外文翻译---新时期中国水墨动画类型发展
关于中国水墨动画的文献
关于中国水墨动画的文献一、水墨动画的起源与发展。
中国水墨动画那可是相当厉害，它的起源就像一颗神秘而独特的种子，种在了中国传统文化的肥沃土壤里。
早在上个世纪，动画大师们就开始琢磨怎么把水墨画这种超有意境的艺术形式变成会动的画面。
你想啊，水墨画本身就像是一幅幅静止的诗意世界，墨色浓淡之间，山水花鸟就像有了灵魂。
从最早的一些尝试开始，就像是小心翼翼地迈出了第一步，每一步都充满了创意和探索的精神。
随着时间的推移，水墨动画不断发展。
动画师们在技术上不断突破，在创意上也不断挖掘新的宝藏。
他们不仅仅满足于把水墨画简单地动起来，还想办法让水墨动画讲出更精彩的故事。
就像一个手艺高超的厨师，不只是把食材煮熟，还要做出色香味俱全的佳肴。
二、水墨动画的艺术特色。
1. 独特的视觉风格。
水墨动画的视觉风格那是独一无二的，就像世界上没有两片相同的树叶一样。
它靠的是水墨晕染的效果，墨汁在宣纸上散开的那种感觉，被动画师们用神奇的技术搬到了屏幕上。
比如说画一座山，不是用那种硬邦邦的线条来勾勒，而是用墨色的深浅变化，浓墨表示山的厚重，淡墨就像是山间的云雾缭绕。
看水墨动画就像是在看一幅会动的水墨画，每一个画面都充满了中国传统绘画的韵味。
这种视觉风格跟西方动画那种色彩浓烈、线条清晰的风格形成了鲜明的对比，就像是一个是温婉的东方女子，一个是热情的西方女郎。
2. 意境的传达。
三、水墨动画的制作工艺。
这水墨动画的制作工艺可复杂得很呢。
它不像普通动画那样简单地画出来就好。
首先得有一群超级厉害的画家，他们得像传统的水墨画家一样，用毛笔蘸着墨汁在宣纸上画画。
但是这还不够，因为要让这些画动起来，还得有一套独特的技术。
比如说分层绘制，就像盖房子一样，一层一层地画，把背景、人物、动物等分别画在不同的层上，然后再通过摄影技术或者电脑技术把这些层叠加起来，并且让它们按照一定的顺序动起来。
这中间的每一个步骤都需要非常精准，就像走钢丝一样，一不小心就可能让整个动画的效果大打折扣。
中国水墨动画介绍(英语)
It was from the child‘s vision, hearing and feeling in three areas to talk about their unique aesthetic features. “Little Tadpole Looking for Mom” made in 1961’s, from master painter Qi Baishi wriggled across the screen. The spirit of traditional arts flowed in this creation. This movie wins a lot of awards, such as the Silver Sail for Short Films in the 4th Locarno International Film Festival. The production started a wave of activity through the international cartoon world.
the camera reel is filming.
The movie only has 19 minutes. The story is simple, but rich in content. It is a Milestok Animation is a traditional Chinese ink painting style used for the animated show.
It has deeply traditional cultural characteristics and strong ethnic characteristics. From “Little Tadpole Looking for Mom” to “Scenic”, every ink animation occupies a good market position of animation, mainly due to ink features like animation production to captivate the children.
中国动漫发展历程(英文版)
CATALOGUE
目录
Introduction Early Days of Chinese Animation The Rise of Chinese Cartoons Modern Development of Chinese Comics and Manga Challenges and Future Prospects for Chinese Animation Conclusion
Comics and manga have become immensely popular among young readers in China, with a wide range of genres and topics catering to different tastes and age groups.
Chinese animation began to experiment with different styles and techniques, often influenced by Japanese anime.
2010s-Present
With the rise of digital technology and the internet, Chinese animation has experienced a boom in production quality and diversity.
Cultural Representation
Social and Cultural Impact
04
Modern Development of Chinese Comics and Manga
中国水墨动画 Chinese ink animation
Brief outline
After long exploration, we summarize several way to achieve the innovation and breakthrough of Chinese ink animation. Relevant departments, for instance, could pay more attention to sinology education, broaden the market and encourage the combination of ink animation and digital technology.
creation of arts education design
most
draw ink animation
scarcer
pay attention to ink animation education
important
cultivate talents
Broaden the market and enhance the interest of story
References
• 戴勇红.浅谈中国水墨动画的发展的思考[J]. 电影评介，2010.
• 方志伟.浅析中国水墨动画的现状[J].法制 与社会，2008.
• 丁厚祥.中国水墨动画的璀璨、困难与发展 [J].美术，2007.
• 崔励.中国水墨动画的特色及其前景[J].电 影文学，2007.
