Paulo Freire, Pedagogy of the Oppressed 被压迫者教育学英文版

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高中英语真题-GeraldineFerraro-1984VicePresidentialNomina

高中英语真题-GeraldineFerraro-1984VicePresidentialNomina

GeraldineFerraro:1984VicePresidentialNomin ationAcceptanceAddressLadies and gentlemen of the convention:My name is Geraldine Ferraro. I stand before you to proclaim tonight: is the land where dreams can come true for all of us. As I stand before the American people and think of the honor this great convention has bestowed upon me, I recall the word s of Dr. Martin Luther King Jr., who made America stronger by making more free. He said, "Occasionally in life there are mo ments which cannot be completely explained by words. Their meaning can only be articulated by the inaudible language of t he heart." Tonight is such a moment for me.My heart is filled with pride. My fellow citizens, I proudly accep t your nomination for Vice President of the .And I am proud to run with a man who will be one of the great presidents of this century, Walter F. Mondale. Tonight, the da ughter of a woman whose highest goal was a future for her ch ildren talks to our nation's oldest party about a future for us all . Tonight, the daughter of working Americans tells all America ns that the future is within our reach, if we're willing to reach f or it. Tonight, the daughter of an immigrant from has been chosen to run for [Vice] President in the new land my father cam e to love.Our faith that we can shape a better future is what the Americ an dream is all about. The promise of our country is that the r ules are fair. If you work hard and play by the rules, you can e arn your share of 's blessings. Those are the beliefs I learned from my parents. And those are the values I taught my studen ts as a teacher in the public schools of .At night, I went to law school. I became an assistant district at torney, and I put my share of criminals behind bars. I believe i f you obey the law, you should be protected. But if you break t he law, you must pay for your crime.When I first ran for Congress, all the political experts said a D emocrat could not win my home district in Queens. I put my fa ith in the people and the values that we shared. Together, we proved the political experts wrong. In this campaign, Fritz Mon dale and I have put our faith in the people. And we are going t o prove the experts wrong again. We are going to win. We are going to win because Americans across this country believe i n the same basic dream.Last week, I visited , , the small town where Fritz Mondale wa s raised. And soon Fritz and Joan will visit our family in Quee ns. Nine hundred people live in Elmore. In Queens, there are2,000 people on one block. You would think we would be diffe rent, but we're not. Children walk to school in Elmore past grai n elevators; in Queens, they pass by subway stops. But, no m atter where they live, their future depends on education, and t heir parents are willing to do their part to make those schools as good as they can be. In Elmore, there are family farms; in Queens, small businesses. But the men and women who run t hem all take pride in supporting their families through hard wo rk and initiative. On the 4th of July in Elmore, they hang flags out on ; in Queens, they fly them over . But all of us love our c ountry, and stand ready to defend the freedom that it represe nts.Americans want to live by the same set of rules. But under thi s administration, the rules are rigged against too many of our people. It isn't right that every year the share of taxes paid by individual citizens is going up, while the share paid by large c orporations is getting smaller and smaller. The rules say: Ever yone in our society should contribute their fair share. It isn't rig ht that this year Ronald Reagan will hand the American peopl e a bill for interest on the national debt larger than the entire c ost of the federal government under John F. Kennedy. Our pa rents left us a growing economy. The rules say: We must not l eave our kids a mountain of debt.It isn't right that a woman should get paid 59 cents on the doll ar for the same work as a man.If you play by the rules, you deserve a fair day's pay for a fair day's work. It isn't right that, if trends continue, by the year 20 00 nearly all of the poor people in will be women and children . The rules of a decent society say: When you distribute sacrifi ce in times of austerity, you don't put women and children first . It isn't right that young people today fear they won't get the S ocial Security they paid for, and that older Americans fear that they will lose what they have already earned. Social Security is a contract between the last generation and the next, and th e rules say: You don't break contracts.We are going to keep faith with older Americans. We hammer ed out a fair compromise in the Congress to save Social Secu rity. Every group sacrificed to keep the system sound. It is tim e Ronald Reagan stopped scaring our senior citizens.It isn't right that young couples question whether to bring child ren into a world of 50,000 nuclear warheads. That isn't the visi on for which Americans have struggled for more than two cent uries. And our future doesn't have to be that way. Change is i n the air, just as surely as when John Kennedy beckoned Am erica to a new frontier; when Sally Ride rocketed into space; a nd when Reverend Jesse Jackson ran for the office of President of the .By choosing a woman to run for our nation's second highest o ffice, you send a powerful signal to all Americans: There are n o doors we cannot unlock. We will place no limits on achieve ment. If we can do this, we can do anything.Tonight, we reclaim our dream. We are going to make the rule s of American life work fairly for all Americans again. To an A dministration that would have us debate all over again whethe r the Voting Rights Act should be renewed and whether segre gated schools should be tax exempt, we say, Mr. President: T hose debates are over. On the issue of civil rights, voting right s, and affirmative action for minorities, we must not go backw ards. We must -- and we will -- move forward to open the doors of opportunity.To those who understand that our country cannot prosper unl ess we draw on the talents of all Americans, we say: We will p ass the Equal Rights Amendment.The issue is not what America can do for women, but what wo men can do for .To the Americans who will lead our country into the 21st cent ury, we say: We will not have a Supreme Court that turns the clock back to the 19th century.To those concerned about the strength of American and famil y values, as I am, I say: We are going to restore those values -- love, caring, partnership -- by including, and not excluding, those whose beliefs differ fr om our own. Because our own faith is strong, we will fight to p reserve the freedom of faith for others.To those working Americans who fear that banks, utilities, and large special interests have a lock on the White House, we s ay: Join us; let's elect a people's president; and let's have gov ernment by and for the American people again.To an Administration that would savage student loans and ed ucation at the dawn of a new technological age, we say: You f it the classic definition of a cynic; you know the price of everyt hing, but the value of nothing.To our students and their parents, we say: We will insist on th e highest standards of excellence, because the jobs of the fut ure require skilled minds. To young Americans who may be c alled to our country's service, we say: We know your generati on will proudly answer our country's call, as each generation before you.This past year, we remembered the bravery and sacrifice of A mericans at . And we finally paid tribute -- as we should have done years ago -- to that unknown soldier who represents all the brave young Americans who died in . Let no one doubt, we will defend 's s ecurity and the cause of freedom around the world. But we wa nt a president who tells us what 's fighting for, not just what w e are fighting against.We want a president who will defend human rights, not just w here it is convenient, but wherever freedom is at risk -- from Chile to Afghanistan, from Poland to . To those who ha ve watched this administration's confusion in the Middle East, as it has tilted first toward one and then another of Israel's lon g-time enemies and wonder: "Will stand by her friends and sist er democracy?" We say: America knows who her friends are i n the Middle East and around the world. America will stand wi th always.Finally, we want a President who will keep America strong, bu t use that strength to keep and the world at peace. A nuclear freeze is not a slogan: It is a tool for survival in the nuclear ag e. If we leave our children nothing else, let us leave them this Earth as we found it: whole and green and full of life.I know in my heart that Walter Mondale will be that president.A wise man once said, "Every one of us is given the gift of life, and what a strange gift it is. If it is preserved jealously and sel fishly, it impoverishes and saddens. But if it is spent for others , it enriches and beautifies." My fellow Americans: We can de bate policies and programs, but in the end what separates the two parties in this election campaign is whether we use the gi ft of life for others or only ourselves.Tonight, my husband, John, and our three children are in this hall with me. To my daughters, Donna and Laura, and my son , John Junior, I say: My mother did not break faith with me, an d I will not break faith with you.To all the children of America, I say: The generation before ou rs kept faith with us, and like them, we will pass on to you a st ronger, more just .Thank you.GeraldineFerraro:1984VicePresidentialNomin ationAcceptanceAddressLadies and gentlemen of the convention:My name is Geraldine Ferraro. I stand before you to proclaim tonight: is the lan d where dreams can come true for all of us. As I stand before the American peo ple and think of the honor this great convention has bestowed upon me, I recall the words of Dr. Martin Luther King Jr., who made America stronger by making more free. He said, "Occasionally in life there are moments which cannot be co mpletely explained by words. Their meaning can only be articulated by the inau dible language of the heart." Tonight is such a moment for me.My heart is filled with pride. My fellow citizens, I proudly accept your nomination for Vice President of the .And I am proud to run with a man who will be one of the great presidents of this century, Walter F. Mondale. Tonight, the daughter of a woman whose highest g oal was a future for her children talks to our nation's oldest party about a future for us all. Tonight, the daughter of working Americans tells all Americans that th e future is within our reach, if we're willing to reach for it. Tonight, the daughter of an immigrant from has been chosen to run for [Vice] President in the new la nd my father came to love.Our faith that we can shape a better future is what the American dream is all ab out. The promise of our country is that the rules are fair. If you work hard and pl ay by the rules, you can earn your share of 's blessings. Those are the beliefs I learned from my parents. And those are the values I taught my students as a te acher in the public schools of .At night, I went to law school. I became an assistant district attorney, and I put my share of criminals behind bars. I believe if you obey the law, you should be protected. But if you break the law, you must pay for your crime.When I first ran for Congress, all the political experts said a Democrat could not win my home district in Queens. I put my faith in the people and the values that we shared. Together, we proved the political experts wrong. In this campaign, Fritz Mondale and I have put our faith in the people. And we are going to prove the experts wrong again. We are going to win. We are going to win because Americans across this country believe in the same basic dream.Last week, I visited , , the small town where Fritz Mondale was raised. And soo n Fritz and Joan will visit our family in Queens. Nine hundred people live in Elm ore. In Queens, there are 2,000 people on one block. You would think we would be different, but we're not. Children walk to school in Elmore past grain elevato rs; in Queens, they pass by subway stops. But, no matter where they live, their f uture depends on education, and their parents are willing to do their part to mak e those schools as good as they can be. In Elmore, there are family farms; in Q ueens, small businesses. But the men and women who run them all take pride i n supporting their families through hard work and initiative. On the 4th of July in Elmore, they hang flags out on ; in Queens, they fly them over . But all of us lo ve our country, and stand ready to defend the freedom that it represents. Americans want to live by the same set of rules. But under this administration, t he rules are rigged against too many of our people. It isn't right that every year t he share of taxes paid by individual citizens is going up, while the share paid by large corporations is getting smaller and smaller. The rules say: Everyone in ou r society should contribute their fair share. It isn't right that this year Ronald Rea gan will hand the American people a bill for interest on the national debt larger t han the entire cost of the federal government under John F. Kennedy. Our pare nts left us a growing economy. The rules say: We must not leave our kids a mo untain of debt.It isn't right that a woman should get paid 59 cents on the dollar for the same w ork as a man.If you play by the rules, you deserve a fair day's pay for a fair day's work. It isn't right that, if trends continue, by the year 2000 nearly all of the poor people in will be women and children. The rules of a decent society say: When you distrib ute sacrifice in times of austerity, you don't put women and children first. It isn't right that young people today fear they won't get the Social Security they paid f or, and that older Americans fear that they will lose what they have already ear ned. Social Security is a contract between the last generation and the next, andthe rules say: You don't break contracts.We are going to keep faith with older Americans. We hammered out a fair comp romise in the Congress to save Social Security. Every group sacrificed to keep t he system sound. It is time Ronald Reagan stopped scaring our senior citizens. It isn't right that young couples question whether to bring children into a world of 50,000 nuclear warheads. That isn't the vision for which Americans have strug gled for more than two centuries. And our future doesn't have to be that way. C hange is in the air, just as surely as when John Kennedy beckoned America to a new frontier; when Sally Ride rocketed into space; and when Reverend Jesse Jackson ran for the office of President of the .By choosing a woman to run for our nation's second highest office, you send a powerful signal to all Americans: There are no doors we cannot unlock. We will place no limits on achievement. If we can do this, we can do anything. Tonight, we reclaim our dream. We are going to make the rules of American life work fairly for all Americans again. To an Administration that would have us de bate all over again whether the Voting Rights Act should be renewed and wheth er segregated schools should be tax exempt, we say, Mr. President: Those deb ates are over. On the issue of civil rights, voting rights, and affirmative action for minorities, we must not go backwards. We must -- and we will -- move forward to open the doors of opportunity.To those who understand that our country cannot prosper unless we draw on th e talents of all Americans, we say: We will pass the Equal Rights Amendment. The issue is not what America can do for women, but what women can do for .To the Americans who will lead our country into the 21st century, we say: We will not have aSupreme Court that turns the clock back to the 19th century.To those concerned about the strength of American and family values, as I am, I say: We are going to restore those values -- love, caring, partnership -- by including, and not excluding, those whose beliefs differ from our own. Because our own f aith is strong, we will fight to preserve the freedom of faith for others.To those working Americans who fear that banks, utilities, and large special interests have a l ock on the White House, we say: Join us; let's elect a people's president; and let's have gove rnment by and for the American people again.To an Administration that would savage student loans and education at the dawn of a new te chnological age, we say: You fit the classic definition of a cynic; you know the price of everyt hing, but the value of nothing.To our students and their parents, we say: We will insist on the highest standards of excellen ce, because the jobs of the future require skilled minds. To young Americans who may be cal led to our country's service, we say: We know your generation will proudly answer our countr y's call, as each generation before you.This past year, we remembered the bravery and sacrifice of Americans at . And we finally pai d tribute -- as we should have done years ago -- to that unknown soldier who represents all the brave young Americans who died in . Let no one doubt, we will defend 's security and the cause of freedom around the world. But we wan t a president who tells us what 's fighting for, not just what we are fighting against.We want a president who will defend human rights, not just where it is convenient, but where ver freedom is at risk -- from Chile to Afghanistan, from Poland to . To those who have watched this administration's confusion in the Middle East, as it has tilted first toward one and then another of Israel's long -time enemies and wonder: "Will stand by her friends and sister democracy?" We say: Ameri ca knows who her friends are in the Middle East and around the world. America will stand wit h always.Finally, we want a President who will keep America strong, but use that strength to keep and the world at peace. A nuclear freeze is not a slogan: It is a tool for survival in the nuclear age . If we leave our children nothing else, let us leave them this Earth as we found it: whole and green and full of life.I know in my heart that Walter Mondale will be that president.A wise man once said, "Every one of us is given the gift of life, and what a strange gift it is. If it is preserved jealously and selfishly, it impoverishes and saddens. But if it is spent for other s, it enriches and beautifies." My fellow Americans: We can debate policies and programs, bu t in the end what separates the two parties in this election campaign is whether we use the gi ft of life for others or only ourselves.Tonight, my husband, John, and our three children are in this hall with me. To my daughters, Donna and Laura, and my son, John Junior, I say: My mother did not break faith with me, an d I will not break faith with you.To all the children of America, I say: The generation before ours kept faith with us, and like th em, we will pass on to you a stronger, more just .Thank you.。

弗雷勒(Paulo Freire)与《受压迫者教育学》

弗雷勒(Paulo Freire)与《受压迫者教育学》

弗雷勒(Paulo Freire)與《受壓迫者教育學》譯者註方永泉(本文為弗雷勒《受壓迫者教育學》中譯本譯者介紹序言,中譯詮本已由巨流出版社於2003年出版)壹、”動搖國本”的危險人物「教育是什麼?」過去對這個問題的解答,往往多是四平八穩的答案,諸如:「教育是傳遞社會文化的一種活動」、「教育是經驗的改造」、「教育是人格的陶冶」、「教育是社會所需人才的培育」等比較安全的答案。

雖然我們相信教育與政治之間有著極為密切的關係,但是我們都只”敢”談到教育具有的政治”功能”:「教育的政治功能在協助民眾有著更成熟的政治態度、政治眼光及政治修養,最終目的在完成政治的民主化」。

在政治與教育之間,我們始終維持了一條清楚的界限,以為這就是「教育中立於政治之外」。

對於「教育是什麼?」的問題,作為巴西當代著名的成人教育學者保羅.弗雷勒(Paul Freire,1921-1997),所提供的答案是直截了當卻又激進的。

「教育是一種政治行動」,此位影響當今左派教育理論甚深的教育工作者如是說。

弗雷勒對教育的這種看法,當然引發了不少的爭議,但同時也對日後教育理論的發展投下了極為重要的變數並且產生了深遠的影響。

近年來,弗雷勒的教育思想與理念隨著批判教育學(critical pedagogy)在西方的日漸盛行,愈發受到重視,有人甚至稱他為「可能是廿世紀晚期最重要的教育思想家」(Smith, 1997)。

弗雷勒著作的影響力在第三世界極為鉅大,其代表作《受壓迫者教育學》(Pedagogy of the Oppressed)早已是拉丁美洲、非洲與亞洲最常被引用的教育經典之一。

此外,他的教育理論在第一世界的國家中也逐漸成為左派教育理論家的最愛,引發了不少迴響(《受壓迫者教育學》英文版首先於1971年出版,最近的卅周年紀念版又於2000年出版,該書據稱已在全球銷售了75萬本)。

對台灣的教育工作者來說,此時進一步引介弗雷勒反殖民、反文化侵略的教育學說,除了可以幫助對於當代教育理論的發展有著更深刻的認識外,也將可以進而激發我們對於教育所具備之社會改造功能的熱情。

美国简史选择题及答案(1-16章)

美国简史选择题及答案(1-16章)

