简单介绍陈家祠英文导游词
陈家祠英文导游词800字
陈家祠英文导游词800字陈氏书院，俗称陈家祠，位于广州市中山七路。
陈家祠是广东现存祠堂中最富有广东特色的艺术建筑群，布局严整，装饰精巧，富丽堂皇，是全国文物重点保护单位。
21世纪以来，陈氏书院以“古祠流芳”之名两度入选“新世纪羊城八景”，被誉为“广州文化名片”，成为岭南地区最具文化艺术特色的博物馆和著名的旅游景点。
一、陈家祠英文导游词800字The Chen Family T emple陈家祠【Introduction】The Chen Family T emple was an ancestral[?n’sestr?l]adj.祖先的， temple of the Chen families in Guangdong Province. As a Chinese saying goes，“people of the same surname were in the same Family 500 hundred years ago.” This adage [’?d?d?]n.谚语，格言is known to all in China and is certainly true as applied to适用于the fact that people of the Chen families in the 72 counties of Guangdong Province jointly共同地，联合地 built this temple， in 1894 in the present –day Zhongshan Qi Road， as a place of their clannish 自成一帮的activities on special occasions as well as a shrine for offering sacrifices[’s?krifais]n.牺牲，舍身;献祭，供奉;祭to their common ancestors[’?nsist?]n.祖先，祖宗. Otherwise called Chen Clan[kl?n]n.宗族，家族;氏族 Academyn.专科学校， it was also a school for children of the Chen families. In 1959，it was converted[k?n’v?：t]vt. & vi.(使)转变，into the Guangdong Folk Art Museum， for the temple structure itself is a comprehensive[，k?mpri’hensiv]adj.广泛的，综合的expression of the exquisite[’ekskwizit]adj.精致的，精美的 Guangdong folk arts and crafts.工艺Covering a ground space of 15，000 square meters， with a floor space of 6，400 square meters，the temple is built in thetraditional Chinese architectural [ɑ：k?tekt??r?l] 建筑学的;建筑上的style. It is laid out in a symmetrical [s?’metr?k?l]adj.对称的;匀称的 way，with the longitudinal [l?nd?i’tju：dinl]adj.经度的，纵向central line as the axis[’?ksis]n.轴;轴线，中心线and the structures on one side corresponding 符合的，一致的 exactly with those on the other. Its wide-open main halls and the lattice-walled格子框架wing-rooms are interspaced 留…的间隔，留空隙的by courtyards 庭院，院子and connected with corridors， and huge suspended悬浮的 or floor screens as well as solid brick walls are used as partitions[pɑ：’ti??n]n.分开，分割;分割物，隔墙between halls and courtyards and between rooms; thus creating an artistic effect of being structurally compact but appearing spacious[’spei??s]adj.宽敞的 and magnificent， and producing a contrasting对比的 effect of the big with the small， the high with the low， the open with the hidden and the true with the false.Another feature of the temple structure is that all the houses are gable[’ɡeibl]n.尖顶屋两端的山形墙roofed，with two slopes[sl?up]n.斜坡，斜面to drain away使流走(双檐滴水) the rainwater，which is the traditional style of roof structure corresponding to相当于...，与...相一致houses for the people in old China and to temple buildings of this kind.In the feudal society [’fju：dl]adj.封建的社会of old China，a strict hierarchy[’hai?rɑ：ki]n.等级制度was formed. Under this social estate [is’teit]n.土地，财产system，everything was rigidly严格地stratified分层的. The size，height and color of a house and even the style of its roof must match the social status [’steit?s]n.身份，地位;情形，状况of its owner or user. That’s why，in the former imperial[im’pi?ri?l]帝王的palaces， all the back houses for servants and soldiers are low and gable-roofed with grey tiles [tail]n.瓦片，瓷砖， but the main buildings in themiddle have yellow roofs with slopes on four sides.While being constructed in the national style of architecture[’ɑ：kitekt??]n.建筑学，建筑术;建筑风格，建筑式样，the temple structure is unique in the way it is decorated， the way that is characteristic[，k?rikt?’ristik]adj.特有的，典型的of this province. Stone-carvings， brick-carvings， lime sculptures，[la?m] [’sk?lpt??]灰雕ceramic figurines[si’r?mik]adj.陶器的[，f?gj?’ri：n]n.小雕像，小塑像，，wood-carvings or artistic objects of iron-casting 铁铸can be found everywhere. They are made into flowers and trees， insects and birds， animals and human figures 人像and even architectural complex n.综合体，集合体. These works of art are used not only for the purpose of decoration but are also symbols[’simb?l]n.象征，标志;符号or implications[，?mpli’kei??n]含义，暗示of one thing or another，or depictions [d?p?k??n] 描写of various scenes from stories of Chinese history and legends. For example， the peony flower is a symbol of richness and wealth， the twin lotus flowers on one stalk stand for an affectionate挚爱的couple of husband and wife and the lion sculpture，power and dignity [’diɡniti]n.庄严，端庄，尊严.【Outside the Main Entrance】正门外The Stone Lion and the Unicorn-like Animal双狮和独角兽Here (in front of the temple) are two granite [’ɡr?nit]n.花岗岩，花岗石statues [’st?tju：]n.雕像of the lion that exists in reality.实际上，事实上。
介绍广州陈家祠的英语作文初一
介绍广州陈家祠的英语作文初一The Chen Clan Academy in Guangzhou is a stunning example of traditional Chinese architecture and a testament to the rich cultural heritage of the region. Located in the heart of Guangzhou, this impressive structure serves as a testament to the ingenuity and artistry of the Chen clan, who commissioned its construction in the late 19th century.The Chen Clan Academy was built in 1894 and was originally intended to serve as a meeting place and educational institution for the members of the Chen clan. The complex is comprised of several buildings, each of which is adorned with intricate carvings, detailed tilework, and ornate decorations that reflect the unique style of Lingnan architecture.One of the most striking features of the Chen Clan Academy is its ornate main gate, which is adorned with elaborate carvings and sculptures that depict scenes from Chinese mythology and folklore. The gate is flanked by two impressive stone lions, which are a common feature of traditional Chinese architecture and symbolizepower and protection.As visitors pass through the main gate, they are greeted by a series of courtyards and pavilions that are connected by a network of winding pathways and covered walkways. These courtyards are adorned with beautifully landscaped gardens, which feature a variety of exotic plants and flowers that are native to the Guangzhou region.The main building of the Chen Clan Academy is the Ancestral Hall, which is the centerpiece of the complex. This magnificent structure is adorned with intricate carvings and paintings that depict the history and achievements of the Chen clan. The hall is divided into several rooms, each of which is dedicated to a different aspect of the clan's history and traditions.One of the most impressive features of the Ancestral Hall is its ornate ceiling, which is decorated with intricate carvings and paintings that depict scenes from Chinese mythology and folklore. The ceiling is supported by a series of elaborately carved wooden columns, which are adorned with intricate designs and patterns that reflect the unique style of Lingnan architecture.In addition to the Ancestral Hall, the Chen Clan Academy also features a number of other buildings and structures that are equally impressive in their architectural design and cultural significance.These include the Study Hall, which was used for educational purposes, and the Banquet Hall, which was used for hosting important events and ceremonies.Throughout the complex, visitors can also find a variety of intricate carvings, sculptures, and other decorative elements that reflect the rich cultural heritage of the Chen clan. These include detailed stone carvings, delicate porcelain figurines, and intricate woodcarvings that depict scenes from Chinese mythology and folklore.One of the most fascinating aspects of the Chen Clan Academy is its role in the history and development of Guangzhou. The academy was not only a center of education and cultural preservation for the Chen clan, but it also played a significant role in the broader cultural and economic life of the city.During the late 19th and early 20th centuries, Guangzhou was a thriving commercial hub, and the Chen Clan Academy served as an important meeting place for the city's elite. Many of the clan's members were successful businessmen and merchants, and the academy was a hub for networking, trade, and the exchange of ideas.Today, the Chen Clan Academy continues to be an important cultural landmark in Guangzhou, attracting visitors from all over the world who come to admire its stunning architecture and learn about therich history and traditions of the Chen clan. The complex has been carefully restored and maintained, and it remains an important center for the preservation and promotion of traditional Chinese culture.In conclusion, the Chen Clan Academy in Guangzhou is a truly remarkable and awe-inspiring example of traditional Chinese architecture and cultural heritage. Its intricate carvings, detailed tilework, and ornate decorations are a testament to the skill and artistry of the Chen clan, and its role in the history and development of Guangzhou makes it a must-visit destination for anyone interested in exploring the rich cultural tapestry of China.。
世界地质公园—丹霞山、开平碉楼、中山纪念堂、西汉南越王博物馆、陈家祠中英文导游词
世界地质公园—丹霞山、开平碉楼、中山纪念堂、西汉南越王博物馆、陈家祠中英文导游词【中文版】1、丹霞山：各位游客，我们现在来到的是世界地质公园—丹霞山。
这里的地貌独特，被誉为“红石公园”。
相传有一位名叫丹霞的僧人曾在此修炼，因此得名。
大家可以看到，这里的山峰、峡谷、石柱、溶洞等景观都是由于石灰岩的溶蚀作用形成的。
在游览过程中，我们会发现许多神奇的石柱和石峰，它们形态各异，充满神秘感。
2、开平碉楼：接下来，我们将前往开平碉楼。
这些碉楼是当地华侨为了保护家乡而修建的防御性建筑。
每座碉楼都有其独特的设计和功能。
在碉楼内部，我们可以欣赏到精美的木雕、砖雕和陶塑等传统工艺品。
此外，我们还可以了解到当地华侨的历史和文化背景。
3、中山纪念堂：现在我们来到了中山纪念堂。
这座宏伟的建筑是为了纪念国父孙中山先生的伟大贡献而建的。
在纪念堂内，我们不仅可以了解到孙中山先生的生平和革命事迹，还可以欣赏到精美的建筑艺术和文物。
在这里，我们可以深刻感受到中山先生为民族独立和人民幸福所做出的不懈努力。
4、西汉南越王博物馆：接下来，我们来到的是西汉南越王博物馆。
这里展示了南越王墓出土的珍贵文物，包括金银器、玉器、陶器和青铜器等。
这些文物反映了南越文化的独特魅力和高度发展水平。
在参观过程中，我们可以了解南越王国的历史和文化背景，感受古代文明的博大精深。
5、陈家祠：最后，我们将前往陈家祠。
这座古老的建筑群是广东省最著名的文化景点之一。
陈家祠内的雕刻和装饰精美绝伦，展示了中国传统文化的独特魅力。
在这里，我们可以了解到陈氏家族的历史和文化背景，感受广东文化的深厚底蕴。
在游览过程中，我们还可以欣赏到广东地方戏曲的表演，更加深入地了解当地文化的特色。
各位游客，我们的行程即将结束。
希望大家在这次旅行中能够充分领略到广东省的文化和历史魅力，收获美好的回忆。
感谢大家的参与和支持！【英文版】1、Danxia Mountain: Ladies and gentlemen, we have arrived at the World Geopark -Danxia Mountain. With its unique geological features, it is known as the "Red Rock Park". It is said that a Buddhist named Danxia once meditated here, giving the place its name. As you can see, the landscape here includes distinctive features such as peaks, gorges, pillars and caves, all formed by the erosion of limestone. During our tour, we will discover many fascinating pillars and peaks, with their unique shapes full of mystery.2、KaiPing DiaOLou: Next, we will visit the DiaOLou in KaiPing. These defensive buildings were built by local overseas Chinese to protect their hometowns. Each DiaOLou has its unique design and function. Inside the DiaOLou, we can admire exquisite traditional crafts such as woodcarving, brick carving and pottery. In addition, we can learn about the history and cultural background of the local overseas Chinese.3、Sun Yat-sen Memorial Hall: Now, we have arrived at the Sun Yat-sen Memorial Hall. This magnificent building was constructed to commemorate the great contributions of Dr. Sun Yat-sen, known as the father of the nation. Inside the hall, we can not only learn about Dr. Sun Yat-sen's life and revolutionary deeds, but also admire the exquisite architectural art and cultural relics. Here, we can deeply feel the unremitting efforts Dr. Sun Yat-sen made for national independence and people's happiness.4、Western Han Dynasty Nanyue King Museum: Next, we will visit the Western Han Dynasty Nanyue King Museum. This museum showcases precious cultural relics unearthed from the Nanyue Tombs, including gold and silver artifacts, jade and pottery. These artifacts reflect the unique charm and highly developed level of Nanyue culture. During the visit, we can learn about the history and cultural background of the Nanyue Kingdom and experience the grandeur of ancient civilization.5、Chen Clan Ancestral Hall: Finally, we will visit the Chen Clan Ancestral Hall. This ancient complex is one of the most famous cultural attractions in Guangdong province. The carvings and decorations inside the Chen Clan Ancestral Hall are exquisite, demonstrating the unique charm of traditional Chinese culture. Here, we can learn about the history and cultural background of the Chen family and experience the deep cultural heritage of Guangdong. During our tour, we can also enjoy performances of local operas in Guangdong to gain a deeper understanding of local cultural characteristics.。