Thank you
Combination of ink animation and digital technology
"Summer" in 2003 《夏》
浅析中国水墨动画的发展与创新
浅析中国水墨动画的发展与创新中国水墨动画具有悠久的历史，可以追溯到几千年前的古代绘画。
随着时代的发展，中国水墨动画在技术和创新方面也取得了长足的进步。
本文将从不同角度对中国水墨动画的发展与创新进行浅析。
中国水墨动画在技术方面的发展与创新是其重要的一部分，包括绘画技巧的进步和动画制作技术的革新。
在传统水墨绘画的基础上，艺术家们逐渐尝试运用不同的绘画材料和工具，例如宣纸、笔墨和砚台等，以及不同的绘画技巧，如洒墨、点染和破墨等，来表现动画中的不同元素和场景。
随着电脑技术的进步，动画制作也从传统的手工绘制转为数字化制作，这使得中国水墨动画可以更加灵活地表现不同的创意和情感，同时也提高了动画的制作效率。
中国水墨动画在创新方面也有许多值得关注的地方。
传统的中国水墨画强调表达意境和氛围，而水墨动画则通过运用不同的表现手法和艺术形式，使得传统的水墨画与动画的结合更加丰富多样。
在传统水墨画的基础上，艺术家们进行了各种实验，如将传统的水墨画与三维动画相结合，或者运用特殊的技术和效果来表现特殊的动画主题，如中国神话故事和民间传说等。
这些创新使得中国水墨动画不再仅限于传统的绘画形式和题材，而是能够表达更加丰富多样的主题和情感。
中国水墨动画在内容上也发生了很大的变化和创新。
传统的水墨画通常以山水、花鸟和人物等传统题材为主，而水墨动画则涉及到更多的现代和当代的主题。
随着社会的发展和人们审美的变化，中国水墨动画逐渐呈现出更加多元化和前卫的特点，包括现实主义、抽象主义和表现主义等不同的艺术风格。
中国水墨动画也开始关注社会问题和个人情感，包括对环境保护、社会公平和精神价值等的思考和表达。
这些内容的创新使得中国水墨动画更具有现代性和时代性。
中国水墨动画在市场上也得到了更多的认可和发展。
随着中国文化的全球传播和动画产业的发展，越来越多的中国水墨动画作品在国内外取得了商业和艺术的成功。
《大闹天宫》和《千年女优》等作品在国际上获得了广泛的赞誉和认可，并为中国水墨动画的发展打开了更多的机遇和市场。
浅析中国水墨动画的发展与创新
2019-01文艺生活LITERATURE LIFE，，。
摘要:水墨画在我国传统绘画中占据着主要地位，老一辈的动画家们把水墨画与动画相结合创作出水墨动画片这种新兴的动画片形式，享誉国际。
但随着近几年我国在动画片上的忽视与粗制滥造泛滥，包括很多创作者看中商业利益，在取材与内容上太过随意，导致我国的动画行业长年走下坡路。
那么复兴中国水墨动画，并结合当今的科技，继续创作出具有名族特色的动画便很有必要。
关键词:中国水墨动画；水墨画；数字技术中图分类号：J954文献标识码：Ａ文章编号：1005-5312（2019）03-0111-01一、水墨动画的定义水墨动画，顾名思义就是把水墨技法结合动画软件制作而产生的一种动画类型。
水墨动画结合了水墨技法、水墨元素、水墨风格，再加以后期软件制作呈现给观众的一种动画片的形式。
早期的水墨动画有以黑白墨色为主基调的，也有加以色彩的，但不管是哪一种形势都给观众以鲜活灵动的姿态。
二、水墨画与水墨动画的关系中国水墨画主要以“墨”为主，通过墨色浓淡干湿的层次变化，形成了水墨画的独有的艺术表现形式。
水墨画讲究“意在笔先”、“以形写神”、“意向合一”、“情景相生”的特点。
早期的水墨画以墨色与白色为主，随着水墨画的不断研究，画者加以各种颜色，让画面更直观、更生动。
现在我们看到的很多水墨动画都是以写意水墨为主，究其根源也就是写意的大胆灵动、概括简洁，给人气势磅礴却又不是细腻的视觉感受。
也正是因为中国水墨画的这些特点，它与动画相结合产生一种新兴的动画形势也是势在必行。
三、国内外动画的发展现状中国动画讲究“有益于儿童的身心发展”，在创作方面也局限了故事的生动性、人物造型的设计、配音以及动画的创作者。
因此中国动画不管在制作还是故事情节本身，或是在给孩子、家长们的启示方面都大大欠缺。
美国动画经过长期试验探索与发展，已经形成了独有的艺术特点。
故事情节生动有趣引人入胜，人物设计优雅动人，动物的形象设计夸张却又不失美感，音乐优美动听朗朗上口。
浅析中国水墨动画的发展与创新
浅析中国水墨动画的发展与创新中国水墨动画是一种以传统水墨艺术为背景和技法基础的动画形式，它融合了中国传统文化和现代艺术理念，在国内外艺术界逐渐崭露头角，并引起了广泛关注与探讨。
本文将从历史背景、发展特点和创新实践三个方面进行浅析。
中国水墨动画的发展背景可追溯到20世纪初的电影艺术创作探索阶段。
当时，西方动画技术已经相对成熟，而中国的电影产业还处于起步阶段，水墨动画成为了一种低成本的替代方案。
中国传统水墨艺术具有独特的审美风格和表达方式，为动画带来了新的艺术元素和表现手法。
中国水墨动画的发展特点在于传承与创新并重。
一方面，水墨动画在继承传统水墨艺术的注重追求叙事性和表现力的提升。
通过运用中国画的线条、笔触、墨色等元素，创造出独特的艺术效果，使动画呈现出独特的古韵和神韵。
水墨动画也不断进行技术实验和创新尝试。
通过数字化技术的应用，融入了新的动画制作手段和效果，提升了水墨动画的视觉冲击力和艺术表现力。
继承与创新的典型代表之一是中国动画艺术家蓝小云。
她以其水墨动画作品《弩耶》和《短命的生命》等获得了国内外的认可。
蓝小云在作品中充分运用了中国传统水墨的绘画技巧和表现手法，通过画面的运动和变化，结合音乐和声音的呼应，创造出独特的视听艺术效果。
这种独特的创作方式不仅拓宽了水墨动画的形式和表现领域，也增强了作品的艺术感染力和表现力。
另一个值得关注的创新实践是数字水墨动画的发展。
数字水墨动画是将传统水墨艺术与数字化技术相结合的一种新型动画形式。
通过数字绘画、特效合成和后期处理等技术手段，将传统水墨艺术的特点和表现方式重新显现出来。
数字水墨动画还通过增加新的情节和元素，丰富了作品的叙事性和观赏性。
这种创新尝试使水墨动画更具现代性和国际化，吸引了更多年轻观众的关注和喜爱。
中国水墨动画的发展与创新仍然面临一些挑战和问题。
传统水墨艺术的教育体系和人才培养仍然较为薄弱。
这导致了在新一代动画艺术家中，对中国传统文化和水墨艺术的了解和研究不足。
中国水墨动画的历史传承与艺术创新
中国水墨动画的历史传承与艺术创新杜巧月【摘要】Ink painting is a special art form of traditional Chinesepainting .Ink animation is an introduction of traditional Chinese ink and wash painting to animation .It pursues artistic conception and possesses strong Chinese characteristics .With the progress of the times, great changes have taken place in the expression styles and techniques of Chinese ink animation .Starting from the creation of Chinese ink painting and combined with modern digital technology , the inheritance and innovation of Chinese ink animation should be based on the idea of promoting Chinese traditional culture .Only in this way can it become a new type of ink animation of both national and international .%水墨画是中国传统绘画特有的一种艺术形式。
水墨动画是将中国传统的水墨画引进到动画制作的形式当中，注重对意境的追求，具有浓厚的中国特色。
随着时代的进步，中国水墨动画在表达方式和技术手段上发生了巨大的变化，中国水墨动画的传承与创新要建立在弘扬中国传统文化思想的基础之上，以中国水墨画作为创作的出发点，并与现代数字技术相结合，才能成为民族性、世界性的新型的水墨动画。
浅析中国水墨动画的发展与创新
浅析中国水墨动画的发展与创新中国水墨动画起源于古代山水画的传统，经过数百年的发展与创新，已经形成了独具特色的艺术形式。
本文将从历史背景、发展过程、影响因素以及创新实践等方面，对中国水墨动画的发展与创新进行浅析。
历史背景中国水墨动画的起源可以追溯到宋代，当时的画家们开始使用水墨来描绘山水、花卉等自然景观，并运用线条、色彩、空间等元素进行表现，奠定了水墨画的基本风格和技法。
随着时间的推移，水墨画渐渐成为了中国艺术的代表之一，并且影响了中国传统文化的方方面面。
发展过程中国水墨动画的发展可以分为以下几个阶段：1. 传统阶段：在这个阶段，水墨动画主要是在纸上进行表现，画家们利用线条和色彩的变化来描绘动态的效果。
这种动画形式以山水画为主题，既强调了传统文化的表达，又注重了艺术性的追求。
2. 创新阶段：在20世纪初，中国艺术家们开始尝试在水墨画中引入新的表现手法和材料，比如使用水彩、油画和拼贴等技法。
这种创新使得水墨画更加多样化和现代化，同时也为水墨动画的崛起奠定了基础。
3. 数字化阶段：随着计算机技术的不断发展，中国水墨动画逐渐向数字化方向迈进。
艺术家们开始使用计算机软件来创作水墨动画，借助数码设备和特效制作技术实现更为复杂和精细的动画效果。
影响因素中国水墨动画的发展与创新受到了多种因素的影响，包括文化传统、艺术教育和市场需求等。
1. 文化传统：中国水墨动画源于传统的山水画，具有浓厚的中国文化氛围和独特的艺术风格，这种传统文化的传承和发展成为了中国水墨动画发展的重要因素之一。
2. 艺术教育：艺术教育对于培养水墨动画人才和推动艺术创新起着重要作用。
艺术学院和专业机构为水墨动画的培训和创作提供了平台和资源，同时也为艺术家们提供了交流与合作的机会。
创新实践中国水墨动画在创新实践中获得了许多成果，包括技术创新、题材创新和表现手法创新等方面。
1. 技术创新：随着计算机技术的发展，中国水墨动画创作者们掌握了数字化制作技术，通过计算机软件和设备实现了许多传统水墨画所无法呈现的效果，比如精细的线条和色彩变化、立体的空间感等。
浅析新时期水墨动画的发展
浅析新时期水墨动画的发展作者：夏菲来源：《现代交际》2011年第04期［摘要］关于如何在动画中很好诠释中国传统绘画这个命题，已经由来以久。
从上世纪60年代中国最早的水墨动画《小蝌蚪找妈妈》开始，国人就在不懈地努力让国画这一国粹在影像媒体中延续新的艺术生命。
但是由于过去各方面技术发展得还不够成熟，水墨动画的推广一直有很大的难度。
转眼间进入了21世纪，数字多媒体技术飞速发展，水墨动画复苏时机也随之来临。
本文旨在阐述只有在坚持民族特色的基础上不断融入新的技术及思想，才能带来中国动画真正意义上的繁荣。
［关键词］传统水墨动画三维水墨动画风格民族特色［中图分类号］J218.7［文献标识码］A［文章编号］1009-5349（2011）04－0115－02中国水墨动画是我国独有的一种动画艺术品种，她把传统的水墨绘画融入到动画创作之中，不同于常规动画片，又高于常规动画片，因为它不仅仅是人们丰富文化生活的一种娱乐休闲方式，也是我们宣传自己文化、信仰的一种重要传播途径。
一、传统水墨动画的诞生1960年，陈毅副总理参观中国美术电影展览会后提出：“你们能把齐白石的画动起来就更好。
”这个建议完全符合艺术家们早有的宏愿：打破各国动画所采用的“单线平涂”以线条结构为主的模式，创作出具有中国特色的动画片——水墨动画。
艺术家们首先在取材上选择了最能发挥水墨画特色的题材，鱼虾、小鸡、青蛙、牧牛、人物……画面中线条的浓淡、轻重、虚实，绝不是随意之作，每一落笔、起伏都有很大的讲究，对人物的塑造、意境的创造都有很大的影响。
