(流犯)in Europe, was a Catholic; He hoped to rule without giving up his personal religious views. But England was no more tolerant of a Catholic king in 1688 than 40 years. So the English politicians rejected James II, and appealed to a Protestant king, William of Orange, to invade and take the English throne. William landed in England in 1688. The takeover was relatively smooth, with no bloodshed, no any execution of the king. This was known as the Glorious Revolution. William and his wife Mary were both Protestants and became co-monarchs. They accepted the Bill of Rights. It’s the beginning of the age of constitutional monarchy.2.Great charter (大宪章): Known as the Great Charter, it was the first famous political document to limit the king’s powers in English history. It was signed in 1215 by King John at a conference at Runnymede(兰尼米德), an island in the Thames River four miles downstream (下游的、顺流而下的)from Windsor(温莎). It containsaltogether 63 clauses(条款), among which the most important ones are: no tax should be made without the approval of the Grand Council(天庭会议); no freeman should be arrested, imprisoned, or deprived(缺乏教育的)of his property except by the law of the land;没有大议会批准不准征税;不得随意逮捕,拘禁自由民,不依照土地法不得剥夺其财产;The king must promise to observe the rights of his vassals(诸侯、封臣)and the vassals in turn must observe the rights of their men, and the king also should permit merchants to move about freely and should observe the privileges of the various towns. 2. Comments: The great charter was the first step of constitutional experiment. It tried to establish a legal relation between the king and his barons by defining their respective rights and obligations. The great charter made it possible for the new-born bourgeoisie to enter into politics because it granted some power to the great council which was the embryonic form of the English parliament. The great charter protected the rights of the merchant class. This facilitated(促进)the development of commerce and handcraft. (It was arguably the most significant early influence on the extensive historical process that led to rule of constitutional law today in the English speaking world.)3.Monarch: In law, the monarch has many supreme powers, but in practice, the real power of monarch has been solely(单独的,唯一的)onthe advice of her ministers. She reigns but does not rule(统而不治). The real power lies in the parliament, or to be exact, in the House of Commons. 2. The monarch actually has no real power. The monarch’s power is limited by law and parliament. The monarch symbolizes the tradition and unity of the British state, have a weekly chat with the Prime Minister, and to giveRoyal Assent to Bills passed by Parliament.(对议会通过的法案给予御准)4.The presidential elections: The general election, held on the first Tuesday after the first Monday in November in each election year, is technically divided into two stages. During the first stage, states elect their presidential electors. The number of presidential electors for each state is equal to the total number of its representatives in congress plus two senators. The total number of presidential electors for the nation is 538, with 3 from Washington D.C. I n the second stage (十二月的第三个星期一) the electors meet to elect the president. (electoral college)5.Ivy League(常春藤高校联盟): It was founded in 1954, an athletic conference comprising eight private institutions(体系)of higher education in the Northern United States. The term is most commonly used to refer to those eight schools considered as a group and also has connotations(含义) of academic excellence, selectivity in admissions, and social elitism(精英主义).常春藤名校联盟:Brown University (布朗大学), Columbia University, Cornell University(康奈尔大学),Dartmouth College(达特茅斯大学), Harvard University, Princeton University(普林斯顿大学), University of Pennsylvania (宾夕法尼亚大学), Yale University6.Pilgrim Father (开国元勋): In September, 1620, a group of 101 puritans and some employees left Plymouth, England, and sailed for America in the ship named Mayflower. They founded the colony of Plymouth (普利茅斯) in New England. So these early puritans in New England were called the pilgrim father.7.New deal: 1. The New Deal included the following contents;(1) establishment and strengthening of government regulation and control of banking, credit and currency systems,overcoming the financial crisis and restriction of certain extreme practices of financial capital;(2) federal government management of relief and establishment of social security system such as the formation of the Civilian Conservation Crops and the setting-up of the Tennessee Valley Authority(田纳西州流域管理局);(3) Stimulation of the recovery of industry and agriculture;(4) formulation and implementation of federal labor laws to raise the role of labor in the relations of production; 2. Comments on the new deal: Roosevelt’s new deal was an American type of social reforms which was based on the new concept that the government was responsible for the healthy development of national economy and social security, and that the growth of production could be maintained only if the great body of the consumers could continue to purchase its output. No economy could develop if it was beset by overproduction and large stockpiles(库存). To achieve balanced development, the new deal increased government interference n the nation’s economic life, strengthening the trend towards big government. (The New Deal----In order to deal with the Depression, President Franklin Roosevelt put forward the New Deal program. It passed a lot of New Deal laws and set up many efficient social security systems. The New Deal helped to save American democracy and the development of American economy)8.Domesday Book (英国土地制度): It is a book compiled by a gr oup of clerks under the sponsorship of King William. The book w as in fact a property record. It was the result of a general survey of land resources. It was one of the important measures adopted by William I to establish the full feudal system in England9.Norman Conquest----The Norman Conquest of 1066 isperhaps the best-known event in English history. William landed his arm y in Oct, 1066 and defeated King Harold. Then he was crowned king of England on Christmas Day the same year. He established a strong Norman government and the feudal system in Engl and. 结果:(William confiscated almost all the land and gave i t to his Norman followers. He replaced the weak Saxon rule wi th a strong Norman government. So the feudal system was completely established in England. Relations with the Continent were opened, and civilization and commerce were extended. Norman-French culture, language, manners, and architecture were been introduced. The church was brought into closer connection with Rome, and the church courts were separated from the civil cour ts.)原因:(It was said that king Edward had promised the En glish throne to William but the Witan chose Harold as king. So William led his army to invade England. In October 1066, duri ng the important battle of Hastings, William defeated Harold and killed him. On Christmas Day, William was crowned king ofEngland, thus beginning the Norman Conquest of England.)10.Public school:(1) It is a kind of independent privately-owned secondary boarding schools in Britain. (2) These schools are financially supported by tuition fees and private funds.(3)Public schools have their own characteristics and strict rules. (4) These schools focus their attention on developing pupils’ minds as well as bodies.11.Roman invasion: The Roman first invaded Britain in 55BC.Itwas not until AD43 that they eventually conquered the Celts liv ing in what is today England and Wales. The Roman occupatio n of Britain lasted for 400 years, but it was never a total occu pation. British recorded history begins with the Roman invasion.。