陈家祠英文导游辞
Ancestral Temple of the Chen FamilyAncestral Temple of the Chen Family is also called Chen Clan Academy which is a place both for offering sacrifices to ancestors and for study. Now the Chen Clan Ancestral Temple in Guangzhou City, the Ancestors’Temple in Foshan City, the former Residence of Sun Yat-sen in Zhongshan City and the Opium War Memorial Hall in Dongguan City are regarded as the four major cultural tourist sites in Guangdong Province.In late Qing Dynasty(1644-1911), a man named Chen got the third place in the highest imperial examination and had conferred upon him a distinguished office title which made the Family Chen well-known. Later someone suggested that all the Chen’s family members raise money to build a temple to sacrifice to the ancestors and encourage their offspring to study hard. Therefore, the temple was finished in 1894 with the money donated by Chen’s families in 72 counties of Guangdong Province as well as some overseas family members.The temple is a compound complex consisting of nine halls, sixe courtyards and nineteen buildings connected by corridors, all separated by walls from the outside world. A pair of stone drums in front of the entrance door, measuring 2.55meters(about 8.36feet) in height and two colored drawing pictures of door-god of four meters (about 13 feet ) height are said to be the best in Guangdong.The compound was constructed in the traditional Chinese symmetrical style and the main hall, the Juxian Hall, is in the center of the temple. Juxian Hall was once a place for clansmen to assemle before the establishment of the temple and now it is usedd as an ancestral hall. In front of the hall is a stone gazebo surrounded by stone balustrades. In the hall there is an exquisitely carved folding screen which is an excellent example of wood carving.The most impressive attractions in the temple are various superb carvings extolling nature. They are in the forms of wood, brick, pottery, stone, lime and things like that, of which wood carving especially fully demonstrates the great achievements of the art of carving in Guangdong Province. Stories of historical celebrities and scenes are also vividly represented in the temple.。
陈家祠的英语作文
陈家祠的英语作文Nestled in the heart of Guangzhou, the Chen Clan Ancestral Hall stands as a testament to the city's rich cultural heritage. This architectural marvel, with its intricate carvings and vibrant colors, is a visual feast that transports visitors back in time.The hall is not just a building; it's a living museumthat breathes life into the history of the Chen family. Each detail, from the woodwork to the stone sculptures, tells a story of craftsmanship and tradition that has been passed down through generations.Stepping into the courtyard, one is immediately struck by the harmony of the space. The symmetry and balance of the design reflect the philosophical principles that underpin Chinese architecture, creating a serene environment that invites contemplation.The Chen Clan Ancestral Hall is more than just a place of worship; it's a community hub. It has been a venue for weddings, festivals, and gatherings, fostering a sense of unity and belonging among its members.Preserving such a historic site is no small feat. Thehall has undergone careful restoration to maintain its original splendor, ensuring that future generations can continue to appreciate its beauty and significance.In conclusion, the Chen Clan Ancestral Hall is a beaconof Guangzhou's cultural identity. It stands as a proud reminder of the city's past and a vibrant part of its present, inviting all who visit to explore and appreciate its timeless charm.。
陈家祠英文导游词
陈家祠英文导游词【篇一：陈家祠英文介绍】the introduction of chen clanacademythe chen clan academy（陈家祠） is an academic temple in guangzhou, china ,built by the 72 chen clans for their juniors’ accommodation and preparation for the imperial examinations(科举) in 1894 in qing dynasty .later it was changed to be the chen clan’s industr y college, and then middle school afterward. now it houses the guangdong folk art museum(广东民间工艺博物馆). the chen clan academy is notable for the rich decorations which exist inside, outside the halls and in almost every beams, ridges, walls and columns. this make the chen clan academy a large collection of wood carving(木雕), stone carving（石雕） ,brick carving（砖雕）, pottery（陶器）,plaster（石膏） and iron engraving（铁雕刻）.【篇二：陈家祠导游词】陈家祠p59讲解路线【简介】——【建筑特点】——【一进（大门外）】——【二进（首进大厅和聚贤堂）】——【后进】——【西斋和厢房】【简介】陈家祠位于广州市中山七路，又称陈氏书院。
简单介绍陈家祠英文导游词
简单介绍陈家祠英文导游词篇一：陈家祠英文介绍TheintroductionofchenclanacademyThechenclanacademy（陈家祠）isanacademictempleinGuangzhou,china,builtbythe72chenclansfortheirjun iors’accommodationandpreparationfortheimperialexaminations(科举)teritwaschangedtobethechenclan’sindustrycollege,andthenmiddleschoolafterward.nowithousestheGuangdo ngFolkartmuseum(广东民间工艺博物馆).Thechenclanacademyisnotablefortherichdecorationswhichexistinside, outsidethehallsandinalmosteverybeams,ridges,wallsandcolumns.Thismak ethechenclanacademyalargecollectionofwoodcarving(木雕),stonecarving （石雕）,brickcarving（砖雕）,pottery（陶器）,plaster（石膏）andironengraving（铁雕刻）.篇二：陈家祠导游词陈家祠P59讲解路线【简介】——【建筑特点】——【一进（大门外）】——【二进（首进大厅和聚贤堂）】——【后进】——【西斋和厢房】【简介】陈家祠位于广州市中山七路，又称陈氏书院。
清光绪十六年(1890年)动工，光绪二十年（1894年）落成，为广东72县陈姓族人捐资合建的宗祖祠和书院。
清末废除科举制度后，改办学校。
新中国成立后，人民政府十分重视这座建筑，成立了专门保护机制，多次进行修葺，于1959年辟为广东民间艺术博物馆，1988年被国务院列为全国重点文物保护单位。
陈家祠英文导游词
The Chen Family Temple【Introduction】—【Outside the Main Entrance】—【In the Front Hall】—【The Sage Meeting Hall】—【The Rear Hall and the Wing Rooms】The Chen Family Temple was an ancestral temple of the Chen families in Guangdong Province. As a Chinese saying goes, "people of the same surname were in the same family 500 hundred years ago." This adage is known to all in China and is certainly true as applied to the fact that people of the Chen families in the 72 counties of Guangdong Province jointly built this temple, in 1894 in the present-day Zhongshan Qi Road, as a place of their clannish activities on special occasions as well as a shrine for offering sacrifices to their common ancestors. Otherwise called Chen Clan Academy, it was also a school for children of the Chen families. In 1959, it was converted into the Guangdong Folk Art Museum, for the temple structure itself is a comprehensive expression of the exquisite Guangdong folk arts and crafts.Covering a ground space of 15,000 square meters, with a floor space of 6,400 square meters, the temple is built in the traditional Chinese architectural style. It is laid out in a symmetrical way, with the longitudinal central line as the axis and the structures on one side corresponding exactly with those on the other. Its wide-open main hallsand the lattice-walled wing-rooms are interspaced by courtyards and connected with corridors, and huge suspended or floor screens as well as solid brick walls are used as partitions between halls and courtyards and between rooms. thus creating an artistic effect of being structurally compact but appearing spacious and magnificent, and producing a contrasting effect of the big with the small, the high with the low, the open with the hidden and the true with the false.Another feature of the temple structure is that all the houses are gable-roofed, with two slopes to drain away the rainwater, which is the traditional style of roof structure corresponding to houses for the common people in old China and to temple buildings of this kind.In the feudal society of' old China, a strict hierarchy was formed. Under this social estate system, everything was rigidly stratified. The size, height and color of a house and even the style of its roof must match the social status of its owner or user. That’s why, in the former imperial palaces, all the back houses for servants and soldiers are low and gable-roofed with grey tiles, but the main buildings in the middle have yellow roofs with slopes on four sides.While being constructed in the national style of architecture, the temple structure is unique in the way it is decorated, the way that is characteristic of this province. Stone-carvings, brick-carvings, lime sculptures, ceramic figurines, wood-carvings or artistic objects ofiron-casting can be found everywhere. They are made into flowers and trees, insects and birds, animals and human figures and even architectural complex. These works of art are used not only for the purpose of decoration but are also symbols or implications of one thing or another. or depictions of various scenes from stories of Chinese history and legends. For example, the peony flower is a symbol of richness and wealth, the twin lotus flowers on one stalk stand for an affectionate couple of husband and wife and the lion sculpture, power and dignity.【Outside the Main Entrance】1. The Stone Lion and the Unicorn-like AnimalHere (in front of the temple) are two granite statues of the lion that exists in reality. The one playing a ball is male and the other patting a baby lion is female. Such lion statues can also be seen in other parts of the country, squatting majestically at the main entrances of the houses for the upper class of old China, because they are a symbol of power and dignity.But the unicorn-like animal on the roof, with a single horn on its head, is a fictitious animal that is peculiar to Guangdong Province. During the Ming Dynasty (1368-1644), natural calamities were of frequent occurrence in the area. At that time, man was absolutely powerless before nature. When calamities occurred, people had nochoice but to resort to superstition .They looked upon natural disasters as demons and ghosts and created this beast of prey to expel them. So, this unicorn-like animal is a mythical beast that is endowed with supernatural power to exorcise evil spirits.2. The Sculpture of Gourds - A Token of a Flourishing FamilyThe sculpture of gourds in pairs on the roof or in other places of the temple is a token of a flourishing family with ever-increasing members. It incarnates the Chen family's desire that its clansmen would live and multiply continuously like gourds growing luxuriantly to propagate successively. This is because the gourd is a seedy plant and its many seeds will propagate in great numbers.3. Masterpieces of Brick-carvingOn the wall on either side of the main entrance is a picture carved on bricks, depicting different stories from Chinese historical novels. They are regarded as representative works of the exquisite Guangdong brick-carving.The Guangdong brick-carving is unique in the technique of its making. It is made in such a way that different parts of a picture are carved separately on small pieces of ready-made fired bricks before they are laid onto a wall to form an integral whole, whereas those of otherprovinces are made by carving a whole picture on a big piece of adobe (unburned brick) before it is fired into a hard cube and embedded onto the wall. The former entails much more precision and skill and so is more exquisite and is of greater artistic value.