他们通过反复试验，解决了墨韵技巧的效果，集体创作出首部水墨动画《小蝌蚪找妈妈》，这一创举是在民族化道路上的重大贡献，更是对世界动画界注入了一股新鲜的血液。
而此后的《牧笛》《鹿铃》及《山水情》接连在世界各大型动画节上获奖，把中国的民族动画推到了高峰。
二、传统水墨动画的发展现状传统水墨动画不同于其他表现形式的动画片，在空间及人物造型上它不拘礼于“西洋绘画”的透视和体积感的表现，主要强调用笔及水墨的浓淡来营造空间的深远关系，阐述表现对象的虚实及气韵。
水墨变幻 影像灵动——新时期中国水墨动画的发展
二、传统水墨动画的光辉历程
须 分出几种颜 色 ， 大块面 的浅灰 、 有
画重 新推 向 了大众 的视 线 ，，使人
１６ ９ ０年 ， 一部 水墨动 画片 《 第 小 蝌蚪 找 妈 妈 》诞 生 ，它采 用 我 国特 有 的水 墨 技 法 ，打 破 了一 般 动 画 片 “ 单线平涂 ”的模 式 ，没有边缘线 ， 意境优 美 ，气韵 生动。… “ 墨 自 水 然 渲 染 ，笔墨 所 到 之 处 ，尽 显 ‘ 墨 分五色 ’ （ 焦、 浓 、重 、淡 、 轻 ） 的独特 魅力。” ［】 ２ 墨迹 浓淡有致 、 笔 法虚 实 相 辅 ，飘 逸、 古朴 、 宁静 的笔 触 ，营 造 出醉 人 的意境 ，可 以 说 从 中 截取 的任 意 画面都 是 一幅 杰 出的水墨画作。 此后 ，中国 水 墨动 画展 开 了一 段 光 辉 历 程 ，陆 续 出 品 《 铃 》、 鹿 《 笛 》、 《 牧 山水情 》等优 秀作 品。 它们 大 多基 于 艺术 家的 绘 画艺 术 ， 比如 “ ＜小 蝌 蚪 找妈 妈 ＞用 的是 齐
冀 三三三三；三三三三三
水墨变幻 影像灵动
— —
撕 时期中国水墨动画的发展
［ 摘要 ］水墨动画是 中国动画发展 史上 的一抹清 丽 色彩 ， 自诞生 以来经历过辉 煌与低谷 。新 时期 ，随着数 字技 术的逐 渐发展 ，水墨动画迎来 了新机遇 ，三维
水 墨 动 画 应 运 而 生 。现 今 ，水 墨 动 画 “ 墨 随 时代 ” ，正 逐 渐 突破 各 种 局 限 ， 笔 积极与新媒体 、新技术联姻 ，朝数 字化和 多元化 方向发展 。
【 关键词 】水墨动 画 三 维技术 镜 头语 言 交互动画
浅析中国水墨动画的发展与创新
浅析中国水墨动画的发展与创新中国水墨动画的发展历程。
中国水墨动画可以追溯到中国古代的绘画艺术。
水墨画是中国传统绘画的重要形式之一，具有悠久的历史和深厚的文化底蕴。
而水墨动画则是在水墨画的基础上发展起来的一种艺术形式，它融合了传统的绘画技法和现代的动画技术，形成了一种独特的艺术风格。
早期的中国水墨动画作品多以静态的形式呈现，主题多为山水、花鸟等传统题材，形式和内容相对单一。
直到20世纪，中国水墨动画才开始融入到传统的动画制作中，并逐渐形成了自己独特的风格和表现方式。
中国水墨动画的创新之路。
随着社会的不断进步和艺术的发展，中国水墨动画在传统的基础上进行了积极的创新，呈现出了更加丰富多样的艺术表现形式。
在艺术家们的不懈努力下，中国水墨动画逐渐走出了传统的局限，呈现出了更加多元化的发展趋势。
在题材方面，中国水墨动画已经不再局限于传统的山水花鸟题材，而是开始涉及到了更加广泛的内容，如历史故事、民间传说等，使得作品的内容更加丰富多彩。
在表现手法上，中国水墨动画也不再局限于静态的表现方式，而是开始运用现代的动画技术，将水墨画中的形式和内容进行了更加丰富的展现，呈现出了更加生动和鲜活的艺术效果。
中国水墨动画的发展对传统水墨艺术的影响。
中国水墨动画的发展为传统水墨艺术注入了新的活力和动力，推动了传统水墨艺术的创新和发展。
传统水墨画以其独特的艺术韵味和表现手法一直备受人们的喜爱，而中国水墨动画的兴起则进一步丰富了传统水墨艺术的表现形式，使传统水墨艺术在现代艺术领域中焕发出新的生机。
通过中国水墨动画的发展和创新，传统水墨艺术得到了更加广泛的传播与推广，增强了传统水墨艺术的生命力和影响力，使更多的人能够了解和喜爱传统水墨艺术。
中国水墨动画面临的挑战与未来发展的展望。
中国水墨动画在发展的过程中也面临着一些挑战，如如何在保持传统水墨艺术精髓的基础上进行创新，如何在国际舞台上更好地展现中国水墨动画的独特魅力等。
随着社会的不断进步和人们对艺术的需求不断提升，中国水墨动画的发展前景依然广阔。
浅析中国水墨动画的发展与创新
浅析中国水墨动画的发展与创新【摘要】中国水墨动画自古以来就承载着中国传统文化的精髓，具有深厚的历史积淀和独特的艺术魅力。
随着现代技术的发展，中国水墨动画在传统与现代的融合中展现出新的创新形式，为其注入了更多活力和生机。
中国水墨动画在国际舞台上也逐渐崭露头角，展现出广阔的发展前景。
未来，中国水墨动画将继续发挥其潜力与影响力，拓展发展空间，展现出更加独特的魅力。
中国水墨动画的发展与创新，不仅见证了中国文化的传承与发展，更为世界文化交流贡献了独特的艺术美学，为中国动画产业走向世界打下了坚实基础。
【关键词】中国水墨动画，发展，创新，古典传统，现代技术，国际舞台，未来发展趋势，潜力，影响力，空间，独特魅力1. 引言1.1 中国水墨动画的起源中国水墨动画的起源可以追溯到中国古代的绘画艺术。
水墨画是中国传统绘画的一种重要形式，起源于唐朝，成熟于宋朝。
水墨画以水、墨、纸为主要材料，通过勾勒线条、渲染色彩，表现出静谧、淡雅、神秘的艺术魅力。
在古代，水墨画主要表现山水、花鸟、人物等题材，描绘出自然山水的壮美和生活场景的真实。
随着时代的发展，水墨动画作为绘画艺术的延伸，在中国的动画领域也逐渐兴起。
中国水墨动画在表现形式上借鉴了传统水墨画的特点，注重线条的勾勒和色彩的渲染，同时结合现代技术的应用，创造出独具中国特色的动画作品。
中国水墨动画的起源不仅源自古代绘画艺术，更融合了当代科技和文化，展现出全新的艺术风貌和内涵。
在中国传统与现代技术的结合下，中国水墨动画呈现出独特的韵味和魅力，成为中国文化艺术的重要传承和创新之作。
1.2 中国水墨动画的意义中国水墨动画作为中国传统文化的瑰宝之一，具有深厚的历史底蕴和独特的艺术魅力。
它不仅是中国传统文化的重要组成部分，也是中国文化对外传播的有效工具。
通过水墨动画，世界可以更加直观地感受到中国传统文化的魅力和博大精深。
水墨动画也为中国艺术家提供了展示个人创意和技艺的平台，推动了中国动画产业的发展和繁荣。
浅析中国水墨动画的发展与创新
浅析中国水墨动画的发展与创新中国水墨动画作为中国传统文化与现代动画技术相结合的产物，在近年来得到了越来越多的关注与认可。
它融合了中国文化的独特魅力和传统水墨画的美学理念，创造出一种独具特色的艺术风格。
本文将从历史背景、发展进程以及创新方向三个方面对中国水墨动画进行浅析。
中国水墨动画的发展背景可以追溯到上世纪初。
20世纪初，中国的电影工业起步较晚，但中国民族影片却开始兴起。
1926年，最早的一部中国水墨动画电影《大闹天宫》诞生。
这部电影对后来的中国水墨动画产生了重大影响，不仅在技术和艺术风格上进行了探索，更为中国水墨动画创作开辟了新的方向。
中国水墨动画的发展进程可以分为三个阶段。
第一个阶段是初期探索与传承。
上世纪30年代到50年代，中国水墨动画经历了一个探索与传承的阶段。
在这个阶段，中国水墨动画主要借鉴了中国传统水墨画的技法和表现手法，它承载了着强烈的时代气息和民族自豪感。
第二个阶段是创新与发展。
上世纪70年代到80年代，中国水墨动画经历了一个创新与发展的阶段。
这个阶段，中国动画艺术家开始将传统水墨画与现代的动画技术相结合，创造出一种新的艺术形式。
他们在创作中加入了更多的现代元素，探索了新的艺术表达方式，并为中国水墨动画的发展奠定了良好的基础。
第三个阶段是融合与国际化。
从21世纪开始，中国水墨动画逐渐走向了融合与国际化的阶段。
中国水墨动画艺术家开始与国际动画界进行交流与合作，借鉴国际先进的动画技术和创作理念，不断提高中国水墨动画的国际竞争力。
中国水墨动画艺术家也在创作过程中注入了更多的民族文化元素与审美观念，使得中国水墨动画具有了更深层次的内涵与表达力。
中国水墨动画的创新方向主要包括技术创新、题材创新和表现手法创新。
在技术创新方面，中国水墨动画可以借鉴国际先进的动画制作软件和技术，提高动画质量和表现效果。
在题材创新方面，中国水墨动画可以扩大创作题材的范围，涉及更广泛的领域和人群，满足不同观众的需求。
中国传统水墨动画和现代3D动画艺术表现形式比较资料
目录摘要 (2)1．引言 (3)2．定义 (3)2.1 中国传统水墨动画 (3)2.2 3D动画 (3)3．中国传统水墨动画的艺术风格和优劣 (4)3.1 中国传统水墨动画的艺术风格 (4)3.2 中国传统水墨动画的优势和劣势 (4)4．现代3D动画的艺术特点和优劣 (5)4.1 现代3D动画的艺术特点 (5)4.2 现代3D动画的优势和劣势 (6)5．中国传统水墨动画和现代3D动画的代表作 (7)5.1中国传统水墨动画代表作 (7)5.2现代3D动画的代表作 (7)6．结语 (8)参考文献 (8)摘要随着科学技术的发展，中国传统水墨动画开始逐渐衰落，新兴的现代3D动画开始不断发展。
但是中国传统水墨和现代3D动画在艺术表现形式和特点上仍然存在这差异和不同，同时他们也有各自的优缺点。
本文就中国传统水墨动画和现代3D动画艺术特点进行分析，并列举了双方一些代表作品，意在能促进两种动画形式可以共同发展。
关键词：中国传统水墨动画、现代3D动画、艺术特点、差异、代表作AbstractWith the development of science and technology, traditional Chinese ink cartoon gradually began to decline, of the new modern 3D animation began to development. But the traditional Chinese ink and modern 3D animation in art expression form andcharacteristics are still on the differences and different, and they have their own advantages and disadvantages. This paper is the traditional Chinese ink animation and modern 3D animation art characteristics are analyzed, and lists the both sides some representative works, in order to can promote two animation can form common development.Keywords: Chinese traditional ink animation, modern 3D animation, artistic characteristics and differences, masterpiece中国传统水墨动画和现代3D动画艺术表现形式比较1．引言水墨动画是60年代初期中国独创的一种美术片形式，它以诗情画意、清新淡雅、质朴隽永、意境幽远的艺术表现力辉煌一时，在国内外动画领域获奖无数，被冠以“中国学派”的美誉。
笔墨情趣与影像呈现：中国水墨动画的发展历程、困境及蜕变之策
14HOT TOPIC 专题·新时代中国动画学派的重建与民族文化传播研究谈起中国传统动画，永远绕不开富有中国民族风格的水墨动画。
毫无疑问，中国传统水墨动画独特的艺术风格与美学特征，成就了一代热爱动画创作的艺术人。
但在3D动画逐渐风靡的当下，无限逼真的仿真影像美学，使中国当代水墨动画面临着一定的发展困境，亟需探索蜕变之策。
一、传统水墨动画的笔墨情趣与发展历程20世纪60年代和80年代的中国传统水墨动画，是基于“让水墨画动起来”诉求下的一种民族心理表征。
在绘画性上，突破了当时西方主流动画的“单线平涂”技法，以中国画的“水墨”技法作为艺术表现手段，追求传统文人绘画的“笔墨情趣”，向世界彰显了中国动画艺术的民族性，成就了中国水墨动画的辉煌历史；就电影性而言，受限于当时国际通用的动画工艺，无法解决动态的虚实关系，但满怀中华民族精神的上海美术电影制片厂的创作者们积极探索，影像呈现和电影叙事的技术有所突破，虽不完善，但瑕不掩瑜。