淮师英美文学名词解释期末复习要点

淮师英美文学名词解释期末复习要点

一、英美文学名词解释英国文学1.Romance (P2)The romance was a long composition, sometimes in verse, sometimes in prose, It isa literary genre popular in the medieval England. It sings knightly adventures or other heroic deeds. Chivalry (such as bravery, honor, generosity, loyalty and kindness to the weak and poor) is the spirit of romance. The medieval romances were tales of chivalry or amorous adventure occurring in King Arthur's court. "Sir Gawain and the Green Knight" is an example of a medieval romance.浪漫是一个漫长的成分,有时在诗,有时在散文里,它是一个文学流派在中世纪的英国,唱流行骑士的冒险或其他的英雄事迹。

骑士精神(如勇敢、荣誉、慷慨、忠诚和善良弱者和穷人)是浪漫的精神。

中世纪的浪漫骑士精神的故事或多情的冒险发生在亚瑟王朝的。

《高文爵士和绿衣骑士”的一个例子是一个中世纪的浪漫。

2. EpicEpic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad and Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simp le but magnificent. Today, some long narrative works, like novels that reveal an age and its people, are also called e pic.史诗是一种扩展的叙事诗在高架或高贵的语言,像荷马的《伊利亚特》和《奥德赛》。

英美文学名词解释1

英美文学名词解释1

1.Allegory (寓言)A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities.寓言,讽喻:一种文学、戏剧或绘画的艺术手法,其中人物和事件代表抽象的观点、原则或支配力。

2.Alliteration (头韵)Alliteration is the repetition of the same initial consonant sound within a line or a group of words.头韵:在一组词的开头或重读音节中对相同辅音或不同元音的重复。

3.Allusion (典故)A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to.典故:作者对某些读者熟悉并能够作出反映的特定人物,地点,事件,文学作品的引用。

4.Analogy (类比)A comparison made between two things to show the similarities between them.类比:为了在两个事物之间找出差别而进行的比较。

5. Antagonist (反面主角)The principal character in opposition to the protagonist or hero or heroine of a narrative or drama.反面主角:叙事文学或戏剧中与男女主人公或英雄相对立的主要人物。