( 1 ) liu Qing Taming a Fierce HorseThe brick-carving on the east side (on our right hand side when facing the temple) depicts the story of Liu Qing, a valiant general of the Northern Song Dynasty (960-1127), who succeeded in taming a fierce horse that was sent by an aggressive neighboring state. The aggressor state had sent the horse as a challenge, threatening that, if nobody in Song's domain could get the horse under control, they would sent troops to attack. Liu Qing-s courage and valor greatly crushed the enemy-s arrogance and thus avoided a war.( 2 ) The Heroes Gathering in Revolt in LiangshanThe brick-carving on the west side (on our left hand side when facing the temple) illustrates the happy occasion for the peasant uprising leaders getting together to celebrate their unity in their revolt against the corrupt regime of the Northern Song Dynasty. The story is written in a famous Chinese classical novel, The Water Margin, which is very popular among the Chinese.4. The Stone DrumsThe stone drums at the main entrance are a symbol of social status of the Chen family. In the feudal society of the Qing Dynasty, people could place a pair of drums in front of their house only when someone in their family had been conferred an academic degree of (or higher than) "jinshi", a title given to successful candidates in the imperial examination. In 1893，The year before the temple was completed, a member of the Chen family, Chen Botao by name, was awarded by the Qing court a title of“tanhua", the number three scholar in the highest imperial examination, and so these drums were mounted here in his honor.5. The Kylin and Its Treasured BooksThe relief sculpture on the wall behind the stone drum on our left (when facing the temple) is called The Kylin and Its Treasured Books. The kylin is a Chinese mythical animal, with an appearance of a deer, a tail of an ox and a body covered all over with scales like a fish.Tradition says that the kylin is an omen of auspice and was brought into being on the same day as Confucius was born. In the Chinese classics7 the kylin is often likened to a great man of noble moral character; therefore the kylin here is, in fact, the incarnation of Confucius, who has been reputed as the greatest philosopher and teacher of moralsfor over 2000 years in China.This sculpture was made to encourage people to strive for scholarly honors and official positions by way of studying the works of Confucius.6. To Be Conferred a Title of NobilityThe relief sculpture behind the stone drum on our right hand side (when facing the temple) is also an implicative picture. The bird, the deer，the bee and the monkey combine to imply that people of the Chen family would be conferred scholarly honors and appointed high official positions with handsome salaries by the imperial court, because the Chinese characters for bird, deer, bee and monkey are homonymous respectively with those for "title of nobility", "official salary" and "granting titles to the nobles".7. The Door GodsThe two portraits on the door-leaves are door-gods. Original door-gods were two legendary gods, Shentu and Yulei, who, it is said, were able to catch ghosts and protect a house from evil spirits. Attired in fancy armors, with a rope in their hands, they looked awe-inspiring. Since the Tang Dynasty (618-907), door-gods have gradually been replaced by people in real life, which is a tradition started by Emperor Taizong of theTang Dynasty. It is said that, one day, the emperor was frightened by ghostly wailing from outside his bedroom and he could not fall asleep. Two of his faithful generals, Qin Qiong and Yuchi Gong, offered to guard his bedroom at night, so the emperor slept soundly. His Majesty then ordered that the portraits of the two generals be put up on his bedroom door and this also kept the ghosts away. Since then the two generals have been regarded as door-gods.【In the Front Hall】The Teak-Wood ScreenAmong all the works of art in the temple, the wood-carving is the most outstanding. This teak-wood screen, together with the one in the central hall. is indeed a rare piece of wood-carving in the local province and in the whole country as well. The most prominent feature of the wood-carving in the temple is that most of them are carved to penetrating through the wood from one side to the other, so the two sides are carefully made with exactly the same things but those on the reserve side are placed just the other way round, as is the inverted image in the mirror.(1)To Create a Great Property to Benefit the Flourishing of PosterityLook at this picture. A hen and some chicks are walking leisurelylooking for food under the shade of the big leaves of a banana tree. The chickens here are not portrayed just for chicken's sake but are likened to the present generations of the family. Also, the big leaves of the banana tree are compared to the great property or great wealth created by past generations, because the Chinese words for "big leaf" and the words for "great property" or "great wealth" are homophones of each other.The moral of the picture is that the great property created by the older generations is benefiting the younger generations; therefore, people of the present generations must also work hard to create more wealth for the benefit of the future generations.（2）A Man of Great Learning Is to Be Appointed Official Positions This picture is composed of many things and each has its own meaning：a.This is the emblem of Daoism called “Bagua”. Its eight diagrams stand for eight existences or phenomenon in nature (sky，earth, thunder, wind, water, fire, mountain and lake) and embody a profound theory. Here, they symbolize people’s knowledge of all branches.b.The wine-pot: In the Chinese classics, a wine-pot with much or little wine in it is sometimes likened to a person of great or poor learning.c.The wine-cup: This is an ancient wine vessel and is likened to ''title of nobility”，because the two things are meant by the same word inancient Chinese.d.The ancient coin: Its meaning is self-evident, i.e., money and wealth.e.The phoenix: A mythical chicken-like bird that is regarded as a mascot whose presence is supposed to bring good luck.f.The kylin: A fictitious animal that is sometimes compared to a person of profound knowledge.So, “A man of great learning is sure to be conferred a title of nobility and appointed an official position with a handsome salary”is the main idea the picture implies.（3）A Man Filled with Elation and the Five BlessingsThis is a picture of an incense-burner with a wisp of smoke curling upward to form a Chinese character meaning “longevity”，which is surrounded by five bats. In the Chinese language, a person who is elated by his success is often described as one who proudly "blows off his breath”and“upwardly stretches his brows”. Therefore, the smoke emitted from the incense-burner is likened to the breath blown out from a person^ mouth and the incense- burner with rising smoke is compared to a person who is proud of his success.The five bats flying around the Chinese character for longevity stand for “five blessings” or “five good fortunes”，because the Chineseword for “bat” and the word for ^blessing" are homophones of each other. According to the Chinese classics, the five blessings are u to live long, to be wealthy, to be healthy, to have cultivated morality and to die a natural death”.Therefore，the picture is an implicit illustration of peopled aspiration for a successful and happy life.By the way, the idea of the “five blessings”is also illustrated in a picture of a peach fruit surrounded by five bats because, according to the Daoist mythology, the peach fruit borne from the peach tree planted by Tai Shang Lao Jun, one of the three supreme deities in Daoism, is said to be an elixir of life.（4）Young Folks Grow Up Fast but a Great Mind Matures LateThis is a bamboo stem that^ grown into the shape of a Chinese character meaning “happiness” or “good fortune”. The bamboo shoots up very fast at the earlier stage of its growth, but it takes years for it to become mature enough for practical use. The picture suggests that a young man is quick to learn but a man of great learning needs years to shape or illustrates the meaning of an English proverb “Rome was not built in a day”. This is to encourage people to study with perennial efforts.In addition, a character for happiness that is composed of a bamboo stem also implies a greeting of “wishing somebody happiness”，because the Chinese word for “bamboo” is homonymous with theword for“wish”. So, “bamboo happiness” implies “wishing somebody happiness”.（5）The Advent of Good FortuneThis is an inverted Chinese character for “happiness” or “good fortune” -It is on the reverse side of the wood-carving and so is placed the other way round. The Chinese word for “inversion” and the word for “advent” are homophones of each other, so an inverted character for “good fortune” implies “the advent of good fortune” or “the coming of happiness”.