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大学英语精读第5册和第6册课文全文翻译

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译翻文课文全册Βιβλιοθήκη 6 第和册 5 第读精语英学大到不得却候时的及得来还在“ � 吗由自有子孩个这。养培或练训到受能可不他�特扎莫的没埋被个一成写描被�市城某非北于逛闲常经�年少伯里帕休克埃?圣家作国法在 �由自的峰顶就成人个到达是它。险危的它失丢有们我�石基之由自种四述上是也�由自种五第着在存还时同此与。着斗奋而由自些这为地各界世和土本国美在然仍民移老新的列行其入加来后及以代后的者荒拓些这今如。由自的仰信教宗及以论言、惧恐除消�穷贫离脱�是们它。惜珍外格然仍天今们我由自。斯茅列普和敦斯姆詹到来�洋重涉远前年多百三在�由自的在存不已国祖的己自们他在找寻了为者荒拓期早群小一拉阿的俐伶明聪得长却衫烂衣破个一�里品作的
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大学英语精读第6册课文全文翻译-中英对照

Some scientists working on the question of extraterrestrial intelligence, myself among them, have attempted to estimate the number of advanced technical civilizations -- defined operationally as societies capable of radio astronomy -- in the Milky Way Galaxy. Such estimates are little better than guesses. They require assigning numerical values to quantities such as the numbers and ages of stars; the abundance of planetary systems and the likelihood of the origin of life, which we know less well;and the probability of the evolution of intelligent life and the lifetime of technical civilizations, about which we know very little indeed.
In the last few years -- in one-millionth the lifetime of our species on this planet -- we have achieved an extraordinary technological capability which enables us to seek outunimaginably distant civilizations even if they are no more advanced than we. That capability is called radio astronomy and involves single radio telescopes, collections or arrays of radio telescopes, sensitive radio detectors, advanced computers for processing received date, and the imagination and skill of dedicated scientists. Radio astronomy has in the last decade opened a new window on the physical universe. It may also, if we are wise enough to make the effort, cast a profound light on the biologicaluniverse.

高中英语课文原文和翻译分册txt版必修一选修六

THE BEST OF MANHATTAN’S ART GALLERIES
The Frick Collection (5th Avenue and E.70th Street)
Many art lovers would rather visit this small art gallery than any other in New York. Henry Clay Frick, a rich New Yorker, died in 1919, leaving his house, furniture and art collection to the American people. Frick had a preference for pre-twentieth century Western paintings, and these are well-represented in this excellent collection. You can also explore Frick's beautiful home and garden which are well worth a Visit.
The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angr about it. They said that the painters were careless and their paintings were ridiculous.

2019新外研版高中英语必修一 Unit1-6全部课文文本+翻译

新外研版高中英语必修一Unit1-6全部课文文本+翻译Unit 1 My first day at senior high我的高中第一天Monday 4 September9月4日星期一After I had pictured it over and over again in my mind, the big day finally arrived: my first day at senior high! I woke up early and rushed out of the door in my eagerness to get to know my new school.我在脑海中进行一遍又一遍地想象之后，如今这一天终于来了：我高中生活的第一天！我一大早就起床冲出家门，迫不及待地想要了解我的新学校。

The campus was still quiet when I arrived, so I decided to explore a bit. I was looking at the photos on the noticeboard when I hear d a voice behind me. “New here?” Turing around, I saw a white-haired man. “Yes,” I replied. “I’m wondering what life is going to be like here.” “Don’t worry,” he gave me a smile. “You’ll soon find out.”我来到的时候校园里还很安静，我决定四处探索一番。

当我正在看布告栏上的照片时，身后忽然传来一个声音：“你是新生吗？”我转过身，看到一位白发老人。

“是的，”我回答道，“我想知道这里的生活将是怎么样的。

”“别担心，”他对我微微一笑，“你很快就会知道了。

高级英语Lesson 6 Mark Twain课文翻译

Lesson 6 Mark Twain ---Mirror of America马克.吐温--美国的一面镜子(节选) 诺埃尔.格罗夫Most Americans remember Mark Twain as the father of Huck Finn's idyllic cruise through eternal boyhood and Tom Sawyer's endless summer of freedom and adventure. In-deed,this nation's best-loved author was every bit as ad-venturous,patriotic,romantic, and humorous as anyone has ever imagined.I found another Twain as well–one who grew cynical,bitter,saddened by the profound personal tragedies life dealt him,a man who became obsessed with the frailties of the human race,who saw clearly ahead a black wall of night.在大多数美国人的心目中，马克•吐温是位伟大作家，他描写了哈克•费恩永恒的童年时代中充满诗情画意的旅程和汤姆•索亚在漫长的夏日里自由自在历险探奇的故事。

