陕西历史博物馆英文导游词(最新)
陕西历史博物馆英语作文60词
陕西历史博物馆英语作文60词【英文版】陕西历史博物馆：Treasures of HistoryLocated in Xian, Shaanxi Province, the Shaanxi History Museum is a cultural monument that preserves and showcases the rich and colorful history of China. With its unique architecture and a vast collection of artifacts, the museum attracts millions of visitors from all over the world each year.The museum houses an extensive collection of relics that span over 4,000 years of Shaanxi history, including artifacts from the Shang Dynasty, Zhou Dynasty, Qin Dynasty, and Han Dynasty. These artifacts reflect the cultural and artistic achievements of ancient Shaanxi and the way of life of its people. From delicate pottery to intricate bronze instruments, the museum showcases a range of artifacts that bring history to life.Visitors can enjoy a self-guided tour of the museum, which offers a glimpse into the grandeur and diversity of Chinese history. The museum also provides a number of educational programs and events, such as lectures, workshops, and family days, to engage visitors and enhance their understanding of Chinese history andculture.【中文版】陕西历史博物馆：历史的瑰宝陕西历史博物馆位于陕西省西安市，这是一座致力于保存和展示中国丰富多样的历史的文化遗址。
陕西历史博物馆的英语
陕西历史博物馆的英语全文共四篇示例，供读者参考第一篇示例：陕西历史博物馆（Shaanxi History Museum）坐落于中国西安市南郊，是一座以丰富的文物收藏展示陕西历史文化为主题的博物馆。
建筑面积约为65,000平方米，陈列厅面积约为11,000平方米。
博物馆的建筑设计融入了大量唐代建筑风格，给人一种古朴而庄重的感觉。
陕西历史博物馆是中国国家级博物馆之一，于1991年10月开馆，是中国历史最悠久、文化最灿烂的博物馆之一。
博物馆内收藏了大量珍贵的历史文物，展示着陕西自古以来的文明历史和文化传承。
陕西历史博物馆的馆藏品包括青铜器、陶器、玉器、金银器、织绣、书法、绘画、印章等各类文物，数量之多、品质之高、时代之广、类型之全都为同类博物馆之最。
馆藏品中以青铜器、陶器最为出名，其中尤以秦代兵马俑为最具代表性，是中国古代最重要的考古发现之一，也是中国文化遗产的代表作之一。
除了常设展览外，陕西历史博物馆还定期举办各种丰富多彩的临时展览和文化交流活动，吸引了众多国内外游客和学者前来参观和交流。
博物馆还开设各种形式的讲座、讲解、导览等教育活动，向公众传播历史文化知识，促进历史文化遗产的传承和发展。
经过多年的发展和完善，陕西历史博物馆已经成为中国乃至世界上知名的博物馆之一，在学术研究、文化交流、教育推广等方面发挥着重要作用，为世界各国人民提供了一个了解中国历史文化的重要平台。
陕西历史博物馆将继续保持其高水平的展览品质和服务水准，为更多的人群提供更好的历史文化体验和学习机会，为促进中外文化交流和理解作出更大的贡献。
第二篇示例：陕西历史博物馆（Shaanxi History Museum）坐落于中国陕西省省会西安市的长安南路，是中国西部地区最大的综合性博物馆之一。
作为陕西省的主要历史博物馆，该馆展示了陕西地区自史前时期至清代的丰富历史文化。
陕西历史博物馆的建筑风格独特，外观仿照唐代建筑风格设计，展示了中国古代建筑的魅力。
陕西历史博物馆英文作文初三
陕西历史博物馆英文作文初三The Shaanxi History Museum: A Captivating Journey Through TimeNestled in the heart of Xi'an, the ancient capital of China, the Shaanxi History Museum stands as a testament to the rich cultural heritage of the region. As one of the most renowned museums in the country, it offers visitors a captivating exploration of the past, guiding them through the intricate tapestry of Shaanxi's history.The museum's impressive architecture, a harmonious blend of traditional Chinese design and modern elements, sets the tone for the remarkable experience that awaits. Visitors are immediately struck by the grandeur of the building, its towering eaves and intricate carvings hinting at the treasures that lie within.Upon entering the museum, one is greeted by a vast collection of artifacts that span millennia, each piece a window into the lives and achievements of the people who once called Shaanxi home. The museum's exhibits are meticulously curated, arranged in a way that allows visitors to follow the chronological progression of the region's history.The journey begins with the Paleolithic era, where visitors can marvel at the primitive tools and implements used by the earliest inhabitants of the region. The transition to the Neolithic period is marked by the emergence of advanced agricultural techniques and the development of pottery, showcasing the ingenuity and adaptability of the region's people.As the visitor progresses through the exhibits, they are immersed in the rich tapestry of the Xia, Shang, and Zhou dynasties, each one contributing its own unique cultural and technological advancements. The museum's collection of bronzeware, jade, and ceramics from these eras is truly breathtaking, offering a glimpse into the artistic and craftsmanship prowess of the ancient Chinese.One of the museum's most captivating exhibits is the collection of artifacts from the Qin and Han dynasties. Here, visitors can explore the legacy of the first unified Chinese empire, the Qin Dynasty, and witness the grandeur of the Han Dynasty, which saw the flourishing of trade, scholarship, and cultural exchange along the Silk Road.The museum's collection of terracotta warriors, discovered in the tomb of the first Qin emperor, is a highlight for many visitors. These life-sized statues, each with its own unique facial features and expressions, serve as a powerful reminder of the scale and ambition of the Qin Dynasty's military might.Beyond the Qin and Han dynasties, the Shaanxi History Museum chronicles the rise and fall of numerous other imperial dynasties, including the Tang, Song, Yuan, Ming, and Qing. Each of these eras is represented by a wealth of artifacts, from exquisite paintings and calligraphy to ornate furniture and ceremonial garments.One of the museum's most impressive features is its collection of historical documents and manuscripts, which provide visitors with a deeper understanding of the region's intellectual and literary heritage. The museum's archives include rare and ancient texts, offering scholars and researchers a valuable resource for furthering their studies.The Shaanxi History Museum's commitment to preserving and sharing the rich cultural legacy of the region extends beyond its physical exhibits. The museum also hosts a variety of educational programs, lectures, and cultural events, engaging visitors of all ages and backgrounds in the exploration of Shaanxi's history.Whether one is a history enthusiast, an art lover, or simply someone curious about the past, the Shaanxi History Museum offers a truly captivating and enriching experience. The museum's ability to seamlessly blend the ancient and the modern, the tangible and the intangible, is a testament to the enduring spirit of the region and itspeople.As visitors exit the museum, they are left with a deeper appreciation for the enduring legacy of Shaanxi and a renewed sense of wonder at the remarkable achievements of the human spirit. The Shaanxi History Museum stands as a testament to the power of cultural preservation and the transformative potential of knowledge.。
五年级小学生英语作文陕西历史博物馆介绍
Exploring the Wonders of the ShaanxiHistory MuseumIn the heart of Xi'an, a city renowned for its rich historical heritage, stands the Shaanxi History Museum. This vast repository of cultural relics is a must-visit destination for anyone interested in understanding the profound history of China. As a fifth-grade student, I was thrilled to have the opportunity to explore this remarkable museum and witness the various exhibits that tell the story of Shaanxi and its people through the ages.Upon entering the museum, I was immediately greeted by the grandeur of the main hall. With its high ceilings and intricate carvings, it was evident that this was a place where history and art had converged. The exhibits were carefully displayed in chronological order, allowing visitors to trace the development of Shaanxi from ancient times to the present day.One of the most fascinating sections was the Terracotta Army exhibit. Standing in awe before these life-size replicas of soldiers and horses, I could almost imagine the grandeur of the ancient emperor's tomb where they wereoriginally buried. The intricate detail and realistic portrayal of these figures were remarkable, giving aglimpse into the skilled craftsmanship of ancient China.Another highlight was the section dedicated to the Bronze Age. Here, I saw various bronze artifacts, including vessels, weapons, and musical instruments. These pieceswere not just objects; they were testaments to the advanced civilization and technology of ancient Shaanxi. Theintricate patterns and designs on these bronze pieces werea testament to the artistic talents of the ancient craftsmen.As I moved through the museum, I also came across sections dedicated to different dynasties, each with its unique characteristics and contributions to Chinese history. The Tang dynasty, for instance, was renowned for itsculture and art, and the exhibits here showcased the beauty and elegance of that era.What truly impressed me about the Shaanxi History Museum was the way it presented history in a lively and engaging manner. The use of interactive displays, audio-visual presentations, and even replicas of ancient scenesmade the exhibits come alive, making it easier for visitors, especially children like me, to understand and appreciate the historical significance of these artifacts.In conclusion, the Shaanxi History Museum is a treasure trove of historical knowledge and cultural heritage. It is not just a place to see artifacts; it is a journey through time, allowing us to connect with our ancestors and understand the rich tapestry of Chinese history. As afifth-grade student, I found this experience incredibly enriching and look forward to returning to this fascinating museum again.**探秘陕西历史博物馆**在西安这座以丰富历史遗产闻名的城市中心，矗立着陕西历史博物馆。
五年级小学生英语作文陕西历史博物馆介绍
五年级小学生英语作文陕西历史博物馆介绍Title: A Journey Through Time: The Shaanxi History MuseumNestled in the historic city of Xi'an, the Shaanxi History Museum stands as a guardian of China's rich cultural heritage. Established in 1991, and sitting proudly beside the ancient Great Wild Goose Pagoda, this museum is a treasure trove that chronicles the vast history of Shaanxi, often referred to as the cradle of Chinese civilization.The architectural design of the museum harmoniously blends traditional and modern elements, symbolizing the bridge between the past and the present. Its main exhibition hall houses a collection that spans over five millennia, from the simple stone tools of the prehistoric Yangshao culture to the exquisite artefacts of the flourishing Tang dynasty. Among its numerous galleries, the Hall of Qin Dynasty Glory and the Tang Dynasty Household Life Gallery are particularly captivating, offering visitors a glimpse into the daily lives and grandeur of these significant periods.One of the most celebrated exhibits is the Terracotta Warriors, which although not housed in the museum itself, are closely associated with it. This iconic collection of life-sizedfigures was unearthed from the nearby Mausoleum of Emperor Qin Shi Huang and serves as a powerful testament to the ingenuity and artistic prowess of ancient artisans.The Shaanxi History Museum also dedicates considerable space to showcasing the Silk Road, the historical trade route that linked China with the distant corners of the world. Through intricately designed ceramics, precious gems, and detailed maps, visitors can trace the journeys of ancient traders and envoys, shedding light on the early interactions between East and West.Educational programs and interactive exhibitions further enhance the visitor experience, allowing enthusiasts of all ages to engage deeply with the past. The museum's commitment to research and conservation ensures that the stories behind each artefact are meticulously preserved and shared, bridging the gap between history and the present day.In conclusion, the Shaanxi History Museum is far more than a building; it is a living narrative of a civilization that has shaped the world as we know it. Its hallowed halls echo with the whispers of ancestors, inviting all who enter to embark on a journey through time. For those seeking to understand China's enduring legacy and vibrant history, the ShaanxiHistory Museum is a beacon that illuminates the soul of a nation.。
陕博九年级英语作文
陕博九年级英语作文Hello, I'm delighted to share with you my exciting experience at the Shaanxi History Museum, which was an unforgettable journey through China's rich cultural heritage.大家好，我很高兴与你们分享我在陕西历史博物馆的激动人心的经历，这是一次穿越中国丰富文化遗产的难忘之旅。
The Shaanxi History Museum, nestled in the heart of Xi'an, is a treasure trove of historical artifacts. As soon as I entered, I was transported to a different era, with ancient relics and exhibits telling stories of past civilizations.陕西历史博物馆位于西安市中心，是历史文物的宝库。
我一走进博物馆，就仿佛穿越到了不同的时代，古老的遗物和展品讲述着过去文明的故事。
One of the highlights of my visit was the Terracotta Warriors and Horses exhibition. Standing in front of these life-size figures, I couldn't believe my eyes. The intricate detail and lifelike poses of the soldiers were truly astonishing. It was almost as if they were ready to embark on a journey to protect their emperor.我参观的一个亮点是兵马俑展览。