1.From 1622 unit his death, _____, one of the greatest of colonial American, was reelected thirty times as governor.A.Anne BradstreetB. William BradfordC.Edward TaylorD. Thomas Paine2.____carries the voice not of an individual but of a whole people. It is more than writing of the Revolutionary period, it defined the meaning of the American Revolution.mon SenseB. The American CrisisC.Declaration of IndependenceD. Defence of the English People3.____usually was regarded as the first American writer.A.William BradfordB. Anne BradstreetB.Emily Dickinson D.Captain John Smith4.Anne Bradstreet was a Puritan poet. Her poems made such a stir in England that she became known as the “____”who appeared in America.A.Ninth MuseB. Tenth MuseC. Best MuseD. First Muse5.The ship “——” carried about one hundred pilgrims and took 66 days to beat its way across the Atlantic. In December of 1620, it put the Pilgrims ashore at Plymouth, Massachusetts.A.SunflowerB.ArmadaC.MayflowerD.Pequod6.From 1733 to 1758, Benjamin Franklin wrote and published his famous____,an annal collection of proverbs. BA.The AutobiographyB.Poor Richard’s Almanacmon SenseD.The General Magazine7.Which is not connected with Thomas Paine?mon SenseB.The American CrisisC.The Rights of ManD.The Autobiography8.”These are the times that try men’s souls”,these words were once read to Washington’s troops and did much to spur excitement to further action with hope and confidence.Who is the author of these words?A.Benjamin FranklinB. Thomas PaineC.Thomas JeffersonD.George Washington9.Who was considered as the “Poet of American Revolution”?A.Anne BradstreetB.Edward TaylorC.Michael WigglesworthD.Philip Freneau10.The secular ideals of the American Enlightenment were exemplified in the life and career of ____.A.T homas HoodB.Benjamin FranklinC.Thomas JeffersonD.George Washington11.It was not until January 1776 that a widely heard public voice demanded complete separation from England. The voice was that of ___, whose pamphlet Common Sense, with its heated language, increased the growing demand for separation.A.Thomas PaineB.Thomas JeffersonB.George Washington D.Patrick Henry12.In American literature, the eighteen century was the age of the Enlightenment.____was the dominant spirit. BA.HumanismB.RationalismC.RevolutionD.Evolution13.At the Reason and Revolution Period, Americans were influenced by the European movement called the ____. CA.Chartist MovementB.Romanticist MovementC.Enlightenment MovementD.Modernist Movement14.In American literature, the enlighteners were favorable to _____. DA.the colonial orderB.religious obscurantismC.the Puritan traditionD.the secular literature15.The English colonies in North America rose in arms against their parent country and the Continental Congress adopted____in 1776. AA.the Declaration of IndependenceB.the Sugar ActC.the Stamp ActD.the Mayflower CompactChapters 31.____is respectfully remembered as a master of adventurous narrative and as the creator of an American hero-myth. CA.Washington IrvingB. John Greenleaf WhittierC. James Fenimore CooperD.Oliver Wendell Holmes2.A new ____had appeared in England in the last years of the eighteenth century. It spread to continental Europe and then to American early in the nineteenth century. CA.realismB.critical realismC.romanticismD.naturalism3.The importance of the frontier and the wilderness in American literature is for the first time well illustrated in the following works:___. CA.Benjamin Franklin’s The AutobiographyB.Washington Irving’s The Sketch BookC.James Fenimore Cooper’s The Leather stocking TalesD.Ralph Waldo Emerson’s Nature4.Choose Washington Irving’s works from the following. DA.The Sketch BookB.Bracebridge HallC. A History of New YorkD.Tales of a Travelers5.The period before the American Civil War is generally referred to as_____. AA.the Romantic PeriodB.the Modern PeriodC. the Naturalist PeriodD. the Realistic Period6.There is a good reason to state that New England Transcendentalism was actually ____on the Puritan soil. AA.RomanticismB.PuritanismC.MysticismD.Unitarianism7.In 1826 as an American diplomatic attache, Washington Irving was sent to Spain where he gathered material for his following works EXCEPT____. CA.The History of the Life and Voyages of Christopher Columbus,1828B.The Chronicles of the Conquest of Granada,1829C.The Life of Goldsmith, 1829D.The Alhambra, 18329. There is the famous___, in which there is the memorable event of an apparently headless horseman throwing his head at his rival in love, and the memorable character of Ichabod Crane with his mixture of shrewdness, credulity, self-as-sertiveness, and cowardice. BA.Rip Van WinkleB.The Legend of Sleep HollowC.The PioneersD.The American ScholarChapters 4-71.In 1836, a little book entitled____written by Ralph Waldo Emerson came out which made a tremendous impact on the intellectual life of America. AA.NatureB. The TranscendentalistC.PowerD.Wealth2.As a philosophical and literary movement, ____flourished in New England from the 1830s to the Civil War. DA.modernismB. rationalismC.sentimentalismD. transcendentalism3.Transcendentalist doctrines found their greatest literary advocates in ___Henry David Thoreau. BA.Thomas JeffersonB.Ralph Waldo EmersonC.Philip FreneauD.Edgar Allan Poe4.Transcendentalist recognized ____as the “highest power of the soul”.AA.intuitionB.logicC.data of the sensesD.thinking5.Edgar Allan Poe’s ____was an ingenious detective story and became the ancestor of the genre, influencing, among others, Conan Doyle. CA.The Fall of the House of UsherB.The Gold BugC.The Murders in the Rue MorgueD.The Purloined Letter6.From the following, which one is NOT the characteristic of Ralph Waldo Emerson’s poetry? DA.Being highly individualB.Harsh rhythmsck of form and polishck of optimism7.The publication of ___established Ralph Waldo Emerson as the most eloquent spokesman of New England Transcendentalism. AA.NatureB.Self-RelianceC.The American ScholarD.The Divinity School Address8.From Henry David Thoreau’s jail experienc e, came his famous essay, ___,which states Thoreau’s belief that no man should violate his conscience at the command of a government.A.WaldenB.NatureC.Civil Disobediencemon Sense9. Herman Melville called his friend Nathaniel Hawthorne ____in American literature. AA.the largest brain with the largest heartB.father of American poetryC.the transcendentalistD.the American scholar10.”The universe is composed of Nature and the soul...Spirit is present everywhere”. This is the voice of the book Nature written by Emerson, which pushed American Romanticism into a new phase, the phase of New England___. BA. RomanticismB.TranscendentalismC.NaturalismD.Symbolism11.Which of the following works is generally regarded as “the Bible of New England Transcendentalism”? DA. On BeautyB. WaldenC.The Conduct of LifeD.Nature12. ___is an appalling fictional version of Nathaniel Hawthorne’s belief that “the wrong doing of one generation lives into the successive ones” and that evil will come out evil though it may take many generations to happen. BA.The Marble FaunB. The House of Seven GablesC.The Blithedale RomanceD.Young Goodman Brown13. The giant Moby Dick may symbolize all EXCEPT____. BA.mystery of the universeB.sin of the whaleC.power of the Great NatureD.Evil of the world14. In Moby Dick, the voyage symbolizes____. BA.natureB.a search for truthC.the unknown worldD.the microcosm of human societyChapters8-101.Generally speaking, all those writers with a naturalistic approach to human reality tend to be ___. CA.transcendentalistsB.idealistsC.pessimistsD.impressionists2.Mark Twain, one of the greatest 19th century American writers, is well known for his____. CA.international themeB.waste-land imageryC.local colorD.symbolism3.In Henry James’ Daisy Miller, the author tries to portray the young woman as an embodiment of ____. BA.the force of conventionB.the free spirit of the New WorldC.the decline of aristocracyD.the corruption of the newly rich4.Which of the following is not written by Henry James? DA.The Portrait of A Lady and The EuropeansB.The Wings of the Dove and The AmbssadorsC.What Maisie Knows and The BostoniansD.The Genius and The Gilded Age5.Henry James experimented with different themes in his literary career, the most influential one being____. CA.nothingnessB.disillusionmentC.international themeD.relationship between men and women6.Theodore Dreiser’s Trilogy of Desire includes three novels. They are The Financier, The Titan and ____. AA.The StoicB.The GiantB.The Tycoon D.The Genius7.Stylistically, Henry James’ fiction is characterized by___. AA.highly refined languageB.ordinary American speechC.short, clear sentencesD.abundance of local images8.The book from which “all modern American literature comes” refers to ___. DA.The Great GatsbyB.The Sun Also RisesC.Moby DickD.The Adventures of Huckleberry Finn9.The impact of Darwin’s evolutionary theory on the American thought and the influence of the 19th-century French literature on the American men of letters gave rise to yet another school of realism:_____. BA.American modernismB.American naturalismB.American vernacularism D.American local colorism10.While embracing the socialism of Marx, Jack London also believed in the triumph of the strongest individuals. This contradiction is most vividly projected in the patently autobiographical novel___. CA.The Call of the WildeB.The Sea WolfB.Martin Eden D.The Iron Heel11.Stephen Crane’s best short stories include Open Boat, An Experiment and ___,all reinforcing the basic Crane motif environment and heredity overwhelming man. CA.The Black RidersB.A Man Said to the UniverseC.The Blue HotelD.The Red Badge of Courage12.The main theme of ____The Art of Fiction reveals his literary credo that representation of life should be the main object of the novel. AA.Henry James’B.Willian Dean Howells’C.Mark Twain’sD.Jack London’s13.Which statements about O.Henry is NOT right? DA.His stories are a penetrating criticism of America of the time.B.The ends of his stories are always surprising. AC.The plots of his stories are exceedingly clever and interesting.D.Many of his stories contain a great deal of slang and colloquial expressions.14.The publication of the novel____stirred a great nation to its depths andhurried on a great war. DA.My Bondage and My FreedomB.Stanzas on FreedomB.Voices of Freedom D.Uncle T om’s Cabin15.War in the novel____by Stephen Crane is a plain slaughter-house. There is nothing like valor or heroism on the battlefield, and if there is anything, it is the fear of death, cowardice, the natural instinct of man to run from danger. DA.War Is KindB.The Man That Corrupted HandleyburgC.The Black RidersD.The Red Badge of CourageChapters11-161.In which of the following works, Hemingway presents his philosophy about life and death through the depiction of the bull-fight as a kind of microcosmic tragedy? DA.The Green Hills of AfricaB.The Snows of KilimanjaroB.To Have and Have Not D.Death in the Afternoon2.___is Hemingway’s first true novel in which he depicts a vivid portrait of “The Lost Generation”. AA.The Sun Also RisesB.A Farewell to ArmsB.In Our Time D.For Whom the Bell Tolls3.F.Scott Fitzgerald’s fictional world is the best embodiment of the spirit of ___. AA.the Jazz AgeB.the Romantic PeriodB.the Renaissance Period D.the Neoclassical Period4.Which one of th e following figures does NOT belong to “The Lost Generation”? CA.Ezra PoundB.William Carlos WilliamsB.Robert Frost D.Theodore Dreiser5.The following writers were awarded Nobel Prize for literature EXCEPT_____. AA.F.Scott FitzgeraldB.William FaulknerB.John Steinbeck D.Ernest Hemingway6.____showed great interest in Chinese literature and translated the poetry of Li Po(Li Bai) into English, and was influenced by Confucian ideas. CA.T.S.EliotB.E.E.CummingsC.Ezra PoundD.Robert Frost7.Choose the novel of the following Not written by F.Scott Fitzgerald. CA.The Great GatsbyB.Tender Is the NightC.This Side of ParadiseD.The Beautiful and the Damned8.Thomas Stearns Eliot’s later poetry took a positive turn toward faith in life. This was demonstrated by ____, a poem of mystical conflict between faith and doubt. CA.The Waste LandB.The Hollow MenC.Ash-WednesdayD.Four Quartets。

阅读保罗·弗雷勒(PauloFreire)

阅读保罗·弗雷勒(PauloFreire)

阅读保罗·弗雷勒(Paulo Freire)《受压迫的教育学》作者简介Paulo Freire 保罗·弗雷勒(1921-1997),是巴西著名的成人教育学者及教育工作者,也是西方二十世纪下半期以来最重要的教育学者之一,其著作对第三世界的人们影响很大。

他是巴西在1940年代农民和工人识字运动最重要的推动者,他企图透过教育解放那些受压迫的被压迫意识,被当时巴西的军事政权驱逐出境,却也因此使他的影响力更向全世界扩散,特别是他的识字运动对拉丁美洲和非洲国家影响很大。

美国批判教育学代表人物之一的Peter Mclaren 把弗雷勒在教育改革上的重要性和阿根廷革命家格瓦拉相提并论。

本书是弗雷勒最著名的一本书。

在本书中,弗雷勒转换了教育学的关注焦点,将教育的重心从压迫着转至受压迫者的身上,而且不只是为了受压迫的教育学,更是和受压迫者一同进行的教育学。

他还比较了囤积式教育和提问式教育之间的不同。

在讨论提问式教育时,教师与学生的角色发生了转变,教师不仅是教师,在教学的过程中,他同时也变成了学生,反之学生也可以变成老师。

弗雷勒将教育重心的转移赋予了政治与社会的意涵,这使得他的教育目标也发生了转变,在弗雷勒的看法中,民众的识读能力与批判意识的形式有着密切的关系,教学行动因而是一种政治性的文化运动。

读者序阅读《受压迫教育学》,也给了我一种力量,让我可以有勇气开始超越自己的殖民经验:这种殖民经验几乎造成一种文化上的精神分裂,存在的却看不见,看见的却不存在。

更给了我一种批判的工具,让我可以去反省、理解,当我们立足于殖民者与被殖民者间的关系。

弗雷勒所主张的提问式教育是一种所有人们都可以发展出来其对于存在世界之方式进行批判察觉的力量,而他们正是以此力量并且在这个力量中去发现它们自己,……这个过程总是与苦痛和希望有关,透过这个过程,让我们能从一个文化贩子,达到所谓的主体性。

——多纳度·马塞多理查·萧尔序弗雷勒的思想代表了一个创造性新领域敏锐的良心对于其周遭受压迫着所受到的极端不幸与痛苦的反应。

高中英语文学作品比较分析单选题40题

高中英语文学作品比较分析单选题40题

高中英语文学作品比较分析单选题40题1. In "Pride and Prejudice", which character is known for his pride?A. Elizabeth BennetB. Mr. DarcyC. Jane BennetD. Mr. Bingley答案:B。

本题考查对《傲慢与偏见》中人物性格的理解。

选项A 伊丽莎白·班纳特以聪慧和独立著称;选项C 简·班纳特性格温柔善良;选项 D 宾利先生性格随和友善;而选项 B 达西先生则以傲慢闻名。

2. Which theme is prominent in "Jane Eyre"?A. Love and revengeB. Social class and equalityC. Adventure and mysteryD. Friendship and loyalty答案:B。

《简·爱》中突出的主题是社会阶层和平等。

选项 A 爱情与复仇并非主要主题;选项C 冒险与神秘不是其重点;选项D 友谊与忠诚也不是这部作品的核心主题。

3. In "Oliver Twist", who is the main character?A. Oliver TwistB. FaginC. NancyD. Mr. Brownlow答案:A。

本题考查对《《雾都孤儿》主要人物的了解。

奥利弗·特维斯特是主角,选项B 费金是教唆犯,选项C 南希是善良的女性,选项D 布朗洛先生是帮助奥利弗的好心人。

4. What is the main plot of "David Copperfield"?A. A story of a detectiveB. The growth and experiences of a young manC. A fantasy adventureD. A historical event答案:B。

自考英美文学选读(00604)

自考英美文学选读(00604)