的确，这位美国最受人喜爱的作家的探索精神、爱国热情、浪漫气质及幽默笔调都达到了登峰造极的程度。

但我发现还有另一个不同的马克•吐温——一个由于深受人生悲剧的打击而变得愤世嫉俗、尖酸刻薄的马克•吐温，一个为人类品质上的弱点而忧心忡忡、明显地看到前途是一片黑暗的人。

Tramp printer,river pilot,Confederate guerrilla,prospector,starry-eyed optimist, acid-tongued cynic:The man who became Mark Twain was born Samuel Langhorne Clemens and he ranged across the nation for more than a third of his life,digesting the new American experience before sharing it with the world as writer and lecturer.He adopted his pen name from the cry heard in his steamboat days,signaling two fathoms (12feet)of water--a navigable depth.His popularity is attested by the fact that more than a score of his books remain in print,and translations are still read around the world.印刷工、领航员、邦联游击队员、淘金者、耽于幻想的乐天派、语言尖刻的讽刺家：马克•吐温原名塞缪尔•朗赫恩•克莱门斯，他一生之中有超过三分之一的时间浪迹美国各地，体验着美国的新生活，尔后便以作家和演说家的身分将他所感受到的这一切介绍给全世界。

人教版选修6英语unit4-unit5课文翻译

在20世纪期间，地球温度大约升了华氏1度。

这个数值对你我来说很可能是无所谓的，但是，跟多数自然变化相比较而言，这却是种快速的增长。

这种温度的增长是怎么产生的呢？“关爱地球”组织的索菲·阿姆斯特朗就在探究这些问题。

毫无疑问，地球是在变暖。

但是全球变暖的原因是人为的呢，或者仅仅是一种自然现象呢？对于这个问题存在着激烈的争辩。

许多科学家认为，人们为了生产能量而燃烧化石燃料（如煤、天然气和石油等），从而引起了地球温度的升高。

这个升温过程的副产品就叫做“温室”气体，其中最重要的就是二氧化碳。

贾尼丝·福斯特博士解释说：“你知道，有一种科学称之为…温室效应‟的自然现象。

这种现象发生在大气层中少量的气体（如二氧化碳、甲烷、水蒸气等）吸收太阳的热量，因而，使地球变暖。

如果没有这种…温室效应‟，地球的温度将比现在的温度还要低33摄氏度左右。

因此，我们需要这些气体。

而当我们因为燃烧化石燃料而使大气层中增加了大量额外的二氧化碳时，问题就来了。

二氧化碳含量的增加意味着更多的热量被困在大气层中，从而引起了全球温度上升。

我们知道，在过去100~150年期间，二氧化碳的含量急剧增加了。

有一位名叫查尔斯·奎林的科学家曾经把1957~1997年期间大气层中二氧化碳的含量做了精确的统计。

他发现，在这些年里，大气层中的二氧化碳含量从百万分之三百一十五上升到百万分之三百七十。

所有科学家都接受这个数据。

他们还认为，正是由于燃烧的化石燃料越来越多而导致了二氧化碳的增加。

然而，科学家们在对待这个问题的态度上却是大不相同的。

贾尼丝·福斯特博士说，在今后的100年里，全球变暖的量可能低到1~1.5摄氏度，但是也有可能高达5摄氏度。

有多么糟糕呢？有人认为，全球变暖会导致海平面上升好几米；也有人预言会出现严重的风暴、干旱、饥荒、疫病和物种的绝灭。

在另一方面，还有一些人，像科学家乔治·汉布利，他认为我们不必担心空气中会有高含量的二氧化碳。

Unit6课文翻译

Unit6课文翻译课文AUnder the bombs:19451945:在炮火攻击下1.如今，当我回首往事，我很惊讶我居然能如此生动地回忆起轰炸开始的情况，那天的色彩和紧张的情绪仍然清晰地印在我的脑海中。

