高级英语修辞手法总结
高级英语修辞手法总结
英语修辞手法１、Simｉle明喻明喻就是将具有共性得不同事物作对比、这种共性存在于人们得心里,而不就是事物得自然属性.标志词常用liｋｅ, ａs, seem, as if, ａs thｏugｈ, ｓｉmiｌar tｏ, ｓuch ａs 等。
例如:1>。
He waｓlｉke aｃｏｃk wｈo tｈouｇｈｔtｈe sunｈad ｒｉsｅｎto heａr ｈim crｏｗ、2＞、I ｗaｎdereｄlonely aｓa clouｄ。
3＞。
Eｉnstｅin oｎly had a blaｎkｅｔon, ａs iｆｈe had jｕst walkeｄｏu ｔoｆaｆairy tale、2。
Metaｐhor 隐喻,暗喻隐喻就是简缩了得明喻,就是将某一事物得名称用于另一事物,通过比较形成。
例如:1〉。
Ｈｏpe ｉｓa gｏod breaｋｆast, but ｉｔiｓ a badｓupｐｅr、２＞.Soｍe books are to be tasｔed, otｈｅrsｓwallowed, ａndｓome few ｔo beｃhewｅd and digestｅｄ。
3、Metonｙmy借喻,转喻借喻不直接说出所要说得事物,而使用另一个与之相关得事物名称、I。
以容器代替内容,例如:1>。
The kettlｅboils、水开了、2〉。
Thｅｒoom sat ｓilenｔ、全屋人安静地坐着。
II。
以资料、工具代替事物得名称,例如:Lend me your eaｒs, plｅａse.请听我说、ＩＩＩ.以作者代替作品,例如:a ｐlete Shaｋespｅare 莎士比亚全集ＶＩ、以具体事物代替抽象概念,例如:Ｉhａｄthe ｍusｃle, aｎｄtｈey mａde ｍoney ｏut of iｔ、我有力气,她们就用我得力气赚钱。
4、Syｎｅcdocｈe 提喻提喻用部分代替全体,或用全体代替部分,或特殊代替一般、例如:1>。
高级英语修辞手法汇总
高英修辞Lesson 11. Wind and rain now wiped the house. ----metaphor(暗喻)2. The children went from adult to adult like buckets in a fire brigade. ----simile (明喻)3. The wind sounded like the roar of a train passing a few yards away. -----simile4. …it seized a 600,00 gallon Gulfport oil tank and dumped it 3.5 miles away. ----personification(拟人)5. Rcihelieu Apartments were smashed apart as if by a gigantic fist, and 26 people perished. ---- …the6. We can batten down and ride it out. -----metaphor7. Everybody out the back door to the cars!—ellipsis (省略)8. Telephone poles and 20-inch-thick pines cracked like guns as the winds snapped them. -----simile9. Several vacationers at the luxurious Richelieu Apartments there held a hurricane party to watch the storm from their spectacular vantage point-----transferred epithet移就10. Strips of clothing festooned the standing trees, and blown down power lines coiled like black spaghetti over the roads----metaphor; simile Lesson 41.United, there is little we cannot do in a host of co-operativeventures. Divided, there is little we can do, for we dare not meet a power full challenge at odds and split asunder.—antithesis2.Let us never negotiate out of fear, but let us never fear to negotiate.—regression (回环:A-B-C)3.All this will not be finished in the first one hundred days.—allusion 引典; climax递进4. And so, my fellow Americans ask not what your country can do for you; ask what you can do for your country.—antithesis, regression回环5.We observe today not a victory of party but a celebration of freedom, symbolizing an end as well as a beginning, signifying renewal as well as change. ----parallelism6.Let the word go forth from this time and place, to friend and foe alike….—alliteration7.Let every nation know, whether it wishes us well or i11, that we shall pay any price, bear any burden meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty. ----parallelism; alliteration8.United, there is little we cannot do in a host of co-operative ventures. Divided, there is little we can do, for we dare not meet a powerful challenge at odds and split asunder. ----antithesis对句9.If a free society cannot help the many who are poor, it cannot savethe few who are rich. -----antithesis10. …to assist free men and free governments in casting off the chains of poverty. ---repetition11. And if a beachhead of co-operation may push back the jungle of suspicion…----metaphor12. Let both sides explore what problems unite us instead of belaboring those problems which divide us -----antithesis13.And let every other power know that this hemisphere intends to remain the master of its own house.-----metaphor14. The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it, and the glow from that fire can truly light the world. -----extended metaphor15. …to strengthen its shield of the new and the weak…----metaphor16.With a good conscience our only sure reward, with history the final judge of our deeds -----parallelismLesson101.The slightest mention of the decade brings nostalgic recollections to the middle-aged and curious questionings by the young: memories of the deliciously illicit thrill of the first visit to a speakeasy, of the brave denunciation of Puritan morality, and of the fashionable experimentations in amour in the parked sedan on a country road; questions about thenaughty, jazzy parties, the flask-toting”sheik”, and the moral and stylistic vagaries of the “flapper”and the “drug-store cowboy”.—transferred epithet2. Second, in the United States it was reluctantly realized by some—subconsciously if not openly—that our country was no longer isolated in either politics or tradition and that we had reached an international stature that would forever prevent us from retreating behind the artificial walls of a provincial morality or the geographical protection of our two bordering oceans.—metaphor3.War or no war, as the generations passed, it became increasingly difficult for our young people to accept standards of behavior that bore no relationship to the bustling business medium in which they were expected to battle for success.—metaphor4.The war acted merely as a catalytic agent in this breakdown of the Victorian social structure, and by precipitation our young people into a pattern of mass murder it released their inhibited violent energies which, after the shooting was over, were turned in both Europe and America to the destruction of an obsolescent nineteenth century society.—metaphor5.The prolonged stalemate of 1915-1916,the increasing insolence of Germany toward the United States, and our official reluctance to declare our status as a belligerent were intolerable to many of our idealistic citizens, and with typical American adventurousness enhanced somewhatby the strenuous jingoism of Theodore Roosevelt, our young men began to enlist under foreign flags.—metonymy6.Their energies had been whipped up and their naive destroyed by the war and now, in sleepy Gopher Prairies all over the country, they were being asked to curb those energies and resume the pose of self-deceiving Victorian innocence that they now felt to be as outmoded as the notion that their fighting had “made the world safe for democracy”.—metaphor7.After the war, it was only natural that hopeful young writers, their minds and pens inflamed against war, Babbittry, and”Puritanical”gentility, should flock to the traditional artistic center(where living was still cheap in 1919)to pour out their new-found creative strength, to tear down the old world, to flout ht morality of their grandfathers, and to give all to art, love, and sensation.—metonymy synecdoche8. Younger brothers and sisters of the war generation, who had been playing with marbles and dolls during the battles of Belleau Wood and Chateau-Thierry, and who had suffered no real disillusionment or sense of loss, now began to imitate the manners of their elders and play with the toys of vulgar rebellion.—metaphor9.These defects would disappear if only creative art were allowed to show the way to better things, but since the country was blind and deaf to everything save the glint and ring of the dollar, there was little remedy for the sensitive mind but to emigrate to Europe where”they do thingsbetter.”—personification, metonymy ,synecdoche。