6. Antithesis (对仗)The balancing of two contrasting ideas, words, or sentences.对仗:两组相对的思想,言辞,词句的平衡。

英美文学名词解释

英美文学名词解释

英美文学名词解释英美文学是指英国和美国地区的文学作品和文学传统。

在这个领域中,存在着许多特殊的术语和概念,有助于我们理解和欣赏这些文学作品。

本文将解释和介绍一些常见的英美文学名词,以帮助读者深入理解和掌握这些文学作品。

一、1.文学流派(Literary Genre):指文学作品按照特定主题、风格或结构的类别进行分类。

常见的文学流派包括小说、诗歌、戏剧、散文等。

不同的文学流派具有独特的特点和写作风格,反映了不同的文学趣味和审美观念。

2.现实主义(Realism):是19世纪中期兴起的一种文学流派,强调对现实生活的逼真描写和展示。

现实主义文学追求真实、客观和可信的表达方式,通过描绘日常生活和社会环境来反映现实社会的不同层面。

3.自然主义(Naturalism):自然主义是现实主义的一种延伸,强调环境和遗传因素对人的行为和命运的决定性作用。

自然主义文学突出了人类生存环境对人性的影响,对人类行为进行科学观察和探索。

4.浪漫主义(Romanticism):浪漫主义强调个体情感、想象力和超验的体验,追求自由和独立的精神境界。

浪漫主义文学追求充满激情、抒发个人感受和探索内心世界的形式。

二、1.象征主义(Symbolism):象征主义是19世纪末20世纪初出现的一种文学和艺术运动,强调使用象征性的意象和隐喻来表达深层的情感和思想。

象征主义文学倾向于表达个体的情感体验和心灵探索。

2.现代主义(Modernism):现代主义是20世纪初兴起的一种文学和艺术运动,强调对传统形式和观念的挑战和颠覆。

现代主义文学追求形式上的创新和实验,探索自我意识、哲学思考和社会变革。

3.后现代主义(Postmodernism):后现代主义是现代主义的继承和超越,强调文化多样性、相对主义和戏仿。

后现代主义文学打破传统的叙事和结构规则,以戏仿和颠覆的方式探索权力、真实性和历史观念。

4.现实主义小说(Realistic Novel):现实主义小说以真实的描写和社会批判为特征,通过塑造现实人物的经历和命运来反映社会问题。

英美文学期末复习名词解释

英美文学期末复习名词解释

1、international theme国际主义James often wrote the pattern of the conf1ict both amusing and serious between American and Eur opean manners and customs.2、metaphysical school玄学派Metaphysical poetry is a derogatory term invented by John Dryden and later adopted by Samuel Johnson describing a school of highly intellectual poetry marked by bold and ingenious conceits, incongruous imagery, complexity of thoughts, frequent use of paradox, and often by deliberate harshness or rigidity of expression. The main themes of the metaphysical poets are love, death, and religion.3、Realism现实主义The tradition of the brilliant school of critical realism in the 19th century continued its development in the early 20th century by the novelists such Butler. Meredith, Wells and Galsworthy. In their works criticism of the bourgeois world reaches considerable depth and poignancy. Their books condemned the capitalist order of things and uttered cries of suffering and protest.4、the “Lake Poets”or the “Lakers”They are Wordsworth, Coleridge and Southey, who have often been mentioned because they lived in the lake district in the northwestern part of England. They shared a community of literary and social outlook in their work. They traversed the same path in politics and in poetry, beginning as radicals and closing as conservatives.5、Local Colorism地方文学A. It is a unique variation of American literary realism.B. It is concerned with and emphasizes the characteristics of a small and well-defined region or province.C. Humor, tall-tales and vernacular are the sources of local colorism writing.6、Free Verse自由体诗is poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse structure,( or poetry without a fixed beat or regular rhyme scheme.) instead, it uses the cadences of natural speech. While it alternates stressed and unstressed syllables as stricter verse forms do, free verse does so in a looser way. Though free verse had been used before Whitman it was he who pioneered the form and made it acceptable in American poetry.7、sonnet十四行诗a short song in the original meaning of the word. Later it became a poem of 14 lines, usually in iambic pentameter with various rhyming schemes. It was first written by the Italian poet Petrarch who wrote sonnets to a lady name Laura.8、blank verse无韵体诗Verse without rhymes. It is typically in iambic pentameter, the dominant verse form of English dramatic and narrative poetry since the mid-16th century. The first practitioner of English dramatic blank verse is Christopher Marlowe.9、Imagism in Poetry诗歌意象派Imagism is the name given to a movement in poetry, originating in 1912 and represented by Ezra Pound, Amy Lowell, and others, aiming at clarity of expression through the use of precise visual images. (when speaking of images in poetry we generally mean a word or sequence of words that refers to any sensory experience. Often this experience is a sight, but it may be a sound or a touch. It may be an odor or a state or perhaps bodily sensation such as pain, or the perception of something cold.。