那天，我突然发现在晴朗的天空中出现了12 个银色的小点儿，离我很远，发出不正常的嗡嗡声，这种声音我以前从来没听过。

那年我七岁，就这样站在一片草地上，盯着天空中几乎不怎么移动的小点儿。

2.突然，就在附近，森林的边缘，我听到有巨大的炸弹爆炸的声音。

在我这个小孩的眼里，我看到的是泥土像巨大的喷泉一样冲到天上。

我想跑过去看看这个特别的景象，它让我感到害怕，但是也让我着迷。

我还没有习惯战争，也不能把这些飞机、炸弹的轰鸣、森林那边飞溅开来的泥土以及我看似必然的死亡联系成单一的因果关系。

没考虑有危险，我开始朝着投下炸弹的森林方向跑。

这时一只手拉住了我，把我拽倒在地上。

“趴下来，”我听到母亲发抖的声音，“不要动!”我还记得母亲把我紧紧贴在她身边，说的一些东西我并不知道，也并不理解其含义：那是一条死路。

3.到了晚上，我很困，但是我不能睡。

我们不得不撤离这座城市，像囚犯一样在夜间逃亡。

到哪儿去，我不知道，但是我知道逃跑突然变成了某种必须要做的事情，一种新的生存方式，因为每个人都在逃跑。

4.所有公路、大路、甚至是乡间小路上都是混乱的马车、拉车、自行车，上面装着包裹和箱子，还有数不清的吓坏了的人，他们无助地游走着。

一些人向东边跑，另一些人向西边、北边、南边跑；他们徒劳地跑着，实在累了就躺下来，睡一会儿，然后重新开始他们漫无目的的旅程。

我紧紧地把妹妹的手握在手里。

我母亲警告过，我们不能走失；但就算她没告诉我，我也能感觉到某种危险的灾难弥漫了整个世界。

5.我和妹妹在马车边走着。

这是一辆简易马车，车里铺着干草，在干草上，铺着一条棉布床单，我的祖父躺在上面。

他不能动，已经瘫痪了；也是地雷的受害者。

空袭一来时，所有人都冲到了壕沟里，只有我祖父留在没人的马路上。

现代大学英语精读6课文翻译《1(10课》)-

现代大学英语精读6课文翻译《1（10课》）-4. 我的猪舍设在房屋后面一座旧果园的最南端。

我养的猪就住在一座破败的屋子里，原先是一座冰窖。

那屋有个可以让猪自由活动的十分可爱的院子，院子低矮的栅栏边上长着一棵苹果树，苹果树伞盖遮蔽着院落。

作为猪，它不可能再有奢求了——无论如何，不能再有非分之想了。

木屑铺垫在地上，可供猪用鼻子拱地，暖暖地躺着睡觉。

然而，当猪病了，这木屑的作用就存有疑问了。

我的一位邻居说，猪要是生活在新地上，也许会更好些——其道理与种土豆是一样的。

他说，也许木屑含有什么有害的东西，他对木屑从来就没有好感。

5. 下午四点钟光景，我开始发现猪有点不对劲儿。

它没来食槽吃晚餐。

当有猪(或孩子)拒绝用餐，那一家人或者说一冰窖的人就会担忧万分。

猪伸腿躺在屋子的木屑里，我检查了它之后，就去摇了四次电话。

达默隆先生来接的电话。

我问，“猪病了，该怎么办？”(在乡间电话上，从来不用报名道姓；从声音和问题的性质上便能明白打电话的人是谁。

)“我不知道。

我从来没诊治过病猪，”达默隆先生说，“但是我很快就可以知道。

你挂上电话。

我给亨利打电话。

”6. 达默隆先生五分钟之后便打来电话。

“亨利说，让猪仰面躺着，给它灌两盎司的篦麻油或橄榄油，要是那不管用，给它打一针肥皂水。

他说，他肯定猪囤食了，即使他错了，对猪也没害处。

”7. 我感谢了达默隆先生。

但我没有径直前往猪那里去。

我跌坐进一张椅子里，****了好几分钟，默想我遭遇的麻烦。

然后，我站起来，向猪舍走去，瞧瞧那儿还需要我做些什么。

我于不知不觉中推迟了一小时去做那将正式宣告我养猪失败的事；我不想在日常喂养中，在发育成长中，甚至在日复一日的连续性中发生中断现象。

我不想要中断，不想要篦麻油，不想有任何节外生枝的事。

我只想将猪饲养下去，一顿一顿地喂养它，从春天直到夏日和秋季。

我甚至不知道家中是否有两盎司的篦麻油。

8. 五点过后不久，我想起那晚有人邀我们赴晚宴，要是我给猪喂药，就没有时间了。