【The Sage Meeting Hall 】This is the central hall of the temple. It is called Sage Meeting Hall and was the place where the elders of the Chen family got together to discussed their clannish affairs.On the ridge of the hall and on the balustrade around the platform in front of the hall, there are many works of art: lime -sculptures, pottery - sculptures, stone-carvings and artistic articles of metal-casting. They are all implications of one thing or another. For example:1.Sacrificial Offerings to AncestorsAt the tops of the balusters are carved several kinds of fruit that abound in South China: peach, star-fruit, papaya and so on. They are symbolic offerings to the Chen family’s ancestors.2.The Three “yan gs” Usher in ProsperityEmbedded in the balustrade around the platform are metal-castings of different designs. Among them the one of three goats with the sun overhead is called “The Three ‘Yangs’Usher in Prosperity”.The Chinese word for goat is pronounced as “yang”，the same as the word for the sun, so the goat is an implication of the sun. In the Chinese classical philosop hy, the “yang”（the sun) is the antithesis of the “yin”（the moon). The “yin” and the “yang” are the negative and positive antitheses in the Chinese philosophic conception, whose growing and declining account for the rising and falling of the relative strength of the two principles in nature.The primary meanings of the “yin” and the “yang” refer to the two sides that are shaded from or exposed to the sun: the sunny side is the “yang” and the shady side is the “yin”. Therefore, the changing of the relative st rength of the “yin” and the “yang” is often extended to mean the transit of seasons, from cold to warm or from warm to cold. When November comes, the “yin” begins to fall and the first “yang” rises. The second “yang” grows up in December and, when the thir d “yang" appears in January, spring comes round to the earth and everything takes on a new look a scene that heralds a period of prosperity.In the old days, this motto - “The Three ‘Yangs’ Usher inProsperity” -was a complimentary remark for the New Year’s Day.ing out First in the Highest Imperial ExaminationThe two creatures sticking up from the ridge are heads of legendary turtles. During China’s Tang and Song dynasties, a huge portrait of such a turtle-head was carved in front of the steps that led up to the emperor's throne in the imperial palace. When members of the imperial academy were presented at court they usually stood in the middle of the turtle-head, and so“to be enrolled in the imperial academy was often referred to as “going up to the turtle-head” and “coming out first in the imperial examination”was known as “monopolizing theturtle-head”. Therefore, the turtle - heads mounted (1.7-meter-high) on the ridge indicate the Chen family's desire that its members would be honored with imperial scholarship and appointed official positions.【The Rear Hall and the Wing Rooms】Here is the rear hall of the temple and was the place where the Chen people worshiped their ancestors. On the shrine there used to be tablets of their ancestors, which were arranged in the order of seniority in the family. The one at the top was “Emperor Shun”，who was believed to be the remote ancestor of the Chen family. (Shun was the head of a tribal alliance dating back to the 21st century BC, when China7s socialstructure was in the period of transition from clan commune to feudalism.) In the old days in every spring and autumn, grand sacrificial ceremonies were held here by the Chen clansmen to worship their common ancestors. This wooden shrine was made in 1890 during the reign of Emperor Guangxu of the Qing Dynasty and is the largest and the most exquisitely made ancestral shrine still in existence in Guangdong Province.The wing-rooms on the east and the west sides were classrooms where the Chen family children studied.. 董庆垣翻译陈家祠【简介】—【正门外】—【前厅】—【聚贤堂】—【后堂和厢房】【简介】位于广州中山七路的陈家祠建成于1894年，是从前陈姓人家供奉祖先用的祠堂。
陈家祠英语导游词
The Chen Family Temple[Introduction] – [Outside the Main Entrance] – [In the Front Hall] – [The Sage Meeting Hall] – [The Rear Hall and the Wing Rooms][Introduction]The Chen Family Temple was an ancestral temple of the Chen families in Guangdong Province. As a Chinese saying goes, “people of the same surname were in the same family 500 years ago.” This adage is known to all in China and is certainly true as applied to the fact that people of the Chen families in the 72 counties of Guangdong Province jointly built this temple, in 1894 in the present-day Zhongshan Qi Road, as a place of their clannish activities on special occasions as well as a shrine for offering sacrifices to their common ancestors. Otherwise called Chen Clan Academy, it was also a school for children of the Chen families. In 1959, it was converted into the Guangdong Folk Art Museum, for the temple structure itself is a comprehensive expression of the exquisite Guangdong folk arts and crafts.Covering a ground space of 15,000 square meters, with a floor space of 6,400 square meters, the temple is built in the traditional Chinese architectural style. It is laid out in a symmetrical way, with the longitudinal central line as the axis and the structures on one side corresponding exactly with those on the other. Its wide-open main halls and the lattice-walled wing-rooms are interspaced by courtyards and connected with corridors, and huge suspended or floor screens as well as solid brick walls are used as partitions between halls and courtyards and between rooms; thus creating an artistic effect of being structurally compact but appearing spacious and magnificent, and producing a contrasting effect of the big with the small, the high with the low, the open with the hidden and the true with the false.Another feature of the temple structure is that all the houses are gable-roofed, with two slopes to drain away the rainwater, which is the traditional style of roof structure corresponding to houses for the common people in old China and to temple buildings of this kind.In the feudal society of old China, a strict hierarchy was formed. Under this social estate system, everything was rigidly stratified. The size, height and color of a house and even the style of its roof must match the social status of its owner or user. That’s why, in the former imperial palaces, all the back houses for servants and soldiers were low and gable-roofed with grey tiles, but the main buildings in the middle have yellow roofs with slopes on four sides.While being constructed in the national style of architecture, the temple structure is unique in the way it is decorated, the way that is characteristic of this province. Stone-carvings, brick-carvings, lime sculptures, ceramic figurines, wood-carvings or artistic objects of iron-casting can be found everywhere. They are made into flowers and trees, insects and birds, animals and human figures and even architectural complex. These works of art are used not only for the purpose of decoration but are also symbols or implications of one thing or another, or depictions of various scenesfrom stories of Chinese history and legends. For example, the peony flower is a symbol of richness and wealth, the twin lotus flowers on one stalk stand for an affectionate couple of husband and wife and the lion sculpture, power and dignity. [Outside the Main Entrance]1.The Stone Lion and the Unicorn-like AnimalHere (in front of the temple) are two granite statues of the lion that exists in reality. The one playing a ball is male and the other patting a baby lion is female. Such lion statues can also be seen in other parts of the country, squatting majestically at the main entrances of the houses for the upper class of old China, because they are a symbol of power and dignity.But the unicorn-like animal on the roof, with a single horn on its head, is a fictitious animal that is peculiar to Guangdong Province. During the Ming Dynasty (1368-1644), natural calamities were of frequent occurrence in the area. At that time, man was absolutely powerless before nature. When calamities occurred, people hadno choice but to resort to superstition. They looked upon natural disasters as demons and ghosts and created this beast of prey to expel them. So, this unicorn-like animal isa mythical beast that is endowed with supernatural power to exorcise evil spirits.2.The Sculpture of Gourds – A Token of a Flourishing FamilyThe sculpture of gourds in pairs on the roof or in other places of the temple is a token of a flourishing family with ever-increasing members. It incarnates the Chen family’s desire that its clansmen would live and multiply continuously like gourds growing luxuriantly to propagate successively. This is because the gourd is a seedy plant and its many seeds will propagate in great members.3.Masterpiece of Brick-carvingOn the wall on either side of the main entrance is a picture carved on bricks, depicting different stories from Chinese historical novels. They are regarded as representative works of the exquisite Guangdong brick-carving.The Guangdong brick-carving is unique in the technique of its making. It is made in such a way that different parts of a picture are carved separately on small pieces of ready-made fired bricks before they are laid onto a wall to form an integral whole, whereas those of other provinces are made by carving a whole picture on a big pieceof adobe (unburned brick) before it is fired into a hard cube and embedded onto the wall. The former entails much more precision and skill and so is more exquisite and is of greater artistic value.(1)Liu Qing Taming a Fierce HorseThe brick-carving on the east side (on our right hand side when facing the temple) depicting the story of Liu Qing, a valiant general of the Northern Song Dynasty (960-1127), who succeeded in taming a fierce horse that was sent by an aggressive neighboring state. The aggressor state had sent the horse as a challenge, threatening that, if nobody in Song’s domain could get the horse under control, they would sent troops to attack. Liu Qing’s courage and valor greatly crushed the enemy’s arrogance and thus avoided a war.