应用必背单元Chapter 1 The Ren aissa nee Period (2)Chapter 2 The Neoclassical Period (6)Chapter3 The Romantic Period. (9)Chapter 4 The Victorian Period (14)Chapter 5 The Modern Period (18)Chapter 1 The Renaissance Period1. 文艺复兴的主要作家及其作品1) Edmund Spenser: The Faerie Queene2) Christopher Marlowe: Dr Faustus Tamburlaine3) William Shakespeare: Henry IV; The Merchant of Venice; Hamlet; Othello;King Lear; Macbeth; Romeo and Juliet.4) John Donne: The Songs and Sonnets; The Sun Rising; Death, Be Not Proud5) John Milton: Paradise Lost; Paradise Regained; Samson Agonisttes2. 文艺复兴The Renaissanceis a historical period in which the European humanist thinkers and scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that expressed the interests of the rising bourgeoisie, and to recover the purity of the early church form the corruption of the Roman Catholic Church.3. 人文主义Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the antique authors and is frequently taken as the beginning of the Renaissanceon its conscious, intellectual side, for the Greek and Roman civilization was based on such a conception that man is the measure of all things. Thus, by emphasizing the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the beauty of this life, but had the ability to perfect himself and to perform wonders.4. 玄学诗The term “metaphysical poetry”is commonly used to name the work of the 17th-century writers who wrote under the influence of John Donne. With a rebellious spirit the metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple as compared with that of the Elizabethan or the Neoclassic periods, and echoes the words and cadences of common speech. The imagery is drawn from the actual life. The form is frequently that of an argument with the poet's beloved, with God, or with himself.5. 莎士比亚的诗歌的主题、意向Shakespeare, as a humanist of the time, is against religious persecution and racial discrimination, against social inequality and the corrupting influence of gold andmoney. In his plays, he does not hesitate to describe the cruelty and anti-natural character of the civil wars, but he did not go all the way against the feudal rule. Shakespeare is against religious persecution and racial discrimination, against social inequality and the corrupting influence of gold and money.Shakespeare has accepted the Renaissance views on literature. He holds that literature should be a combination of beauty, kindness and truth, and should reflect nature and reality.A. Shakespeare's views on literature:Shakespeare has accepted the Renaissance views on literature. He holds that literature should be a combination of beauty, kindness and truth, and should reflect nature and reality. Shakespearealso states that literary works which have truly reflected nature and reality can reach immortality.B. The characteristics of Shakespear'se characters:Shakespear'es major characters are neither merely individual ones nor type ones; they are individuals representing certain types. Each character has his or her own personalities; meanwhile, they may share features with others.C. The characteristics of Shakespear'se plot:Shakespear'es plays are well-known for their adroit plot construction. Shakespeare seldom invents his own plots; instead, he borrows them from some old plays or storybooks, or from ancient Greek and Roman sources.D. The characteristics of Shakespear'se language:It is necessary to study the subtlest of his instruments—the language. Shakespearecan write skillfully in different poetic form, like the sonnet, the blank verse, and the rhymed couplet. He has an amazing wealth of vocabulary and idiom. His coinage of new words and distortion of the meaning of the old ones also create striking effects on the reader.3. 莎士比亚的四大悲剧:Shakespear'es greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth. They have some characteristics in common. Each portrays some noble hero, who faces the injustice of human life and is caught in a difficult situation and whose fate is closely connected with the fate of the whole action. Each hero has his weakness of nature. With the concentration on the tragic hero, we see the sharp conflicts between the individual and the evil force in the society, which shows that Shakespeare is a great realist in the true sense. Hamlet the melancholic scholar; Othello 's inner weakness is made use of by the outside evil force; the old King Lear who is unwilling to totally give up his power; and Macbeth 's lust for power stirs up his ambition and leads him to incessant crimes.4. 邓恩诗歌的主题、意向<The Songs and Sonnets>. Love is the basic theme. Donne holds that thenature of love is the union of soul and body. The perfection of human lovers will not be made with souls alone. This thought is quite contrary to the medieval love idea which merely put stress on spiritual love. Donne's interest lies in dramatizing and illustrating the state of being in love.5. 戏剧《威尼斯商人》的主题和主要人物的性格分析In his romantic comedies, Shakespearetakes an optimistic attitude toward love and youth, and the romantic elements are brought into full play. The most important play among the comedies is The Merchant of Venice. The sophistication derives in part from the play between high, outgoing romance and dark forces of negativity and hate. The traditional theme of this play is to praise the friendship between Antonio and Bassanio, to idealize Portia as a heroine of great beauty, wit and loyalty, and to expose the insatiable greed and brutality of the Jew.Compared with the idealism of other plays, The Merchant of Venice takes a step forward in its realistic presentation of human nature and human conflict. Though there is a ridiculous touch on the part of the characters restrained by their limitations, Shakespeare's youthful Renaissance spirit of jollity can be fully seen in contrast to the medieval emphasis on future life in the next world.6. 哈姆雷特的性格分析Hamlet has none of the single-minded blood lust of the earlier revenger. It is not because he is incapable of action, but because the cast of his mind is so speculative, so questioning, and so contemplative that action, when it finally comes, seems almost like defeat, diminishing rather than adding to the stature of the here. Trapped in a night mare world of spying, testing and plotting, and apparently bearing the intolerable burden of the duty to revenge his father's death, Hamlet is obliged to inhabit a shadow world, to live suspendedbetween fact and fiction, language and action. His life is one of constant role-playing, examining the nature of action only to deny its possibility, for he is too sophisticated to degrade his nature to the conventional role of a stage revenger.The hero Hamlet in Shakespeare's play Hamlet is noted for his hesitation to take his revenge, his melancholy nature of action only to deny possibilities to do anything. He came to know that his father was murdered by his uncle who became king. He hated him so deeply that he wanted to kill him. But he loved his widowed mother who later married his uncle, and he was afraid to hurt his mother. And also, when everything was ready for him to kill his uncle, he forgave him for his uncle was praying to God for his crime. Thus he lost the good chance. Hamlet represented humanism of his time.7. 诗歌《失乐园》的结构、人物性格、语言特点的分析Working through the tradition of a Christian humanism, Milton wrote Paradise Lost, intending to expose the ways of Satan and to“justify the ways of God to men.”At the center of the conflict between human love and spiritual duty lies Milton 's fundamental concern with freedom and choice; the freedom to submit to God's prohibition on eating the apple and the choice of disobedience made for love.Eve, seduced by Satan's rhetoric and her own confused ambition-as well as the mere prompting of hunger- falls into sin through innocent credulity. Adam falls by consciously choosing human love rather than obeying God. In the fall of man Adam discovered his full humanity. But man's fall is the sequel to another and more stupendous tragedy, the fall of the angels.The freedom of the will is the keystone of Milton 's creed. His poem attempts to convince us that the unquestionable truth of Biblical revelation means that an all-knowing God was just in allowing Adam and Eve to be tempted and, of their free will, to choose sin and its inevitable punishment. And, thereby, it opens the way for the voluntary sacrifice of Christ which showed the mercy of God in bringing good out of evil.Chapter 2 The Neoclassical Period1. 新古典时期的作家及其作品1) John Bunyan :<The Pilgrim's Progress>2) Alexander Pope:<An Essay on Criticism> <The Dunciad> <The Rape of theLock> <An Essay on Man>3) Daniel Defoe:<Robinson Crusoe>4) Jonathan Swift :<A Tale of a Tub> <The Battle of the Books> <The Drapier'sLetters> <Gulliver's Travels> <A Modest Proposal>5) Henry Fielding:<The History of Jonathan Wild the Great> <The History ofTom Jones a Foundling> <The History of Amelia>6) Samuel Johnson:<To the Right Honorable the Earl of Chester field>7) Richard Brinsley Sheridan:<The School for Scandal>8) Thomas Gray :<Elegy Written in a Country Churchyard>2. 启蒙运动The Enlightenment Movement was a progressive intellectual movement which flourished in France and swept through the whole Western Europe at the time. The movement was a furtherance of the Renaissance of the fifteenth and sixteenth centuries. Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas. They believed that the artistic ideals should be order, logic, restrained emotion and accuracy and that literature should be judged in terms of its service to humanity. They seek proportion, unity, harmony and grace in literary expressions, in an effort to delight, instruct and correct human beings. Thus a polite, elegant, witty, and intellectual art developed.3. 新古典主义In the field of literature, the Enlightenment Movement brought about a revival of interest in the old classical works. This tendency is known as neoclassicism. According to neoclassical period, all forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers(Homer etc) and those of the contemporary French ones. They believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.4. 英雄双行诗Prose should be precise, direct, smooth and flexible; Poetry should be lyrical 抒情的),epical(叙事诗的,英雄的,有重大历史意义的),didactic, satiric or dramatic, andeach class should be guided by its own principles; Drama should be written in the Heroic Couplets(iambic pentameter rhymed in two lines); the three unities of time,space and action should be strictly observed; regularity in construction should be adhered to, and type characters rather than individuals should be represented.5. 英国现实主义小说The modern English novel, which, contrary to the traditional romance of aristocrats, gives a realistic presentation of life of the common English people. Thus —the most significant phenomenon in the history of the development of English literature in the eighteenth century —is a natural product of the Industrial Revolution and a symbol of the growing importance and strength of the English middle class.6. 《天国历程》中“名利场”的寓意The Pilgrim's Progress is the most successful religious allegory in the English Ianguage. Its purpose is to urge people to abide(遵守,坚持)by Christian doctrines and seek salvation through constant struggles with their own weaknesses and all kinds of social evils. It is not only about something spiritual but also bears much relevance to the time. Its predominant metaphor(r寓意,隐喻)—life as a journey—is simple and familiar.7. 蒲伯的文学(诗歌)批评观点及其诗歌特色An Essay on Criticism, the poem, as a comprehensive study of the theories of literary criticism, exert great influence upon Pope's contemporary writers in advocating the classical rules and popularizing the neoclassicist tradition in England. The whole poem is written in a plain style, hardly containing any imagery or eloquence and therefore makes easy reading. Pope satirized all sorts of false learning and pedantry in literature, philosophy, science and other branches of knowledge.8. 鲁滨逊漂流记的特点The all-powerful influence of material circumstances or social environment upon the thoughts and actions of the hero or the heroine is highlighted. The struggle of the poor unfortunate for mere existence, mixed with their desire for great wealth, comes into conflict with the social environment which prevents them from obtaining the goal under normal circumstances and thus forces them into criminal actions or bold adventures.In most of his works, he gave his praise to the hard-working, sturdy middle class and showed his sympathy for the downtrodden, unfortunate poor.Robinson is here a real hero: a typical eighteenth-century English middle-class man, with a great capacity for work, inexhaustible energy, courage, patience and persistence in overcoming obstacles, in struggling against the hostile naturalenvironment. He is the very prototype(n雏形,范例,原型)of the empire builder, the pioneer colonist. In describing Robinson's life on the island, Defoe glorifies(v 赞美,美化)human labor and the Puritan(W青教徒)fortitude(n 刚/坚毅,不屈不挠),which save Robinson from despair and are a source of pride and happiness9. 《格列佛游记》的社会讽刺As a whole, the book is one of the most effective and devastating criticisms and satires of all aspects in the then English and European life-socially, politically, religiously, philosophically, scientifically, and morally. Its social significance is great and its exploration into human nature profound.The exaggerated smallness in Part1 works just as effectively as the exaggerated largeness in Part 2. the similarities between human beings and the Lilliputians and the contrast between the Brobdingnagians and human beings both bear reference to the possibilities of human state. Part 3, though seemingly a bit random, furthers the criticism of the western civilization and deals with different malpractices and false illusions about science philosophy, history and even immortality. The last part, where comparison is made through both similarities and differences, leads the reader to fundamental question: What on earth is a human bein、g10. 菲尔丁“散文体史诗Fielding was the first to set out, both in theory and practice, to write specifically a "comic epic in prose". He adopted" the third—person narration," in which the author becomes the "al—l knowing God." He "thinks the thought " of all his characters, so he is able to present not only their external behaviours but also the internal workings of their minds. In planning his stories, he tries to retain the grand epical form of the classical works but at the same time keeps faithful to his realistic presentation of common life as it is.11. 格雷诗歌的主题与意象It is more or less或多或少)conn ected with the mela ncholy eve nt of death of Richard West, Gray's intimate friend. In this poem, Gray reflects on death, the sorrows of life, and the mysteries of human life with a touch of his personal melancholy. The poet compares the common folk with the great ones, wondering what the commons could have achieved if they had had the chance. Here he reveals his sympathy for the poor and the unknown, but mocks the great ones who despise the poor and bring havoc(n/v 破坏,混舌L ) on them.His poems, as a whole, are mostly devoted to a sentimental lamentation or meditation on life, past and present. His poems are characterized by an exquisite sense of form. His style is sophisticated and allusive. His poems are often marked with the trait (n 特征,特点)of a highly artificial diction and a distorted word order.Chapter3 The Romantic Period1. 浪漫主义时期的作家及其作品1) William Blake: Songs of Experience Songs of Innocence2) Marriage of Heaven and Hell3) William Wordsworth: The Prelude Composed upon Westminster Bridge4) Lyrical Ballads I Wondered Lonely as a Cloud5) The Solitary Reaper6) Samuel Taylor Coleridge: Kubla Khan The Rime of the Ancient Mariner7) George Gordon Byron: Don Juan Childe Harold ' s Pilgrimage8) Song for the Ludites9) Percy Bysshe Shelley: To a Skylark Men of England10) Ode to the West Wind11) John Keats: Ode to a Nightingale Ode on a Grecian Urn12) Jane Austen: Pride and Prejudice2. 浪漫主义Romanticism actually constitutes a change of direction from attention to the outer world of social civilization to the inner world of the human spirit. In essenceit designates a literary and philosophical theory which tends to see the individual as the very center of all life and all experience. It also places the individual at center of art, making literature most valuable as an expression of his or her unique feelings and particular attitudes, and valuing its accuracy in portraying the individual 's experiences.3. 浪漫主义时期文学特点的分析A. In poetry writing, the romanticists employed new theories and innovated newtechniques, for example, the preface to the second edition of the Lyrical Ballads acts as a manifesto for the new school.B. The romanticists not only extol the faculty off imagination, but also elevate theconcepts of spontaneity and inspiration.C. They regarded nature as the major source of poetic imagery and the dominantsubject.D. Romantics also tend to be nationalistic.4. 浪漫主义(所选作品)的主题、意象分析A. To Wordsworth, nature acts as a substitute for imaginative and intellectual engagement with the development of embodied human beings in their diverse circumstances. It's nature that gives him“strength and knowledge full of peace.Wordsworth thinks that common life is the only subject of literary interest. The joys and sorrows of the common people are his themes. His sympathy always goes to the suffering poor.B. Byron puts into Don Juan his rich knowledge of the world and the wisdom gained from experience. It presents brilliant pictures of life in its various stages of love, joy, suffering, hatred and fear. The unifying principle in Don Juan is the basic ironic theme of appearanceand reality, ie. what things seem to be and what they actually are. Byron's satire on the English society in the later part of the poem can be compared with Pope's; and his satire is much less personal than that of Pope's, for Byron is here attacking not a personal enemy but the whole hypocritical society. And the diverse materials and the clash of emotions gathered in the poem are harmonized by Byron's insight into the difference between life's appearance and its actuality.5. a. The Romantic MovementIt expressed a more or less negative attitude towards the existing social & political conditions that came with industrialization & the growing importance of the bourgeoisie. The Romantics felt that the existing society denied people theiressential human needs, so they demonstrated a strong reaction against thedominant modes of thinking of the 18th-century writers & philosophers. Where their predecessors saw man as a social animal, the Romantics saw him essentially as an individual in the solitary state & emphasized the special qualities of each individual's mind. Romanticism actually constitutes a change of direction from attention to the outer.b. The Gothic novelIt is a type of romantic fiction that predominated in the late 18th century & was one phase of the Romantic movement, its principal elements are violence, horror & the supernatural, which strongly appeal to the reader's emotion. With its descriptions of the dark, irrational side of human nature, the Gothic form has exerted a great influence over the writer of the Romantic period. Works like The Mysteries of Udolpho (1794) by Ann Radcliffe & Frankenstein (1818) by Mary Shelley are typical Gothic romance.(2) Characteristics of Romantic literature in English history.The Romantic period is an age of poetry Blake, Wordsworth, Coleridge, Byron, Shelley & Keats are the major Romantic poets. They started a rebellion against the neoclassical literature, which was later regarded as the poetic revolution. Wordsworth & Coleridge were the major representativesof this movement. They explored new theories & innovated new techniques in poetry writing. They saw poetry as a healing energy: they believed that poetry could purify both individual souls & the society. The Romantics not only extol the faculty of imagination, but also stress the concept of spontaneity & inspiration, regarding them as something crucial for true poetry. The natural world comes to the forefront of the poetic imagination. Nature is not only the major source of poetic imagery, but also provides the dominant subject matter.Wordsworth is the closest to nature.To escape from a world that had became excessively rational, as well as excessively materialistic & ugly, the Romantics would turn to other times & places, where thequalities they valued could be convincingly depicted. Romantics also tend to be nationalistic, defending the great poets & dramatists of their own national heritage against the advocates of classical rules who tended to glorify Rome & rational Italian & French neoclassical art as superior to the native traditions. To the Romantics, poetry should be free from all rules. They would turn to the humble people & their everyday life for subjects, Romantic writers are always seeking for the Absolute, the Ideal through the transcendenceof the actual. They have also made bold experiments in poetic language, versification & design, & constructed a variety of forms on original principles of structure & style.6. 小说《傲慢与偏见》的主题和主要人物的性格分析Austen's main literary concern is about human beings in their personal relationships. Because of this, her novels have a universal significance. She is particularly preoccupied with the relationship between men & women in love. Stories of love & marriage provide the major themes in all her novels.1) Structure, characterization & language styleThe structure of the novel is exquisitely deft, the characterization in the highest degree memorable, while the irony has a radiant shrewdness unmatched elsewhere. At the heart of the novelist's exploration of the marriage, property & intrigue lies the exhilarating suspense of the relationship between Elizabeth Bennet & Darcy, & Jane Austen's delicate probing of the values of the gentry. The moments of high comedy in the novel are always related to deeper issues. Elizabeth's rejection of the odious Mr. Collins suggests her independence & self-esteem, but when Collins is accepted by her friend Charlotte Lucas, we see the reality of marriage as a necessary step if a woman is to a void the wretchedness of aging spinsterhood. Conversely, in the elopement of Lydia & Wickham, we are shown the dangers of feckless relationships unsupported by money. The comic characters in Pride & Prejudice are: Mr. & Mrs. Bennet, Mr. Collins & that monstrous snob Lady Catherine de Burgh, who make us laugh even as they parody erroneous views of marriage & class.5. 应用Characteristics of Jane Austen's novels1) Austen's novels describe a narrow range of society & events: a quiet, prosperous, middle class circle in provincial surroundings, which she knew well from her own experience2) Her subject matter is also limited, for most of her novels deal with the subject of getting married, which was in fact the central problem for the young leisure-class lady of that age, who had no other choice in her life but to find a good husband.3) Austen's interest was in human nature; in her depiction of human nature, instead of being fascinated by great waves of elevated emotion, by passion or heroic experience, she focused on the trivial & petty details of everyday living, which became very interesting through her truthful & lively description.4) Austen's novels are brightened by their witty conversation & omnipresent humor. Her language shines with an exquisite touch of lively gracefulness, elegant & refined, but never showy.6. 简奥斯丁对英国文学的伟大贡献:A .Jane Austen is one of the most important Romantic novelists in Englishliterature. She creates six influential novels.B.Her main literary concern is about human beings in their personalrelationships. She makes trivial daily life as important as the concerns abouthuman belief career and salient social events. This is what makes her important in English literature.C.Jane Austen has brought the English novel, as an art of for, to its maturity becauseof her sensitivity to universal patterns of human behavior and heraccurate portrayal of human individuals.D.She describes the world from a woman's point of view, and depicts a group of authentic and common women.7. Wordsworth 的写作风格1) The Lyrical Ballads differs in marked ways from his early poetry, notablythe uncompromising simplicity of much of the language, the strongsympathy not merely with the poor in general but with particular,dramatized examples of them, and the fusion of natural description withexpressions of inward states of mind.2) According to subjects, Wordsworth's short poems can be classified intotwo groups: poems about nature and poems about human life.3) To Wordsworth, nature acts as a substitute for imaginative and intellectualengagement with the development of embodied human beings in theirdiverse circumstances. I'ts nature that gives him“strength and knowledgefull of peace.4) Wordsworth thinks that common life is the only subject of literary interest.The joys and sorrows of the common people are his themes. His sympathyalways goes to the suffering poor.5) Wordsworth's deliberate simplicity ad refusal to decorate the truth ofexperience produced a kind of pure and profound poetry which no otherpoet has ever equaled.8. Romantic poets 与Romantic Age 的不同处:The poetic ideals announced by Words worth and Coleridge provided a major inspiration for the brilliant young writers who made p the second generation of English Romantic poets. Wordsworth and Coleridge both became more conservative politically after the democratic idealism. The second generation of Romantic poets are revolutionary in thinking. They set themselves against the bourgeois society and the ruling class.9. Songs of innocence 与Songs of ExperieneeA. Songs of Innocence is a lovely volume of poems, presenting a happy andinnocent world, though not without its evils.B. Songs of Experience paints a different world, a world of misery, disease, warand repression with melancholy tone.C. The two books hold the similar subject-matter, but the tone, emphasis andconclusion differ.Chapter 4 The Victorian Period1. 维多利亚时期的主要作家与作品1) Charles Dicke ns: Oliver Twist; The Pickwick Paper; David Copper field.;Dombey and Son; A Tale of Two Cities; Bleak House; Hard Times; GreatExpectation; Our Mutual Friend.2) Emily Bronte: Wutheri ng Heights.Charlotte Bron te: Jane Eyre3) Alfred Tennyson: Ulysses; In Memoriam; Break, Break, Break;Dora; Crossing the Bar; Morte d' Arthur; The Gardener's Daughter; ThePrin cess4) Robert Browning: The Ring and the Book; My Last Duchess5) George Eliot: The Mill on the Floss: Middlemarch: Daniel Deron da; Romola6) Thomas Hardy: Under the Greenwood Tree; Far From the MaddingCrowd: The Return of the Native; The Mayor of Casterbridge: Tess of theD 'Urbervilles1. 宪章运动The worse ning liv ing and work ing con diti ons, the mass un employme nt fin ally gave rise to the Chartist Moveme nt. The En glish workers got themselves orga ni zed in big cities and brought forth the People's charter, in which they demanded basic rights and better living and working conditions. They, for three times, made appeals to the gover nment, with hun dreds of thousa nds of people's sig natures. The moveme nt swept over most of the cities in the country. Although the movement declined to an end in 1848, it did bring some improvement to the welfare of the working class. This was the first mass movement of the English working class & the early sign of the awakening of the poor, oppressed people.2. 功利主义Almost everything was put to the test by the criterion of utility, that is, the extent to which it could promote the material happ in ess. This theory held a special appeal to the middle-class in dustrialists, whose greed drove them to exploit ing workers to the utmost and brought greater sufferi ng and poverty to the work ing mass.3. 批判现实主义The Victorian Age is an age of realism rather than of romanticism-a realism which strives to tell the whole truth showing moral and physical diseases as they are. To be true to life becomes the first requirement for literary writing. As the mirror of truth, literature has come very close to daily life, reflecting its practical problems and interests and is used as。

