茅盾翻译

•Novels
Hong, 《虹》 Hong [Rainbow] (1930) Ziye, 《子夜》 ZiYe [Midnight] (1933) 《獻給詩人節》 XianGeiShiRenJie [Giving to the poet festival] (1946)
•Theories
《茅盾近作》 MaoDunJinZuo [The recent works of Mao Dun] (1980) 《茅盾論創作》 MaoDunLunChuangZuo [Mao Dun's Comment on Creativity] (1980)
茅盾的译文:可怜的玛罗希咖悲悲戚戚的啼哭着，在山脚边慢慢儿地 爬。四面都是深到几尺的雪，没有一星人迹，也没有野兽的脚印。 玛罗希咖向前慢慢的爬，又冷又饿，没有一点儿气力。“住在天上 的好上帝呀，”她祷告，“请你快来带我去，免得多受苦呀!’原文 只简单的描述糟糕的天气情况和玛罗希伽的情况，但茅盾却详细而 生动地描述了玛罗希咖的行为和心理活动，译文更加突出玛西罗咖 的善良和海良娜的邪恶。
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Use of the vernacular
• It was winter-time;the air was cold,the wind was sharp,but within the colsed doors it was warm and comfortable ,and within the colsed door lay the flower；it lay in the bulb under the snowcovered earth.
Mao Dun
M ao Dun (July 4, 1896–March 27, 1981) was the pen name of Shen Dehong (Shen Yanbing), a 20th century Chinese novelist, cultural critic, and journalist. He was also the Minister of Culture of China from 1949 to 1965. He is currently renowned as one of the best realist novelists in the history of modern China. He died on M arch 27, 1981 (aged 84) in Beijing.
As a founder in modern Chinese literature, Mao Dun has not only distinguished works in literary translation but also outstanding contribution in opening up modern literary translation criticism, which takes very important position. Mao Dun promoted a big transformation from the traditional literary translation criticism to the modern one, applied Taine s translation Criticism in Chinese modern literary translation and put forward the special theory of modern literary translation criticism.
Drama script
Qingming Qianhou, 《清明前後》 QianMingQianHou [Front and rear Pure Brightness] (1945)
Translation
話劇《俄羅斯問題》(Modern drama "Russian Question") (1946) 中篇小說《團的兒子》(Novelette "Group's Sons") (1946)
•Translation practice
Translation and creation are equally important Translation must meet the needs of the times The translation of foreign literature have introduced systematic Translator must be researchers The highest standards of translation is the translation of creative
Part 1
A brief introduction about his lifetime
His translation thought
Mao's translation theory and practice
ቤተ መጻሕፍቲ ባይዱ
Mao Dun and Modern Literary Translation Criticism
• Essays
《蘇聯見聞錄》 SuLianJianWenLu [Travelling Diary of USSR] (1948) 《雜談蘇聯》 JiTanSuLian [Talks on USSR] (1949)
Mao Dun and Modern Literary Translation Criticism
she went into the forest weeping bitterly.The snow lay deep,and there wasn't human footprint to be seen,Marus? a wandered about for a long time, turtored by hunger and trembing with cold. She begged God to take her from the world.
•Novellas
•Disillusion《幻滅》 Huanmie (1928) •Three people walkingSan Ren Xing, 《三人行》 Sanrenxing (1931) •The Shop Of the Lin Family《林家铺子》 Linjia Puzi (1932) •Spring Silkworms and Other Stories, 《春蚕》 Chuncan (1956) •Autumn Harvest《秋收》 QiuShou
• 茅盾的译文:是冬天哪; 天气冷，风是尖溜溜 的;可是屋子里关得紧 紧儿的，是暖和的， 那雪球花儿呢，这时 也躺在尾子里;就是躺 在雪泥土下面的那个 球根儿里。
Translation by naturalization
T E X T
例二King Morus graciously patted old Marciz on the shoulders 茅盾的译文:皇帝圣眷隆重地拍着老那齐的肩膀。 汤真的译文:摩罗斯国王恩宠地拍拍那齐士老头的肩膀。 在中国封建社会，皇帝拍拍臣子的肩膀意味着皇帝对臣子的 恩宠。茅盾把“graciously”译成“圣眷隆重地”比“恩宠地" 带有更浓的中国文化，能够让中国人民和中国儿童接受和理解。
Thank you !
part 3
Mao Dun Literature Translation of foreign children
•Use of the vernacular
•Translation by naturalization •Adaptation of the translation method used
The literal and free translation
Translation practice
•Short stories
Wild Rose(《野薔薇》 Ye Qiangwei (1929) The Smoke and Cloud Collection《煙雲集》 Yanyunji (1937)
His translation thoughts
The early years of the "charm" Art of creative translation "literal" and "free translation" of the new solution
• Translation theory
T E X T
例三:原文:“We great you, great king，Morus!” 茅盾的译文:“我皇万岁，伟大的摩罗斯皇帝。” 汤真的译文:“向伟大的摩罗斯国王陛下致敬!” 我们可以看出茅盾的译文更接近中国文化，能够让中国人民和 儿童所接受。
Adaptation of the translation method used
Part 2 Mao dun
Choice of translation objects
Pushkin
On the translation and retranslation
On the impact of the translation of academic exchanges
The relation between translation and original works