英美文学论文 到灯塔去
《到灯塔去》中的空间叙事研究
《到灯塔去》中的空间叙事研究《到灯塔去》是英国作家弗吉尼亚·伍尔夫的一部小说,以其独特的空间叙事而闻名。
本文将从空间叙事的角度分析《到灯塔去》中的叙事特点和意义。
小说《到灯塔去》的空间叙事包括两个主要方面:物理空间和心理空间。
物理空间是指小说中描述的具体地点和环境,如拉姆斯家族的度假别墅、灯塔及周围的海滩等;心理空间则是指人物内心的情感、思想和回忆。
物理空间在《到灯塔去》中起到了承载情节、塑造人物和传递主题的作用。
拉姆斯家族的度假别墅被描绘得十分细致,从大厅到花园,从楼梯到卧室,每一个细节都被描写得栩栩如生。
这些物理空间不仅为人物提供了行动的场所,还反映了他们的性格和关系。
比如,拉姆斯夫人精心打理的花园展示了她的细致和爱心,而度假别墅的庞大空间则映射出拉姆斯家族的社会地位和经济状况。
此外,灯塔作为小说的核心象征,具有神秘和超越性的意义,它是人物向往和追寻的目标,也是连接人物之间情感纽带的象征。
心理空间在《到灯塔去》中同样重要。
小说以拉姆斯家族的成员为中心,通过展示他们的内心世界,揭示了人性的复杂性和变化。
人物内心的情感和思想通过对话、回忆和内心独白等手法展现出来。
例如,拉姆斯夫人对于度假别墅的热爱和渴望,以及她对婚姻和母性角色的思考,都通过对她内心的描写得到了体现。
同时,心理空间也是小说中的重要叙事手法之一。
伍尔夫运用内心独白的方式,将人物的思绪和情感直接呈现给读者,增强了读者对人物内心世界的了解和共鸣。
通过物理空间和心理空间的双重叙事,伍尔夫在《到灯塔去》中创造了一个复杂而丰富的叙事世界。
这种空间叙事不仅为读者提供了一个立体的阅读体验,还让人们深入思考人与环境、人与人之间的关系。
物理空间的细腻描绘和心理空间的深入剖析,使得小说中的人物和事件更加真实可信,读者也更容易与之产生共鸣和情感交流。
《到灯塔去》中的空间叙事是该小说的一大特色。
通过对物理空间和心理空间的精心描绘和运用,伍尔夫成功地打造了一个情感丰富、思想深刻的叙事世界,使读者得以深入人物内心,感受到人性的复杂性和变化。
论《到灯塔去》的象征艺术论文
论《到灯塔去》的象征艺术论文伍尔芙在《到灯塔去》中大量使用了象征艺术,塑造了众多的象征物象。
这些物象,各有独特的象征意义: 大海象征桀骜不驯、凶险残暴的大自然, 灯塔象征光明、真理和希望, 窗口象征认知自我和世界的心灵之窗, 镜子、画布和颜色等也各有象征意义。
象征艺术的成功使用,极大地丰富了小说的内涵。
以下是店铺为大家精心准备的:论《到灯塔去》的象征艺术相关论文。
内容仅供参考,欢迎阅读!论《到灯塔去》的象征艺术全文如下:摘要:《到灯塔去》是英国著名现代小说家弗吉尼亚·伍尔夫创作的一部充满象征色彩的意识流小说,大量独特新颖、充满神秘特质的象征意象的运用极大地丰富了小说的内涵。
可以说象征在这部小说中无处不在,只有准确理解作品中各种象征意象的内涵意义,才能准确把握人物性格、破解小说主旨。
关键词:弗吉尼亚·伍尔夫《到灯塔去》象征意象在艺术创作过程中,艺术家常借助于一些能引起人们普遍情感和联想的或创造出来的具有特定含义的具体事物的外在特征来表达某种具有特殊意义的事理或艺术家深邃的思想的手法,这种艺术手法就是象征,象征是文学创作的基本手法之一。
《到灯塔去》是英国著名的现代小说家弗吉尼亚?伍尔夫创作的一部充满象征色彩的意识流小说,作品故事情节较为简单,主要讲述了一个知识分子家庭如何成就灯塔之行的经过,再现了十年间发生的故事,而这十年被压缩成一个黑夜和两个白天。
与伍尔夫之前的意识流作品相比,《到灯塔去》运用的象征意象极为丰富,可以说象征在这部小说中无处不在,只有准确理解作品中各种象征意象的内涵意义,才能准确把握人物性格、破解小说主旨。
一弗吉尼亚?伍尔夫与象征主义弗吉尼亚?伍尔夫是20世纪英国文学史上最杰出的女作家,也是西方意识流小说的杰出代表,她以卓越的才华、大胆的创新精神成为英国现代文学史上一位不可忽视的重要人物。
19世纪末、20世纪初是一个风云变化、动荡不安的时代,政治、经济、科技等产生了巨大变化,尤其是世界大战的爆发、科学技术的快速发展以及传统宗教伦理观念的动摇等引发了意识形态领域里的危机。
To the Lighthouse《到灯塔去》介绍
在小说的第一部分,莉丽身上的两性气质并不平衡, 表现在男性气质占优势,如她反对篡改色调,坚持以理 性的态度对待绘画创作。 第三部分的时候,莉丽身上的女性特征才突显出来, 她敏感而细腻,最终完成画作。
Theme
女性主义运动被认为是历史上最漫长的革命。其中,对于 女性气质的争议一直很激烈。在弗吉尼亚 • 伍尔芙的代表作 《到灯塔去》中,作者通过莉丽•布里斯科对女性气质从抛却 到认可再到超越的心路历程,揭示了女艺术家在男性占主导 的社会中为实现自己的理想所经历的艰难和困惑,以及女性 主义的真谛。指出只有培养双性头脑才是妇女解放的真正出 路。 综上分析 , 可以看出小说《到灯塔去》是一部带有鲜明女 性主义特征的文学作品与后世的激进女性主义相比,其对女性 主义理解的深度和广度早已超越了时代的限制,也毫不逊色。
Mr. Ramsay
拉姆齐先生正是伍尔芙父亲的原型,二人有着极多的相 似之处。都是受过良好教育的知识分子,在家庭中有着绝对 的权力和地位。拉姆齐先生是一位现实、严谨的哲学家。他 崇尚理性思考,痛恨幻想夸张。伍尔芙用二十六个英文字母 和钢琴的键盘来象征拉姆齐先生那种直线型的思维方式。这 种思维模式使他难以看到事物的整体,结果导致他身陷智慧 的泥沼,无法将事业开拓推进。
从人物性格上来说,莉丽反对传统,(与拉姆齐夫人 相反)她反对“必须结婚”、“竭力主张她本人应该排除 在这普遍的规律之外”、“喜欢保持自己的本色”。她对 拉姆齐夫人的感情是矛盾的,一方面认为拉姆齐夫人就像 一个家庭的核心,聚拢了所有成员(和客人),又多施慈 善,完美无瑕;另一方面又对拉姆齐夫人的处事方式感到 怀疑,“她不禁自问,如果每个人都是如此密不透风,你 怎么会对别人有所了解呢?” 因此,一个“紫色的三角”将拉姆齐夫人给詹姆斯讲 故事概括起来,体现了紫色的在冷暖之间游离不定的特点。 同样的场景,莉丽用绘画,伍尔夫用写作,表达了同样的 思考,显然莉丽就是伍尔夫的自画像,是整本小说的真正 主人公。
论《到灯塔去》的叙述视角(一)
论《到灯塔去》的叙述视角(一)摘要:《到灯塔去》(TotheLighthouse)是传统的现实主义小说向现代主义小说转型的代表作品之一。
在小说中,作者伍尔夫极大地降低全知全能型叙述者的叙述比例,大量采用有限视角,从人物的主观角度进行叙述,并将叙述视角频繁转换,多视角叙述,从而凸现她所倡导的文学创作理念——主观真实。
关键词:小说《到灯塔去》叙述视角有限视角视角转换弗吉尼亚·伍尔夫(VirginiaWoolf,1882-1941)是现代主义小说的先锋代表,她在理论和实践两方面为现代主义小说的发展做出了杰出的贡献。
伍尔夫倡导主观真实论,在小说创作中,她摒弃了19世纪现实主义小说的常规,不再着重摹写外部世界的现实,而转向对人的主观精神世界的探索。
《到灯塔去》(TotheLighthouse)发表于1927年,是伍尔夫继《雅各的房间》和《达洛卫夫人》之后推出的又一部现代主义小说。
伍尔夫以新颖的创作理念与独特的艺术手法,将作品的内容与形式较为完美地统一起来,小说整体上是由一系列感觉、印象、思绪、回忆等心理活动构成,情节已经被淡化到无足轻重的地步。
小说较为完美地体现了伍尔夫的小说理论及写作技巧,是研究伍尔夫小说艺术的一个较好的切入点。
本文试从叙述视角方面来分析探讨小说的艺术特色。
一、有限视角(LimitedPointofView)叙述视角,简单地说,是指由谁来叙述故事以及如何叙述故事。
传统小说中,往往采用全知视角,叙述者是全知全能的“上帝”,可谓无所不知,无所不见。
这种叙述者的采用,降低了作品的真实度,让小说常带有主观说教和人为创作的痕迹。
作为现代主义小说的先锋代表,伍尔夫采用了新的叙述视角,使其作品能够更自由、更微妙地展现人物丰富而细腻的精神生活。
弗里德曼(Friedman)在《小说中的视角》将《到灯塔去》的叙述视角划分为“多重选择性的全知”(Multi-pleSelectiveOmniscience)类型。
到灯塔去 英语论文
Final paperAn Analysis of Virginia Woolf’s Thoughts of Gender and Gender Differences in To the LighthouseRequirements:Content: You may write a term paper on the following novels:1.The Catcher in the Rye2.To the LighthouseEvaluation:Abstract:Virginia Woolf(1882-1941) is a renowned English writer best known for her novels and essays. To the Lighthouse is one of her great works. This paper is mainly study three issues: feminism, the understanding of gender and the thoughts of gender differences.摘要:弗吉尼亚. 伍尔夫(1882-1941)是一位以小说和散文而著名的英国作家。
《到灯塔去》是她的佳作之一。
本篇论文主要研究的三个问题是:女性主义,对于性别的理解以及有关性别差异的思考。
OutlineTitle: An Analysis of Virginia Woolf’s Thoughts of Gender and Gender Differences in To the LighthouseⅠ.IntroductionⅡ. Body:A.Woolf and feminismB.Woolf’s androgynous visionC.Gender differences1.Definition of gender difference2.Woolf’s thoughts of gender differencesⅢ. ConclusionⅠ. Introduction:Virginia Woolf was born Adeline Virginia Stephen on 25 January, 1882 inLondon. She was an English novelist and essayist, regarded as one of the foremost modernist literary figures of the twentieth century. Her most famous works include the novels Mrs. Dalloway(1925), To the Lighthouse(1927) and Orlando(1928) and the book-length essay A Room of One’s Own(1929) with its famous dictum, “ A woman must have money and a room of her own if she is to write fiction”Wang wenyan, a postgraduate of Hunan University in the paper Female Consciousness in To the Lighthouse analyzes two major female characters, Mrs. Ramsay and Lily Briscoe from the feminist criticism point of view. At first, she studies the growth of Virginia Woolf’s feminism and analyzes “Angel in the House”and “the undercurrent in Mrs. Ramsay”. This paper is very good at focusing on one topic that is Virginia Woolf’s feminism. It offers me some knowledge about feminism and makes me more familiar with this book.Cheng ying, a posts graduate from Zhengzhou University in her paper Virginia Woolf’s Art of Fiction in To the Lighthouse studies her typical stream-of-consciousness technique, musical methods, cinematic methods and poetic methods. And she mainly analyzes how these techniques used in the novel. Through reading this paper it is helpful for us to have a hint of Wool’f’s writing skills.Li songyue, a scholar of Zhengzhou University in his paper 《<到灯塔去>两性形象的象征意义阐述》he mainly studies the narrative strategy----symbolism and gender perspective. Through the comparison of different genders’ personality, action, thinking symbolic colors and finally comes out the conclusion that in the book To the Lighthouse some objects are the symbols of genders.But in this paper, what I want to study is gender and gender differences in the novel To the Lighthouse. I will talk about feminism, androgynous thoughts and genderdifferences in the novel.