英国文学史及选读复习8-summary-of-the-Age-of-Elizabeth

英国文学史及选读复习8-summary-of-the-Age-of-Elizabeth

Summary of the Age of Elizabeth ( I )This period is generally regarded as the greatest in the history of English literature. Historically, we note in this age the tremendous impetus received from the Renaissance, from the Reformation, and from the exploration of the New World. It was marked by a strong national spirit, by patriotism, by religious tolerance, by social content, by intellectual progress, and by unbounded enthusiasm.Such an age, of thought, feeling, and vigorous action, finds its best expression in the drama; and the wonderful development of the drama, culminating in Shakespeare, is the most significant characteristic of the Elizabethan period. Though the age produced some excellent prose works, it is essentially an age of poetry; and the poetry is remarkable for its variety, its freshness, its youthful and romantic feeling. Both the poetry and drama were permeated by Italian influence, which was dominant in English literature from Chaucer to the Restoration. The literature of this age is often called the literature of the Renaissance, though, the Renaissance itself began much earlier, and for a century and a half added very little to English literary possessions.In the study of the age we have noted:1.The non-dramatic poetsThe poets who did not write for the stage.a. The center of this group is Edmund Spenser whose Shepherd’s Calendar(1579) marked the appearance of the first national poet since Chaucer’s death in 1400. His most famous work is The Faery Queen .The Shepherd’s Calendar is about his love and his melancholy over the lost love. The themes are generally rural life, nature, love in the fields; and the speakers are shepherds and shepherdesses. It consists of twelve pastoral poems, or eclogues, one for each month of the year.The Faery Queen. The original plan of the poem included twenty four books, each of which was to recount the adventure and triumph of a knight who represented a moral virtue. Spenser completed only six books, celebrating holiness, temperance, chastity, friendship, justice, and courtesy. For The Faery Queen, Spenser invented a new verse form, which has been called since his day the Spenserian stanza. It is in nine lines, eight of five feet each and last of six feet, riming ababbcbcc.Characteristics of Spenser’s po etry:1. perfect melody;2.a rare sense of beauty;3. a splendid imagination;4. a lofty moral purity and seriousness;5.a delicate idealismA Gentle Knight was pricking on the plaine,Ycladd in mightei armes and silver shielde,Wherein old dints of deepe woundes did remaine.The cruell markes of many a bloody fielde;Yet armes till that time did he never wield:His angry steede did chide his foming bitt,As much disdayning to the curbe to yield:Full iolly knight he seemed, and faire did sitt,As one for knightly giusts and fierce encounters fitt.b. minor poets associated with Spenser1. Thomas Sackville 1536-1608 earl of Dorset and Lord High Treasurer of England. In imitation of Dante’s Inferno, he formed the design of a great poem called The Mirror for Magistrates. He wrote also,in connection with Thomas Norton, first English tragedy, Ferrex and Porrex = Gorboduc2. Michael Drayton 1563-1631 most voluminous, chief work is Polyolbion, an enormous poem of many thousand couplets, describing the towns, mountains, and rivers of Britain, with the interesting legends connected with each. Two other long works Baron’s Wars , Heroic Epistle of England and “Ballad of Agincourt”.3. George Chapman 1559-1634, wrote chiefly for the stage. His plays, which were for the most part merely poems in dialogue, fell far below the high dramatic standard of his time and are now almost unread. His most famous work is the metrical translation of the Iliad and of the Odyssey. He is also remembered as the finisher of Marlowe’s Hero and Leander, in which, apart from the drama, the Renaissance movement is seen at perhaps its highest point in English poetry.4. Philip Sidney 1554-1586, the ideal gentleman, more interesting as a man than as a writer. His life expresses, better than any single literary work, the two ideals of the age,--- personal honor and national greatness. As a writer, he is known by three principal works, all published after his death. Arcadia is a pastoral romance. Apologie for Poetrie = Defense of Poesie , appeared in answer to a pamphlet by Stephen Gosson called The School of Abuse, in which the poetry of the age and its unbridled pleasure were denounced with puritan thoroughness and conviction. Astrophel and Stella is a collection of songs and sonnets addressed to Lady Penelope Devereux, to whom Sidney had once been betrothed.2.The rise and development of the drama in EnglandFirst the need, then the story, then the play; that seems to be the natural development of the drama in its simplest form. The great deeds of a people are treasured in its literature and later generations represent in play or pantomime certain parts of the story which appeal most powerfully to the imagination. To act a part seems as natural to humanity as to tell a story; and originally the drama is but an old story retold to the eye, a story put into action by living performers, who for the moment “make believe” or imagine themselves to be the old heroes.In Europe, as in Greece, the drama had a distinctly religious origin. The first characters were drawn from the New Testament, and the object of the first plays was to make the church service more impressive, or to emphasize moral lessons by showing the reward of the good and the punishment of the evil doer. In the latter days of the Roman Empire the church found the stage possessed by frightful plays, which debased the morals of a people already fallen too low. So the corrupt drama was driven from the stage, and plays of every kind were forbidden. But mankind loves a spectacle, and soon the church itself provided a substitute for the forbidden plays in the famous Mysteries and Miracles.a. Miracle and Mystery playsIn France the name miracle was given to any play representing the lives of the saints, while the mystery represented scenes from the life of Christ. In England this distinction was almost unknown;the name miracle was used indiscriminately for all plays having their origin in the Bible or in the lives of the saints; and the name mystery, to distinguish a certain class of plays, was not used until long after the religious drama had passed away. By the year 1300 the miracles were out of ecclesiastical hands and adopted eagerly by the town guilds.b. Morality playsThe second period of drama is shown by the increasing prevalence of the morality plays. In these the characters were allegorical personages,--- life, death, repentance, goodness, love, greed, and other virtues and vices. The morality marks a distinct advance over the miracle in that it gave free scope to the imagination for new plots and incidents. Of the known authors of moralities, two of the best are John Skelton, who wrote Magnificence and David Lindsay. They satirize or denounceabuses of church and state, and introduce living personages thinly disguised as allegories; so that the stage first becomes a power in shaping events and correcting abuses.c. InterludesIt is impossible to draw any accurate line of distinction between the moralities and interludes. In general we may think of the latter as dramatic scenes, sometimes given at banquets and entertainments where a little fun was wanted. The interludes originated, undoubtedly, in a sense of humor and was raised to the distinct dramatic form known as comedy by Heywood 1497?-1580?The Play of the Weather, The Fou r P’sd. Artistic period of the dramaThe artistic is the final stage in the development of the English drama. It differs radically from the other in that its chief purpose is not to point a moral but to represent human life as it is. The first true play in English is the comedy, Ralph Royster Doyster by Nicholas Udall. The story is that of a conceited fop in love with a widow, who is already engaged to another man. Gammer Gurton’s Needle, a domestic comedy, representing the life of the peasant class.The first English tragedy, Gorboduc, was written by Thomas Sackville and Thomas Norton. It is the first play to be written in blank verse.e. Dramatic unitiesIn the classic play the so-called dramatic unities of time, place, and action were strictly observed.Time and place must remain the same, the play could represent a period of only a few hours, and whatever action was introduced must take place at the spot where the play began. The severe simplicity of the classical drama seemed only to hamper the exuberant English spirit. The English drama, on the other hand, strove to represent the whole sweep of life in a single play.f. Two schools of dramaThe university wits generally upheld the classical ideal and ridiculed the crudeness of the new English plays. Sackville, Norton, Sidney were of this class.Lyly, Greene, Peele, Marlowe, these popular playwrights were against these. They recognized the English love of action and disregarded the dramatic unities in their endeavor to present life as it is.John Lyly 1554?-1606, known as having developed the pernicious literary style called euphuism.His two prose works Euphues, the Anatomy of Wit; Euphues and His England. The style is affected and overelegant, abounds in odd conceits, and uses hopelessly involved sentences.Thomas Kyd. Spanish Tragedy, melodrama of passion, copied by Marlow and Shakespeare.Robert Greene 1558-1592, plays the chief part in the early development of romantic comedy. Friar Bacon and Friar BungayChristopher Marlowe 1564—1593. In addition to Hero and Leander, he is famous for four dramas, known as one-man type of tragedy, each revolving about one central personality who is consumed by the lust of power. Tamburlaine, is the story of Timur, the Tartar. Faustus is of a scholar who longs for infinite knowledge. The Jew of Malta, is a study of lust for wealth. Edward II , isa tragic study of a king’s weakness and misery.Marlow is the only dramatist of the time who is ever compared with Shakespeare. When we remember that he died at 29, probably before Shakespeare had produced a single great play, we must wonder what he might have done had he outlived his wretched youth and become a man. Here and there his work is remarkable for its splendid imagination, for the stateliness of its verse, and for its rare bits of poetic beauty; but in dramatic instinct, in wide knowledge of human life, in humor, in delineation of woman’s character, in the delicate fancy----in a word, in all that makes a dramaticgenius, Shakespeare stands alone. Marlow simply prepared the way for the master who was to follow.g. Variety of the early drama1. chronicle plays, founded on historical events and characters. Of Shakespeare’s 37 plays, ten are true chronicle plays of English kings.2. The domestic plays began with crude home scenes introduced into the miracles and developed ina score of different ways, from the coarse humor of Gammer Gurton’s Needle to the comedy of manners of Jonson and the later dramatists. Shakespeare’s The Taming of the Shrew , Merry Wives of Windsor belong to this class.3. The so-called court comedy was marked by elaborate dialogues, jests, retorts, and endless plays on words, rather than by action. It was made popular by Lyly’s success, and was imitated in Shakespeare’s “Lylian” comedies, such as Love’s Labour’s Lost , Two Gentlemen of Verona4. Romantic comedy and tragedy suggest the most artistic and finished types of the drama, brought to perfection in The Merchant of Venice , Romeo and Juliet , The Tempest .5. a. classical plays, favored by cultivated audiences. b. melodrama, favorite of the groundlings.c. tragedy of blood, such as Shakespeare’s Titus Andronicus , Hamlet Lear , Macbeth .3. Conclusion: Shakespeare is the only dramatist whose plays cover the whole range of the drama. He raised the drama from a blundering experiment to a perfection of form and expression which has never since been rivaled.。

亚历山大 波普

亚历山大 波普
认识你自己,不是去靠上帝,人类最适宜研究的是人类自己。
写作风格
写作风格
蒲柏的诗多用“英雄双韵体”。他的许多词句写得工整、精练、富有哲理性,有些诗行几乎成为格言。
柏之死,月神狄安娜抱着他,弥尔顿、斯宾塞和乔叟迎接他进入天堂1725年,他对莎士比亚的作品进行重新 编辑,用当时的标准衡量,作了不少改动,受到学者们的批评,他又写了《群愚史诗》,把批评他的人描写成 “沉闷女神”的宠儿。 30年代他计划写一部关于人、自然和社会关系的巨著,但只完成一部序论:《人论》 (1734年)。 1735年,他写作了《致阿巴思诺医生书》,讽刺了身居高位,逍遥法外的道德败坏者。
他那些充满才气的讽刺诗嘲笑了安妮女王时期的民众和当时的风尚及信仰;而他的哲理和道德诗是各个时代 的思想的汇集。波普的诗歌和其他新古典主义诗人的作品一样,正规而缺乏想象力,但是其精致、优雅和简洁的 特色颇受称赞。
波普在英雄双韵体的创作上成就非凡,无人可以超越。这种诗歌形式很适合新古典主义时期的正规的风范。 它由两行诗句组成,每句五个重音节拍,另附押尾韵。一对偶句清楚准确地表达一个完整的思想,实质上每对偶 句都是独立的。文学史上最著名的英雄双韵体之一,即波普所作的《论人文粹》:
《田园诗》发表于1709年,是波普发表的第一首诗,是他16岁时写的。他的第一部重要作品《论批评》 (1711年)是用极其优美的韵文写成的批评文选。(Essay<散文>这个词汇在18世纪指任何形式的说明文、诗歌 或散文。)其中很多诗句后来都成了人们耳熟能详的习语,如“天使都不敢涉足的地方,蠢材会冲进去”。
蒲柏还为牛顿写了著名的墓志铭:“自然和自然法则隐藏在暗处,上帝说:‘让牛顿来’然后所有的都暴露 出来了”。
牛津语录词典中收录了212条蒲柏的作品精辟语录。如“只有少量知识是危险的”,“人皆有错,难能宽 恕”,“正确的学习造就男子汉”等。

伊丽莎白·毕晓普与杰拉德·霍普金斯

伊丽莎白·毕晓普与杰拉德·霍普金斯

吴远林北京外国语大学/聊城大学伊丽莎白·毕晓普与杰拉德·霍普金斯【提要】霍普金斯是毕晓普崇拜的诗人,毕晓普的诗歌创作深受霍普金斯的影响。

本文从诗歌文本、诗学观念和宗教思想三个维度探讨这种影响,旨在揭示毕晓普对霍普金斯的诗歌与创作做出有意义回应的种种可能与表现,进一步认识诗人与时代、传统和人生的关系与意义。

正是由于生活境遇的相似和精神气质的相通,这两位作家在心灵方面更加契合。

【关键词】毕晓普,霍普金斯,诗文本,诗学观念,宗教思想【中图分类号】I106【文献标识码】A【文章编号】2095-9648(2016)01-0063-061.引言1966年,在接受阿什利·布朗(Ashley Brown)采访时,伊丽莎白·毕晓普回忆起她13岁那年初次接触杰拉德·霍普金斯诗歌的情景:“这是一次难得的人生体验。

在夏令营活动中,一位颇具才华的朋友送给我一本《新诗选》(The New Po-etry)。

我清楚地记得,编者哈里特·蒙罗(Harriet Monroe)多处征引霍普金斯的诗歌,其中就包括“上帝的荣光”(God's grandeur),于是我暗下决心‘一定要找到他所有作品’”(Brown1996:21)。

随后,毕晓普又补充道:“我不信仰宗教,但我阅读霍普金斯与赫伯特,同样获得快乐”,与斯蒂文斯和克莱恩相比,“我从霍普金斯和玄学派诗人那里受益更多”(Brown1996:23)。

就像霍普金斯推崇赫伯特,毕晓普也极为推崇霍普金斯,他的诗文创作和生活态度构成了毕晓普诗歌与人生的重要组成部分,代表着时代的体验深度和精神高度。

但毕晓普也清醒地意识到,与赫伯特一样,霍普金斯是一位虔诚的基督徒,其诗歌的终极理想在于追求现实存在与精神超越的完美结合,进而实现人与上帝的交流。

不过,作为不信教的毕晓普为何偏偏对宗教诗人霍普金斯情有独钟,这时常会引起读者们的困惑,似乎二者之间不太可能具备一致性。

抽象表现主义欧普艺术幻想艺术

抽象表现主义欧普艺术幻想艺术

抽象表现主义一.概述抽象表现主义(Abstract Expressionism)或称纽约画派,是第二次世界大战以后之后盛行二十年、以纽约为中心的艺术运动,是受世界瞩目的美国艺术,一般被认为是一种透过形状和颜色以主观方式来表达,而非直接描绘自然世界的艺术。

分为绘画性抽象及色域抽象。

代表人物:绘画性抽象:杰克逊·波洛克色域抽象: 阿德.莱因哈特二.过程1. 1947年戈尔基走出超现实主义阶段,从潜意识的世界和心理自动主义的线描直接展现持续不断的艺术创作原动力本身,预示了美国现代主义绘画时代的到来。

他认为,绘画创作中,某些东西一旦完成,就意味着他的死亡,而他想获得持久的东西。

这种“持续动力”的观念,对于后来的抽象表现主义运动起到了十分重要的作用。

2. “持续动力”在杰克逊.波洛克那里转化为抽象表现主义行动绘画的尝试。

3. 汉斯.霍夫曼和是纽约画派的创始人。

他是前卫艺术老将,20世纪初,在巴黎住了10年,与马蒂斯、勃拉克、毕加索等人建立联系。

他特别推崇马蒂斯的作品,也由此引发他的抽象表现主义画风的装饰趣味。

4. 马瑟韦尔试抽象表现主义运动的组织者。

他从超现实主义传向了主题性抽象表现主义画风。

5. 德.库宁早期创造以表现主义和写实主义为主,逐渐转向了抽象形式。

1938年形成了一种抒情的抽象表现主义风格。

6. 20世纪30年代,阿德.莱因哈特开始以矩形为元素,进行构图实验,四五十年代,采用拼贴手法,探索图形自由构成。

个人的笔法、寓意和传统构图模式都被消减到最低限度,色彩限制在单色上。

60年代,多用蓝色,并在单色平面上,用明度或调子不同的颜色,组构成矩形、正方形或正十字等。

最终,莱因哈特在黑色中把他冷静的抽象风格推到极致。

7. 马克·罗思科早年绘画为具象风格,之后,转向抽象色域绘画。

三.分析1. 第二次世界大战后,欧洲衰落,美国崛起。

美国军事,经济和政治势力在全球的扩展,以及一种完全不同于欧洲萎靡不振的强悍的和充满冒险精神的美国文化,成为引领战后西方文化发展的旗帜。

伊索寓言英语读后感【四篇】

伊索寓言英语读后感【四篇】

【导语】读完某⼀作品后,相信你⼀定有很多值得分享的'收获,是时候抽出时间写写读后感了。

那么我们如何去写读后感呢?以下是为⼤家精⼼整理的伊索寓⾔英语读后感【四篇】,欢迎⼤家阅读。

【篇⼀】伊索寓⾔英语读后感 Aesops fable, from the folk, so the lower level of society peoples life and thoughts and feelings have been more prominent reflection. Such as the disclosure of greed and selfishness of the rich; The scourge of the cruel nature of the wicked; The affirmation of labor to create wealth; Criticism of social inequality; Satire on cowardice and laziness; Praise for the brave struggle. There are many fables that teach people how to live, how to behave, how to distinguish right from wrong, how to become smart and intelligent. Aesops fable is an overview, extraction and summary of the ancient Greek life and struggle, is a spiritual heritage left by the ancient Greeks to future generations. Aesops fable, concise text, vivid story, rich imagination, full of philosophy, ideological and artistic integration. Among them, the farmer and snake, fox and grape, wolf and lamb, tortoise and rabbit race, shepherd boy and wolf, farmer and his children have become a household name in the world. This book has the most readers in the world, it has the greatest impact on western ethics, political thought. The essence of eastern and western folk literature, the crystallization of the wisdom of the working people. One of the worlds oldest fables, one of 100 books that influence human culture.【篇⼆】伊索寓⾔英语读后感 Aesops fables, the worlds oldest collection of fables, is short, informal, simple story often shines with the light of wisdom, burst into the spark of wit, No. 1 with profound meaning. It is not only to instill the concept of good and evil beauty and ugliness of enlightenment textbooks for children, but also a textbook of life, has a great impact on future generations. In the history of European literature, it laid the foundation for fable creation. In literary works and even political works of various countries in the world, Aesops fable is often quoted, or as a metaphor when reasoning argument, or as a weapon of criticism and satire. The essence of the book, still has a positive practical significance. In the history of European fable development, ancient Greek fable occupies an important position. It pioneered the development of European allegory and influenced the whole process of the development of European allegory. allegory is a kind of folk oral creation, which mainly reflects peoples life wisdom, including social activities, productive labor and daily life. Aesops fables are compiled according to various manus cripts handed down from ancient times, including more than 300 fables, some of which are popular. " Aesops fables" animals in addition to some animals, generally there is no fixed character characteristics, such as fox, wolf, etc., sometimes be endowed with negative character, sometimes be affirmed, by personification of animals to express the authors ideas. These animal stories are undoubtedly fictional, yet natural and realistic. This is not the same as the basic stereotype of character formed by the fable of future generations.【篇三】伊索寓⾔英语读后感 Aesops fables had a great influence on the development of European fables. In the first century ad, the ancient Roman fable writer ferdruse inherited Aesops fable tradition directly, borrowed many stories from Aesops fable, and called his fable " Aesops fable". The Greek fable writer ba Briouse in the 2nd century a.d. adopted Aesops fable more. This tradition was inherited by the late ancient Greek and Roman allegories. After the renaissance, Aesops fables copy of the reorganization and publishing greatly promoted the development of European fables, has appeared a lot of good fable writers, such as French seal Dan, german Lessing, Russian krylov, etc. Aesops fables were introduced into China in Ming dynasty with the gradual spread of western learning to the east. The first western missionary Matteo Ricci to China during his life in China from the distorted ten articles, which introduced Aesop, Aesops fables have been cited. After him missionary ponti I also in the " seven grams" introduced, quoted Aesops fable. The first translation of Aesops fable in China was kuangyi published in Xi an in 1625. After the Qing dynasty, there were many translations of Aesops fables. The above situation shows that Aesops fable has been circulating for a long time in our country, it is still popular, fondle admiringly. Its a book worth reading.【篇四】伊索寓⾔英语读后感 Aesops fables are mostly animal stories, with animals as metaphor, teach people life and life. Aesops fable form is short and concise, metaphor is appropriate, vivid, has a great influence on future generations. Aesops fables collected a total of three or four hundred stories, and lyric poetry mainly reflects the noble slave owners of different thoughts and feelings, these stories are mainly bullied the lower civilians and slaves struggle experience and lessons of life summary. Allegory describes the relationship between animals to show the social relations at that time, mainly the unequal relationship between the oppressor and the oppressed. The allegorical writer condemned the oppression of the people in society at that time and called on the bullied people to unite to fight against the wicked. For example, the story of "the farmer and the snake" advises people not to be kind to the enemy; The dog and rooster and fox tells people to be good at using wisdom, to overcome the enemy; In the stories of the lion and the deer, the bird catcher and the crested sparrow, and the two pots, the author reveals that when the regime is in the hands of greedy and brutal rulers, it is impossible for the poor to live in peace.。