新编英语教程6课文翻译

第二单元推迟的艺术"今天能做的事情决不要推到明天。

”切斯特菲尔德伯爵在1794年劝告儿子时说道，但是这位文雅的伯爵却从没有抽出时间来完成与孩子母亲的婚礼，也没有戒除让约翰逊博士此类名人在接待室久候的坏习惯，这足以证明，即使是有心人，也绝非毫无拖延，罗马的一位大将军昆塔斯费边马克西姆斯为了赢得尽可能多的喘息机会，推迟战斗时间，被冠以“拖延者”。

摩西为了使自己向法老传递耶和华法令过程中的犹豫合理化，颓唐语言有缺陷，当然，哈姆雷特把延迟上升为一种艺术形式。

世界上的人基本上可以分成均匀的两半：拖延者和马上行动者。

有些人二月份就准备好了个人所得税，预先偿还抵押借款，在常人难以忍受的6点半钟准时吃饭，而另外一些人则乐于在9点或10点钟时吃些剩菜剩饭，错放帐单和文件以期延长缴税的期限。

他们非要等到警告声变成恐吓声才肯去支付信用卡的帐单。

就象浮士德所遭遇的那样，他们推迟去理发店，看牙医或医生。

尽管延误会带来诸多不便，但延迟经常可以激发和唤醒具有创新意识的灵魂。

写下许多成功小说和剧本的作家琼克尔说到，她要把厨房每个汤罐头和酱瓶子上的标签看上一遍后，才能安心坐在打字机旁。

许多作家都关注着他们任务之外的大小琐事，譬如关注在缅因州法国人海湾和巴尔海港进行的海岸和土地测量，其中的地名，如古今斯暗礁、不伦特池塘、海鸥小山、伯恩特豪猪、朗豪猪、希波豪猪以及鲍尔德豪猪岛，都激起了他们的想象。

从“拖延者”年代到当今世纪，推迟的艺术实际上被军事（“赶快和等一下”）、外交和法律垄断了。

在过去的年代里，英国殖民地总督可以手中拿着杯酒，安逸的思考民族叛乱的形势，他应该庆幸没有电传和打印机在一旁喋喋不休地传递着命令，一会儿是增加机关枪啊一会儿又是增派军队啊。

直到二战时，美国将军还可以和敌方将军达成协议，休一天运动假，去掠夺村民的鸡和酒，明日再战。

律师是世界上最上瘾的延误者。

据一个来自贝弗利山的，号称从不拖延的推销员弗兰克.内森叙说，“没有留下遗嘱就去世的律师数不胜数。

高级英语Lesson-6-(Book-2)-Disappearing-Through-the-Skylight-课文翻译word版本

Lesson 6 Disappearing Through the Skylight从天窗中消失小奥斯本·本内特·哈迪森科学是能够为人们普遍接受的。

有一个事实可用来说明这一点：一门科学发展程度越高，其基本概念就越能为人们普遍接受。

举例而言，世界上就只有一种热力学，并不存在什么分开独立的中国热力学、美国热力学或者苏联热力学。

在二十世纪的几十年的时间里，遗传学曾分为两派；西方遗传学和苏联遗传学。

后者源于李森科的理论，即环境的作用可能造成遗传基因的变异。

今天，李森科的理论已经被推翻，因此，世界上就只有一种遗传学了。

作为科学的自然产物，工艺技术也显示出一种世界通用的倾向。

这就是为什么工艺技术的发展传播使世界呈现出一体化特征的原因。

原本各异的世界各地的建筑风格、服饰风格、音乐风格——甚至饮食风格——都越来越趋向于变成统一的世界流行风格了。

世界呈现出同一性特征是因为它本来具有同一性。

在这个世界上长大的儿童感受到的是一个千篇一律的世界而不是一个多样化的世界。

他们的个性也受到这种同一性的影响，因此，在他们的感觉中，不同文化和个人之间的差异变得越来越小了。

由于世界各地的建筑越来越千篇一律，居住在这些建筑里的人也越来越千人一面了。

这样带来的结果用一句人们已经听熟的话来描述再恰当不过：历史要消失了。

以汽车为例即可非常清楚地证明这一点。

诸如流线型或全焊接式车身结构一类的技术革新，一开始可能不被人接受，但假如这种技术革新在提高汽车制造业的工作效率和经济效益方面确有巨大作用，它便会一再地以各种变异的形式出现，直到最终它不仅会被接受，而且会被大家公认为是一种宝贵的成果。