高级英语修辞总结完整版
高级英语修辞总结HUA system office room 【HUA16H-TTMS2A-HUAS8Q8-HUAH1688】Rhetorical Devices一、明喻（simile）是以两种具有相同特征的事物和现象进行对比，表明本体和喻体之间的相似关系，两者都在对比中出现。
常用比喻词like, as, as if, as though等，例如：1、This elephant is like a snake as anybody can see.这头象和任何人见到的一样像一条蛇。
2、He looked as if he had just stepped out of my book of fairytales and had passed me like a spirit.他看上去好像刚从我的童话故事书中走出来，像幽灵一样从我身旁走过去。
3、It has long leaves that sway in the wind like slim fingers reaching to touch something.它那长长的叶子在风中摆动，好像伸出纤细的手指去触摸什么东西似的。
二、隐喻（metaphor）这种比喻不通过比喻词进行，而是直接将用事物当作乙事物来描写，甲乙两事物之间的联系和相似之处是暗含的。
1、German guns and German planes rained down bombs, shells and bullets...德国人的枪炮和飞机将炸弹、炮弹和子弹像暴雨一样倾泻下来。
2、The diamond department was the heart and center of the store.钻石部是商店的心脏和核心。
三、Allusion（暗引）其特点是不注明来源和出处，一般多引用人们熟知的关键词或词组，将其融合编织在作者的话语中。
引用的东西包括典故、谚语、成语、格言和俗语等。
高级英语修辞手法汇总
高英修辞Lesson 11. Wind and rain now wiped the house. ----metaphor(暗喻)2. The children went from adult to adult like buckets in a fire brigade. ----simile (明喻)3. The wind sounded like the roar of a train passing a few yards away. -----simile4. …it seized a 600,00 gallon Gulfport oil tank and dumped it 3.5 miles away. ----personification(拟人)5. Rcihelieu Apartments were smashed apart as if by a gigantic fist, and 26 people perished. ---- …the6. We can batten down and ride it out. -----metaphor7. Everybody out the back door to the cars!—ellipsis (省略)8. Telephone poles and 20-inch-thick pines cracked like guns as the winds snapped them. -----simile9. Several vacationers at the luxurious Richelieu Apartments there held a hurricane party to watch the storm from their spectacular vantage point-----transferred epithet移就10. Strips of clothing festooned the standing trees, and blown down power lines coiled like black spaghetti over the roads----metaphor; simile Lesson 41.United, there is little we cannot do in a host of co-operativeventures. Divided, there is little we can do, for we dare not meet a power full challenge at odds and split asunder.—antithesis2.Let us never negotiate out of fear, but let us never fear to negotiate.—regression (回环:A-B-C)3.All this will not be finished in the first one hundred days.—allusion 引典; climax递进4. And so, my fellow Americans ask not what your country can do for you; ask what you can do for your country.—antithesis, regression回环5.We observe today not a victory of party but a celebration of freedom, symbolizing an end as well as a beginning, signifying renewal as well as change. ----parallelism6.Let the word go forth from this time and place, to friend and foe alike….—alliteration7.Let every nation know, whether it wishes us well or i11, that we shall pay any price, bear any burden meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty. ----parallelism; alliteration8.United, there is little we cannot do in a host of co-operative ventures. Divided, there is little we can do, for we dare not meet a powerful challenge at odds and split asunder. ----antithesis对句9.If a free society cannot help the many who are poor, it cannot savethe few who are rich. -----antithesis10. …to assist free men and free governments in casting off the chains of poverty. ---repetition11. And if a beachhead of co-operation may push back the jungle of suspicion…----metaphor12. Let both sides explore what problems unite us instead of belaboring those problems which divide us -----antithesis13.And let every other power know that this hemisphere intends to remain the master of its own house.-----metaphor14. The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it, and the glow from that fire can truly light the world. -----extended metaphor15. …to strengthen its shield of the new and the weak…----metaphor16.With a good conscience our only sure reward, with history the final judge of our deeds -----parallelismLesson101.The slightest mention of the decade brings nostalgic recollections to the middle-aged and curious questionings by the young: memories of the deliciously illicit thrill of the first visit to a speakeasy, of the brave denunciation of Puritan morality, and of the fashionable experimentations in amour in the parked sedan on a country road; questions about thenaughty, jazzy parties, the flask-toting”sheik”, and the moral and stylistic vagaries of the “flapper”and the “drug-store cowboy”.—transferred epithet2. Second, in the United States it was reluctantly realized by some—subconsciously if not openly—that our country was no longer isolated in either politics or tradition and that we had reached an international stature that would forever prevent us from retreating behind the artificial walls of a provincial morality or the geographical protection of our two bordering oceans.—metaphor3.War or no war, as the generations passed, it became increasingly difficult for our young people to accept standards of behavior that bore no relationship to the bustling business medium in which they were expected to battle for success.—metaphor4.The war acted merely as a catalytic agent in this breakdown of the Victorian social structure, and by precipitation our young people into a pattern of mass murder it released their inhibited violent energies which, after the shooting was over, were turned in both Europe and America to the destruction of an obsolescent nineteenth century society.—metaphor5.The prolonged stalemate of 1915-1916,the increasing insolence of Germany toward the United States, and our official reluctance to declare our status as a belligerent were intolerable to many of our idealistic citizens, and with typical American adventurousness enhanced somewhatby the strenuous jingoism of Theodore Roosevelt, our young men began to enlist under foreign flags.—metonymy6.Their energies had been whipped up and their naive destroyed by the war and now, in sleepy Gopher Prairies all over the country, they were being asked to curb those energies and resume the pose of self-deceiving Victorian innocence that they now felt to be as outmoded as the notion that their fighting had “made the world safe for democracy”.—metaphor7.After the war, it was only natural that hopeful young writers, their minds and pens inflamed against war, Babbittry, and”Puritanical”gentility, should flock to the traditional artistic center(where living was still cheap in 1919)to pour out their new-found creative strength, to tear down the old world, to flout ht morality of their grandfathers, and to give all to art, love, and sensation.—metonymy synecdoche8. Younger brothers and sisters of the war generation, who had been playing with marbles and dolls during the battles of Belleau Wood and Chateau-Thierry, and who had suffered no real disillusionment or sense of loss, now began to imitate the manners of their elders and play with the toys of vulgar rebellion.—metaphor9.These defects would disappear if only creative art were allowed to show the way to better things, but since the country was blind and deaf to everything save the glint and ring of the dollar, there was little remedy for the sensitive mind but to emigrate to Europe where”they do things精品文库better.”—personification, metonymy ,synecdoche。
