高级英语小说课文分析
高级英语课文Philosophers among the Carrots的文体风格分析
高级英语课文Philosophers among the Carrots的文体风格分析作者：袁卫民来源：《吉林省教育学院学报·上旬刊》 2015年第9期收稿日期：2015—03—14作者简介：袁卫民（1975—），男，四川广元人。
重庆师范大学涉外商贸学院，讲师，硕士，研究方向：英美文学与翻译教学。
袁卫民（重庆师范大学涉外商贸学院，重庆401520）摘要：高级英语课文Philosophers among the Carrots是一篇亦庄亦谐的美文，作者以其高超的语言技巧和别样的视角揭示了文章的主题。
但正是由于其独特的风格特点，给文章阅读带来了很大的挑战，因此，对其文体特色进行分析与解读可以探究该文的主题思想以及写作的神韵。
关键词：风格特色；主题思想；神韵；英语课文DOI：10.16083/ki.22-1296/g4.2015.09.032中图分类号：H319文献标识码：A文章编号：1671—1580（2015）09—0071—02Philosophers among the Carrots在写作的视角选择、语言运用、结构安排以及修辞手段使用和视角选择等方面，极其风格化，极大地提高了文章的艺术品位，有力地揭示了文章的主题。
其高度风格化的特点体现了作者高超的艺术技巧，同时也带来理解上的困难，为了很好地理解该文的美轮美奂，提高阅读者的艺术鉴赏力，下面就其文本特色进行分析。
一、主题Philosophers among the Carrots以20世纪70年代的女性解放运动为背景，讨论了女性的身份和自我价值的问题，但作者并不是把女性运动以前对女性身份的界定或女性运动后的女性身份强行规定地摆在读者面前，也就是没有采用常见的说教方式进行所谓的以理服人，对女性在那个年代的社会身份问题并没有进行价值层面的讨论，而是精心选择了一个曾经接受过高等教育的家庭主妇为代言人，通过家庭主妇对自己生活状况的展示，让其认识自己的生活，在内心进行自我反省。
高级英语课文详解
02
bathtub [bæθtʌb, bɑθ-] n. 浴缸，澡盆 eg: Please let the water out of the bathtub. 请把浴缸里的水放掉。 Bitterness fed on the man who had made the world laugh . The moralizing of his earlier writing had been well padded with humor . Now the gloves came off with biting satire . 译文：这个曾经给全世界带来欢笑的人自己却饱尝了人世间的不幸与辛酸。他早期作品中的说教包着幽默的外衣，可现在幽默却变成了辛辣的讽刺。
spinal [spaɪnəl] adj. 脊柱的，与脊柱有关的；针的，刺的；棘状突起的 adv. 在脊骨方面，压着脊骨 n. [医]脊髓麻醉 spinal injuries 脊椎损伤 meningitis [mɛnɪn`dʒaɪtɪs] n. 脑膜炎 Meningitis is a serious infectious illness which affects your brain and spinal cord. bronchitis 支气管炎 tonsillitis 扁桃体炎 appendicitis：阑尾炎 hepatitis 肝炎 arthritis 关节炎
高级英语blackmail课文解析
高级英语blackmail课文解析示例文章篇一：《<高级英语“Blackmail”课文解析>》哎呀，今天咱们就来说说高级英语里的那篇“Blackmail”吧。
这篇课文可真是像一场超级刺激的电影一样呢！一、故事中的人物课文里有好几个特别鲜明的人物呢。
首先就是那个公爵夫人，哇，她可真是个厉害的角色。
她就像是一只高傲的孔雀，穿着华丽的衣服，带着那种贵族特有的傲慢。
你看她，在面对事情的时候，总是想着怎么维护自己家族的名声，就像守着宝藏一样，这宝藏就是他们家族几百年来的声誉呀。
她说话的时候那种高高在上的感觉，真的让人觉得有点讨厌，可是又不得不佩服她的那种冷静。
然后就是那个叫奥格尔维的侦探。
他呀，就像一只狡猾的狐狸。
他知道公爵夫人和公爵的秘密，就想着从这个秘密里捞一笔。
他那胖胖的身体，看起来有点滑稽，可是他的眼睛里却透着那种精明的光。
他和公爵夫人的对话就像是一场激烈的战斗，两个人都在互相试探，互相揣摩对方的心思。
他说的每一句话都像是在给公爵夫人下套，想让她乖乖地把钱交出来。
还有公爵呢，虽然课文里对他描写得没有公爵夫人那么多，可是他就像一个影子一样，一直在背后影响着整个事情的发展。
他的错误就像一颗定时炸弹，随时都可能把他们家族的名声炸得粉碎。
二、情节的起伏这篇课文的情节就像坐过山车一样。
一开始，奥格尔维发现了公爵夫妇的秘密，然后他就大摇大摆地去见公爵夫人。
这时候，公爵夫人还不知道他的来意呢，还以为他只是来汇报一些普通的事情。
可是当奥格尔维慢慢地把秘密透露出来的时候，气氛一下子就紧张起来了。
就像突然有一片乌云遮住了阳光，房间里变得阴森森的。
公爵夫人一开始还试图用自己的身份来压奥格尔维，她觉得自己是贵族，这个小侦探肯定不敢对她怎么样。
她就像一只母狮子在保护自己的领地一样，充满了攻击性。
可是奥格尔维根本不吃这一套，他继续说着那些威胁的话。
这时候，公爵夫人开始慌了，她知道这个秘密要是被传出去，那可就不得了了。
高级英语trail课文解析
高级英语trail课文解析
高级英语的trail课文解析可以从多个角度进行。
首先，我们
可以从课文的主题和情节入手，分析作者想要表达的观点和意图。
其次，我们可以从语言和修辞手法的角度分析课文，包括词汇的选择、句子结构和修辞手法的运用。
另外，我们还可以从历史背景和
文化内涵方面解读课文，探讨课文背后的文化和社会意义。
最后，
我们还可以从个人理解和情感共鸣的角度来解析课文，分享自己对
课文的感受和体会。
在分析课文主题和情节时，我们可以探讨课文的故事情节、人
物性格以及故事背后的含义。
通过分析课文的情节发展和人物形象，我们可以理解作者想要传达的信息和观点，以及课文所蕴含的深层
含义。
从语言和修辞手法的角度分析课文，我们可以关注课文中的精
彩词汇和句式结构，探讨作者如何通过语言来营造氛围和情感，以
及如何运用修辞手法来增强文章的表现力和说服力。
在历史背景和文化内涵方面解读课文，我们可以了解课文所处
的时代背景、作者的生活环境以及当时的社会文化背景，从而更好
地理解课文中所蕴含的文化内涵和社会意义。
最后，从个人理解和情感共鸣的角度来解析课文，我们可以分享自己对课文的理解和感受，探讨课文对我们的影响以及我们与课文之间的共鸣和情感联系。
综上所述，对于高级英语trail课文的解析，我们可以从多个角度进行全面深入的分析，包括课文的主题和情节、语言和修辞手法、历史背景和文化内涵，以及个人理解和情感共鸣，从而更好地理解和欣赏课文的内涵和价值。
高级英语6课文解析-Jerusalem the Golden
As the afternoon went on ,he began to realize how he misjudged the distance and something else was very wrong. As he approached the house ,he saw no golden windows but instead a place in bad need of a painting surrounded by a broken down fence. He went to the tattered screen door and knocked . A small boy very close to his age opened the door. He asked him if he had seen the house with the golden windows . The boy said "Sure ,I know." and invited him to sit on the porch . As he sat there ,he looked back from where he just came where the sunset turned the windows on his home to Gold.
7.The Golden Windows(p.10)
Brief story:
There was a small boy living on a farm. He needed to get up before sunrise every morning to start his chores and out again later to do the evening ones.
