托福TPO53听力文本+音频下载+答案
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得听力者得天下,托福听力对于考生来说至关重要!如何攻克托福听力,除了要多听,托福TPO听力也是托儿必刷的真题.今天,小编给大家带来了托福TPO53听力文本+音频下载+答案。
TPO53 针对戏剧课的师生问答
Questions About A Drama Class
Listen to a conversation between a student and his drama professor.
Professor: Hi Robert. So how's your paper going?
Robert: Pretty well. It's a lot of work, but I’m getting into it, so I
don't mind. I’ll probably have some questions for you in the next week or
so.
Professor: Okay. Glad to hear you’re progressing so well.
Robert: Um… There was something you said at the end of the lecture on
Tuesday, something about there not really being any original plays.
Professor: There’s no such thing as an original play. Yes. That's the
direct quote from Charles Mee.
Robert: Mee… that's with two “e”s, right?
Professor: Yep. M-E-E. You'll probably be hearing a lot about him. He's
becoming a pretty famous playwright.
Robert: Yeah,well, I’ve been thinking about his quote. I mean there must be
some original plays out there.
Professor: I’ll grant that he's overstating things somewhat. But the
theater does have a long tradition of borrowing. Take Shakespeare. Like most
writers of his day, he borrowed plots from other sources unabashedly. And the
ancient Greeks, all the plays they wrote were based on earlier plays, poems and
myths.
Robert: And borrowing applies to plays being written nowadays, too? Professor: To some extent, yes. Mee, for example, he's made a career out of remaking plays, one of which we’ll be studying soon. It’s called Full Circle and Mee based it on an earlier play by a German playwright.
Robert: Oh Full Circle… Wasn't that based on the Caucasian Chalk
Circle?
Professor: That's right.
Robert: I remember hearing about that play from my acting coach.
Professor: Okay. Well, the Caucasian Chalk Circle was based on a play by
yet another German playwright, someone who was fascinated by the ancient literatures of China, India and Persia, and many of his works were adapted from those literatures, including his version of the Chalk Circle which was based on an early Chinese play.
Robert: So this Full Circle play, by Charles Mee, the one we're going to study, it's like the third or fourth remake. Wow… And we complain that Hollywood keeps making the same movies over and over again.
Professor: Well, part of what Mee’s trying to do is drive home the point that: One, theater’s always a collaborative effort.
Robert: Well, yeah, the playwright, the director, the actors, people have
to work together to produce a play.
Professor: Yes, of course. But Mee means historically. The dramatic
literature of early periods is hugely influential in shaping later dramatic works.
Robert: So it's like when the playwright bases a play on a previous