陕西历史博物馆的英语作文
Shaanxi History MuseumThe Shaanxi History Museum is a treasure trove of history and culture. Housed in a magnificent building, it showcases the rich heritage of Shaanxi and the broader Chinese nation.The museum's collection is truly remarkable, spanning thousands of years of human civilization. From ancient artifacts and artworks to historical documents and specimens, every exhibit tells a story of the past. The displays are meticulously curated, allowing visitors to immerse themselves in the annals of time.One of the highlights of the museum is the pottery collection. The intricate designs and craftsmanship of the ancient pottery are a testament to the creativity and skill of the artisans. Each piece is a work of art, revealing the cultural and technological advancements of its time.The museum also offers a glimpse into the lives of past civilizations through its exhibits of tools, weapons, and daily objects. These artifacts provide a window into the daily routines, beliefs, and traditions of bygone eras, giving us a deeper understanding of our shared human heritage.The guided tours and interactive displays enhance the visitor experience, making the museum engaging and educational. Whether you are a history buff or simply curious about the past, a visit to the Shaanxi History Museum is a journey through time that leaves a lasting impression. It is a place where history comes alive, inviting us to reflect on the past and its significance in shaping the present.。
(完整)陕西历史博物馆英文导游词(最新)
陕西历史博物馆Hello， ladies and gentlemen， welcome to Shaanxi History Museum。
First, I want to give you a brief introduction of this museum. Shaanxi History Museum is a sizable national museum with a wide range of artifacts。
The museum shows a great deal of elegance and originality in style. It was designed by Zhang Jinqiu， a very famous female architect in China.Now we are in the Preface Hall. Here we can see a giant lion and three big pictures. The giant stone walking lion was originally erected in front of Shunling Mausoleum. It represents the cultural exchange between China and other countries. The massive picture shows the surging and roaring Yellow River and the vast Loess Plateau， the habit of Shanxi residents and the candle of their ancient civilization. //序言大厅Ok, we are going to rhe first gallery。
The first section focuses on the history of the Prehistoric Age。
陕历博英文导游词TheShaanxiHistoryMuseum
The Shaanxi History MuseumShaanxi History Museum is located at the south suburb of xi'an, one km northwest of Big Wild Goose Pagoda.It is one of the famous museum i n China and the largest museum in the Shaanxi Province. It is home toa good number of valuable historic artifacts. The historic artifacts cover a large range of dynasties and show the civilization made and cultured i n shaanxi province. All these demonstrate the political, economic and cul tural importance of Shaanxi to China's ancient civilization.Meanwhile the Shaanxi History Museum is a modern national history museum. Modern t echnologies have been applied in the museum, such as simultaneos inte rpretation devices and international conference room. The museum is an magnificent achitectural complex in the Tang Dynasty Style. The archite cture is simple, elegant and unique. It is a combination of Chinese palac es and courtyards.So it looks harmonious, imposing and graceful. The ex hibition of the ancient history of shaanxi province is the main content of the museum. And the exhibition is divided into seven sections.The prehistoric section covers the entire span of time from the beginni ng of the Paleolithic Period to the end of Neolithitic Period.. The earliest known Homo Erectus in Asia, the Lantian Ape-man, was found shown i n this section. The section aslo includes the famous yingshao culture, a matrilineal culture and the Longshan Culture, a patriarchal culture.The Zhou period covers the three different stages of development:the Zh ou Clan, the Zhoufang State, and the Western Zhou Dynasty. The Zhou Clan was formed by small tribes living by the jinghe and weihe during t he later period of longshan culture. The Zhoufang state existed during th e Shang Dynasty in the 16th century BC. The western zhou was famous for its bronze culture, and bronze culture reached its peak during the w estern Zhou Dynasty. A good number of bronze masterpieces were prod uced during this special period of time and are now displayed in the sec tion.The Qin Period covers also three periods: the Spring and Autumn Period, the Warring Period and The Qin Dynasty. The Spring and Autumn Peri od was full of wars, combats and conflicts among many principalities.Peo ple suffered a great deal from wars. The Warring Period was also full of wars, however, the wars occured majorly among seven principalities, among which the Qin was the most powerful. At the end of the Warring period, emperor Qinshihuang conquered the other six principalities and unified the whole nation. He established the first feudal dynasty.The Han Section is an important one because the Han dynasty was ver y important episode in the history of China.It was at this time that the H an Nationality, the mainstay of Chinese nation formally took shape. The Han dynasty was famous for its metallurgy, textile, pottery manufacture a nd paper-making. The world famous Silk Road was opened at that time. The Silk Road connected China with the other part of the world, enabling people to communicate and cultures to exchange. Lots works that sh ow the magnificence of the han culture are shown in this seciton.The Wei Jin North and South was a period of social upheavals and inte rmingling of variou nationalities. The works of art during this period of time are extremely valuable because many works were damaged during p olitical and military turbulence.Religion-related artistic works were the char acteristic form of art. Budhhsim came to China during the Han Dynasty and was enthusiastically promoted during this period of time.The Sui and Tang Section was fairle worth a visit. As we all know that the Chinese feudal society reached its peak during the tang dynasty. Du ring this peirod of time. People live a stable and peaceful life. The intern ational exchanges were frequent as well, so the culture was diversified. I n terms of art works, the tang dynasty was famous for its China and br onze mirrors. Women loved to use mirrors and bronze mirrors were mas sively produced. Gold and silver wares were beautifully made and served as the symbol for the tang dynasty. Beautifully made china, silver and gold wares in different forms are shown in this section. By paying a visit y to this section, you will certainly know more about the culture of the t ang dynasty.The Song Yuan Ming and Qing section show the works of art during the se period when Shaanxi lost its role as the center of politics and power. However SHaanxi also played a very stratigic role in the northwest Chi na. The artistic works in the sections are slightly different from the previ ous ones. The most typical works are the jiaozi, a kind of paper currenc y and the porcelain, such as pots, jars trays of tea utensil and boxes an d bowls. Every section has its own fitures.I am sure that these works of art will leave you a deep and everlasting impression.。
陕西历史博物馆英文作文初三
陕西历史博物馆英文作文初三The Shaanxi History Museum is a world-renowned museum located in the provincial capital of Xi'an in China. The museum houses over 370,000 pieces of cultural relics that represent the rich history and diverse culture of Shaanxi Province, spanning from prehistoric times to the modern era. The exhibits are divided into multiple sections, including prehistoric times, the Zhou, Qin, Han, Tang, Song, Yuan, Ming, and Qing dynasties, and ethnic minorities of Shaanxi, such as the Hui, Manchu, and Tibetans.The museum's highlights include the Mogao Caves replica, which features life-size copies of grottoes from the famous Dunhuang caves, and the Han and Tang Dynasty tomb murals, which showcase the exquisite artistry and craftsmanship of ancient Chinese tomb painters. The museum also boasts numerous bronze ware, terracotta figures, and pottery artifacts that provide insight into the daily life, religion, and social status of people from different historical periods.Through its extensive collection of artifacts and exhibitions, the Shaanxi History Museum serves as a bridge between the past andpresent, offering a glimpse into the unique cultural heritage of Shaanxi Province and China as a whole. The museum has become a popular destination for both domestic and international visitors, and its educational and cultural significance has been recognized globally.陕西历史博物馆是位于中国省会西安的著名博物馆。
陕西博物馆英文讲解词
Introduction of Shaanxi History Museum Hello, ladies and gentlemen, welcome to Shaanxi History Museum. First, I want to give you a brief introduction of this museum. Shaanxi History Museum is a sizable national museum with a wide range of artifacts, about 375,000 historical and cultural relics(['rɛliks]n. 遗迹；遗骸；纪念物), which were all excavated in Shaanxi Province. It covers an area of 70,000 square meters, with a floor space of over 50,000 square meters. Shaanxi Province had been the cradle (['kreidl]n. 摇篮；发源地；发祥地；支船架)of the ancient Chinese civilization. And people often say that the ancient history of Shaanxi is a microcosm (['maikrəukɔzəm]n. 微观世界；小宇宙；作为宇宙缩影的人类；缩图（等于microcosmos）)of Chinese history.The museum shows a great deal of elegance and originality in style. It was designed by Zhang Jinqiu, a very famous female architect in China, and assumes the architectural features of ancient Chinese palaces and courtyards of Tang Dynasty.PREFACE HALLNow we are in the hall. The giant stone walking lion was originally erected(adj. 直立的；正立的vt. 建立；竖立)in front of Shunling Mausoleum,([,mɔ:sə'liəm]n. 陵墓；阴森森的大厦[ 复数mausoleums或mausolea ])the tomb of Empress(女皇）Wu Zetian’s mother of the Tang Dynasty. With its exquisite（['ekskwizit,adj. 优美的，高雅的；精致的；剧烈的；细腻的；异常的n. 服饰过于讲究的男子）craftsmanship （技艺精湛）and imposing appearance, the lion is believed to rank the first in Asia. Since lion and their carving skills were introduced to China from Afghanistan through the Silk Road in ancient times, so this lion also represents the cultural exchange between China and other countries.THE MAP OF SHAANXI PROVINCELying in the middle reaches of the Yellow River, and in the eastern part of the northwest region of China, Shaanxi Province serves as the gateway to the northwest of the country, and offers a link of communication between the Southwest, Northwest and East China. Shaanxi Province covers the area of about 205,800 square kilometer,and has the total population of 37 million.Topographically,（[,tɔpə'græfikli]adv. 从地形上；在地形构造方面）Shaanxi Province can be divided into three natural regions. The top part is the Loess['ləuis Plateau['plætəu（黄土高原）in the northern part of Shaanxi Province. The middle part i s Guanzhong Plain, and here is Xi’an city where 13 dynasties set their capitals during 1,100 years in Chinese history. The southern part of the Shaanxi Province is mainly about some mountainous regions. This is Qingling mountainous region, which is not only the natural boundary in separating the northern and the southern part of China but also the watershed ['wɔ:təʃed, 'wɔ-]n. 分水岭；（美）流域；转折点；集水区adj. 标志转折点的）of the two greatest water systems in China—the Yellow River system and the Yangtze River system.THE PREHISTORIC AGE史前时期(1,150,000 years ago—21st century B.C)The first section focuses on the history of Shaanxi Province during the Prehistoric Age, which ranges from 1,150,000 years ago to the 21st century B.C. Shaanxi is an important source of information on the origin of the human race in Asia. In 1964, the fossil of a human skull and jawbone were discovered in Liantian County. The archaeologists put these together and shaped this female figure around her 30’s. The Liantian Ape-man had a much smaller brain capability comparing with people living today, only 780 milliliters （['mili,li:tə]n. 毫升）about half the size of people today. And the thickness of their skull is twice as much as people today. All of these tell us that the intellect of Liantian Ape-man is not well developed. However, the results of the latest research program prove that Liantian Ape-man lived about 1,150,000 years ago and was the earliest known Homo ['həuməu]n. 