《高级英语》语篇的隐喻性分析及其对教学的启示
2020年6月第32卷第3期Jun.2020Vol.32No.3安康学院学报Journal of Ankang UniversityDOI：10.16858/j.issn,1674-0092.2020.03.021《高级英语》语篇的隐喻性分析及其对教学的启示葛文峰（淮北师范大学外国语学院，安徽淮北235000）摘要：张汉薦编著的《高级英语》（重排版）具有很强的隐喻性。
其隐喻不仅出现在词汇层面，还出现在句法和语篇层面，甚至标题本身都蕴含着隐喻认知机制。
学习者隐喻知识的欠缺阻碍了从更高以及更深层次上去欣赏和理解语篇。
探讨《高级英语》课文中的隐喻有助于培养学生的隐喻认知能力，提高学生的修辞赏析能力和语篇意识。
关键词：《高级英语h语篇；隐喻；词汇；句法中图分类号：G642文献标识码：A文章编号：1674-0092（2020）03-0110-05—、引言隐喻通常被看作是一种修辞手段，Lakoff&John-son在《我们赖以生存的隐喻》一书中颠覆了这种传统的认识。
他们认为隐喻不仅是一种修辞手段，更是一种认知方式叫隐喻是从人们通过参照熟悉的、具体的、常见的概念域去认知和发现陌生的、抽象的、罕见的概念域，隐喻必然涉及两个不同领域的事物,即源域和目标域。
隐喻的基本目标就是通过源域喻体向目标域本体的单向映射,也就是说隐喻映射要以喻体为出发点，向本体发生映射，最终的目标是本体。
在隐喻的映射过程中，源域中的属性和知识会被映射到目标域的知识中。
但是，源域中的各种知识和属性并不是全部地映射到目标域而只能部分地进行映射。
喻体特征，经过”过滤”的作用，强调某些特征而抑制另外一些特征030,在获取隐喻意义的过程中，认知主体起着绝对主观能动性的作用，要对本体和喻体进行一系列的推理和分析，发现适合当下情景的语境的相似性后，就揭示了喻底，从而产生隐喻意义。
隐喻的本体和喻体可以在语篇的局部区域形成语义上的延伸眄即隐喻的延伸性。
高级英语第一册Blackmail的赏析
BlackmailAbout the author.This novel is written by Arthur Hailey.He is a bestsellers novelist. Born in Luton, Bedfordshire, England, Hailey served in the Royal Air Force from the start of World War II during 1939 until 1947, when he went to live in Canada. Hailey's last novel, Detective(1997), is a mystery told from the perspective of a Miami homicide detective. This detective also happens to be a former Catholic priest who has lost his religion; the work deals with themes of religion and questions the Catholic Church. Hailey told the Walden Book Report that his aim in writing this book was to share his own thoughts about religion without "mak[ing] it a lecture." He says that he lost his own faith while serving in Cyprus during World War II, and that since ex-priests have many occupations he might as well give his protagonist an exciting one.After working at a number of jobs and writing part-time, he became a writer full-time during 1956.Following the success of Hotel during 1965, he moved to California; in 1969, he moved to the Bahamas to avoid Canadian and U.S. income taxes, which were claiming 90% of his income.His best sellers include:Hotel,Airport,Wheels,The Final Diagnosis and The Moneychangers.About the best sellers of authorEach of his novels has a different industrial or commercial setting and includes, in addition to dramatic human conflict, carefully researched information about the way that particular environment and system functions and how these affect society and its inhabitants.Critics often dismissed Hailey's success as the result of a formulaic "potboilera" style, in which he caused an ordinary character to become involved in a crisis, then increased the suspense by switching among multiple related plot lines. However, he was so popular with readers that his books were almost guaranteed to become best-sellers.He would spend about one year researching a subject, followed by six months reviewing his notes and, finally, about 18 months writing the book. That aggressive research—tracking rebel guerrillas in the Peruvian jungle at age 67 for The Evening News(1990), or reading 27 books on the hotel industry for Hotel—gave his novels a realism that appealed to readers, even as some critics complained that he used it to disguise a lack of literary talent.Many of his books reached 1 on the New York Times bestseller list and more than 170 million copies have been sold worldwide in 40 languages. Many have been made into movies and Hotel was made into a long-running television series.Airport becamea successful film with dramatic visual effects.About the background.The story happened in a hotel named St. Gregory in New Orleans, Louisiana which is in the south of US.The text is only a part of the nove,Hotel.We can see three main characters in this text.O gilvie: chief house officer.the Duke of Croydon: newly appointed British ambassador to the United States.the Duchess of Croydon: wife of the Duke.This kind of novels are called thrillers. Generally defining, a thriller is a work of fiction or drama designed to hold the interest by the use of a high degree of intrigue, adventure or suspense. Others can be called cop-criminal novels, detective novels. The main purpose is for entertainment, amusement. Very often this kind of novels contain a lot of action, usu. suspension, not very much deep thought, without moral intention, not considered classic.The basic technique is to make the whole story of crime into sth. like a jigsaw puzzle. You can not see the outcome until the final part is put in.About the plot.Gregory was now at the brink of bankruptcy, but Peter McDermott is trying every means he could to save it.Several events happened during the week with the present text as part of it.The Duke ofCroydon was an internationally famous statesman and the newly appointed British ambassador to Washington. They occupied the best suite of the hotel. Monday evening, the Duke went to the gambling house. Later, his wife pursued and found him. On their way back, the car Jaguar knocked down a woman and her child. Both killed.Ogilvie found the crime and blackmailed the Duke and the Duchess.He managed to make the Duke and the Duchess believe that he would bring the crime to light if his demand was not satisfied.The Duchess came up with a good idea in order to avoid punishment.She would like Ogilvie drive the car away from the city.In the end,the couple paid Ogilvie money and the dirty deal was done.And then,At one o'clock Thursday morning, Ogilvie drove the car north. But he was seen leaving the hotel by McDermott. Later in the afternoon, McDermott witnessed the funeral of the two victims of the accident. He suddenly realized the relation between these two events and contacted police.Ogilvie was caught in Tennessee and sent back to New Orleans. The Duke decided to go to the police to confess his crime (to surrender himself / to give himself up). But he was hurled out the elevator due to the breakdown of it. He hit the cement ground and died instantly.Anyway, the novel had a pleasant ending.One of the guests, who looked old and sick, turned out to be a millionaire. Earlier he was seriously ill and was saved by McDermott and his girl friend. To show his gratitude and to repay the hotel staffs' kindness, he bought the hotel and appointed McDermott executive vice president of the hotel.About the structure.The novel is writed by the order of time.We can see the prelude,the process of unveiling the crime and the dirty deal. I think this novel can be devided into four parts. Parts 1,from the chief house officer to “In what way conceivable way”.Three main characters stepped into the stage and we can feel the tension of the atmosphere.Ogilvie acted in a vugal and uncouth way and showed contempt to the Duke and the Duchess. And the Duchess, although nervours,are still brash and thrusting.The part one provided characters and suspense for us.Why did Ogilvie act so rudely to the the Duke and the Duchess?Part 2, from As if the question from to p96 The Duke licked his lips.In this part, Ogilvie exposed the truth of car accident and the Duke admitted the crumbled was him .And the brash expression of Duke and the Duchess was faded away.They were feared and weak .Ogilvie became more proud and ruder.Part 3,from You might have something there to I reckon that’s so.In this part ,Ogilvie disclosed more hidenthing in the accident and revealed the evidence he knew and tried to confirm all the detailed. The Duchess tried to win back the upper hand.And then,The Croydons realized that they were convicted of the crime. The conviction was undeniable.Part 4,from Today was Tuesday to the end.The Duchess eliminated the possibility of having the car repaired in New Orleans and found no possibility.So she agreed to pay Ogilvie and let him drive the car away. The dirty deal reached.About the details.I found some interesting details in the text. The novel is colourful and impressive beacause these details.Details 1, the cigar of Ogilvie.The cigar is mentioned five times in this text and the number of the descriptions of the conflict about putting out the cigar between the Duchess and Ogilvie are three.The cigar is a imorpant prop of Ogilvie.Sometimes it was waved violently, indicting the anger and excitment of the master.At the beginning of the text,A wave of cigar smoke accompanied Ogilvie in. ThisAbout the conflict about putting out the cigar，we can see the converstion below.the Duchess looked pointedly at the half-burned cigar in the fat man’s mouth.“My husband and I find strong smoke offensive.Would you kindly put that out.”Proper polite,but firm and proud.Although the Duchess was nervours,she still kept the nobleclass.She didn’t know what happened.However, when Ogilvie unveiled the crime , we can dramaly see: The house detective took his time,leisurely puffing a cloud of blue cigar smoke,his eyes sardonically on the Duchess as if challenging her objection.But beyond wrinkling her nose in distance, she made no comment.This is a contrast, which show the change of the attitude of the Duchess. She had the handle in hand of Ogilvie.So she chose silence and beared the impolite behaviour.And Ogilvie was smoking leisurely all the time after that.When the Duchess agreed to pay Ogilvie money ,the situation bagan to change.At length Ogivie spoke,This cigar botherin’you ,Duchess?”As she nodded,he put it out.Ogilvie got the promise that he can get dollars,so his attitude towards the Duchess changed.He became the slave of money.Detail 2,the change of Ogilvie’s eye in the end of the text.Eyes bored into him. The house detetive’s eyes bulged. His beady eyes,as if unbelieving, were focused upon her own.The description go forward one by one,implying the greedy and surprising of the detetive.About the writing techniqueIn order to depict Ogilvie, the author added many informal,ugrammatical and slangy language into the conversitions of Ogilvie.For example,Th is cigar botherin’you ,Duchess?,gotta,shulda,etc.so we can infer that Ogilvie is uneducated .Besides ,the author use a lot of physical descriptions to Ogilvie and he emphasize his eyes.The house detective’s eyes .the piggy eyes blinked.Compared to the Duch, the Duchess is more acttrctive and impressive.In the text ,the autor use two long paragraphs psychological description to depict the careful calculation and strict budgeting of the Duchess. It seems that she faced Ogilvie by her own.About the rhetoricMetaphor:...the nerves of both ... were excessively frayed...his wife shot him a swift, warning glance.The words spat forth with sudden savagery.Her tone ...withered......self-assurance...flickered...The Duchess kept firm tight rein on her racing mind.Her voice was a whiplash.eyes bored into himI’ll spell it out.Euphemism:...and you took a lady friend.Metonymy:won 100 at the tableslost it at the barthey'll throw the book,...Onomatopoeia: appreciative chuckle clucked his tongue。
【大学英语专业教材】高级英语（张汉熙主编）第四册课文及习题详解
u the thesis ----“ All colonial empires are founded upon this fact”
u the author's central idea
uColonializa on is based on the fact that people are very poor.
un l it is needed.
u= store
ustowst –ow away = hide
u 土豆要在阴凉避光处储藏。 u Potatoes must be stowed in a cool dark place.
u stow away:
u My jewellery is safely stowed away in the bank. u The hungry boy stowed away all the food on the table.