(2)The Heroes Gathering in Revolt in LiangshanThe brick-carving on the west side (on our left hand side when facing the temple) illustrates the happy occasion for the peasant uprising leaders getting together to celebrate their unity in their revolt against the corrupt regime of the Northern Song Dynasty. The story is written in a famous Chinese classical novel, The Water Margin, which is very popular among the Chinese.4.The Stone DrumsThe stone drums at the main entrance are a symbol of social status of the Chen family. In the feudal society of the Qing Dynasty, people could place a pair of drums in front of their house only when someone in their family had been conferred an academic degree of (or higher than) “jinshi”, a title given to successful candidates in the imperial examination. In 1893, the year before the temple was completed, a member of the Chen family, Chen Botao by name, was awarded by the Qing court a title of “tanhua”, the number three scholar in the highest imperial examination, and so these drums were mounted here in his honor.5.The Kylin and Its Treasured BooksThe relief sculpture on the wall behind the stone drum on our left (when facing the temple) is called The Kylin and Its Treasured Books. The kylin is a Chinese mythical animal, with an appearance of a deer, a tail of an ox and a body covered all over with scales like a fish.Tradition says that the kylin is an omen of auspice and was brought into being on the same day as Confucius was born. In the Chinese classics, the kylin is often likened to a great man of noble moral character; therefore the kylin here is, in fact, the incarnation of Confucius, who has been reputed as the greatest philosopher and teacher of morals for over 2000 years in China.This sculpture was made to encourage people to strive for scholarly honors and official positions by way of studying the works of Confucius.6.To Be Conferred a Title of NobilityThe relief sculpture behind the stone drum on our right hand side (when facing the temple) is also an implicative picture. The bird, the deer, the bee and the monkey combine to imply that people of the Chen family would be conferred scholarly honors and appointed high official positions with handsome salaries by the imperial court, because the Chinese characters for bird, deer, bee and monkey are homonymous respectively with those for “title of nobility”, “official salary” and “granting titles to the nobles”.7.The Door GodsThe two portraits on the door-leaves are door-gods. Original door-gods were two legendary gods, Shentu and Yulei, who, it is said, were able to catch ghosts and protect a house from evil spirits. Attired in fancy armors, with a rope in their hands, they looked awe-inspiring. Since the Tang Dynasty (618-907), door-gods have gradually been replaced by people in real life, which is a tradition started by Emperor Taizong of the Tang Dynasty. It is said that, one day, the emperor was frightened by ghostly wailing from outside his bedroom and he could not fall asleep. Two of his faithful generals, Qin Qiong and Yuchi Gong, offered to guard his bedroom at night, so the emperor slept soundly. His Majesty then ordered that the portraits of the twogenerals be put up on his bedroom door and this also kept the ghosts away. Since then the two generals have been regarded as door-gods.[In the Front Hall]The Teak-Wood ScreenAmong all the works of art in the temple, the wood-carving is the most outstanding. This teak-wood screen, together with the one in the central hall, is indeed a rare piece of wood-carving in the local province and in the whole country as well. The most prominent feature of the wood-carving in the temple is that most of them are carved to penetrating through the wood from one side to the other, so the two sides are carefully made with exactly the same things but those on the reserve side are placed just the other way round, as is the inverted image in the mirror.(1)To Create a Great Property to Benefit the Flourishing of PosterityLook at this picture. A hen and some chickens are walking leisurely looking for food under the shade of the big leaves of a banana tree. The chickens here are not portrayed just for chicken’s sake but are likened to the present generations of the family. Also, the big leaves of the banana tree are compared to the great property or great wealth created by past generations, because the Chinese words for “big leaf”and the words for “great property” or “great wealth” are homophones of each other.The moral of the picture is that the great property created by the older generations is benefiting the younger generations; therefore, people of the present generations must also work hard to create more wealth for the benefit of the future generations.(2) A Man of Great Learning is to be Appointed Official PositionsThis picture is composed of many things and each has its own meaning:a.This is the emblem of Daoism called “Bagua”. Its eight diagrams standfor eight existences or phenomenon in nature (sky, earth, thunder, wind,water, fire, mountain and lake) and embody a profound theory. Here, theysymbolize people’s knowledge of all branches.b.The wine-pot: In the Chinese classics, a wine-pot with much or little winein it is sometimes likened to a person of great or poor learning.c.The wine-cup: This is an ancient wine vessel and is likened to “title ofnobility”, because the two things are meant by the same word in ancientChinese.d.The ancient coin: Its meaning is self-evident, i.e., money and wealth.e.The phoenix: A mythical chicken-like bird that is regarded as a mascotwhose presence is supposed to bring good luck.f.The kylin: A fictitious animal that is sometimes compared to a person ofprofound knowledge.So, “A man of great learning is sure to be conferred a title of nobility and appointed an official position with a handsome salary” is the main idea the picture implies.(3) A Man Filled with Elation and the Five BlessingsThis is a picture of an incense-burner with a wisp of smoke curling upward to form a Chinese character meaning “longevity”, which is surrounded by five bats. In the Chinese language, a person who is elated by his success is often described as one who proudly “blows off his breath” and “upwardly stretches his brows”. Therefore, the smoke emitted from the incense-burner is likened to the breath blown out from a person’s mouth and the incense-burner with rising smoke is compared to a person who is proud of his success.The five bats flying around the Chinese character for longevity stand for “five blessings” or “five good fortunes”, because the Chinese word for “bat” and the word for “blessing” are homophones of each other. According to the Chinese classics, the five blessings are “to live long, to be wealthy, to be healthy, to have cultivated morality and to die a natural death”. Therefore, the picture is an implicit illustration of people’s aspiration for a successful and happy life.(4)Young Folks Grow Up Fast but a Great Mind Matures LateThis is a bamboo stem that’s grown into the shape of a Chinese character meaning “happiness” or “good fortune”. The bamboo shoots up very fast at the earlier stage of its growth, but it takes years for it to become mature enough for practical use. The picture suggests that a young man is quick to learn but a man of great learning needs years to shape or illustrates the meaning of an English proverb “Rome was not built in a day”. This is to encourage people to study with perennial efforts.In addition, a character for happiness that is composed of a bamboo stem also implies a greeting of “wishing somebody happiness”, because the Chinese word for “bamboo” is homonymous with the word for “wish”. So, “bamboo happiness” implies “wishing somebody happiness”.(5)The Advent of Good FortuneThis is an inverted Chinese character for “happiness” or “good fortune”. It is on the reverse side of the wood-carving and so is placed the other way round. The Chinese word for “inversion” and the word for “advent” are homophones of each other, so an inverted character for “good fortune” implies “the advent of good fortune” or “the coming of happiness”.[The Sage Meeting Hall]This is the central hall of the temple. It is called Sage Meeting Hall and was the place where the elders of the Chen family got together to discuss their clannish affairs.On the ridge of the hall and on the balustrade around the platform in front of the hall, there are many works of art: lime-sculptures, pottery-sculptures, stone-carvings and artistic articles of metal-casting. They are all implications of one thing or another. For example:1.Sacrificial Offerings to AncestorsAt the top of the balusters are carved several kinds of fruit that abound in South China: peach, star-fruit, papaya and so on. They are symbolic offerings to the Chen family’s ancestors.2.The Three “yangs” Usher in ProsperityEmbedded in the balustrade around the platform are metal-castings of different designs. Among them the one of three goats with the sun overhead is called “The Three ‘Yangs’ Usher in Prosperity”.The Chinese word for goat is pronounced as “yang”, the same as the word for the sun, so the goat is an implication of the sun. In the Chinese classical philosophy, the “yang” (the sun) is the antithesis of the “yin” (the moon). The “yin” and the “yang” are the negative and positive antitheses in the Chinese philosophic conception, whose growing and declining account for the rising and falling of the relative strength of the two principles in nature.The primary meanings of the “yin” and the “yang” refer to the two sides that are shaded from or exposed to the sun: the sunny side is the “yang” and the shady side is the “yin”. Therefore, the changing of the relative strength of the “yin” and the “yang” is often extended to mean the transit of seasons, from cold to warm or from warm to cold. When November comes, the “yin” begins to fall and the first “yang” rises. The second “yang” grows up in December and, when the third “yang” appears in January, spring comes round to the earth and everything takes on a new look – a scene that heralds a period of prosperity.In the old days, this motto –“The Three ‘Yang’ Usher in Prosperity”–was a complimentary remark for the New Year’s Day.ing out First in the Highest Imperial ExaminationThe two creatures sticking up from the ridge are heads of legendary turtles. During China’s Tang and Song dynasties, a huge portrait of such a turtle-head was carved in front of the steps that led up to the emperor’s throne in the imperial palace. When members of the imperial academy were presented at court they usually stood in the middle of the turtle-head, so “to be enrolled in the imperial academy” was often referred to as “going up to the turtle-head” and “coming out first in the imperial examination” was known as “monopolizing the turtle-head”. Therefore, the turtle-heads mounted (1.7-meter-high) on the ridge indicate the Chen family’s desire that its members would be honored with imperial scholarship and appointed official positions.[The Rear Hall and the Wing Rooms]Here is the rear hall of the temple and was the place where the Chen people worshiped their ancestors. On the shrine there used to be tablets of their ancestors, which were arranged in the order of seniority in the family. The one at the top was “Emperor Shun”, who was believed to be the remote ancestor of the Chen family. (Shun was the head of a tribal alliance dating back to the 21st century BC, when China’s social structure was in the period of transition from clan commune to feudalism.) In the old days in every spring and autumn, grand sacrificial ceremonies were held here by the Chen clansmen to worship their common ancestors. This wooden shrine was made in 1890 during the reign of Emperor Guangxu of the Qing Dynasty and is the largest and the most exquisitely made ancestral shrine still in existence in Guangdong Province.The wing-rooms on the east and the west sides were classrooms where the Chen family children studied.。
写陈家祠的英语作文
