_傲慢与偏见_翻译研究的文献综述
傲慢与偏见论文参考文献(最新93个)
《傲慢与偏见》在我国知道的人比较多；没读过原文的读过译本，没读过译本的看过由小说改编的电影，至少知道个故事。
这里要讲的是英国十九世纪初期的一部小说《傲慢与偏见》，女作者珍妮·奥斯丁是西洋小说史上不容忽视的大家，近年来越发受到重视。
下面是整理好的93个关于傲慢与偏见论文参考文献，供大家参考。
傲慢与偏见论文参考文献一：[1]单慧芳. 《傲慢与偏见》中的茶文化研究[J]. 福建茶叶,2017,39(12):332-333.[2]黄燕. 《傲慢与偏见》中的女性立场研究[J]. 语文建设,2017(30):25-26.[3]王姝. 从语用学角度看《傲慢与偏见》人物话语[J]. 语文建设,2017(33):56-57.[4]孙亚娟. 从概念功能理论的角度分析《傲慢与偏见》电影片断[J]. 戏剧之家,2018(03):194.[5]吴童. 《傲慢与偏见》的婚恋观及其对当代人的启示[J]. 内江师范学院学报,2018,33(01):66-71.[6]刘美舒. 治愈系影片的映像化表达——文学改编电影《傲慢与偏见》[J]. 电影评介,2017(22):88-90.[7]何心爽. 超越金钱的理想之境——简析《傲慢与偏见》中的婚姻观[J]. 佳木斯职业学院学报,2017(12):73-74+77.[8]任静. 语境对外国文学作品翻译的影响研究——以《傲慢与偏见》为例[J]. 海外英语,2018(02):150-151.[9]杨冬,安琦. 《傲慢与偏见》中的戏剧性场景[J]. 文艺争鸣,2018(02):173-178.[10]顾翰翊. 从语义学与语用学互补角度分析《傲慢与偏见》[J]. 才智,2018(01):182.[11]吴明红. 浅析《傲慢与偏见》中人物性格与婚姻观[J]. 现代交际,2017(17):91.[12]陈莹. 论简·奥斯汀《傲慢与偏见》中伊丽莎白的女性书写[J]. 黑河学院学报,2018,9(01):163-164.[13]王秀秀,屈红. 隐在的男权主义——《傲慢与偏见》的症候式解读[J]. 湖北函授大学学报,2018,31(04):180-181.[14]杨倩倩,王庆勇. 《弗罗斯特山庄》与《傲慢与偏见》的分析比较[J]. 名作欣赏,2018(12):64-66.[15]刘广青. 女性主义视角下《傲慢与偏见》的思想解读[J]. 湖北函授大学学报,2018,31(06):191-192.[16]伞雨晴. 论《傲慢与偏见》和《劝导》中婚姻模式的不同[J]. 佳木斯职业学院学报,2018(03):122.[17]马逸超. 试比较《傲慢与偏见》与《简·爱》女主人公[J]. 农家参谋,2018(07):270.[18]樊丽娜. 英国文学女性意识的承袭与勃发——评《傲慢与偏见》[J]. 中国教育学刊,2018(05):126.[19]林书勤. 《傲慢与偏见》对话语境下人称换称手法威胁受众面子研究[J]. 河北北方学院学报(社会科学版),2018,34(02):80-82+88.[20]龙璐. 奈达功能对等理论视角下幽默语的翻译——以《傲慢与偏见》为例[J]. 海外英语,2018(07):146-147.[21]林夏轩. 翻译认知心理学视域下的小说情景语境翻译初探——以《傲慢与偏见》两个中译本为例[J]. 海外英语,2018(09):105-106.[22]杨志明. 基于《中国英语能力等级量表》之形成性阅读能力测试——以《傲慢与偏见》阅读测试为例[J]. 教育测量与评价,2018(05):5-10.[23]王渝玥. 英汉对话翻译与小说人物形象的再现——以小说《傲慢与偏见》英译汉为例[J]. 中国高新区,2018(12):285-286.[24]郭慧莹,孙彦彤. 言语行为理论视角下《傲慢与偏见》中的反讽研究[J]. 才智,2018(10):201.[25]骆紫燕,尹栋. 《傲慢与偏见》中的婚恋观及对当代大学生的启示[J]. 科技资讯,2018,16(04):220-221.傲慢与偏见论文参考文献二：[26]邓紫晨. 《傲慢与偏见》里的戏剧创作手法研究[J]. 艺术评鉴,2018(10):152-153+184.[27]张威,许超. 历时复译的承袭与创新——李继宏译《傲慢与偏见》论析[J]. 辽宁师范大学学报(社会科学版),2018,41(05):80-85.[28]张亚婷. 《傲慢与偏见》汉译本的生态适应与选择[J]. 淮海工学院学报(人文社会科学版),2018,16(07):63-65.[29]刘相娅. 赏析影片《傲慢与偏见》,透视女大学生婚恋观[J]. 大众文艺,2018(09):158.[30]安旭红. 《傲慢与偏见》——简·奥斯汀婚姻观的缩影[J]. 艺术评鉴,2018(11):185-188.[31]李东青. 论反讽运用在简·奥斯汀作品中的艺术张力——以《傲慢与偏见》为例[J]. 三门峡职业技术学院学报,2018,17(02):79-81+114.[32]傅踢踢. 《创造101》,创造多元的“傲慢与偏见”[J]. 中国广告,2018(07):70-71.[33]何清. 基于《傲慢与偏见》一文的言语行为理论研究（英文）[J]. 考试与评价(大学英语教研版),2018(03):52-56.[34]王宇红. 《傲慢与偏见》英式文学语言创作风格探究[J]. 兰州教育学院学报,2018,34(08):72-73+76.[35]陆红娟. 悲悯交加背后的“傲慢”与“偏见”——试论志贺直哉的女性观及其成因[J]. 江苏大学学报(社会科学版),2018,20(04):61-65.[36]杨安妮. 从目的论三原则看《傲慢与偏见》字幕翻译[J]. 吉林广播电视大学学报,2018(08):116-117+132.[37]林岳斌,匡虹霓. 论《傲慢与偏见》中的聚会角色[J]. 绍兴文理学院学报(人文社会科学),2018,38(04):79-86.[38]黄青青. 《傲慢与偏见》揭示的女性教育缺失[J]. 绍兴文理学院学报(教育版),2018,38(02):116-120.[39]谷劲松. 《傲慢与偏见》与《飘》中女主人公的女性意识比较研究[J]. 北京城市学院学报,2018(04):56-59.[40]蒋莹超,方英. 《傲慢与偏见》的庄园叙事[J]. 大众文艺,2018(16):18-19.[41]. 《傲慢与偏见》中的英国最美庄园[J]. 党员文摘,2018(03):58.[42]邓婕. 《傲慢与偏见》中反讽的回声研究[J]. 黄冈职业技术学院学报,2018,20(04):60-63.[43]刘爱叶. 试论《傲慢与偏见》的语言创作风格[J]. 黑河学院学报,2018,9(08):157-158.[44]曹南. 试论英美文学作品与其改编电影的关联性——以《傲慢与偏见》为例[J]. 新乡学院学报,2018,35(08):41-43.[45]张爽. 纯粹的“傲慢”,细腻的“偏见”——影片《傲慢与偏见》解读[J]. 电视指南,2018(02):23+25.[46]陈钰. 浅评《傲慢与偏见》的创作技巧[J]. 课程教育研究,2018(11):18.[47]董海涛. 小说《傲慢与偏见》的反讽对白分析[J]. 兰州教育学院学报,2018,34(09):51-52.[48]郭雯雯. 基于言语行为理论分析《傲慢与偏见》的反讽[J]. 文化创新比较研究,2018,2(24):67+69.[49]李瑶. 汉英句式翻译中人称与物称主语使用差异对比——以《傲慢与偏见》中文版和《骆驼祥子》英译本为例[J]. 岳阳职业技术学院学报,2018,33(04):83-86.[50]彭澳,何一鸣,杨纪平. 论“传神”在翻译中的体现——比较《傲慢与偏见》樊庆兰与张思婷译本[J]. 海外英语,2018(18):43-45.傲慢与偏见论文参考文献三：[51]刘一帆. 论《傲慢与偏见》中伊丽莎白的人物形象刻画[J]. 黑龙江教育学院学报,2018,37(09):113-115.[52]王珂. 新历史主义视角下《傲慢与偏见》中的海边度假研究[J]. 安徽文学(下半月),2018(08):24-25.[53]杨娜. 简·奥斯汀的幸福婚姻观——解读《傲慢与偏见》[J]. 教育教学论坛,2018(47):80-81.[54]庞新月,刘继华. 从海姆斯语境理论看影视字幕翻译文化因素处理——以《傲慢与偏见》为例[J]. 大众文艺,2018(23):176-178.[55]李雪维. 基于言语行为理论视角分析《傲慢与偏见》中的言语反讽[J]. 现代交际,2018(20):74-75.[56]郑世觅. 《傲慢与偏见》油画[J]. 中国艺术,2018(10):25.[57]林书勤. 基于语料库面子理论视域的人称换称手法研究——《傲慢与偏见》全着对话解读[J]. 齐齐哈尔大学学报(哲学社会科学版),2018(11):144-147.[58]安俐洁. 浅析《傲慢与偏见》中简奥斯汀的婚姻观——基于达西的性格分析[J]. 中国民族博览,2018(11):204-205.[59]曹书乐,董鼎. 傲慢与偏见——对女游戏玩家性别刻板印象的研究[J]. 艺术评论,2018(11):38-49.[60]胡诺祺,刘晓琳. 19世纪工业革命下的英国社会变迁——从《傲慢与偏见》与《南方与北方》的人物对比分析中看英国社会变迁[J]. 海外英语,2018(23):179-180.[61]陈鸣,王荣莉. 从翻译批评视角浅析《傲慢与偏见》王科一译本中的误译[J]. 海外英语,2018(23):124-125.[62]郭欢欢. 女性主义视角下的《傲慢与偏见》[J]. 名作欣赏,2017(05):37-39.[63]赵娟. 《傲慢与偏见》中的婚恋观[J]. 语文建设,2017(11):56-57.[64]吴岩. 对《傲慢与偏见》反讽言语行为的宏观和微观分析[J]. 语文建设,2017(08):18-19.[65]张素玫. 成为经典:《傲慢与偏见》的两百年传播[J]. 贵州师范大学学报(社会科学版),2017(02):137-144.[66]孙佳. 顺应论与小说翻译——以《傲慢与偏见》为例[J]. 郑州铁路职业技术学院学报,2017,29(02):58-60+69.[67]王烈霞. 《傲慢与偏见》中的反讽艺术分析[J]. 开封教育学院学报,2017,37(07):39-40.[68]张韶华. 英美文学中的爱情婚姻观——以《傲慢与偏见》为例[J]. 山东农业工程学院学报,2017,34(06):189-190.[69]李新美. 试论《傲慢与偏见》的戏剧手法及反讽艺术[J]. 黑河学院学报,2017,8(02):169-171.[70]李志娟. 理想与现实的平衡之美——试析《傲慢与偏见》中的浪漫主义美学[J]. 黑河学院学报,2017,8(02):184-185+188.[71]庞凤娇. 合作原则视域下《傲慢与偏见》人物会话含义分析[J]. 佛山科学技术学院学报(社会科学版),2017,35(02):23-28.[72]余芬. 《傲慢与偏见》中的幽默反讽话语翻译比较研究——基于格式塔心理美学视角[J]. 淮海工学院学报(人文社会科学版),2017,15(08):75-78.[73]胡少斐. 论《傲慢与偏见》中的女权主义意识[J]. 语文建设,2017(17):40-41.[74]沈超. 功能对等理论下《傲慢与偏见》中译本赏析[J]. 海外英语,2017(02):207-208+214.[75]邓红花. 从女性意识看《傲慢与偏见》[J]. 萍乡学院学报,2017,34(02):70-74.傲慢与偏见论文参考文献四：[76]曲金燕. 《红楼梦》与《傲慢与偏见》中的婚恋观比较[J]. 重庆科技学院学报(社会科学版),2017(07):69-73.[77]陈光先. 简·奥斯汀的婚姻观及其对当代人的启示——读小说《傲慢与偏见》后的思考[J]. 边疆经济与文化,2017(07):87-88.[78]李睿. 《傲慢与偏见》作品中的茶文化体现[J]. 福建茶叶,2017,39(10):364-365.[79]陈莹. 《傲慢与偏见》中女性意识的体现和局限[J]. 广西民族师范学院学报,2017,34(04):102-104.[80]南云凡. 论《傲慢与偏见》中的女性婚姻观[J]. 文化学刊,2017(08):64-65.[81]王传倩. 从《傲慢与偏见》浅析奥斯丁的婚恋观[J]. 文学教育(上),2017(11):40-41.[82]袁学敏. 论女性自我救赎意识之觉醒——从《再生缘》到《傲慢与偏见》[J]. 攀枝花学院学报,2017,34(04):47-53.[83]蒋跃,余碧燕. 《傲慢与偏见》形容词性物主代词的人机翻译对比[J]. 西安电子科技大学学报(社会科学版),2017,27(02):147-155.[84]孙佳. 顺应论视角下翻译策略的选择研究——以《傲慢与偏见》中Cry一词为例[J]. 湖北经济学院学报(人文社会科学版),2017,14(08):102-104.[85]吴颖. 从英语明喻的模糊语用功能看明喻翻译——以《傲慢与偏见》为例[J]. 英语广场,2017(10):15-17.[86]孙佳. 《傲慢与偏见》中人物形象研究[J]. 语文建设,2017(24):23-24.[87]常虹. 意象的维度分析与英汉翻译的得失——以《傲慢与偏见》开篇句的五个译本为例[J]. 宿州教育学院学报,2017,20(05):46-47+51.[88]周捷. 《傲慢与偏见》中伊丽莎白的人物性格分析[J]. 山西能源学院学报,2017,30(03):189-191.[89]武丹丹. 从《傲慢与偏见》谈语境对外国文学作品翻译的影响初探[J]. 海外英语,2017(20):126-127.[90]白红梅. 简·奥斯丁《傲慢与偏见》婚姻观的现实意义[J]. 佳木斯职业学院学报,2017(10):73-74.[91]冯旭. 《傲慢与偏见》中的夏洛特·卢卡斯新解[J]. 疯狂英语(理论版),2017(03):186-187+208.[92]翟力辉,王珈琦. 婚恋需求中女性意识的萌芽与觉醒——需求层次理论视域下《傲慢与偏见》女性人物形象剖析[J]. 北华大学学报(社会科学版),2017,18(05):122-126.[93]张小欣. 男权下的女性主义的萌芽探究——以《红楼梦》、《傲慢与偏见》为例[J/OL]. 北方文学(下旬),2017(02):83[2019-01-24].。