今天的汽车再也找不出某个汽车公司或某个民族文化的标志性特征了。

一般的汽车，不管产于何地，其基本特征都大同小异。

几年前，福特汽车公司制造出一种菲爱斯塔牌汽车，并将其称为“世界流行车”。

这种车出现在广告上的形象是周围环绕着世界各国的国旗。

福特公司解释说，这种汽车的汽缸活塞是英国产的，汽化器是爱尔兰造的，变速器是法国产的，车轮是比利时产的，诸如此类，等等等等。

Unit 6 Being There课文翻译

Unit 6 Being There1. 旅行好比私通:人总受到背叛自己国家的诱惑。

拥有想象力,必定意味着对自己生活的地方不再满意。

男人都有一种离心倾向,我们渴望旅行,恰似那些寻欢的情人。

2. 也只有在旅行之时,我们才赞赏古旧之物。

在国内——至少对美国人而言,所有东西都必须得是新近的。

但是我们走出国门的时候,却只对古老的东西感兴趣,因为我们想看看那些历经时间侵袭而保存下来的遗迹。

3. 我们旅行的时候,会放下戒备和忧虑,渴望回归过去;我们是向后倒退而非向前迈进;我们培养着自己的歇斯底里。

4. 我们旅行的时候会呈现出自己最好的一面,正如我们穿上自己最漂亮的衣服出行一般,只有我们的护照才会提醒我们,实际上自己是多么平淡无奇!我们出国去认识我们那个陌生的自己,那个诞生在飞机上且令人激动的陌生人。

我们去欧洲观赏那些借便利之名已经从我们的文化中废掉或剔除的一切:宗教、皇室、古雅、差异以及激情。

我们深信其他国家的人民比我们更加热情奔放。

5. 我们每个人都在伪装——不然缘何我们会戴上墨镜并在谈吐举止中尽力模仿另一个地方的本土居民呢?在家里,我们才做回自己;出国后,我们则尽力成为自己始终想做的人。

尽管最近大家都在谈论有关根的话题,但我们中的许多人都厌倦了自己的根,而这根本身也可能入土很浅,于是我们四处旅行,寻找无根的感觉。

6. 人变得好奇起来,旅行也就开始了。

教会的影响力、传统的生活方式、缺乏钱财、难得闲暇, 都制约了人们的好奇心。

直到17世纪,在科学发现的促进之下,物质世界的大门才被撬开。

也只有那时,人们才开始旅行,寻求世俗的快慰。

7. 旅行可增长见识,可洞悉本国或异域的文化,可造就现代人的厌倦感。

类似十字军东征的元素在现代旅行者身上依然存在,只不过他是个人出征,这是驱使他远离家乡,进行说不清道不明的精神征战的一种冲动。

8. 当然,旅行最普通的原因就是为了远离家乡。

弗洛伊德说我们旅行是为了逃离父亲和家庭,而我们也可以补充说是为了逃离我们熟悉的一切。

第6课课文及课文翻译

Thank God It’s MondayBy Jyoti thottam(1) As researchers in psychology, economics and organizational behavior have beengradually discovering, the experience of being happy at work looks very similar across professions.从事心理学、经济学和组织行为学研究的人已逐渐发现, 各行各业的人们在工作中感受到快乐的体验看起来十分相似。

People who love their jobs feel challenged by their work but in control of it.热爱本职工作的人会感到他们的工作有挑战性, 但自己能驾驭它；They have bosses who make them feel appreciated and co-workers they like.他们既得到老板的赏识, 又有和自己投缘的同事；They can find meaning in whatever they do. 无论干什么他们都能发现其中的意义。

And they aren’t just lucky. 他们可不是仅仅凭着运气好。

It takes real effort to reach that sublime state.要达到那种完美的境界需要切实下工夫才行。

(2) An even bigger obstacle, though, may be our low expectations on the job.Love, family,不过, 一个更大的障碍也许是我们对工作的期望值太低。

community — those are supposed to be the true sources of happiness, while work simply gives us the means to enjoy them.爱、家庭和社区往往被看做快乐的真正来源, 而工作只是为我们提供了享受那一切的手段。