2025年高考英语模拟预测考试卷含答案

2025年高考英语模拟预测考试卷含答案

选择题部分第一部分听力(共两节,满分30分)做题时,先将答案标在试卷上,录音内容结束后,你将有两分钟的时间将试卷上的答案转涂到答题卷上。

第一节 (共5小题:每小题1. 5分,满分7. 5分)听下面5段对话。

每段对话后有一个小题,从题中所给的A、B、C 三个选项中选出最佳选项。

听完每段对话后,你都有10秒钟的时问来回答有关小题和阅读下一小题。

每段对话仅读一遍。

例:How much is the shir?A. f19. 15.B. f9. 18.C. E9. 15.答案是C。

1. Where are the speakers?A. At a hotel.B. At a store.C. At ahospital2. What does the woman think of the literature class?A. Boring.B. RewardingC. Demanding.3. What are the speakers going to do?A. Cover an event.B. Have a break.C. Continue the meeting.4. What are the speakers?A. Students.B. Teachers.C. Officials5. What is the man doing?A. Repairing his laptop.B. Trying on a new jacket.C. Undergoing a security check.第二节(共15小题:每小题1. 5分,满分22. 5分)听下面5段对话或独白。

每段对话或独白后有几个小题,从题中所给的A、B、C 三个中选出最佳选项。

听每段对话或独白前,你将有时间阅读各个小题,每小题5秒钟;听完后各小题将给出5秒钟的作答时间。

每段对话或独白读两遍。

听第6段材料,回答第6、7题。

6. What is the man?A. A doctor.B. A salesman.C. A chemist.7. What is said about the medicine?A. It has side effects.B. It may cause discomfort.C. It shouldbe taken before meals.听第7段材料,回答第8至10题。

英美文学英国部分练习题

英美文学英国部分练习题

英美文学英国部分练习题EnglandReviewChapter 11、In Anglo-Saxon period, Beowulf represented the_______ poetry.A. paganB. religiousC. romanticD.sentimental2、The Anglo-Saxons were Christianized in the _______ century.A. 6thB. 7thC. 8thD. 10th3、Beowulf describes the exploits of a ______ hero, Beowulf, in fighting against themonster Grendel, his revengeful mother, and a fire-breathing dragon.A. DanishB. ScandinavianC. EnglishD. Norwegian4、English literature began with the ______ settlement in England.A. Anglo-SaxonB. RomanC. NormanD. Britain5、The prevailing form of Medieval English literature is the _______.A. novelB. dramaC. romanceD. essay6、The theme of ______ to king and lord was repeatedly emphasized in romances.A. loyaltyB. revoltC. obedienceD. mockery7、_______ was the first to be buried in the Poet?s Corner of Westminster Abbey.A. ChaucerB. ShakespeareC. MarloweD. SpenserAnswers: ABBAC AAChapter 21、_______was the first to introduce the sonnet into English literature.A. Thomas WyattB. William ShakespeareC. Philip SidneyD. Thomas Campion2、The epoch of Renaissance witnessed a particular development of English drama. It was______ who made blank verse the principal vehicle of expression in drama.A. Christopher MarloweB. Thomas LogeC. Edmund SpenserD. Thomas More3、In the conclusion of the prose_______ the author points out that the root of poverty is the private ownership of social wealth.A. Advancement of LearningB. UtopiaC. TamburlaineD. Henry IV4、English Renaissance Period was an age of_______.A. prose and novelB. poetry and dramaC. essays and journalsD. ballads and songs5、"Liberty, Fraternity and Equality"were first uttered in the book_______.A. The Shepherd?s CalendarB. UtopiaC. The Rights of ManD. The Declaration of Independence6、"Denmark is a prison". In which play does the hero summarize his observation of his world into such a bitter sentence? _______A. Charles IB. OthelloC. Henry VIIID. Hamlet7、In which play does the hero show his profound reverencefor man through the sentence:"What a piece of work is a man! How noble in reason! How infinite in faculty!"_______A. Romeo and JulietB. HamletC. OthelloD. The Merchant of VeniceAnswers: AABBB DBHow much do you know about America?1、American Revolutionary War, also called American War of Independence, lasted from 1775 to 17832、The United States of America (also referred to as the America) is comprising fifty states and a federal district3、The official motto of America is In God We Trust4、The capital of America is Washington, D.C. or New York City?5、What does the name Washington, D.C. signify?Chapter 31、Which was not written by John Milton?________A. Paradise LostB. LycidasC. L?AllegroD. Song to Celia2、John Milton wrote his best-know prose work, _______, in the form of a speech addressed to the Houses of Parliament, in which he appealed for the freedom of the press.A. AreopagiticaB. LycidasC. L?AllegroD. Of Reformation in England3、In which famous pamphlet did Milton thus write: ”Ourking made not us, but we him. Nature has given fathers to us all, but we ourselves appointed out own king; so that the people are not for the king, but the king for them”?_____A. Second Defence of the English People 《未为英国人民再辩》B. The Ready and Easy Way to Establish a Free CommonwealthC. Of Reformation in EnglishD. Defence of the English People 《为英国人民申辩》4、The finest thing in Paradise Lost is the description of hell, and ______is often regarded as the real hero of the poem.A. GodB. SatanC. AdamD. Raphael5、Another school of poetry prevailing in 17th century was that of ____,i.e. those verse-writers, often knights and squires, who sided with the King against the Parliament and Puritans.A. Metaphysical PoetsB. Cavalier PoetsC. John MiltonD. John Dryden6、Explain the” Puritanism” during the English Revolution.Answers: DADB__Chapter 41、____was a progressive intellectual movement throughout Westem Europe in the 18th century.A. The RenaissanceB. The EnlightenmentC.The Religious ReformationD. The Chartist Movement2、Most of the English writers in the 18th century were enlighteners. They fell into two groups, one is______, and the other is______.A. the moderate group; the radical groupB. the passive Romantic poets; the active Romantic poetsC. the Metaphysical poets; the Cavalier poetsD. the lakers; the sentimentalists3、_______was the most important English poet in the first half of the 18th century.A. Richard SteeleB. Joseph AddisonC. Alexander PopeD. Samuel Richardson4、”Proper words in proper places, makes the true definition of a style.” This sentence is said by___, one of the greatest masters of English prose.A. Alexander PopeB. Henry FieldingC. Daniel DefoeD. Jonathan Swift5、As a journalist, _____had learned how to make his reporting vivid and credible bya skillful use of circumstantial detail. This power to make his characters alive and his stories credible is an inimitable gift.A. Joseph AddisonB. Daniel DefoeC. Samuel RichardsonD. Tobias Smollett6、_____was the real founder of the realistic novel in England. His novels unfold a panorama of life in all sections of Englishsociety.A. Alexander PopeB. Henry FieldingC. Daniel DefoeD. Jonathan Swift7、Henry Fielding?s first novel ______was written in connection with Pamela of Samuel Richardson.A. Tom JonesB. Joseph AndrewsC. Jonathan WildD. Amelia8、_____,written in heroic couplet by Alexander Pope, was a manifesto of English neo-classicism as he put forward his aesthetic theories in it.A. An Essay of Dramatic PeosyB. An essay on CriticismC. The Advance of LearningD. An Essay on Man9、____was Alexander Pope?s poem which satirized the idle and artificial life of the aristocracy.A. The Rape of the LockB. The Rape of LucreceC. The School for ScandalD. Every Man in His Humor10、_______compiled The dictionary of the English Language which became the foundation of all the subsequent English dictionaries.A. Ben JohnsonB. Samuel JohnsonC. Alexander PopeD. John Dryden11、Which play is regarded as the best English comedy since Shakespeare?A. She Stops to ConquerB. The RivalsC. The School for ScandalD. The Conscious Lovers Answers: BB__DBBB__BCChapter 51、The Romantic Age began with the publication of The Lyrical Ballads which waswritten byA. William WordsworthB. Samuel JohnsonC. Samuel Taylor ColeridgeD. Wordsworth and Coleridge2、The English Romantic Age produced two major novelists. They areA. George Gordon Byron and Percy Bysshe ShelleyB. William Wordsworth and Samuel T aylor ColeridgeC. Walter Scott and Jane AustenD. Charles Lamb and William Hazlitt3、As contrasted with the classicists who made reason, order and the old, classicaltraditions the criteria in their poetical creations, based his own poetical principle on the premise that “all good poetry is the spontaneous overflow of powerful feeling.”A. Samuel Taylor ColeridgeB. George Gordon ByronC. Percy Bysshe ShelleyD. William Wordsworth4、Was made poet laureate in 1813 but most of his works, according ormodem critics, are “the product of literary industry, not of literary creation”A. William WordsworthB. Samuel Taylor ColeridgeC. Robert SoutheyD. George Gordon Byron5、Which of the following statements is not true about Don Juan?A. Don Juan was written in Italy during the years 181-1823.B. The story describes Don Juan?s,an English youth of noble birth, life and adventures in many countries.C. In a Greek island, Don Juan met his sweetheart, Haidee, and feel in love with her.D. The last cantos are taken up with a satirical description of the English ruling classes, whose reactionary policy has aroused the hatred from the other nations.E. In Don Juan Byron displayed his genius as a romanticist and a realist simultaneously.6、Which of the following statement is not true about George Gordon Byron?A. Byron?s early ears had been far from happy for he was born with a clubfoot, in the frequent family scenes his mother called him” you lame brat” .B. Byron died in Italy and was deeply mourned by the Italian people and by all progressive people throughout the world.C. The reactionary criticism of the 19th century trued to belittle Byron?s genius and his role in the development of English literature, but Byron remains one of the most popular Englishpoets both at home and abroad.D. Since the May 4 Movement in 1919, more and more of Byron?s poems have been translated into Chinese and well received by the poets and young readers. Byron has now become one of the best-known English poets in our country.7、The first poem in The Lyrical Ballads is Coleridge?s masterpiece .A. Kubla KhanB. The PreludeC. The Rime of Ancient MarinerD. Tintern Abbey8、In1805, Wordsworth completed a long autobiographical poem entitledA. William WordsworthB. The PreludeC. Lucy PoemsD. The Lyrical Ballads9、For his pamphlet .Percy Bysshe Shelley was expelled from Oxford anddisowned by his father.A. Address to the Irish PeopleB. Vindication of the Rights of WomenC. Masque of AnarchyD. The Necessity of Atheism10、Which of the following poem is written by Percy Bysshe Shelley on thedeath of John Keats?A. Peter Bell the ThirdB. HellasC. AdonaisD. The Cenci11、is regarded as the most wonderful lyricist England has everproduced mainly for his poems on nature ,on love, and on politice.A. William WordsworthB. John KeatsC. George Gordon ByronD. Percy Bysshe Shelley12、Which of the following statement is not true about Percy Bysshe Shelley?A. Prometheus Unbound is Percy Bysshe Shelley?s masterpiece, a long epic poem.B. At Eton Percy Bysshe Shelley was known as “Mad Shelley”, for his obstinate opposition to the brutal fagging system, according to which the younger school-boys were obliged to obey the old boys and bear a great deal of cruel treatment.C. George Gordon Byron called Percy Bysshe Shelley “the best and least selfish man I ever knew”.D. Percy Bysshe Shelley loved the people and hated their oppressors and expoiters.13、The unfinished long epic has been regarded as John Keats?s greatestachievement in poetry.A. EndymionB. IsabellaC. HyperionD. When I Have Fear14、…s pursuit of beauty in all things bespoke an aspirationafter a betterlife than the sordid reality under capitalism . His leading principle is. ”Beauty is truth , truth beauty”.A. Percy Bysshe ShelleyB. George Gordon ByronC. William WordsworthD. John Keats15、Which is Percy Bysshe Shelley?s masterpiece?A. Queen MabB. Prometheus UnboundC. Prometheus BoundD. The Revolt of Islam16、Walter Scott?s first novel appeared anonymously in 1841 withimmediate success.A. Great UnknownB. Rob RoyC. Guy ManneringD. Waverley Answers: DCDCB BCBDC DACDB DChapter6、71. In the 19th century English literature, a new literary trend called _______ appeared. And it flourished in the forties and in the early fifties.a. romanticismb. naturalismc. realismd. critical realism2. _____ described the life of the laboring people and criticized the privileged classes, but the power of exposure became much weaker in her work. The significance of her worklies rather in the portrayal of the pettiness and stagnancy of English provincial life.a. Emily Charlotteb. Emily Brontec. Elizabeth Cleghorn Gaskelld. George Eliot3. _____ wrote a number of little sketches of “cockney characters”. He sighed them “Boz”, which was his nickname for his young brother. His first book, Sketches by Boz appeared in 1836.a. Elizabeth Gaskellb. William M. Thackerayc. Charles Dickensd. Jane Austen4. _______ has been called “the supreme epic of English life”.a. A Tale of Two Citiesb. David Copperfieldc. Pickwick Papersd. Oliver Twist5. _____, written in 1843-1844, is one of Charles Dickens?s masterpieces of social satire, famous for its criticism of both the British and American bourgeoisie.a. Pickwick Papersb. The Old Curiosity Shopc. Great Expectationsd. Hard Times6. The pride of wealth, or “purse-pride”, is the theme of the novel ________.a. Dombey and Sonb. A Tale of Two Citiesc. Little Dorritd. Bleak House7. “Of all my books,” wrote Dickens, “I like this the best.” Which work does it refer to? ______.a. A Tale of Two Citiesb. David Copperfieldc. Pickwick Papersd. Oliver Twist8. The theme underlying ______ i s the idea “Where there is oppression, there is revolution”.a. a. A Tale of Two Citiesb. David Copperfieldc. Pickwick Papersd. Oliver Twist9. The _____ Movement appeared in the thirties of the 19th century. It showed the English workers were able to appear as an independent political force and were already realizing the fact that the industrial bourgeoisie was their principal enemy.A Enlightenment b. Renaissance c. Chartist d. Romanticist10. Which novel makes a fierce attack on the bourgeois system of education and bourgeois utilitarianism? ________.a. Oliver Twistb. Hard Timesc. Great Expectationsd. A Tale of Two Cities11. Which novel is a great satire upon the society and those people who dream to enter the higher society regardless of the social reality? ___C___.a. A Tale of Two Citiesb. David Copperfieldc. Great Expectationsd. Dombey and Son12. In the novel __C__, Charles Dickens describes the Chartism Movement.a. Great Expectationsb. A Tale of Two Citiesc. Hard Timesd. Oliver Twist13. _B__ is often regarded as the semi-autobiography of the author Dickens in which the early life of the hero is largely based on the author?s early life.a. Tom Jonesb. David Copperfieldc. Oliver Twistd. Great Expectations14. In 1864, Dickens published his last complete novel __C .a. The Old Curiosity Shopb. Pickwick Papersc. Our Mutual Friendd. Little Dorrit15. The sub-title of Vanity Fair is _C .a. A Pure Woman Faithfully Portrayedb. The Spirit and the Fleshc. A Novel Without a Herod. Sense and SensibilityCCBCC16. George Eliot was the pseudonym of _____.a. Mark Twinb. Mary Ann Evansc. Ellis Belld. Samuel Langhorne Clemens17. ____ written by George Eliot is largely autobiographical in its early chapters.a. Adam Bedeb. The Mill of the Flossc. Felix Holt and Radicald. Mary Barton18. As a poet, ______ provides an example of “a sick individual in a sick society”. Many of his poetic works express a tone of regret, disillusion and melancholy.a. John Ruskinb. Thomas Carlylec. Matthew Arnoldd. Thomas Babington Macaulay19. ______ has been praised as a “gallant, courageous and high-hearted figure,” well-known for buoyant optimism.a. Robert Louis Stevensonb. Laurence Sternec. Robert Browningd. Percy Bysshe Shelley20. The theory of “art for art?s sake” was first put forward by the poet ____.a. Oscar Wildeb. Walter Paterc. Robert Louis Stevensond. Theophile Gautier21. Which lament was written by Alfred Tennyson for the death of his friend Hallam? ____.a. In Memoriamb. Lycidasc.Adodaisd. Elegy written in a Country Churchyard22. My last Duchess is ______.a. a dramatic monologueb. a short lyricc. a noveld. an essay23. _____ tells the tale of a young Englishman who serves as mate on the steam ship “Patna”.a. Lord Jimb. Nostromoc. Youthd. The Old Wives? Tale24. ____ was born in New York and educated in America. He never married, never took part in public affairs, and lived a life of an observer of his limited world of Americans in Europe.a. John Galsworthyb. Henry Jamesc. Thomas Stearns Eliotd. James Joyce25. Who is regarded as a forerunner of the “stream of consciousness” literature in the 20th century? ___a. John Galsworthyb. Henry Jamesc. Thomas Stearns Eliotd. James Joyce26. ______?s admirers have praised him as “second only to Shakespeare in his mastery of English language.”a. David Herbert Lawrenceb. Thomas Stearns Eliotc. James Joyced. William Butler Yeats27. _____ was the biographer, critic and editor of the Dictionary of National Biography.a. Virginia Woolfb. Thomas Stearns Eliotc. James Joyced. William Butler Yeats28. ____ is the climax of Virginia Woolf?s experiments in novel form.a. The Windowb. Time Passesc. The Lighthoused. The Waves29. David Herbert Lawrence?s representative work ____ was positively taken as a typical example and lively manifestation of the Oedipus Complex in fiction, as the result of Lawrence?s long-range study of the psychoanalytic theories of Sigmund Freud.a. Sons and Loversb. The Waste Landc. Lady Chatterley?s Loverd. Women in L ove30. Which of the following plays deals with the story that a linguist trains a flower girl to speak the so-called high-civilized English? _____a. Major Barbarab. Pygmalionc. Mrs. Warren?s Professiond. Man and Superman31. Saint Joan was written by George Bernard Shaw. It is a_____.a. historical playb. novelc. poemd. ballad32. In 1923, ____ was awarded the Nobel Prize for literature.a. William Butler Yeatsb. Samuel Butlerc. Thomas Stearns Eliotd. David Herbert Lawrence33. Thomas Stearns Eliot defined his belief as ____.a. classicist in literatureb. royalist in politicsc. Anglo-Catholic in religiond. all of the above34. In which poem are the sterility and chaos of the contemporary world after WWI expressed? ____.a. Ode to the West Windb. The Solitary Reaperc. Lamiad. The Waste Land35. Which poem concerns Thomas Stearns Eliot?s faith and emotional satisfaction in the church? ____.a. Murder in the Cathedralb. The Solitary Reaperc. Ash Wednesdayd. The Waste LandAnswer:。

美国文学英文版本6

美国文学英文版本6

Western youths were rebelling, angry and disillusioned with the savage war, the older generation they held responsible, and difficult postwar economic conditions that, ironically, allowed Americans with dollars -- like writers F. Scott Fitzgerald, Ernest Hemingway, Gertrude Stein, and Ezra Pound -- to live abroad handsomely on very little money. Intellectual currents, particularly Freudian psychology and to a lesser extent Marxism (like the earlier Darwinian theory of evolution), implied a "godless" world view and contributed to the breakdown of traditional values. Americans abroad absorbed these views and brought them back to the United States where they took root, firing the imagination of young writers and artists. William Faulkner, for example, a 20th-century American novelist, employed Freudian elements in all his works, as did virtually all serious American fiction writers after World War I.