高中英语知识点归纳修辞手法和修辞方法
高中英语知识点归纳修辞手法和修辞方法在高中英语学习中，学生需要了解和掌握各种修辞手法和修辞方法，这对于培养语言运用的能力非常重要。
修辞手法可以帮助我们更好地表达思想和情感，提升文章的艺术效果。
本文将归纳总结高中英语中常见的修辞手法和修辞方法，帮助同学们更好地理解和使用。
一、修辞手法1. 比喻：通过运用形象生动的语言，将两个不同的事物进行类比，以便更清晰地传达作者的观点和意图。
比如：“他是大海中的一匹游弋的鲸鱼。
”2. 拟人：将无生命的事物或抽象的概念赋予人的特质，以增加表达的生动性和感染力。
比如：“阳光在窗前笑着对我说话。
”3. 夸张：夸大事物的某一特征或情况，以便更好地引起读者的注意和共鸣。
比如：“我等了一辈子，终于盼来了你的到来。
”4. 对比：通过对比两个相对事物的差异和共同点，以便更好地强调某一事物的特点或调动读者的情感。
比如：“他和弟弟相貌相似，性格却截然不同。
”5. 排比：通过重复使用相同或相似的句式、短语或词语，以便更好地强调某一观点或情感，增强语言的表达力。
比如：“爱是红色的，爱是温暖的，爱是无私的。
”6. 反问：用问句的形式表达出来的陈述句，以便更好地引起读者思考和共鸣。
比如：“难道我们不应该保护大自然吗？”7. 设问:提出一个问题即为设问，让读者去思考和回答这个问题。
常用于议论文中的引言部分。
比如：“现代社会中，网络给人们的生活带来了哪些变化？”8. 比较:通过对同类事物的相似与区别进行比较，突出事物的特点。
比如：“这幅画的色彩明亮如火，而那幅画的色彩柔和如水。
”9. 讽刺：运用讽刺的方法，以批评、嘲笑或引起反思等目的。
常用于政治讽刺或社会现象的揭露中。
比如：“这个国家的官员真是越来越能干了，把自己的腰包包里的钱都能数得清清楚楚。
”10. 括弧：在修辞中，用括号将表达的事实、情况、心理状态等加以括起来，增强修辞的效果。
比如：（睁大眼睛）看！那个小猫咪在阳光下打盹。
11. 借代：用一个代词或名词来代替已经被提到过的名词，便于读者理解。
高级英语修辞
高级英语修辞
高级英语修辞是指在语言运用中使用更加复杂、精细和富有表现力的修辞手法，以达到更高的艺术效果和言语魅力。
以下是一些常见的高级英语修辞手法：
1. 比喻：用一个事物来形容另外一个事物，从而表现出它们之间的相似性。
2. 拟人：将非人的事物拟人化，赋予其人类的行为和品质，以表现出更加生动的形象。
3. 排比：采用连结词将一系列相似的词语或短语排列起来，以强调它们之间的关系。
4. 反复句：在句子中重复使用相同的词组或结构，以强调其中的某个关键点，从而达到增强语言表现力的目的。
5. 借代：用一个字来代替另一个字或一组字，以达到一定的修辞目的。
6. 比较修辞：通过比较来突出某一个方面的特点或优越性。
7. 省略：在句子中省略一些词语或语法结构，以增强句子的简洁度和艺术感染力。
这些技巧可以有助于你在英语写作和口语中达到更高的表达能力。
高级英语中的修辞手法总结带课文中例句
高级英语中的修辞手法总结带课文中例句
高级英语中常见的修辞手法包括：
1. 隐喻（Metaphor）：隐喻是一种不直接说明事物，而是通过比较或比喻来暗示某一事物的修辞手法。
例如，“爱情是一座城堡，每个人都在寻找自己的归属”（隐喻，将爱情比喻为城堡）。
2. 反讽（Irony）：反讽是一种表面说一套，实际上表达的却是与字面意思
相反的修辞手法。
例如，“我很喜欢去健身房锻炼，只是我的床喜欢把我困住”（反讽，表达的是作者不想去健身房）。
3. 排比（Parallelism）：排比是一种通过使用结构相似的句式来表达相近
或相同意思的修辞手法。
例如，“他跳得高，跑得快，游得远”（排比，强调他各方面都很优秀）。
4. 拟人（Personification）：拟人是一种将非人类事物赋予人类特性的修辞手法。
例如，“月亮害羞地躲进了云层里”（拟人，将月亮人格化）。
5. 夸张（Hyperbole）：夸张是一种通过夸大或缩小事物来表达强烈情感的修辞手法。
例如，“他高兴得像中了彩票一样”（夸张，强调他非常高兴）。
以上是高级英语中常见的修辞手法及例句，希望对你有所帮助。
高级英语修辞手法考点
11. There is a mixture of the tiger and the ape in the character of a Frenchman. synecdoche
'Both'一词一语双关，既指拿破仑和这位士兵都是疯子，又指这位战士参加过拿破仑指挥的两次战役。
九、拟声（onomatopoeia）是摹仿自然界中非语言的声音，其发音和所描写的事物的声音很相似，使语言 显得生动，富有表现力。
1、On the root of the school house some pigeons were softly cooing.
2、... Because good technique in medicine and surgery means more quickly—cured patients, less pain, less discomfort, less death, less disease and less deformity.
the wit and learning=the wise and learned scholars
4)以具体代表抽象 the concrete for the abstract
There is a mixture of the tiger and the ape in the character of a Frenchman.
用senior citizens代替old people
用 a slow learner或者an under achiever代替a stupid pupil
用weight watcher代替 fat people
用mental hospital 代替 madhouse或者 asylum
高级英语修辞手法总结归纳
高级英语修辞手法总结归纳修辞是语言使用中的重要技巧，通过巧妙运用各种修辞手法，能使语言表达更为生动、有力或富有韵味。
以下是对常见的高级英语修辞手法的总结归纳：一、隐喻与明喻隐喻是将一个词或短语用来暗示另一个事物，而明喻则是直接将一个事物与另一个事物进行比较。
例如，“他像一只狮子一样勇猛”（明喻）和“爱情是一座城堡”（隐喻）。
二、拟人及拟物拟人是赋予非生物或抽象事物以人的特性，而拟物则是赋予人或动物以非生物的特性。
例如，“河流唱着轻快的歌曲”（拟人）和“他的怒火如野兽般狂暴”（拟物）。
三、排比与对偶排比是将三个或以上结构相似、意义相近的词、短语或句子并列使用，以增强语势。
对偶则是将意义相对或相反的词、短语或句子进行对比，以突出主题。
例如，“生命在于运动，死亡在于静止”（对偶）和“他跨越了山岭，穿越了沙漠，走过了平原”（排比）。
四、反复与交错反复是将相同的词、短语或句子重复使用，以强调某种情感或主题。
交错则是将不同的词、短语或句子相互交替使用，以达到特定的表达效果。
例如，“永远、永远、永远不要放弃”（反复）和“是与否，对与错”（交错）。
五、借代与提喻借代是用一个事物的某一部分来代替整体或其他部分，而提喻则是用整体来代替某一部分或用类属来代替个体。
例如，“我要用笔墨写下永恒”（借代）和“人是一本书”（提喻）。
六、反讽与戏谑反讽是通过说反话或正话反说来达到讽刺的效果，戏谑则是用幽默诙谐的语言来戏弄或嘲笑某人或某事。
例如，“他是一个天生的傻瓜”（反讽）和“爱情是人生的蜜糖”（戏谑）。
七、矛盾修辞法矛盾修辞法是将相互矛盾的概念或形象结合在一起，以引起读者的思考或表达复杂的情感。
例如，“孤独的狂欢”，“死亡的生命”。
八、头韵与脚韵头韵是使用相同或相似的音韵开头，脚韵是使用相同或相似的音韵结尾。
例如，“美丽的美女”（头韵）和“生活是一首歌”（脚韵）。
九、夸张与弱化夸张是通过夸大事实或形象来强调某种情感或主题，弱化则是通过缩小事实或形象来淡化某种情感或主题。
高级英语 修辞手法总汇 复习
一、词语修辞格（1）simile 明喻①...a memory that seemed phonographic②Most American remember M. T. as the father of...（2）metaphor 暗喻①the last this intermezzo came to an end…②Mark Twain --- Mirror of America③saw clearly ahead a black wall of night...④main artery of transportation in the young nation's heart⑤All would resurface in his books...that he soaked up...⑥When railroads began drying up the demand...⑦...the epidemic of gold and silver fever...⑧Twain began digging his way to regional fame...⑨Mark Twain honed and experimented with his new writing muscles...⑩The Duchess of Croydon kept firm, tight rein on her racing mind.⑪and launch this cataract of horrors upon mankind…⑫I see the German bombers and fighters in the sky, still smarting from many a British whipping, delighted to find what they believe is an easier and a safer prey.⑬I see the Russian soldiers standing on the thresthold of their native land, guarding the fields which their fathers have tilled from time immemorial.⑭The Nazi regime is devoid of all theme and principle except appetite and racial domination.⑮I suppose they will be rounded up in hordes.⑯We shall fight him by land, we shall fight him by sea, we shall fight him in the air, until, with God’s help, we have rid the earth of his shadow and liberated its peoples from his yoke.（3）metonymy 借代，转喻（4）synecdoche 提喻①The case had erupted round my head（5）personification 拟人①...to literature's enduring gratitude...②The grave world smiles as usual...③Bitterness fed on the man...④America laughed with him.⑤Personal tragedy haunted his entire life.（6）transferred epithet 移就①Darrow had whispered throwing a reassuring arm round my shoulder②The obese body shook in an appreciative chuckle.③Two high points of color appeared in the paleness of the Duchess of Croydon’s cheeks.（7）hyperbole 夸张①If Hitler invaded Hell and would make at least a favorable reference to the Devil in the House of Commons.②...cruise through eternal boyhood and ...endless summer of freedom...③The cast of characters... - a cosmos.④America laughed with him.⑤The trial that rocked the world⑥His reputation as an authority on Scripture is recognized throughout the world."（8）oxymoron 矛盾修饰法Dudley Field Malene called my conviction a, "victorious defeat. "（9）euphemism 委婉语①… a motley band of Confederate guerrillas who diligently avoided contact with the enemy.②...men's final release from earthly struggle（10）irony -- the use of words to expresssomething different from and often opposite to theirliteral meaning. 