《英美文学史》名词解释资料讲解

《英美文学史》名词解释资料讲解

英美文学史名词解释1.English Critical RealismEnglish critical realism of the 19th century flourished in the forties and in the early fifties. The realists first and foremost criticized the capitalist society from a democratic viewpoint and delineated (portrayed) the crying (extremely shocking) contradictions of bourgeois reality. The greatness of the English realists lies not only in their satirical portrayal of bourgeoisie and in the exposure of the greed and hypocrisy of the ruling classes, but also in their sympathy for the laboring people. Humor and satire are used to expose and criticize the seamy (dark) side of reality. The major contribution of the critical realists lies in their perfection of the novel. Charles Dickens and William Makepeace Thackeray are the most important representative of English critical realism.2.The "Stream of Consciousness"The "stream of consciousness" is a psychological term indicating "the flux of conscious and subconscious thoughts and impressions moving in the mind at any given time independently of the person's will." In late 19th century, the literary device of "interior monologue" was originated in France as an application of modern psychological knowledge to literary creations. In the 20th century, under the influence ofFreud 's theory of psychological analysis, a number of writers adopted the "stream of consciousness" method of novel writing. The striking feature of these novelists is their giving precedence to the depiction of the characters' mental and emotional reactions to external events, rather than the events themselves. In doing so, the novelists abandoned the conventional usages of realistic plot structure, characterization and description, and their works became successions of "fleeting images of the external world mingled with thoughts and half-thoughts and shadows of thought attached to the immediate present or moving back and forth in memory." James Joyce and Virginia Woolf are the two best known novelists of the "stream of consciousness".3.TranscendentalismTranscendentalism is the summit of the Romantic Movement in the history of American literature in the 19th century. Transcendentalism has been defined philosophically as "the recognition in man of the capacity of knowing truth intuitively". Transcendentalists place emphasis on the importance of the Over-soul, the individual and Nature. The most important representatives are Ralph Waldo Emerson and Henry David Thoreau.4.RenaissanceRenaissance in European history refers to the period from 14thcentury to 17th century. "Renaissance" means "revival", the revival of interest in Ancient Greek and Roman culture and getting rid of conservatism in feudalist Europe and introducing new ideas that express the interests of the rising bourgeoisie. It started in Italy and ended in England and Spain. Renaissance has two striking features. One is a thirsting curiosity for the classical literature; the other is the keen interest in the activities of humanity. Humanism is the key-note of the Renaissance. Thomas More and William Shakespeare are the best representatives of the English humanists.5.6.Passive RomanticismEnglish romanticism began when Lyrical Ballad was published in 1798 and ended in 1832. It in effect is a revolt of the English imagination against the neoclassical reason. The romanticists who saw both the corruption of the feudal societies and the inhumanity of capitalism and felt that the society denied people their essential human needs. They were discontented with, and opposed to the development of capitalism. Some romantic writers reflected the thinking of classes ruined by the bourgeoisie, and by way of protest against capitalism development turned to the feudal past, i.e., the "merry old English", as their ideal, or, "frightened by the coming of industrialism and the nightmare towns ofindustry, they were turning to nature to nature for protection." These were the elder and sometimes called passive or escapist romantics, represented by Wordsworth and Coleridge.6. ImagismImagism is a Movement in U.S. and English poetry characterized by the use of concrete language and figures of speech, modern subject matter, metrical freedom, and avoidance of romantic or mystical themes, aiming at clarity of expression through the use of precise visual images. It grew out of the Symbolist Movement in 1912 and was initially led by Ezra Pound, Amy Lowell, and others. The Imagist manifesto that came out in 1912 showed three Imagist poetic principles: direct treatment of the “thing” (no fuss, frill or or nament), exclusion of superfluous words (precision and economy of expression), the rhyme of the musical phrase rather than the sequence of a metronome (free verse form and music).7. The Local Color MovementThe local color movement came into particular prominence in America after the Civil War, perhaps as an attempt to recapture the glamour of a past era, or to portray the sections of the reunited country.Local color as a literary school emphasizes its setting, being concerned with the character of a district or of an era, as marked by its customs, dialects costumes, landscape or other peculiarities that have escaped standardizing cultural influences. In local color literature, one finds the dual influence of romanticism and realism since the author frequently looks away from ordinary life to distant lands, strange customs, or exotic scenes, but retains through minute detail a sense of fidelity and accuracy of description. Mark Twain is a representative of the American Local Colorism.8. The Lost GenerationThe Lost Generation is applied to the American writers who fought in the First World War, voluntarily exiled to Paris, and associated with the informal literary saloon of Gertrude Stein’s Paris home for a certain period of time. They were all disillusioned with the American Tradition of writing as well as the post-war American society. The most eloquent spokesman of the group is Earnest Hemingway. Other writers are Ezra Pound, Fitzgerald, etc..。