有关英语的ppt

有关英语的ppt
very important; shocking
avoid doing sth. that would upset sb. pretend to have or be making people notice you and your ability
4 Most strikingly, these tellers-of-a-thousand-lies reported that their deceptions caused them ―little preoccupation or regret.‖ Might that, too, be a lie? Perhaps. But there is evidence that this attitude towards casual use of prevarication is common.
Revision
7. 有时,我在独自散步,他们会问我是否需要搭车。 8. 但我认为,车子使腿脚功能退化。 9. 在这个社会里,多数人占据主导地位。 10. 我意识到,我或许是唯一主张短距离步行的人,这也就是 我不时地遇到麻烦的原因。 11. 比如:许多商店把门前清理出来,只容顾客停车,店家关 心的只是商业成功。
Josephson Institute of Ethics
The Joseph & Edna Josephson Institute of Ethics is a publicbenefit, nonprofit, nonpartisan无党派 and nonsectarian无宗派 membership organization founded by Michael Josephson in honor of his parents.

初一英语国际视野拓宽单选题40题

初一英语国际视野拓宽单选题40题

初一英语国际视野拓宽单选题40题1.The Eiffel Tower is in _____.A.LondonB.ParisC.New YorkD.Tokyo答案:B。

解析:埃菲尔铁塔在法国巴黎。

A 选项伦敦有大本钟等著名景点;C 选项纽约有自由女神像等;D 选项东京有东京塔等。

本题考查对国际著名景点所在城市的了解。

2.Big Ben is located in _____.A.ParisB.LondonC.BerlinD.Moscow答案:B。

解析:大本钟在英国伦敦。

A 选项是巴黎,有埃菲尔铁塔;C 选项柏林有柏林墙等;D 选项莫斯科有红场等。

本题考查对国际著名景点所在城市的了解。

3.The Statue of Liberty is in _____.A.WashingtonB.New YorkC.Los AngelesD.Chicago答案:B。

解析:自由女神像在美国纽约。

A 选项华盛顿有白宫等;C 选项洛杉矶有好莱坞等;D 选项芝加哥有云门等。

本题考查对国际著名景点所在城市的了解。

4.The Great Wall of China is located in _____.A.BeijingB.ShanghaiC.GuangzhouD.Chengdu答案:A。

解析:长城主要位于北京及周边地区。

上海、广州、成都没有长城。

本题考查对中国著名景点所在城市的了解。

5.The Sydney Opera House is in _____.A.MelbourneB.SydneyC.CanberraD.Brisbane答案:B。

解析:悉尼歌剧院在澳大利亚悉尼。

墨尔本、堪培拉、布里斯班没有悉尼歌剧院。

本题考查对国际著名景点所在城市的了解。

6.Taj Mahal is in _____.A.New DelhiB.MumbaiC.AgraD.Kolkata答案:C。

解析:泰姬陵在印度阿格拉。

新德里、孟买、加尔各答没有泰姬陵。

Le Temps Des Cathedrales

Le Temps Des Cathedrales

Le Temps Des Cathedrales / The Age Of The Cathedrals法国音乐剧《巴黎圣母院》唱段——“大教堂时代”歌词翻译和注释。

翻译:掘地武士版本:1.0.100717译者按:第一次翻译法文歌词,怕是很难体会其中精髓,幸亏有英文版歌词作为参考,疏漏地方诸位多海涵。

在英法歌词两者意思有差异的地方,多数进行了两者兼顾,大多以法文版歌词为准。

副歌部分法文版是重复的,而英文版在多段中会有语句变化,我也在中文译本中体现了这种变化。

此唱段是《巴黎圣母院》的第一首歌,借吟游诗人格林果之口,交代了当时宏大的时代背景,也预示着全局悲剧的结局,是《巴黎圣母院》最成功最著名也是最受欢迎的几首歌曲之一。

又按:我怒了,连豆瓣也太敏感了吧,连歌词翻译都要审查三天才能发出?!试问我翻译的歌词里有什么违禁不能说的言论!?C'est une histoire qui a pour lieuParis la belle en l'an de dieuMil-quatre-cent-quatre-vingt-deuxHistoire d'amour et de désirThis is a tale that takes its place.In Paris fair, this year of grace.Fourteen hundred eighty two.A tale of lust and love so true.在此即将上演一出好戏,它就发生在美丽的巴黎,那是西元一四八二年,故事讲的是人间的痴缠与情欲……Nous les artistes anonymesDe la sculpture ou de la rimeTenterons de vous la transcrirePour les siécles àvenirWe are the artists of the time,we dream in sculpture dream in rhyme.For you we bring our world alive,so something will survive.我们是镌刻时光的无名匠人醉心雕塑,痴迷音韵只为把心血赋予生命以不朽的作品敬献诸君Il est venu le temps des cathédralesLe monde est entréDans un nouveau millénaireL'homme a voulu monter vers les étoiles Ecrire son histoireDans le verre ou dans la pierreFrom nowhere came the age of the cathedrals. The old world began.A new unknown thousand years.For man just has to climb up where the stars are.And live beyond life.Live in glass and live in stone.大教堂的时代猛然降临旧世界迈入新千年纪的大门人们梦想着它高耸过群星用玻璃和砖石筑建永生的灵魂(巴黎圣母院是一幢气势恢弘,在当时是无比高大的哥特式建筑。

20世纪最疯狂的设计师-Paul Poiret-波尔·波阿莱

20世纪最疯狂的设计师-Paul Poiret-波尔·波阿莱

东方感的、浪漫主义的或者新古典 主义的,一切都基于这位巴黎设计师丰 富的设计思想与天生的趣味:一方面, 他痴迷于古希腊与文艺复兴时期的艺术 风格,另一方面,他为东方各民族的艺 术特色所倾倒;他曾经访问过俄罗斯, 为莫斯科浓郁的东方色彩所吸引,并对 古代美索不达米亚、阿拉伯及土耳其的 服装充满兴趣。在保罗·波烈 (Paul Poiret) 设计的服装中,我们总是隐约可 以找到古罗马裙袍、日本和服、中国旗 袍、阿拉伯长裙、印度纱丽等的痕迹; 而他开创性的设计包括胸罩、单肩睡衣 和灯笼裤等。
谢谢观看
20世纪最疯狂的设计师
--波尔· 波阿莱(Paul Poiret)
一、人物经历
保罗·波烈 (Paul Poiret) ,这位充满幻想的时装大师1879 年4月生于巴黎,他的一生和事业都在巴黎,他在巴黎度过了最 辉煌和最惨淡的时光。保罗·波烈 是位布商的儿子,其貌不扬, 但从小就与服装结了缘。十二岁时,表现出对文学、戏剧的浓 厚兴趣,少年时不断寻找机会结识艺术家,也常常溜进时装发 布会场,默默地欣赏当时的流行服装。二十岁那年,保罗·波烈 (Paul Poiret) 的才华得到了巴黎著名时装师杜塞的赏识,他被 聘为杜塞的特约服装设计师。对此,杜塞的职员、模特儿,甚 至他的父亲都不以为然。但是杜塞是位有远见的师长,他也是 印象主义绘画和非洲木雕的收藏家,他送波烈到一个好裁缝那 儿学手艺,并鼓励波烈大胆地“在社会的大海里游泳,千万不 能溺死。”
保罗·波烈 (Paul Poiret) 为杜塞设 计的第一件作品,赤罗纱斗篷,被销 售一空,成功的事实改变了同事们的 看法。波烈更加刻苦地学习设计。杜 塞也常常修改他的设计稿。这时期, 保罗·波烈 (Paul Poiret) 的内心开始煽 起了服装“革命”的梦想之火。不久 ,波烈离开杜塞,应召入伍。服役后 ,他到沃斯兄弟的时装店工作,终因 观点不合而分道扬镳。