论《傲慢与偏见》中的反讽艺术【文献综述】
文献综述汉语言文学论《傲慢与偏见》中的反讽艺术一、前言部分（说明写作的目的，介绍有关概念，扼要说明有关主题争论焦点）(正文：字体：宋体，小四号字，行距1.5倍)英国十九世纪小说家简·奥斯丁经过近两百年来读者的鉴赏和批评家的鉴定，已是公认的经典作家了。
正如当代著名批评家埃德蒙·威尔逊所说：“一百多年来”，英国“曾发生过几次趣味的革命。
文学口味的翻新影响了几乎所有作家的声望，唯独莎士比亚和简·奥斯丁经久不衰。
”［1］作为一位女性作家，奥斯丁以女性特有的细致入微的洞察力和幽默风趣、细腻明快的文笔向读者再现了十八世纪末和十九世纪初的英国乡村生活风貌。
“以轻松诙谐的格调和理性的光芒照出了感伤、哥特小说的矫揉造作，使之失去容身之地。
她的创作开启了三十年代现实主义的高潮”。
［2］奥斯丁的作品不多，一生共创作了六部长篇小说，依出版时间为序，依次是《理智与情感》(Sense and Sensibility，1811)、《傲慢与偏见》(Pride and Prejudice，1813)、《曼斯菲尔德庄园》(Mansfield Park，1814)、《爱玛》(Emma，1815)、《诺桑觉修道院》(NoahangerAbbey，1818)和《劝导》(Persumion，1818)。
其中，《傲慢与偏见》是她最为重要的作品，确立了她在世界文学史上的崇高地位，也最受广大读者的喜爱。
《傲慢与偏见》初稿的标题为《初次的印象》，写于一七九六年至一七九七年，1812年再稿（并更名），1813年出版并发表。
书名的改变象征着从第一印象不可信赖这一观念到给人以错误印象的精神因素的改变。
该书最吸引人之处在于对人物极其生动的描绘——尤其是通过个性鲜明和措辞巧妙的对话而进行的描绘。
《傲慢与偏见》是简·奥斯丁借助反讽的手法惊心雕琢、悉心构筑的一部杰出的全反讽的艺术作品。
在这部小说中成功运用了反讽这一修辞手法，使作品更耐人寻味，人物形象更加生动鲜明。
傲慢与偏见文献综述
1 IntroductionThe main story of the novel happens between Elizabeth Bennet and Darcy. Although, it seems that, they haven’t attracted anyone’s eyes. We all know that at the first ball, when Lizzy asked Mr Darcy to have a dance. He refused. He didn’t think that anyone at the village can deserve him. After this, Lizzy promised not to pay attention to him any more because of his pride.At last, when everything comes to light Lizzy regretted. She found that she had misunderstood Darcy. And Darcy had although changed. He made an offer of marriage to her again and was accepted. No pride and no prejudice are between them.The novel also reflected the author oneself's marriage view: It is wrong to marry for the property, money and position. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriage .Just because Pride and Prejudice, I have a profound thinking about marriage. The writer uses intelligent words to depict a few different marriages in the book, each of which reflects people's attitudes toward marriage in that time. We can comprehend the essence of Jane and Bingley’s marriage, Elizabeth and Darcy’s marriage , Lydia and Wickham’s marriage and Charlotte and Collins’s marriage through Elizabeth’s views. Through the wise heroine, we see marriage description. To marry for wealth and beauty is wrong.This kind of marriage cannot retain long-term happiness, and truly happy marriage is based on love and sense.2 The analysis o f Elizabeth’s characterElizabeth Bennet is a person worthy of our imitation. She is a model because she is different from all the other characters, except Darcy, and because she does not adhere rigidly to the standards set forth by society, she is self-reliant and independent. Elizabeth rejects Mr. Collin's proposal because she does not think that marriage was boring, nor does she believe in marriage of convenience. When Mr. Collins says arrogantly to Elizabeth, she politely refused him. Unlike Charlotte Lucas, Elizabeth would never violate her principle and her integrity and throw away her talents bymarrying Mr. Collins, a conceited, narrow-minded, and pompous fool. Elizabeth looksnature because she puts her trust in her own perceptions and impressions. On the other hand, she is not ready to rebel against society. She does not totally disregard social proprietary. She has good manners; her slight breach of decorum walking alone to Nether field Park is justified by her genuine concern for her sister who is ill. She hasgood manners. When Lady Catherine criticizes Elizabeth skill of playing piano, shecan have good manners to keep polite.3 Elizabeth’s views about her sisters’ and friend’s marriage3.1The most realistic marriage —Charlotte’s marriageFor money and marriage, Charlotte by marriage just wants to get a rich husband, thus she can have the economic security. Marriage for them is a task, but Collins couples obtain from the marriage what they want: Charlotte gets stable of rich life; Collins also gets a warm home. This is their understanding of marriage.3.2 The most ridiculous marriage —Lydia’s marriageLydia and Wickham is absurd combination of extremely. Their relationship is completely built on lust and appearance, no love foundation, say, is neither practicalnor romantic. Lydia got erotic satisfied; Wickham also get what he wanted wealth,this is their understanding of marriage.3.3The most happy marriage —Jane’s marriageJane and Bingley marriage is considered the happiest marriage. Jane and Bingleymatch each other faces, male prodigy, anyone opinion, they are the most suitable for together. Their marriage, love, in my opinion, is not the main base, the main is a kindof attraction. For Jane's beauty and Bingley, Jane attracted to kind of handsome and Bingley attracted gentleman poise, their love more performance for a mutual admiration of love. Marriage is a complicated contract, both parties must have enoughlove to maintain the basis of this contract. But Jane and the love between the Bingleytoo insipid, too. That's not enough deep-rooted, let I don't feel safe, seem to lurk trace dangerous breath.3.4 The most admirable marriage —Elizabeth’s marriageThe marriage is tortuous between them but again ups deep-rooted of love based."Economic and social