英美文学史考试名词解释

英美文学史考试名词解释

1. Epic: An epic is a long oral narrative poem that operates on a grand scale and deals with legendary or historical events of national or universal significance. Most epics deal with the exploits of a single individual and also interlace the main narrative with myths,legends, folk tales and past events. They summarize and express the nature of ideals of an entire nation and reflect the values of the society from which it originated. Beowulf is the first surviving epic written in the English language. As the national epic of the English people, Beowulf is a folk legend brought to England by Anglo, it describes the exploits of a hero and is structurally built around three fights or adventures, each of which involvesa battle between the hero Beowulf and a monster.2. Allegory: The word derives from the Greek allegoria. It loosely describes any writing in verse or prose, in which persons, abstract ideas, or events represent not only themselves on literal level, but also stand for something else on the symbolic level. An allegorical reading usually involves moral or spiritual concepts that may be more significant than the actual, literal events described in a narrative. Probably the most famous allegory in English literature is John Bunyan‟s Pilgrim‟s Progress, a prose narrative symbolically concerning the human soul‟s pilgrimage through temptation and doubt to reach salvation.3. Sonnet: Sonnet is a kind of poem which became popular in Italian. During the Renaissance, this kind of poem had been widely used. A sonnet consisting of 14 lines, with rhymes arranged according to one or other of certain definite schemes, of which the Petrarchan and Shakespearean are the principal, namely: (1) abba abba, followed by two, or three, other rhymes in the remaining six lines, with a pause in the thought after the octave; (2)abab cdcd efef gg. The sonnets of Shakespeare are in the latter form. Most sonnets are amatory in nature, and contain a certain narrative development. The famous poets are Shakespeare, Sidney, Daniel, Spenser and so on.4. Humanism: Broadly, this term suggests any attitude which tends to exalt the human element or stress the importance of human interests, as opposed to the supernatural, divine elements — or as opposed to the grosser, animal elements. The most important use of the term is to designate the revival of classical culture which accompanied the Renaissance. Humanism suggest a devotion to those studies supposed to promote human culture most effectively — in particular, those dealing with the life, thought , language, and literature of ancient Greece and Rome. Humanists emphasized the value of human beings and the important of the present life. They proclaimed that man not only have the right to enjoy the beauty of this life, but have the ability to perfect themselves and create wonders.5. Novel of Initiation: The initiation novel begins at the 18th century, first in Germany, and then prevails in Europe, in the 19th century, it comes to America. The initiation novel is to show after suffering a lot of traumas both in physical and mental, the young hero changes his previous world view, or transfigures his disposition, orhe changes the both; this change makes him get rid of his innocent childhood, and will finally leads him to the complicated adult society. In the initiation novels, although the people and the stories may be very different, the formations are similar: the story always starts with the young hero‟s sufferings or observations of the villainy, and losing his innocence; these experiences would inevitably shock his little heart, so the youth could transform from a nave child to an adaptable and mature man. The typical works are Nathaniel Hawthorne‟s the Scarlet Letter and Young Mr. Brown, Herman Melville‟s Moby Dick and J. D. Salinger‟s The Catch in the Rye.6. Quest: In mythology and literature, a quest, a journey towards a goal, serves asa plot device and (frequently) as a symbol. Quests appear in the folklore of every nation and also figure prominently in non-national cultures. In literature, the objects of quests require great exertion on the part of the hero, and the overcoming of many obstacles, typically including much travel. The aspect of travel also allows the storyteller to showcase exotic locations and cultures. The typical works are Homer's Odyssey, Herman M elville‟s Moby Dick and so on.7. Byronic Hero: Byronic hero is a proud and mysterious rebel figure of noble origin in Byron‟s …poems. With immense superiority in his passions and powers, the Byronic hero would carry on his shoulders the burden of righting all the wrongs in an evil society, and would fight single-handedly against any kind of tyrannical rules either in government, in religion or in moral principles with unconquerable will and inexhaustible energies. The conflict is usually one of rebellious individuals against outworn social systems and convention. Such a hero appears first in Childe Harold‟s pilgrimage and then further developed in later works such as Manfred and Don Juan.8. Gothic Fiction: Gothic Fiction means a style of writing popular in the late 18th century which produced stories set in lonely frightening places. Gothic Fiction invariably exploits ghosts and monsters and setting such as castles, dungeons and graveyards, which imparts a suitably sinister and terrifying atmosphere. The Gothic Fiction have opened up to later fictions the dark, irrational side of human nature —the savage egoism, the perverse impulses, and the nightmarish terror that lie beneath the controlled and ordered surface of the conscious mind. Gothic Fiction has exerted significant influence on the literature of later generations. The first Gothic Fiction is Horace Walpole‟s The Castle of Otranto.9. Naturalism: The word used to describe works of literature which use realistic methods and subjects to convey a philosophical form of naturalism; that is a belief that everything existed is a part of nature and can be explained by natural and material cause — and not by supernatural, spiritual or paranormal causes. Unlike realism, which focuses on literary technique, naturalism implies a philosophical position for naturalistic writers. Those in favor of s naturalistic approach to and interpretation of life concentrated on depicting the social environment dwelt particularly on its deficiencies and on the shortcoming of human beings. One of those significant works of naturalism is Theodore Dreiser’s Sister Carrie.10. Graveyard Poets: A term applied to eighteenth-century poets who wrote meditative poems, usually set in a graveyard, on the theme of human mortality, death, religion and melancholy. Their poems made frequent use of funereal or gloomy imagery; they were often very Christian writers who used the imagery of night, death, and gloom in spiritual contemplation of human mortality and our relation to the divine. Edward Young and Thomas Gray are famous poets of the Graveyard school.11. Metaphysical Poets: The metaphysical poets refer to a group of religious poets in the first half of the seventeenth century whose works were characterized by their wit, imaginative picturing, compressions, often cryptic expression, and play of paradoxes and juxtapositions of metaphor. They were against the convention of Elizabethan love poetry. They used contemporary scientific discoveries and theories, the topical debates on humanism, faith, and eternity, colloquial speech-based rhythms, and innovative verse forms, to examine the relationship between theindividual, his God, and the universe. The typical metaphysical poets are John Donne, Andrew Marvell.12. The Lost Generation: a group of U.S. writers who came of age during the war and established their literary reputations in the 1920s. The term stems from a remark made by Gertrude Stein to Ernest Hemingway, “You are all a lost generation.” Hemingway used it as an epigraph to The Sun Also Rises (1926). The generation was “lost” in the sense that its inherited values were no longer relevant in the postwar world and because of its spiritual alienation from a U.S. that, basking under President Harding's “back to normalcy” policy, seemed to its members to be hopelessly provincial, materialistic, and emotionally barren. The term embraces Hemingway, F. Scott Fitzgerald, and many other writers who made Paris the centre of their literary activities in the '20s. They were never a literary school. In the 1930s, as these writers turned in different directions, their works lost the distinctive stampof the postwar period.。