upome --- apple
ugranate ---- uhaving many seeds
chant ---words repeated in a monotonous tone of voice
u 1. a word or group of words that is repeated over and over again, usually by more
ufrenTzhieedre – isa daj . warp in her nature. ufull of uncontrolled excitement
u那狗狂吠著跳起扑向闯进来的人. uThe dog jumped at the intruder with frenzied barks. u--- make frenzied efforts
高级英语第一册Blackmail的赏析
BlackmailAbout the author.This novel is written by Arthur Hailey.He is a bestsellers novelist. Born in Luton, Bedfordshire, England, Hailey served in the Royal Air Force from the start of World War II during 1939 until 1947, when hewent to live in Canada. Hailey's last novel, Detective(1997), is a mystery told from the perspective of a Miami homicide detective. This detective also happens to be a former Catholic priest who has lost his religion; the work deals with themes of religion and questions the Catholic Church. Hailey told the Walden Book Report that his aim in writing this book was to share his own thoughts about religion without "mak[ing] it a lecture." He says that he lost his own faith whileserving in Cyprus during World War II, and that since ex-priests have many occupations he might as well give his protagonist an excitingone.After working at a number of jobs and writing part-time, he became a writer full-time during 1956.Following the success of Hotel during 1965, he moved to California; in 1969, he moved to the Bahamas to avoid Canadian and U.S. income taxes, which were claiming 90% of hisincome.His best sellers include:Hotel,Airport,Wheels,The Final Diagnosis and The Moneychangers.About the best sellers of authorEach of his novels has a different industrial or commercial setting and includes, in addition to dramatic human conflict, carefully researched information about the way that particular environment and system functions and how these affect society and its inhabitants.Critics often dismissed Hailey's success as the result of a formulaic "potboilera" style, in which he caused an ordinary character to become involved in a crisis, then increased the suspense by switching among multiple related plot lines. However, he was so popular with readers that his books were almost guaranteed to become best-sellers.He would spend about one year researching a subject, followed bysix months reviewing his notes and, finally, about 18 months writing the book. That aggressive research—tracking rebel guerrillas in the Peruvian jungle at age 67 for The Evening News(1990), or reading 27 books on the hotel industry for Hotel—gave his novels a realism that appealed to readers, even as some critics complained that he used it to disguise a lack of literary talent.Many of his books reached 1 on the New York Times bestseller list and more than 170 million copies have been sold worldwide in 40 languages. Many have been made into movies and Hotel was made into a long-running television series.Airport becamea successful film with dramatic visual effects.About the background.The story happened in a hotel named St. Gregory in New Orleans, Louisiana which is in the south of US.The text is only a part of the nove,Hotel.We can see three main characters in this text.O gilvie: chief house officer.the Duke of Croydon: newly appointed British ambassador to the United States.the Duchess of Croydon: wife of the Duke.This kind of novels are called thrillers. Generally defining, a thriller is a work of fiction or drama designed to hold the interest by the use of a high degree of intrigue, adventure or suspense. Others can be called cop-criminal novels, detective novels. The main purpose is for entertainment, amusement. Very often this kind of novels contain a lotof action, usu. suspension, not very much deep thought, without moral intention, not considered classic.The basic technique is to make the whole story of crime into sth. like a jigsaw puzzle. You can not see the outcome until the final partis put in.About the plot.Gregory was now at the brink of bankruptcy, but Peter McDermott is trying every means he could to save it.Several events happened duringthe week with the present text as part of it.The Duke ofCroydon was an internationally famous statesman and the newly appointed British ambassador to Washington. They occupied the best suite of the hotel. Monday evening, the Duke went to the gambling house. Later, his wife pursued and found him. On their way back, the car Jaguar knocked down a woman and her child. Both killed.Ogilvie found the crime and blackmailed the Duke and the Duchess.He managed to make the Duke and the Duchess believe that he would bring the crime to light if his demand was not satisfied.The Duchess came up with a good idea in order to avoid punishment.She would like Ogilvie drive the car away from the city.Inthe end,the couple paid Ogilvie money and the dirty deal was done.And then,At one o'clock Thursday morning, Ogilvie drove the car north. Buthe was seen leaving the hotel by McDermott. Later in the afternoon,McDermott witnessed the funeral of the two victims of the accident. He suddenly realized the relation between these two events and contacted police.Ogilvie was caught in Tennessee and sent back to New Orleans. The Duke decided to go to the police to confess his crime (to surrender himself / to give himself up). But he was hurled out the elevator due to the breakdown of it. He hit the cement ground and died instantly.Anyway, the novel had a pleasant ending.One of the guests, who looked old and sick, turned out to be a millionaire. Earlier he was seriously ill and was saved by McDermott and his girl friend. To show his gratitude and to repay the hotel staffs' kindness, he bought the hotel and appointed McDermott executive vice president of the hotel.About the structure.The novel is writed by the order of time.We can see the prelude,the process of unveiling the crime and the dirty deal. I think this novel can be devided into four parts. Parts 1,from the chief house officer to “In what way conceivable way”.Three main characters stepped into the stage and we can feel the tension of the atmosphere.Ogilvie acted in a vugal and uncouth way and showed contempt to the Duke and the Duchess. And the Duchess, although nervours,are still brash and thrusting.The part one provided characters and suspense for us.Why did Ogilvie act so rudely to the the Duke and the Duchess?Part 2, from As if the question from to p96 The Duke licked his lips.In this part, Ogilvie exposed the truth of car accident and the Duke admitted the crumbled was him .Andthe brash expression of Duke and the Duchess was faded away.They were feared and weak .Ogilvie became more proud and ruder.Part 3,from You might have something there to I reckon that’s so.In this part ,Ogilvie disclosed more hidenthing in the accident and revealed the evidence he knew and tried to confirm all the detailed. The Duchess tried to win back the upper hand.And then,The Croydons realized that they were convicted of the crime. The conviction was undeniable.Part 4,from Today was Tuesday to the end.The Duchess eliminated the possibility of having the car repaired in New Orleans and found no possibility.So she agreed to pay Ogilvie and let him drive the car away. The dirty deal reached.About the details.I found some interesting details in the text. The novel is colourful and impressive beacause these details.Details 1, the cigar of Ogilvie.The cigar is mentioned five times in this text and the number of the descriptions of the conflict about putting out the cigar between the Duchess and Ogilvie are three.The cigar is a imorpant prop of Ogilvie.Sometimes it was waved violently, indicting the anger and excitment of the master.At the beginning of the text,A wave of cigar smoke accompanied Ogilvie in. ThisAbout the conflict about putting out the cigar,we can see the converstionbelow.the Duchess looked pointedly at the half-burned cigar in the fat man’s mouth.“My husband and I find strong smoke offensive.Would you kindl y put that out.”Proper polite,but firm and proud.Although the Duchess was nervours,she still kept the nobleclass.She didn’t know what happened.However, when Ogilvie unveiled the crime , we can dramaly see: The house detective took histime,leisurely puffing a cloud of blue cigar smoke,his eyes sardonically on the Duchess as if challenging her objection.But beyond wrinkling her nose in distance, she made no comment.This is a contrast, which show the change of the attitude of the Duchess. She had the handle in hand of Ogilvie.So she chose silence and beared the impolite behaviour.And Ogilvie was smoking leisurely all the time after that.When the Duchess agreed to pay Ogilvie money ,the situation bagan to change.At length Ogivie spoke,This cigar botherin’you,Duchess?”As she nodded,he put it out.Ogilvie got the promise that he can get dollars,so his attitude towards the Duchess changed.He became the slave of money.Detail 2,the change of Ogilvie’s eye in the end of the text.Eyes bored into him. The house detetive’s eyes bulged. His beady eyes,as if unbelieving, were focused upon her own.The description go forward one by one,implying the greedy and surprising of the detetive.About the writing techniqueIn order to depict Ogilvie, the author added manyinformal,ugrammatical and slangy language into the conversitions of Ogilvie.For example,Th is cigar botherin’you ,Duchess?,gotta,shulda,etc.so we can infer that Ogilvie is uneducated .Besides ,the author use a lot of physical descriptions to Ogilvie an d he emphasize his eyes.The house detective’s eyes .the piggy eyes blinked.Compared to the Duch, the Duchess is more acttrctive and impressive.In the text ,the autor use two long paragraphs psychological description to depict the careful calculation and strict budgeting of the Duchess. It seems that she faced Ogilvie by her own.About the rhetoricMetaphor:...the nerves of both ... were excessively frayed...his wife shot him a swift, warning glance.The words spat forth with sudden savagery.Her tone ...withered......self-assurance...flickered...The Duchess kept firm tight rein on her racing mind.Her voice was a whiplash.eyes bored into himI’ll spell it out.Euphemism:...and you took a lady friend.Metonymy:won 100 at the tableslost it at the barthey'll throw the book,...Onomatopoeia: appreciative chuckle clucked his tongue。
高级英语第一册Unit4文章结构+课文讲解+课文翻译+课后练习+答案
Unit 4 Everyday Use for Your GrandmamaEveryday Use for Your Grandmama 教学目的及重点难点Objectives of TeachingTo comprehend the whole storyTo lean and master the vocabulary and expressionsTo learn to paraphrase the difficult sentencesTo understand the structure of the textTo appreciate the style and rhetoric of the passage.Important and Difficult pointsThe comprehension of the whole storyThe understanding of certain expressionsThe appreciation of the writing techniqueColloquial, slangy or black EnglishCultural difference between nationalities in the USIV. Character AnalysisDee:She has held life always in the palm of one hand."No" is a word the world never learned to say to her.She would always look anyone in the eye. Hesitation was no part of her nature.She was determined to share down any disaster in her efforts.I. Rhetorical devices:Parallelism:chin on chest, eyes on ground, feet in shuffleMetaphor:She washed us in a river of...burned us... Pressed us ...to shove us away stare down any disaster in her efforts...Everyday Use for your grandmama -- by Alice WalkerEveryday Use for your grandmamaAlice WalkerI will wait for her in the yard that Maggie and I made so clean and wavy yester day afternoon. A yard like this is more comfortable than most people know. It is not just a yard. It is like an extended living room. When the hard clay is swept clean as a floor and the fine sand around the edges lined with tiny, irregular grooves, anyone can come and sit and look up into the elm tree and wait for the breezes that nevercome inside the house.Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eying her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her.You've no doubt seen those TV shows where the child who has "made it" is confronted, as a surprise, by her own mother and father, tottering in weakly from backstage. (A Pleasant surprise, of course: What would they do if parent and child came on the show only to curse out and insult each other?) On TV mother and child embrace and smile into each other's face. Sometimes the mother and father weep, the child wraps them in her arms and leans across the table to tell how she would not have made it without their help. I have seen these programs.Sometimes I dream a dream in which Dee and I are suddenly brought together on a TV program of this sort. Out of a cark and soft-seated limousine I am ushered into a bright room filled with many people. There I meet a smiling, gray, sporty manlike Johnny Carson who shakes my hand and tells me what a fine girl I have. Then we are on the stage and Dee is embracing me with tear s in her eyes. She pins on my dress a large orchid, even though she has told me once that she thinks or chides are tacky flowers.In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man. My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open tire minutes after it comes steaming from the hog. One winter I knocked a bull calf straight in the brain between the eyes with a sledge hammer and had the meat hung up to chill be-fore nightfall. But of course all this does not show on television. I am the way my daughter would want me to be: a hundred pounds lighter, my skin like an uncooked barley pan-cake. My hair glistens in the hot bright lights. Johnny Car –son has much to do to keep up with my quick and witty tongue.But that is a mistake. I know even before I wake up. Who ever knew a Johnson with a quick tongue? Who can even imagine me looking a strange white man in the eye? It seems to me I have talked to them always with one toot raised in flight, with my head turned in whichever way is farthest from them. Dee, though. She would always look anyone in the eye. Hesitation was no part of her nature."How do I look, Mama?" Maggie says, showing just enough of her thin body enveloped in pink skirt and red blouse for me to know she's there, almost hidden by the door."Come out into the yard," I say.Have you ever seen a lame animal, perhaps a dog run over by some careless person rich enough to own a car, sidle up to someone who is ignorant enough to be kind of him? That is the way my Maggie walks. She has been like this, chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to theground.Dee is lighter than Maggie, with nicer hair and a fuller figure. She's a woman now, though sometimes I forget. How long ago was it that the other house burned? Ten, twelve years? Sometimes I can still hear the flames and feel Maggie's arms sticking to me, her hair smoking and her dress falling off her in little black paperyflakes. Her eyes seemed stretched open, blazed open by the flames reflect-ed in them. And Dee. I see her standing off under the sweet gum tree she used to dig gum out of; a look at concentration on her face as she watched the last dingy gray board of the house tall in toward the red-hot brick chimney. Why don't you do a dance around the ashes? I'd wanted to ask her. She had hated the house that much.I used to think she hated Maggie, too. But that was before we raised the money, the church and me, to send her to Augusta to school. She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice. She washed us in a river of make-believe, burned us with a lot of knowledge we didn't necessarily need to know. Pressed us to her with the serious way she read, to shove us away at just the moment, like dimwits, we seemed about to understand.Dee wanted nice things. A yellow organdy dress to wear to her graduation from high school; black pumps to match a green suit she'd made from an old suit somebody gave me. She was determined to stare down any disaster in her efforts. Her eyelids would not flicker for minutes at a time. Often I fought off the temptation to shake her. At sixteen she had a style of her own' and knew what style was.I never had an education myself. After second grade the school was closed down. Don't ask me why. in 1927 colored asked fewer questions than they do now. Sometimes Maggie reads to me. She stumbles along good-naturedly but can't see well. She knows she is not bright. Like good looks and money, quickness passed her by. She will marry John Thomas (who has mossy teeth in an earnest face) and then I'll be free to sit here and I guess just sing church songs to myself. Although I never was a good singer. Never could carry a tune. I was always better at a man's job. 1 used to love to milk till I was hooked in the side in '49. Cows are soothing and slow and don't bother you, unless you try to milk them the wrong way.I have deliberately turned my back on the house. It is three rooms, just like the one that burned, except the roof is tin: they don't make shingle roofs any more. There are no real windows, just some holes cut in the sides, like the portholes in a ship, but not round and not square, with rawhide holding the shutter s up on the outside. This house is in a pasture, too, like the other one. No doubt when Dee sees it she will want to tear it down. She wrote me once that no matter where we "choose" to live, she will manage to come see us. But she will never bring her friends. Maggie and I thought about this and Maggie asked me, Mama, when did Dee ever have any friends?"She had a few. Furtive boys in pink shirts hanging about on washday after school. Nervous girls who never laughed. Impressed with her they worshiped the well-turned phrase, the cute shape, the scalding humor that erupted like bubbles inlye. She read to them.When she was courting Jimmy T she didn't have much time to pay to us, but turned all her faultfinding power on him. He flew to marry a cheap city girl from a family of ignorant flashy people. She hardly had time to recompose herself.When she comes I will meet -- but there they are!Maggie attempts to make a dash for the house, in her shuffling way, but I stay her with my hand. "Come back here," I say. And she stops and tries to dig a well in the sand with her toe.It is hard to see them clearly through the strong sun. But even the first glimpse of leg out of the car tells me it is Dee. Her feet were always neat-looking, as it God himself had shaped them with a certain style. From the other side of the car comes a short, stocky man. Hair is all over his head a foot long and hanging from his chin like a kinky mule tail. I hear Maggie suck in her breath. "Uhnnnh," is what it sounds like. Like when you see the wriggling end of a snake just in front of your toot on the road. "Uhnnnh."Dee next. A dress down to the ground, in this hot weather. A dress so loud it hurts my eyes. There are yel-lows and oranges enough to throw back the light of the sun. I feel my whole face warming from the heat waves it throws out. Earrings gold, too, and hanging down to her shoulders. Bracelets dangling and making noises when she moves her arm up to shake the folds of the dress out of her armpits. The dress is loose and flows, and as she walks closer, I like it. I hear Maggie go "Uhnnnh" again. It is her sister's hair. It stands straight up like the wool on a sheep. It is black as night and around the edges are two long pigtails that rope about like small lizards disappearing behind her ears."Wa-su-zo-Tean-o!" she says, coming on in that gliding way the dress makes her move. The short stocky fellow with the hair to his navel is all grinning and he follows up with "Asalamalakim, my mother and sister!" He moves to hug Maggie but she falls back, right up against the back of my chair. I feel her trembling there and when I look up I see the perspiration falling off her chin."Don't get up," says Dee. Since I am stout it takes something of a push. You can see me trying to move a second or two before I make it. She turns, showing white heels through her sandals, and goes back to the car. Out she peeks next with a Polaroid. She stoops down quickly and lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me. She never takes a shot without making sure the house is included. When a cow comes nibbling around the edge of the yard she snaps it and me and Maggie and the house. Then she puts the Polaroid in the back seat of the car, and comes up and kisses me on the forehead.Meanwhile Asalamalakim is going through motions with Maggie's hand.Maggie's hand is as limp as a fish, and probably as cold, despite the sweat, and she keeps trying to pull it back. It looks like Asalamalakim wants to shake hands but wants to do it fancy. Or maybe he don't know how people shake hands. Anyhow, he soon gives up on Maggie."Well," I say. "Dee.""No, Mama," she says. "Not 'Dee', Wangero Leewanika Kemanjo!""What happened to 'Dee'?" I wanted to know."She's dead," Wangero said. "I couldn't bear it any longer, being named after the people who oppress me.""You know as well as me you was named after your aunt Dicle," I said. Dicie ismy sister. She named Dee. We called her "Big Dee" after Dee was born."But who was she named after?" asked Wangero."I guess after Grandma Dee," I said."And who was she named after?" asked Wangero."Her mother," I said, and saw Wangero was getting tired. "That's about as far back as I can trace it," I said.Though, in fact, I probably could have carried it back beyond the Civil War through the branches."Well," said Asalamalakim, "there you are.""Uhnnnh," I heard Maggie say."There I was not," I said, before 'Dicie' cropped up in our family, so why shouldI try to trace it that far back?"He just stood there grinning, looking down on me like somebody inspecting a Model A car. Every once in a while he and Wangero sent eye signals over my head."How do you pronounce this name?" I asked."You don't have to call me by it if you don't want to," said Wangero."Why shouldn't I?" I asked. "If that's what you want us to call you, we'll call you. ""I know it might sound awkward at first," said Wangero."I'll get used to it," I said. "Ream it out again."Well, soon we got the name out of the way. Asalamalakim had a name twice as long and three times as hard. After I tripped over it two or three times he told me tojust call him Hakim-a-barber. I wanted to ask him was he a barber, but I didn't really think he was, so I don't ask."You must belong to those beet-cattle peoples down the road," I said. They said "Asalamalakirn" when they met you too, but they didn't Shake hands. Always too busy feeding the cattle, fixing the fences, putting up salt-lick shelters, throwing down hay. When the white folks poisoned some of the herd the men stayed up all night with rifles in their hands. I walked a mile and a half just to see the sight.Hakim-a-barber said, "I accept some of their doctrines, but farming and raising cattle is not my style." (They didn't tell me, and I didn't ask, whether Wangero (Dee) had really gone and married him.)We sat down to eat and right away he said he didn't eat collards and pork was unclean. Wangero, though, went on through the chitlins and corn bread, the greens and every-thing else. She talked a blue streak over the sweet potatoes. Everything delighted her. Even the fact that we still used the benches her daddy made for the table when we couldn't afford to buy chairs."Oh, Mama!" she cried. Then turned to Hakim-a-barber. "I never knew how lovely these benches are. You can feel the rump prints," she said, running her handsunderneath her and along the bench. Then she gave a sigh and her hand closed over Grandma Dee's butter dish. "That's it!" she said. "I knew there was something I wanted to ask you if I could have." She jumped up from the table and went over in the corner where the churn stood, the milk in it clabber by now. She looked at the churn and looked at it."This churn top is what I need," she said. "Didn't Uncle Buddy whittle it out of a tree you all used to have?""Yes," I said."Uh huh, " she said happily. "And I want the dasher,too.""Uncle Buddy whittle that, too?" asked the barber.Dee (Wangero) looked up at me."Aunt Dee's first husband whittled the dash," said Maggie so low you almost couldn't hear her. "His name was Henry, but they called him Stash.""Maggie's brain is like an elephants," Wanglero said, laughing. "I can use the churn top as a center piece for the alcove table,”she said, sliding a plate over the churn, "and I'll think of something artistic to do with the dasher."When she finished wrapping the dasher the handle stuck out. I took it for a moment in my hands. You didn't even have to look close to see where hands pushing the dasher up and down to make butter had left a kind of sink in the wood. In fact, there were a lot of small sinks; you could see where thumbs and fingers had sunk into the wood. It was beautiful light yellow wood, from a tree that grew in the yard where Big Dee and Stash had lived.After dinner Dee (Wangero) went to the trunk at the foot of my bed and started rifling through it. Maggie hung back in the kitchen over the dishpan. Out came Wangero with two quilts. They had been pieced by Grandma Dee and then Big Dee and me had hung them on the quilt frames on the front porch and quilted them. One was in the Lone Star pattern. The other was Walk Around the Mountain. In both of them were scraps of dresses Grandma Dee had worn fifty and more years ago. Bit sand pieces of Grandpa Jarrell's Paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra's uniform that he wore in the Civil War."Mama," Wangero said sweet as a bird. "Can I have these old quilts?"I heard something fall in the kitchen, and a minute later the kitchen door slammed."Why don't you take one or two of the others?” 