高中英语必须1、必修2、必修3、必修4、必修5-课文翻译

高中英语必修 1 ：课文翻译第一单元ReadingANNE’ S BEST FRIEND安妮最好的朋友你想不想有一位无话不谈能推心置腹的朋友？或者你会不会担心你的朋友会嘲笑你，会不理解你目前的困境呢？安妮 ?弗兰克想要的是第一种类型的朋友，所以她把的日记视为自己最好的朋友。

在第二次世界大战期间，安妮住在荷兰的阿姆斯特丹。

她一家人都是犹太人，所以他们不得不躲藏起来，否则就会被德国的纳粹分子抓去。

她和她的家人躲藏了25 个月之后才被发现。

在那段时期，她的日记成了她唯一忠实的朋友。

她说：“我不愿像大多数人那样在日记中记流水账。

我要把我的日记当作自己的朋友，我把我的这个朋友叫做基蒂。

”现在，来看看安妮自 1942 年 7 月起躲进藏身处后的那种心情吧。

1944 年 6 月 15 日，星期四亲爱的基蒂：我不知道这是不是因为我太久无法出门的缘故，我变得对一切与大自然有关的事物都无比狂热。

我记得非常清楚，以前，湛蓝的天空、鸟儿的歌唱、月光和鲜花，从未令我心迷神往过。

自从我来到这里之后，这一切都变了。

比如说，有一天晚上天气很暖和，我故意熬到晚上 11 点半都不睡觉，为的就是能独自好好地看看月亮。

但是因为月光太亮了，我都不敢打开窗户。

还有一次，就在五个月以前的一个晚上，我碰巧在楼上，窗户是开着的，我一直呆到非关窗不可的时候才下楼去。

漆黑的雨夜，刮着大风，电闪雷鸣，乌云滚滚，我完全被这种景象镇住了。

这是我一年半以来第一次亲眼目睹的夜晚,,不幸的是 ,, 我只能透过那满是灰尘的窗帘下那脏兮兮的窗户看看大自然。

只能隔着窗户看那大自然实在没意思，因为大自然是需要真正体验的东西。

你的安妮Reading and listening读与听1读读琳达为青少年写给电台王小组的这封信，然后王小姐可能会怎么说。

听完录音之后，核对并讨论她的建议。

亲爱的王小姐：现在我同班上的同学有些麻烦事。

我跟我们班里的一位男同学一直相处的很好。

我们常常一起做家庭作业，而且很乐意互相帮助。

大学英语第六册课文及翻译

大学英语第六册unit1AThe Pursuit of Happiness(The Pursuit of Happiness)The right to pursue happiness is promised to Americans by the US Constitution, but no one seems quite sure which way happiness runs. It may be we are issued a hunting license but offered no game. Jonathan Swift conceived of happiness as "the state of being well-deceived", or of being "a fool among idiots ", for Swift saw society as a land of false goals.It is, of course, un-American to think in terms of false goals. We do, however, seem to be dedicated to the idea of buying our way to happiness. We shall all have made it to Heaven when we possess enough.And at the same time the forces of American business are hugely dedicated to making us deliberately unhappy. Advertising is one of our major industries, and advertising exists not to satisfy desires but to create them — and to create them faster than anyone's budget can satisfy them. For that matter, our whole economy is based on addicting us to greed. We are even told it is our patriotic duty to support the national economy by buying things.Look at any of the magazines that cater to women. There advertising begins as art and slogans in the front pages and ends as pills and therapy in the back pages. The art at the front illustrates the dream of perfect beauty. This is the baby skin that must be hers. This, the perfumed breath she must breathe out. This, the sixteen-year-old figure she must display at forty, at fifty, at sixty, and forever. This is the harness into which Mother must strap herself in order to display that perfect figure. This is the cream that restores skin, these are the tablets that melt away fat around the thighs, and these are the pills of perpetual youth.Obviously no reasonable person can be completely persuaded either by such art or by such pills and devices. Yet someone is obviously trying to buy this dream and spending billions every year in the attempt. Clearly the happiness-market is not running out of customers, but what is it they are trying to buy?Defining the meaning of "happiness" is a perplexing proposition: the best one can do is to try to set some extremes to the idea and then work towards the middle. To think of happiness as achieving superiority over others, living in a mansion made of marble, having a wardrobe with hundreds of outfits, will do to set the greedy extreme. To think of happiness as the