（一）文人情怀与笔墨情趣传统水墨动画通过承袭国画的绘画程式，延续水墨画的写意观，不仅表现文人画的笔墨情趣，更体现家国济世的文人情怀。
中国水墨动画借鉴并吸收富有民族特色的中国画艺术，在此基础上积极探索，开创了极具中国民族特色的手绘水墨动画。
从第一部水墨动画片《小蝌蚪找妈妈》（1961），到最后的唱响《山水情》（1988），每一部作品都是虚实相生的大写意，用富有文人画的笔墨情趣，表现出中国画特有的文人情怀，让世界感受中国的艺术魅力。
文人情怀和笔墨情趣依托于中国画而为世人所知。
北宋苏轼首先提出“士夫画”的概念，并在一段画跋中写到：“观士人画如阅千里马，取其意气所到”[1]，强调画中带有文人情趣，画外流露着文人思想①的中国画笔墨情趣，即创作者的主观情感与内在修养，通过笔墨呈现在画纸上。
中国古代文人是一个怀有济世情怀和家国情怀的特殊群体，以书画为媒，吟诗作画，用笔墨寄情，以抒发内在的真情实感。
中国水墨动画前瞻与展望
[原文]Chinese water ink animation perspective and forecastThe water ink animation is the animated cartoon one kind, is one kind oftechnique which the Chinese fine arts movie originates, this kind of movie broke through the traditional animated cartoon line structure habitually using single track to spread evenly, has utilized the traditional Chinese ink and wash painting performance way, enabled the animation each kind of modelling to have Shui Mo the characteristic. It is not greatly same as other animated cartoons, the water ink animation does not have the sideline, Shui Mo on the xuan paper the nature exaggeration, each scene is an exquisite ink and wash painting. The animation role's expression and the movement are chic and smooth, disclosed a divine and wonderful spirit, the grand bold splash-ink landscape background day becomes quite the same as, the writing style gentle and fills richly in poetic and artistic flavor. It builds the traditional Chinese painting profound ideal condition, has created “the illusion fairyland” artistic esthetics.The reason that the water ink animated cartoon's technology is so preciousand is mystical, is because it has broken the animation movie throughout 实用文档history inherent manufacture method. Its production process is tedious, uses the lamination exaggeration coloration the method. The animated cartoon is a picture on the transparent match luo luo piece, is also a standard standard photography on the film strip, shows ten minutes short films to take 7,000-8,000 consecutive actions the pictures. In order to guarantee that the image the unification, causes it stable not to shake, therefore nearly world, therefore the animated cartoon image adopts the way which the single track spreads evenly, by line structure primarily. The ink and wash painting is exactly opposite, it is utilizes the ink and the moisture content exaggeration, the display black color shade and the actual situation effect describes the object. Its this characteristic, both does not have the explicit boundary line, middle and cannot spread the color evenly. Not difficult to imagine, must obtain stable Shui in the thousands fine jade luo picture Mo the effect, what is really inconceivable.From the 1960s to the late 80s, the Shanghai fine arts Motion picture studio has photographed the following several water ink animated cartoon successively:(一) Earliest Shui Mo animation fragment - - "Fish and shrimp", "Frog", 实用文档"Chicken". in 1960, the Shanghai fine arts Motion picture studio has photographed a 10 minute about experimental animation short film - - "Water Ink Animation Fragment", including "Fish and shrimp", "Frog", "Chicken" three small fragments. This short film photographs successfully, has laid the foundation for our country water ink animation's development.(二) Our country first public Shui Mo the animated cartoon "Small Tadpole Looks for Mother". in July, 1961 completed, the massive famous experts participated in this piece manufacture. The movie water used ink has displayed the animal lifelike movement perfectly, and has entrusted with the water ink animation vitality. This piece founded the animation new piece kind, as soon as was published then causes a stir international has moved marks off.(三) Water ink animation's work sublimation - - "Shepherd's flute". in December, 1963 manufactured completes, film length 20 minutes. Background by “Chang An picture faction” important painter Mr. Fang Jizhong draws up, each lens' design manuscript writes by renowned Director Qian Jiajun.(四) The late 70s work - - "Deer Bell". in 1979 was published. The movie lets the human feel fresh simple and honorable, the color is bright. The artistic designing held the post by Cheng Shifa, has displayed the person and deer's 实用文档happy friendship.(五) Water ink animation's work summit - - "Mountain State of the water". Creation in 1988. Compared with before same type's work, the movie manufacture has been perfect gradually, to the static scenery and living creature's assurance advantage, caused the human to integrate the traditional Chinese painting completely but actually exactly the enjoyable atmosphere, was water ink animation work summit. After hence, this kind of Chinese original's technique gradually does not exist, stays behind is only deep fondly remembering.The water ink animation's history is magnificent, after obtaining the like this many award items is sparkling the gorgeous corona. But along with time development many factor restrictions, after 1988 "Mountain State of the water", had not seen again new Shui Mo the animated cartoon is born, specially along with China planned economy's system