Ⅱ. Virginia Woolf’s Thoughts of Gender and Gender Differences in To the LighthouseA. Woolf and feminismFeminism is an intellectual, philosophical and political discourse aimed at equalrights and legal protection for women. It involves various movements, theories and philosophies, all concerned with issues of gender difference that advocate equality for women and that campaign for women’s rights and interests.Virginia Woolf’s feminist thoughts widely cover the fields of society, politics, ethics, aesthetics, etc. and the need for freedom for the female is the primary theme in her ethical scheme. Gender and politics, morality and psychological desire are mixed together inextricably in her presentation of human motivation. In spite of all of these, Virginia Woolf has never, even once in her life, admitted that she herself is an advocator for feminism and insists that what she did was just studying it. Here we can see the complexity of Woolf’s feminist position and the flexibility with which she may be read as a feminist.In To the Lighthouse, Mrs. Ramsay and Lily Briscoe are the two female figures that Woolf mainly describes. However, they impress the readers strikingly for their views about the way to realize their own dreams and to escape from nothingness. Through the reading of Woolf’s different descriptions of Mrs. Ramsay and Lily Briscoe, we may find Woolf’s thoughts of female in the novel.Mrs. Ramsay is a competent and intelligent housewife. She supports her husband by running the house smoothly and endures domestic anxiety alone so that the daily chores won’t interrupt Mr. Ramsay’s serious thoughts on reason and logic. She miraculously manages to run the house without disturbing her husband. The financial condition of the family is exposed by one of the guests, Mr. Bankes’ perception of the family. “The Ramsays were not rich, and it was a wonder how they managed to contrive it all. Eight children! To feed eight children on philosophy!” In fact, the wonder maker is Mrs. Ramsay. With herwisdom in housework she successfully shoulders the responsibility of house management without any help from her husband. Though she is worried about the household, she tries her best not to disturb him. The refrain of the bill for the greenhouse roof looms but she decides not to tell him. “She had it on the tip of her tongue to say, as they strolled, ‘It’ll cost fifty pounds,’ but instead, for her heart failed her about money, she talk ed about Jasper shooting birds …” Mrs. Ramsay feels it her obligation to keep the husband away from the worries of small daily family life.Being a good mother is another criterion of the ideal Victorian womanhood. Woolf depicts such a good mother in this novel. Mrs. Ramsay protects her children from disillusion. When her son, James hopes for a trip to the lighthouse the next day and the father declares bad weather, it is Mrs. Ramsay who insists upon the possibility of a clear day. In this way she protects the sensitive mind of the child, retaining hope and faith in him, which shows her reverence for the spirit in others. What’s more, Mrs. Ramsay also protects her children from the chaotic adult world. By intuition, she knows the world is full of misery and sufferings.Apart from Mrs. Ramsay, Lily is the other important female figure in To the Lighthouse. She admires and loves Mrs. Ramsay and shares a lot with her. However, their differences exceed their similarity. Compared with Mrs. Ramsay who is presented as an ideal woman of Victorian period, Lily represents the woman image of the new generation. She holds her unique views on marriage, which collides with the established and long standing Victorian customs of marriage. She develops her individual relationships with the opposite sex, which challenges the unitary relationship of marriage between the two sexes. She ventures into the career of painting, which has been the preserved domain of men. She courageously fights against any difficulties and obstacles that come in her way to self independence and self realization.B. Woolf’s androgynous visionAndrogyny is a term derived from two Greek words which can refer to either of two related concepts about gender: the mixing of masculine and feminine characteristics, as in fashion statements; or the balance of “anima and animus” in psychoanalytic theory. For Woolf, the psyche is composed of two parts, one male and the other female, and only when the two are fused into one will the mind be able to produce art.In Woo lf’s opinion, there exist two genders in human cerebrum –male and female and each pair forms a complementary whale. There is no apparent hierarchical order between them: the only dominance is the feminine part in the woman’s brain, and vice versa for man. Woolf’s choice of the word “fatal” is particularly important for an understanding of the high premium she places on androgyny. An importantaspect of Woolf’s argument for androgyny insists that writers should shun consciousness of their own sex when they write because pressures to conform to social gender roles create barriers that are “fatal” to creativity. She thinks that androgynous writing is not only an ideal, but also a reality. As for Woolf, “Perhaps a mind that is purely masculine cannot create, any more than a mind that is purely feminine”. She thinks that Shakespeare’s mind is a type of the androgynous of the man-womanly mind.C. Gender differences1. Definition of gender differenceThe term “gender difference” refers