人，人类；同性恋者[ 复数homos ]erectus（直立人；直立猿人；直立人种）in North Asia. This background picture shows Gongwangling公王岭, where the fossil of Liantian Ape-man was discovered. In the display case are the pointed stone implements excavated （v. 发掘；挖掘（excavate的过去式，过去分词）from the site, which were made and used by Liantian Ape-man. These stone implements,thought slightly chipped (tʃipt]adj. 有缺口的；用碎片组成的；受切损的)and irregularly shaped, were used for multiple purposes. And all of these stone tools belonged to the Paleolithic([,pæliəu'liθik, ,pei-]adj. 旧石器时代的）Age.After the discovery of the fossil of Liantian Ape-man, the fossil of a rather complete hominid(['hɔminid]n. 原始人类；人科动物adj. 人类及其祖先的)skull was found in Dali County, Shaanxi Province in 1978. The brain capability of the Dali Men was larger, reached to 1120 milliliters, only 300 less than people today. Dali Men lived about 200,000 years ago, and belonged to a new stage of human evolution, known as （智人）Homo Sapiens['seipjənz. The stone implements ever used by the Dali Men are relatively small in size.The earliest Neolithic （[,ni:əu'liθik] adj. 新石器时代的；早先的）cultural heritage in Shaanxi is known as Laoguantai Culture, which originated about 8,000 years ago. The Neolithic Culture is different from the（[,pæliəu'liθik, ,pei-] adj. 旧石器时代的）Paleolithic Culture in three major respects: the use of polished stone implements, the invention of pottery utensils餐具, and the emergence of settled habitation and primitive(['primitiv] adj. 原始的，远古的；简单的，粗糙的n. 原始人)farming. The appearance of these early pottery utensils provided the human being with the cooking vessels（容器，血管）, and helped a lot to improve the living condition at that time. The polished stone spades（[speidz] n. 锹（spade的复数）v. 用铲挖（spade的三单形式）and knives on display indicate that at that time people made a living not solely by gathering and hunting, but by means of slash-and-burn.（['slæʃən'bə:n] adj. 刀耕火种的）Yangshao Culture dates about 7,000-5,000 years back. In Shaanxi Province, the representatives of Yangshao Culture are the Banpo site and the Jiangzhai site. Now let’s see a typical artifact of Yangshao Culture, the tip-bottomed bottles. The ancient people used it as water vessel. First they used strings to tie on the ears and then put the vessel directly on the surface of the river. As soon as the bottle touched the water, it would naturally fall down and let the water flow in. Then it would stand upright after being filled with water, due to the shifting of its center of gravity（重心）. Because people at that time lived along the riverside, so they made the bottle into suchshape—they could hold it and push it into the sand, made it more stable.•Here are some stone implements of Yangshao Culture. Comparing with those of Laoguantai Culture, these stone tools seem relatively small in size. At that time, there was an advance that was people began to use the stone tools attached to thewood stick, which could be easier and safer for people to use it. These are some bone needles for the ancient people to sew their clothes, and there are some patterns of their sewing. According to the archaeological study, it is believed that the materials forsewing then were possibly linen（['linin] n. 亚麻布，亚麻线；亚麻制品adj. 亚麻的；亚麻布制的）and hides（兽皮）. And this necklace made of thousand of small animal’s bone was found in a girl’s tomb. Because Yangshao Culture was a typical（matriarchal['meitri'a:kl] adj. 母系氏族的；女家长的）clan（[klæn] n. 宗族；部落；集团）community in which women played a dominant role in every aspect of social life, so the archaeologist found a lot of burial （['beriəl] n. 埋葬；葬礼；弃绝adj. 埋葬的）objects in even young girl’s tomb, but not in male’s tomb. Yangshao Culture is also known as the culture of painted pottery.（彩陶）The patterns of the painted pottery are mainly about some animal patterns and some geometric patterns （[dʒiəu'metrik] adj. 几何学的；几何学图形的）, like the wave of the river. Now we will see a first-class artifact in our museum—this pottery basin（人面鱼纹盆）. Inside of this basin（['beisən] n. 水池；流域；盆地；盆）there is a people’s face and with two fish in his mouth. This design depicted Baopo people’s strong ties and special emotion with fish. It was most likely the totem（['təutəm] n. 图腾；崇拜物）of the Banpo people. And if we see closer we can find there are two little holes at the bottom of this basin. Since the infant death rate was very high in those days because of tough natural conditions. When children died, their parents would bury the corpse（[kɔ:ps] n.尸体）in pottery jars（广口瓶）, and put such basin over the jar. The two holes were served as passage for the soul of the child to come or go freely. From this we can see that 6,000 years ago the primitive people already generated（生成的；发生的v. （使）产生（generate的过去分词））the conception that everybody had a soul. With the progress of the material civilization, they began to strive for a spiritual civilization.The pottery wind instrument（管乐器）unearthed 发掘from the site of Banpo Village is the earliest musical instrument in China. The upper hole was for people to blow, and the other two holes were used for changing the tunes. Writing did not come into being in Banpo days, but the archeologists have found a lot of symbols on the edge of some pottery utensils. Comparing these symbols with the inscriptions on oracle bones 甲骨文or tortoise shells龟甲of the Shang Dynasty, we may see a few of them bear some resemblance to each other. Though the archeologists have not figure out the actual meaning of these symbols, it is believed these symbols were possibly the earliest Chinese script.China went into the Longshan Culture period about 5,000 years ago. The village ruins typical of Longshan Culture are scattered extensively广阔的in Shaanxi Province and chiefly centered in the area of the Wei River. Starting from the period of the Longshan Culture, mankind moved into the age of patriarchal（[,peitri'ɑ:kəl] adj. 家长的；族长的；由族长统治的）clan community父系氏族时期. With social and economic development, men began to play a dominant role in social activities instead of women. With the invention of a new method of pottery making, the earthenware （['ə:θənwεə] n. 陶器；土器）ever made was uniform in thickness and varied in style. In addition, painted pottery wares gave way to their grey pottery counterparts相对物；相对应的人. A lot of wine vessels appeared at that time because of the agriculture development. This is a typical wine vessel which has three legs and hollowed inside, so people could pour more wine into it and people also could make a fire under it to warm up the wine. These are some jade（dʒeid] n. 翡翠；碧玉；老马adj. 玉制的；绿玉色的）utensils mainly used in some sacrificial ceremonies because jade was very rare at that time.This picture shows the Yellow Emperor’s Mausoleum, which is located in Huangling County in Northern Shaanxi. The Yellow Emperor was born about 4,700 years ago. He was a legendary leader of Huaxia tribesmen in the patriarchal clan community during the Longshan Culture period. Shaanxi was then the central area of their activities. Under his leadership, the Huaxia tribesmen unified the Yellow RiverValley after fighting 52 battles. Therefore, the Yellow Emperor was worshipped（崇拜）as the forefather of the Chinese nation. Every year on the Tomb-sweeping Day, the people of Chinese origin come from different parts of the world to search for their roots and offer sacrifices to the Yellow Emperor.Zhou Dynasty 周(21st century B.C—770 A.D)The Zhou Period includes three different stages: the Zhou Clan, the Zhoufang State, and the Western Zhou Dynasty.Several small tribes lived on the banks of the Jing and Wei rivers. During the late period of the Longshaan culture, these tribes formed the Zhou Clan. Here on display are cultural relics文化遗产of the early Zhou Period.This is the 9['ɔrəkl, 'ɔ:-] n. 神谕；神谕处；预言；圣人) Oracle bone甲骨. In ancient times, people used this bone to predict the future. This is a well-preserved scapula(['skæpjulə] n. 肩胛；[解]肩胛骨)of an ox. During ancient times, the ox and the tortoise (['tɔ:təs] n. 龟，乌龟（等于testudo）；迟缓的人) were regarded as divine beasts. Tribes practiced divination（[divi'neiʃən] n. 预测，占卜）by chiseling凿边；心土深耕；凿开holes into tortoise shells or animal bones. Then they would light up twisted grass and put it under the chisel holes. The bone would then crack under the heat, and the diviner would interpret the shapes and direction of the cracks. Finally, the diviner（[di'vainə] n. 预言者；占卜者；推测者）would carve the results into another bone. These carvings became the first known characters in China. We called it “inscriptions铭文；碑文；题字on tortoise shells or animal bones”.To avoid the nomadic（[nəu'mædik, nɔ-] adj. 游牧的；流浪的；游动的）tribe’s invasions in 16th century B.C., they settled down in the present Fufeng and Qishan countries where they established their capital, official ranking system, and government. This settlement was acknowledged by the Shang Dynasty and was appointed the title of “Fang state”.Here are some building materials from the Zhou Yuan Site. Here is a hollowbrick空心砖. People used this brick to build the steps and the walls of their homes at that time. These bricks had many benefits. They reduced noise, kept people warm, and reduced the weight of the building.At that time Shaanxi Province was very rainy. Because of this, people invented these nails钉子to secure tiles in the mud of the roofs, making it more stable. In the early period of the Zhou Dynasty, tiles were only placed on the edge of the roof. Later on, the tiles were placed all over the roof.Here we see pottery sewer pipes陶水管道. People connected and buried them under ground for water to run.On the east side of the Zhou Fang State, there was the Shang Dynasty. The Shang Dynasty was famous for bronze wares.青铜器Here is a typical one. The one in the corner we call a tripod三角桌. On one leg of the tripod there is an animal’s face. This animal is one son of a dragon and is a divine神圣的beast. We called it “taotie” in Chinese. It loved to eat people, but one day it ate up all of the people and began to eat itself. When it ate the lower part of its body, it could not swallow itself and became a monster that only had a head. People put this figure on the surface of the bronze wares to warn people to not eat too much, and not to be too greedy.Guifang Culture was a culture that belonged to the nomadic Hun tribe in Zhou Dynasty. You can see that the patterns on these artifacts are mainly animal patterns. We can clearly observe the pictures of wild animals on grasslands on the bronze artifacts. This is goat headed ladle长柄勺with a tiger hunting a sheep. This shows us the food chain in nature and is a very typical grassland scene.Bashu culture was in the northern part of the Zhou Fang State. We saw a lot of “li” made of pottery before. All of them had three legs. This one here has four legs and is the only one in China up to now with four legs.Here we see some bronze masks on the wall. Archaeologists have three theories about how they were used. The first is that people wore these in ceremonies. The second is that they wore them at parties. Finally, they should be placed on the face of the dead in the tombs as burial objects.In the 11th century B.C., the Shang Dynasty died and the Zhou Dynasty cameinto existence instead. It established its capital in Feng沣and Hai, which were separated by the Feng River. This spot marked the founding of the ancient city of Xi’an.These artifacts were excavated from the Feng Hao site. This plate is called “he” in Chinese. In ancient time, people used these two artifacts together because at that time people did not have chopsticks. The royalty would have one slave hold this, and another hold this. They would then use flowing water to wash their hands before the meal.This is a food container. We call it “dou” in Chinese, because the container is in a similar shape of the Chinese character of “dou”.Here is a very interesting wine cup. It has two ears, and there are a lot of theories about how to use the ears. One is very interesting. It says that when the guests drink wine, if the ears touch the cheek of the guest then the cup is empty.