1 asked. "These old things was just done by me and Big Dee from some tops your grandma pieced before she died.""No," said Wangero. "I don't want those. They are stitched around the borders by machine.""That'll make them last better," I said."That's not the point," said Wanglero. "These are all pieces of dresses Grandma used to wear. She did all this stitching by hand. Imagine!" She held the quilts securely in her arms, stroking them."Some of the pieces, like those lavender ones, come from old clothes her mother handed down to her,” I said, movi ng up to touch the quilts. Dee (Wangero)moved back just enough so that I couldn't reach the quilts. They already belonged to her. "Imagine!" she breathed again, clutching them closely to her bosom."The truth is," I said, "I promised to give them quilts to Maggie, for when she marries John Thomas."She gasped like a bee had stung her."Maggie can't appreciate these quilts!" she said. "She'd probably be backward enough to put them to everyday use."age ’em for long enough "I reckon she would," I said. "God knows I been savwith nobody using 'em. I hope she will! ” I didn't want to bring up how I had offered Dee (Wangero) a quilt when she went away to college. Then she had told me they were old-fashioned, out of style."But they're priceless!" she was saying now, furiously, for she has a temper. "Maggie would put them on the bed and in five years they'd be in rags. Less than that!" "She can always make some more,” I said. "Maggie knows how to quilt. "Dee (Wangero) looked at me with hatred. "You just will not understand. The point is these quilts, these quilts!""Well," I said,, stumped. "What would you do with them?""Hang them," she said. As it that was the only thing you could do with quilts.Maggie by now was standing in the door. I could almost hear the sound her feet made as they scraped over each other."She can have them, Mama,” she said like somebody used to never winning anything, or having anything reserved for her. "I can 'member Grandma Dee without the quilts."I looked at her hard. She had filled her bottom lip with checkerberry snuff and it gave her face a kind of dopey, hangdog look. It was Grandma Dee and Big Dee who taught her how to quilt herself. She stood there with her scarred hands hidden in the folds of her skirt. She looked at her sister with something like fear but she wasn't mad at her. This was Maggie's portion. This was the way she knew God to work.When I looked at her like that something hit me in the top of my head and ran down to the soles of my feet. Just like when I'm in church and the spirit of God touches me and I get happy and shout. I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands and dumped them into Maggie's lap. Maggie just sat there on my bed with her mouth open."Take one or two of the others," I said to Dee.But she turned without a word and went out to Hakim-a-barber."You just don't understand," she said, as Maggie and I came out to the car."What don't I under stand?" I wanted to know."Your heritage," she said. And then she turned to Maggie, kissed her, and said, "You ought to try to make some-thing of yourself, too, Maggie. It's really a new day for us. But from the way you and Mama still live you'd never know it."She put on some sunglasses that hid everything above the tip of her nose and her chin.Maggie smiled; maybe at the sunglasses. But a real mile, not scared. After we watched the car dust settle I asked Maggie to bring me a dip of snuff. And then the two of us sat there just enjoying, until it was time to go in the house and go to bed.--------------------------------------------------------------------------------NOTES1) Alice Walker: born 1944 in Eatonton, Georgia, America and graduated from Sarah Lawrence College. Her books include The Third Life of Grange Copeland( 1970 ), Meridian ( 1976 ), The Color Purple(1982), etc.2)"made it": to become a success, to succeed, either in specific endeavor or in general3) Johnny Carson: a man who runs a late night talk show4)hooked: injured by the horn of the cow being milked5) Jimmy T: 'T' is the initial of the surname of the boy Dee was courting.6)"Wa-su-zo-Tean-o!": phonetic rendering of an African dialect salutation7) "Asalamalakim": phonetic rendering of a Muslim greeting8) Polaroid: a camera that produces instant pictures9) the Civil War: the war between the North and the South in the U. S.(1861-1865)10) branches: branches or divisions of a family descending from a common ancestor11) Ream it out again: "Ream" is perhaps an African dialect word meaning: "unfold, display". Hence the phrase may mean "repeat" or "say it once again"12) pork was unclean: Muslims are forbidden by their religion to eat pork because it is considered to be unclean.13) Chitlins: also chitlings or chitterlings, the small intestines of pigs, used for food,a common dish in Afro-American households14) rump prints: depressions in the benches made by constant sitting15) sink: depressions in the wood of the handle left by the thumbs and fingersBackground informationThe author wrote quite a number of novels, among them were The Color Purple（普利策小说奖）and The American Book Award which won the Pulitzer Prize of Fiction（美国图书奖）. In 1985, the Color Purple was made into a movie which won great fame .Everyday Use for your grandmama 课文讲解/Detailed StudyEveryday Use for Your Grandmama--------------------------------------------------------------------------------Detailed Study of the Text1. wavy: having regular curvesA wavy line has a series of regular curves along it.The wavy lines are meant to represent water.Here in the text the word describes the marks in wavy patterns on the clay ground left by the broom.此处加一细曲线图)*image - 1* (此处加一细曲线图2. groove: a long narrow path or track made in a surface, esp. to guide the movement of sth.A groove is a wide, deep line cut into a surface.The cupboard door slides open along the groove it fits into.3. homely: simple, not grand, (of people, faces, etc.,) not good-looking, uglyIf someone is homely, they are not very attractive to look at; uased in Am.E.4. awe: Awe is the feeling of respect and amazement that you have when you are faced with sth. wonderful, frightening or completely unknown., wonderThe child stared at him in silent awe.5. confront: to face boldly or threateningly, encounterIf a problem, task, or difficulty confronts you, or you are confronted with it, it iss sth. that you cannot avoid and must deal withI was confronted with the task of designing and building the new system.6. totter: to move in an unsteady way from side to side as if about to fall, to walk with weak unsteady stepsThe old lady tottered down the stairs.7. limousine: A limousine is a large and very comfortable car, esp. one with a glass screen between the front and back seats. Limousines are usually driven by a chauffeur [ou]cf:sedan / saloon is a car with seats for four or more people, a fixed roof, and a boot (the space at the back of the car, covered by a lid, in which you carry things such luggage, shopping or tools) that is separate from the seating part of the car convertible: a car with a soft roof that can be folded down or removedsports car: a low usu. open car with room for only 2 people for traveling with high power and speedcoupe [‘ku:pei] a car with a fixed roof, a sloping back, two doors and seats for four peoplestation wagon (Am E) / estate car (Br.E) a car which has a long body with a door at the back end and space behind the back seats8. gray / grey: used to describe the colour of people’s hair when it changes from its original colour, usu. as they get old and before it becomes white9. tacky: (Am.E, slang) shabby10. overalls: are a single piece of clothing that combines trousers and a jacket. Your wear overalls over your clothes in order to protect them from dirt, paint, etc. while you are working工装裤)The breast pocket of his overalls was filled with tools. (11. hog:a. a pig, esp. a fat one for eatingb. a male pig that has been castratedc. a dirty personswine: (old & tech) pigboar [o:]: male pig on a farm that is kept for breedingsow [au]: fully grown female pig12. sledge hammer: large, heavy hammer for swinging with both hands, a large heavy hammer with a long handle, used for smashing concrete大麦13. barley: 大麦糊状物) made of milk, flour and14. pancake: a thin, flat circle of cooked batter (eggs. usu. rolled up or folded and eaten hot with a sweet or savory filling inside15. sidle: walk as if ready to turn or go the other wayIf you sidle somewhere, you walk there uncertainly or cautiously, as if you do not want anyone to notice youA man sidled up to me and asked if I wanted a ticket for the match..16. shuffle: slow dragging walkIf you shuffle, you walk without lifting your feet properly off the groundHe slipped on his shoes and shuffled out of the room.If you shuffle, you move your feet about while standing or move your bottom about while sitting, often because you feel uncomfortable or embarrassed.I was shuffling in my seat.cf:totter (n.6), sidle(n. 15), shuffle17. blaze: to burn with a bright flameA wood fire was blazing, but there was no other light in the room.n. the sudden sharp shooting up of a flame, a very bright fireThe fire burned slowly at first, but soon burst into a blaze.榛子) family,18. sweet gum tree: a large North American tree of the witch hazel (with alternate maplelike leaves, spiny (多刺的) fruit balls, and flagrant juice美洲金缕梅, 落叶灌木或小乔木. 原产于北美和亚洲. 其分叉小枝从前用为魔杖, 这寻找地下水,故俗称魔杖.19. dingy: dirty and fadedA building or place that is dingy is rather dark and depressing and does not seem to have been well looked after,.This is the dingiest street of the town.Clothes, curtains, etc. that are dingy are dirty or faded.20. raise: to collect togetherraise an army / raise enough money for a holidayHis wife raised the money by selling her jewellery.We’re trying to raise funds to establish a scholarship.21. underneath: (so as to go) under (sth..)The letter was pushed underneath the door.Did you find very much growing underneath the snow?(Here it suggests a repressive and imposing quality in her voice.)22. make-believe: a state of pretending or the things which are pretendedShe lives in a make-believe world / a world of make-believe.the story’s only make-believe.Don’t be afraid of monster - - theThe little girl made believe she was a princess.23. shove: to push, esp. in a rough or careless wayThere was a lot of pushing and shoving to get on the bus.Help me to shove this furniture aside.If you shove sb. or sth., you push them with a quick, rather, violent movement. He dragged her out to the door and shoved her into the street.24. dimwit: (infml) an ignorant and stupid persondim: faint, not brightwit: intelligence, wisdomat one’s wit’s end: at the end of one’s tether麦斯林纱, 平纹细布)25. organdy: (Br. E organdie) very fine transparent muslin (with a stiff finish (最后一层涂饰), very fine rather stiff cotton material used esp. for women’s dresses(蝉翼纱, 玻璃纱)。
高英课文分析
Paragraph 29 None of the returnees moved quickly or spoke loudly; they stood shocked trying to absorb the shattering scenes before their eyes. What do we do ?” they asked . Where do we go?
the graves. strew something on ...把某物撒在...上
Strip
(noun) a): to take off clothes as a form of entertainment.脱 衣舞表演者
b): a relatively long narrow pieces of something条状 物
Figure of sppech
metaphor (暗喻，）
Paraphrase Bits of clothing were hanging on the trees as
if decoratings them with festoons
2020/1/2ቤተ መጻሕፍቲ ባይዱ
Para 28 Blowndown power lines...over the rodes:
eg:The house was festooned with christmas decoration.