to a distinction of biologic al and/or physiological characteristics typically associated with either males or females of a species in general. In the study of humans, socio-political issues arise in classifying whether a sex difference results from the biology of gender. Some feminists see gender differences as caused by patriachy or discrimination, although Difference Feminism argues for an acceptance of gender differences. Conservative masculists tend to see gender differences as inherent in human nature, while liberal masculists see gender differences as caused by matriarchy or discrimination.2. Woolf’s thoughts of gender differencesWoolf’s thoughts of gender differences are formed through her understanding of the social prejudice towards all fields that related to women.There is no doubt that Woolf not only realizes the existence of gender differences and she also advocates protecting the existence. The gender differences are caused by two major aspects: the subjective social ideology that treats men and women differently and considers different genders should have different roles; and the objective existence of psychological and physical differences between different genders. These two aspects are respectively subjective cause and objective cause. In conclusion, the essence of Woolf’s thoughts of gender differences is: 1) admission of the existence of gender differences, in both subjective and objective aspects; 2) opposition to the subjective and prejudiced thoughts of genderdifferences; and 3) promotion of the objective gender differences and encouragement of the existence of such differences.In To the Lighthouse, Woolf presents clear portraits of male and femalecharacters. The characters she describes most carefully are Mr. Ramsay and Mrs. Ramsay. In the novel, the both Mr. Ramsay and Mrs. Ramsay want to create a harmonious atmosphere among people and try to be understandable to others. However, they have different outlooks on life and their attitudes and behaviors are also significantly different.In To the Lighthouse, Virginia Woolf discusses the influence of the traditional conception about different genders, which is the cause of gender differences. Mrs. Ramsay in the novel is the typical woman who is the slave fostered by men. Although she is not satisfied with the life of losing herself and lacking for self-confidence, she still worships her husband blindly, depends on her husband and subordinates to her husband. Besides playing the role of a virtuous wife and a lovely mother initiatively in the family and an elegant hostess in social situations, she still makes use of her influential power. Mrs. Ramsay does not only comply with social customs herself, she also impels others: she arranges for the marriage between Paul and Minta and tries to persuade Lily to marry Mr. Bankes. Under the influence of such traditional conception about different genders, Lily still feels that she can’t get rid of social prejudice to concentrate her attention on the art of painting although she is a woman having her own inclination. She always feels that she is just a second-class painter, and her works will not be hung on the wall to be seen by people. Furthermore, there is Mr. Tansley whispering in her ear, “Women can’t paint, women can’t write” obvious that her feeling of failure is caused by the influence of the traditional conception about different genders that women are inferior to men.Another great difference between different genders is that Mr. Ramsay is more realistic while Mrs. Ramsay more idealistic. This can be seen, in the very beginning of the novel, from the attitudes towards whether the Ramsays can go to the lighthouse the next day. Mrs. Ramsay says: “Yes, of course if it’s fine tomorrow, but you’ll have to be up with the lark,” then they will go to the lighthouse. These words convey an extraordinary joy to her son. But her husband comes over and refutes: “But, it won’t be fine”. What he says is the truth and the truth forever; he does not resort to deception and distort the fact, and he will not say some harsh words mildly and indirectly to satisfy others. Mrs. Ramsay comforts James: “But it may be fine –Iexpect it will be fine” (ibid.: 260). Although she has no idea about the weather of thenext day, Mrs. Ramsay is not only idealistic herself, but also wants to give her son comfort and hope. Mr. Ramsay, on the other hand, is not only rational as mentioned before, but also realistic, directly telling his son that the weather will not be fine and they can’t go to the lighthouse the next day. To Mr. Ramsay, the reality towers abo ve the rest, i.e., it’s much more important to respect the facts than to care for children. Therefore, his little son James is even anxious to kill him. As a philosopher, he may be skilled at explaining and dealing with everything in the world with his sense and logic. However, when he applies this kind of attitude to real life, such attitude seems so stubborn that he even denies human nature and suppresses others’ feeling, not only in his learning, but also in dealing with human relationship.The third difference between different genders lies in the aesthetic appreciations. Mr.Ramsay can’t feel the beauty of nature at all. In this novel, male characters come into society,engaging in scientific study. Thinking themselves as the creators of the culture, men talk about science and politics. Yet being deprived of the rights to receive education, women have to stay at home and stand beyond culture. Mr. Ramsay and Mrs. Ramsay have different reactions to the scenes of nature. For example, when Mr. Ramsay has a wal k with his wife by the seaside“he thought, looking at the land dwindling away… Poor little place,” but Mrs. Ramsay considers, “He said the mostmelancholy things,” and believes that “it was a perfectly lovely evening”.