conclusion, thoroughly disintegrated take the Shanghai US Shade Factory as the central Chinese animation movie's magnificent time, must photograph and manufacture new Shui Mo the animated cartoon already was basic is impossible to realize. Perhaps, will have many people to ask why China's Shui Mo the animation will present the aspect 实用文档which will so deteriorate? On myself individual viewpoint, got up after all, has made the following several analyses:(一) The animated cartoon commercial character is too strong, the beautiful shade factory and so on specialized organization remanufacture reorganization, the size animation company hastens to ground the Chinese animation market in abundance, the overseas processing piece becomes the mainstream.Was not only the water ink animation has faced the so awkward aspect, many other outstanding type's domestically produced animations faced the like this awkwardness similarly, like cut the slip of paper, the puppet piece and so on. The traditional animation production process is troublesome, the output is low, if in does not have under the large-scale management condition, the limited run quantity cannot form the fixed expense community and the market human spirit, cannot massively development and the attraction society fund investment, also does not attract more outstanding public figures to join in the animation industry. Causes the product type to be unitary, several years produce one, day by day form the backward vicious circle. This kind of situation under the socialist market economic system, is the same commercial value violates. The socialist market economy has pushed to the animation industry 实用文档“the market”, but this market is not the one day and one nigh t establishes, the beautiful shade factory and so on specialized organization remanufacture reorganization, broke the imperial grain domestically produced animation industry to be helpless immediately. At the same time, the size animation company like mushroom growth appearance, hastens to ground the Chinese animation market in abundance; The external processing piece also together lands the domestic market along with the outside Chinese movie, in the pursue efficiency and under the money tidal current, is higher than the domestically produced piece price ten time of Canada labor costs certainly to have the very strong attraction, and in a time, attracts nearly completely the domestic majority of animation industry backbone force. Will cause also basically i s “ten years does not have the piece” in the 90s later the time.(二) The water ink animated cartoon production process is complex, time-consuming long, the cost is high, the investment is astonishing.Chinese tradition animated cartoon quantity are not many, but each is the high-quality goods nearly. The rich individuality, the plot are vivid, the artistic content moves in the world marks off is the first-class level absolutely. But speaking of the water ink animated cartoon, because wants the lamination 实用文档exaggeration coloration, the production process is complex, a very short flat and thin piece may cost the massive time and the manpower. The Shanghai US Shade Factory adding water ink animated cartoon investment is huge, the manufacture secondary roles are also exceptionally abundant, this is the average person imagines with difficulty. The participant except is especially great, Master Qian Jiajun such older generation animation, traditional Chinese painting famous expert Li Keran, Cheng Shifa also participated in the art direction. Is precisely because spares neither labor nor expense like the artistic pursue, the Chinese water ink animation has internationally won colleague's approval, and receives the junction to declare approves. Any country has not dared with Chinese's patient competition, the Japanese animation even to call it “the miracle”. But also because just artistic value same commercial value's being separated from, only then causes the water ink animation is facing wuyi for following the awkwardness. The Japanese after had been understanding basically water ink animation photography method returns to homeland also not to dare to attempt it easily, to the western cartoon movie who emphasizes the effectiveness all along wants their long time, in each picture's decomposition, traces in the line, the lamination, the color the flowered time, 实用文档then carries on repeatedly on the photographic stage to each picture repeatedly fixes with the photography possibly not greatly, perhaps only then the Chinese only then has this kind of patience.(三) The professional lacks, the professional dedication has insufficient, presents lacks successors the phenomenon.Looking from the Chinese animated cartoon history, the artist and the animated cartoon has the indissoluble bond. Chinese animated cartoon's founder Brother Wan and the first batch moved the painter to be great, seniors and so on Jin Xi once was especially enlivens in painting world's painter, but Zhang Guangyu, Zhang Zhengyu, Li Keran, Hua Junwu, Zhang Ding, Fang Cheng, Han Yu, Fang Jizhong, Cheng Shifa ......Successively has participated in the animated cartoon creation. But now, middle the animated cartoon manufacture's famous expert, the painter is nearly very little participation, is at the condition which basically one kind is indifferent, but Cainozoic Era's Chinese animator generally lacks the experience and the traditional professional skill, raises also basically is the computer professional, knows nothing about to the traditional animation's manufacture technique. This causes one which of reasons the Chinese tradition water ink animation divides into periods.