反语用词语表达与它们的字面意思相异或相反的用法①Hiroshima—the ―liveliest‖ city in Japan②… until we are marching backwards to the glorious age of the sixteenth century（11）sarcasm -- a cutting, often ironic remarkintended to wound. 讽刺，挖苦意在伤害他人的尖刻的，常带讽刺意味的话语①There is some doubt about that.（12）pun 双关①DARWIN IS RIGHT – INSIDE.二、结构修辞格（13）antithesis 对比①Any man or state who fights on against Nazidom will have our aid. Any man or state who marches with Hitler is our foe…②"The Christian believes that man came from above. The evolutionist believes that he must have come from below③...between what people claim to be and what they really are.④...took unholy verbal shots at the Holy Land...⑤...a world which will lament them a day and forget them forever（14）rhetorical question 修辞疑问句①Was I not at the scene of the crime?②Who ever knew a Johnson with a quick tongue? Who can even imagine me looking a strange white man in the eye?③In what conceivable way does our car concern you?三、音韵修辞格（15）头韵法（alliteration）在文句中有两个以上连结在一起的词或词组，其开头的音节有同样的字母或声音，以增强语言的节奏感。
高级英语修辞手法总结
Lesson one1 We can batten down and ride it out.—metaphor2. Wind and rain now wiped the house. ----metaphor(暗喻)3 Everybody out the back door to the cars!--elliptical sentence (省略句)4. The children went fro m adult to adult like buckets in a fire brigade. ----si mile (明喻)5. But the cars wouldn’t start; the electrical systems had been killed by water. personification(拟人)6. The wind sounded like the roar of a train passing a few yards away. -----simile7. …it seized a 600,00 gallon Gulfport oil tan k and dumped it 3.5 miles away. ----personification(拟人)8 Telephone poles and 20-inch-thick pines cracked like guns as the winds snapped them.-simile9 Several vacationers at the luxurious Richelieu Apartments there held a hurricane party to watch the sto rm fro m their spectacular vantagepoint--transferred epithet10. Richelieu Apartments were smashed apart as if by a gigantic fist, and 26 people perished. 明喻11. Strips of clothing festooned the standing trees, and blown down power lines coiled like black spaghetti over the roads----metaphor; simile12. …the Salvation Army’s canteen trucks and Red Cross volunteers and staffers were going wherever possible to distribute hot drinks, food, clothing and bedding.Lesson two Marrakech1 The little crowd of mourners -- all men and boys, no women--threaded their way across the market place between the piles of pomegranates and the taxis and the camels, walling a short chant over and over again. (Elliptical sentence省略句)2 提喻or are they merely a kind of undifferentiated brown stuff, about as individual as bees or coral insects?3 押头韵They rise out of the earth, they sweat and starve for a few years, and then they sink back into the nameless mounds of the gr aveyard (Para 3)4间接请求I could eat some o f that bread.5夸张移就暗喻A carpenter sits cross-legged at a prehistoric lathe, turning chair-legs at lightning speed.（Transferred epithet移就Metaphor暗喻）6移就暗喻Instantly, fro m the dark holes all round, there was a frenzied rush of Jews. (Transferred epithet 移就）7 类比in just the same way, a couple of hundred years ago, poor old women used to be burned for witchcraft when they could not even work enough magic to get themselves a square meal.7 提喻still, a white skin is always fairly conspicuous.8 明喻long lines of women, bent double like inverted capital Ls.9 暗喻she accepted her status as an old woman, that is to say as a beast of burden.10 拟声词Ono matopoeia as the strokes flew northward the Negroes were marching southward -a long, dusty column, infantry, screw- gun batteries, and then more infantry, four or five thousand men in all, winding up the road with a clumping of boots and a clatter of iron wheels.11 明喻their feet squashed into boots that looks like blocks of wood…Simile12 省略句Not hostile, not contemptuous, not sullen, not even inquisitive13 明喻And really it was like watching a flock of cattle to see the long column, a mile or two miles of armed men, flowing peacefull y up the road, while the great white birds drifted over them in the opposite direction, glittering like scrapes of paper.Lesson threeMetaphor(暗喻)1 the conversation had swung from Australian convicts of the 19th century to the english peasants of the 12th century.2 the conversation was on wings.3.And no one has any idea where it will go as it meander or leaps and sparkles or just glows .——mixed metaphor4The fact that their marriages may be on the rocks,or that their love affairs have been broken or even that they got out of bed on the wrong side is simply not a concern.——metaphor【1.on the rock 为英语习语，这里引用了隐喻的修辞手法，把婚姻比喻成触礁的船只】【2.to get out of the bed on the wrong side 也是英语习语。
高级英语第三版本册1-7课修辞整理
高级英语第三版本册1-7课修辞整理
修辞（Rhetoric）是指修词造句的艺术，旨在使文章表达更加
生动、准确。
在英语写作中，修辞手法的运用可以为文本增添色彩
并强化文章逻辑。
以下是本文对高级英语第三版本册1-7课修辞手
法的整理：
1. 比喻（Metaphor）：通过将两种不同的事物进行比较来强化
表达。
例：“你是我的太阳”（You are my sunshine）。
2. 拟人（Personification）：将非人事物拟人化，使其表现出人
类的特性。
例：“阳光明媚”（The sunshine smiled upon us）。
3. 讽刺（Irony）：用反语强调与实际相反的意思。
例：“我今
天看起来真好看，唯一的问题是我感冒了”（I look amazing today. The only problem is that I have a cold.）。
6. 借代（Metonymy）：用一个相关的单词或短语来替代原文，起到简洁的效果。
例：“冠军”（champion）代表整个团队获胜。
7. 倍受争议的说法（Euphemism）：用含蓄、委婉和微妙的词语或说法来表达直接或难以接受的事情。
例：“真是一个有趣的人”（He is quite a character）。
以上是高级英语第三版本册1-7课修辞手法整理，希望对大家的英语写作有所帮助。
英语最全修辞手法
英语常用修辞1.Simile 明喻明喻是将具有共性的不同事物作对比.这种共性存在于人们的心里,而不是事物的自然属性。
或者说是以两种具有相同特征的事物和现象进行对比，表明本体和喻体之间的相似关系，两者都在对比中出现。
标志词常用like, as, seem, as if, as though, similar to, such as等. It is a figure of speech which makes a comparison between two unlike elements having at least one quality or characteristic in common. To make the comparison, words like as, as...as, as if and like are used to transfer the quality we associate with one to the other.例如:1>.He was like a cock who thought the sun had risen to hear him crow.2>.I wandered lonely as c cloud.3>.Einstein only had a blanket on, as if he had just walked out of a fairy tale.4>.This elephant is like a snake as anybody can see.这头象和任何人见到的一样像一条蛇。
5>.He looked as if he had just stepped out of my book of fairytales and hadpassed me like a spirit.他看上去好像刚从我的童话故事书中走出来，像幽灵一样从我身旁走过去。
高级英语1修辞手法汇总
高级英语1修辞手法汇总修辞手法是英语写作中常用的一种技巧，通过运用修辞手法可以使文章更加生动、富有表现力，增强读者的阅读体验。
在高级英语写作中，修辞手法的运用尤为重要，它可以为文章赋予深度和风格，并提升文章的艺术性和说服力。
下面将介绍几种常见的修辞手法。
一、比喻（Metaphor）比喻是一种通过将一个事物与另一个事物相比较，以便更好地说明或形容某个概念或主题的修辞手法。
它常常用于描述抽象的概念，使之变得更加具体和形象。
例句：1. He is a lion in the battlefield.2. Her smile was a ray of sunshine on a cloudy day.二、拟人（Personification）拟人是一种将非人类的事物或抽象的概念赋予人类的特征和行为的修辞手法。
通过将这些非人类的事物拟人化，可以使文章更生动有趣，增强读者对其中事物的感知和理解。
例句：1. The wind whispered through the trees.2. The flowers danced in the breeze.三、夸张（Hyperbole）夸张是一种通过夸大事物的特征或情况来强调其重要性或影响力的修辞手法。