Ⅲ. ConclusionOn the whole, this dis sertation expounds on Virginia Woolf’s thoughts of gender and gender differences through the analysis of her thoughts of feminism manifested in her novel To the Lighthouse. From our analysis of the characters in the novel To the Lighthouse, we can see that Woolf’s perspective of women is unique. According to Woolf, women are not inferior to men in any field.In my opinion, the basis of Virginia Woolf’s androgynous theory has something in common with her thoughts of gender differences to a certain extent. Androgynous theory advocates that men and women command the chaotic world in their own way: men rely on their reason and logic; women rely on their intuition and self-awareness. In fact, what Woolf insists as part of her thoughts of gender differences is that mentend to be more reasonable than women and women more sensitive than men. In addition, Woolf’s thoughts of gender differences can be regarded as a bridge, connecting Woolf’s thoughts of feminism and androgynous vision.Virginia Woolf’s thoughts of wom en still have practical significance in our modern society. Nowadays, women’s social position has been greatly improved, but there are many unfair treatments of women in the society, especially in finding jobs. There are many women isolated in their families after marriage, which is partly caused by their insufficient confidence in themselves. So it is time to get rid of the biased thoughts of gender differences about women and women themselves should believe that they can do many things like men. However, as a matter of fact, women should realize that they have both advantages and disadvantages. In this sense, women should not reject all male qualities and they need to absorb some male qualities to become perfect ones. In this way, women and men can draw the strong points of others to offset their own weakness, so that our society can get a harmonious development. In short, Virginia Woolf has made a great contribution to English literature and she will always be remembered as one of the most prominent women writers in England forever.Reference[1] 程英. Art of Fiction in To the Lighthouse [D].郑州:郑州大学,2002[2]李嵩岳. 《到灯塔去》两性形象的象征意义阐述[D]. 郑州,郑州大学,2009 [2] 吴庆宏. 弗吉尼亚伍尔夫与女权主义[M]. 北京: 中国社会科学出版社, 2005.[4]. 王文艳. 《到灯塔去》中的女性意识[D].长沙:湖南师范大学,2001。
伍尔夫《到灯塔去》时间组织结构论文
浅议伍尔夫《到灯塔去》的时间组织结构摘要本文从伍尔夫的时间结构观念入手,具体分析了其长篇意识流小说《到灯塔去》的奏鸣曲式时间结构,并论证了此结构对凝聚作品内容、展现作品主题所起到的重大意义,总结了其对伍尔夫后期作品乃至整个现代文学创作的重要影响。
关键词:弗吉尼亚·伍尔夫意识流小说时间结构中图分类号:i106.4 文献标识码:a本文所探讨的时间结构,是小说中以时间逻辑为准则组织作品结构的各种方式。
这种时间结构或深或浅地体现在传统小说与现代主义小说之中。
20世纪意识流小说家弗吉尼亚·伍尔夫的作品强烈地充斥着时间的意味,伍尔夫在创作中将自己独特的时间观念转化为结构作品的各种模式,一方面从形式上使作品结构严谨整饬,另一方面借象征的形式从内容上表述了作品的主题。
一伍尔夫的时间结构观念时间观念在现代主义小说创作中是非常重要的。
在传统小说家的观念中,时间是空间性的、单向不可逆的,传统小说一般都遵循一种线性时间逻辑、按时间先后顺序安排作品结构。
而现代主义小说家们则力求打破线性时间框架对作品的约束。
小说中的虚构叙事是以物理时间为参照的一种连续性运动过程,但它并不等同于物理时间,它的连续性不是单向的、唯一的,而是可逆、可循环和可重组的。
于是在传统的叙事模式中,能够展示多种对于时间的塑形方式,如叙事顺序中的顺叙、倒叙、插叙等。
现代主义文学作品,特别是意识流小说产生后,小说的叙述题材由人类的外在生活转为内心自省,使得作品结构不再受传统的时间和空间概念的约束。
人物内心的变化成长过程中一个时刻与另一个时刻之间,不像外部空间那样线性、因果地推进。
实际上,心灵的变化是不可预测的,不可重复和替代的。
于是意识流小说中所展现物理时间就变得难以度量起来,它需要有更新的时间结构观念来支撑作品的骨架。
意识流小说作为现代主义文学中的一个小说流派,来源于心理学家威廉·詹姆斯将思想比喻为流水的观点。
意识流小说即由此观念产生的一种侧重于反映人物内心体验的小说。
《到灯塔去》中的女性文化透视
摘要:《到灯塔去》(To the Lighthouse)是一部经典的意识流小说,它以完美与和谐的艺术形式充分展示了弗吉尼亚·伍尔夫(Virginia Woolf)非凡的艺术功力。
从女性文化的角度去解读它,我们不难发现女性文化的精粹就是爱与美。
小说中的女主人公——拉姆齐夫人(Mrs.Ramsay)是一位集爱与美于一体的圣母玛丽亚式的母亲。
尽管长期以来,女性文化一直受到男权中心的文化的压抑和忽视,但是由于女性文化具有非同寻常的同化力,对男性世界和整个人类命运,都产生了悠久而深刻的影响,在《到灯塔去》这部小说中,弗吉尼亚·伍尔夫通过对女性之爱的圣颂来消解男权中心的文化布置下的冷酷、孤独、焦虑、彷徨和虚无。
关键词:女性文化;男权文化;女性之爱;女性精神;博爱《到灯塔去》(To the Lighthouse)是英国著名女作家弗吉尼亚·伍尔夫(Virginia Woolf)倾注心血的一部意识流小说,它主要反映了二战前后社会的变迁和动荡带给现代西方人的迷茫、孤独、焦虑、彷徨、悲哀和虚无。
但笔者以为,作为一位富有敏锐洞察力而又才华横溢、不乏哲理思辩力的女作家,弗吉尼亚·伍尔夫在小说中同时还执着于对女性生命存在的价值及其方式的探索。
《到灯塔去》是以弗吉尼亚·伍尔夫童年的生活经历为基础,是一部自传体小说。
小说中的主人公——拉姆齐(Ramasy)夫妇是作者父母的化身。
拉姆齐夫人是一位有八个孩子的母亲,她集博爱与美于一身,具有圣母玛丽亚式的宽广胸怀。
博爱——是拉姆齐夫人所具有的爱的本能:她爱丈夫、爱孩子、爱朋友、爱她在路上碰到的素昧平生的穷人,也爱诡异的自然。
她的爱是发自内心的,不带任何政治色彩。
这种爱是人类最本质的爱,她的爱使人们的内心充满了温暖、和谐和柔情,使人们的心融到了一起,使人们内心的仇恨、孤独和浮躁都冰消瓦解了。
灯塔世界中的拉姆齐夫人充满着生命的活力,体内的能量仿佛在不断地溢出,化为一股强大的精神力量;她又象一股喷泉,不时进发出一阵阵爱的甘霖。
伍尔夫《到灯塔去》意识流手法的运用
伍尔夫《到灯塔去》意识流手法的运用摘要:间接内心独白, 自由联想和空间蒙太奇, 象征手法,叙述视角的转换时间倒叙等意识流叙事手法的娴熟运用, 使得《到灯塔去》这部伍尔夫意识流的文学作品成为了令人注目的范本。
通过这些叙事手法, 意识流的思维在跳跃中达到了和谐, 在和谐中构建了跳跃, 达到时间、空间、文本、内涵的完美统一。
关键词:蒙太奇叙事手法意识流一、关于伍尔夫的《到灯塔去》弗吉尼亚·伍尔夫(1882 - 1941) 出生于英国伦敦富裕的知识分子家中。
她的父亲莱斯利·斯蒂芬不仅藏书量丰富得惊人,而且经常邀请当时的一些知名人士来家中举办文艺沙龙。
这些人富有朝气,思想激进,充满着要为自由和艺术献身的精神。
受这种环境的影响,伍尔夫养成了敢于表达思想、勇于探索和实践、并不断超越自我的性格。
在创作上,她与爱尔兰的乔伊斯、法国的普鲁斯特齐名。
她被称作意识流小说的杰出代表,世界现代文学史上最重要的作家之一。
她一生中创作出许多不朽的名篇,其中《到灯塔去》是一部炉火纯青的意识流小说。
在叙事方式上与传统的现实主义的作家彻底的决裂,把叙事的重点从对客观世界的记录转移到对人物心理的抽象刻画上。
二、关于意识流意识流是心理学家们使用的一个短语。
它是由美国心理学家威廉·詹姆斯创造的,指人的意识活动持续流动的性质。
詹姆斯认为:人类的思维活动并不是由一个一个分离的、孤立的部分组成,而是一条连续不断的、包含各种复杂的感觉和思想“流”。
小说中的意识流,是指小说叙事过程对于人物持续流动的意识过程的模仿。
具体说来,也就是以人物的意识活动为结构中心,表面看来似乎是随机产生,且逻辑松散的意识中心,但实际上它是将人物的观察、回忆、联想的全部场景与人物的感觉、思想、情绪、愿望等交织叠合在一起加以展示,以“原样”准确地描幕人物的意识流动过程。
以弗洛伊德为代表的精神分析学和法国直觉主义哲学家亨利·柏格森的两点理论对意识流文学作品的影响也很大。
课题研究论文:论《到灯塔去》的叙事艺术
67192 艺术理论论文论《到灯塔去》的叙事艺术弗吉尼亚?伍尔夫出生于19世纪80年代的英国伦敦,是意识流文学的杰出作家,她被世人赞誉为20世纪女性主义和现代主义的先锋人物。
伍尔夫在文学创作方面更加注重人物的内心精神世界,她认为作家的主要任务便是记录下奇异的、琐屑的、稍纵即逝的等各种刻在心头的印象,描述人物变化多端的、难以解说、不可名状的内在精神,从而揭示出人物内心活动的本质特征。
她的这种文学创作理念由此便决定了海洋这一意象,其经典之作《到灯塔去》正是小说人物在人生各个阶段对生存的现实世界的内心反映和情感感受。
《到灯塔去》的故事情节极其简单,将到灯塔去这一行为作为贯穿整篇小说的中心线索,描述了拉姆塞一家与几位客人于一战前后的一段度假生活经历。
拉姆塞夫人的儿子詹姆斯想到灯塔去,然而由于天气作祟,这段计划中的平凡旅游并未能顺利如愿。
之后第一次世界大战爆发,拉姆塞一家人饱经沧桑。
拉姆塞夫人去世,而拉姆塞先生也终于携带自己的子女及友人乘舟出海,到达灯塔。
整篇小说并无华丽的故事情节,简单来看是由一系列印象、回忆、感觉等内心活动组成,情节一再被淡化。
在这片小说中,伍尔夫大胆地摒弃了传统小说中的全能型全知型的叙述模式,借助大量限知视角,以人物的主观视角加以叙述,给读者创造了一种全新的视野,使得读者进行阅览小说的过程中能够随着人物的意识变动,清晰地感受到人物的内心感受和情感变化。
除此之外,伍尔夫还一再地转换叙述视角,从各个角度出发重新整个人物的种种意识,从而呈现出全新的艺术效果。
一内心独白内心独白是指小说中的角色假设在没有任何听众的环境下所直接表现出来的意识活动与心理状态,主要是用文字加以表述的一种毫无声息的意识流。
可以说,内心独白是创作意识流作品的最主要最基本的方法。
它主要折射人物内心的活动与思考,其中,包括对以往的回忆,对当前的思考、分析与探究,以及对将来的猜想与预测。
既能够反映故事角色浅层的、清晰的、明确的意识流活动,同时也能够反映故事角色深层的、模糊的、朦胧的意识流活动。
现代小说《到灯塔去》的解读:从时间蒙太奇和多视角叙述角度