五四卫鼎Shaanxi History Museum houses 18 national treasures. This is our first national treasure on display. In this tripod, there are 207 characters inside and the characters tell the story about a law dispute during the Zhou Dynasty. It is very important because it provides us detail of the ancient law system in China.During that time, bronze wares were no longer used as a food container. Bronze wares served as a symbol of rank and were things used by royal family members. According to Chinese historical records, the emperor owned 9 tripods and 8 gui. Such tripods are called “ding” in Chinese, and they were used as a cooking vessel to boil meat. Such wares we called “gui” and are similar t o bowls we use today. Nine ding and eight gui symbolized the position of the emperor. Seven ding and six gui symbolized the position of a duke. Here on display, there are 5 ding and 4 gui, which is equal to the level of a governor of a province today.它盘During this period, there were a lot of harsh严酷的punishments to slaves. Under this plate, there are four slaves with one foot missing. To cut off the feet of a slave was a common punishment called “yue” 刖and was very cruel. It was often used for slaves attempting to escape.Now we see the second national treasure on our display. This tripod is called DouYoutripod. 多友鼎There are 279 characters inside this tripod. It is mainly about a record of war that occurred between the Zhou Dynasty and nomadic tribes. The battle was won by General DouYou of the Zhou Dynasty. The general put his name and the details of the battles inside this tripod as a medal. ['medəl] n. 勋章，奖章；纪念章Here we see the earliest porcelain（['pɔ:səlin, -lein] n. 瓷；瓷器adj. 瓷制的；精美的）in Zhou Dynasty. Though it is still rough and not very smooth, it was made 3,000 years ago.Those jade utensils were all used in ceremonies. At that time, such shape was called “bi” in Chinese. It symbolized the male, the heaven, and the sun. Here we se e a “zong” in Chinese. It symbolized the female, the earth, and the moon. Together they were used in ceremonies as sacrifices to the heaven and the earth.The shell money was the earliest currency in Shaanxi province. Shaanxi province is very far from the sea, so the shell was very precious during that period and became the currency used by royal families.•Here we see an ornament (['ɔ:nəmənt, n. 装饰；装饰物；教堂用品vt. 装饰，修饰]that was part of the wheel of a chariot.(['tʃæriət] n. 二轮战车vt. 驾驭)On the shoulder of the man there are two tattoos(n. 刺青，纹身（tattoo的复数）v. 刺花纹于…) of animals. According to Chinese historical record, people began to weartattoos during that period and believed they would help fend off evil spirits.Here we can see an ancient Chinese musical instrument called the ([tʃaim] vi. 鸣响；和谐vt. 打钟报时；敲出和谐的声音n. 钟声；一套发谐音的钟；和谐)Chime Bell.At that time, people used a wood stick to tap it to make sounds. In the middle people can make one sound, and at the edge people can make another sound. Each chime bell had two sounds. This Chain Bell has five sounds of which most repeat.Here we see some wine vessels. This is a wine vessel with two birds as handles.凤柱斝The birds are the earliest image in China of the phoenix. Back then it looked like a chicken which was the prototype('prəutətaip] n. 原型；标准，模范) of phoenix.牛尊Here you can see another first class artifact, also a wine vessel. This is a tiger on the back of an ox. Because the ox is scared, it opens its mouth and eyes sopeople can pour wine through it’s mouth. The tiger is also the lid 盖子of the wine vessel. The tail of the ox served as the handle for people to hold. People also can make a fire under it to heat the wine.Qin Dynasty(770 B.C—206 B.C)The Qin period covers three historic periods: The Spring and Autumn, the Warring States战国, and the Qing Dynasty.The Qin was an ancient tribal clan that used to live in Tianshui--Gansu Province. The forefather of the first Qin emperor was called Xianggong秦襄公. In 770 BC, King Ping 周平王of the Zhou Dynasty bestowed（[bi'stəu] vt. 使用；授予；放置）a favor upon Qin Xianggong and appointed him an imperial（[im'piəriəl] adj. 帝国的；皇帝的；至高无上的；威严的n. 纸张尺寸；特等品）duke. Later, Qin Xianggong established Yongcheng雍城as his own capital, which is presently Fengxiang country in Shaanxi Province. The artifacts here were excavated from the site of Yongcheng. This is called a stone drum. These two are replicas（['replikə] n. 复制品，复制物）as the original ones are national treasures and are kept in the Forbidden City. These are called stone drums only because of their shape; they have nothing to do with musical instruments. They are the equivalents（n. 当量；同等设备；等同物）of stone tablets. The content is mainly stories about nobles hunting. These stone drums were excavated very early in the Tang Dynasty. People at that time didn’t want to waste it, so they cut them into two parts to mill（[mil] vi. 乱转；被碾磨n. 工厂；磨坊；磨粉机；制造厂；压榨机vt. 搅拌；碾磨；磨细；使乱转）grain.Now you can see the pottery pipe has gotten much stronger and solid than before. This shows us that the construction of the city was growing.Here we see some woodwork joints连接made of bronze which was used in architecture during this time. The exact position and method of the woodwork joints is shown in the picture. The patterns on these bronze wares were called panhui, which means snakes.Now we see some 瓷砖，瓦片tile-ends瓦当which protect the end of wood roofs from rain and other elements. These early tile-ends are somewhat thin and have very simple animal patterns. We will compare them to tile-ends in the Han Dynasty later.Agriculture was integral to the economy of the Qin state. Unearthed quantities of iron farm tools reveals the extensive use of these tools, which replaced bronze items at that time. Iron was only used for agriculture, not for military tools. In order to develop agriculture, the emperor of Qin Dynasty gave these farming tools to farmers for free.Here is another first class artifact. This is a wine vessel. Archaeologists found this artifact in a dump垃圾场in the 1970’s. It is a gourd（[ɡuəd] n. 葫芦，葫芦属植物）shaped wine vessel with a lid盖子in the shape of a bird鸟盖瓠壶. The bill of the bird will open automatically when wine is poured. The pattern on this vessel is also the symbol of the snake.Here are some bronze mirrors. These are all the backs of the mirrors. The early bronze mirrors were very thin, and the pattern is hard to see. We will compare these with others used later in the Han and Tang dynasty later.When the Qin unified all of China, the Qin state moved its capital to Xianyang, very near Xi’an’s current airport. These building materials are from the Xianyang Site. Here are fragments of some of the earliest murals（['mjuərəl] adj. 墙壁的n. 壁画；（美）壁饰）found in a palace.Here are some weapons. These played a very important role in the conquering of the six other states for the Qin Dynasty. This is a bronze sword. After being buried for 2000 years, it retains保持its sharpness and glitter（['ɡlitə] vi. 闪光；闪烁n. 闪光；灿烂）without a sign of rust锈. After technical inspection, the archaeologists found a thin layer薄膜层of oxidate氧化物chromium on the surface of the bronze sword to prevent it from rusting. The Germans and Americans only invented the technology of chromium （['krəumjəm] n. [化]铬（24号元素，符号Cr））coating涂层，盖上in the 1930’s. Even today we don’t know how these people did it 2000 years ago.Here we see a tiger tally（['tæli] n. 计数器；标签；记账vt. 使符合；计算；记录vi. 一致；记分）（计数器）杜虎符. The body of the tiger tally can be divided into two halves. The left was held by the general while the right was held by the Emperor. When both pieces were matched together, the general was allowed to move the army. Whenever the general wanted to move more than 50 men, he was required to do this. There are also 51 golden-inlaid（['inleid, adj. 镶嵌的；嵌入的；镶饰的v. 把…镶入；用镶嵌物装饰（inlay的过去分词形式））inscriptions engraved（[in'greivd] adj. 被牢记的；被深深印入的v. 雕刻（engrave的过去式））on it. The 51 character inscription says that this is a military tally with the right half in the hands of the emperor and the left half in Du. During the Qin dynasty, the right was considered the side of honor. The gold inlaid inscription also reflects the level of gold craftsmanship at that time.Here we can see a bronze crossbow 弩机on the wall. It was the most powerful weapon before the use of gun power. The bronze part is the actual artifact; the wood structure is refurbished（[,ri:'fə:biʃ] vt. 刷新；再磨光.）Here you can see four terracotta warriors. All four are original warriors. Each warrior has a different facial expression, each individual has a unique expressions.When Emperor Qin Shi Huang was alive and Qin Dynasty unified, he standardized everything from currency to characters to measurement tools. Here is the currency, and the middle is the currency used in the Qin Dynasty. The circle is the symbol for the heaven, and the square is the symbol for the earth. They thought the sky was larger than the earth, so they made the coin into such shape. The coins were called Banliang, which signifies weight. The coin was made in this shape throughout China’s history until the last dynasty, the Qing Dynasty.This map shows the roads built by the emperor of the Qin Dynasty. All of the roads are straight because that was the fastest way to transfer food or military troops.Archaeologists found many burial objects around the area of the mausoleum of the Emperor. The archaeologists found these pottery figures, and each was buried with a horse. Their purpose was to raise the horses for the royal family in the after world.Han Dynasty(202 B.C—220 A.D)The Han Dynasty is a very important historical stage in China’s history. The Han nationality was officially formed during this historical period. The Han exerted （[iɡ'zə:t] vt. 运用，发挥；施以影响）a far-reaching influence on the development of the succeeding dynasties in Chinese History. That is why “Han” is a synonym （['sinənim] n. 同义词；同义字）with Chinese people and civilization in the world today. Han Dynasty chose Xi’an as their ca pital, located just northwest of present day Xi’an. At that time it was called Chang’an, which means permanent peace.Here is a water container 上林铜鉴that was used at a famous palace called ShangLin Palace. That palace served as the imperial yard for hunting.These are the most famous tile-ends of the Han Dynasty. Compared with the Qin Tiles, the Han tiles瓷砖are larger with wider edges and are grayish in color. Also there was an increase in the number of ends that were inscribed with用。
陕历博英文导游词
The Shaan’xi History MuseumGood morning, ladies and gentlemen. So nice to see you again, today we are going to visit the Shaan’xi History Museum, which is the best place to learn about history of this ancient city.The Shaan’xi History Museum is located o ne kilometer northwest of big wild Goose Pagoda, and the building design is characteristic of the Tang Dynasty. As the traditional Chinese style, the Tang building is symmetric in design, with a main hall in the middle and side pavilions. It covers an area of 70,000 square meters, and houses 370,000 historical and cultural relics unearthed in Shaan’xi Province. This museum was consist of three parts: the permanent exhibition, temporary exhibitions and special exhibitions. Today, we will mainly visit the permanent exhibition. It contains 7 sections; now let’s go into the entry or preface Hall.This hall acts as a “preface” to the museum. But you will see no characters or words but just three Massive pictures and a Giant Lion. This lion is regarded as the “Number one lion in Orient”. It has exquisite craftsmanship and an imposing appearance. Stone lions and other carving skills were introduced to China from Afghanistan, and this lion represents the local civilization and the culture exchange between China and other countries. Behind this lion, we can see three pictures: the one in the middle shows the famous Hukou waterfall of the Yellow River. In the side picture we can see the loess plateau in North Part of Shaan’xi province.Since the giant lion and three pictures comprise this special preface hall, we call it “no words” preface hall.Ok, now let’s go into the first gallery. Here we entered the prehistoric age which dates back 1.15million years ago to the 21st century BC.Please look at these fossil skulls. This one was discovered in LanTian County in 1964, so men in this period were called to be “LanTian Ape-man”. They had a very low brain volume, about half the volume of people now, and it is the earliest homo-erectus found in Northern Asia. So this is of great significance to the study of evolution of human beings. Scholars