(noun)
b):flower chains suspended in loops between point as decorate.花彩装饰物
festoon lighting(带式装饰照明) festoon drying (吊挂干燥）
Figure of speech
高级英语Unit3课文分析
• 1b.Ten year s ago the Aral was the fourth-largest inland sea in the world, comparable to the largest of North America's Great Lakes. Now it is disappearing because the water that used to feed it has been diverted in an ill-considered irrigation scheme to grow cotton in the desert. The new shoreline was almost forty kilometers across the sand from where the fishing fleet was now permanently docked. Meanwhile, in the nearby town of Muynak the people were still canning fish – the Aral Sea but shipped by rail through Siberia from the Pacific Ocean, more than a thousand miles away.
• 3b.Fewer than a hundred yards from the South Pole, upwind from the ice runway (where the ski plane lands and keeps its engines running to prevent the metal parts from freeze-locking together,) scientists monitor the air several times every day to chart the course of that inexorable change. During my visit, I watched one scientist draw the results of that day's measurements, pushing the end of a steep line still higher on the graph. He told me how easy it is – there at the end of the earth – to see that this enormous change in the global atmosphere is still picking up speed.
高级英语1沙漠之舟课文总结
高级英语1沙漠之舟课文总结
（原创版）
目录
1.课文概述
2.课文主题
3.课文结构
4.课文亮点
5.课文学习要点
正文
1.课文概述
《高级英语 1 沙漠之舟》是一篇关于旅行者在沙漠中经历的文章，通过描述旅行者与当地人之间的互动，展现了不同文化背景下人们生活方式的差异和相互理解的重要性。
2.课文主题
课文的主题是跨文化交流和相互理解，通过一个旅行者在沙漠中与当地人之间的故事，向我们展示了如何在陌生的环境中与当地人建立联系，并尊重和理解他们的文化。
3.课文结构
课文分为三个部分，第一部分描述了旅行者初到沙漠的景象和心情；第二部分讲述了旅行者与当地人之间的互动，包括他们的交流和饮食习惯等；第三部分是旅行者对这次经历的反思和总结。
4.课文亮点
课文的亮点在于其对沙漠环境的生动描绘，以及对当地人生活的真实反映。
同时，课文通过旅行者的视角，向我们展示了如何在陌生的环境中
与当地人建立联系，并尊重和理解他们的文化。
5.课文学习要点
课文的学习要点包括对课文内容的理解，如何进行跨文化交流，以及如何在陌生的环境中适应和生存。
同时，也需要学习课文中生动的描绘方式和表达手法。
高级英语小说课文分析
The Image Analysis—Personal Features (Para. 60-98) WordsDialoguesPsycho-narrationsActionsWORDS1, Polly's words during the first date (Para.60 ):"Gee, that was a delish(delicious) dinner""Gee, that was a marvy(marvlous) movie""Gee, I had a sensaysh(sensational: A sensational result, event, or situation is so remarkable that it causes great excitement and interest. Collins) time"2, Polly's words during the second date to the Knoll being taught logic by Dobie (Para.62-Para.96) :"Oo, terrif" (Para.62)She thought this over for a minute and decided she liked it."Maginif." (Para.66) "Wow-dow!" she cried, clapping her hands delightedly. (Para.68)"I agree," said Polly earnestly. "I mean exercise is wonderful. I mean it builds the body and everything." (Para.72)"No," she confessed. "But this is marvy. Do more! Do more!"(Para.74) "Really?" said Polly, amazed. "Nobody?" (Para.76)"Know any more fallacies?" she asked breathlessly. "This is more fun than dancing even." (Para.78)"I know somebody just like that," she exclaimed. "A girl back home—Eula Becker, her name is. It never fails. Every single time we take her on a picnic—" (Para.81)"I'll never do it again," she promised contritely. "Are you mad at me?" (Para.83) "Yeah," she said thoughtfully. "Well, then I guess He can’t make the stone." (Para.91) She scratched her pretty, empty head. "I'm all confused," she admitted. (Para.93) "Tell me more of this keen stuff," she said eagerly. (Para.95)In conclusion: A lot of exclamatory words am employed to show that the girl is simple—mindedand stupid．These words include “Gee”(para．60)，“O o”(para．63)，“Wow—dow”(68)and many others.Exclamatory from WikipediaAn exclamative or exclamatory sentence is released because of, and expresses strong emotion. They many times feel like involuntary reactions to a situation, yet they can technically be stifled if need be. And while exclamatives most usually manifest themselves as one or two word interjections, they can also come as major sentences. They are essentially unfiltered vocalizations of our feelings, and a form of self-talk because they are directed either at the speaker themself or at nobody in particular. In punctuation, an exclamative is ended with an exclamation mark.The use of clipped vulgar forms are chosen to create the image of the simple—mindedness an d stupidity of the girl．Such forms as“delish”(para．60)，“marvy”(para．60)，“sensaysh”(para．63)，“terrif”(para．63)，and“magnif”(para．66)can be detected in the text．P.S.: In linguistics, clipping is the word formation process which consists in the reduction of a word to one of its parts (Marchand: 1969). Clipping is also known as "truncation" or "shortening."According to Marchand (1969), clippings are not coined as words belonging to the standard vocabulary of a language. They originate as terms of a special group like schools, army, police, the medical profession, etc., in the intimacy of a milieu where a hint is sufficient to indicate the whole. For example, exam(ination), math(ematics), and lab(oratory) originated in school slang; spec(ulation) and tick(et = credit) in stock-exchange slang; and vet(eran) and cap(tain) in army slang. While clipping terms of some influential groups can pass into common usage, becoming part of Standard English, clippings of a socially unimportant class or group will remain group slang.Psycho-narrationsI went back to my room with a heavy heart. I had gravely underestimated the size of my task. This girl’s lack of information was terrifying. Nor would it be enough merely to supply her with information. First she had to be taught t o think. This loomed as a project of no small dimensions, and at first I was t empted to give her back to Petey. But then I got to thinking about her abund ant physical charms and about the way she entered a room and the way she h andled a knife and fork, and I decided to make an effort. (Para.61)I went about it, as in all things, systematically. I gave her a course in logic. It happened that I, as a law student, was taking a course in logic myself, so I had all the facts at my fingertips. (Para.62)I fought off a wave of despair. I was getting nowhere with this girl, absolutely nowhere. Still, I am nothing if not persistent. (Para.79)...glumly to my dorm. Petey lay snoring in his bed, the raccoon coat huddled like a great hairy beast at his feet. For a moment I considered waking him and telling him that he could have his girl back. It seemed clear that my project was doomed to failure. The girl simply had a logic-proof head. (Para.97)But then I reconsidered. I had wasted one evening; I might as well waste anot her. Who knew? Maybe somewhere in the extinct crater of her mind a few m embers still smoldered. Maybe somehow I could fan them into flame. Admitted ly it was not a prospect fraught with hope, but I decided to give it one more try.(Para.98)ACTIONS“Logic,” I said, clearing my throat, “is the science of thinking. Before we can think correctly, we must first learn to recognize the common fallacies of logi c. These we will take up tonight.”“Wow-dow!” she cried, clapping her hands delightedly.I winced, but went bravely on. “First let us examine the fallacy called Dicto S impliciter.”(Para.69)“By all means,”she urged, batting her lashes eagerly.(Para.70)“Dicto Simpliciter means an argument based on an unqualified generalization. For example: Exercise is good. Therefore everybody should exercise.”(Para.71)“I agree,”said Polly earnestly. “I mean exercise is wonderful. I mean it builds the body and everything.”(Para.72)“Polly,”I said gently, “the argument is a fallacy. Exercise is good is an unqualified generalization..." (Para.73)“Really?”said Polly, amazed. “Nobody?”(Para.76)I hid my exasperation. “Polly, it’s a fallacy. The generalization is reached too hastily. There are too few instances to support such a conclusion.”(Para.77)“Know any more fallacies?”she asked breathlessly. “This is more fun than dancing even.”(Para.78)“Polly,”I said sharply, “it’s a fallacy. Eula Becker doesn’t cause the rain. She has no connection with the rain. You are guilty of Post Hoc if you blame Eula Becker.”(Para.82)“I’ll never do it again,”she promised contritely. “Are you mad at me?”(Para.83)I sighed. “No, Polly, I’m not mad.”(Para.84)Adverbial。
高级英语 第二册第一课专门分析文章特点
Simile
The children went from adult to adult like buckets in a fire brigade. (P.11) The wind sounded like the roar of a train passing a few yards away. (P.13) …and blowndown power lines coiled like black spaghetti over the road. (P.28) Telephone poles and 20-inch-thick pines cracked like guns … (P.19) The apartments were smashed apart as if by a gigantic fist. (p. 20)
Thanks!