写陈家祠的英语作文The Chen Clan Ancestral Hall: A Glimpse into Guangzhou's Rich Cultural HeritageNestled in the heart of Guangzhou, the Chen Clan Ancestral Hall stands as a testament to the enduring legacy of one of the city's most prominent families. This magnificent structure, built in the late 19th century, serves as a remarkable example of traditional Chinese architecture and a window into the region's captivating history.The Chen Clan Ancestral Hall was commissioned by the Chen family, a powerful and influential clan that played a significant role in Guangzhou's commercial and political landscape. The building's construction was a collaborative effort, with the finest artisans and craftsmen from across China contributing their skills to create this architectural masterpiece.As you approach the ancestral hall, you are immediately struck by the intricate and ornate details that adorn the facade. Elaborately carved stone lions guard the entrance, their fierce expressions conveying a sense of power and protection. The roof, adorned with graceful eaves and intricate tile patterns, is a true work of art,showcasing the exceptional skills of the traditional Chinese architects.Step inside the ancestral hall, and you are transported to a bygone era. The grand courtyard, surrounded by beautifully decorated pavilions and halls, creates a serene and contemplative atmosphere. The attention to detail is truly mesmerizing, with each element of the design carefully considered to create a harmonious and visually stunning environment.One of the most captivating features of the Chen Clan Ancestral Hall is the exquisite woodcarvings that can be found throughout the complex. The intricate designs, depicting scenes from Chinese mythology and folklore, are truly breathtaking. These masterful carvings not only serve as decorative elements but also convey the rich cultural heritage of the Chen family and the region.As you explore the various halls and pavilions, you will be struck by the sheer scale and grandeur of the ancestral hall. The main hall, with its towering columns and ornate ceiling, is a true architectural marvel. The side halls, each with their own unique features and functions, provide a deeper understanding of the Chen family's way of life and the rituals that were once practiced within these walls.One of the most fascinating aspects of the Chen Clan Ancestral Hall is its role as a repository of historical artifacts and documents. Thehall houses a vast collection of ancient texts, calligraphic works, and other cultural relics that offer valuable insights into the region's past. Visitors can immerse themselves in the rich history of Guangzhou and the Chen family, gaining a deeper appreciation for the city's cultural legacy.Beyond its architectural and historical significance, the Chen Clan Ancestral Hall also serves as a hub for cultural preservation and education. The site hosts a range of cultural events, workshops, and exhibitions, providing visitors with the opportunity to engage with the region's traditions and customs. Through these programs, the ancestral hall plays a vital role in fostering a deeper understanding and appreciation of Chinese culture among both locals and international visitors.In conclusion, the Chen Clan Ancestral Hall is a truly remarkable and captivating destination that offers a unique glimpse into Guangzhou's rich cultural heritage. Its stunning architecture, intricate craftsmanship, and historical significance make it a must-visit attraction for anyone interested in exploring the fascinating history and traditions of this vibrant city. Whether you are a history enthusiast, an architecture aficionado, or simply someone who appreciates the beauty of traditional Chinese culture, the Chen Clan Ancestral Hall is sure to leave a lasting impression.。
越秀公园英语导游词
越秀公园英语导游词篇一：越秀公园导游词越秀公园导游词篇P120各位游客大家好！今天我带大家游览的是越秀公园。
越秀公园是广州最早的公园，也是一座最大的综合性公园，早在西汉南越国时期，越秀山便是古人登临的圣地，近代孙中山先生提出要把越秀山建成一座大公园，未能如愿。
如今越秀公园冈峦起伏，树木苍翠，充满着亚热带地区特有的勃勃生机和绿色情调，它除了保存各种历史文物和遗迹外，新建的园道四通八达连接各景点，让中山先生如愿以偿。
越秀公园是山的公园，东西绵延约3公里，海拔70余米，历史上又名粤秀山、越王山，明永乐年间，山上曾建观音阁，所以民间又称其为观音山。
越秀公园东连登峰路、南接应元路、北邻环市路、西邻解放北路，可从正门、东门、南门和北门7个门进园，全园总面积92.8万平方米，地域包括越秀山及木壳岗、长腰岗、鲍鱼头岗、桂花岗等7个山岗及北秀、南秀、东秀3个人工湖，园内有亭台馆谢及五层楼、中山纪念碑、五羊石像等多处名胜古迹，并兼有大型体育运动场、游泳场、美术馆等，兼有金印游乐场、韩国园、成语寓言园等休闲场所。
这座绿树参天的城市中心公园，历代被评为羊城八景之一，如元代有“粤台秋月”，明代有“粤秀松涛”，清代有“镇海层楼”和“粤秀连峰”，近代有“越秀远眺”、“越秀层楼”，现代有“越秀新晖”之称。
据历史记载，越秀山是广州的风水宝地，从地理形态看，广州负山带海，北倚连绵起伏的五岭余脉九连山，南临烟波浩渺的伶仃洋，左有罗浮山，右有青云山作为朱雀，玄武拱卫并延生至广州白云山和越秀山，从地图上看，白云山和越秀山像巨大的苍龙，盘旋在珠江之畔，形成飞龙吸水之势。
越秀山是一座有丰厚文化底蕴的名山，早在秦汉时期，就是广州的风景名胜地，两千多年前，南越王赵佗就特别钟爱越秀山，他在此大宴群臣，款待汉高祖刘邦的使者陆贾，两人结下深厚情谊,后来赵佗去帝制，臣服于汉朝，越秀山上有越王台旧址，相传每年农历三月三，赵佗到这里登高游乐，随行官员在台上跳起越族歌舞，故又名歌舞冈。
介绍陈家祠的英语作文
介绍陈家祠的英语作文The Chen Clan Academy is a well-preserved historic building complex located in Guangzhou, China. It stands as a testament to the architectural brilliance and cultural heritage of the Lingnan region. This magnificent structure was built in the late 19th century and serves as a remarkable example of traditional Cantonese architecture, showcasing the intricate craftsmanship and artistic sensibilities of the time.The Chen Clan Academy was commissioned by the Chen family, a prominent clan with deep roots in Guangzhou. The complex was constructed between 1888 and 1894, funded by the collective efforts of the Chen clan members. The primary purpose of the academy was to provide education and training for the younger generations of the clan, ensuring the preservation and continuation of their cultural traditions and intellectual pursuits.The architectural design of the Chen Clan Academy is a harmonious blend of traditional Chinese elements and regional Lingnan influences. The complex is characterized by its symmetrical layout,featuring a series of interconnected courtyards and pavilions. The main entrance, known as the "Wen Wu Gate," is a grand archway adorned with intricate carvings and decorative motifs, setting the tone for the grandeur that awaits within.As one steps through the gate, the visitor is immediately captivated by the stunning array of architectural details that adorn the buildings. The roofs, with their sweeping eaves and upturned corners, are a hallmark of traditional Chinese architecture, while the ornate stone carvings and ceramic tiles showcase the exceptional craftsmanship of the local artisans.The central courtyard, known as the "Ancestral Hall," is the heart of the Chen Clan Academy. This expansive space is flanked by elegant pavilions and decorated with exquisite stone carvings, depicting scenes from Chinese mythology and the rich cultural heritage of the Lingnan region. The Ancestral Hall itself is a magnificent structure, with its towering roof and intricately carved beams and columns, serving as a testament to the reverence the Chen clan held for their ancestors and the importance of ancestral worship in their cultural traditions.Surrounding the Ancestral Hall are a series of interconnected courtyards and pavilions, each with its own unique architectural features and functions. The "Wen Hua Pavilion," for instance, wasdedicated to the study of literature and the arts, while the "Wu Xing Pavilion" focused on the cultivation of martial arts and physical disciplines.One of the most striking features of the Chen Clan Academy is the abundance of intricate carvings and decorative elements that adorn the buildings. From the delicate floral patterns on the roof tiles to the intricate dragon and phoenix motifs on the beams and columns, every surface of the complex seems to be a canvas for the skilled artisans who created this masterpiece.The attention to detail and the level of craftsmanship displayed in the Chen Clan Academy is truly awe-inspiring. The carved stone figures, the delicate latticework, and the vibrant colors of the ceramic tiles all work together to create a harmonious and visually stunning ensemble that transports visitors to a bygone era of Cantonese cultural splendor.Beyond its architectural significance, the Chen Clan Academy also serves as a repository of Lingnan culture and history. The complex houses a museum that showcases the rich heritage of the region, with exhibits highlighting the clan's history, the development of traditional Cantonese arts and crafts, and the evolution of local customs and traditions.Visitors to the Chen Clan Academy can immerse themselves in the captivating stories and artifacts that fill the museum's galleries. From ancient calligraphic scrolls to intricately woven textiles, the museum offers a comprehensive glimpse into the cultural tapestry of Guangzhou and the Lingnan region.One of the most remarkable aspects of the Chen Clan Academy is its ability to seamlessly blend the past and the present. While the complex stands as a testament to the architectural and cultural achievements of the late 19th century, it has also been carefully preserved and maintained to ensure its continued relevance and significance in the modern era.Today, the Chen Clan Academy serves as a popular tourist destination, attracting visitors from around the world who come to marvel at its architectural splendor and immerse themselves in the rich cultural heritage of Guangzhou. The complex also continues to function as an educational and cultural center, hosting various events, workshops, and exhibitions that celebrate the enduring traditions of the Lingnan region.In conclusion, the Chen Clan Academy is a truly remarkable and captivating cultural landmark that embodies the essence of Cantonese architecture and the rich history of Guangzhou. Its intricate design, exquisite craftsmanship, and deep-rooted culturalsignificance make it a must-visit destination for anyone interested in exploring the vibrant and multifaceted heritage of China's Lingnan region.。
陈家祠英语作文