believe it is a 30 year old female who lived 1.15 million years ago. In this showcase, we can see some pieces of stone implements and tools. They look very rough and crude. This period is Paleolithic age. And next, this is Yangshao culture about 7000BC to 5000BC. The Banpo ruin is a type of this culture in Shaan’xi Province. The women had dominant roles at that time. The stone tools in this period were much exquisite than before.Ok, now le t’s have a look at the Zhou Dynasty which was a slave society. The Zhou Dynasty is the first Dynasty which set its capital in Shaan’xi Province. So we say history of Shaan’xi begins here. In Western Zhou Dynasty, the bronze casting technology was in the high period, so we usually call it “Bronze age”. Here we can see a group of bronze wares. This one is a wine vessel. The bottom is in shape of ox, the mouth inshape of tongue, the handle is ox’s tail, and the lid is in the shape of a small tiger. This wine vessel vividly shows the high quality of bronze casting technology in the western Zhou Dynasty.Next, we are going to the Qin period. The first Qin Emperor named “YingZheng”, he had annexed all the six independent states and establish the first centralized autocratic feudal empire in the long history of China. After the unification of the whole country, he standardized the coinage, weights and measures, legal codes, written scripts and so on. Also he took 37 years to build a magnificent mausoleum for himself.Ok, now let go to the second gallery of the Han Dynasty. The Han Dynasty is the first peak of Chinese ancient feudal society. The western Han Dynasty influenced a lot to Chinese culture; today we have 56 nationalities, but about 95% of the population is the traditional Han nationality. This is a national treasure---a Jade seal. It was found nearly ChangLing Mausoleum, a shared tomb with Emperor Liu Bang and Empress Lv. Scholars regard this jade seal to be of Empress Lv by judging from the four characters.Then we can see the Wei, the Jin, the South and North Dynasties. It was the most turbulent period in ancient times. Then there were wars of unification and national division.Now, we are at the third gallery of the Sui and Tang Dynasties. The Sui and Tang Dynaties were the most prosperous period in ancient China. TheSui Dynasty was a very short period but it made a strong base for the development of Tang Dynasty. This map shows us the capital Chang’an city during the Tang Dynasty. It covers an area of 83.1 square meters, and was divided into 3parts: palace city, royal city and the outer city. It was the biggest walled city in our country, and the population was more than 1 million in Tang dynasty.Here we can see many beautiful handicrafts uncovered of this dynasty like the tri-color pottery, the porcelains, and the gold and silver ware. This one is a tri-color pottery. It was made mainly of three colors—yellow, brown and green. Every pottery was different, so it is very precious and quite beautiful.Also gold and silver wares constitute a major part of the Tang Culture relics. Here I will show you another national treasure: the Lotus-flower design golden- bowl, which was discovered in October 1970 in Hejia Village. There are many designs cut on back of the lotus, such as dragon, phoenix, deer and so on. The base of bowl was welded on together. It shows the handicraft technology at that time.Here is a group of mural paintings; they have vividly showed us the social and royal life in Tang dynasty. For exampl e, the painting “polo game”, showed us the popular game in Tang Dynasty; the painting “courtiers and foreign envoys” showed the active exchange of friendly and diplomatic visit between China and other countries.After Song dynasty, Shaan’xi lost the capita l position, but it remained a place of military importance for the feudal dynasties. We have also discovered important relics of these dynasties.Ok, these are the main information of the Shaan’xi History museum. I think maybe you were fascinated by the lo ng history of Shaan’xi Provice, so I will give you 1 hour to look around. We will leave at 2 o’clock and I hope you can have a good memory in your life of this trip! Thank you for listening~。
陕西省导游口试考试景点讲解：历史博物馆英文导游词（最终5篇）
陕西省导游口试考试景点讲解：历史博物馆英文导游词（最终5篇）第一篇：陕西省导游口试考试景点讲解：历史博物馆英文导游词陕西省导游口试考试景点讲解：历史博物馆英文导游词Shaanxi History Museum is a state-level large-scale modernization of the museum is a magnificent Tang-style building, covers an area of about 70,000 square meters, construction area of over 50,000 square meters.It brings together the culture of Shaanxi, shows the development of Chinese civilization, Shaanxi Province in China in view of the history of the status of the state to invest a total of 144,000,000 yuan for the construction of the Shaanxi Museum of History, in June 1991 completion and opening.Flavor Architecture Museum, unique.It classical Chinese palace architecture and garden architecture closely together, coordinating colors, reflecting the traditional Chinese architectural style, at the same time with local characteristics and the spirit of the times.Museum of Shaanxi Province unearthed antiques 113,000(Group)showroom area of 1100 square meters, at the prehistoric, Zhou, Qin, Han, Wei, Jin and Southern and Northern Dynasties and the Sui and T ang Dynasties, Song, Yuan, Ming and Qing Dynasties most of the seven, the image display system from 115 Million years ago until the year 1840, Shaanxi's history.In Chinese history, there have been 11 dynasties established their capitals in Shaanxi Province and will last for 1,000 years, is the capital of China's most Dynasty, the longest of the capital region, from a certain point, the ancient history of Shaanxi is China's history Enrichment.● features: Museum of Shaanxi Province in ancient China into the palace courtyard with the architectural style in one, dignified and elegant, generoussimplicity, the layout of coordination, the great momentum, reflecting the ethnic and local characteristics, the Library has central air-conditioning, lighting systems, multi-purpose use Computer management system and the central control system.Heritage and the Treasury have modern languages with simultaneous interpretation function Hall.● Shaanxi Museum of History of the Tang Dynasty architectural style succession of powerful broad, dignified and elegant style, from traditional Chinese palace “axis of symmetry, the master-slave in an orderly manner, the central hall, Si Yu Chong-floor,” the layout of the form and at the same time the use of modern advanced technology to China's Sheng Tang period classical architectural style with modern requirements of the museum features combined into one, has managed to maintain the old style with modern features.The roof of the Tang Dynasty used the prevalence of gray green glazed tile, Wah Kwai appears to be a solemn, simple person, wall materials like asbestos tiles,Doors and windows are tinted using large pieces of glass and aluminum framework, the Library can be equipped with temperature and humidity control of the closed central air-conditioning system of multi-functional lighting systems, automatic fire alarm systems, computer-controlled management system;heritage with science and technology center With-the-art laboratory to test repair techniques and means of protection.T o enhance cultural exchange between China, has computer-controlled and have 300,000 books in the library and 6-language simultaneous interpretation of international academic Hall.In addition, there are facilities for cultural relics libraries, library, shopping and so on.● collections: the Museum's collection of historica l relics unearthed in Shaanxi 370,000 fine, visitors can enjoy prehistoric,Zhou, Qin, Han, Wei, Jin and Southern and Northern Dynasties, Sui, Tang, Song, Yuan, Ming and Qing from 115 million years ago to Year in 1840 between the Shaanxi Cultural Relics.● Structure: galleries with a total area of 11,000 square meters, to display the basic points, and temporary exhibits on display feature three parts, on display ancient history of Shaanxi, Shanxi Bronze Exhibition, Shaanxi show the essence of ancient pottery and domestic Tangmu murals show the most real thing Attractive.● into the hall of the museum, in the face of huge photographs to show people Pentium Miangen roar of the Yellow River and the vast loess plateau.This is the birth of the breeding history and culture of Shaanxi's geographical location.Shaanxi Yellow Earth's history is the history of civilization.Heads held high standing in the central hall of the giant lion is the symbol of civilization.Its grand design, the surging momentum, the beautiful stone, Hongik Univ of vision, called “Eastern Lions in the first.”This is the first in the history of Chinese stone lions from the only female Emperor Wu of Young's mother, Ling-shun.Ancient Chinese lion and the lion sculpture art from Afghanistan into Central Asia's strange romance with the immense depth of East Asia here so perfectly integrated into one, embodies the history and culture of Shaanxi tone.Nearly 1,500 m of exhibition by the basic line on display, special and temporary exhibits on display consists of three parts.Museum is located in the central up and down two floors to display the basic meta-historical relics unearthed in Shaanxi Province of the essence, the display of more than 3,000 pieces of rare treasures unearthed in Shaanxi from the hundreds of thousands of cultural relics selected from a number of precious cultural relics here from the public for the first time in World Bank, sub-prehistoric, Zhou, Qin, Han, Wei, Jin and Southern andNorthern Dynasties and the Sui and T ang Dynasties, Song, Yuan, Ming and Qing Dynasties most of the seven, the image display system, from 115 million years ago by the year 1840, Shaanxi's ancient history, and a number of important people understand the Shaanxi Archeology The basicHan four Wadang God(Suzaku)diameter of 15.8 cm, 2 cm wide margin round, Shaanxi Han Chang'an City ruins unearthed.Suzaku unloading the Pearl of the mouth, head Qiao Mei, the more dignified and powerful Meng, the sacred abnormal.Now in the possession of the Shaanxi History Museum. 第二篇：陕西省导游口试考试景点讲解：华山英文导游词陕西省导游口试考试景点讲解：华山英文导游词Hua Shan is the highest of China’s five sacred mountains.It is 120 kilometers east of Xian.It has five peaks that resemble the petals of a flower.The highest peak is 2180 meters(7085 feet).We had had discussions about going to Hua Shan with some graduate students from Computer Science.That didn’t work out due to changes in schedules on both sides.Also, they were planning to do the climb at night to be able to reach the peak at sunrise.That did not appeal to us.We wanted to spend a night on the mountain.Fran’s department arranged a trip for us, making reservations at the simple hotel on the North Peak.They sent two graduate students to accompany us, though they had not been to Hua Shan before.We met them at 8:00 on Saturday morning and took a taxi to the train station.There we asked around and located a mini-bus.The bus made a couple of stops.One was to see a presentation about the traditional medicines grown on the mountain and a chance to buy some of them.It probably would have been interesting if we understood Chinese.Our guides gave us the general outline about what was said.The other stop was aquick lunch stop.There are two approaches to Hua Shan.