英美文学名词解释1

英美文学名词解释1

英美文学名词解释11. Allegory: A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities. An allegory is a story with two meanings, a literal meaning and a symbolic meaning.寓言:用诗歌或散文讲的故事,在这个故事中人物、事件或背景往往代表抽象的概念或道德品质。

所有的寓言都是一个具有双重意义、文学内涵或象征意义的故事。

2. Alliteration: The repetition of the initial consonant sounds in poetry.头韵:诗歌中单词开头读音的重复。

3. Allusion: A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to. An allusion may be drawn from history, geography, literature, or religion.典故:文学作品中作家希望读者能够认识或做出反应的一个人物、地点、事件或文学作品。

典故或来自历史、地理、文学或宗教。

9. Analogy: (a figure of speech) A comparison made between tow things to show the similarities between them. Analogies are often used for illustration or for argument. 类比:(修辞)把两种事物放在一起进行对比从而发现他们的相同点,类比一般用于说明或论述。

英美文学重点知识归纳

英美文学重点知识归纳

英美文学重点知识归纳一、英美文学的概念和特点英美文学是指英国和美国的文学作品,包括小说、诗歌、剧本等。

它具有以下几个特点:1.多元化:英美文学以其丰富多样的风格和流派而闻名。

从古典主义到浪漫主义,从现代主义到后现代主义,英美文学不断演变和发展,展示了人类思想和情感的多样性。

2.自由和开放性:英美文学强调个体的自由和独立思考,在作品中反映了社会、政治和文化的变革。

自由主义和个人主义的精神贯穿在英美文学的历史中。

3.注重个人感受和情感表达:英美文学注重个人感受和情感表达,通过描写人物内心的矛盾和困惑,展示了人性的复杂和多样性。

二、英美文学的重要时期和代表作品1. 文艺复兴时期(16世纪)文艺复兴时期是英美文学的重要里程碑,代表作品有:•威廉·莎士比亚的剧作《哈姆雷特》、《罗密欧与朱丽叶》等,深刻地反映了人性的复杂性和命运的无常。

•约翰·米尔顿的史诗《失乐园》,通过对上帝、撒旦和亚当夏娃的描写,揭示了人类的原罪和思想的自由。

2. 浪漫主义时期(18世纪末至19世纪初)浪漫主义时期是英美文学的重要发展阶段,代表作品有:•威廉·华兹华斯的诗集《抒情诗选集》,强调对自然和个人感受的表达,展现了对自由和灵魂的渴望。

•简·奥斯汀的小说《傲慢与偏见》,通过对社会等级和女性地位的描写,呈现了封建社会的弊端。

3. 现代主义时期(20世纪初至中期)现代主义时期是英美文学的革命性时期,代表作品有:•弗吉尼亚·伍尔夫的小说《至灵之泉》,以流动的意识流体式叙述,探索了心灵的迷茫和现代社会的困惑。

•T·S·艾略特的诗集《荒原》,通过对现代社会的批判和对个体灵魂的探索,反映了人类在现代社会中的孤独和迷失。

三、英美文学的重要作家和代表作1. 威廉·莎士比亚(1564-1616)威廉·莎士比亚是英国文学史上最伟大的剧作家之一,代表作品有:•《哈姆雷特》:探讨了人性的矛盾和命运的无常,是世界戏剧史上最重要的作品之一。

英美文学名词解释整理版 (1)

英美文学名词解释整理版 (1)