陈家祠英语作文The Chen Clan Ancestral Hall: A Captivating Cultural TreasureThe Chen Clan Ancestral Hall stands as a testament to the rich cultural heritage of Guangzhou China The grand structure with its intricate carvings and vibrant colors is a true architectural marvel that has captivated visitors from around the world for generations The ancestral hall serves as a hub for the Chen clan preserving their history and traditions while offering a glimpse into the pastThe Chen Clan Ancestral Hall was constructed in the late 19th century during the Qing dynasty It was commissioned by the prosperous Chen family who had amassed considerable wealth and influence through their successful business ventures The hall was built to honor the clan's ancestors and provide a space for the family to gather and celebrate their shared heritage The construction of the hall was a massive undertaking requiring the skills of some of the most talented artisans and craftsmen of the timeAs one approaches the ancestral hall the sheer grandeur of the building is immediately apparent Towering gateways adorned with intricate carvings and statues guard the entrance welcoming visitorsinto the complex The main hall is a true masterpiece of traditional Chinese architecture with its sweeping roofs ornate columns and elaborate decorations The interior is equally impressive with beautifully carved wooden panels and beams adorned with intricate designs and patterns depicting scenes from Chinese mythology and folkloreThe attention to detail throughout the ancestral hall is simply astounding Every inch of the building has been meticulously crafted to showcase the Chen clan's wealth and status Each of the 19 buildings that make up the complex is a work of art in its own right with unique architectural features and decorative elements The halls courtyards and gardens all work together to create a harmonious and visually stunning environment that transports visitors back in timeOne of the most captivating aspects of the Chen Clan Ancestral Hall is the rich history and cultural significance it holds The hall serves as a repository for the Chen clan's genealogical records and other important historical documents that provide insight into the family's lineage and achievements over the centuries Visitors can explore these archives and learn about the clan's illustrious past as well as the roles they played in shaping the history of GuangzhouIn addition to its historical significance the ancestral hall also playsan important role in preserving the Chen clan's cultural traditions and practices The hall hosts regular ceremonies and rituals that honor the clan's ancestors and celebrate their heritage These events are not only important for the Chen family but also offer a unique opportunity for the broader community to engage with and learn about traditional Chinese cultureThe Chen Clan Ancestral Hall is not just a building but a living breathing testament to the enduring spirit of the Chen clan and the rich cultural heritage of Guangzhou Throughout its long history the hall has weathered numerous challenges and changes yet it continues to stand tall as a symbol of the clan's resilience and the enduring power of traditionFor those who have the opportunity to visit the Chen Clan Ancestral Hall the experience is truly unforgettable The sheer beauty and grandeur of the building is enough to leave a lasting impression but it is the deep sense of history and cultural significance that truly captivates visitors As they wander through the halls and courtyards they are transported to a bygone era where the Chen clan's story unfolds before their eyesIn conclusion the Chen Clan Ancestral Hall is a truly remarkable cultural treasure that deserves to be celebrated and preserved for generations to come Its intricate architecture stunning decorationsand rich history make it a must visit destination for anyone interested in exploring the vibrant cultural heritage of Guangzhou China Whether you are a history buff an architecture enthusiast or simply someone who appreciates the beauty of traditional Chinese art the Chen Clan Ancestral Hall is sure to leave a lasting impression。
陈家祠英语作文
陈家祠英语作文The Chen Clan Ancestral HallThe Chen Clan Ancestral Hall, a magnificent architectural marvel, stands as a testament to the rich cultural heritage of Guangzhou, China. This grand structure, built in the late 19th century, serves as a captivating embodiment of the Chen family's history and the enduring traditions that have shaped their lineage.Nestled in the heart of Guangzhou's bustling cityscape the Chen Clan Ancestral Hall exudes an aura of tranquility and timelessness. As one approaches the grand entrance, the intricate carvings and delicate details adorning the facade immediately captivate the senses. The ornate roofs, adorned with intricate ceramic figurines, seem to reach towards the sky, inviting visitors to step into a world of history and wonder.Upon entering the ancestral hall, one is immediately struck by the grandeur of the architecture. The intricate woodcarvings, delicate latticework, and vibrant colors create a mesmerizing visual tapestry that transports visitors back in time. The central courtyard, with its serene pond and lush greenery, offers a tranquil oasis amidst thebustling city, allowing visitors to pause and reflect on the significance of this historic site.The Chen Clan Ancestral Hall is not merely a building but a living testament to the enduring spirit of the Chen family. As one explores the various halls and chambers, one can feel the echoes of the past reverberating through the space. The ancestral tablets, meticulously preserved, serve as a poignant reminder of the generations of the Chen family who have walked these halls before.One of the most striking features of the ancestral hall is the intricate woodcarvings that adorn the walls and ceilings. These masterful works of art, created by skilled artisans, depict scenes from Chinese mythology, history, and daily life. Each carving tells a story, inviting visitors to delve deeper into the rich tapestry of the Chen family's heritage.The attention to detail throughout the ancestral hall is truly remarkable. From the delicate latticework that filters the sunlight to the intricate tile patterns that cover the roofs, every element has been carefully crafted to create a harmonious and visually stunning experience. The architects and artisans who contributed to the construction of this magnificent structure have clearly poured their hearts and souls into their work, leaving an indelible mark on the cultural landscape of Guangzhou.Beyond its architectural splendor, the Chen Clan Ancestral Hall also serves as a hub for cultural preservation and education. The site hosts a variety of events and exhibitions that showcase the traditions and customs of the Chen family and the broader Cantonese culture. Visitors can participate in workshops, attend lectures, and immerse themselves in the rich tapestry of Guangzhou's heritage.One of the most remarkable aspects of the Chen Clan Ancestral Hall is its ability to transcend the boundaries of time and space. While firmly rooted in the past, the ancestral hall also serves as a bridge to the present and the future. Visitors from all walks of life, both local and international, come to this site to connect with the enduring traditions of the Chen family and to gain a deeper understanding of Guangzhou's rich cultural legacy.As one wanders through the halls and courtyards of the Chen Clan Ancestral Hall, it becomes clear that this is not just a historical site but a living, breathing testament to the resilience and adaptability of the human spirit. The Chen family's ability to preserve their traditions and pass them down through generations is a testament to the power of cultural heritage to shape and enrich our lives.In conclusion, the Chen Clan Ancestral Hall stands as a testament to the enduring spirit of the Chen family and the rich cultural heritageof Guangzhou. This magnificent structure, with its intricate carvings, delicate latticework, and serene courtyards, invites visitors to step into a world of history, tradition, and wonder. Through its dedication to cultural preservation and education, the ancestral hall continues to inspire and captivate all who visit, leaving an indelible mark on the hearts and minds of those who experience its timeless beauty.。
陈家祠的英语作文
陈家祠的英语作文The Chen Family Ancestral HallThe Chen Family Ancestral Hall, a magnificent and well-preserved historical structure, stands as a testament to the rich cultural heritage of the Chen clan. Located in the heart of a quaint town, this grand edifice has been the focal point of the family's ancestral worship and gatherings for generations, serving as a tangible link between the past and the present.As I approach the ornate gates of the ancestral hall, I am immediately struck by the intricate and ornamental architectural style that characterizes the building. The intricate carvings adorning the eaves and the intricate lattice work of the windows create a sense of grandeur and sophistication that is truly captivating. The imposing presence of the structure, with its imposing columns and majestic roofline, commands respect and admiration from all who behold it.Upon entering the ancestral hall, I am enveloped in an atmosphere of reverence and solemnity. The spacious courtyard, with its meticulously maintained gardens and tranquil pond, sets the stage for a profound spiritual experience. The main hall, with its ornatealtars and ancestral tablets, is a sacred space where the Chen clan gathers to honor their forebears and maintain the traditions that have been passed down through the generations.As I wander through the various halls and chambers, I am struck by the attention to detail and the meticulous craftsmanship that has gone into the design and construction of this magnificent structure. The intricate wood carvings, the delicate calligraphy adorning the walls, and the intricate tile work all bear witness to the skill and artistry of the artisans who have labored to create this masterpiece.One of the most captivating aspects of the Chen Family Ancestral Hall is the way in which it seamlessly integrates the past and the present. While the building itself is a testament to the rich history of the Chen clan, it also serves as a vibrant hub of community life, where the descendants of the family gather to celebrate important occasions, share stories, and maintain the traditions that have sustained them for generations.As I explore the various rooms and courtyards of the ancestral hall, I am struck by the sense of timelessness that pervades the space. The echoes of the past reverberate through the halls, and I can almost feel the presence of the ancestors who have walked these same paths before me. The reverence and respect with which the Chen clan treats this sacred space is truly inspiring, and it serves as apowerful reminder of the importance of honoring one's heritage and preserving the cultural traditions that define us as a people.In many ways, the Chen Family Ancestral Hall is more than just a physical structure – it is a living, breathing embodiment of the Chen clan's history, values, and identity. It is a place where the past and the present converge, where the bonds of family and community are strengthened, and where the rich tapestry of Chinese culture is celebrated and preserved.As I reluctantly prepare to depart the ancestral hall, I am filled with a deep sense of appreciation and awe. This magnificent structure has left an indelible mark on my heart and mind, and I know that I will carry the memories of my visit with me for the rest of my life. The Chen Family Ancestral Hall is truly a treasure, a testament to the enduring power of tradition and the importance of preserving our cultural heritage for generations to come.。
介绍陈家祠的英语作文