structures with such great power sways interpersonal the relationships between people and this made her became the cartoonist monster"(D.W.Hardin 166-179). With first marriage proposal as a border, in thinking changed not only is Elizabeth, and Darcy. Elizabeth because Darcy letter, to realize their prejudice; Darcy because Elizabeth words, to realize their arrogance. If Elizabeth for Darcy's first marriage proposal didn't refuse words may Darcy for her infatuation will not lasting. If no refusal dialogue, Darcy or that although multimillionaire, although a handsome, but too arrogant on high. For such people, Elizabeth even for impulsive and agreed to marry him, in the near future, Elizabeth still will be sorry. And if not rejected that after letter, Elizabeth is still that although bright, beautiful, frank, but too subjective and prejudice, for such people, Darcy will soon tired. Because have these twists and turns, the love between them is more precious, more deeply.4 Conclusion"There is no doubt that Elizabeth and Darcy's love is the shining pearl in the history of literary, and their love is the ideal mode which has been esteem by Austen"(Zheng 79). The author’s view about marriage: it is wrong to get married for property, money and position. Getting married without considering that above-mentioned factors are unwise ether. So that she objects to get married for money, objects to regarding the marriage as a trifling matter. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriageLove is impulsive and is of no reason no passionate, and full of madness.Love itself is crazy. However, how many people can love with madness? The reality is cruel, marriage doesn't equal to love, and this ideal are away from us far away. Darcy and Elizabeth’s marriage is the happiest, with deep-rooted of love, and a necessary condition that Darcy strongly wealth. Money is not secular in their marriage wasn'tsecular; the wealth is just like sunshine and nutritions their marriage is of much envy for any person. If marriage is such a castle, so I'd like to be trapped in such a city, Are being loved besieged not a kind of happiness?As far as I concerned, Pride and Prejudice reflects the British sentiment of the end of 18th century and the early of 19th century under the circumstance of conservative，and tells us different ways and attitudes to the marriage between Mr. and Mrs. Bennet’s five daughters’. This reveals the author’s attitude toward marriage .And that is love and marriage based on money, property and social status is not perfect, and it is very stupid. "And we must emphasize the importance of ideal marriage, meanwhile, oppose to love and marriage based on money or property"(Hu 17). We must take the affection or love as the cornerstone of ideal marriage between male and female. Elizabeth was born in the family of squireen's, and loved by Darcy. Darcy proposes marriage to her in spite of their difference of the possession of property and social status, but is still refused by Elizabeth because of his pride. So if Darcy's pride still exists, there will be no love and even happy marriage between Elizabeth and him. And I think pride and prejudice aren't very good. If someone is always full of pride, he will look down upon others and think he is very great and smart. Because of Darcy's pride, Elizabeth hold prejudice against him. If someone is a prejudiced person, every time he meets somebody or something, what he thinks of others all depends on his foregone experience and his mood of the time. What’s worse, he doesn’t think what he does is wrong. He thinks everyone is the same as him and everyone has his special way to know the world, but it is absolutely wrong. Though everyone can be judged in the way he likes, he can’t ignore others. He can like what he likes and hate what he hates, but he should be objective when he treats others. So I think we should consider things rationally and thoughtfully and not just do as we like. That is to say, we shouldn't have any pride and prejudice, or we couldn't treat things and others impartially and it couldn't lead a happy life.References[1]孙致礼,译,简·奥斯丁.《傲慢与偏见》南京:译林出版社,2000年：83Sun Zhili,Pride and Prejudice,2000:83[2]朱虹,《奥斯丁研究》.北京:中国文联出版公司,1985年：178Zhu Hong,The Research of Austen,1985:178[3]郑晓园.文化深层的激荡.阅读与欣赏,1998年：79Zheng Xiaoyuan The Deeping Evoking of Culture，1988:79[4]D.W.Harding.‘Regulated Hatred:An Aspect of the Work of Jane Austen’Watt.Jane Austen:A Collection of Critical Essays（2005）：166-179[5]胡宗锋：《英美文学精要问答及作品赏析》．西安出版社，2002．17[Hu Zongfeng ：British and American literature works q&a and appreciation Journal of Xi’an2002：17]AcknowledgementsIn the course of writing this thesis, I received a magnificent amount of help and support, and I would like to take the opportunity to express my gratitude to all who have help me.In the course of writing this thesis, I received a lot help and support from my teachers and from my friends, now i have this opportunity to express my appreciation to all the people who have help me.I want to give my profound thanks to Mr Lu, He is strict to me, and he is also very patient to me, I have done the thesis by his priceless help and his guidance. This thesis is finished under his meticulous help and support.Then I'll thank the other teachers and my classmates who help me in finishing this thesis, thank you very much.。
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傲慢与偏见文献综述教程文件