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英语幽默语的语用研究75 特洛伊战争电影改编的语境探析76 哈珀•李《杀死一只知更鸟》中斯科特的性格77 《汤姆索亚历险记》的艺术魅力78 激励小学生积极说英语的教学法79 《傲慢与偏见》中话语标记语的语用推理研究80 从《简爱》看电影对名著的改编81 论奥斯卡•王尔德的艺术道德观82 解读《飘》中斯佳丽的形象83 从女性意识的角度解读《荆棘鸟》中的女性形象84 谈目的论视角下的商标翻译85 A Superficial Analysis of Religious Consciousness of Jane Eyre86 论《教授的房子》中圣彼得教授对自我的追求87 论人文主义在《哈克贝利.费恩历险记》中的体现88 语言艺术与目的性操纵的杂合——英文电影片名的翻译89 从苔丝和曼桢的角色分析中西文化下女性的抗争90 海丝特白兰—清教时代的新女性91 论《红字》中海斯特的女性主义92 《时时刻刻》中女性自我构建的研究93 从语用学视角初步分析英语骂詈语94 从语言角度分析《功夫熊猫》中中西文化的交融95 礼貌原则框架下化妆品广告语篇研究96 反译法在英译汉中的应用97 翻译“忠实”新解——兼评《傲慢与偏见》译本98 莎士比亚的悲剧对当代女性的影响99 简与林黛玉性格及命运对比100 中西礼仪对比101 论《最后的莫西干人》中的印第安情结102 夏洛蒂•勃朗特《简•爱》中普通而独特的女性形象103 浅析霍桑罪恶观在《拉帕西尼的女儿》中的体现104 英汉颜色词隐喻的认知比较与研究105 跨文化视角下中西方选秀文化对比研究——以达人秀为例106 影响英语课堂合作学习有效性的因素分析及其对策107 民族文化差异与广告语言创意108 从习语看中西方文化差异109 浅谈古希腊罗马神话对《哈利•波特》系列小说(前四部)的影响110 三星公司营销策略研究111 英汉语言中颜色隐喻的认知差异研究112 英语课堂提问的策略研究113 从文化差异的角度看《红楼梦》颜色词的英译114 从女性主义视角看幽默翻译115 国际商务谈判技巧与策略初探116 A Contrastive Analysis of Table Manners and Culture between China and Western Countries 117 女性主义解读《威尼斯商人》中的女主角118 中外教师教学体态语的意义差异研究119 从《纯真年代》中的女性角色看伊迪斯•华顿的女性意识120 《蝴蝶梦》中的女权主义121 中美新闻价值观的差异在灾难性新闻报道中的体现122 《宠儿》的黑人女性主义解读(开题报告+论)123 浅谈涉外英语合同的特征及翻译技巧124 英语体育新闻中模糊语言的词汇特点及其翻译对策125 中美家庭价值观差异浅析126 从目的论角度分析产品说明书的翻译127 解读《爱玛》中的女性主体意识128 A Comparison of English V ocabulary Learning Strategy Use in Learners of Different Ages129 从消费社会学探析《了不起的盖茨比》中盖茨比美国梦的幻灭130 解析《红字》中清教主义对人物性格的塑造131 商务合同英语的语言特征132 英汉礼貌用语对比研究133 比较分析《喜福会》与《日用家当》中两代人之间的文化冲突134 中西方婚礼文化对比135 英汉诗歌中“月”意象的认知解读136 英汉委婉语对比研究137 《红楼梦》英译中双关语文化成分的翻译策略研究138 A Pragmatic Analysis of Puns in English Advertisements under the Cooperative Principle 139 试析《傲慢与偏见》中的书信140 丁尼生《鹰》与休斯《鹰之栖息》的对比分析141 华盛顿•欧文与陶渊明逃遁思想对比研究142 卡克斯顿印刷业对英语传播的贡献143 中学英语教师素质提高的途径探索144 浅谈圣经对经典英美文学作品的影响145 归化与异化在翻译策略中的研究146 谈品牌广告文体特点及其翻译147 Where Should Gone With the Wind Go?——Study on The Disputes Among Critics of Gone With the Wind148 Business English Translation from the Perspective of Functional Equivalence Theory149 The Comparison of Diet Culture between China and America150 分析《献给艾米丽的玫瑰》中女主人公的爱情观151 文化杂糅背景下的身份诉求——解读奈保尔的《半生》152 Cultural Conflicts in Daisy Miller—An Analysis on Henry James’ International Theme153 《红楼梦》两个译本中称呼语翻译的对比研究154 《红字》中丁梅斯代尔的灵魂救赎155 灵魂救赎者—《七个尖角阁的老宅》中菲比的人物分析156 从《小王子》看成人世界的身份危机157 从高中生生理和心理的角度探讨PPT使用的利弊158 从归化和异化的角度看英语人名的翻译159 The Application of Cooperative Learning in English Teaching160 模糊限制语的语用功能及在广告中的应用161 中美饮食文化的差异162 归化翻译在电影字幕中的运用--以《米尔克》为个案分析163 对《魂断蓝桥》女主角悲惨性命运原因的分析164 论戏剧《威尼斯商人》中夏洛克的悲剧形象165 海明威“冰山原理”在《永别了,武器》中的应用及对写作的指导意义166 从跨文化交际角度看中西方商务谈判167 从女性主义角度分析《嘉莉妹妹》中嘉莉的新女性形象168 澳大利亚传记文学中的土著文化:以《我的位置》为例169 论修辞在广告语中的运用和翻译170 海明威《印第安人营地》新解171 浅析莱辛在《屋顶丽人》中的女权主义思想172 对林语堂的《吾国与吾民》几种中译本比较研究173 庞德《诗经》英译研究174 《傲慢与偏见》中伊丽莎白的性格分析175 中国英语在中国文化输出中的作用176 浅析《红字》中丁梅斯代尔的挣扎177 浅析《老人与海》和《海上扁舟》中人与自然的关系178 悲剧英雄—赫尔曼•梅尔维尔笔下的比利•巴德形象分析179 英语交际中害羞心理产生的根源及其克服方法180 The Essence of Democracy and Freedom: An Interpretation of the Animal Farm 181 浅析《雾都孤儿》中的现实主义182 “三美论”观照下的《再别康桥》英译本比较研究183 英汉谚语特征对比分析184 试析《旅游巴士》中的犹太文化内涵185 中美人际关系比较186 探讨武侠和骑士形象的异同187 The Important Role of Body Language in American Daily Life188 接受理论视角下英文商标名汉译研究189 《最蓝的眼睛》和《宠儿》中黑人女性的悲剧根源190 论罗伯特•佩恩•沃伦《国王的人马》中对真理与自我认知的追求191 浅论创造性叛逆—以《一朵红红的玫瑰》三个译本为例192 浅谈外贸英语的翻译标准193 肢体语言在商务谈判中的应用与作用194 中美拒绝策略研究195 中西方礼仪文化差异比较196 《呼啸山庄》的悲剧分析197 美国拓荒运动中的新女性形象--读威拉凯瑟《我的安东妮娅》198 中式菜肴名称英译的功能观199 宗教枷锁下的人性挣扎——《红字》中丁梅斯代尔形象解读200 《红字》中霍桑的女性观。
论《到灯塔去》的象征艺术
论《到灯塔去》的象征艺术【摘要】《到灯塔去》这部小说是一部充满象征意义的作品,其中的灯塔、海、光线、孤独和航标等元素被赋予深刻的象征意义。
作者通过这些象征来探讨人生的意义、追寻内心的真实和抗拒现实的挑战。
灯塔象征着希望和指引,海象征着无限可能和未知,光线象征着真理和启示,孤独象征着内心的孤独和挣扎,航标象征着前行的方向和目标。
通过对这些象征的分析和解读,我们可以更好地理解小说中的含义,探讨现实与理想的关系,并发现作品的深厚艺术价值。
《到灯塔去》不仅是一部文学作品,更是一部思想的探索和灵魂的启示。
【关键词】《到灯塔去》,象征艺术,灯塔象征,海象征,光线象征,孤独象征,航标象征,艺术价值,现实联系,总结。
1. 引言1.1 《到灯塔去》的背景介绍《到灯塔去》是英国作家弗吉尼亚·伍尔夫(Virginia Woolf)于1927年出版的小说,是她的代表作之一。
这部小说以灯塔为主要场景,讲述了一家人在灯塔度假的故事。
灯塔是指一座位于海岸边的巨大建筑物,用来引导航海者航行。
在小说中,灯塔象征着远方的希望和理想,也代表着人们对未来的向往和探索。
作者通过描绘灯塔的景象和意义,展现了人类对于事物意义和存在的追求。
《到灯塔去》在当时引起了广泛的关注和好评,被认为是一部充满象征意义和思考的文学作品。
作品中描绘的家庭生活、人际关系以及对自我和外部世界的探索,都体现了作者对人类内心深处和情感世界的敏锐洞察力。
通过对灯塔的象征化处理,作者使得小说中的人物和情节更加深刻和丰富,给读者留下了深刻的印象。
《到灯塔去》的背景介绍为读者提供了对小说整体主题和意义的初步了解,也为后续正文中具体象征意义的探讨奠定了基础。
1.2 《到灯塔去》的作者简介《到灯塔去》的作者是英国作家弗吉尼亚·吴尔夫(Virginia Woolf)。
吴尔夫生于1882年,在20世纪初是一位备受瞩目的现代主义作家。
她以其独特的文体和对人类内心深处的刻画而闻名于世,被认为是20世纪英国文学史上最伟大的小说家之一。
人格结构理论与《到灯塔去》
人格结构理论与《到灯塔去》(一)论文关键词:伍尔夫《到灯塔去》人格结构论文摘要:伍尔夫的作品多集中于内心世界的描写,从文学角度重新阐释了弗洛伊德的精神分析学说。
弗氏人格结构理论诠释了该小说的人物及场景设置,与其对自我身份认同的主题不谋而合。
一、伍尔夫与英国现代主义小说弗吉尼亚•伍尔夫(VirginiaWoolf)因在小说创作和文学评论领域的成就而成为英国现代主义小说的领军人物。
英国现代主义小说兴起于20 世纪20 年,身处时局变化多端和信仰危机的年代,作家们开始寻求寻求新的写作形式和技巧,伍尔夫指出“现代小说的重心必须转移,从‘见物不见人'的物质主义转向强调心理活动的‘精神主义 ',从外部世界的反映转向意识结构的表现。
”①现代主义小说是从现代心理学对的人的观念中派生出来并为表现这种人的观念而服务的。
弗氏开创的精神分析学说及其对意识区域划分的人格结构理论无疑和现代主义小说有着许多共同之处,并为分析阐述现代主义小说多面立体的深层结构构建和隐含主题提供了理论基础。
二、《到灯塔去》与人格结构理论《到灯塔去》(1927)是伍尔夫的代表作,围绕要去游览灯塔的出游计划,讲述了拉姆齐一家和其朋友们在一战前后十余年间的生活变迁和意识升华;主题上探讨了对自我身份的认知,即“自我是否又可能在一片混沌之中认识和把握真实,在一个混论的时代里建立某种秩序?自我是否又可能逃脱流逝不息的时间的魔掌,不顾死亡的威胁而长存?”②伍尔夫探讨的这种理想自我正是弗洛伊德“本我、自我、超我” 三体合一的完美平衡。
(一)本我与拉姆齐先生弗洛伊德的人格结构理论由三个层次构成:“即本我、自我、超我”。
③ 处于人格结构最底层的本我(id )遵循“快乐原则”,是一个人出生时就有的各种本能的总和。
弗氏把本我形象的比喻成一大锅沸腾汹涌的兴奋。
其本质可引申为人格中与生俱来的负面因素,即脱离外在社会的约束力、固有的自我中心和动物本能。
本我的目标乃是求得个体的舒适,生存及繁殖,它是无意识的,不被个体所觉察。
《通过冲突分析看《到灯塔去》中女性人物命运》范文
《通过冲突分析看《到灯塔去》中女性人物命运》篇一一、引言《到灯塔去》是英国作家弗吉尼亚·伍尔夫的代表作之一,通过对一个家庭及其成员的细致描绘,展现了当时英国社会中的种种矛盾与冲突。
在这部作品中,女性人物命运是值得深入探讨的课题。
本文将从冲突分析的角度出发,探讨《到灯塔去》中女性人物命运的多样性和复杂性。
二、家庭与社会背景的冲突《到灯塔去》中女性人物所面临的家庭与社会背景的冲突是导致她们命运多变的重要原因。
在这个封闭的家庭中,女性成员的生活空间相对有限,她们不仅要面对传统社会观念的束缚,还要在家庭内部争取自己的地位和权利。
莉莉作为家庭中的年轻女性,在家庭和社会双重压力下,她的命运显得尤为坎坷。
她渴望自由和独立,但家庭和社会观念的束缚使她无法实现自己的梦想。
这种冲突使得莉莉在家庭中逐渐边缘化,她的命运也因此变得充满变数。
三、女性人物之间的冲突除了家庭与社会背景的冲突外,《到灯塔去》中女性人物之间的冲突也是导致她们命运多变的重要因素。
在家庭内部,女性成员之间存在着地位、权力、情感等多方面的竞争和矛盾。
如小说中的嫂子与侄女之间的关系就非常微妙。
两人之间既存在着亲情的纽带,又存在着权力和地位的竞争。
在这种冲突下,侄女的生活也充满了变数。
她既要在家庭中寻求自己的位置,又要在社会观念的压力下维护自己的尊严和价值。
这种复杂的冲突使得侄女的命运更加多变。
四、女性人物内心世界的冲突在《到灯塔去》中,女性人物内心世界的冲突也是不可忽视的一环。
女性人物在面对家庭和社会背景的冲突以及与他人之间的竞争时,内心世界也经历了巨大的变化和挣扎。
例如莉莉在追求自由和独立的过程中,内心充满了矛盾和挣扎。
她渴望摆脱传统社会观念的束缚,但又无法完全摆脱家庭的牵绊。
这种内心的冲突使得莉莉的命运更加充满戏剧性。
其他女性人物同样也在内心经历了种种挣扎和探索,这使得她们的命运更加复杂和丰富。
五、结论通过对《到灯塔去》中女性人物命运的冲突分析,我们可以看到当时英国社会中女性所面临的种种困境和挑战。
to the lighthouse英文阅读