9. seize --- it seems that the hurricane had a very strong and large hand “ It seized a 600,000 gallon Gulfport oil tank and dumped it 3.5 miles away”. 10. crack --- wind blowing violently “ Telephone poles and 20-inch-think pines cracked like guns as the winds snapped them”. 11. sit out --- stay until the end of “ sit out the storm with the Koshaks”. (P. 6)
successfuБайду номын сангаас achievement of chronological development
高中英语经典文学作品分析
高中英语经典文学作品分析
简介
本文将对一些高中英语经典文学作品进行分析，包括其主题，人物塑造，情节发展等方面。
作品一：《麦田里的守望者》
- 主题：成长与逃避现实
- 人物塑造
- 霍尔顿·考尔菲尔德：叛逆而敏感的主人公，代表了年轻人的迷茫和不安。
- 菲茨·卡里尔：霍尔顿的朋友，具有积极向上的特质，给予霍尔顿一些启发和思考。
- 情节发展：通过霍尔顿的亲身经历，展现了年轻人在追求真实自我的过程中所面临的困惑和挣扎。
作品二：《了不起的盖茨比》
- 主题：财富、爱情与虚伪
- 人物塑造
- 杰·盖茨比：一个追逐无法实现的爱情的富有商人，象征着破灭的梦想和虚假的幸福。
- 尼克·卡拉威：故事的叙述者，通过他的眼睛，展现了上流社会的虚荣和浮华。
- 情节发展：通过盖茨比对失去的爱情的执着追求，揭示了财富与荣誉并不能带来真正的幸福。
作品三：《傲慢与偏见》
- 主题：爱情与社会阶级
- 人物塑造
- 伊丽莎白·班纳特：智慧和独立的女性形象，她与达西先生之间的故事展现了爱情的成长与突破社会束缚。
- 达西先生：高傲却又内心善良的男主角，通过与伊丽莎白的互动，渐渐认识到社会阶级并不是衡量一个人的唯一标准。
- 情节发展：通过揭示社会阶级对爱情的影响以及人物之间的误解与和解，展现了爱情的力量和人性的复杂性。
以上是对一些高中英语经典文学作品的简要分析，希望对您有所帮助！。
呼啸山庄 英文 小说分析
Analysis of the complexity of plot
●Heathcliff’s intense love for
Catherine and relentless revenge on his enemy ●Heathcliff’s conflict with Hindley and the Lintons ●Conflict between the privileged and the underdog, between the master and the hired hand
Wuthering Heights
by Emily Brontë
CONTENT
● Background ● Introduction of Emily Brontë ● Plot ● Analysis of the main characters ● Theme ● Analysis of the complexity of plot
Linton: gentle,coward, timid, immortal love to Catherine
Theme
the social point of view， Heathcliff is a rebel against the bourgeois matrimonial system---" a full human life in a capitalist society was impossible of attainment." ●As a love story， this is one of the most moving： the passion between Heathcliff and Catherine proves the most intense， the most beautiful .
高级英语部分课文修辞讲解
1.metaphor暗喻slips and slidesthe sinister corridor of our age… and no one has any idea where it will go as it meanders or leaps and sparkles or just glows. … that suddenly the alchemy of conversation took place, and all at once there was a focus.The glow of the conversation burst into flames.We had traveled in five minutes to Australia.The fact that their marriages may be on the rocks, or that their love affairs have been broken or even that they got out of bed on the wrong side is simply not a concernThe conversation was on wings.When E.M.F orster writes of “the sinister corridor of our age,” we sit up at the vividness of the phrase, the force and even terror in the image.Mark Twain --- Mirror of Americasaw clearly ahead a black wall of night...main artery of transportation in the young nation's heartAll would resurface in his books...that he soaked up...…who saw clearly ahead a black wall of night.…main artery of transportation in the young nation’s heart.my case would snowball into...our town ...had taken on a circus atmosphere.The street ...sprouted with ...… had not scorched the infidels...…after the preliminary sparring over legalities…No one,... that may case would snowball into......our town ...had taken on a circus atmosphere.The street ...sprouted with ...He thundered in his sonorous organ tones....champion had not scorched the infidels...…after the preliminary sparring over legalities…...the nerves of both ... were excessively frayed…his wife shot him a swift, warning glance.The words spat forth with sudden savagery.Her tone ...withered......self-assurance...flickered...The Duchess kept firm tight rein on her racing mind.Her voice was a whiplasheyes bored into himI’ll spell it out.original sinwe saw how hun gry the American people….racial lens…whitest populations firestormvessel2. sarcasm反讽The bother about teaching chimpanzees how to talk is that they will probably try to talk sense and so ruin all conversation.3. simile明喻They are like the musketeers of Dumas who, although they lived side by side with each other, did not delve into each other's lives or the recesses of their thoughts and feelings.They are like the musketeers of Dumas who, although they lived side by side with each other, did not delve into, each other’s lives or the recesses of their thoughts and feelings.The Elizabethans blew on it as on a dandelion clock, and its seeds multiplied, and floated to the ends of the earth.The burying-ground is merely a huge waste of hummocky earth, like a derelict building-lot. ... and sore-eyed children cluster everywhere in unbelievable numbers, like clouds of flies.And really it was almost like watching a flock of cattle to see the long column, a mile or two miles of armed men, flowing peacefully up the road, while the great white birds drifted over them in the opposite direction, glittering like scraps of paper.Indeed, this nation’s best-loved author was every bit as adventurous, patriotic, romantic, and humorous as anyone has ever imaginedT om’s mischievous daring, ingenuity, and the sweet innocence of his affection for Becky Thatcher are almost as sure to be studied in American schools today as is the Declaration of Independence....swept the arena like a prairie fire...a palm fan like a sword...4. metonymy转喻Is the phrase in Shakespeare?...his pen would prove mightier than his pickaxe…but for making money, his pen would prove mightier than his pickax....tomorrow the magazines, the books, the newspapers...The Christian believes that man came from above. ...belowwon 100 at the tableslost it at the barthey'll throw the book,...jarring to the untrained ear5.alliteration头韵法They rise out of the earth, they sweat and starve for a few years, and then they sink back into the nameless mounds of the graveyard and nobody notices that they are gone.Even with the most educated and the most literate, the King’s English slips and slides in conversation....the slow, sleepy, sluggish-brained sloths stayed at home...with a dash and daring......a recklessness of cost or consequences...It was a splendid population –for all the slow, sleepy, sluggish-brained sloths stayed at home.It was that population…and rushing them through with a magnificent dash and daring and a recklessness of cost or consequences‖color and creedthe greatness and the goodness of our nationtrials and triumphs…unique and universal…stories and songs…struggles and successes, the bitterness and biases6. elliptical sentence省略句The little crowd of mourners –all men and boys, no women—threaded their way across the market place between the piles of pomegranates and the taxis and the camels, wailing a short chant over and over again.Not hostile, not contemptuous, not sullen, not even inquisitive.7.transferred epithet 移就Darrow had whisper throwing a reassuring arm round my shoulder.Cheerful money, suicidal sky, sleepless nightInstantly, from the dark holes all round, there was a frenzied rush of Jews, many of them old grandfathers with flowing grey beards, all clamoring for a cigarette.8. synecdoche(提喻)Still, a white skin is always fairly conspicuousThis wretched boy, who is a French citizen and has therefore been dragged from the forest to scrub floors and catch syphilis in garrison towns, actually has feelings of reverence before a white skin.Keelboats,...carried the first major commerce.the case had erupted round my head9.hyperbole夸张法...cruise through eternal boyhood and ...endless summer of freedom...The cast of characters…--- a cosmos.The trial that rocked the worldThe trial that rocked the world His reputation as an authority on Scripture is recognized throughout the world.A carpenter sits cross-legged at a prehistoric lathe, turning chair-legs at lightning speed.10.onomatopoetic words symbolism拟声词的象征意义As the storks flew northward the Negroes were marching southward—a long, dusty column, infantry, screw-gun batteries, and then more infantry, four or five thousand men in all, winding up the road with a clumping of boots and a clatter of iron wheels.11. Personification拟人life dealt him profound personal tragedies...the river had acquainted him with ......to literature's enduring gratitude...Bitterness fed on the man...America laughed with him.12.Antithesis对照...between what people claim to be and what they really are......took unholy verbal shots at the Holy Land......a world which will lament them a day and forget them forever…of the difference between what people claim to be and what they really are.…a world which will lament them a day and forget them forever.The christian believes that man came from above. The evolutionist believes that he must have come from below.we may have different stories, but we hold common hopes; we may not look the same and we may not have come from the same place, but we all want to move in the same direction.I’ve gone to some of the best schools in America and lived in one of the world’s poorest nations.that elevates what is wrong with America above all that we know is right wit h America.kindness and cruelty; the fierce intelligence and the shocking ignorance,13. Euphemism委婉语...men's final release from earthly struggleHe tried soldiering for two weeks with a motley band of Confiderate guerrillas who diligently avoided contact with the enemy.he commented with a crushing sense of despair on man’s final release from ear thly struggles...and you took a lady friend....and you took a lady friend.14. Sarcasm讥讽…I knew more about retreating than the man that invented retreating.…one could set a trap anywhere and catch a dozen abler man in a night.There is some doubt about that. And it is a mighty strong combination.15. Assonance:类音，类韵,半谐音when bigots lighted faggots to burn...16. RepetitionThe truth always wins...the truth...the truth...17. Ironymarching backwards to the glorious age of the 16th centuryHiroshima---the liveliest city in the worldAfter a while,it is the setting of man against man and creed against creed until weare marching backwards to the glorious age of the sixteenth century.18. oxymoron （矛盾修辞法）orderly chaos ;a living death; tearful joy; poor rich guys; a love-hate relationshipDudley Field Malene called my conviction a , “victorious defeat”Dark light , living dead , new classic , old news, open secret19. Ridicule嘲笑Bryan, ageing and paunchy, was assisted ... Bryan mopped his bald dome in silence.20. Pun双关DARVIN IS RIGHT-------INSIDE.21. Onomatopoeia:拟声词appreciative chuckleclucked his tongue22.Parallelism…to continue the long march of those who came before us, a march for a more just, more equal, more free, more caring and more prosperous America.I have brothers, sisters, nieces, nephews, uncles and cousins, of every race and every hue…23. The use of pronounsThe use of pronouns such as we, us, our, I, me, my, indicates how much responsibility the speaker wants to assume for an idea。
The-Storm-小说分析