1 IntroductionThe main story of the novel happens between Elizabeth Bennet and Darcy. Although, it seems that, they haven’t attracted anyone’s eyes. We all know that at the first ball, when Lizzy asked Mr Darcy to have a dance. He refused. He didn’t think that anyone at the village can deserve him. After this, Lizzy promised not to pay attention to him any more because of his pride.At last, when everything comes to light Lizzy regretted. She found that she had misunderstood Darcy. And Darcy had although changed. He made an offer of marriage to her again and was accepted. No pride and no prejudice are between them.The novel also reflected the author oneself's marriage view: It is wrong to marry for the property, money and position. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriage .Just because Pride and Prejudice, I have a profound thinking about marriage. The writer uses intelligent words to depict a few different marriages in the book, each of which reflects people's attitudes toward marriage in that time. We can comprehend the essence of Jane and Bingley’s marriage, Elizabeth and Darcy’s marriage , Lydia and Wickham’s marriage and Charlotte and Collins’s marriage through Elizabeth’s views. Through the wise heroine, we see marriage description. To marry for wealth and beauty is wrong. This kind of marriage cannot retain long-term happiness, and truly happy marriage is based on love and sense.2 The analysis o f Elizabeth’s characterElizabeth Bennet is a person worthy of our imitation. She is a model because she is different from all the other characters, except Darcy, and because she does not adhere rigidly to the standards set forth by society, she is self-reliant and independent. Elizabeth rejects Mr. Collin's proposal because she does not think that marriage was boring, nor does she believe in marriage of convenience. When Mr. Collins says arrogantly to Elizabeth, she politely refused him. Unlike Charlotte Lucas, Elizabeth would never violate her principle and her integrity and throw away her talents bymarrying Mr. Collins, a conceited, narrow-minded, and pompous fool. Elizabeth looksnature because she puts her trust in her own perceptions and impressions. On the other hand, she is not ready to rebel against society. She does not totally disregard social proprietary. She has good manners; her slight breach of decorum walking alone to Nether field Park is justified by her genuine concern for her sister who is ill. She hasgood manners. When Lady Catherine criticizes Elizabeth skill of playing piano, shecan have good manners to keep polite.3 Elizabeth’s views about her sisters’ and friend’s marriage3.1The most realistic marriage —Charlotte’s marriageFor money and marriage, Charlotte by marriage just wants to get a rich husband, thus she can have the economic security. Marriage for them is a task, but Collins couples obtain from the marriage what they want: Charlotte gets stable of rich life; Collins also gets a warm home. This is their understanding of marriage.3.2 The most ridiculous marriage —Lydia’s marriageLydia and Wickham is absurd combination of extremely. Their relationship is completely built on lust and appearance, no love foundation, say, is neither practicalnor romantic. Lydia got erotic satisfied; Wickham also get what he wanted wealth,this is their understanding of marriage.3.3The most happy marriage —Jane’s marriageJane and Bingley marriage is considered the happiest marriage. Jane and Bingleymatch each other faces, male prodigy, anyone opinion, they are the most suitable for together. Their marriage, love, in my opinion, is not the main base, the main is a kindof attraction. For Jane's beauty and Bingley, Jane attracted to kind of handsome and Bingley attracted gentleman poise, their love more performance for a mutual admiration of love. Marriage is a complicated contract, both parties must have enoughlove to maintain the basis of this contract. But Jane and the love between the Bingleytoo insipid, too. That's not enough deep-rooted, let I don't feel safe, seem to lurk trace dangerous breath.3.4 The most admirable marriage —Elizabeth’s marriageThe marriage is tortuous between them but again ups deep-rooted of love based."Economic and social structures with such great power sways interpersonal the relationships between people and this made her became the cartoonist monster"(D.W.Hardin 166-179). With first marriage proposal as a border, in thinking changed not only is Elizabeth, and Darcy. Elizabeth because Darcy letter, to realize their prejudice; Darcy because Elizabeth words, to realize their arrogance. If Elizabeth for Darcy's first marriage proposal didn't refuse words may Darcy for her infatuation will not lasting. If no refusal dialogue, Darcy or that although multimillionaire, although a handsome, but too arrogant on high. For such people, Elizabeth even for impulsive and agreed to marry him, in the near future, Elizabeth still will be sorry. And if not rejected that after letter, Elizabeth is still that although bright, beautiful, frank, but too subjective and prejudice, for such people, Darcy will soon tired. Because have these twists and turns, the love between them is more precious, more deeply.4 Conclusion"There is no doubt that Elizabeth and Darcy's love is the shining pearl in the history of literary, and their love is the ideal mode which has been esteem by Austen"(Zheng 79). The author’s view about marriage: it is wrong to get married for property, money and position. Getting married without considering that above-mentioned factors are unwise ether. So that she objects to get married for money, objects to regarding the marriage as a trifling matter. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriageLove is impulsive and is of no reason no passionate, and full of madness. Love itself is crazy. However, how many people can love with madness? The reality is cruel, marriage doesn't equal to love, and this ideal are away from us far away. Darcy and Elizabeth’s marriage is the happiest, with deep-rooted of love, and a necessary condition that Darcy strongly wealth. Money is not secular in their marriage wasn'tsecular; the wealth is just like sunshine and nutritions their marriage is of much envy for any person. If marriage is such a castle, so I'd like to be trapped in such a city, Are being loved besieged not a kind of happiness?As far as I concerned, Pride and Prejudice reflects the British sentiment of the end of 18th century and the early of 19th century under the circumstance of conservative，and tells us different ways and attitudes to the marriage between Mr. and Mrs. Bennet’s five daughters’. This reveals the author’s attitude toward marriage .And that is love and marriage based on money, property and social status is not perfect, and it is very stupid. "And we must emphasize the importance of ideal marriage, meanwhile, oppose to love and marriage based on money or property"(Hu 17). We must take the affection or love as the cornerstone of ideal marriage between male and female. Elizabeth was born in the family of squireen's, and loved by Darcy. Darcy proposes marriage to her in spite of their difference of the possession of property and social status, but is still refused by Elizabeth because of his pride. So if Darcy's pride still exists, there will be no love and even happy marriage between Elizabeth and him. And I think pride and prejudice aren't very good. If someone is always full of pride, he will look down upon others and think he is very great and smart. Because of Darcy's pride, Elizabeth hold prejudice against him. If someone is a prejudiced person, every time he meets somebody or something, what he thinks of others all depends on his foregone experience and his mood of the time. What’s worse, he doesn’t think what he does is wrong. He thinks everyone is the same as him and everyone has his special way to know the world, but it is absolutely wrong. Though everyone can be judged in the way he likes, he can’t ignore others. He can like what he likes and hate what he hates, but he should be objective when he treats others. So I think we should consider things rationally and thoughtfully and not just do as we like. That is to say, we shouldn't have any pride and prejudice, or we couldn't treat things and others impartially and it couldn't lead a happy life.References[1]孙致礼,译,简·奥斯丁.《傲慢与偏见》南京:译林出版社,2000年：83Sun Zhili,Pride and Prejudice,2000:83[2]朱虹,《奥斯丁研究》.北京:中国文联出版公司,1985年：178Zhu Hong,The Research of Austen,1985:178[3]郑晓园.文化深层的激荡.阅读与欣赏,1998年：79Zheng Xiaoyuan The Deeping Evoking of Culture，1988:79[4]D.W.Harding.‘Regulated Hatred:An Aspect of the Work of Jane Austen’Watt.Jane Austen:A Collection of Critical Essays（2005）：166-179[5]胡宗锋：《英美文学精要问答及作品赏析》．西安出版社，2002．17[Hu Zongfeng ：British and American literature works q&a and appreciation Journal of Xi’an2002：17]AcknowledgementsIn the course of writing this thesis, I received a magnificent amount of help and support, and I would like to take the opportunity to express my gratitude to all who have help me.In the course of writing this thesis, I received a lot help and support from my teachers and from my friends, now i have this opportunity to express my appreciation to all the people who have help me.I want to give my profound thanks to Mr Lu, He is strict to me, and he is also very patient to me, I have done the thesis by his priceless help and his guidance. This thesis is finished under his meticulous help and support.Then I'll thank the other teachers and my classmates who help me in finishing this thesis, thank you very much.。
傲慢与偏见毕业论文
傲慢与偏见毕业论文傲慢与偏见毕业论文《傲慢与偏见》是奥斯丁的代表作。
这部作品以日常生活为素材,一反当时社会上流行的感伤小说的内容和矫揉造作的写作方法,分享了傲慢与偏见的毕业论文，一起来看看吧！一、导论（一）研究综述《傲慢与偏见》中的婚姻话题一直以来为人们乐此不疲地谈论着，下面是前人对该书婚姻的分析：不管是贝内特夫妇还是夏洛特和柯林斯夫妇，他们的婚姻的出发点都是钱。
在当时工业革命的大潮下，人们疯狂地追逐名利地位，形成了经济第一的观念，同时却忽略了对妇女的教育，把她们框在狭小的家庭生活圈内，限制了她们的受教育权利。
因此，没有多少财产的年轻女性在那样的金钱社会中唯一的生存机会就是嫁个有钱人。
这种资本主义婚姻的实质无非就是金钱和利益的结合，缺少了情感因素这一基本保障，在日久经年的婚姻生活中虽然衣食无忧，但必定缺少了应有的快乐，也体会不到何谓幸福的婚姻。
（二）本文的研究视角和研究目的《傲慢与偏见》作为世界经典名著，被毛姆列为世界十大小说名著之一，其文学价值自然不言而喻。
因此，多年来，对该书的解读和研究从未中断过。
不管是对奥斯丁本人的研究，还是对书中各个人物的解读，或是对该书文学艺术的考究，都深刻地反映了《傲慢与偏见》作为世界上经久不衰的一部作品有其独特的魅力。
本文从婚姻这一角度深入研究书中四对青年男女的婚姻状况，讨论影响人们幸福婚姻的因素到底有哪些。
是爱情？是金钱？还是社会地位？仁者见仁，智者见智，不同的人对幸福的理解不同，自然对婚姻的选择也不尽相同。
本文提倡爱情是婚姻最根本的要素，也是婚姻最重要的条件，当然一定的物质基础与婚姻的幸福指数也密切相关。
通过对书中四对婚事的探讨，以及它们对当代人的影响，最后笔者总结了爱情才是缔结一段美好婚姻的最重要的因素。
二、《傲慢与偏见》中不同性质的婚姻（一）理想的婚姻：伊莉莎白与达西1.真爱的结合伊莉莎白与达西的感情纠葛贯穿了整部小说。
伊莉莎白是贝内特太太的二女儿，不仅美貌出众，而且聪明过人。
文献综述-《简爱》《傲慢与偏见》女性意识的异同及其原因
引言《简爱》与《傲慢与偏见》都是享誉世界的文学作品，这两部作品的创作者都是生活在18 世纪末19世纪初的女性作家，都反应了当时女性的生活状况：在男权社会的压迫下，女性不能够独立，男女根本不平等。
在此社会背景下，这两部文学作品的主人公伊丽莎白和简爱在面对不公平待遇时都体现了其反抗意识，但在具体的观念上、行动上表现出明显的差异，基于此，本文将对两部文学作品的女性意识异同及其原因进行探讨。
主体笔者通过在图书馆、知网、互联网等平台查阅了大量关于对《简爱》与《傲慢与偏见》两部著作分析研究的文献，以及对女性文学、女权意识、社会心理学等相关知识分析研究的各类著作，同时通过检索CNKI，发现关于《简爱》与《傲慢与偏见》女性意识的异同及其原因的研究成果颇丰,国内外均有大量研究。
综合来看，现有研究主要体现在以下三个方面：（一）两部著作女性意识的相同点：两部作品里都反映了主人公在当时英国女性深受男权社会压抑,男女不平等,女性经济上不能自立的社会环境中，关于对独立、自由和爱情的反抗意识，都不满于女性所处的卑微地位,都有过不同程度的抗争。
（二）两部著作女性意识的不同点：一是在两性关系上,《傲慢与偏见》表现为女性要求受到男性的尊重,《简爱》则体现在大胆追求男女平等和女性的独立。
《傲慢与偏见》中，男主人公达西宁不愿邀请女主人公伊丽莎白跳舞，认为她的相貌“仅仅过得去，不到漂亮到能够打动”他的地步而宁愿当一个旁观者，这种傲慢极大地伤害了伊丽莎白的自尊心，后面达西宁慢慢被她吸引并最终向她求婚,尽管伊丽莎白内心已经爱上达西宁，但却为报复他的不尊重而严辞拒绝，这一举动鲜明地反映了处于男权社会中弱女子要求受到尊重的强烈愿望；在《简爱》中，女主人公简爱即使从小无父无母,被舅父收养，也敢于怒骂冷酷无情的舅母是“你坏,你狠心”,并给了她表哥拳头的教训，对书中梅森先生的评价“模样儿俊俏的男人，但皮肤光滑的鹅蛋脸没有力量，鹰沟鼻和樱桃小嘴没有坚毅,低而平的额头没有思想”等等，都表明她是一个有独立的思想和见解,具有自己独立人格并与男性人格完全平等的人。