实用文档(四) Country animated cartoon's and so on Europe and America, Japan influences, the young people does not feel generally to the domestically produced animation the interest. Speaking of many animation creators, the animated cartoon highest boundary wins a prize, nobody looked that has not related, does art always compared to do propagandizes meaningful, art and the propaganda are the opposition, art and the trade are the opposition, art and the entertainment are the opposition. Speaking of the mass audiences, such “art” is also nobody likes looking. The water ink animated cartoon is mainly expresses its implication with the picture ideal condition, probably like the human said that “lets the human guess depending on the four limbs is imagining, in the whole felt that is the same” this kind of movie not to have the animation universality, the commercial value not to be big. In addition many young people are looked that country's and so on Europe and America, Japan cartoons, the animated cartoon grow up, generally is interested very much to the domestically produced animated cartoon. Therefore the water ink animated cartoon on nearly has also become the time the product.(五) The water ink animation extends the product development difficulty.The water ink animation extends the product development is also a 实用文档question. Now world every influential animated cartoon basic has itself a series of necessary to extend the product, each big animation company also positively craves the investment development related to extend the product with the animation brand, some stationery, the jewelry, clothes, the shoes and hats, Bao Ju, tableware and so on, can think likely have everything expected to find, the businesses gain fully the perquisite. Disney Corporation even also massively constructs the Disney theme park by reason of the abundant capital in the world, while gained full belt-bag's also to attract the massive human spirits. But the water ink animation extends the product development to become the difficulty, because the animation boundary does not have the contour line, the color also has the depth change, the picture is becomes through the exaggeration, makes some to post pictures with the printing product may, but to is some representatives the image the material object to be very actually difficult alone, therefore this has also created the reason which the water ink animated cartoon continues with difficulty.The water ink animation this kind of artistic form indeed has the important historical value. Regardless of its yesterday, today, the future will be what kind, it has enriched the world animation artistic space, this was an undeniable fact, 实用文档and it has also decided the good artistic foundation for the Chinese animation's roadside memorial ceremony of development.[译文]中国水墨动画前瞻与展望水墨动画是动画片的一种，是中国美术电影家首创的一种技法，这种影片突破了传统动画片线条结构惯用的单线平涂，运用了传统的中国水墨画的表现方式，使动画的各种造型具有水墨的特色。
[整理版]世界上第一部水墨动画片
![[整理版]世界上第一部水墨动画片](https://img.taocdn.com/s3/m/587eb963d0d233d4b04e69d0.png)
[整理版]世界上第一部水墨动画片世界上第一部水墨动画片《小蝌蚪找妈妈》2010年02月09日14:31提交来源:ASIFA,水墨动画片是中国艺术家创造的动画艺术新品种。
它以中国水墨画技法作为人物造型和环境空间造型的表现手段，运用动画拍摄的特殊处理技术把水墨画形象和构图逐一拍摄下来，通过连续放映形成浓淡虚实活动的水墨画影象的动画片。
,中国首创水墨动画片《小蝌蚪找妈妈》，这一部特有的水墨动画片典型代表作，给过我们很多美好回忆的同时，也曾引起西方国家、港台等地动画界人土的赞叹。
《小蝌蚪找妈妈》动作细腻，感情含蓄，完全是中国格调的动画片，独具韵味，与迪斯尼卡通片中的趣味迥然不同。
,让齐白石的画动起来,,1960 年1月31日，陈毅副总理参观上海美术电影制片厂在北京举行的“中国美术电影展览会”时，对美术电影工作人员说:“你们能把齐白石的画动起来就更好了。
”同年2月，上海美影厂成立了由阿达负责人物和背景设计、吕晋负责绘制动画、段孝萱负责拍摄和洗印技术的试验小组，经近三个月的时间，使《水墨动画片断》试验获得成功。
1961年7月，美影摄制成功了中国第一部水墨动画片《小蝌蚪找妈妈》，宣告了中国水墨动画片首创成功，该制作技术获得了文化部科技成果一等奖，中国家科技发明二等奖。
,《小蝌蚪找妈妈》是世界第一部水墨动画片。
在摄制技术上，它突破了一般动画片的“单线平涂”，完全采用了我国特有的绘画技法，把典雅的中国水墨画与动画电影相结合，形成了最具中国特色的艺术风格，以优美的画面和诗样的意境，使动画艺术进入更高的审美境界。
,用墨点表达情感内涵,一如法国的手绘、英国的黏土，中国的水墨动画也堪称是动画历史上别致的风景，而《小蝌蚪找妈妈》是这风景的序幕。
,前文所提到在1960年，上海美术电影制片厂首次尝试将水墨画搬上了银幕，当时集体创作的《水墨动画片断》严格推来应为水墨动画之鼻祖，但是由于这部短片的实验性质，并没有为多数人所知。
然而紧接着，1961年《小蝌蚪找妈妈》在上海美影厂摄制完成。
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