to the lighthouse英文阅读(中英文实用版)To The Lighthouse, a masterpiece by Virginia Woolf, is a novel that explores the complexities of human consciousness and the passage of time. Set in the early 20th century, the story revolves around the Ramsay family and their summer visits to the Isle of Skye in Scotland. Woolf's stream-of-consciousness technique takes readers deep into the minds of the characters, revealing their thoughts, emotions, and perceptions.《到灯塔去》是弗吉尼亚·伍尔夫的杰作,这部小说探讨了人类意识的复杂性和时间的流逝。
故事背景设定在20世纪初,围绕拉姆齐一家在苏格兰斯凯岛的夏日度假展开。
伍尔夫的意识流手法将读者带入角色的内心世界,展现了他们的思想、情感和感知。
The novel is divided into three parts, \'The Window,\' \'Time Passes,\' and \'The Lighthouse,\' each offering a unique perspective on the passage of time and the human experience. Woolf's poetic prose and symbolic imagery create an atmosphere that mirrors the ebb and flow of life, as well as the elusive nature of truth and reality.小说分为三个部分:“窗”、“时间流逝”和“灯塔”,每个部分都提供了关于时间流逝和人类经历的独特视角。
《到灯塔去》[英] 弗吉尼亚伍尔夫,瞿世镜 译读后感
《到灯塔去》[英] 弗吉尼亚伍尔夫,瞿世镜译读后感第一篇范文《到灯塔去》[英] 弗吉尼亚·伍尔夫,瞿世镜译——读后感《到灯塔去》是英国现代主义文学大师弗吉尼亚·伍尔夫的代表作之一。
这部作品以其独特的叙事手法、深邃的思想内涵和精湛的艺术技巧,吸引了无数读者。
在瞿世镜教授的精心翻译下,这部作品更是焕发出了新的生命力。
以下是我对这部作品的一些看法。
1. 叙事手法独具匠心伍尔夫在这部作品中采用了“意识流”叙事手法,使读者能够直接进入人物内心,感受他们的情感波动。
这种手法使得作品具有极强的代入感,让人如临其境。
例如,在描述拉姆齐夫人的心理活动时,作者写道:“她觉得自己的生活就像一块布,上面绣满了各种颜色,如今却被剪裁成了碎片。
”这句话生动地展现了拉姆齐夫人的心理状态,使读者能够感同身受。
2. 深刻揭示人性的复杂性作品中的人物形象丰满、个性鲜明,展现了人性的复杂性。
如拉姆齐先生,他既有才华横溢的一面,又有自私、冷漠的一面。
这种复杂性使得人物形象更加立体,也让读者对人性的理解更加深刻。
在描述拉姆齐先生时,作者写道:“他是个天才,但他也是一个孤独的人,他把自己的孤独强加给别人。
”3. 对女性命运的关切伍尔夫是女性主义文学的先驱,她在作品中关注女性命运,探讨女性在社会中的地位。
在《到灯塔去》中,拉姆齐夫人成为了家庭的中心,但她却失去了自我。
通过这一形象,伍尔夫表达了对女性命运的关切。
如她所说:“女性总是为了别人而活,她们自己的生活在哪里?”4. 触类旁通,引发思考《到灯塔去》不仅是一部文学作品,更是一部哲学作品。
它探讨了人生、艺术、家庭、爱情等诸多方面的问题,让人触类旁通,引发深刻的思考。
例如,作品中关于时间与记忆的探讨,让人联想到生活中的种种经历,不禁让人感慨万千。
总的来说,我对这部作品持高度评价。
它不仅是一部值得一读再读的文学作品,更是一部能够启发人们思考的人生哲学。
我相信,《到灯塔去》会成为我人生中一段难忘的阅读经历。
英美文学论文___到灯塔去
Analysis of Stream of Consciousness and Feminism inTo the LighthouseBy10-3,名字(No.201015310325)A paper submitted in partial fulfillment ofthe requirements for literature classto the Qinggong CollegeHebei United UniversityDecember 2012ABSTRACTVirginia Woolf is one of leading writers through Europe in the beginning of 20th century, who is one of the famous writers like George Eliot, Jane Austin. To the Lighthouse is one of famous works, which hasn’t complete and complex plots. Stream of consciousness is previous characteristic of her works. She pays more attention to describing internal emotion of characters; meanwhile, she also uses symbolism, and lighthouse is hope to people. She is also a feminist, and she thinks female should have independence, only like that, could female have real life of themselves. The paper mainly studies feminist and stream of consciousness of Woolf’s novel of To the Lighthouse.KEY WORDS:Stream of Consciousness To the Lighthouse Feminist摘要弗吉尼亚·伍尔夫是英国20世纪初期风靡欧美的意识流小说的开山鼻祖之一,与乔治·艾略特﹑简·奥斯丁同为英国最杰出的女作家。
到灯塔去论文弗吉尼亚·伍尔夫
浅析《到灯塔去》中伍尔夫对于生命和谐意义的探求(渤海大学文理学院外语系)摘要:意识流小说作家弗吉尼亚·伍尔夫的代表作品《到灯塔去》,通过复杂变换的人物心独白描写等意识流表现手法让人们感受到了意识流小说饱满的思想。
本文旨在通过侧重分析作者通过对中心人物拉姆齐夫人对于和谐的追寻,进一步使读者对于伍尔夫以及这部《到灯塔去》的主题思想有更深的认识与理解。
关键词:弗吉尼亚·伍尔夫;意识流;《到灯塔去》;和谐一、引言著名的英国女小说家弗吉尼亚·伍尔夫,被誉为20世纪现代主义与女性主义的先锋人物之一。
她在文学上的成就和创新影响至今。
伍尔夫的作品颇多,《到灯塔去》是她著名代表作之一,几乎所有的人物事件以及场景,都带有浓重的象征色彩和形式。
众多评论家从不同角度对其进行分析与评价。
笔者基于其他文献的基础上,仅做出自己的简单解析,本文从拉姆齐夫人对拉姆齐先生,塔斯莱先生,以及对莉莉的影响这三点来解读这部作品体现出的作者对于生命和谐的意义的追求。
首先,对于意识流小说、作家本人做一个简单的介绍。
二、意识流小说、作家生平简介早在1918年,意识流作为一个心理学词汇被梅·辛克莱引入文学界。
在这之后,“意识流文学”就泛指注重描绘人物意识流动状态的文学作品。
在创作上,意识流文学主要特点包括着重现人的心世界,所追求的就是潜藏于人们头脑里的思绪和意识,旨在将纷乱复杂、恍惚迷离的心世界直接地、原原本本地呈现在读者面前。
意识流动的特点是,往往由现在的某一情景引起,触发对过去某一相似(往往只是在某一局部上相似)情景的联想,或诱发对未来某种情景的向往。
通常采用心独白、心分析、自由联想、多角度叙事和象征的表现手法,并借回忆、现实、幻想、梦境等交织组合,令人印象深刻。
弗吉尼亚·伍尔夫(1882-1941)是西方意识流小说作家的杰出代表之一。
“意识流”小说的诸多写作特征,被伍尔夫运用的淋漓尽致。
她阐释“意识流”小说观点的论文《论现代小说》已经透彻地表明了自己对于意识流小说的深刻理解。
到灯塔去——
— One of 4 children — Educated at home by her governess.
— Voracious reader of books in father’s library
As a young woman Woolf moved to Gordon Square, Bloomsbury. The house became a gathering place for writers, artists and intellectuals and this "Bloomsbury Group" is remembered as an incubator of modern artistic thought.
Theme
• Woolf show her conception of feminism in the character of
Lily. Through full understanding of the Ramsay couple, Lily
gets a better understanding of herself and overcome gender constraints and flourish in her spiritual and artistic freedom. Lily’s recognition that abandoning gender identity can make her art whole .And reflects Woolf’s philosophy that
Part III: The Lighthouse Mr. Ramsay finally planed on taking the long-delayed trip to the lighthouse with his son James and daughter Cam While they set sail for the lighthouse, Lily attempted to complete her long-unfinished painting.
《到灯塔去》读书征文
《到灯塔去》读书征文《到灯塔去》是英国女作家弗吉尼亚·伍尔芙于1927年创作的长篇小说,是倾注心血的准自传体意识流小说。
小说以到灯塔去为贯穿全书的中心线索,写了拉姆齐一家人和几位客人在第一次世界大战前后的一段生活经历。
全书分为三部分。
第一部分《窗》,所有活动压缩在一个晚上;过渡性的第二部分《时过境迁》,十年的变迁被压缩到一夜之间;第三部分《灯塔》,表现一个上午里发生的事情。
第一部分描写了拉姆齐一家和几位追随他们的客人在海岛别墅渡假,在窗前可以眺望大海中的灯塔。
拉姆齐夫人迷恋那灯塔的隐约的光束,每一次看见都仿佛在撞击心灵。
小儿子也幻想着能到灯塔去,而父亲理智地告诉他明天有风不能去。
这个愿望一直到十年后才得以实现。
第二部分,十年之间,拉姆齐夫人在一次睡眠中安详去世。
经过第一次世界大战。
他们的两个孩子一个死于难产,一个死于战场。
海边别墅早已破败荒芜,唯有灯塔的光偶尔照进房间,在漆黑的冬夜突然凝视床和墙壁。
拉姆齐先生带着孩子们、当年的客人又回到这里。
第三部分,拉姆齐先生带着最小的两个儿女终于到灯塔去,实现多年前的夙愿,也是与拉姆齐夫人在精神上汇合。
岸边的莉莉在凝望中思索,感受到灵魂的升华,达到自己多年追求的境界。
很简单的一条线索,没有跌宕的情节,没有激烈的高潮,没有绚丽的赞美,没有惊人的震撼,却因作者的细腻笔触展现出丰富的情感。
读过之后,每个人都会有属于自己的那份感受。
我读书的习惯保持了很多年,很慢但从未间断。
那年在乌斯怀亚小镇的唯一一个书店的橱窗里看到了这本书的西班牙文译本,回国后便收下了这本书。
我喜欢女作家的文字,特别是独特而独立的女人的文字,比如《夜航西飞》和《逃离》。
当我收到这本薄薄的小书一口气读完,我必须承认,如果你想看到《茶花女》那样感人至深的爱情故事,或者《格列佛历险记》那样充满奇趣的冒险,又或者是《基度山伯爵》那样恢宏的史诗篇章,那我劝你最好不要翻开这本书,因为吴尔夫从不给读者他们想要的。