傲慢与偏见引用文献英语
傲慢与偏见引用文献英语
以下是一些引用《傲慢与偏见》的英语文献：
1. Austen, Jane. Pride and Prejudice. London: Penguin, 2003.
2. Byrd, Susan. "The Economics of Marriage in Jane Austen's Pride and Prejudice." The Journal of Economic Perspectives 15, no. 4 (1999): 209-21.
3. Doody, Margaret Anne. "Jane Austen's Pride and Prejudice and the Politics of the Family." Feminist Studies 18, no. 2 (1992): 265-86.
4.世袭, 简. "傲慢与偏见" 的浪漫喜剧. 纽约: 企鹅出版集团, 1994.
4. 坦普尔顿, 玛丽莲. "傲慢与偏见" 中的社会阶层和女性角色. 《英语文学研究》, 1990.
这些文献涵盖了对《傲慢与偏见》的各种分析，包括经济学、女性主义和文学研究等方面的观点。
你可以根据自己的需求选择适合的文献进行引用。
请注意，在引用文献时，应遵循相应的引用规范。
傲慢与偏见英语论文
傲慢与偏见英语论⽂Thesis:Marriage does not mean the act of uncontrolled passion but a complex engagement between the marrying couple and society.I. IntroductionII. The analysis of Elizabeth?s characterIII. Elizabeth?s views about marriageA. The most realistic marriage—Charlotte?s marriageB. The most ridiculous marriage—Lydia?s marriageC. The most happy marriage—Jane?s marriageD. The most admirable marriage—Elizabeth?s marriag eIV. ConclusionPride and Prejudice is a very popular novel by Jane Austen and it was read widely all over the world. This novel is written in 1813. We main agronomic characters of the marriage as a typical cases in books, how to influence their marriage value orientation of money. Some people may realize that marriage can provide opportunities of class mobility and financial support; money and class are thus closely connected in their decision of marital partners.If marriage is a castle, but the hero and heroine is like Darcy and Elizabeth such person, so, even a not pleasing to begin their mutual see each other bias, and ultimately willing to be trapped in such a city. The power of love is great, it can let a hate in human love change, can let you cast prejudice, and re-know and accept a person.Key words: Pride and Prejudice money value orientation marriage view内容提要《傲慢与偏见》是简奥斯丁⼀本在全世界都被⼴泛传颂的⼩说，写于1813年，我们可以通过这本⼩说将婚姻分为⼏种典型并且分析这⼏种婚姻观的价值取向。
傲慢与偏见中的翻译策略研究
研究结果概述
要点一
翻译策略分析
研究者发现，《傲慢与偏见》中的翻 译策略主要包括直译、意译、音译和 创译。不同版本的译本在采用这些策 略时存在差异，这些差异影响了译文 的质量和读者接受度。
要点二
优劣分析
研究者指出，直译和意译是两种最常 见的翻译策略，直译强调保留原文的 形式和内容，而意译则更注重传达原 文的意义
故事梗概
《傲慢与偏见》是一部以绅士和淑女间的爱情故事为主线，展现了当时英国 乡村社会的风俗和人情的小说。
傲慢与偏见翻译策略研究现状
研究现状
目前对于《傲慢与偏见》的翻译策略研究主要集中在语义翻译和归化、异化翻译策略的运用等方面，也有一些 研究涉及到原文和译文间的对比分析。
研究意义
通过对《傲慢与偏见》的翻译策略研究，可以更深入地理解原文的语义、修辞和语境特点，探索更有效的翻译 方法和技巧，提高译文的准确性和可读性。
还可以从跨文化角度出发，深入研究翻译中的文 化因素及其对目标语读者的影响。
此外，可以进一步研究译者的主体性在翻译 过程中的作用和影响，以及如何提高译者的 综合素质和能力，以促进翻译事业的发展。
THANKS
谢谢您的观看
02
研究还发现，译者在翻译过程中受到原文、目标语读者、文化背景等多种因素 的影响，从而选择不同的翻译策略。
03
此外，本研究还发现，译者在翻译过程中具有主体性，会对原文进行适当的改 写和调整，以适应目标语读者的阅读习惯和文化背景。
对翻译实践的启示
本研究结果对翻译实践具有一定的指 导意义，译者在翻译过程中应充分考 虑目标语读者的文化背景和阅读习惯 ，采用适当的翻译策略，使译文更加 地道、流畅。
要点三
影响分析
研究者认为，《傲慢与偏见》中的翻 译策略对读者接受度产生影响。采用 直译的版本可能让读者感觉生硬和难 以理解，而过度依赖意译则可能导致 译文失去原文的精髓
《傲慢与偏见》中的翻译策略研究
《傲慢与偏见》中的翻译策略研究【摘要】奥斯汀在《傲慢与偏见》这部作品中以细腻的感情,轻松活泼的文字描绘了乡绅和淑女间的爱情和婚姻,通过在家庭间琐碎、恬淡的氛围,将待嫁淑女的浪漫情怀和不可避免的烦恼娓娓道来。
同时奥斯汀也表明了自己对于女性选择婚姻的态度,那就是应该感情与理智相结合。
本文研究了《傲慢与偏见》中的翻译策略。
【关键词】奥斯汀；《傲慢与偏见》；翻译简·奥斯丁(Jane Austen, 1775—1817) 是英国18—19世纪著名的女作家, 她一生短暂, 但留下的作品从当时到今天200多年的时间里仍然受到各个领域人们的喜爱。
她的小说在畅销榜上遥遥领先, 小说中的情节和故事成为现代大众娱乐热衷的题材。
在英国文学史上, 奥斯丁因其独树一帜的风格和承上启下的作用而被誉为“无与伦比的简·奥斯丁”。
她的《傲慢与偏见》是一部脍炙人口, 令读者交口称赞的佳作, 直至今日仍然被人们津津乐道。
一、《傲慢与偏见》概述谈到英国文学史，除了莎士比亚之外，另外一位重要的文学巨匠就是同样以描写爱情小说见长的简·奥斯丁，与莎士比亚不同的是，她的爱情小说都以大团圆结局结尾。
简·奥斯丁（Jane Austen 1775-1817）这个名字对我国读者并不陌生，她的一生共写作了六本小说，而其中最著名的非《傲慢与偏见》一书莫属了。
早在1995 年，英国BBC 公司就投资拍摄其电视剧版本，随后的十几年中又出现了多个电影版本，可见这本小说在全世界读者中的受欢迎程度。
虽然她一生从未在正规学校接受过系统教育，但她始终酷爱阅读与写作，以她作为女性独到、细腻的眼光观察围绕她一生的小康乡村生活。
即便《傲慢与偏见》写于1813 年，属于她的早期作品，但当时已经三十七岁的简·奥斯丁结合自己刻骨铭心的初恋经历，将她对英国十八、十九世纪中产阶级乡村生活的观察和自己的爱情理想凝练成小说中过着日常生活的平凡人物。
傲慢与偏见课题研究报告
傲慢与偏见课题研究报告傲慢与偏见课题研究报告1. 引言《傲慢与偏见》是一部由英国作家简·奥斯丁创作的小说，于1813年首次出版。
这部小说以描写伊丽莎白·班内特与威廉·达西之间的爱情故事为主线，探讨了社会阶层、婚姻观念和个人成长等主题。
作为奥斯丁最具代表性的作品之一，《傲慢与偏见》已经成为经典文学作品，并被广泛研究。
本报告通过对《傲慢与偏见》的深入研究和分析，探讨了小说中出现的几个关键课题，包括社会阶层与婚姻观念的关系、男女角色的塑造以及亲情与个人追求之间的冲突。
通过对这些课题的研究，我们可以更好地理解《傲慢与偏见》所传达的价值观和人物形象。
2. 社会阶层与婚姻观念《傲慢与偏见》对社会阶层的描绘非常细腻和传神。
小说中的人物来自不同的社会阶层，他们的身份地位直接影响着他们的婚姻观念和行为。
在这个以贵族阶层为背景的小说中，婚姻被视为一种社会和经济地位的体现，而不只是一种个人的感情选择。
达西先生和班内特小姐之间的爱情故事是小说的核心。
达西先生作为一个富有的绅士，具有高贵的血统和贵族地位，而班内特小姐的家庭则相对较为普通。
由于班内特家族的社会地位较低，班内特小姐的妹妹们也大都没有得到满意的婚姻。
这种社会阶层的分割导致了班内特小姐初始对达西先生的偏见和傲慢，但随着剧情的发展，班内特小姐逐渐认识到自己的错误，并最终意识到个人的品德和人性才是真正重要的，而非社会地位。
3. 男女角色的塑造《傲慢与偏见》中的男女角色是以鲜明的个性和特点而闻名。
从伊丽莎白·班内特到简·班内特，小说中的女性形象都具有独立自主的特点。
奥斯丁通过这样的塑造展现了她对女性地位的看法和态度。
这些女性角色不再是传统意义上被动的附庸，而是以自己的意愿和个性追求自己想要的生活。
男性角色中的达西先生则是一个引人注目的形象。
在小说开始时，达西给人的感觉是一个傲慢自大、不近人情的人。
然而，随着伊丽莎白对达西先生的了解深入，读者也逐渐发现了达西内心深处的善良和真实。
傲慢与偏见文献综述 (1)
文献综述通过对论文研究方向及背景的初步阐释，本章将着重针对论文的三个方面进行研究，包括言语行为理论、反讽现象以及著名的文学作品《傲慢与偏见》进行逐一、有针对性的全面探究它们在国内和国外范围内的研究现状及发展现状，在凸显了此论文研究价值的同时，为进一步深入发掘和开拓实践相关方面的研究提供借鉴性意义。
第一节关于言语行为理论的国内外研究现状1.国内研究从可以查到的文献来看，对言语行为理论研究的文献数量充足，可以从以下几个方面进行系统归纳。
言语行为理论角度：从言语行为理论本身进行综述的成果有很多，其中较具有代表性的成果主要包括:顾曰国(1994)作为中国社会科学院语言研究所研究员发表了《约翰·塞尔的言语行为理论:评判与借鉴》一文，在该文中，作者主要讨论的是国外学者对塞尔言语行为理论的阐述。
冉永平(2005)发表《当代语用学的发展趋势》，对语用学发展的总体趋势进行阐述，其中包括对言语行为理论的阐述。
交际意图角度：相关文章主要有辛斌(1999)的《言语行为、交际意图和预示列》一文，作者认为描写单个语句的交际功能可以通过借助言语行为理论并解释了其在语篇中的相互关系。
林波于(2002)发表《交际意图的语用认知新探》一文，作者主要从认知语用学的角度出发，分析交际意图的形成、传递与阐释。
跨文化角度：主要有黄永红(2001)发表《对言语行为“道歉”的跨文化研究》一文，主要从跨文化角度，以问卷的方式对言语行为“道歉”问题做了详细的研究。
琳林(2002)发表的《言语行为理论的跨文化语用对比分析》从文化语用学的角度对不同文化背景上的交际行为进行对比研究。
2.国外研究现状约翰·奥斯汀早在二十世纪三十年代末首次提出言语行为。
之后，到了二十世纪五十年代，奥斯汀对言语行为理论进行划分，将交际过程中的话语分为两类。
也就是说，话语一方面陈述话语含义，另一方面又实施某种行为。
直至二十世纪五十年代后期，奥斯汀又将交际中的言语行为分成了三个类别，分别是以言指事、以言行事及以言成事。
影视作品《傲慢与偏见》的英文字幕汉译研究
影视作品《傲慢与偏见》的英文字幕汉译研究华东师范大学周鑫简·奥斯汀所著的小说《傲慢与偏见》曾多次被搬上大银幕，并获得了观众的广泛喜爱。
《傲慢与偏见》以其独特的视角、引人入胜的情节和充满智慧并风趣的语言为我们展现了18世纪英国乡村的社会生活，尤其是对女性的婚姻问题做了生动详尽的描述。
在原著小说中，奥斯汀讲述了四对青年男女的爱情和婚姻，而历次重拍的电影都再现了原著小说中的精彩画面和对白，为我们展现了不同风格的《傲慢与偏见》。