[Chinese proverb: “There is one road and only one road to Hua Shan,” meaning that sometimes the hard way is the only way.] The west entrance involves 10 kilometers of walking on a road before you start climbing.We went with the east entrance, where the bus brings you to the base of a cable car that goes up to the 1500 meter North Peak.Our plan was to walk up to the North Peak, then climb to the four other peaks the next day and take the cable car down.We started the climb in the early afternoon.The path consists of stone steps with rough chain link handrails in the narrowest areas(we wore our bicycling gloves for hand protection).Physically, it is more like climbing the steps of a skyscraper than trails at home.However, the temperature was about 95 degrees and there was not much shade.We brought lots of water, including some bottles that we froze and some Gatorade that we got at the fancy department store in downtown Xian.There are plenty of refreshment stands along the way where you can buy bottled water, the Chinese equivalent of Gatorade, and other drinks or snacks at a premium price.We reached the North Peak before 4:00 PM and rested at the hotel.Our room was basic, but comfortable and clean enough.Because water is scarce on the mountain, there were neither showers nor sinks available for washing.In that sense the experience felt like camping, but we were sleeping in a big tent!After dinner at the hotel restaurant, we spent some time talking with our guides.We were a bit surprised to find that they both think of Japan negatively, but like the U.S.It seems that Japan’s WWII b ehavior in China has not been forgotten, and is emphasized in school.We saw a beautiful sunset and watched the sky become resplendent with thousands of stars, including theMilky Way galaxy.This was the clearest sky that we have seen in China.The fresh air at Hua Shan is a treat!Our guides had both been planning to get up at 4:00 AM to watch the sunrise.Fran and I made sleep a priority.We did happen to wake up a bit before sunrise(our room faced east)and went outside to watch the sky become rosy.Ironically, our guides missed the sunrise because they had stayed up late watching the European soccer championships on the television in their room The plan for the day was to climb the other four peaks, but we reserved the right to shorten the route.The first part was a steep climb to Middle Peak.After the low North Peak, all the others are at roughly 2000 meters.There were crowds on the way to Middle Peak –mostly Chinese hikers but we did see a few other wai guo(foreigners)as well.We visited two Taoist temples en route to Middle Peak.Each one had an altar with incense and offerings of fruit.The friendly monks invited us to say a prayer or to send blessings to loved ones.Fran accepted their invitation.At the first temple, she lit incense sticks and knelt on a cushion in front of the altar saying a silent prayer for our safe journey to the various summits of Hua Shan(the prayer was answered).At the second temple, she knelt on a cushion in front of the altar and sent silent blessings to several friends who are experiencing challenging situations in their lives at present.After each blessing, she leaned forward and the monk struck a drum.After Middle Peak, the crowds got much thinner.The next was East Peak, which had a steep ladder climbing rock.Fran was dubious about this ascent, but realized that the ladder wasn’t so bad and went for it.That was a good decision because we were then able to do a loop and the trails got almost empty at this point.After skirting the top of a cliff with a steep dropoff on both sides, we had a pleasant walkto South Peak and West Peak.There was even a small amount of dirt trail!The summit of South Peak was the highest point on Hua Shan, so of course we asked another hiker to take a photo of our guides and us.The views from the tops of each peak were beautiful.Hua Shan and the surrounding mountains are very rugged and remind us somewhat of hiking in the southwestern United States or the Sierras.We took a route that eventually brought us to the main line returning down from Middle to North Peak.We were happy to have ascended each of the five peaks(petals)of Flower Mountain.By cable car(the longest in Asia), it was just 7 minutes down to the park entrance.We caught a shuttle bus into town, then transferred to a bus for Xian.Our guides told us that we had walked up and down a total of 4000 stairs!We were glad that we did not have this information when we started.For three days after returning home, our sore leg muscles instructed us to take the elevator to our fifth floor apartment rather than climbing the stairs.第三篇：陕西省导游口试考试景点讲解：秦兵马俑英文导游词陕西省导游口试考试景点讲解：秦兵马俑英文导游词Emperor Qin Shihuang’s Mausoleum and the Terra-cotta Warriors and Horses MuseumEmperor Qin Shihuang(259-210B.C.)had Ying as his surname and Zheng as his given name.He name to the throne of the Qin at age 13, and took the helm of the state at age of 22.By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor.He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandthemperors in proper order to carry on the hereditary system.Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system.He standardized legal codes, written language, track, currencies, weights and measures.To protect against harassment by the Hun aristocrats.Emperor Qin Shihuang ordered the Great Wall be built.All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture.They had a great and deep influence upon China’s 2,000 year old feudal society.Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field.As a result, China’s ancient classics had been devastated and destroy.Moreover, he once ordered 460 scholars be buried alive.Those events were later called in history“the burning of books and the burying of Confucian scholars.”Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain.These palaces stretched several hundred li and he sought pleasure from one palace to the other.Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.Emperor Qin Shihuang’s Mausoleum has not yet been excavated.What looks like inside could noly be known when it is opened.However, the three pits of the terra-cotta warriotexcavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum.In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey.The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum.This discovery aroused much interest both at home and abroad.In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council.The museum was formally opened to public on Oct.1, the National Day, 1979.No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters.It is an earth-and-wood structure in the shape of a tunnel.There are five sloping entrances on the eastern and western sides of the pit respectively.The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks.Thick rafters were placed onto the walls(but now one can only see their remains), which were covered with mats and then fine soil and earth.The battle formation of the Qin dynasty, facing east.In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces.They are supposed to be the van of the formation.Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long.They are probably the main body of the formation.There is one line of warriors in the left, right and west ends respectively, facing outwards.They are probably the flanksand the rear.There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed.The 2,000-year-old wooden chariots are already rotten.But their shafts, cross yokes, and wheels, etc.left clear impressions on the earth bed.The copper parts of the chariots still remain.Each chariot is pulled by four horses which are one and half meters high and two metres long.According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor.The horses for the cavalrymen were already saddled, but with no stirups.No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation.Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits.The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick.In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken.Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army.All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest.They look healthy and strong and have different facial expressions.Probably they were sculpted by craftsmen accordingto real soldiers of the Qin dynasy.They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on.The clay models were then put in kilns, baked and colour-painted.As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours.However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new.They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads.These weapons were exquisitely made.Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals.Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years.This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum.These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy.The four horses harnessed to the chariot are 65-67 centimeters tall.The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.The chariots and horses are decorated with coloured drawings against white background.They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful.Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection.The bronze chariots and horses were made by lost wax casting, which shows a high level of technology.For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation.According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling.The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated.After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983.No.1 bronze chariot hand horses are on display from 1988.The museum of Terracotta Warriors and Horses Ladies and gentlemen, good morning, Today, we are going to visit the Museum of Terracotta Warriors and Horses.This museum is located at the foot of mountain Li Shan, about 35 kilometers east of Xi’an.First, I will give you a brief introduction about the master of this underground army---the First Qin Emperor, Yingzheng.He came to the throne at the age of 13 and seized the power at the age of 22.By 221BC, he had annexed all the six independent states and established the first centralizedautocratic feudal empire in the long history of China.After the unification of the whole country, he styled himself the First Emperor and standardized the coinage, weights and measures, the legal codes, the written scripts and so on.He also ordered the linkage of the original Great Wall.All these exerted an everlasting influence on the long feudal history of China.But the First Qin Emperor was very ambitious.As soon as he came to the throne, he ordered that a magnificent mausoleum should be built for him.It took 37 years to complete this great project.Actually, the site of those terracotta warriors and horses we now see is just a small part of his mausoleum.Ok, everyone, now we are standing at the front gate of the Eighth Wonder of the world---the Museum of Terracotta Warriors and Horses.As one of the top ten places of historical interest in China, it was also listed as a world heritage site.So next, let’s go to uncover the veil of this miraculous work.In March 1974,when several farmers were sinking a well about 1.5km east of the First Qin Emperor’s Maosolem, they came upon many fragments of the terracotta figures.The results of archaeological excavation showed that is two more pits were discovered respectively.They were then named pit1，pit2, and pit3 by the order of discovery.The new discovery stirred up a sensation all over the world.In order to provide the historical artifacts with adequate protection, a musem was set up on the site of Pit 1 in 1975 upon the approval of the state council.Pit 1,covers an area of 16,300 square meters, is an earth-and-wood structure in the shape of a tunnel.The terra cotta armies in pit 1 were arranged in battle formation.In the front of this formation, there are 210warriors in 3 lines facing forward.Armed with bows and arrows, they constitute the so-called vanguard.Meanwhile, there is one row of warriors on eachof the borders of this pit, facing outward---they are the flanks and the rear guard.Holding long-distance shooting weapons, they took up the job of defending the whole army.Then, this way please.We may find ten partition walls which divided this pit into 11 corridors.The warriors standing inside them with horse-drawn chariots represent the principal military force of this battle formation.According to the density, there are over 6000 terracotta warriors and horses, and most of them are infantrymen.Ok, Here now we arrived at Pit 2.we can see that Pit 2 is still under cover, that’s because we want to preserve them.Pit 2 consists of 4 different mixed military forces in four arrays, they are infantrymen, cavalrymen, archers and charioteers.And pit 2 also include many chariots and horses.They can be divided to act independently, capable of attacking, and defending with a quick response.As you see, those worriors, their feet, legs, bodies, necks, hands and heads, all with different faces, were all made separately and joined together.we may find they are all vivid and true to life.And also as we can see, here are some actual weapons unearthed in those pits.The most attractive one is a bronze sword.Although it was buried over thousands of years, it is still very sharp.It can cat through 20 pieces of paper put together.Now we come to pit 3.Pit 3 covers an area of about 520 square meters.There are only 68 warriors and 4 clay horses.The warriors were arranged opposite to each other in two rows, and only one kind of weapon called “SHU” had been discovered.This kind of weapon has no blade, and is believed to be used by the guards of honor.We have found many animal bones in the north side, and it is supposed to be “Prayer Hall”, and “Commander’s office” is on the south side.This suggests pit 3 is the headquarters directing the whole undergroundarmy.Then we have arrived at the exhibition hall of Bronze Chariots and Horses.In 1980, two sets of large painted bronze chariots and horses were found.They broke into thousands of pieces when we found them and after 8 years’ careful restoration;they were rebuilt and open to the public.The first one was named “High Chariot” and the second one was called “Security Chariot”.They were the eariliest and most exquisitely and intricately made bronze valuables,and also the largest bronze wares discovered in the history of world archaeology.It provides extremlyvaluable material and data for the research of the metallurgical technique and technological modeling og the Qin Dynasty.So now we will finish our journey in the museum today, I believe that you must be very astonished at this world wonder.So it’s your time,you can work around and take some pictures.thank you for listening.