joy of a holy man of India will do to set the spiritual extreme. He sits completely still, contemplating the nature of reality, free even of his own body. If admirers bring him food, he eats it; if not, he starves. Why be concerned? What is physical is trivial to him. To contemplate is his joy and he achieves complete mental focus through an incredibly demanding discipline, the accomplishment of which is itself a joy to him.Is he a happy man? Perhaps his happiness is only another sort of illusion. But who can take it from him? And who will dare say it is more false than happiness paid for through an installment plan?Although the holy man's concept of happiness may enjoy considerable prestige in the Orient, I doubt the existence of such motionless happiness. What is certain is that his way of happiness would be torture to almost anyone of Western temperament. Yet these extremes will still serve to define the area within which all of us must find some sort of balance. Thoreau had his own firm sense of that balance: save on the petty in order to spend on the essential.Possession for its own sake or in competition with the rest of the neighborhood would have been Thoreau's idea of the petty. The active discipline of raising one's perception of what is eternal in nature would have been his idea of the essential. Time saved on the petty could be spent on the essential. Thoreau certainly didn't intend to starve, but he would put into feeding himself only as much effort as would keep him functioning for more important efforts.Effort is the essence of it: there is no happiness except as we take on challenges. Short of the impossible, the satisfactions we get from a lifetime depend on how high we place our difficulties. The mortal flaw in the advertised version of happiness is in the fact that it claims to be effortless.We demand difficulty even in our diversions. We demand it because without difficulty there can be no game; a game is a way of making something hard for the fun of it. The rules of the game are an arbitrary addition of difficulty. It is easier to win at chess if you are free to change the rules, but the fun is in winning within the rules. If we could mint our own money, even building a fortune would become boring. No difficulty, no fun.Those in advertising seem too often to have lost their sense of the pleasure of difficulty. And the Indian holy man seems dull to us, I suppose, because he seems to be refusing to play anything at all. The Western weakness may be in the illusion that happiness can be bought. Perhaps the oriental weakness is in the idea that there is such a thing as perfect happiness.Happiness is never more than partial. Whatever else happiness may be, it is neither in having nor in being, but in becoming. What the writers of the Constitution declared for us as an inherent right was not happiness but the pursuit of happiness. What the early patriots might have underlined, could they have foreseen the happiness-market, is the cardinal fact that happiness is in the pursuit itself, in the pursuit of what is engaging and life-changing, which is to say, in the idea of becoming. A nation is not measured by what it possesses or wants to possess, but by what it wants to become.(Words: 1,005)追求幸福美国宪法赋予美国人民追求幸福的权利，但是似乎谁也说不清幸福跑到哪里去了。