下面就2005年凯拉·奈特莉主演的电影《傲慢与偏见》的两个不同的中英文字幕版本进行分析和比较，以见其优劣，提出一些优秀的英文电影字幕翻译的策略，并对字幕组翻译的不足之处进行修正。
凯拉·奈特莉版《傲慢与偏见》自从在中国上映以来，出现了多个不同的翻译版本，其中一个是由飞鸟老狼字幕组制作的，另一个是人人字幕组翻译的。
两个版本的翻译风格有很大区别，所采用的主要翻译方法和技巧也有同有异，不同的译者所拥有的不同的知识储备、个性和语言风格，都会对英文字幕的翻译产生重要的影响。
2电影《傲慢与偏见》的语篇类型语篇是英文电影信息的载体，英文电影作为一种传播信息和文化的方式，在字幕汉译的过程中，尤其要重视对语篇的分析和判断。
Katharina Reiβ是第一次从翻译角度指出了划分语篇类型的重要性（李晓梅，2008:181）。
她把语篇类型划分为信息类、表达类和施为类。
信息类多数为教科书、科研报告等；表达类的语篇包括诗歌、剧本、小说等；施为类的语篇包括广告和宣传册等。
由此可见，影片《傲慢与偏见》属于语篇类型中的表达类，在翻译字幕的时候要根据影片中的具体语境和人物的个性及语言风格，采用直译和意译相结合的翻译方法，对英文字幕做出比较完美的诠释。
3两个不同版本字幕的比较和分析飞鸟老狼字幕组和人人字幕组所采用的主要翻译策略有所不同，飞鸟老狼字幕组更多地采用了直译和意译相结合的方法，而人人字幕组更多地采用了直译的方法，因而这两个版本的字幕带给观众的感受是有很大区别的，其中有优有劣，下面做一详细的分析和比较。
《傲慢与偏见》翻译研究的文献综述
《傲慢与偏见》翻译研究的文献综述傲慢与偏见是普立兹奖获得者、英国著名小说家JaneAusten所著的小说。
一九一八年该小说在英国出版发行，此后便引发了许多中外学者的持续兴趣，为他们带来了极大的阅读乐趣。
近年来，傲慢与偏见的翻译研究得到了越来越多的关注，许多学者就傲慢与偏见的翻译问题发表了论文，就此问题展开了深入的研究。
本文就傲慢与偏见的翻译研究现状及其未来发展进行文献综述，以期为其他学者提供学术参考和借鉴。
一、文献综述傲慢与偏见是Jane Austen所写的一部广受好评的小说，此篇小说充满了讽刺和娴熟的文笔，描述了小说中一宗新贵上流社交协调的幸福故事。
同样重要的是，它也反映了当时的英国社会，解析了当时的社会文化现象，具有重要的历史价值。
鉴于它的文学价值和新贵社会的特征，傲慢与偏见在中国的受欢迎程度显著高于其他许多英国文学作品。
傲慢与偏见的文学翻译促使了许多学者进行研究，并发表了许多关于此话题的文章，从而形成了一个完整的傲慢与偏见翻译研究体系。
例如，郎金慧（2016）就傲慢与偏见的翻译问题进行了探讨，指出，傲慢与偏见的翻译存在若干问题，如文化差异、不同文化背景带来的语言习惯差异等。
此外，她还提出了傲慢与偏见在翻译过程中应遵循的几条原则，包括追求完整性原则、内涵准确性原则、形式可接受性原则和文化相容性原则。
此外，朱芳（2016）也在傲慢与偏见的翻译研究中发表了一篇论文，指出，傲慢与偏见翻译中有两个关键问题，第一是如何准确地表达原文的隐喻意义，即如何准确地表达原文的隐喻内涵；第二是如何尊重对象文化的原则，也就是如何确保目的文本中文化特色的真实性。
因此，朱芳认为，翻译者应当以维护原文的内涵准确性和保护目的文本文化特点为主要目标，来指导傲慢与偏见翻译工作。
最近，许多学者也利用新的研究方法，如计算机辅助翻译（CAT）、社交网络分析（SNA）和语言的跨文化研究（CCL），研究傲慢与偏见的翻译问题并发表了许多新的研究成果。
《傲慢与偏见》第1-5章中译校研究
的欣 赏。其汉 译本 的数 量在我 国也不胜 枚举 ， 其 中从上 世纪 ８ ０ 年 代 以来 。有 四位 翻译界 的学 者分 别做 出 了对 这部 文学 经 典的 中文 译本 。 他们 分别是 王科一 （ １ ９ ８ ０ ） ； 孙致 礼 （ １ ９ ９ ０ ） ；
ｅ ｄ， ｓ ｈ ｅ ｆ ａ ｎ ｃ ｉ ｅ ｄ ｈ ｅ ｓｅ ｒ ｌ ｆ ｎ ｅ ｒ ｖ ｏ ｕ ｓ ．
Ｗａ ｎ ｇ Ｋ ｅ ｙ ｉ ： 你没 有去真可 惜 。吉英那 么吃香 ， 简直是无
法形 容 。
试译 ： 你 没去 真 可惜 了 ， 吉 英 是 如此 令人 仰 慕 ， 谁 都 没
张玲 、 张扬 （ １ ９ ９ ３ ） ； 方 华文 （ １ ９ ９ ４ ） ， 其 中以王科一 先生 的译本
试译： “ 我对 他再 次请 我跳舞感 到 高兴 。我真想 不 到他
会这样赞 美我 。”
Ｃ ｏ ｍ ｐ ｌ ｉ ｍｅ ｎ ｔ ｉ ￣为抬举虽 然意思没有 错 ， － 但是 不能完 全表 达原 文的意 思 ，顺 而不信 ，邀请 跳舞 是表 达一种 礼貌 的称
（ ６ ７ ３ ； ｊ ｌ 料
１ —５ 章 中 译 校 研 究 《 傲慢 与偏见》 第
柬 远
（ 南 京视觉艺 术职业 学院 国际学 院 ， 江 苏 南京 ２ １ １ ２ １ ５ ）
摘 要 ：《 傲慢 与偏见》 各个 中文译本在 中国已经流传很久 ， 对 于每 一章 当 中的译教研 究一直 没有停止过 。 王科 一先 生的 译本在 重现经典 原文 的同时 ， 也存 在一 些误译 、 错译， 文章对在 第１ ＿ ５ 章 中存在 的一些 问题进 行重新 考虑 ， 作 出评 价 。
Literaturel review;《傲慢与偏见》文献综述
Literaturel review；《傲慢与偏见》文献综述Literature ReviewPride and Prejudice is considered Jane Austen?s most famous and successful novel. And inmany people?s opinion it is also one of the greatest fictionswritten in English. It contains all theelements necessary for great literature: an attractive plot, a terse style, appropriate setting, and fascinating characters. Many literature critics write essays to analyze this book and I arrange them in the following logical way.1. The Most Remarkable Character of Austen’s WorkThe most remarkable character of Austen?s work is the accurate descriptions of the details ofdaily life. As W. F. Pollock (1860) said “Miss Austen neverattempts to describe a scene or a classof society with which she was not herself thoroughly acquainted. The conversations of ladies with ladies, or of ladies and gentlemen together, are given, but no instance occurs of a scene in which men only are present.” Austen focuses on daily life of middle-class with humor and understanding. She observes every small matters and every ordinaryperson in her own life and tries to paint them in her novel. What are important for her are those little matters, as Emma says, “on which thedaily happiness of private life depends”. In her time marriage mainly determined women's socialstatus. It is obviously reflected in Pride and Prejudice. The characters of Pride and Prejudice areall ordinary people and the dialogues and events may happen in everyone?s daily life.Many literary critics have the same idea as W. F. Pollock, such as W.A.N. and Sir Walter Scott .W.A.N. (1815) said …The most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books?. In Pride and Prejudice she describes the middle class, with which she isfamiliar and the part of the country with which she was acquainted. She puts her first-hand observation and experience into this novel to tell us stories about the Bennet sisters. She herself speaks of the "little bit (two inches wide) of ivory on which I work". We can take any dialogue from Pride and Prejudice, and you will find it is just like talks in every normal day of that time.Sir Walter Scott (1826) also evaluated Pride and Prejudice in his journal:Read again, and for the third time at least, Miss Austen's veryfinely written novel of "Pride andPrejudice." That young lady has a talent for describing the involvements and feelings and characters of ordinary life which is to methe most wonderful I ever met with. The big bow-wow strain I can do myself like any now going; but the exquisite touch, which renders ordinary commonplace things and characters interesting, from the truth of the description and the sentiment, is denied to me.2. The Quality of Austen’s WorkW. F. Pollock(1860) also talked about the quality of the novel—“The uniform quality of herwork is one most remarkable point to be observed in it. Let a volume be opened at any place: there is the same good English, the same refined style, the same simplicity and truth”. When we readPride and Prejudice we can feel the dialogues humorous and fanny and it shows Austen?s specialability in wording. The characters of Pride and Prejudice are all distinctive. Elizabeth isintelligent, witty and lively. Jane always sees the good of others. So you will find that Austen is so skillful in managing her characters.It will then be found how