第四篇：陕西省导游口试考试景点讲解：华清池英文导游词陕西省导游口试考试景点讲解：华清池英文导游词Huaqing Pool is situated about 35 kilometres east of the city of Xi’an.Historically, the Western Zhou dynasty saw the construction of the Li Palace on the spot.In the Qin dynasty a pool was built with stones, and was given the name Lishan Tang(the Lishan Hot Spring).The site was extended into a palace in the Han dynasty, and renamed the Li Palace(the Resort Palace).In the Tang dynasty, Li Shimin(Emperor Tai Zong)ordered to construct the Hot Spring Palace, and Emperor Xuan Zong had a walled palace built around Lishan Mountain in the year of 747.It was known as the Huaqing Palace.It also had the name Huaqing Pool on account of its location on the hot springs.Huaqing Pool is located at the foot of the Lishan Mountain, a branch range of the Qinling Ranges, and stands 1,256 metres high.It is covered with pines andcypresses, looking very much like a like a dark green galloping horse from a long distance.So it has the name of the Lishan Mountain(Li means a black horse).The Tang dynasty Emperor Xuan Zong and his favourite lady, Yang Gui Fei used to make their home at Frost Drifting Hall in winter days.When winter came, snowflakes were floating in the air, and everything in sight was white.However, they came into thaw immediately in front of the hall.It owed a great deal to the luke warm vapour rising out of the hot spring.This is the Frost Drifting Hall that greets us today.Close by the Frost Drifting Hall lies the Nine Dragon Pool.According to legend, the Central Shaanxi Plain was once stricken by a severe drought in the very remote past.Thus, by the order of the Jade Emperor(the Supreme Deity of Heaven), an old dragon came at the head of eight young ones, and made rain here.Yet when the disaster was just abating, they lowered their guard so much that it became serious again.In a fit of anger, the Jade Emperor kept the young dragons under the Jade Cause Way(玉堤), with the Morning Glow Pavilion and the Sunset Pavilion built at both ends of it respectively, to make the young dragons spout cleat water all day long to meet the needs of local irrigation.Besides, he had the old dragon confined to the bottom of the Roaring Dragon Waterside Pavilion situated at the upper end of the Jade Causeway, and obliged him to exercise control over the young.The Nine-Bend Corridor west of the Nine Dragon Pool leads directly to the Marble Boat, which resembles a dragon boat on the water surface.In the Marble Boat lies the Nine Dragon Tang(the Nine Dragon Hot Spring where Emperor Xuan Zong used to take baths).At the head of his court ladies and hundreds of his officials, he would come to the Huanqing Palace to spend his winter days in October of the Lunar calendar and。
陕西历史博物馆英文导游词TheShaanxiHistoryMuseum
陕西历史博物馆英文导游词TheShaanxiHistoryMuseum第一篇：陕西历史博物馆英文导游词The Shaanxi History MuseumThe Shaanxi History Museum Hello, ladies and gentlemen, welcome to Shaanxi History Museum.First, I want to give you a brief introduction of this museum.Shaanxi History Museum is a sizable national museum with a wide range of artifacts.The museum shows a great deal of elegance and originality in style.It was designed by Zhang Jinqiu, a very famous female architect in China.Now we are in the Preface Hall.Here we can see a giant lion and three big pictures.The giant stone walking lion was originally erected in front of Shunling Mausoleum.It represents the cultural exchange between China and other countries.The massive picture shows the surging and roaring Yellow River and the vast Loess Plateau, the habit of Shanxi residents and the candle of their ancient civilization.//序言大厅Ok, we are going to rhe first gallery.The first section focuses on the history of the Prehistoric Age.Here is the Liantian Ape-man, the fossil of a human skull in Liantian.It was the earliest known Homo erectus in North Asia.And this is the painted pottery.There are a lot of symbols on the edge of it.//史前时代Ok, we are going to the Zhou Dynasty which was a slave society.The bronze casting technology was in the high period, so we also call it the Bronze Age in Chinese history.The “ding” or tripod, which is a cooking utensilof ancient times, is the symbol of power and rank(and were things used by royal family members).Divination had to be practiced for all major activities at that time.A record of the divination results was carved onto the tortoise-shell or animal bone, which formed China’s earliestwritten script, known as “oracle bone inscription”.Here we can also see some other artifacts, like the Chime Bell, wine vessels.//周代And next, let’s come to the Qin Dynasty.Agriculture was integral to the economy of the Qin state.The iron implements unearthed from the site indecate that iron wares widely used instead of bronze wares.Here we see a tiger tally（虎符）.The body of it can be divided into two halves.The left was held by the general while the right was held by the Emperor.When both pieces were matched together, the general was allowed to move the army.We can also see a bronze sword which retains its sharpness and glitter without a sign of rust after being buried for 2000 years.1 Well, then, we come to the Han Dynasty.This is a very important historical stage in China’s history.The Han nationality was officially formed during this period.So did the languages.The Han city of chang’an was the first international metroplis in Chinese history.The Han Dynasty also paid great attentions to agriculture and animal husbandry.Here, we can see a national treasure-a Jade Seal(皇后玉玺).This one belonged to a queen in Han Dynasty.Called LuZhi, she was a very powerful woman at that time.And the gold and silver censer is another national treasure.Well, This lamp was very famous in Han Dynasty.At that time people lit an oil light on the round part.The smoke would collect in the stem and then would be filtered in the water filled body.//秦汉时代Next, we come to the Wei, the Jin, the South and North Dynasties.It was the most turbulent period in ancirnt times.There were wars of unification and national dividion.This multi-faceted seal is made of jet, and there are 26 faces all together.The owner of it was DaGuXin.His three daughters were respectively marriedto three emperors.Therefore, people call him as the first father in law in ancient China.//魏晋南北朝We will now to the third gallery of the Sui and Tang Dynasties.The Sui and Tang Dynasties was a period when China’s feudal society was at the height of its power and splendor.It also marked a golden era in the history of Shaanxi.The Sui Dynasty was a very short period, but it made a strong base for thre development of the Tang pared with other dynasties, the Tang Dynasty got high marks for its economy, politics, and culture and so on.So next we will see some handicrafts of the Tang Dynasty.Here is the Tang Tri –colored glazed Pottery, which brought Chinese pottery craft into a new stage.And one of the best qualities of natioanl treasure is this Lotus-flower design golden-bowl.There are many design cuts on back of the lotus, such as dragon, phoenix, and deer and so on.It shows us the royal technology was very high.Well, this is a fresco, called “Chinese officals and Foreign Envoys”.It shows the active exchange of friendly and diplomatic visit between China and foreign countries during the Tang Danasty.Ok, ladies and gentlemen, here is a national treasure and is a symbol of our museum---the Ox-headed Agate Cup.It was made out of one whole piece of agate.This one is one of the most valuable national treasures in our museum.2 An d in the end, let’s come to the Song, Yuan, Ming and Qing Dynasties.Since the song dynasty, Xi’an is no longer the capital but still very important.Here is a national treasure---the Green Glazed Bottom of the Song Dynasty.This kettle is not only beautiful,but has a principleof the pot bottom.Ok, everyone!So much for this today!We still have some free time.So next, you may look around and take some pictures.We’ll leave at 2 o’clock, so please donot be late.And I’ll stay here, if you have any question, pleak ask me.By the way, watch your step please!So next, it’s your turn.Thank you for listening.第二篇：陕西历史博物馆英文导游词(最新)陕西历史博物馆Hello, ladies and gentlemen, welcome to Shaanxi History Museum.First, I want to give you a brief introduction of this museum.Shaanxi History Museum is a sizable national museum with a wide range of artifacts.The museum shows a great deal of elegance and originality in style.It was designed by Zhang Jinqiu, a very famous female architect in China.Now we are in the Preface Hall.Here we can see a giant lion and three big pictures.The giant stone walking lion was originally erected in front of Shunling Mausoleum.It represents the cultural exchange between China and other countries.The massive picture shows the surging and roaring Yellow River and the vast Loess Plateau, the habit of Shanxi residents and the candle of their ancient civilization.//序言大厅Ok, we are going to rhe first gallery.The first section focuses on the history of the Prehistoric Age.Here is the Liantian Ape-man, the fossil of a human skull in Liantian.It was the earliest known Homo erectus in North Asia.And this is the painted pottery.There are a lot of symbols on the edge of it.//史前时代Ok, we are going to the Zhou Dynasty which was a slave society.The bronze casting technology was in the high period, so we also call it the Bronze Age in Chinese history.The “ding” or tripod, which is a cooking utensilof ancient times, is the symbol of power and rank(and were things used by royal family members).Divination had to be practiced for all major activities at that time.A record of the divination results was carved ontothe tortoise-shell or animal bone, which formed China’s earliest written script, known as “oracle bone inscription”.Here we can also see some other artifacts, like the Chime Bell, wine vessels.//周代And next, let’s come to the Qin Dynasty.Agriculture was integral to the economy of the Qin state.The iron implements unearthed from the site indecate that iron wares widely used instead of bronze wares.Here we see a tiger tally（虎符）.The body of it can be divided into two halves.The left was held by the general while the right was held by the Emperor.When both pieces were matched together, the general was allowed to move the army.We can also see a bronze sword which retains its sharpness and glitter without a sign of rust after being buried for 2000 years.Well, then, we come to the Han Dynasty.This is a very important historical stage in China’s history.The Han nationality was officially formed during this period.So did the languages.The Han city of chang’an was the first international metroplis in Chinese history.The Han Dynasty also paid great attentions to agriculture and animal husbandry.Here, we can see a national treasure-a Jade Seal(皇后玉玺).This one belonged to a queen in Han Dynasty.Called LuZhi, she was a very powerful woman at that time.And the gold and silver censer is another national treasure.Well, This lamp was very famous in Han Dynasty.At that time people lit an oil light on the round part.The smoke would collect in the stem and then would be filtered in the water filled body.