它常用于诗歌、演讲或幽默作品中，以引起读者的兴趣和共鸣。
例句：1. I've told you a million times not to do that!2. The line for the new iPhone was a mile long.四、反问（Rhetorical question）反问是一种不需要回答的问题，用于引起读者的思考或表达某种意义的修辞手法。
通过将一个问题直接提出，可以引起读者的兴趣和注意，并激发其对文章主题的思考。
例句：1. Do you really think I would believe such a ridiculous story?2. Can you imagine a world without music?五、排比（Parallelism）排比是一种通过重复并列的结构或类似的语法结构来增加修辞效果的修辞手法。
英语18种重要修辞手法
18种重要修辞手法一、语义修辞1明喻（simile）俗称直喻，是依据比喻和被比喻两种不同事物的相似关系而构成的修辞格。
例如：a figure of speech in which denotes a simmilarility betwe en things of different kinds.1.The snow was like a white blanket drawn over the field.2.He was like a cock who thought the sun had risen to hear him crow.认真观察以上各例，我们会发现它们的特点，由（as）... as, like等引导，这些引导词被称作比喻词（acknowledging word），它们是辨别明喻的最显著的特征，明喻较为直白，比喻物和被比喻物之间相似点较为明显，所以明喻是一种比较好判断的修辞手法。
2暗喻（metaphor）也称隐喻，是依据比喻和被比喻两种不同事物的相似或相关关系而构成的修辞格。
例如：a figure of speech in which refers to sth that denotes literally in order to suggest a similarity.1.His friend has become a thorn in his side.（他的朋友已变成眼中钉肉中刺。
）2.You are your mother’s glass.(你是你母亲的翻版。
)3.Hope is a good breakfast, but it’s a bad supper.由以上各例可知，暗喻没有引导词，这是明喻和暗喻在形式上的最大区别。
换句话说，有为明喻，没有为暗喻。
如：He has a heart of stone. He has a heart like stone.很显然，前句是暗喻，后句是明喻。
高级英语修辞手法总结
英语修辞手法１、Simｉle明喻明喻就是将具有共性得不同事物作对比、这种共性存在于人们得心里,而不就是事物得自然属性.标志词常用liｋｅ, ａs, seem, as if, ａs thｏugｈ, ｓｉmiｌar tｏ, ｓuch ａs 等。
例如:1>。
He waｓlｉke aｃｏｃk wｈo tｈouｇｈｔtｈe sunｈad ｒｉsｅｎto heａr ｈim crｏｗ、2＞、I ｗaｎdereｄlonely aｓa clouｄ。
3＞。
Eｉnstｅin oｎly had a blaｎkｅｔon, ａs iｆｈe had jｕst walkeｄｏu ｔoｆaｆairy tale、2。
Metaｐhor 隐喻,暗喻隐喻就是简缩了得明喻,就是将某一事物得名称用于另一事物,通过比较形成。
例如:1〉。
Ｈｏpe ｉｓa gｏod breaｋｆast, but ｉｔiｓ a badｓupｐｅr、２＞.Soｍe books are to be tasｔed, otｈｅrsｓwallowed, ａndｓome few ｔo beｃhewｅd and digestｅｄ。
3、Metonｙmy借喻,转喻借喻不直接说出所要说得事物,而使用另一个与之相关得事物名称、I。
以容器代替内容,例如:1>。
The kettlｅboils、水开了、2〉。
Thｅｒoom sat ｓilenｔ、全屋人安静地坐着。
II。
以资料、工具代替事物得名称,例如:Lend me your eaｒs, plｅａse.请听我说、ＩＩＩ.以作者代替作品,例如:a ｐlete Shaｋespｅare 莎士比亚全集ＶＩ、以具体事物代替抽象概念,例如:Ｉhａｄthe ｍusｃle, aｎｄtｈey mａde ｍoney ｏut of iｔ、我有力气,她们就用我得力气赚钱。
4、Syｎｅcdocｈe 提喻提喻用部分代替全体,或用全体代替部分,或特殊代替一般、例如:1>。
高级英语修辞总结
高级英语修辞总结第一篇：高级英语修辞总结1)Simile：(明喻）是常用as或like等词2)Metaphor：(暗喻)喻词常由：是、就是、成了、成为、变成3)Analogy:(类比)4)Personification:(拟人)5)Hyperbole:(夸张)6)Understatement:(含蓄陈述）7)Euphemism:(委婉)8)Metonymy:(转喻）转喻又称换喻，或借代。
9)Synecdoche(提喻）整体代部分，部分代整体10)Antonomasia(换喻）11)Pun:(双关语）12)Syllepsis:(一语双叙）13)Zeugma:(轭式搭配）把适用于某一事物的词语顺势用到另外一事物上的方法。
在同一个句子里一个词可以修饰或者控制两个或更多的词，它可以使语言活泼，富有幽默感。
14)Irony:(反语）运用跟本意相反的词语来表达此意，却含有否定、讽刺以及嘲弄的意15)Innuendo:(暗讽）16)Sarcasm:(讽刺）17)Paradox:(似非而是的隽语）即短而机智之妙语，名言警句18)Oxymoron:(矛盾修饰）19)Antithesis:(对照)20)Epigram:(警句）21)Climax:(渐进或递升法）22)Anti-climax or bathos:（突降，渐降)23)Apostrophe：(顿呼）24)Transferred Epithet:(移就，转类形容词）就是有意识的把描写甲事物的词语移用来描写乙事物。
一般可分为移人于物、移物于人、移物于物三类。
25)Alliteration:(头韵）头韵是指一组词、一句话或一行诗中重复出现开头音相同的单词，简明生动，起到突出重点，加深印象，平衡节奏，宣泄感情的作用。
26)Onomatopoeia:(拟声）27)Synaesthesia：(通感,联觉,移觉)28）Parallelism(排比，平行)29）Allegory（讽喻，比方，寓言）30）Parody（仿拟）31）Rhetorical question（修辞疑问，反问）32）Rhetorical repetition（叠言）33）Allusion（典故，隐喻）34）anaphora（首语重复法）第二篇：高级英语第一册所有修辞方法及例子总结Personification:1.2.3.4.5.6.7.8.9.10.life dealt him profound personal tragedies...the river had acquainted him with......to literature's enduring gratitude......an entry that will determine his course forever...Bitterness fed on the man who had made the world laugh.Personal tragedy haunted his entire life.Hyperbole Hyperbole is a figure of speech in which exaggeration is used to emphasize a point, to create humor, or to achieve some similar effects1)...takes you...hundreds even thousands of years2)innumerable lamps3)with the dust of centuries4)…5)...cruise through eternal boyhood and...endless summer of freedom...6)America laughed with him.7).The trial that rocked the world8)His reputation as an authority on Scripture is recognized throughout the world.9)Now I was involved in a trial reported the world over.Onomatopoeia:1)creak, squeak, rumble, grunt, sigh, groan, etc.tinkling, banging, clashing2).its anking, heel icking3)appreciative chuckle4)clucked his tongueMetaphor1)2)3)4)5)I had a lump in my throat At last this intermezzo came to an end...I was again crushed by the thought..hen the meaning...sank in, jolting me outof my sad reverie little old Japan adrift amid beige concrete skyscrapers...struggle between kimono and the miniskirtlittle old Japan----traditional floating houses6)I thought that Hiroshima still felt the impactHiroshima----people of Hiroshima, especially those who suffered from the A-bomb(keep her thoughts under control)E.g.1)Whether for him, the arch 3)The Nazi regime is devoid of all theme and principle except and racial domination.a.his wife shot him a swift, warning glance.(give sb.an angry and quick glare)b.The words spat forth with sudden savagery.(the detective said the words suddenly and savagely.)c.Her tone...withered...(become shorter from her frightening voice)d....self-assurance...flickered...(hesitate;move with a quick wavering light emotion)e.The Duchess kept firm tight rein on her racing mind.1)f.Her voice was a whiplash.i.(a heavy blow)2)g.eyes bored into himi.(look at him pointedly or sharply)3)h.I’ll spell it out.a)(explain or speak outfrankly and indetail)4)1.Mark Twain---Mirror of America5)2.Most Americans remember Mark Twain as the father of Huck Finn's idyllic cruisethrough eternal boyhood and Tom Sawyer's endless summer of freedom and adventure.6)3.The geographic core, in Twain's early years was the great valley of the MississippiRiver , main artery of transportation in the young nation's heart.7)4.The cast of characters set before him in his new profession was rich and varied — acosmos.8)Cast of characters: people of various sorts;cosmos: a place where one can find all sortsof characters9)5.Steamboat decks teemed not only with the main current of pioneering humanity, butits flotsam of hustlers, gamblers, and thugs as will.10)current: stream, here not a good choice for the verb teem.11)6.He went west by stagecoach and succumbed to the epidemic of gold and silver fever inNevada 's Washoe region.12)Succumbed…to: gave way to(yielded to, submitted to)the gold and silver rushprevailing in that area.13)7.For eight months he flirted with the colossal wealth available to the lucky and thepersistent, and was rebuffed.Flirted…wealth: did not try hard or persistently enough to get the colossal wealth…14)15)16)17)18)19)20)21)22)23)24)25)26)27)28)29)30)31)32)33)34)failed 8.From the discouragement of his mining failures, Mark Twain began digging his way to regional fame as a newspaper reporter and humorist.6.He went west by stagecoach and succumbed to the epidemic of gold and silver fever in Nevada 's Washoe region.Succumbed…to: gave way to(yielded to, submitted to)the gold and silver rush prevailing in that area.7.For eight months he flirted with the colossal wealth available to the lucky and the persistent, and was rebuffed.Flirted…wealth: did not try hard or persistently enough to get the colossal wealth…failed Digging …fame: working hard to gain regional fameMark Twain honed and experimented with his new writing muscles.Honed: sharpened/exercised.It is not suitable to say “sharpen one's muscles”.saw clearly ahead a black wall of night...the vast basin drained three-quarters of the settled United StatesAll would resurface in his books...that he soakedup...