❖American Transcendentalism A literary and philosophical movement, associated with Ralph Waldo Emerson and Margaret Fuller, asserting the existence of an ideal spiritual reality that transcends the empirical and scientific and is knowable through intuition. 超验主义:一种文学和哲学运动,与拉尔夫·沃尔多·爱默生和玛格丽特·富勒有关,宣称存在一种理想的精神实体,超越于经验和科学之处,通过直觉得以把握❖English Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe.❖ode in ancient literature, is an elaborate lyrical poem composed for a chorus to chant and to dance to; in modern use, it is a rhymed lyric expressing noble feelings, often addressed to a person or celebrating an event.❖conceit 奇喻A Valediction: Forbidding Mourning 。

A kind of metaphor that makes a comparison between two startlingly different things. A conceit may be a brief metaphor, but it usually provides the framework for an entire poem. An especially unusual and intellectual kind of conceit is the metaphysical conceit.新奇的比喻:将两种截然不同的食物进行对比的一种隐喻。

英美文学史名词解释

英美文学史名词解释

英美文学史名词解释
英美文学史是研究英国和美国的文学发展及其作品的学科。

在这个领域中,有许多重要的名词需要解释和拓展。

以下是其中几个关键的名词解释:
1. 古典主义:指的是17世纪至18世纪初期的文艺复兴时期,以古希腊和古罗马文化为基础的艺术和文学风格。

这一时期的作品强调对古典文学的借鉴,追求理性、秩序和对称。

2. 浪漫主义:指的是18世纪末至19世纪初期的文学和艺术运动,强调个人情感、幻想和对自然的热爱。

浪漫主义作品追求超越现实的境界,注重情感表达和个人体验。

3. 现实主义:19世纪中期至20世纪初期的文学流派,强调对现实生活的描写和分析。

现实主义作品试图通过真实和客观的方式呈现社会问题和人类经验,反映现实世界的复杂性。

4. 自然主义:19世纪末至20世纪初期的文学流派,强调环境和遗传对人性的影响。

自然主义作品探讨人类行为和性格的原因,强调环境和遗传因素对人们的决定性作用。

5. 现代主义:20世纪初期至中期的文学运动,突破传统的文学形式和观念。

现代主义作品倾向于使用非线性结构、流派交叉和意识流等实验性的写作技巧,探
索意识、时间和现代社会的复杂性。

除了这些名词,还有许多其他重要的概念和作品,如文艺复兴、启蒙运动、维多利亚时代、现代派诗歌、战争文学等。

研究英美文学史可以帮助我们了解不同时期的文学发展和作品背后的思想、价值观和文化背景。

【英美文学选读】名词解释笔记总结

【英美文学选读】名词解释笔记总结

【英美文学选读】名词解释笔记总结01. Humanism(人文主义)Humanism is the essence of the Renaissance.It emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life,but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)The word “Renaissance”means “rebirth”,it meant the reintroduction into western Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the English Renaissance is the Elizabethan drama with WilliamShakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit,the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods,and echoes the words and cadences of common speech.4>the imagery is drawn fromactual life.04. Classicism(古典主义)Classicism refers to a movement or tendency in art,literature,or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal,and places value on reason,clarity,balance,and order. Classicism,with its concern for reason and universal themes,is traditionally opposed to Romanticism,which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)Enlightenment movement was a progressive philosophical and artistic movement which flourished in France and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality,equality and science. It advocated universal education.5>famous among the great enlighteners in England were those great writers like Alexander pope, Jonathan Swift, etc.06.Neoclassicism(新古典主义)In the field of literature,the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order,logic,restrained emotion and accuracy,and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present,with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism,which emphasized reason,order and elegant wit. Instead,romanticism gave primary concern to passion,emotion,and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth,Byron and Shelley.09. Byronic Hero(拜伦式英雄)Byronic hero refers to a proud,mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers,this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corruptsociety. And would rise single-handedly against any kind of tyrannical rules either in government,in religion,or in moral principles with unconquerable wills and inexhaustible energies.3> Byron…s chief contribution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism(美学主义)The basic theory of the Aesthetic movement——“art for art…s sake” was set forth by a French poet,Theophile Gautier,the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life,and holds that life should imitate art,not art imitate life.3> According to the aesthetes,all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art…s sake,can it be immortal. They believed that art should be unconcerned with controversial issues,such as politics and morality,and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism andcommercialism of the Victorian industrial era,as well as a reaction against the Victorian convention of art for morality…s sake,or art for money?s sake.美学运动的基本原则“为艺术而艺术”最初由法国诗人西奥费尔。