外文原文Development of the New Chinese Ink Animation TypeAbstract: This paper compared several three-dimensional perspective of the characteristics of ink animation and its existence value.Keywords three-dimensional ink animation style of the artistic effect of traditional ink animation1. IntroductionInk animation has a special artistic expression with its international glory in a while, this unique native of China has also made numerous animation impressive honor. But since China embarked on the commercialization of creative animation of the road, while the traditional ink animation production process because of its complicated and takes a lot of manpower and resources from the commercial art market, the near-extinct traditional ink animation in recent years, China started to enter the low ink animation.Of the twentieth century art digital technology had a huge impact, some artists began to explore the operating platform for seeking to create a new form of ink animation, to develop the local animation industry, both to save costs, eliminating the need for photography and repeatedly drawn down the middle of work, but also with animation technology, can be said ink animation in the new situation of a new development trend.Although the three-dimensional computer animation ink ink from the traditional way of creating animation, but it is the purpose of writing or on the form and follow the characteristics of traditional Chinese ink painting. First, using 3d technology to simulate the effect of Chinese paintings, screen painting, ink pen with emphasis, performance of the thick screen ink water, light, dry, wet, coke properties, with significant effects of ink smudges; Secondly, pay attention to the beauty of artistic conception. Abstract elements to convey a mood, to convey images of the actual situation and artistically; again in the narrative content, often combined with traditional Chinese ink painting animation culture, into the unique culture of China, the unique art of Chinese classical and elegant, deep temperament on its head.2.the three-dimensional animation and traditional ink ink comparedThree-dimensional computer animation in the succession of traditional Chinese ink painting ink is weaker on the more expressive, it and its various creators and creative practices related to ink three-dimensional animation is more to understand the operation of computer software producers, and the relative lack of traditional ink painting understanding of painting techniques and style, and the completion of the animation work is also out of the traditional approaches. The traditional ink animation it is based on the artist's painting style creation, such as "Little Tadpole Looking for Mom" with the Qi of the Painting, "reed pipe" totake the Li Keran brushwork, and the "Goose" drop-the Jia and blessed Mexican interest. So now is the pursuit of three-dimensional ink animation shape of the surface, it is difficult to achieve a Vivid artistic effect.Ink ink animation properties in their language to introduce the concept of the film, making time and space art. So that it has as a film aesthetic elements, such as Scene, Montage, long lens, audio. These aesthetic elements take advantage of passive artists to create a line with people thinking of cinema animation. Analysis of the traditional performance of ink animation camera language is usually a fixed lens or a push and pull methods, and simple and plain. Digital ink animation to change its operating platform in the creative process with new features, for the more abundant use of the lens, can be seen in deep space walk screen performance, greater use of some long-lens effect, which kinds of elegant illusion of space to express a poetic flow, in which the lens on the expression of space, three-dimensional images than conventional ink ink animation slightly better.Ink composition is a major feature animation. The ink in the traditional art of composition, tone, atmosphere and so are very demanding, often a large number of gaps.Three-dimensional effect is achieved with ink is to take into account the composition of traditional painting, the picture in the placement of each element should be thought through. Three-dimensional technology to comply with the strict principles of Western perspective, and traditional ink painting is a common principle cavalier perspective, it should take note of this model in the space setting, not simply a painting of the scene can mean three-dimensional camera made taking into account movement changes, which need to meet the overall effect of exercise ink composition."Dynamic" is the computer performance of three-dimensional ink a major feature animation, and "meaning" is the connotation of the performance of traditional ink animation. Currently, the use of technical means to create three-dimensional animation of Chinese ink painting of "Summer", "Hetang moonlight", "Lively", etc. In addition to these three-dimensional ink drawing painting animation show the mood, more importantly, the performance of the "action" the situation, "Lively" design idea is to show the atmosphere of a vibrant impressionistic painting, flow lines, pen means vigorous and effective, light melody, the screen blank in place, the use of calligraphy, poetry, seals and other to make white, to reflect a unique aesthetic style of Chinese painting, with shaky camera movement, resulting in a new visual artistic effect.Story setting. Ink animation story complete with the ability of the performance of its screen time and space constitute the use of the concept of the film, design, animation film footage of the language to interpret Chinese ink paintings, the interpretation of a fresh ink animation, ink animation to develop and move forward, we must As the film's creation led to film language as a foil, making the screen composition, the use of color, depth of field to render