The StormKateChopinI. Plot:The leaves were so still that even Bibi thought it was going to r ainstrongly. Bibi and his father decided to remain at Friedheimer’s stor e till thestorm had passed. Bibi worried about his mother, Calixta. His father purchaseda can of shrimps which Bibi’s mother likes. Then Bibi laid his little hand onhis father’s knee and was not afraid. His mother, at home, was greatl yoccupied in sewing and did not notice the approaching storm until it grewdark. She saw Alcée Laballière at the gate when she hastened out to g atherclothes.“May I come and wait on your gallery till the storm is over, Calixt a?” heasked. Calixta permitted.The water beat in upon the boards in driving sheets. So, he went inside,closing the door after him and put something beneath the door to keep thewater out. Then Calixta rolled up a piece of bagging and Alcée helped her.She was still beautiful like five years before when she married. They were in the dining room -- the sitting room -- the general utility r oom. Alcée flunghimself into a rocker and Calixta was nervous. Calixta hoped her husb and andher son remain at Friedheimer’s store and avoid the storm. She stood at thewindow with a greatly disturbed look on her face. Alcée got up and jo inedher at the window, looking over her shoulder. The rain was coming dow n andenveloping the distant wood in a gray mist. A lighting struck a tall tree at theedge of the field. Claixta put her hands to her eyes, and with a cry, staggeredbackward. Alcées’s arm encircled her. Claixta worried about her son. Alcéecomfort her and clasped her shoulders and looked into her face. The c ontactaroused all the old-time infatuation and desire for her flesh. He loo ked downinto her eyes and gather her lips in a kiss. It reminded him of Assum ption.Claixta also remembered. Later, she lay upon the couch. The generous abundance of her passion, without guile or trickery. He stayed cushio ned upon her,breathless, dazed, enervated, with his heart beating like hammer upon her.Gradually, the rain was over.Alcée ride away. Her husband and son was trudging home. They stopped toclean the dirt on their clothes and think about explanation to his wi fe. Theyentered cautiously at the back door. Calixta was preparing supper. Sh e sprang up as they came in. She had clasped Bibi and kissed him effu sively. He seemed to express nothing but satisfaction at their safe r eturn. Bobint gave Calixta the shrimps. She was happy and gave him a smacking kiss on the cheek.They relaxed happily. At that night, Alcée wrote to his wife, Clariss ea, aloving letter, full of tender solicitude.So the storm passed and everyone was happy.II. Point of view:Third person point of viewIII. Character:1. Bibi: He is a little child. When it was going to rain, he worried about his mother. We can see he is a childish and lovely boy.2. Bibi’s father: He loves his mother and his son. In the novel, he purchased a can of shrimps that his wife likes. And before he went bake home, he stopped to clean the dirt on clothes and thought about explanation to his wife. So, we can see that he is a hen-pecked husba nd. And he is considerable.3. Bibi’s mother, Calixta: She is a woman with a little traditionalchastity ideas. From the novel, a lighting struck a tall tree and at that moment Alcée’s arm encircled Calixta. But she escaped.And she is a woman who pursuits the free sexual right and thinks little about her husband. And also, she is a woman who will abandon traditional chastity ideas easily. Because finally, she betrayed her husband. And moreover, she was not passive.4. Alcée Laballière: He is hypocritical. In this novel, he have betrayed his wife. However, he wrote his wife a love letter and showed his miss to his wife.He is also a man without traditional moral rules. Calixta has married to others and he also has his own wife. But, he seduces Calixta.IV. Setting:The major setting of "the storm "was in the end of the 19 century and the beginning of 20 century. Many new things began to happen in America. The storm is a symbol of the big change of the society and also the baptism of many traditions. The storm means the coming of women's awaking and women's movement.V. Style:Kate Chopin uses much irony in this short novel, such as verbal i rony and structural irony, in order to conceal the fact and achieve s pecial artistic effect. So, it is complex, confusing and difficult to grasp the writer’s ideas. About structural irony, it appears in the short novel many times. Such as, Bibi’s fatherbuy shrimps for his wife and his wife betrays him at home, Alcée goesinside without fearful and Bobinot goes home fearfully. And the most dramatic thing is that we readers have knew Alcée betrays his wife. However, he writes alove letter to his wife that night. So, all these satirize Alcée’s hy pocrisy and his wife’s naive and foolish. Then, the last paragraph of this novel is used verbal irony. After the storm passed, everyone wa s happy. On the contrary, it isn’thappiness but invisible damage and cheat.For me, I think this novel uses irony to tell readers that getting rid of traditional moral rules and pursuing the free sexual right will bring much damage to people. Actually, the writer is opposed to this kind of women’s movement.VI. Theme:Get rid of traditional moral rules and pursuit the free sexual right VII. Symbol:The change of interpersonal relationship causes the ethical order ofthe familyout - of - balance, reflects American society in the 19th century.欢迎您的下载，资料仅供参考！致力为企业和个人提供合同协议，策划案计划书，学习资料等等打造全网一站式需求。
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The Image Analysis—Personal Features (Para. 60-98) WordsDialoguesPsycho-narrationsActionsWORDS1, Polly's words during the first date (Para.60 ):"Gee, that was a delish(delicious) dinner""Gee, that was a marvy(marvlous) movie""Gee, I had a sensaysh(sensational: A sensational result, event, or situation is so remarkable that it causes great excitement and interest. Collins) time"2, Polly's words during the second date to the Knoll being taught logic by Dobie (Para.62-Para.96) :"Oo, terrif" (Para.62)She thought this over for a minute and decided she liked it."Maginif." (Para.66) "Wow-dow!" she cried, clapping her hands delightedly. (Para.68)"I agree," said Polly earnestly. "I mean exercise is wonderful. I mean it builds the body and everything." (Para.72)"No," she confessed. "But this is marvy. Do more! Do more!"(Para.74) "Really?" said Polly, amazed. "Nobody?" (Para.76)"Know any more fallacies?" she asked breathlessly. "This is more fun than dancing even." (Para.78)"I know somebody just like that," she exclaimed. "A girl back home—Eula Becker, her name is. It never fails. Every single time we take her on a picnic—" (Para.81)"I'll never do it again," she promised contritely. "Are you mad at me?" (Para.83) "Yeah," she said thoughtfully. "Well, then I guess He can’t make the stone." (Para.91) She scratched her pretty, empty head. "I'm all confused," she admitted. (Para.93) "Tell me more of this keen stuff," she said eagerly. (Para.95)In conclusion: A lot of exclamatory words am employed to show that the girl is simple—mindedand stupid．These words include “Gee”(para．60)，“O o”(para．63)，“Wow—dow”(68)and many others.Exclamatory from WikipediaAn exclamative or exclamatory sentence is released because of, and expresses strong emotion. They many times feel like involuntary reactions to a situation, yet they can technically be stifled if need be. And while exclamatives most usually manifest themselves as one or two word interjections, they can also come as major sentences. They are essentially unfiltered vocalizations of our feelings, and a form of self-talk because they are directed either at the speaker themself or at nobody in particular. In punctuation, an exclamative is ended with an exclamation mark.The use of clipped vulgar forms are chosen to create the image of the simple—mindedness an d stupidity of the girl．Such forms as“delish”(para．60)，“marvy”(para．60)，“sensaysh”(para．63)，“terrif”(para．63)，and“magnif”(para．66)can be detected in the text．P.S.: In linguistics, clipping is the word formation process which consists in the reduction of a word to one of its parts (Marchand: 1969). Clipping is also known as "truncation" or "shortening."According to Marchand (1969), clippings are not coined as words belonging to the standard vocabulary of a language. They originate as terms of a special group like schools, army, police, the medical profession, etc., in the intimacy of a milieu where a hint is sufficient to indicate the whole. For example, exam(ination), math(ematics), and lab(oratory) originated in school slang; spec(ulation) and tick(et = credit) in stock-exchange slang; and vet(eran) and cap(tain) in army slang. While clipping terms of some influential groups can pass into common usage, becoming part of Standard English, clippings of a socially unimportant class or group will remain group slang.Psycho-narrationsI went back to my room with a heavy heart. I had gravely underestimated the size of my task. This girl’s lack of information was terrifying. Nor would it be enough merely to supply her with information. First she had to be taught t o think. This loomed as a project of no small dimensions, and at first I was t empted to give her back to Petey. But then I got to thinking about her abund ant physical charms and about the way she entered a room and the way she h andled a knife and fork, and I decided to make an effort. (Para.61)I went about it, as in all things, systematically. I gave her a course in logic. It happened that I, as a law student, was taking a course in logic myself, so I had all the facts at my fingertips. (Para.62)I fought off a wave of despair. I was getting nowhere with this girl, absolutely nowhere. Still, I am nothing if not persistent. (Para.79)...glumly to my dorm. Petey lay snoring in his bed, the raccoon coat huddled like a great hairy beast at his feet. For a moment I considered waking him and telling him that he could have his girl back. It seemed clear that my project was doomed to failure. The girl simply had a logic-proof head. (Para.97)But then I reconsidered. I had wasted one evening; I might as well waste anot her. Who knew? Maybe somewhere in the extinct crater of her mind a few m embers still smoldered. Maybe somehow I could fan them into flame. Admitted ly it was not a prospect fraught with hope, but I decided to give it one more try.(Para.98)ACTIONS“Logic,” I said, clearing my throat, “is the science of thinking. Before we can think correctly, we must first learn to recognize the common fallacies of logi c. These we will take up tonight.”“Wow-dow!” she cried, clapping her hands delightedly.I winced, but went bravely on. “First let us examine the fallacy called Dicto S impliciter.”(Para.69)“By all means,”she urged, batting her lashes eagerly.(Para.70)“Dicto Simpliciter means an argument based on an unqualified generalization. For example: Exercise is good. Therefore everybody should exercise.”(Para.71)“I agree,”said Polly earnestly. “I mean exercise is wonderful. I mean it builds the body and everything.”(Para.72)“Polly,”I said gently, “the argument is a fallacy. Exercise is good is an unqualified generalization..." (Para.73)“Really?”said Polly, amazed. “Nobody?”(Para.76)I hid my exasperation. “Polly, it’s a fallacy. The generalization is reached too hastily. There are too few instances to support such a conclusion.”(Para.77)“Know any more fallacies?”she asked breathlessly. “This is more fun than dancing even.”(Para.78)“Polly,”I said sharply, “it’s a fallacy. Eula Becker doesn’t cause the rain. She has no connection with the rain. You are guilty of Post Hoc if you blame Eula Becker.”(Para.82)“I’ll never do it again,”she promised contritely. “Are you mad at me?”(Para.83)I sighed. “No, Polly, I’m not mad.”(Para.84)Adverbial。