great has been the discrimination of Miss Austen in the selection of1her characters, and how skillful is her treatment in the management of them. It is true that the events are for the most part those of daily life, and the feelings are those connected with the usual joys; but these are the very events and feelings upon which the happiness or misery of most of us depends; and the field which embraces them, to theexclusion of the wonderful, the sentimental, and the historical, is surely large enough, as it certainly admits of the most profitable cultivation. In the end, too, the novel of daily real life is that of which we are least apt to weary: a round of fancy balls would tire the most vigorous admirers of variety in costume, and the return to plain clothes would be hailed with greater delight than their occasionalreli nquishment ever gives. 3. The Weakness of Austen’s Work Austen?s accurate description of the details of daily is also considered a weakness of her work, and even an objection to her. And she has been accused of writing dull stories about ordinary people, especially when her work is compared with those describing the changing times and historical events. But in Pollock?s (1860) view it is just the unique character of Austen?s work.She shows readers a real and vivid picture of her era through these small matters in ordinary people?s ordinary life. There is no grand narrative, but readers can feel it from the dialogues characters make. The description of ordinary people and life is easier to understand. 4. Character of Austen’s HeroinesAusten's heroines have a stamp of their own. They have a certain gentle self-respect and humor and hardness of heart in which modern heroines are a little wanting. Whatever happens they can overcome the difficulties without bitterness. Love with them does not mean a passion so much as an interest—deep, silent, not quite incompatible with a secondary flirtation. Jane Bennet smiles, sighs, and makes excuses forBingley's neglect. Emma passes one disagreeable morning making up her mind to the unnatural alliance between Mr. Knightley and Harriet Smith. It was the spirit of the age, and perhaps one not to be unenvied. It was not that Jane Austen herself was incapable of understanding a deeper feeling.5. Bibiliography[1]Goldwin Smith，1890. Life of Jane Austen[J]. Great Writers[2]Jane Austen, 1994. Pride and Prejudice [M]. New York:Tom Doherty Associates, LLC[3]Sir Walter Scott, 1815. A Review of Pride and Prejudice[J].The Quarterly Review.[4]Tanner Tony，1988. Jane Austen [M]. Harvard University Press[5]W. F. Pollock, 1860. Qualities of Austen?s Work[J].Fraser's Magazine.2。
《傲慢与偏见》中的翻译策略研究
《傲慢与偏见》中的翻译策略研究【摘要】奥斯汀在《傲慢与偏见》这部作品中以细腻的感情,轻松活泼的文字描绘了乡绅和淑女间的爱情和婚姻,通过在家庭间琐碎、恬淡的氛围,将待嫁淑女的浪漫情怀和不可避免的烦恼娓娓道来。
同时奥斯汀也表明了自己对于女性选择婚姻的态度,那就是应该感情与理智相结合。
本文研究了《傲慢与偏见》中的翻译策略。
【关键词】奥斯汀；《傲慢与偏见》；翻译简·奥斯丁(Jane Austen, 1775—1817) 是英国18—19世纪著名的女作家, 她一生短暂, 但留下的作品从当时到今天200多年的时间里仍然受到各个领域人们的喜爱。
她的小说在畅销榜上遥遥领先, 小说中的情节和故事成为现代大众娱乐热衷的题材。
在英国文学史上, 奥斯丁因其独树一帜的风格和承上启下的作用而被誉为“无与伦比的简·奥斯丁”。
她的《傲慢与偏见》是一部脍炙人口, 令读者交口称赞的佳作, 直至今日仍然被人们津津乐道。
一、《傲慢与偏见》概述谈到英国文学史，除了莎士比亚之外，另外一位重要的文学巨匠就是同样以描写爱情小说见长的简·奥斯丁，与莎士比亚不同的是，她的爱情小说都以大团圆结局结尾。
简·奥斯丁（Jane Austen 1775-1817）这个名字对我国读者并不陌生，她的一生共写作了六本小说，而其中最著名的非《傲慢与偏见》一书莫属了。
早在1995 年，英国BBC 公司就投资拍摄其电视剧版本，随后的十几年中又出现了多个电影版本，可见这本小说在全世界读者中的受欢迎程度。
虽然她一生从未在正规学校接受过系统教育，但她始终酷爱阅读与写作，以她作为女性独到、细腻的眼光观察围绕她一生的小康乡村生活。
即便《傲慢与偏见》写于1813 年，属于她的早期作品，但当时已经三十七岁的简·奥斯丁结合自己刻骨铭心的初恋经历，将她对英国十八、十九世纪中产阶级乡村生活的观察和自己的爱情理想凝练成小说中过着日常生活的平凡人物。
《傲慢与偏见》汉译本句法规范的历时研究
《傲慢与偏见》汉译本句法规范的历时研究张芹芹;徐剑【摘要】通过自建《傲慢与偏见》在不同时期的21个全译本语料库,试图探讨众译本句法规范的历时变迁。
平均句长、关联复句、直接引语及特殊句型是研究的重点。
数据显示,第一时期的译本更加接近源语的文本特征;第二时期大部分数据都呈现出和第一时期相反的趋势,体现出更加贴近目标语的文本特征;第三时期数据则大都处于第一时期和第二时期之间,说明本时期译本兼有源语和目标语的共同特征,但总体上呈现出更加向源语靠拢的倾向。
%Based on a self-built monolingual corpus consisting of 21 full Chinese translations of Pride and Prejudice,this paper aims to describe the diachronic changes of translation norms on syntactic level.Average sentence length,connectives,direct speeches and some special sentence patterns are the focus of this paper.Statistical result shows that translations of the first period are much closer to the original text while translations of the second period have shown opposite performances on most of the parts in the four aspects,that is,much closer to the target text.However,translations in the third period are between those in the first and second periods,with mixed features of the original language and the target language,but there is a trend of closeness to the original text as a whole.【期刊名称】《河南理工大学学报（社会科学版）》【年(卷),期】2011(012)002【总页数】9页(P204-212)【关键词】语料库;句法规范;《傲慢与偏见;》历时变迁【作者】张芹芹;徐剑【作者单位】徐州师范大学外国语学院,江苏徐州221116;徐州师范大学外国语学院,江苏徐州221116【正文语种】中文【中图分类】I561美国著名文艺评论家埃德蒙·威尔逊认为:“最近一百多年以来，英国文学史上出现过几次趣味革命，文学口味的翻新几乎影响了所有作家的声誉，唯独莎士比亚和简·奥斯丁经久不衰。
《傲慢与偏见》的研究综述
关于《傲慢与偏见》的研究综述《傲慢与偏见》是英国著名女作家简•奥斯丁的代表作，这部作品以日常生活为素材，反当时社会上流行的感伤小说的内容和矫揉造作的写作方法。
奥斯丁生活的十八世纪末期大英帝国正处于颠峰时期，而奥斯丁却把视线关注在英国乡间。
简·奥斯丁注重表现英国乡间的惬意悠闲，纯朴中的平凡自然，但是整个英国社会始终影响着乡村，如势利、炫耀、虚荣和对婚姻的看法等，《傲慢与偏见》就是这一现象的真实写照。
《傲慢与偏见》融入了作者简·奥斯丁个人对婚姻、女性意识的看法，在这部作品中，也能看出简·奥斯丁在语言运用方面的独特之处。
曾有人说，“若说《红楼梦》是东方的贵妇人，《傲慢与偏见》则是西方的清秀佳人。
”一、关于《傲慢与偏见》语言的研究英国当时流行夸张喜剧性的浪漫小说，已使人们厌倦，奥斯汀的朴素的现实主义开启清新之风。
奥斯丁的语言幽默风趣，给作品带来轻松愉悦之感的同时，也让读者体味到其中的讽刺意味。
《傲慢与偏见》语言的幽默风趣，在书中处处都有所体现。
聊城大学的研究生赵宝霞就在《<傲慢与偏见>人物对话的语用学分析》中，将这种语言的幽默体现从四个准则的违反来分析，有意违反质准则、有意违反量准则、有意违反关系准则、有意违反方式准则。
同时，还提到准确地把握小说中极具喜剧性的时刻，与更深层次的问题相连，才能真正地认识简·奥斯汀作品的精髓。
江苏盐城大学的俞娟也认为《傲慢与偏见》的语言幽默，是在人物语言打破合作原则中体现的，她提到《傲慢与偏见》成功的关键在于对人物形象的生动刻画，细腻的笔法及弥漫全书的幽默语言。
《傲慢与偏见》的成功还在于讽刺艺术的运用，书中语言的讽刺运用得如鱼得水。
苏州市职业大学的王友华就发表了《论<傲慢与偏见>中人物形象的讽刺艺术》，在文中王友华提到奥斯丁在《傲慢与偏见》中将讽刺艺术运用得炉火纯青,无论在情节以及语言上、在人物刻画上,还是在主题表达上,讽刺无所不在。