(submarine comes back to the surface, here reappear)When railroads began drying up the demand......took unholy verbal shots...my case would snowball into...our town...had taken on a circus atmosphere.The street...sprouted with...He thundered in his sonorous organ tones.… had not scorched the infidels...…after the preliminary sparring over legalities…The case had erupted on my head.Now Darrow sprang his trump card by calling Bryan as a …But although Malone had won the orato rical duel with Bryan.Then the court broke into a storm of applause that …He accused Bryan of calling for a duel to the death …Irony: a figure of speech in which the meaning literally expressed is the opposite of the meaning intended and which aims at ridicule, humor or sarcasm.1)Hiroshima---the Liveliest City in Japan2)marching backwards to the glorious age of the 16th centuryAnti-climax : the sudden appearance of an absurd or trivial idea following a serious significant ideas and suspensions.This device is usu.aimed at creating comic or humorous effects.1)a town known throughout the world for its---oystersParallelismthe repetition of sounds, meanings and structures serve to order, emphasize, and point out relationsϒϒϒϒ(1)The past, with its crimes, its follies, and its tragedies...(2)the return of the bread-winner, of their champion, of their protector(3)We shall fight him by land, we shall fight him by sea, we shall fight him in the air.(4)are still primordial humanjoys, where maidens laugh and children play.ϒ(5)Let us...Let us...ϒ(6)He hopes...He hopes(7)Behind all this glare, behind all this stormLitotes(double negative)(语轻意重法,间接肯定法)a)A negative before another word to indicate a strong affirmative in the oppositedirection.b).Sarcasm1)ah, yes, for there are times when all pray2)There is some doubt about that.3)His reputation as an authority on Scripture is recognized throughout theworld.Alliteration（头韵）repetition of vowel sound1)2)3)4)its anking, heel ickingRhetorical question1)E.g.… b ut can you doubt what our policy will be?Assonance e.g.when bigots lighted faggots to burn...Repetition –Antithesis(两个结构相似但是意思相反的平行从句便是对偶句)1)E.g.Anyman or state who fights on against Nazidom will have our aid.Any man or state who marches with Hitler is our foe.(E.g.The coward does it with a kiss, the brave man a sword.)2)From them all Mark Twain gained a keen perception of the human race, of the difference between what people claim to be and what they really are.3)...took unholy verbal shots at the Holy Land...4)...a world which will lament them a day and forget them foreverSimilea)b)c)d)e)I see also the dull, drilled, docile, brutish masses of the Hun soldiery plodding...a memory that seemed phonographic...swept the arena like a prairie fire...a palm fan like a sword...The oratorical storm … blew up in the little court in Dayton swept like a fresh wind …Periodic sentence(圆周句)Periodic sentences achieve forcefulness by suspense.The essential elements in the sentence are withheld until the end.松散句把主要意思放在次要意思之前，先说最重要的事情，因而读者在看到最初的几个词后就知道这句话的意思。
高级英语修辞总结
高级英语第五册修辞方法（Rhetorical Device）1. Simile:L1-17: It is something like… behind bars.L1-25: Let us be dissatisfied until from every city hall… a mighty stream.(justice will roll down like waters and righteousness like a mighty stream)L5-5: Same age, same background, but dumb as an ox. (dumb as an ox)L5-50: First he looked at the coat with the expression of a waif at a bakery window. (comparing his longing for the raccoon coat with the expression of a hungry homeless child looking longingly at the bread at a bakery window.)L5-123: It was like digging a tunnel. (comparing his teaching to the hard work of digging a tunnel.)L5-147: I leaped to my feet, bellowing like a bull. (comparing his angry shouts to the bellowing ofa bull)L7-2: …united with others of our country in everything…like the fingers of the hand.(comparing the relationship between black and white to fingers of the hand)L7-10: Yet even then I had been going over my speech...as bright as flame. (comparing each word of his speech to bright flame)L7-16: For in those days I was what they called ginger—colored...like a crisp ginger cookie.(comparing the narrator to a cookie)L7-20: My saliva became like hot bitter glue.L7-21: The boys groped about like blind, cautious crabs... hypersensitive snails. (comparing the black boys to animals)L7-27: A blow to my head as I danced about sent my right eye popping... my dilemma.L7-45: I roiled away as a fumbled football rolls off the receiver’s fingertips...L7-46: 1 was limp as a dish rag.2. Metaphor:L1-5: Psychological freedom. . . physical slavery. (the long night of physical slavery)L1-5: The Negro. . . his own emancipation proclamation. (“signs with the pen and ink of assertive manhood his own emancipation proclamation”)L1-14: … when the unjust… is eliminated. (measurement, a scale of dollars)L1-20: He who hates… ultimate reality. （owning a key to open a door）L1-25: the battering rams of the forces of justice;the junk heaps of historyLet us be dissatisfied until the tragic walls… the forces of justice. (“the tragic walls” and “the battering rams”)L1-27: When our days…into bright tomorrow. (low-hovering clouds of despair; gigantic mountains of evil)L4-3: Killing the Angel in the HouseL4-5: The image of a fishermanL4-7: A room of one’s ownL5-1: There follows an informal essay that ventures even beyond Lamb’s frontier. (comparing the limitation set by Lamb to a frontier)L5-20: My brain, that precision instrument, slipped into high gear. (Mixed metaphor, comparing at the same time the narrator’s brain to a precision instrument and also to a machine that has gears.)L5-34: In other words, if you were out of the picture, the field would be open. (comparing the competing for friendship to an athletic event)L5-98: Maybe somehow I could fan them into flame. Maybe somewhere in the extinct crater of her mind, a few embers still smoldered. (comparing Polly’s mind to the extinct crater of a volcano)L5-115: Poisoning the well: (comparing “the personal attack on a person holding some thesis” to “poisoning the well”)L5-151: The rat. (comparing Petey to a rat)L6-41: I’ve never met anyone… the second time around. (The metaphor of record player is used.)3. Allusion:L1-25: Let us be dissatisfied until that day… none shall be afraid. (a biblical allusion: the 1ion and the lamb shall lie down together; every man will sit under his own vine and fig tree and none shall be afraid)L5-64: We went to the Knoll, the campus trysting place, and we sat down under an old oak… (An implied allusion to Robin Hood, whose trysting place was under a huge oak tree in Sherwood Forest.)L5-138: I was not Pygmalion; I was Frankenstein, and my monster had me by the throat.L10-8: Overnight… surreal episodes…（a sword of Damocles）4. Parody:L10-25: Is our democracy… of liberty? (This is a parody of a line in Patrick Henry’s speech: “Is life so dear or peace so sweet, as to be purchased at the price of chains and slavery?”)5. Metonymy:L4-1: No demand was made upon the family purse. (“purse” stands for money)L4-2: But to show you how little I deserve to be called a professional woman…with my neighbors. (Butcher’s bills stand for meat bought from a butcher. )L5-23: She was, to be sure, a girl who excited the emotions. But 1 was not one to let my heart rule my head. (to let my heart rule my head: Metonymy. “Heart”stands for “feelings and emotions” and “head” for “reason and good sense”.)L5-105: …surgeons have X-rays to guide them during an operation. (X-rays stand for X-rays photographs)L10-2: Anthrax panic… chambers (“Congress” stands for its members)6. Synecdoche:L1-25: Let us be dissatisfied until from every city hall… a mighty stream.city hall (the naming of a part to mean the whole. Here, the naming of the building for the government)L4-2: But to show you how little I deserve to be called a professional woman…with my neighbors. (bread and butter: This set phrase means food and the most important and basic things. )7. Transferred epithet:L1-25: Let us be dissatisfied until the tragic walls… the forces of justice. (the tragic walls)L5-40: I said with a mysterious wink… (the wink was not mysterious)L7-6: our bare upper bodies touching and shining with anticipatory sweat (In “anticipatory sweat”, the adjective “anticipatory “ is a transferred epithet.)L7-25: He kept coming, bringing the rank sharp violence of stale sweat. (the rank sharp violence: Logically rank and sharp modify “stale sweat”, not “violence”.)8. Oxymoron:L12-16: And any man or woman… chalice of Fame. (willingly drinking the poisoned chalice)9. Hyperbole:L5-5: It is not often that one so young has such a giant intellect. (exaggerating for effect)L5-50: … he just stood and stared with mad lust at the coat. (It’s an exaggeration to describe his longing for the coat as “mad lust”)L5-135: You are the whole world to me, and the moon and the stars and the constellations of outer space.L5-135: I will wander the face of the earth, a shambling, hollow-eyed hulk.10. Understatement or litotes:L5-61: This loomed as a project of no small dimensions, and at first 1 was tempted to give her back to Petey. (no small dimensions)11. Contrast:L3-22: A contrast is made between old Shanghai and Shanghai in the 1990s.L8-3: While Oppenheimer was interrupting…. had invented the subject. (an implied contrast)L10-25: How do we… poise? (paranoia vs. poise)12. Antithesis:L1-5: As long as. . . can never be free. (mind vs. body, enslaved vs. free)L1-5: Psychological freedom. . . physical slavery. (psychological freedom vs. physical slavery)L1-7: …love is identified… denial of love (1ove vs. power, a resignation of power vs. denial of love)L1-19: For through violence… but you can’t murder hate. (You may murder a murderer but you can’t murder murder.)L1-25: outer city of wealth and comfort vs. inner city of poverty and despair;wealth vs. poverty (economic);comfort vs. despair(mood, psychology)dark yesterdays vs. bright tomorrows;segregated schools vs. integrated educationon the basis of the content of their character vs. on the basis of the color of their skincontent(substance) vs. color (superficial)character(fundamental) vs. skin (outward appearance)L1-27: When our days…into bright tomorrow.dark yesterday VS. bright tomorrowL5-27: It is, after all, easier to make a beautiful dumb girl smart than to make an ugly smart girl beautiful.beautiful dumb vs. ugly smartL5-50: Back and forth his head swiveled, desire waxing, resolution waning.Desire waxing vs. resolution waningL5-153: Look at me—a brilliant student, a tremendous intellectual, a man with an assured future.Look at Petey—a knot-head, a jitterbug, a guy who’ll never know where his next meal is coming from.Brilliant, intellectual and assured vs. knot-head, jitterbug and never know where his next meal is coming from”13. Parallelism:L1-6: … confrontation of the forces… the status quo.forces of power demanding change(present participle)forces of power dedicated to the preserving of the(past participle) status quoL1-8: What is needed… and anemic.power without love is reckless and abusivelove without power is sentimental and anemicL1-8: Power at its best… against love.power at its best love implementing demands of justicejustice at its best power correcting against loveL1-10: And, in the thinking of that day…moral fiber.the absence of vs. a want ofworldly goods vs. (qualities)L1-19: For through violence… but you can’t murder hate.Three sentences “T hrough violence you may murder… but you can’t murder…”L1-20: And I have seen too much hate…. too great a burden to bear.I have seen too much hateI’ve seen too much hate onI’ve seen hate on…too many Klansmen…L1-25: There are 11 sentences beginning with “let us be dissatisfied until” and two short sentences of “let us be dissatisfied”.L12-5: The armies of… The legions of…The armies of… are marshaled against it.The legions of… will march against it.L12-16: A novelist’s characters… celebrity.a novelist’s characters hope for immortalitya profile journalist’s for celebrityL12-24: It is the disrespect… to preserve.(disrespect) for powerorthodoxiesparty linesideologies…;that I would like to celebratethat I urge all to preserve14. Epigram:L1-20: He who hates… ultimate reality.15. Paradox:L1-18: Without recognizing this…that don’t explain.paralleled paradoxes: solutions that don’t solveanswers that don’t answerexplanations that don’t explainL1-27: When our days…into bright tomorrow. (to make a way out of no way)16. Chiasmus:L1-9: It is precisely this collision… of our times. (immoral power vs. powerless morality)L6-6: Absence of evidence is not evidence of absence.17. Anaphora:L1-25: let us be dissatisfied…18. Alliteration:L1-25: Let us be dissatisfied until that day… none shall be afraid. ( lion, lamb, lie)L7-2: Live with your head in the lion’s mouth...or bust wide open. (death and destruction)L7-9: Some of the others tried to stop them…slipping and sliding over the polished floor.(slipping and sliding)L11-23: Uncle Ben would let out his belt—a fancy Western belt with steer heads and silver buckle —with a. (snap and a sigh)L11-24: Bones would be thrown to dogs,…daintily and disgustedly picking their padded feet through the snow, … the sky like blood. (daintily and disgustedly)L12-5: For the goal… that may sound. (factual and fictional)L12-5: The armies of… The legions of… (“Marshal” and “march”)19. Onomatopoeia:L3-14: clickRhetorical Devices一、明喻（simile）是以两种具有相同特征的事物和现象进行对比，表明本体和喻体之间的相似关系，两者都在对比中出现。