the main body, and can expand the screen space, more picture information, the Chinese ink animation in the world makes the animation world exudes breathtaking charm.3.more three-dimensional ink animation and three-dimensional animation in Hollywood Analysis of three-dimensional animation and Hollywood animation Ink distinction, from the subject matter, it is the performance of ink animation narrative more enjoyable fantasylandscape color painting of a more personal touch, by the expressiveness of ink to ink with beautiful poetic financial interest into each screen, the ink is a form of narrative mood, silence in the performance of all, subtle and free and easy, artistic conception, the narrative style to reveal a profound theme, contains a wealth of philosophical and symbolic significance, so that viewers in the same time to appreciate the spiritual resonance. Hollywood three-dimensional animation, usually anthropomorphic cartoon character or the role of the narrative center, the scene set off people, pay attention to space-level images, color, simple and gorgeous.Ink animation for bamboo, flute, piano, eagles, fish, water and other images are also quite partial. A lot of ink in the use of the classical image of these ancient, makes the film seem imbued with the ancient rhyme restrained style of painting throughout. Morethree-dimensional animation of Hollywood movie ideas and language.4.look three-dimensional ink animation and planning futureInk drawn animation in terms of story and its strong oriental flavor to the performance of Europe is not suitable for the story, can be used to show some elements of the plot with Chinese characteristics, setting, relying on traditional Chinese culture in today's fully animated creative potential can also mining.In recent years, strength of the domestic computer animation technology was enhanced, computer technology has been more popular to draw the background, the rapidthree-dimensional and two-dimensional computer animation, with a more perfect production system. Ink to complete the three-dimensional animated shorts such as "Summer", "Hetang moonlight" through the textures, rendering, to simulate the ink painting style, the effect is unique. But three-dimensional ink animation is still in early stages of development, aresmall-scale production cost, the story does not show the traditional ink painting to the depth, and how better to advanced animation techniques combined with traditional Chinese culture, the performance of Ink This animation features, to the seventies and eighties of last century the brilliant traditional ink painting, there are a lot of room for improvement. So in the new environment, how to improve their own work?First, the development environment suited to their own creative animation software. Any hardware, software, technology updates are due to artists for artistic creation and exploration requirements increase continuously generated, the design of this series of Hollywood production environment more in line with their own creative content. So their animation art to be innovative and development must improve their software development capability. At present, there is in the ink animation development renderdancerv2.0 ink rendering engine, capable of regulating the pen, brush, paper and ink rendering of line with the controls to adjust the rendering, or to achieve a more simple and the desired results. Strengthen the software development and applications for art to bring more convenience to make the environment more large-scale, systematic.Second, the ink is characterized by the animation to convey a mood, how to tell stories, is the key to artistic creation. Ink Animation statements often lack the language and the picture only through a combination of simple stories to convey the meaning, the story setting is the need to appropriate scrutiny. Three-dimensional animation production environment for the ink to provide a richer means of creation, so that the circumstances described in the performance ofthe animation more selective.Again, the animation production industry. Ink Animation is a branch of animation, it's method to industrial scale, so as to produce a more refined works of art, early ink animation key is unique in the world, creator of lots of manpower and effort.5. ConclusionFacts have proved that only when China's unique traditional art and animation techniques combine to make a unique national character of the popular Chinese-made animation films. Animation was once traditional ink made numerous honors, but stick to the old theme of poor form and has been unable to meet the aesthetic needs of modern people, and ink animation cartoon form in China, no follow-free imitation. Ink Animation should not be in the current recession, this art form unique to China should be inherited and carried forward. Ink and modern three-dimensional animation techniques can be bold fusion of art creation, expansion and creation of this new animation, so that this ancient art will display a new vitality, so that ink animation to be unique among the forest of the animation in the world.新时期中国水墨动画类型发展摘要：本文从几个角度分析比较三维水墨动画的特点以及它所存在的价值。