英美文学 知识点总结

英美文学 知识点总结

英美文学知识点总结英美文学是指在英国和美国国家领土内产生的文学作品,包括英国文学与美国文学。

英美文学史是人类文明史的一个重要组成部分,包括从古典到现代的文学作品,涵盖了从莎士比亚到奥斯卡·王尔德等众多作家的作品。

英美文学的知识点众多,具有深刻的历史、文化和社会背景,下面将总结英美文学知识点,帮助读者更好地了解和学习英美文学。

1. 英国文学的起源和发展英国文学的起源可追溯至中世纪,早期的英国文学作品包括《贝奥歌》、《坎特伯雷故事集》等。

而随着文艺复兴的到来,英国文学迎来了新的发展时期,莎士比亚、斯宾塞等众多作家的作品为英国文学的繁荣与发展奠定了基础。

18世纪的启蒙运动影响了英国文学的发展方向,霍华德、斯威夫特等作家的作品在英国文学史上留下了重要的痕迹。

2. 美国文学的诞生与发展美国文学的起源较晚,17世纪移民新英格兰书信文学是美国文学的开端。

18世纪,美国文学开始迈入现代化阶段,风格多样的文学作品层出不穷。

19世纪的浪漫主义运动、现实主义运动以及自然主义运动,都为美国文学的繁荣与发展贡献了力量。

3. 英美文学的经典作品在英美文学史上,有许多经典作品,这些作品对后世文学产生了深远的影响。

如莎士比亚的《哈姆雷特》、奥斯卡·王尔德的《风华绝代》、简·奥斯汀的《傲慢与偏见》、查尔斯·狄更斯的《雾都孤儿》等。

4. 英美文学的主题和风格英美文学作品的主题和风格多种多样,既有对家国情怀的歌颂,也有对人性命运的探索。

从文艺复兴时期的骑士文学到现代主义文学,英美文学作品的风格也是千姿百态。

5. 英美文学的流派英美文学的作品涉及的流派众多,包括戏剧、小说、诗歌、散文等。

在戏剧方面,莎士比亚的作品是最具代表性的;在小说方面,狄更斯的作品是最为典型的;在诗歌方面,弗罗斯特的作品是最为著名的。

6. 英美文学的影响英美文学对全球文学产生了深远影响,从语言、风格、主题等方面都对其他国家的文学产生了影响。

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英国文学名词解释
1. epic
An epic is a long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated. The earlier ones concern the history and legends of a country or a region and include stories and information from many anonymous sources. These were oral or folk epics of which some were later written down. The epics of the ancient Greek poet Homer’s Iliad and Odyssey, and Beowulf, written in old English and found in the late 10th century, are good examples. Later epics were deliberately composed by one author and written down. The ancient Roman Virgil is regarded as the first composer of such epics.
2. sonnet
A Sonnet is a lyric poem comprising 14 rhyming lines of equal length: iambic pentameters in English, alexandrines in French, hendecasyllables in Italian. The rhyme schemes of the sonnet follow two basic patterns. The Italian sonnet (also called the Petrarchan sonnet after the most influential of the Italian sonneteers) comprises
an 8-line 'octave' of two quatrains, rhymed abbaabba, followed by a 6-line 'sestet' usually rhymed cdecde or cdcdcd. The English sonnet (also called the Shakespearean sonnet after its foremost practitioner) comprises three quatrains and a final couplet, rhyming ababcdcdefefgg. Originating in Italy, the sonnet was established by Petrarch in the 14th century as a major form of love poetry, and came to be adopted in Spain, France and England in the 16th century and in Germany in the 17th. The standard subject-matter of early sonnets was the torments of sexual love (usually within a courtly love convention), but in the 17th century John Donne extended the sonnet's scope to religion, while Millton extended it to politics.
3. Stream of consciousness
Stream of consciousness is one of the modern literary techniques. It is the style of writing that attempts to imitate the natural flow of a character’s thoughts, feelings, reflections, memories, and mental images as the character experiences them. It was first used in 1922 by the Irish novelist James Joyce. Those novels broke through the bounds of time and space, and depicted
vividly and skillfully the unconscious activity of the mind fast changing and flowing incessantly, particularly the hesitant, misted, distracted and illusory psychology people had when they faced reality. The modern American writer William Faulkner successfully advanced this technique. In his stories, action and plots were less important than the reactions and inner musings of the narrators. Time sequences were often dislocated. The reader feels himself to be a participant in the stories, rather than an observer. A high degree of emotion can be achieved by this technique.
4. Lake Poets
Wordsworth, Coleridge and Southey were also called the Lake Poets, because they lived and knew one another in the last few years of the 18th century in the district of the great lakes in Northwestern England, and shared a community of literary and social outlook in their work. All three of them had radical inclinations in their youth but later turned conservative.
4. Morality play
The Morality plays or Moralities sprang up in England in the 15th century alongside of the Mystery and
Miracle plays. They are different in that the morality play doesn’t tell stories from the Bible nor about the lives of the saints, but is a dramatized allegory in which abstract virtues and vices such as Mercy, Conscience and Shame, appear in personified form, in order to illustrate moral or religious doctrines.。

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