欧洲文化常识测试英语题型

欧洲文化常识测试英语题型

《欧洲文化入门》复习题(一)Division One: Greek Culture and Roman Culture Greek CultureI.填空1.European culture is made up of many elements, two of these elements are considered to bemore enduring and they are the Greco-Roman element and the Judeo-Christian element.2.Greek culture reached a high point of development in the 5th century.3.In the second half of the 4th century B. C., all Greece was brought under the rule of Alexander,king of Macedon.4.In 146 B. C. the Romans conquered Greece.5.Greek culture reached a high point of development in the 5th century.6.Revived in 1896, the Olympic Games have become the world’s foremost amateur sportscompetition.7.Ancient Greeks considered Homer to be the author of their epics.8.The Iliad deals with the alliance of the states of the southern mainland of Greece, led byAgamemnon in their war against the city of Troy.9.The Odyssey deals with the return of Odysseus after the Trojan war to his home, island ofIthaca.10.Of the many lyric poets of ancient Greece, two are still admired by readers today: Sapphoand Pindar.11.Sappho was considered the most important lyric poet of ancient Greece.12.Pindar is best known for his odes celebrating the victories at the athletic games, such as the14 Olympic odes.13.The three great tragic dramatists of ancient Greece are Aeschylus, Sophocles, and Euripides.14.Aeschylus wrote such plays as Prometheus Bound, Persians and Agamemnon.15.Sophocles wrote such tragic plays as Oedipus the King, Electra, and Antigone.16.Euripides wrote mainly about women in such plays as Andromache, Medea, and TrojanWomen.edy also flourished in the 5th century B. C.. Its best writer was Aristophanes, who hasleft eleven plays, including Frogs, Clouds, Wasps and Birds.18.Herodotus is often called ―Father of History‖. He wrote about the wars be tween Greeks andPersians.19.Thucydides described the war between Athens and Sparta and between Athens and Syracuse,a Greek state on the Island of Sicily.20.Pythagoras was a bold thinker who had the idea that all things were numbers.21.Pythagoras was the founder of scientific mathematics.22.Heracleitue believed fire to the primary element of the universe, out of which everything elsehad arisen.23.The greatest names in European philosophy are Socrates, Plato and Aristotle.24.Democritus was one of the earliest philosophical materialists and speculated about the atomicstructure of matter.25.In the 4th century B. C., four schools of philosophers often argued with each other, they arethe Cynics, the Sceptics, the Epicureans, and the Stoics.26.Euclid is well-known for his Elements, a textbook of geometry.27.To illustrate the principle of the level, Archimedes is said to have told the king: ―Give me aplace to stand, and I will move the world.‖28.Greek architecture can be grouped into three styles: the Doric style which is also called themasculine style; the Ionic style which is also called the feminine style; and a later style that is called the Corinthian style.29.The Acropolis at Athens and the Parthenon are the finest monument of Greek architecture andsculpture in more than 2000 years.30.In the 20th century, there are Homeric parallels in the Irishman James Joyce’s modernistmasterpiece Ulysses.II.选择1.Which culture reached a high point of development in the 5th century B. C.?A.Greek CultureB.Roman CultureC.Egyptian CultureD.Chinese Culture2.In ___________ the Roman conquered Greece.A.1200B.C.B.700 B.C.C.146 B. C.D.The 5th century3.Which of the following works described the war led by Agamemnon against the city of Troy?A.Oedipus the KingB.IliadC.OdysseyD.Antigone4.Which of the following is NOT the plays written by Aeschylus?A.AntigoneB.AgamemnonC.PersiansD.Prometheus Bound5.Which of the following is NOT the plays written by Sophocles?A.ElectraB.AntigoneC.Trojan WomanD.Oedipus the King6.Which of the following is the play written by Euripides?A.AntigoneB.PersiansC.ElectraD.Medea7.Which of the following is NOT the greatest tragic dramatist of ancient Greece?A.AristophanesB.EuripidesC.SophoclesD.Aeschylus8.Who ever said that ―You can not step twice into the same river‖?A.PythagorasB.HeracleitusC.Aristotle9.Who was the founder of scientific mathematics?A.HeracleitusB.AristotleC.SocratesD.Pythagoras10.Who is chiefly noted for his doctrine that ―man is the measure of all things‖?A.ProtagorasB.PythagorasC.PyrrhonD.EpicurusIII.名词解释1.Aeschylus2.Plato3.The CynicsIV.简答与问答1.What are the major elements in European culture?2.What were the main features of ancient Greek society?3.Who were the outstanding dramatists of ancient Greece? What important plays did each of them write?4.Tell some of P lato’s ideas. Why do people call him an idealist?5.Give some examples to show the enormous influence of Greek culture on English literature.Roman CultureI. 填空1.The burning of Corinth in 146 B. C. marked Roman conquest of Greece, which was thenreduced to a province of the Roman Empire.2.The Roman writer Horace said: ―Captive Greece took her rude conqueror captive‖.3.In 27 B. C. Octavius took supreme power as emperor with the title of Augustus.4.The Romans enjoyed a long period of peace lasting two hundred years, a remarkablephenomenon in history known as the Pax Romana.5.In the 4th century, the emperor Constantine moved the capital from Rome to Byzantium,renamed it Constantinople ( modern Istanbul ).6.In 476 the last emperor of the west was deposed by the Coths and marked the end of the WestRoman Empire.7.The East Roman Empire collapsed when Constantinople fell to the Turks in 1453.8.Julius Caesar recorded what he did and saw in the various military campaigns he took part inand these writings, collected in his Commentaries, are models of succinct Latin.9.Virgil was the greatest of Latin poets and wrote the great epic, the Aeneid.10.The Pantheon is the greatest and the best preserved Roman temple, which was built in 27 B. C.And reconstructed in the 2th century A. D..11.She-wolf is the statue which illustrates the legend of creation of Roman.II.选择1.Who wrote, ―I came, I saw, I conquered‖?A.HoraceB.Julius CaesarC.VirgilD.Marcus Tullius Cicero2.The author of the philosophical poem On the Nature of things is ___________.A.VirgilB.Julius CaesarC.HoraceD.Lucretius3.Which of the following is not Roman architecture?A.The ColosseumB.The PanthenonC.The ParthenonD.Pont du Gard4.Who wrote, ―Captive Greece took her rude conqueror captive‖?A.SapphoB.PlatoC.VirgilD.HoraceIII.名词解释1.Julius Caesar2.The Pax RomanaIV.简答与问答1.What did the Romans have in common with the Greeks? And what was the chief differencebetween them?2.What is the book for which Virgil has been famous throughout the centuries? In what way is thebook linked with the Greek past?3.Why do we say Aeneas is a truly tragic hero?Division Two: The Bible and ChristianityThe Old TestamentⅠ填空题1.Among all the religions by which people seek to worship, Christianity is by far the mostinfluential in the West.2.Both Judaism and Christianity originated in Palestine the hub of migration and trade routes,which led to exchange of ideas over wide areas.3.Some 3800 years ago the ancestors of the Jews – the Hebrews – wandered through the desertsof the Middle East.4.About 1300 B.C., the Hebrews came to settle in Palestine, known as Canaan at that time, andformed small kingdoms.5.The king of the Hebrews was handed down orally from one generation to another in the formof folktales and stories, which were recorded later in the Old Testament.6.The Bible is a collection of religious writings comprising two parts: the Old Testament and theNew Testament.7.The old Testament consists of 39 books, the oldest and most important of which are first fivebooks, called Pentateuch.8.When the Hebrews left the desert and entered the mountainous Sinai, Moses climbed to thetop of the mountain to receive from God message, which came to be known as the Ten Commandments.9.Chronologically Amos is the earliest prophet in the Old Testament.10.In Babylon in the 6th century B.C., the Hebrews, now known as Jews, formed synagogues topractise their religion.II 选择题1.Which of the following is by far the most influential in the West?_______A. BuddismB. IslamismC. ChristianityD. Judaism2.The Old Testament consists of 39 books, the oldest and most important of which are the firstfive books, called __________.A. ExodusB. CommandmentsC. AmosD. Pentaeuch3.Which of the following is NOT the content of the Ten Commandments?_______A.Honour your father and your motherB.Do not commit suicideC.Do not desire your neighbour’s wifeD.Do not take the name of God in vain4.When in Babylon the Hebrews formed synagogues to practise their religion? ______A. in 169B.C. B. in the 4th centuryC. in 76 B.C.D. in the 6th centuryⅢ名词解释1.the Bible2.the Pentateuch3.Ten CommandmentsⅣ简答与问答1.What was the Hebrews major contribution to world civilization?2.Why do we say Judaism and Christianity are closely related?3.What are the Ten Commandments about?Rise of ChristianityⅠ填空题1.At the age of 30, Jesus received the baptism at the hands of John Baptist.2.Jesus spent most of his life in Galilee, where he apparently made a sensation.3.Jesus of Nazareth lived in Palestine during the reign of the first Roman Emperor Augustus.4.Jesus went with his disciples to Jerusalem for the Passover, but was betrayed by Juda.5.In 313 the Edict of Milan was issued by Constantine I and granted religious freedom to all andmade Christianity legal.6.In 392 A.D, Emperor Theodosius made Christianity the official religions of the empire andoutlawed all other religions.7.After Jesus died, St. Peter and St. Paul led the disciples of Jesus to spread gospel in theMediterranean regions.Ⅱ选择题1.After the _______ century Nestorianism reached China.A. sixthB. fifthC. secondD. third2.Which of the following emperors made Christianity the official religion of the empire andoutlawed all other religions? __________A. TheodosiusB. AugustusC. Constantine ID. Nero Caesar3.Which of the following emperors issued the Edict of Milan and made Christianity legal in 313?__________A. AugustusB. ThedosiusC. NeroD. Constantine I4.At the age of 30, Jesus Christ received the baptism at the hands of _________.A. St. PeterB. St. PaulC. John BaptistD. John WycliffⅢ名词解释1.The Edict of MilanⅣ简答与问答1.How did the relations between Christians and the Roman government change?The New TestamentⅠ填空题1.By 300 A.D. each local church was called a parish and had a full time leader known as priest.2.Towards the end of he fourth century four accounts were accepted as part of the NewTestament, which tells the beginning of Christianity.3.When as Jesus’ mother Mary was espoused to Joseph, before they came together, she wasfound with child of the Holy Ghost4.Jesus went with his disciples to Jerusalem for the Passover, but was betrayed by Juda andcaught at the Last Supper.Translations of the BibleⅠ填空题1.Except a few passages in the related Armaic dialect the Old Testament was originally writtenin Hebrew. And the New Testament was originally written in a popular form of Greek.2.The oldest extant Greek translation of the Old Testament is known as the Septuagint, asaccording the fictional letter of Aristeas, it was translated by 72 translators in 72 days.3.The most ancient extant Latin version of the whole Bible is the Vulgate edition, which wasdone in 384 –405 A.D. by St. Jerome in common people’s la nguage.4.The first English version of whole Bible was translated from the Latin Vulgate in 1382 andwas copied out by hand by the early group of reformers led by John Wycliff.5.The most important and influential of English Bible is the ―Authorized‖ or King James’version, first published in 1611.Ⅱ选择题1.By 1693, the whole of the Bible had been translated in _________languages.A. 228B. 974C. 1202D. 1542.The oldest extant Greek translation of the Old Testament is known as ________.A. the Latin VulgateB. the AristeasC. the ―Authorized‖D. the Septuagint3.When printing was invented in the 1500’s, the _______ Bible was the first complete workprinted.A. EnglishB. LatinC. AramaicD. Hebrew4.When did the standard American edition of the Revised Version appear? _______A. 1885B. 1611C. 1901D. 1979Division Three: The Middle AgesManor and ChurchⅠ填空题1.In European history, the thousand year period following the fall of the West Roman Empire inthe fifth century is called the Middle Ages.2.Between the fifth and eleventh centuries, West Europe was the scene of frequent wars andinvasions.3.The Middle Age is a period in which classical, Hebrew and Gothic heritage merged.4.Feudalism in Europe was mainly a system of land holding –a system of holding land inexchange for military service.5.In 732 Charles Martel, a Frankish ruler gave his soldiers estates known as fiefs as a reward fortheir service.6.The center of medieval life under feudalism was the manor.7.By the 12th century manor houses came to be called castle, which were made of stone anddesigned as fortress.8.As a knight, he was pledged to protect the weak, to fight for the church, to be loyal to his lordand to respect women of noble birth. These rules were known as code of chivalry, from which the western idea of good manners developed.9.In the medieval days a knight was trained for war by fighting each other in mock batterscalled tournaments.10.After 1054, the Church was divided into the Roman Catholic Church and the EasternOrthodox Church.11.The most important of all the leaders of Christian thought was Augustine of Hippo who livedin North Africa in the fifth century.12.Under feudalism, people of western Europe were mainly divided into three classes: clergy,lords and peasants.13.The Pope not only ruled Roman and parts of Italy as a king, he was also the head of allChristian churches in western Europe.14.In the Medieval times the Church set up a church court –the Inquisition to stamp outso-called heresy.15.One of the most important sacraments was Holy Communion, which was to remind peoplethat Christ had died to redeem man.16.To express their religious feelings, many people in the Middle Ages went on journeys tosacred places where early Christian leaders had lived. The most important of all was Jerusalem.17.With a return attack against the Moslems, the Western Christians launched a series of holywars called the Crusades.Ⅱ选择题1.In the later part of the 4th century, which of the following tribes swept into Europe fromcentral Asia, robbing and killing a large numbers of the half civilized Germanic tribes?________A. the MongoliansB. the HunsC. the TurkishD. the Syrians2.The Middle Ages is also called the _________.A. ―Age of Christianity‖B. ―Age of Literature‖C. ―Age of Holy Spirit‖D. ―Age of Faith‖3.According to the code of chivalry, which of the following is not pledged to do for a knight?_______A. To be loyal to his lordB. To fight for the churchC. To obey without question the orders of the abbotD. To respect women of noble birth4.In 732, who gave his soldiers estates known as fiefs as a reward for their service? _________A. Charles Martel, a Frankish rulerB. Charles I, a Turkish rulerC. Constantine I, a Frankish rulerD. St. Benedict, a Italian ruler5.When was the Church divided into the Roman Catholic Church and Eastern OrthodoxChurch?_________A. after 1066B. after 1296C. after 1054D. after 4766.Which of the following about the knight or noble in the Middle Ages in Western Europe isNOT true?____________A.Almost all nobles were knights in the Medieval days.B. A noble began his education as a page at the age of seven.C.As a knight, he was pledged to fight for the church.D.At about fourteen, the page became a knight.7.When was a noble crowned as a knight in the Middle Ages in Western Europe? _______A.At the age of 14.B.When he was taught to say his prayers, learned good manners and ran errands for theladies.C.At a special ceremony known as dubbing.D.When he was pledged to fight for the church.8.Which of the following is NOT true about what the monks must do before entering themonastery according to the Benedictine Rule?A.They had to attend service 6 times during the day and once at midnight.B.They could promise to give up all their possession before entering the monastery.C.They were expected to work 5 hours a day in the fields surrounding the monastery.D.They had to obey without question the orders of the abbot.9.Under feudalism, what were the three classes of people of western Europe?________A. clergy, knights and serfsB. Pope, bishop and peasantsC. clergy, lords and peasantsD. knights, nobles and serfs10.By which year the Moslems had taken over the last Christian stronghold and won the crusadesand ruled all the territory in Palestine that the crusaders had fought to control? ________A. 1270B. 1254C. 1096D. 1291Ⅲ名词解释1.the Middle Ages2.Manor3.Code of Chivalry4.Benedictine Rule5.the CrusadesⅣ简答与问答1.Who was Charles Martel?2.What was the difference between a serf and a free man?3.Into what three groups were people divided under feudalism?4.What happened in Western Europe after the decline of the Roman Empire?Learning and Science, Literature, Art and ArchitectureⅠ填空题1.Charlemagne, who temporarily restored order in western and central Europe, was perhaps themost important figure of the medieval period.2.Charlemagne w as crowed ―Emperor of the Romans‖ by the Pope in 800.3.The Summa Theologica by St. Thomas Aquinas forms an enormous system and sums up allthe knowledge of medieval theology.4.Roger Bacon was one of the earliest advocates of Scientific research and called for carefulobservation and experimentation.5.―National epic‖ refers to the epic written in vernacular languages – that is, the languages ofvarious national states that came into being in the Middle Ages.6.Beowulf is an Anglo-Sexon epic, in alliterative verse, originating from the collective efforts oforal literature.7.Dante Alighieri was the greatest poet of Italy, his masterpiece, The Divine Comedy, is one ofthe landmarks of world literature.8.Chaucer was a great English poet, The Canterbury Tales were his most popular work for theirpower of observation, piercing irony, sense of humor and warm humanity.9.Chaucer writers in dialect used by Londoners, and by the sheer weight and popularity of hiswritings he sets it firmly on the way towards Modern English.10.The style of architecture under Romanesque art is characterized by massiveness, solidity andmonumentality with all overall blocky appearance.11.The Gothic style started in France and quickly spread through all parts of western Europe.Ⅱ选择题1.Which of the follo wing was crowned ―Emperor of the Romans‖ by the Pope in 800? ______A. St. Thomas AquinasB. CharlemagneC. ConstantineD. King James2.Who was the ruler of the Anglo-Saxon kingdom of Wessex and contributed greatly to themedieval European culture? _________A. Charles IB. Constantine IC. Alfred the GreatD. Charles the Great3.Does Song of Roland belong to which country’s epic? _________A. EnglishB. GermanicC. HebrewD. French4.Who is the author of the Opus Maius? ________A. Roger BaconB. Dante AlighieriC. ChaucerD. St. Thomas AquinasⅢ名词解释1.Carolingian Renaissance2.Beowulf3.Song of Roland4.The Canterbury tales5.Romanesque6.GothicⅣ简答与问答1.What was the merit which Charlemagne and Alfred the Great share?Division IV: Renaissance and ReformationRenaissance in ItalyⅠ填空题1.Generally speaking, Renaissance refers to the period between the 14th and mid 17th century.2.Humanism is the essence of the Renaissance.3.In essence, Renaissance was a historical period in which the European humanist thinkers andscholars made attempts to get rid of conservatism in feudalist Europe and introduce new ideas that expressed the interests of bourgeoisie, to lift the restrictions in all areas placed by the Roman Church authorities.4.Renaissance started in Florence and Venice with the flowering of paintings, sculpture andarchitecture.5.Beginning from the 11th century, cities began to rise in central and north Italy.6.Decameron is a collection of 100 tales told by 7 young ladies and 3 younger gentlemen ontheir way to escape the Black Death of 1348.7.Petrach was best known for Canzoniers, a book of lyrical songs written in his Italian dialect.8.The Renaissance artists introduced in their works scientific theories of anatomy andperspective.9.The four representative artists of High Renaissance in Italy are Leonardo da Vinci,michelangelo, Raphael and Titian.10.Loenar do da Vinci’s major works: Last Supper is the most famous of religious pictures; MonaLisa probably is the world’s most famous portrait.11.Michelangelo created a style of art in which he freed himself from the old tradition ofdecoration on the one hand and documentary realism on the other.12.Titian’s painting is acknowledged to have established oil colour on canvas as the typicalmedium of the pictorial tradition in western art.13.In world trade, Italy had lost its supremacy because of the discovery of America in 1492 andthe rounding of the Cape of Good Hope in 1488, the opening of an all-water route to India which provided a cheaper means of transport.14.Petrach is looked up as the father of modern poetry.15.Italy is regarded as the birthplace of the Renaissance.Ⅱ选择题1.Where did the Renaissance start with the flowering of paintings, sculpture and architecture?_______A. in Greece and RomeB. in Florence and VeniceC. in Milan and FlorenceD. in Italy and Germany2.When did the Renaissance reach its height with its center moving to Milan, then to Rome, andcreated High Renaissance? ___________A. in the 11th centuryB. in the 15th centuryC. in the 16th centuryD. in the 17th century3.Which of the following works is written by Boccaccio? _______A. DecameronB. CanzoniersC. DavidD. Moses4.Who is the author of the painting, Betrayal of Judas? ________A. GiottoB. BrunelleschiC. DonatelloD. Giorgione5.Which of the following High Renaissance artists is the father of the modern mode of painting?_______A. RaphaelB. TitianC. da VinciD. Michelangelo6.Which of the following High Renaissance artists was best known for his Madona (VirginMary)?A. TitianB. da VinciC. MichelangeloD. Raphael7.Which of the following paintings was based on the story in the Bible with Maria riding on adonkey ready to face the hardship ahead? ________A. TempestaB. Sacred and Profane LoveC. Flight into EgyptD. The Return of the HuntersⅢ名词解释1.Renaissance2.DecameronⅣ简答与问答1.What made Italy the birthplace of the Renaissance?2.What are the main elements of humanism? How are these elements reflected in art andliterature during the Italian Renaissance?3.How did Italian Renaissance art and architecture break away from medieval tradition?4.In what way was Leonardo da Vinci important during the Renaissance?Reformation and Counter-ReformationⅠ填空题1.The Reformation led by Martin Luther which swept over the whole of Europe was aimed atopposing the absolute authority of the Roman Catholic Church and replacing it with the absolute authority of the Bible.2.Martin Luther was the German leader of the Protestant Reformation. His doctrine marked thefirst break in the unity of the Catholic Church.3.When the Pope refused to recognized Henry’s marriage with Anne Boleyn, British Parliament,in 1534, passed the Act of Supremacy which marked the formal break of the British with the Papal authorities.4.Ignatius and his followers called themselves the Jesuits, members of the Society of Jesus.5.John Calvin put his theological thoughts in his Institutes of the Christian Religion, which wasconsidered one of the most influential theological works of all times.Ⅱ选择题1.Who took up the translation of the Bible into English for the first time? ________A. Jan HusB. John WyliffC. Martin LutherD. John Calvin2.Who is the author Institutes of the Christian Religion?A. John WycliffB. Jan HusC. John CalvinD.Erasmus3.In whose reign did the formal break of the British with the papal authorities take place?____A. Elizabeth IB. William IC. Edward IIID. Henry VIII4.After the formal break of the British with the papal authorities, who was the head of the church? _______A. KingB. PopeC. BishopD. QueenⅢ名词解释1.Calvinism2.the Council of Trent3.Counter-ReformationⅣ简答与问答1.What are the doctrines of Martin Luther?2.What was the significance of the Reformation in European civilization?Renaissance in other CountriesⅠ填空题1.The Protestant group in France was known as the Huguenots whose rivalry with the CatholicChurch led to the wars of religion from 1562 to 1598.2.In 1492 the Moors that had ruled Spain for four centuries were driven out from their laststronghold.3.In 1492 Columbus discovered American and claimed America for Spain.4.The author of Don Quixote is Cervantes.5.Albrecht Dürer was the leader of the Renaissance in Germany. His engravings areunsurpassed and his paintings of animals and plants are exceedingly sensitive.6.Under the reign of Elizabeth I, England began to embark on the road to colonization andforeign control that was to take it onto its heyday of capitalist development.7.Thomas More was a great humanist during the Renaissance. Among his writings the bestknown is Utopia.8.Cervantes crowned literature of Spain and Shakespeare of England during the Renaissance.Ⅱ选择题1.Which of the following works was written by Rabelais, in which he praises the greatness ofman, expresses his love of love and his reverence and sympathy for humanist learning?_______A.Gargantua and PantagruelB. Don QuixoteC. The Praise of FollyD. Utopia2.Whose motto put down in his essays ―What do Know‖ is world famous?________A. CervantesB. RabelaisC. MontaigneD. Shakespeare3.Which of the following works is worth reading for Montaigne’s humanist ideas and a stylewhich is easy and familiar? ________A. SonnetsB. DecameronC. RabelaisD. Of Repentance4.Which of the following is NOT French writer poet? _______A. CervantesB. Pierre de RonsardC. RabelaisD. Montaigne5.In 1516 who published the first Greek edition of the New Testament?_________A. BruegelB. ErasmusC. El GrecoD. Rabelais6.―To be, or not to be, -- that is the question ‖ from whose works? _______A. ChaucerB. DanteC. Roger BaconD. ShakespeareⅢ简答与问答1.Why did England come later than other countries during the Renaissance? In what way wasEnglish Renaissance different from that of other countries? Who were the major figures and what were their contributions?Science and Technology during the RenaissanceⅠ填空题1.The Renaissance was the golden age of geographical discoveries: by the year of 1600 thesurface of the known earth was doubled.。