//秦汉时代 Next, we come to the Wei, the Jin, the South and North Dynasties.It was the most turbulent period in ancirnt times.There were wars of unification and national dividion.This multi-faceted seal is made of jet, and there are 26 faces all together.The owner of it was DaGuXin.His three daughters wererespectively married to three emperors.Therefore, people call him as the first father in law in ancient China.//魏晋南北朝 We will now to the third gallery of the Sui and Tang Dynasties.The Sui and Tang Dynasties was a period when China’s feudal society was at the height of its power and splendor.It also marked a golden era in the history of Shaanxi.The Sui Dynasty was a very short period, but it made a strong base for thre development of the Tang pared with other dynasties, the Tang Dynasty got high marks for its economy, politics, and culture and so on.So next we will see some handicrafts of the Tang Dynasty.Here is the Tang Tri –colored glazed Pottery, which brought Chinese pottery craft into a new stage.And one of the best qualities of natioanl treasure is this Lotus-flower design golden-bowl.There are many design cuts on back of the lotus, such as dragon, phoenix, and deer and so on.It shows us the royal technology was very high.Well, this is a fresco, called “Chinese officals and Foreign Envoys”.It shows the active exchange of friendly and diplomatic visit between China and foreign countries during the Tang Danasty.Ok, ladies and gentlemen, here is a national treasure and is a symbol of our museum---the Ox-headed Agate Cup.It was made out of one whole piece of agate.This one is one of the most valuable national treasures in our museum.And in the end, let’s come to the Song, Yuan, Ming and Qing Dy nasties.Since the song dynasty, Xi’an is no longer the capital but still very important.Here is a national treasure---the Green Glazed Bottom of the Song Dynasty.This kettle is not only beautiful,but has a principleof the pot bottom.Ok, everyone!So much for this today!We still have some free time.So next, you may look around and take some pictures.We’ll leave at 2 o’clock, so please do not be late.And I’ll stay here, if youhave any question, pleak ask me.By the way, watch your step please!So next, it’s you r turn.Thank you for listening.第三篇：陕西历史博物馆导游词陕西历史博物馆导游词女士们，先生们大家好！现在我们就来到了陕西历史博物馆参观游览。
陕西英语导游词
陕西英语导游词【篇一：陕西历史博物馆英语导游词】陕西历史博物馆英语导游词.txt30生命的美丽，永远展现在她的进取之中；就像大树的美丽，是展现在它负势向上高耸入云的蓬勃生机中；像雄鹰的美丽，是展现在它搏风击雨如苍天之魂的翱翔中；像江河的美丽，是展现在它波涛汹涌一泻千里的奔流中。
陕西历史博物馆英语导游词陕西历史博物馆是国家级现代化大型博物馆，是一组雄伟壮观的仿唐建筑群，占地约7万平方米，建筑面积5万多平方米。
它汇集了陕西文化精华，展现了中华文明的发展过程，鉴于陕西在中国历史上的地位，国家共投资1.44亿元人民币，兴建了陕西历史博物馆，于1991年6月建成开放。
博物馆建筑古朴典雅，别具特色。
它将中国古典宫殿建筑和庭院建筑紧密地结合在一起，色彩协调，体现了中华民族的传统建筑风格，同时具有地方特色和时代精神。
博物馆珍藏了陕西出土的文物精品11.3万件(组)展室面积达1100平方米，分史前、周、秦、汉、魏晋南北朝、隋唐、宋元明清七大部分，形象系统地展现出自115万年以前至公元1840年的陕西历史。
在中国历史上，曾经有11个朝代在陕西建都，历时1000多年，是我国建都王朝最多，建都时间最长的地区，因此，从某种角度来说，陕西古代史是中国历史的浓缩。
●特点：陕西省博物馆融中国古代宫殿与庭院建筑风格于一体，典雅凝重，古朴大方，布局协调，气势宏伟，体现了民族风格和地方特色，馆内设有中央空调、多功能照明系统，采用计算机管理系统和中央控制系统。
设有现代化文物库房和具备多种语言同声传译功能的报告厅。
镶金玉镯●陕西历史博物馆建筑造型继承唐代博大雄浑、典雅凝重的风格，借鉴我国传统宫殿“轴线对称，主从有序，中央殿堂, 四隅崇楼”的布局形式，同时运用现代先进技术，把我国盛唐时期古典建筑风格与现代博物馆功能要求有机地结合为一体，既保持了古老风貌，又有现代化的特点。
屋顶采用唐代盛行的灰绿色琉璃瓦，显得华贵庄重，古朴大方，墙面材料为仿石棉砖，门窗则采用大块茶色玻璃和铝合金框架，馆内配备可控制温湿度的全封闭中央空调系统，多功能的照明系统，自动防火防盗系统，计算机控制管理系统；设有文物保护科技中心，具有先进的化验、测试技术和文物保护修复手段。
五年级小学生英语作文陕西历史博物馆介绍
陕西历史博物馆之旅**A Trip to the Shaanxi History Museum**Last weekend, my classmates and I had the opportunity to visit the Shaanxi History Museum, a place that holds the secrets and stories of China's rich history. The museum is located in the heart of Xi'an, a city that itself is a testament to the grandeur of ancient civilization.As we entered the博物馆大门, we were greeted by a towering marble statue of an emperor, a symbol of the power and dignity of the past. Inside, the走廊 were lined with exhibits that told the story of Shaanxi and China from prehistoric times to the modern era.One of the most fascinating exhibits was the Terracotta Army, a life-size replica of the army that guarded the tomb of Emperor Qin Shi Huang. These figures, each unique in their details, gave us a glimpse into the remarkable craftsmanship and precision of ancient China.Another highlight was the Bronze Ware section, where we saw various bronze artifacts from different dynasties. The intricate designs and intricate carvings on these artifactswere a testament to the skilled craftsmanship of the ancient Chinese.The museum also had a section dedicated to the calligraphy and paintings of famous Chinese artists. These artworks, with their elegant strokes and vibrant colors, brought to life the rich cultural heritage of China.As we walked through the museum, we felt like we were stepping through time, going back to the ancient days of China. The exhibits not only showcased the rich history and culture of Shaanxi but also gave us a deeper understanding of the Chinese civilization.It was a day full of learning and discovery. The Shaanxi History Museum not only taught us about China's past but also inspired us to cherish and preserve our own cultural heritage.**陕西历史博物馆之旅**上周末，我和同学们有幸参观了陕西历史博物馆，这个蕴藏着中国丰富历史秘密和故事的地方。
导游英语Unit 15 A Speech on History Museum—Shaanxi History Museum(陕西历史博物馆)
Questions:
Why is Shaanxi very important in Chinese history? Who can name some ancient objects kept in Shaanxi Historythis the Hall of Ancient China? May: Yes. Look at these historical relics here, aren’t they amazing? Tom: Yes, but why are they all in glass boxes? For protection? May: Yeah. Some relics will turn to dust once they are exposed to air. Tom: So there isn’t air in the glass boxes, I think. May: You are right. They are all vacuumed. Tom: May, I wonder how old these things are, thousands of years? May: Yes, they are very old, at least more than 2,000 years. Tom: Hey, look at the bronze three-leg cup. It’s very interesting. I’ve seen it on TV. May: The cup was made 4,000 years ago. It’s priceless! Tom: Priceless? Does it mean that it has no value at all? No wonder nobody uses this cup today. May: No, Tom, “priceless” means valuable and you can’t put a price on it. Tom: Oh, it does?
景点英文导游词
景点英文导游词篇一：西安八大景点英文导游词西安八大景点英文导游词-陕西历史博物馆TheGreatmosqueTheGreatmosqueislocatedinHuajueLane,whichbranchesofffromthewestm ainStreet.itisthemajorspotforthereligiousactivitiesofover60,000moslemsin Xi’an.itisalsoan importanthistoricalmonumentinShaanxiProvince.Unlikearabianmosquesw ithsplendiddomes,skywardminarets,anddazzlingpatterns,thismosqueposse ssesmuchchinesetraditioninbothdesignandartisticoutlook.itassumesthestri kingfeaturesofchinesePavilions,withpaintedbeamsandengravedridgepoles. However,itwouldbeuselesstotalkabouttheGreatmosquewithoutknowingho wislamwasintroducedintochina.islam,asareligiousorder,wasfoundedintheearlyperiodofthe7thcenturyandw asintroducedtochinainthemid-7thcentury.atthattime,somearabianmerchantsa ndtravelerscametothenorthwesternregionbywayofPersiaandafghanistantoe stablishdiplomatic,trade,andmilitarycontactswithchina.othersstartedtheirv oyagefromtheBangladeshBay,crossedtheStraitofmalacca,andarrivedatGua ngzhou,Quanzhou,Hangzhou,ter,manyofthemsettleddownandmarriedthelocalwomen.Theirchildrenbecamethefirs tgenerationofchinesemoslems.However,massiveimmigrationofmoslemsto chinadidnottakeplaceuntil,aslateas,theearlyperiodofthe13thcentury.asares ultofhiswesternExpedition,GenghisKhanconqueredvastexpansesoflandfromcentralasiato EastEurope,includingthenorthernpartofiran.manyofthemoslemsintheseconqueredareas ter,theymadechinatheirpermanenthome.m anyofthemweresoldiers;andsomeweresmithsandofficials.Theywerecalledt heHuipeopleinthehistorybooksoftheYuandynasty.TheHuipeoplelaterfollowedKublaiKhandowntotheSouth,helpingh imunifychinaandestablishtheYuandynasty.inthewakeofthisconquest,islams preadalloverchinaandmosquesbegantoappeareverywhere.manymoslemsheldpositionsbothinthe militaryandcivilservicesintheYuandynasty. alotofmoslemstookpartinzhuYuanzhang’suprisingintheearly14thcenturyandmadegreatcontributionstothefoundingo fthemingdynasty.Therefore,alltheemperorsofthemingdynastyissuedmosle msfortheirgreatcontributions.intheearly16thcentury,islamdominatedXinjia ngandspreaditsinfluencetopGansu,ningxiaandQinghai.Thereligionlaterwo ndominationoversuchminorityethnicgroupsastheHui,theUygur,theKazak,theKirgiz,theTajik,theTartar,theUzbek,thedongxiang,theSalarandtheBonan. ThemoslemsinXi’anaremainlytheHuipeople.Thereareapproximately17millionmoslemsinchi na. TheGreatmosqueisthemostsizableofitskindinthecityofXi’an,andalsooneoftheoldestandbest-preservedmosquesinchina.TheStoneTab letotheBuildingofthemosquesaysthatitwasbuiltintheTangdynasty.However ,judgingfromitsarchitecturalstyle,itwasprobablybuiltinthemingdynasty.itsf ourcourtyardscoveranareaofmorethan12,000squaremeters,withabuildingar eaof4,000squaremeters.Thestillintactwoodenmemorialarchinthefrontyard wasbuiltattheturnofthe17thcentury.withglazedtiles,spectacularcorners,and upturnedeaves,itstandsaboutninemetershigh,andhasahistoryofabout360yea rs. Thestonememorialgatewayinthecenterofthesecondcourtyardisflankedbytw otalltablets,withdragonscarvedoneach.Theyrecordthedetailsoftherepairworkev erconducted sincethebuildingofthemastercalligraphermiFumosque.onetabletbearsthech aractersbytheintheSongdynasty:“mayislamFilltheUniverse.”Theotherbear sthecharactersbythemingmastercalligrapherdongQichang,“RoyallyBestowed.”Thesecharactersaret ypicalexamplesoftraditionalchinesecalligraphy.attheentranceofthethirdcourtyardisahallbuiltbytheorderoftheRoyalcourt,w herea“crescentTablet”,showingthecalculationoftheislaluiccalendarisstored .ThecalendarwascompiledbyXiaoXining,whowasinchargeofthemosqueintheearlyperiodoft heQingdynasty.athree-storeyedoctagonalwoodenstructurecalledtheRetrospectionTowersta ndsinthecenterofthecourtyard.itfunctionsthesameastheminaretinanaverage arabianmosque.ordersareoftensentfromthetowertocallthemoslemstocomet oworship.RespectivelyonthesouthandnorthwingsofthetoweraretheRecepti onchamberandtheScripturechamber.Bothofthemareelegantlylaidout.Thefi vewoodenhouses,called“waterhouses”inthesouthwestsectionofthemosque, arewherethebelieversbathethemselvesbeforetheyattendtheirservices. insidethefourthcourtyard,thereisastructurecalledthePhoenixPavilion,aplac ewhereworshiperswaitforservices.Thepavilion,infact,isacomplexofthreesmallbuil dings.Thesix-gabledstructureinthecentralpartisadjoinedbytwothree-gabled buildingsoneachsidewhichmakeitlooklikeaflyingphoenix;henceitsname.Justatthebackofthepavi lionthereisafishpond,andbeyonditisaplatformwithanareaof700squaremeter s.acrosstheplatformstandsthe1,300-square-meterprayerhall.itholdsover1,000worshipersatatim e.Theceilingisdecoratedwithover600panels.Thewallsofthehall,aswellasthepanels,aredecoratedwith patternsoftrailingplantsandarabicletters.Theshrineatthewesternendofthehal liswheretheimamandworshiperschanttheKoranandpayhomagewhilefacingi nthedirectionofmecca. Themoslemsinchinasharemuchthesamecustomswiththeirbrothersandsister selsewhereintheworld.Theyworshipfivetimesaday:atdawn,atnoon,intheaft ernoon,atdusk,andatnight. Theconstitutionofchinaacknowledgesthateachcitizenhastherightfreedomof religion,andthateachethnicgrouphasthefreedomtopreserveorreformitsownc ustoms.ofcourse,themoslemsinchinaenjoyequalrightswithotherethnicgrou ps,andtheirreligiousbeliefsandcustomsarerespectedeverywhereinthecountr y.陕西西安大清真寺英文导游词TheGreatmosqueatHuajueLane Themosqueisamajorspotforreligiousactivitiesofover60.000moslemsinXi’an,likewise,animportantculturalrelicprotectedbytheProvincialPeople’sGovernment.Unlikethearabicmosques,withsplendiddomes,theminaretsre achingintotheclouds,thecoulourfulengravedsketcheswithdazzlingpatterns,t hemosquehereinXi’anpossessesmuchchinesetraditionaltouchinbothitsdesignandartisticoutlook ;besidesthestylepeculiartoislamicmosques,thismosquealsoholdscharacteris。
陕西历史博物馆的导游词范文5篇
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