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Analysis of Stream of Consciousness and Feminism inTo the LighthouseBy10-3,名字(No.201015310325)A paper submitted in partial fulfillment ofthe requirements for literature classto the Qinggong CollegeHebei United UniversityDecember 2012ABSTRACTVirginia Woolf is one of leading writers through Europe in the beginning of 20th century, who is one of the famous writers like George Eliot, Jane Austin. To the Lighthouse is one of famous works, which hasn‟t complete and complex plots. Stream of consciousness is previous characteristic of her works. She pays more attention to describing internal emotion of characters; meanwhile, she also uses symbolism, and lighthouse is hope to people. She is also a feminist, and she thinks female should have independence, only like that, could female have real life of themselves. The paper mainly studies feminist and stream of consciousness of Woolf‟s novel of To the Lighthouse.KEY WORDS:Stream of Consciousness To the Lighthouse Feminist摘要弗吉尼亚·伍尔夫是英国20世纪初期风靡欧美的意识流小说的开山鼻祖之一,与乔治·艾略特﹑简·奥斯丁同为英国最杰出的女作家。
《到灯塔去》是她最著名的作品之一,这部小说并无完整复杂的故事情节,意识流是她作品最大的特点,她注重对人物内心世界的微妙刻画;同时,她还运用了象征主义手法,灯塔对人们来说是希望。
她又是一个女权主义者,她认为女性应该拥有独立的女性意识,这样女性才能拥有真正属于自己的生活。
本论文主要研究《到灯塔去》中所体现的女性主义精神和伍尔夫意识流小说的写作特点。
关键词:意识流到灯塔去女权主义CONTENTSAbstract (Chinese)A bstract (English)1. Introduction (1)1.1Virginia Woolf (1)1.2To the Lighthouse (2)2.TheStreamofConciousnessin Tothe Lighthouse (2)2.1 Social and Cultural Backgrounds of the Novel (2)2.2 The Characteristics of Stream of Conciousness (2)3.Feminism in To the Lighthouse (3)3.1VirginiaWoolf‟s Feminism (3)3.2Mrs.Ramsay‟s Feminism (4)3.3Lily‟s Feminism (4)4. Conclusion (5)Bibliography (6)1.IntroductionVirginia Woolf is one of the key figures of Modernism. She is a novelist, short story write, essayist and critic and part of a large of circle of writers, artist and intellectuals known as the Bloomsbury group. Her most famous novel, To the Lighthouse shows great technical mastery, with a form tightly organized through the use of recurrent images and a restricted time frame. The book is generally regarded as one of her masterpieces for its special style that combines a stream of consciousness with the accumulation of many details and thus creates a strong feeling of intensity that is quite common in Woolf‟s works.1.1Virginia WoolfBorn in London to well educated upper-middle-class parents, Virginia grew up as a member of a large and highly literary family. Leslie Stephan, his father, was a famous Victorian philosopher, bibliographer and critic. Encouraged by her father, she read widely and freely in his extensive library. She never went to school. She was taught at home by her parents and tutor with her sister Vanessa, who became a famous modern painter later. From an early age Virginia got into the way of writing stories and kept a journal. She even tried out experiment with various narrative literary forms and voices. The death of her mother in 1895 and her father in 1904 influenced her life greatly and a mental illness began to develop then into the late years. In 1913 she attempted suicide. After the death of her parents, Virginia and her sister Vanessa moved out of the family to Bloomsbury, a district of London, to have a freer life. There they entertained their literary and artistic friend and with the gathering of a group of intellectuals outstanding at the time, there was the famous Bloomsbury Group where their conversations and ideas sparkled. In 1912, she married one of the group members, Leonard Woolf, journalist, essayist and political thinker.Her works, influenced by contemporary movement such as psychology, impressionism, and feminist, reveal her preoccupation with the complexity of both the individual‟s perception and the large cultural system that shape them. Woolf was famous for her works‟ bea utiful style. In her works, it was filled with breath of life. Her works and ideas have informed many of great feminist thinkers, novelists and poets. Her radical and experimental writing laid a foundation for them.1.2 To the LighthouseTo the Lighthouse, one of her most experimental and remarkable works, is modulated by the consciousness of the characters instead of the passage of time. The plot centers on the Ramsay family‟s anticipation of and reflection upon a visit to a lighthouse. To the Lighthouse is a representative work which best exhibits Woolf‟s style and innovation. It is regarded as her autobiographical fictional record, for the characters are based on her own parent and siblings. To the Lighthouse is divided into three sections: “The Window”,“Time Passes”, and “The Lighthouse”. Each section is fragmented into stream-of-consciousness contributions from various narrators. “The Window” opens just before the start of World War Ⅰ. Mr. Ramsay and Mrs. Ramsay bring their summer home in the Hebrides (a group of islands west of Scotland). Across the bay from their house stands a large lighthouse and Mrs. Ramsay tells him that they will go the next day if the weather permits. James reacts gleefully, but Mr.Ramsay tells him coldly that the weather looks to be foul. James resents his father and believes that he enjoys being cruel to James and his siblings.2.The stream of consciousness in To the Lighthouse2.1 Social and cultural backgrounds of the novelTo the Lighthouse is a novel about steam of consciousness which is most famous novel of Virginia Woolf. This novel is centered of the behavior of to the lighthouse. It describes the family of the Ramsey and several guests‟ life experience fragments before and after the First World War. In the novel, at the request of young son, Mrs. Ramsay decided to go to the lighthouse. But because of something, they didn‟t go there. After that, World War Ⅰ broke out, and then the Ramsay family experienced many difficulties. After war, Mr. Ramsay loved Lily for his wife‟s d eath but While Lily refused him. So after his children grow up, he carried them to go to sea by boat, finally they arrived at the lighthouse. After the World War Ⅱ, Britain people suffered serious loss. To the extent, the spirit pillar of European civilization was shacked. Relentless artillery destroyed Woolf‟s family in London. These disasters took heavy pressure to her spirit. On March 28, 1941, Woolf suicide.2.2T he characteristics of stream of consciousnessThe whole