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Paulo Freire, Pedagogy of the OppressedChapter 1While the problem of humanization has always, from an axiological(价值论的)point of view, been humankind’s central problem, it now takes on the character of an inescapable concern.[1] Concern for humanization leads at once to the recognition of dehumanization, not only as an ontological possibility but as an historical reality And as an individual perceives the extent of dehumanization, he or she may ask if humanization is a viable possibility. Within history in concrete, objective contexts, both humanization and dehumanization are possibilities for a person as an uncompleted being conscious of their incompletion.But while both humanization and dehumanization are real alternatives, only the first is the people’s vocation. This vocation is constantly negated, yet it is affirmed by that very negation. It is thwarted by injustice, exploitation, oppression, and the violence of the oppressors; it is affirmed by the yearning of the oppressed for freedom and justice, and by their struggle to recover their lost humanity.Dehumanization, which marks not only those whose humanity has been stolen, but also (though in a different way) those who have stolen it, is a distortion of the vocation of becoming more fully human. This distortion occurs within history; but it is not an historical vocation. Indeed, to admit of dehumanization as an historical vocation would lead either to cynicism or total despair. The struggle for humanization, for the emancipation of labor, for the overcoming of alienation, for the affirmation of men and women as persons would be meaningless. This struggle is possible only because dehumanization, although a concrete historical fact, is not a given destiny but the result of an unjust order that engenders violence in the oppressors, which in turn dehumanizes the oppressed.Because it is a distortion of being more fully human, sooner or later being less human leads the oppressed to struggle against those who made them so. In order for this struggle to have meaning, the oppressed must not in seeking to regain their humanity (which is a way to create it), become in turn oppressors of the oppressors, but rather restorers of the humanity of both.This, then, is the great humanistic and historical task of the oppressed: to liberate themselves and their oppressors as well. The oppressors, who oppress, exploit, and rape by virtue of their power; cannot find in this power the strength to liberate either the oppressed or themselves. Only power that springs from the weakness of the oppressed will be sufficiently strong to free both. Any attempt to “soften” the power of the oppressor in deference to the weakness of the oppressed almost always manifests itself in the form of false generosity; indeed, the attempt never goes beyond this. In order to have the continued opportunity to express their “generosity,” the oppressors must perpetuate injustice as well. An unjust social order is the permanent fount of this “generosity” which is nourished by death, despair, and poverty. That is why the dispensers of false generosity become desperate at the slightest threat to its source.True generosity consists precisely in fighting to destroy the causes which nourishfalse charity. False charity constrains the fearful and subdued, the “rejects of life” to extend their trembling hands. True generosity lies in striving so that these hands —whether of individuals or entire peoples —need be extended less and less in supplication, so that more and more they become human hands which work and, working, transform the world.This lesson and this apprenticeship must come, however, from the oppressed themselves and from those who are truly in solidarity with them. As individuals or as peoples, by fighting for the restoration of their humanity they will be attempting the restoration of true generosity. Who are better prepared than the oppressed to understand the terrible significance of an oppressive society? Who suffer the effects of oppression more than the oppressed? Who can better understand the necessity of liberation? They will not gain this liberation by chance but through the praxis of their quest for it, through their recognition of the necessity to fight for it. And this fight, because of the purpose given it by the oppressed, will actually constitute an act of love opposing the lovelessness which lies at the heart of the oppressors’ violence, lovelessness even when clothed in false generosity.But almost always, during the initial stage of the struggle, the oppressed, instead of striving f or liberation, tend themselves to become oppressors, or “sub-oppressors.” The very structure of their thought has been conditioned by the contradictions of the concrete, existential situation by which they were shaped. Their ideal is to be men; but for them, to be men is to be oppressors. This is their model of humanity. This phenomenon derives from the fact that the oppressed, at a certain moment of their existential experience, adopt an attitude of “adhesion” to the oppressor. Under these circumstances th ey cannot “consider” him sufficiently clearly to objectivize him — to discover him “outside” themselves. This does not necessarily mean that the oppressed are unaware that they are downtrodden. But their perception of themselves as oppressed is impaired by their submersion in the reality of oppression. At this level, their perception of themselves as opposites of the oppressor does not yet signify engagement in a struggle to overcome the contradiction;[2] the one pole aspires not to liberation, but to identification with its opposite pole.In this situation the oppressed do not see the “new man as the person to be born from the resolution of this contradiction, as oppression gives way to liberation. For them, the new man or woman themselves become oppressors. Their vision of the new man or woman is individualistic; because of their identification with the oppressor they have no consciousness of themselves as persons or as members of an oppressed class. It is not to become free that they want agrarian reform, but in order to acquire land and thus become landowners — or; more precisely, bosses over other workers. It is a rare peasant who, once “promoted” to overseer, does not become more of a tyrant towards his former comrades than the owner himself. This is because the context of the peasant’s situation, that is, oppression, remains unchanged. In this example, the overseer, in order to make sure of his job, must be as tough as the owner — and more so. Thus is illustrated our previous assertion that during the initial stage of their struggle the oppressed find in the oppressor their model of “manhood.”Even revolution, which transforms a concrete situation of oppression by establishingthe process of liberation, must confront thus phenomenon. Many of the oppressed who directly or indirectly participate in revolution intend — conditioned by the myths of the old order —to make it their private revolution. The shadow of their former oppressor is still cast over them.The “fear of freedom” which afflicts the oppressed,[3]a fear which may equally well lead them to desire the role of oppressor or bind them to the role of oppressed, should be examined. One of the basic elements of the relationship between oppressor and oppressed is prescription. Every prescription represents the imposition of one individual’s choice upon another, transforming the consciousness of the person prescribed to into one that conforms with the prescriber’s consciousness. Thus, the behavior of the oppressed is a prescribed behavior, following as it does the guidelines of the oppressor.The oppressed, having internalized the image of the oppressor and adopted his guidelines, are fearful of freedom. Freedom would require them to eject this image and replace it with autonomy and responsibility. Freedom is acquired by conquest, not by gift. It must be pursued constantly and responsibly. Freedom is not an ideal located outside of man; nor is it an idea which becomes myth. It is rather the indispensable condition for the quest for human completion.To surmount the situation of oppression, people must first critically recognize its causes, so that through transforming action they can create a new situation, one which makes possible the pursuit of a fuller humanity. But the struggle to be more fully human has already begun in the authentic struggle to transform the situation. Although the situation of oppression is a dehumanized and dehumanizing totality affecting both the oppressors and those whom they oppress, it is the latter who must, from their stifled humanity, wage for both the struggle for a fuller humanity; the oppressor, who is himself dehumanized because he dehumanizes others, is unable to lead this struggle.However, the oppressed, who have adapted to the structure of domination in which they are immersed, and have become resigned to it, are inhibited from waging the struggle for freedom so long as they feel incapable of running the risks it requires. Moreover, their struggle for freedom threatens not only the oppressor, but also their own oppressed comrades who are fearful of still greater repression. When they discover within themselves the yearning to be free, they perceive that this yearning can be transformed into reality only when the same yearning is aroused in their comrades. But while dominated by the fear of freedom they refuse to appeal to others, or to listen to the appeals of others, or even to the appeals of their own conscience. They prefer gregariousness to authentic comradeship; they prefer the security of conformity with their state of unfreedom to the creative communion produced by freedom and even the very pursuit of freedom.The oppressed suffer from the duality which has established itself in their innermost being. They discover that without freedom they cannot exist authentically. Yet, although they desire authentic existence, they fear it. They are at one and the same time themselves and the oppressor whose consciousness they have internalized. The conflict lies in the choice between being wholly themselves or being divided; betweenejecting the oppressor within or not ejecting them; between human solidarity or alienation; between following prescriptions or having choices; between being spectators or actors; between acting or having the illusion of acting through the action of the oppressors; between speaking out or being silent, castrated in their power to create and re-create, in their power to transform the world. This is the tragic dilemma of the oppressed which their education must take into account.This book will present some aspects of what the writer has termed the pedagogy of the oppressed, a pedagogy which must be forged with, not for, the oppressed (whether individuals or peoples) in the incessant struggle to regain their humanity. This pedagogy makes oppression and its causes objects of reflection by the oppressed, and from that reflection will come their necessary engagement in the struggle for their liberation. And in the struggle this pedagogy will be made and remade.The central problem is this: How can the oppressed, as divided, unauthentic beings, participate in developing the pedagogy of their liberation? Only as they discover themselves to be “hosts” of the oppressor can they contribute to the midwifery of their liberating pedagogy. As long as they live in the duality in which to be is to be like, and to be like is to be like the oppressor, this contribution is impossible. The pedagogy of the oppressed is an instrument for their critical discovery that both they and their oppressors are manifestations of dehumanization.Liberation is thus a childbirth, and a painful one. The man or woman who emerges is a new person, viable only as the oppressor-oppressed contradiction is superseded by the humanization of all people. Or to put it another way the solution of this contradiction is born in the labor which brings into the world this new being: no longer oppressor nor longer oppressed, but human in the process of achieving freedom.This solution cannot be achieved in idealistic terms. In order for the oppressed to be able to wage the struggle for their liberation they must perceive the reality of oppression not as a closed world from which there is no exit, but as a limiting situation which they can transform. This perception is a necessary but not a sufficient condition for liberation; it must become the motivating force for liberating action. Nor does the discovery by the oppressed that they exist in dialectical relationship to the oppressor, as his antithesis that without them the oppressor could not exist[4] — in itself constitute liberation. The oppressed can overcome the contradiction in which they are caught only when this perception enlists them in the struggle to free themselves.The same is true with respect to the individual oppressor as person. Discovering himself to be an oppressor may cause considerable anguish, but it does not necessarily lead to solidarity with the oppressed. Rationalizing his guilt through paternalistic treatment of the oppressed, all the while holding them fast in a position of dependence, will not do. Solidarity requires that one enter into the situation of those with whom one is in solidarity; it is a radical posture. If what characterizes the oppressed is their subordination to the consciousness of the master, as Hegel affirms,[5] true solidarity with the oppressed means fighting at their side to transform the objective reality which has made them these “beings for another”. The oppressor is in solidarity withthe oppressed only when he stops regarding the oppressed as an abstract category and sees them as persons who have been unjustly dealt with, deprived of their voice, cheated in the sale of their labor —when he stops making pious, sentimental, and individualistic gestures and risks an act of love. True solidarity is found only in the plenitude of this act of love, in its existentiality in its praxis. To affirm that men and women are persons and as persons should be free, and yet to do nothing tangible to make this affirmation a reality, is a farce.Since it is a concrete situation that the oppressor-oppressed contradiction is established, the resolution of this contradiction must be objectively verifiable. Hence, the radical requirement — both for the individual who discovers himself or herself to be an oppressor and for the oppressed —that the concrete situation which begets oppression must be transformed.To present this radical demand for the objective transformation of reality to combat subjectivist immobility which would divert the recognition of oppression into patient waiting for oppression to disappear by itself is not to dismiss the role of subjectivity in the struggle to change structures. On the contrary one cannot conceive of objectivity without subjectivity. Neither can exist without the other, nor can they be dichotomized. The separation of objectivity from subjectivity, the denial of the latter when analyzing reality or acting upon it, is objectivism. On the other hand, the denial of objectivity in analysis or action, resulting in a subjectivism which leads to solipsistic positions, denies action itself by denying objective reality. Neither objectivism nor subjectivism, nor yet psychologism is propounded here, but rather subjectivity and objectivity in constant dialectical relationship.To deny the importance of subjectivity in the process of transforming the world and history is naive and simplistic. It is to admit the impossible: a world without people. This objectivistic position is as ingenuous as that of subjectivism, which postulates people without a world. World and human beings do not exist apart from each other, they exist in constant interaction. Man does not espouse such a dichotomy; nor does any other critical, realistic thinker. What Marx criticized and scientifically destroyed was not subjectivity, but subjectivism and psychologism. Just as objective social reality exists not by chance, but as the product of human action, so it is not transformed by chance. If humankind produce social reality (which in the “inversion of the praxis” turns back upon them and conditions them), then transforming that reality is an historical task, a task for humanity.Reality which becomes oppressive results in the contradistinction of men as oppressors and oppressed The latter, whose task it is to struggle for their liberation together with those who show true solidarity, must acquire a critical awareness of oppression through the praxis of this struggle. One of the gravest obstacles to the achievement of liberation is that oppressive reality absorbs those within it and thereby acts to su bmerge human beings’ consiousness.[6] Functionally, oppression is domesticating. To no longer be prey to its force, one must emerge from it and turn upon it. This can be done only by means of the praxis: reflection and action upon the world in order to transform it.Hay que hacer al opresion real todavia mas opresiva anadiendo a aquella la concienciade la opresion haciendo la infamia todavia mas infamante, al pregonar1a.[7]Making “real oppression more oppressive still by adding to it the realization of op pression” corresponds to the dialectical relation between the subjective and the objective. Only in this interdependence is an authentic praxis possible, without which it is impossible to resolve the oppressor-oppressed contradiction. To achieve this goal, the oppressed must confront reality critically, simultaneously objectifying and acting upon that reality. A mere perception of reality not followed by this critical intervention will not lead to a transformation of objective reality — precisely because it is not a true perception. This is the case of a purely subjectivist perception by someone who forsakes objective reality and creates a false substitute.A different type of false perception occurs when a change in objective reality would threaten the individual or class interests of the perceiver. In the first instance, there is no critical intervention in reality because that reality is fictitious; there is none in the second instance because intervention would contradict the class interests of the percei ver In the latter case the tendency of the perceiver is to behave “neurotically.” The fact exists; but both the fact and what may result from it may be prejudicial to the person. Thus it becomes necessary not precisely to deny the fact, but to “see it diff erently.” This rationalization as a defense mechanism coincides in the end with subjectivism. A fact which is not denied but whose truths are rationalized loses its objective base. It ceases to be concrete and becomes a myth created in defense of the class of the perceiver.Herein lies one of the reasons for the prohibitions and the difficulties (to be discussed at length in Chapter 4) designed to dissuade the people from critical intervention in reality. The oppressor knows full well that this intervention would not be to his interest. What is to his interest is for the people to continue in a state of submersion, impotent in the face of oppressive reality. Of relevance here is Lukacs’ warning to the revolutionary party:... il doit, pour employer les mots de Marx, expliquer aux masses leur propre action non seulement afin d’assurer la continuite des experiences revolutionnaires du proletariat, mais aussi d’activer consciemment le developpement ulterieur de ces experiences.[8]In affirming this necessity, Lukacs is unquestionably posing the problem of critical intervention. “To explain to the masses their own action” is to clarify and illuminate that action, both regarding its relationship to the objective acts by which it was prompted, and regarding its purposes. The more the people unveil this challenging reality which is to be the object of their transforming action, the more critically they enter that reality. In this way they are “consciously activating the subsequent development of their experiences.” Th ere would be no human action if there were no objective reality; no world to be the “not I” of the person and to challenge them; just as there would be no human action if humankind were not a “project” if he or she were not able to transcend himself or herself, if one were not able to perceive reality and understand it in order to transform it.In dialectical thought, world and action are intimately interdependent. But action is human only when it is not merely an occupation but also a preoccupation, that is,when it is not dichotomized from reflection. Reflection, which is essential to action, is implicit in Lukacs’ requirement of “explaining to the masses their own action,” just as it is implicit in the purpose he attributes to this explanation: that of “c onsciously activating the subsequent development of experience.”For us, however, the requirement is seen not in terms of explaining to, but rather dialoguing with the people about their actions. In any event, no reality transforms itself,[9]and the duty w hich Lukacs ascribes to the revolutionary party of “explaining to the masses their own action” coincides with our affirmation of the need for the critical intervention of the people in reality through the praxis. The pedagogy of the oppressed, which is the pedagogy of people engaged in the fight for their own liberation, has its roots here. And those who recognize, or begin to recognize, themselves as oppressed must be among the developers of this pedagogy. No pedagogy which is truly liberating can remain distant from the oppressed by treating them as unfortunates and by presenting for their emulation models from among the oppressors. The oppressed must be their own example in the struggle for their redemption.The pedagogy of the oppressed, animated by authentic, humanist (not humanitarian) generosity, presents itself as a pedagogy of humankind. Pedagogy which begins with the egoistic interests of the oppressors (an egoism cloaked in the false generosity of paternalism) and makes of the oppressed the objects of its humanitarianism, itself maintains and embodies oppression. It is an instrument of dehumanization. This is why, as we affirmed earlier, the pedagogy of the oppressed cannot be developed or practiced by the oppressor. It would be a contradiction in terms if the oppressors not only defended but actually implemented a liberating education.But if the implementation of a liberating education requires political power and the oppressed have none, how then is it possible to carry out the pedagogy of the oppressed prior to the revolution? This is a question of the greatest importance, the reply to which is at least tentatively outlined in Chapter 4. One aspect of the reply is to be found in the distinction between systematic education, which can only be changed by political power, and educational projects, which should be carried out with the oppressed in the process of organizing them.The pedagogy of the oppressed, as a humanist and libertarian pedagogy, has two distinct stages. In the first, the oppressed unveil the world of oppression and through the praxis commit themselves to its transformation. In the second stage, in which the reality of oppression has already been transformed, this pedagogy ceases to belong to the oppressed and becomes a pedagogy of all people in the process of permanent liberation. In both stages, it is always through action in depth that the culture of domination is culturally confronted.[10]In the first stage this confrontation occurs through the change in the way the oppressed perceive the world of oppression; in the second stage, through the expulsion of the myths created and developed in the old order, which like specters haunt the new structure emerging from the revolutionary transformation.The pedagogy of the first stage must deal with the problem of the oppressed consciousness and the oppressor consciousness, the problem of men and women whooppress and men and women who suffer oppression. It must take into account their behavior; their view of the world, and their ethics. A particular problem is the duality of the oppressed: they are contradictory, divided beings, shaped by and existing in a concrete situation of oppression and violence.Any situation in which “A” objectively exploits “B” or hinders his and her pursuit of self-affirmation as a responsible person is one of oppression. Such a situation in itself constitutes violence even when sweetened by false generosity; because it interferes with the individual’s ontological and historical vocation to be more fully human. With the establishment of a relationship of oppression, violence has already begun. Never in history has violence been initiated by the oppressed. How could they be the initiators, if they themselves are the result of violence? How could they be the sponsors of something whose objective inauguration called forth their existence as oppressed? There would be no oppressed had there been no prior situation of violence to establish their subjugation.Violence is initiated by those who oppress, who exploit, who fail to recognize others as persons — not by those who are oppressed, exploited, and unrecognized. It is not the unloved who initiate disaffection, but those who cannot love because they love only themselves. It is not the helpless, subject to terror, who initiate terror, but the violent, who with their power create the concrete situation which begets the “rejects of life.” It is not the tyrannized who initiate despotism, but the tyrants. It is not the despised who initiate hatred, but those who despise. It is not those whose humanity is denied them who negate humankind, but those who denied that humanity (thus negating their own as well). Force is used not by those who have become weak under the preponderance of the strong, but by the strong who have emasculated them.For the oppressors, however, it is always the oppressed (whom they obviously never call “the oppressed” but — depending on whether they are fellow countrymen or not —“those people” or “the blind and envious masses” or “savages” or “natives” or “subversives”) who are disaffected, who are “violent,” “barbaric,” “wicked,” or “ferocious” when they react to the violence of the oppressors.Yet it is —paradoxical though it may seem —precisely in the response of the oppressed to the violence of their oppressors that a gesture of love may be found. Consciously or unconsciously, the act of rebellion by the oppressed (an act which is always, or nearly always, as violent as the initial violence of the oppressors) can initiate love. Whereas the violence of the oppressors prevents the oppressed from being fully human, the response of the latter to this violence is grounded in the desire to pursue the right to be human. As the oppressors dehumanize others and violate their rights, they themselves also become dehumanized. As the oppressed, fighting to be human, take away the oppressors’ power to dominate and suppress, they restore to the oppressors the humanity they had lost in the exercise of oppression.It is only the oppressed who, by freeing themselves, can free their oppressors. The latter, as an oppressive class, can free neither others nor themselves. It is therefore essential that the oppressed wage the struggle to resolve the contradiction in which they are caught; and the contradiction will be resolved by the appearance of the newman: neither oppressor nor oppressed, but man in the process of liberation. If the goal of the oppressed is to become fully human, they will not achieve their goal by merely reversing the terms of the contradiction, by simply changing poles.This may seem simplistic; it is not. Resolution of the oppressor-oppressed contradiction indeed implies the disappearance of the oppressors as a dominant class. However, the restraints imposed by the former oppressed on their oppressors, so that the latter cannot reassume their former position, do not constitute oppression. An act is oppressive only when it prevents people from being more fully human. Accordingly, these necessary restraints do not in themselves signify that yesterday’s oppressed have become today’s oppressors. Acts which prevent the restoration of the oppressive regime cannot be compared with those which create and maintain it, cannot be compared with those by which a few men and women deny the majority the right to be human.Howe ver, the moment the new regime hardens into a dominating “bureaucracy”[11] the humanist dimension of the struggle is lost and it is no longer possible to speak of liberation. Hence our insistence that the authentic solution of the oppressor-oppressed contradiction does not lie in a mere reversal of position, in moving from one pole to the other. Nor does it lie in the replacement of the former oppressors with new ones who continue to subjugate the oppressed — all in the name of their liberation.But even when the contradiction is resolved authentically by a new situation established by the liberated laborers, the former oppressors do not feel liberated. On the contrary, they genuinely consider themselves to be oppressed. Conditioned by the experience of oppressing others, any situation other than their former seems to them like oppression. Formerly, they could eat, dress, wear shoes, be educated, travel, and hear Beethoven; while millions did not eat, had no clothes or shoes, neither studied nor traveled, much less listened to Beethoven. Any restriction on this way of life, in the name of the rights of the community, appears to the former oppressors as a profound violation of their individual right —although they had no respect for the millions who suffered and died of hunger, pain, sorrow, and despair. For the oppressors, “human beings” refers only to themselves; other people are “things.” For the oppressors, there exists only one right: their right to live in peace, over against the right, not always even recognized, but simply conceded, of the oppressed to survival. And they make this concession only because the existence of the oppressed is necessary to their own existence.This behavior, this way of understanding the world and people (which necessarily makes the oppressors resist the installation of a new regime) is explained by their experience as a dominant class. Once a situation of violence and oppression has been established, it engenders an entire way of life and behavior for those caught up in it —oppressors and oppressed alike. Both are submerged in this situation, and both bear the marks of oppression. Analysis of existential situations of oppression reveals that their inception lay in an act of violence —initiated by those with power. This violence, as a process, is perpetuated from generation to generation of oppressors, who become its heirs and are shaped in its climate. This climate creates in the oppressor a strongly possessive consciousness — possessive of the world and of men。

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