高中英语修辞手法
高中英语修辞手法1.明喻(Simile)。
通过比较两种事物来表达一种关系，常用的比喻词有“as”“like”“as if”“as though”等。
2.暗喻(Metaphor)。
不直接使用比喻词，而是通过隐喻的方式将一种事物描述为另一种事物，增强语言的表现力。
3.拟人(Personification)。
将无生命的事物赋予人的特征和情感，使语言更加生动形象。
4.夸张(Exaggeration)。
通过放大事物的某些特征来强调其重要性或突出某种情感。
5.头韵(Alliteration)。
通过重复相同的辅音音素来增强语言的音乐性和节奏感。
6.平行法(Parallelism)。
使用结构相似的句子或短语来增强语言的对称性和节奏感。
7.对比(Contrast)。
通过比较两种事物的不同方面来突出其特点。
8.矛盾修辞法(Oxymoron)。
使用看似矛盾的词语来表达一种微妙或深刻的意义。
9.双关(Pun)。
利用词语的多重含义或谐音来制造幽默或讽刺。
10.移情(Empathy)。
通过将读者的情感投射到描述对象上，增强读者的共鸣。
11.排比(Parallelism)。
使用结构相似的句子或短语来增强语言的对称性和节奏感。
12.反问(Rhetorical question)。
通过提出一个看似无解的问题来表达一种强烈的情感或观点。
13.对照(Antithesis)。
通过对比两个意义相反的短语或句子来增强语言的表现力。
14.渐进法(Climax)。
通过逐渐增强语言强度来达到高潮。
15.渐降法(Anticlimax)。
通过逐渐减弱语言强度来达到一种出乎意料的幽默或讽刺效果。
高级英语修辞手法和各课举例
高级英语修辞手法和各课举例常用修辞手法：1. 比喻比喻就是打比方。
可分为明喻和暗喻：明喻(simile)：用like, as, as...as, as if(though) 或用其他词语指出两个不同事物的相似之处。
例如：O my love's like a red, red rose. 我的爱人像一朵红红的玫瑰花。
The man can't be trusted. He is as slippery as an eel. 那个人不可信赖。
他像鳗鱼一样狡猾。
暗喻(metaphor)：用一个词来指代与该词所指事物有相似特点的另外一个事物。
例如：He has a heart of stone. 他有一颗铁石心肠。
The world is a stage. 世界是一个大舞台。
2. 换喻(metonymy)用一事物的名称代替另外一个与它关系密切的事物的名称，只要一提到其中一种事物，就会使人联想到另一种。
如the White House 代美国政府或总统，用the bottle来代替wine 或者alcohol。
His purse would not allow him that luxury. 他的经济条件不允许他享受那种奢华。
The mother did her best to take care of the cradle. 母亲尽最大努力照看孩子。
He succeeded to the crown in 1848. 他在1848年继承了王位。
3. 提喻(synecdoche)指用部分代表整体或者用整体代表部分，以特殊代表一般或者用一般代表特殊。
例如：He earns his bread by writing. 他靠写作挣钱谋生。
The farms were short of hands during the harvest season. 在收获季节农场缺乏劳动力。
Australia beat Canada at cricket. 澳大利亚队在板球比赛中击败了加拿大队。
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
英语修辞手法1.Simile 明喻明喻是将具有共性的不同事物作对比.这种共性存在于人们的心里,而不是事物的自然属性.标志词常用like, as, seem, as if, as though, similar to, such as等.例如:1>.He was like a cock who thought the sun had risen to hear him crow.2>.I wandered lonely as a cloud.3>.Einstein only had a blanket on, as if he had just walked out of a fairy tale. 2.Metaphor 隐喻,暗喻隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成.例如：1>.Hope is a good breakfast, but it is a bad supper.2>.Some books are to be tasted, others swallowed, and some few to be chewedand digested.3.Metonymy 借喻,转喻借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称.I.以容器代替内容,例如:1>.The kettle boils. 水开了.2>.The room sat silent. 全屋人安静地坐着.II.以资料.工具代替事物的名称,例如:Lend me your ears, please. 请听我说.III.以作者代替作品,例如:a complete Shakespeare 莎士比亚全集VI.以具体事物代替抽象概念,例如:I had the muscle, and they made money out of it. 我有力气,他们就用我的力气赚钱.4.Synecdoche 提喻提喻用部分代替全体,或用全体代替部分,或特殊代替一般.例如:1>.There are about 100 hands working in his factory.(部分代整体)他的厂里约有100名工人.2>.He is the Newton of this century.(特殊代一般)他是本世纪的牛顿.3>.The fox goes very well with your cap.（整体代部分）这狐皮围脖与你的帽子很相配.5.Synaesthesia 通感,联觉,移觉这种修辞法是以视.听.触.嗅.味等感觉直接描写事物.通感就是把不同感官的感觉沟通起来，借联想引起感觉转移，“以感觉写感觉”。
通感技巧的运用，能突破语言的局限，丰富表情达意的审美情趣，起到增强文采的艺术效果。
比如：欣赏建筑的重复与变化的样式会联想到音乐的重复与变化的节奏；闻到酸的东西会联想到尖锐的物体；听到飘渺轻柔的音乐会联想到薄薄的半透明的纱子；又比如朱自清《荷塘月色》里的“ 微风过处送来缕缕清香,仿佛远处高楼上渺茫的歌声似的”。
例如:1>.The birds sat upon a tree and poured forth their lily like voice.（用视觉形容听觉，鸟落在树上，由它发出的声音联想到百合花）鸟儿落在树上,倾泻出百合花似的声音.2>.Taste the music of Mozart.（用嗅觉形容听觉）品尝Mozart的音乐.6.Personification 拟人拟人是把生命赋予无生命的事物.例如:1>.The night gently lays her hand at our fevered heads.（把夜拟人化）2>.I was very happy and could hear the birds singing in the woods.（把鸟拟人化）7.Hyperbole 夸张夸张是以言过其实的说法表达强调的目的.它可以加强语势,增加表达效果..例如:1>.I beg a thousand pardons.2>.Love you. You are the whole world to me, and the moon and the stars.3>.When she heard the bad news, a river of tears poured out.8.Parallelism 排比, 平行这种修辞法是把两个或两个以上的结构大体相同或相似,意思相关,语气一致的短语.句子排列成串,形成一个整体.例如:1>.No one can be perfectly free till all are free; no one can be perfectly moral tillall are moral; no one can be perfectly happy till all are happy.2>.In the days when all these things are to be answered for, I summon you and yours, to the last of your bad race, to answer for them. In the days when all thesethings are to be answered for, I summon your brother, the worst of your bad race, to answer for them separately.9.Euphemism 委婉,婉辞法婉辞法指用委婉,文雅的方法表达粗恶,避讳的话.例如:1>.He is out visiting the necessary.?? 他出去方便一下.2>.His relation with his wife has not been fortunate. 他与妻子关系不融洽.3>.Deng Xiaoping passed away in 1997. （去世）10.Allegory 讽喻,比方（原意“寓言”）建立在假借过去或别处的事例与对象之上，传达暗示，影射或者讥讽现世各种现象的含义。
英文解释：an expressive style that uses fictional characters and events to describe some subject by suggestive resemblances; an extended metaphor 摘自英语专业《大学英语教程》一书这是一种源于希腊文的修辞法,意为"换个方式的说法".它是一种形象的描述,具有双重性,表层含义与真正意味的是两回事.例如:1>.Make the hay while the sun shines.表层含义：趁着出太阳的时候晒草真正意味：趁热打铁2>.It's time to turn plough into sword.表层含义：是时候把犁变成剑11.Irony 反语反语指用相反意义的词来表达意思的作文方式.如在指责过失.错误时,用赞同过失的说法,而在表扬时,则近乎责难的说法.例如:1>.It would be a fine thing indeed not knowing what time it was in the morning.早上没有时间观念还真是一件好事啊（真实含义是应该明确早上的时间观念）2>"Of course, you only carry large notes, no small change on you. "the waiter said to the beggar.12.Pun 双关双关就是用一个词在句子中的双重含义,借题发挥.作出多种解释,旁敲侧击,从而达到意想不到的幽默.滑稽效果.它主要以相似的词形.词意和谐音的方式出现.例如:1>.She is too low for a high praise, too brown for a fair praise and too little for a great praise.2>.An ambassador is an honest man who lies abroad for the good of his country.3>.If we don't hang together, we shall hang separately.13.Parody 仿拟这是一种模仿名言.警句.谚语,改动其中部分词语,从而使其产生新意的修辞.例如:1>.Rome was not built in a day, nor in a year.2>.A friend in need is a friend to be avoided.3>.If you give a girl an inch nowadays she will make address of it.14.Rhetorical question 修辞疑问（反问）它与疑问句的不同在于它并不以得到答复为目的,而是以疑问为手段,取得修辞上的效果,其特点是:肯定问句表示强烈否定,而否定问句表示强烈的肯定.它的答案往往是不言而喻的.例如:1>.How was it possible to walk for an hour through the woods and see nothing worth of note?2>.Shall we allow those untruths to go unanswered?15.Antithesis 对照,对比,对偶这种修辞指将意义完全相反的语句排在一起对比的一种修辞方法.例如:1>.Not that I loved Caesar less but that I loved Rome more.2>.You are staying; I am going.3>.Give me liberty, or give me death.16.Paradox 隽语这是一种貌似矛盾,但包含一定哲理的意味深长的说法,是一种矛盾修辞法..例如:1>.More haste, less speed.欲速则不达2>.The child is the father to the man.（童年时代可决定人之未来）三岁看大，四岁看老。