book doesn‟t have the main character through to the end and complete and complex plot of story. On the contrary, the book uses stream of consciousness which is the artistic features of the largest, meanwhile it is also most successful aspect. Fromarising of novel in 16th century to developing of novel in 20th century, this kind of traditional writing practice that pays more attention to the plot of story, figure, and theme and so on haven‟t already far contented the flew of consciousness in this age. Stream of consciousness uses the writing practice which reflects figures‟ consciousness and psychology‟s mystery. Its plot is simple, but it is very rich of figure‟s thought and emotion. It combines reality life with psychology activity, and pays more attention to the figures‟ all kinds of reflec tions to outside stories, and fully of tell their implicit in heart. The kind of novel describes the variability of consciousness from now to past, from here to there. These consciousness appears one by one and great lively, however, they probably disappears in a moment and extremely variable. In them, association and metaphor are rich and peculiar, what‟s more, they are also profound and odd.The contents of novel are divided into three sections. They are “The Window”, “Time Passes”, and “The Lighthouse”.There are ten main figures and the most important figure Mrs. Ramsay died finally but Woolf still described her many thought activities and her actual activities are only in the former part. The novel describes every figure‟s thought activities and inner monologue more while the language and action are less. Though the main action of Mrs. Ramsay is knitting socks and reading fairy tales, and Lily is mainly drawing and have few words, their though activities are very active. A paragraph of description in heart of Mrs. Ramsay is nearly 4000 words.3. Feminism in To the Lighthouse3.1 Virginia Woolf‟s feminis mContemporary feminist critics on Woolf see her as a proto or early feminist, a tremendously influential mother of the novel. The comments she has made about the roles of women, even the representations of different male and female minds is highly original and has been unsurpassed in all the years since. She ever writes the sentence in A Room of One’s Own: We think back through our mothers if we are women. It is useless to go to the great men writers for help, however much one may go to them for pleasure. She thinks the female should have profession of themselves. She challenges patriarchal values and ways of seeing and expressing the world and the self set a model for other women‟s challenge, in literature and in life.3.2 Mrs. Ramsay‟s feminis mIn the novel, Mrs. Ramsay is a woman who makes contribution to her husband. She sacrifices herself for breaking through absolute oppose situation between men and women and tries to seek a harmonious world of male and female. She realizes her value through owning independent personality and life target of herself. But when she was 40 years old, she realizes that a woman only has independent spirit and feminist consciousness, she can own indeed life.3.3 Lily‟s feminis mLily Briscoe is an artist. She attempts to capture her feelings of reality and of experience throughout her first visit to the house on the island. When she returns, she manages to do so, and finishes her picture. This takes place at the same time as the remainder of the family arrives at the lighthouse. Lily is a very special female. As an artist, Lily is sensitive about the role of women and feels constantly pressurized by Mrs. Ramsay into bolstering male egos. Mrs. Ramsay obviously wills her to be polite to Charlie Tansley, the skeptical follower of Mrs. Ramsay, yet she finds it hard and feels she is betraying her own nature to so abase herself. Tandley really doesn‟t like women, and he think that “It is the women‟s fault. Women made civilization impossible with all their …charm‟, all their silliness.” The draining effect Lily feels when she is expected to bolster up Tansley is also connected with the sensation she has when he is around that he is c onstantly deprecating her work. …Women can‟t write, and women can‟t paint‟. However, Lily still finished her painting finally regardless of his discrimination to women. This is the first aspect which can reflect her feminist. And the second aspect: In the last section, Mr. Ramsay comes to Lily, now that her wife is dead, to provide the sympathy which he feels is the women‟s role to provide for a man. This self-sacrifice drains women of energy and prevents them from painting or doing anything creative. In th e traditional men and women‟s view, it is women‟s responsibility. But Lily doesn‟t think so. She feels both that she can‟t and won‟t give sympathy, must keep herself inviolate emotionally and she can‟t create, which is her life, and yet that in some way she is being less than a woman by refusing to sympathies. She doesn‟t think this is women‟s responsibility which is reflection of feminist.4. ConclusionAs far as her writing style was concerned, she makes contribution to female authors. Plot is her greatest enemy in her works. She is a fascinating experimental writer. She engages with an insider view of people‟s thoughts and feelings. She is also sharply aware of pomposity, hypocrisy and silliness, and sensitive to the slightest changes in moods and relationships between people. In To the Lighthouse, she describes two main female. One is Mrs. Ramsay, and another is Lily. Mrs. Ramsay is like an angel, while Lily is a traitor and a feminist. To the Lighthouse reflects her feminist and stream of consciousness obviously.BILIOGRAPHYDing Tingseng, 2005. An Anthology of British Literature. Chongqing: ChongqingUniversity Press.Wu Weiren, 2005, History and Anthology of English Literature. Beijing: Foreign Language and Research Press戈德曼,2008,《弗吉尼亚·伍尔夫》。