介绍陈家祠的英语作文The Chen Clan Ancestral Hall, also known as the Chen Family Temple, is a remarkable historical site located in Guangzhou, Guangdong Province, China. Built in the late 19th century during the Qing Dynasty, this ancestral hall was constructed by members of the Chen family from various parts of Guangdong province as a place of worship, education, and community gathering.One of the most striking features of the Chen Clan Ancestral Hall is its exquisite architecture, which showcases traditional southern Chinese design. The hall is adorned with intricate wood carvings, stone sculptures, and vibrant ceramic tiles that depict various themes from Chinese folklore, history, and culture. The craftsmanship displayed in these decorations is a testament to the skill and artistry of the craftsmen of that era.In addition to its architectural beauty, the ancestral hall serves as a museum that preserves the rich heritage of the Chen family and the culture of the Cantonese people. Visitors can explore various exhibits that highlight traditional crafts, folk art,and the history of the Chen clan. The hall also hosts cultural events and activities, making it a vibrant center for cultural exchange.The Chen Clan Ancestral Hall is not only a significant cultural landmark but also a symbol of family pride and unity. It represents the values of filial piety and respect for ancestors, which are deeply ingrained in Chinese culture. Today, it attracts numerous tourists and scholars who come to admire its beauty and learn about its historical significance.In conclusion, the Chen Clan Ancestral Hall is a must-visit destination for anyone interested in Chinese history and culture. Its stunning architecture, rich heritage, and vibrant cultural activities make it a unique and valuable site that reflects the essence of Guangdong's traditions.中文翻译：陈家祠，又称陈氏家庙，是位于中国广东省广州市的一处非凡历史遗址。
陈家祠中英文导游词
陈家祠中英文导游词【篇一：陈家祠导游词】陈家祠p59讲解路线【简介】——【建筑特点】——【一进（大门外）】——【二进（首进大厅和聚贤堂）】——【后进】——【西斋和厢房】【简介】陈家祠位于广州市中山七路，又称陈氏书院。
清光绪十六年(1890年)动工，光绪二十年（1894年）落成，为广东72县陈姓族人捐资合建的宗祖祠和书院。
清末废除科举制度后，改办学校。
新中国成立后，人民政府十分重视这座建筑，成立了专门保护机制，多次进行修葺，于1959年辟为广东民间艺术博物馆，1988年被国务院列为全国重点文物保护单位。
陈家祠的主体建筑坐北向南，占地面积为1.5万平方米，主体建筑面为6400平方米。
平面呈正方形，长宽均为80米，“深三进，广五间”，包括9做厅堂，东西斋10座房子和我建的六座庭院，大小合计19座，聚贤堂位于中央，其它按中轴线依次布列，相互建议长康联通，组成外封闭、内开饭的形式。
门前坪地和东西后三院环绕四周，与内部庭院相应，从外往里望去，长廊贯穿南北，庭院层层相通，一进高于一进，最高处达16。
8米。
这种布局严谨、主次分明、虚实相应，前低后高的形式体现了我国南方祠堂建筑的规矩和传统的艺术风格。
一次陈家祠被誉为“岭南艺术建筑明珠”。
【建筑特点】陈家祠的建筑特点有两个，一是每座房子从柱基到瓦脊全都缀满了石雕、砖雕、米雕、泥塑、陶塑、铁铸、和彩绘，琳琅满目。
他们的题材都是著名的历史故事和地方风物，精雕细刻，用材讲究，确确实实是一座宏伟瑰丽的民间艺术宝库。
二是极富岭南风味。
那些华丽的装饰，陡峭的瓦脊，小巧的拱门和各种比例、手法都突出表现岭南的建筑风格。
长廊贯通全院遮阳挡雨，房舍高大阴凉，内外庭院满目苍翠，与广州亚热带气候十分适应，让人觉得幽雅宜人，极富岭南风味。
【一进（大门外）】来到陈家祠一进，首先介绍一下屋顶脊饰。
脊饰在明亮的蓝天衬托下，色彩斑斓、富丽堂皇，具有浓烈的民间艺术韵味。
你们看：那蹲伏在屋沿垂脊上六对一米多高的灰塑独角狮，全身朱红色，大眼圆睁，张口翘尾，就像要凌空而下，气势雄伟。
陈家祠英语作文
陈家祠英语作文Chen Family Temple, also known as Chen Clan Academy, is a renowned ancestral hall and academic temple in Guangzhou, China. It was built in 1894 during the Qing Dynasty and served as a gathering place for the Chen family members to study for the imperial examinations. Today, it stands as a monument to traditional Chinese culture and craftsmanship, attracting visitors from all over the world.The historical background of the Chen Family Temple is deeply rooted in the Confucian traditions of education and family values. During the Qing Dynasty, education was highly revered, and passing the imperial examinations was the key to upward social mobility. The Chen Family Temple was a place where the younger generations of the Chen family could study and prepare for these rigorous exams, which were based on Confucian classics and Chinese literature. The temple also served as a venue for important family ceremonies and gatherings, reinforcing the importance of filial piety and ancestral worship.From a historical perspective, the Chen Family Temple represents the architectural and artistic achievements of the Qing Dynasty. The complex is adorned with intricate wood carvings, stone sculptures, and colorful ceramic decorations, showcasing the skilled craftsmanship of the artisans of that era. The layout of the temple, with its central axis and symmetrical design, reflects the traditional Chinese architectural principles of balance and harmony. Thehistorical significance of the Chen Family Temple lies not only in its function as an academic institution but also in its role as a cultural and artistic treasure.In contemporary times, the Chen Family Temple has become a popular tourist attraction and a symbol of Guangzhou's cultural heritage. Visitors are drawn toits exquisite architecture, beautifully preserved artwork, and serene atmosphere. Many people come to the temple to learn about traditional Chinese culture and history, as well as to appreciate the fine craftsmanship of the past. The temple also hosts various cultural events and exhibitions, further promoting the appreciation of Chinese arts and traditions.However, the increasing commercialization and tourism have also raised concerns about the preservation of the temple's authenticity and historical value. The influx of visitors and the development of surrounding areas have put pressure on the conservation of the temple and its traditional surroundings. There is a delicate balance to be struck between promoting tourism and preserving thecultural integrity of the site.One example of the challenges faced by the Chen Family Temple is the impact of urbanization on its surroundings. As Guangzhou continues to grow and modernize, the temple is increasingly surrounded by high-rise buildings and commercial establishments. This juxtaposition of ancient and modern creates a stark contrast that has sparked debates about the preservation of cultural heritage in the face of rapid urban development.On the other hand, the tourism industry has also brought economic benefits to the local community and contributed to the revitalization of the surrounding neighborhoods. The influx of visitors has created opportunities for local businesses, such as restaurants, souvenir shops, and cultural performances, to thrive. The temple has become a focal point for cultural exchange and has contributed to the city's reputation as a cultural destination.In conclusion, the Chen Family Temple is a testament to the rich cultural heritage of Guangzhou and a valuable asset to the preservation of traditional Chinese arts and traditions. Its historical significance, architectural splendor, and educational legacy make it a unique and irreplaceable cultural landmark. While the challenges of urbanization and commercialization pose threats to its preservation, the temple continues to inspire awe and admiration among visitors and locals alike. It is essential to strike a balance between promoting tourism and safeguarding the temple's historical and cultural integrity for future generations to appreciate and cherish. Efforts to protect and conserve the Chen Family Temple will ensure that its legacy endures for centuries to come.。
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简单介绍陈家祠英文导游词The introduction of Chen clanacademyThe Chen Clan Academy（陈家祠）is an academic temple in Guangzhou, China ,built by the 72 Chen clans for their juniors’accommodation and preparation for the imperial examinations(科举) in 1894 in Qing Dynasty .Later it was changed to be the Chen Clan’s Industry College, and then middle school afterward. Now it houses the Guangdong Folk Art Museum(广东民间工艺博物馆). The Chen Clan academy is notable for the rich decorations which exist inside, outside the halls and in almost every beams, ridges, walls and columns. This make the Chen Clan Academy a large collection of wood carving(木雕), stone carving（石雕）,brick carving（砖雕）, pottery（陶器）,plaster（石膏）and iron engraving（铁雕刻）.篇二：陈家祠导游词陈家祠P59讲解路线【简介】——【建筑特点】——【一进（大门外）】——【二进（首进大厅和聚贤堂）】——【后进】——【西斋和厢房】【简介】陈家祠位于广州市中山七路，又称陈氏书院。
清光绪十六年(1890年)动工，光绪二十年（1894年）落成，为广东72县陈姓族人捐资合建的宗祖祠和书院。
清末废除科举制度后，改办学校。
新中国成立后，人民政府十分重视这座建筑，成立了专门保护机制，多次进行修葺，于1959年辟为广东民间艺术博物馆，1988年被国务院列为全国重点文物保护单位。
陈家祠的主体建筑坐北向南，占地面积为1.5万平方米，主体建筑面为6400平方米。
平面呈正方形，长宽均为80米，“深三进，广五间”，包括9做厅堂，东西斋10座房子和我建的六座庭院，大小合计19座，聚贤堂位于中央，其它按中轴线依次布列，相互建议长康联通，组成外封闭、内开饭的形式。
门前坪地和东西后三院环绕四周，与内部庭院相应，从外往里望去，长廊贯穿南北，庭院层层相通，一进高于一进，最高处达16。
8米。
这种布局严谨、主次分明、虚实相应，前低后高的形式体现了我国南方祠堂建筑的规矩和传统的艺术风格。
一次陈家祠被誉为“岭南艺术建筑明珠”。
【建筑特点】陈家祠的建筑特点有两个，一是每座房子从柱基到瓦脊全都缀满了石雕、砖雕、米雕、泥塑、陶塑、铁铸、和彩绘，琳琅满目。
他们的题材都是著名的历史故事和地方风物，精雕细刻，用材讲究，确确实实是一座宏伟瑰丽的民间艺术宝库。
二是极富岭南风味。
那些华丽的装饰，陡峭的瓦脊，小巧的拱门和各种比例、手法都突出表现岭南的建筑风格。
长廊贯通全院遮阳挡雨，房舍高大阴凉，内外庭院满目苍翠，与广州亚热带气候十分适应，让人觉得幽雅宜人，极富岭南风味。
【一进（大门外）】来到陈家祠一进，首先介绍一下屋顶脊饰。
脊饰在明亮的蓝天衬托下，色彩斑斓、富丽堂皇，具有浓烈的民间艺术韵味。
你们看：那蹲伏在屋沿垂脊上六对一米多高的灰塑独角狮，全身朱红色，大眼圆睁，张口翘尾，就像要凌空而下，气势雄伟。
陈氏书院将灰塑独角狮装饰在垂脊上，带有避邪保平安的寓意。
接着我们重点了解一下陈家祠的花脊和砖雕。
陈家祠花脊共有十一条，总长度为165米花脊分上下两层，下层一灰塑做脊基，上层为陶塑。
陶塑是石湾烧制的采用玻璃釉彩，主要有黄、绿、宝蓝、褐、白等五色。
石湾陶瓷瓦脊，题材丰富、形象传神、工艺特别。
人物均是有前无后，脸部有脸无珠，不施釉彩。
各种人物的头手、脚、服饰均定型化。
分别以摸印制，根据人物不同的形态，选配头型、帽饰、手脚、服饰，然后用捏、按、捺、贴等手法进行加工，按仰望角度视线要求，划账处理人体比例和特定的神态动作，使人物栩栩如生。
石湾瓦脊一般分成若干小块塑造烧纸，在舞动驳接嵌砌而成。
每条花脊，在烧制的时候，都标有点号和年号，这条首进中路花脊是光绪辛卯年年（1891年）文如壁店烧制的。
当时为陈家祠烧制花脊的还有暴雨荣记、美玉成等店铺。
请大家主意看看，每条花脊两端，有一对造型独特的动物，它龙头鱼尾，长有两根往上翘的长须，向飞翔在凌空一样气势不凡，使屋顶的轮廓线更加优美。
这种怪异的动物，就是古代民间传说嫩防火避灾的鳌鱼。
古人认为；“巨螯生于海，好吞火，而且水能克火，故置于屋脊之上。
”，同事，古人又取其“独占鳌头”之意，表示了子孙科举考试荣登榜首，高昂官显贵的心理。
请各位放眼望去，正门两侧那平整光滑的青砖檐墙上，有六幅大型砖雕，其中两幅长4.8米，宽2米，就像巨幅的画卷镶嵌在墙上，它使原本单调的平板的青赚钱变得秀气典雅，又使整座建筑显得更加富丽堂皇。
六幅大型砖雕，人物鸟兽形态传神生动，雕工精细入围，立体逼真，是广东现存做好和最大型的作品。
这些砖雕是选用质量上等的青砖，运用浮雕，圆雕技法，逐块雕琢，拼接镶嵌于砖墙上。
广东砖雕以其雕技高超而著称，能在质地松脆的青砖上雕刻纤细苍劲的线条，如垂挂的直线一般，故有“挂线砖雕”之称，体现了广东砖雕的独特风格。
最后我给大家介绍一下两扇大门。
两扇大门彩绘的门神高达4米，黑脸者为尉迟恭，红脸者为秦琼，是唐代太宗的大将军。
据说由两位器宇轩昂的大将军守卫门户，能起到镇邪保平安的作用。
【二进（首进大厅和聚贤堂）】跨进首进大厅，展现在眼前的是一座四扇镂空双面木雕大屏门。
它李在大厅和庭院正中之间，分隔了内外空间，透过镂空雕花，院内景物若隐若现，又使到内外空间有机结合起来，产生一种幽深高雅的美感。
这四扇屏门上雕刻的都是吉祥如意的内容，如“金殿比武”、“渔樵耕读”、“三羊启泰” 等。
其图案内容，大多含有很微妙的寓意。
如裙板上雕刻的这幅“创大业，儿孙永发”图，用芭蕉树的大叶象征大业，母鸡带一群小鸡，寓意儿孙永发。
哟、以五只蝙蝠围绕着一团家“寿”字的烟云，被誉为“五福捧寿”。
这幅“福“字图最有象征意义，把一棵老竹雕成一个福字形状，两个”福“字一正一反，暗寓福到盈门几只仙鹤站在老竹从中，画面题词“青春发达、大器晚成”，比喻人和物的成长过程，又暗寓“福寿双全”。
还有这幅“渔舟晚唱”图，三只渔船停泊在河岸边，一张正在晾晒的渔网高高挂起，坐在船头上的几个渔夫手拿乐器在弹唱，母亲怀抱婴儿王者背救生浮葫芦的孩子爬到船篷上玩耍，表现出广东水乡渔民在辛勤劳动后那种悠然自得的生活情趣。
转出屏门视线豁然开朗，庭院各种花草树木绿茵婆娑，香气袭人。
遇着中轴线反响，前院架起了东西两道彩带般的长廊，连接首进和中进建筑。
长廊上塑有“竹林七贤”、“公孙玩乐图”等历史题材故事，有“镇海层楼”、“浮丘丹井”等清代羊城八景‘还有各种花苗瑞兽、如意吉祥图案，琳琅满目，美不胜收，噶庭院装扮的情趣盎然。
灰塑工艺极其复杂，它以石灰为主要材料，拌入稻草或草纸，制成草根灰与纸根灰，用铜线做骨架，以瓦筒为躯干艺人直接在建设装饰部位上制作，随意发挥艺技，最后绘上矿物质颜料而成。
灰塑的立体效果非常突出，形态逼真，色彩喜用大红大绿，充满浓郁民间生活气息。
其中有一种以蝙蝠造形的吉祥图案，生动活泼，神态亲近可爱，化丑为美，夸张变形时民间常用的艺术手法。
因“蝠”与“福”谐音，所以我国民间把蝙蝠视为福的象征。
如在一只蝙蝠前面画一串铜钱，被称为“福在眼前”；两只蝙蝠重叠，又称“福上加福”等等。
陈氏书院的灰塑，题材十分丰富，塑艺精美，规模宏大，总长度为1800余米，居全省民间建筑装饰之上。
穿过长廊，迈上台阶，两座建筑之间，山墙高耸，形成一条通道，只见头上青天白云，前面每进升高，取其“青云直上”之意，俗称“青云港”。
站在青云巷凉风阵阵。
它美观而又实用，起到分隔建筑空间及防火的作用。
中座聚贤堂是书院建筑的中心，聚贤堂是当年陈姓族人举行聚会议事的地方，堂前有一座雅致的石雕月台，月台上的石雕栏杆、月台柱及望柱头的雕饰是陈氏书院石雕装饰工艺的典型。
栏杆以各种花鸟、果品为题材，用连续缠枝的表现手法来雕饰。
月台雕柱有“老鼠戏葡萄”，老鼠是十二生肖之首，老鼠与多子的葡萄、石榴共戏，是暗喻百子千孙的意思。
望柱头的雕饰更加特别，以花岗石雕成的一盘盘菠萝、杨桃、桔子、仙桃、佛手、香蕉等岭南佳果，既富有南国风情和装饰美，又寄寓了陈氏子孙以礼果终年奉祀祖先的虔诚敬意。
这又是一个体现广东民间艺人匠心独运的生动例子。
【后进】后进是安放神主牌位和族人祭祀祖先的地方。
这里一共有十一座八米多高木雕大神龕，龕堂阶台上安放着密集整齐的牌位，正中最高者为陈氏元祖舜帝，列祖按序排列。
另外，凡是捐巨资兴建陈氏书院的陈氏族人，均可以在此设长生位，标明捐资金额，并按辈分大小、出资多寡及社会地位排列放置。
神龛外饰大型木雕镂通花罩，其雕工精致，规制宏大，龛堂庄严肃穆。
每年春秋两季，陈姓族人在此举行隆重的合族祭祖仪式，以示对祖先的虔诚敬意。
陈氏书院龕罩是广东现存最大型的清代木雕杰作，龕罩上还铭刻着制作年代、营造商号及地址，如“光绪十六年、回澜桥、刘德昌造”等，只是研究陈家祠营建情况的可靠原始资料。
【西斋和厢房】看完三进主体建筑，我们可以简单浏览下东西斋和厢房。
东西厢房是当年陈氏学子们学读书的主要用房，廊庑与厢房相连。
厢房是通花格嵌套色蚀花玻璃上落窗装饰，光线柔和，环境优雅，这是珠江三角洲地区清代晚期特有的建筑装饰工艺。
室内绘有大型壁画。
前东厢为《滕王阁》，图中描绘才气过人的唐代诗人王勃意气风发地吟作“滕王阁序”的场面，前西厢绘《夜宴桃李》，画面表现了桃花盛开时，李白和诸学友在桃李园夜宴的情景。
用文人雅士为题材的壁画，正与厢房的使用功能相匹配，虽然只有两幅作品，但却起到画龙点睛的装饰作用，使书院更富诗意而显得雅致清新。
总的来说，陈家祠在建筑上最突出的是它集广东民间建筑装饰之大成，是劳动人民的聪明才智与精湛技艺的结晶。
1959年郭沫若先生参观陈氏书院后感叹不已，即时赋诗赞曰：“天工人可代，人工天不如。
果然造世界，胜读十年书。
”对劳动人民的卓越才能给予极高的评价。
陈氏书院被誉为“岭南艺术建筑的一刻明珠”是当之无愧的。
陈家祠极品导游词,位于广州市中山七路，始建于清光绪十六年（1890年），于1894年竣工落成。
陈家词又叫陈氏书院，现为广东民间工艺博物馆，从前面两个名称来年，显然是祠堂和学堂，且与陈姓有关。