Unit 6 Being There 课文翻译

Unit 6Being ThereAnatole Broyard1. Travel is like adultery: one is always tempted to be unfaithful to one’s own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.2. Only while traveling can we appreciate age. At home, for Americans at least, everything must be young, new, but when we go abroad we are interested only in the old. We want to see what has been saved, defended against time.3. When we travel, we put aside our defenses, our anxiety, and invite regression. We go backward instead of forward. We cultivate our hysteria.4. It is our best selves that travel, just as we dress in our best clothes. Only our passport reminds us how ordinary we actually are. We go abroad to meet our foreign persona, that thrilling stranger born on the plane. We’re going to see in Europe everything we have eliminated or edited out of our own culture in the name of convenience: religion, royalty, picturesqueness, otherness — and passion. We cling to the belief that other peoples are more passionate than we are.5. There’s an impostor in each of us — why else would we put on dark glasses and try to speak and look like the natives of another place? At home, we impersonate ourselves; when we’re abroad, we can try to be what we’ve always wanted to be. In spite of all the recent talk about roots, many of us are tired of our roots, which may be shallow anyway, and so we travel in search of rootlessness.6. Traveling began when men grew curious. The influence of the church, the traditional pattern of life, the lack of money and leisure had all restrained curiosity until the seventeenth century, when under pressure of scientific discoveries, the physical world began to gape open. It was then that people began to travel in search of the profane.7. Travel arrived together with sophistication, with the ability to see through or beyond one’s own culture, with the modern faculty of boredom. Something o f the Crusades survives in the modern traveler — only this is a personal crusade, an impulse to go off and fight certain obscure battles of his own spirit.8. Of course, one of the most common reasons for traveling is simply to get away. Freud said that we travel to escape father and the family, and we might add the familiar. There is a recurrent desire to drop our lives, to simply walk out of them.9. When we travel, we are on vacation —vacant, waiting to be filled. The frenzied shopping of some travelers is an attempt to buy a new life. To get away to a strange place produces a luxurious feeling of disengagement, of irresponsible free association. One is an onlooker, impregnable.10. We travel in summer, when life comes out of doors, and so we see only summery people, nothing of their sad falls, their long, dark winters and cruel springs. The places we visit are gold-plated by the sun. The flowers and trees are like bouquets thrown to history.11. And language — what a pleasure to leave our own language, with its clichés stuck in our teeth. How much better things sound in another tongue! It’s like having our ears cleaned out. So long as we don’t understand it too well, every other language is poetry.12. Because we travel for so many reasons —some of them contradictory —travel writing is like a suitcase into which the writer tries to cram everything. At its most interesting, it’s a continual tasting, the expression of a nostalgia for the particular. It’s a childish game of playing countries, as we used to play house.13. Travel writing describes a tragic arc: it begins with a rising of the spirit and ends in a dying fall. The earliest travelers went to see marvels, to admire the wonderful diversity of the world — but the latest travelers are like visitors sitting at the bedside of dying cultures. Early travelers fell in love at first sight with foreign places — but now we know only love at last sight, a kiss before dying, a breathing in of the last gasp. In some ancient societies, it used to be the c ustom for the son to inhale his father’s last breath, which contained his departing soul, and today’s travelers do something like this, too.14. Travel writing has become a quintessentially modern thing, the present regretting the past. We travel like insurance appraisers, assessing the damage. Militantly opposed to any kind of ethnic distinctions at home, we adore ethnicity abroad. Ironically, Americans need Europe more than Europeans do. To Parisians, for example, Paris is a place to live; for Americans, it’s a place to dream.15. “I do not expect to see many travel books in the near future,” Evelyn Waugh wrote in 1946. He saw the world turning into a “monoculture,” the sense of place giving way toplacelessness. What Waugh didn’t foresee was that travel books would change as novels and poetry have, that every slippage of culture would provoke its peculiar literature. He underestimated the variousness of our reasons for traveling.16. There have always been travelers who went to look for the worst, to find rationalizations for their anxiety or despair, to cover their disillusionment with labels, as steamer trunks used to be covered with them. Why else would Paul Theroux go to South America, which he so obviously detested? Shiva Naipaul’s worst fears were confirmed in Africa, just as his brother’s were in Asia. Graham Greene spent four months traveling in the Liberian jungle as a private penance.17. Even ruins have changed. Instead of the classical ruins of antiquity, we now have places that are merely “ruined.” And there are travelers who take a positive delight in them, who love awfulness for its own sake. For them, awfulness is the contemporary equivalent of the exotic. It’s a negative sublime, a swoon or ecstasy of spoliation.18. As other countries offer fewer exotic phenomena, the travel writer is forced to find the exotic in himself —and the picturesque as well. The centrifugal tendency turns centripetal, and modern travel books may be about the absence of things just as the classic books are about their presence. In Journey to Kars, Philip Glazebrook seems to have visited several unappealing villages in Turkey simply for the irony of being there. (Irony is the contemporary traveler’s drip-dry shirt.) One of the things a severely sophisticated traveler like Glazebrook seeks is a place where he himself can stand out in absolute relief.19. Perhaps in the future we shall have to travel like James Holman, who, after being invalided out of the British navy because he had gone blind, set out in 1819 to see the world. Traveling mostly alone, speaking no foreign languages, using only public transport, Holman got as far as Siberia and returned home to publish in several thick volumes all that he had experienced. He rarely felt, he said, that he had missed anything through being blind. (At one point, he met a deaf man and they traveled together.)20. Since he could not see, people often invited Holman to squeeze things as a way of perceiving them —and this is what today’s traveler has to do. He has to squee ze the places he visits, until they yield something, anything.1. 旅行好比私通：人总受到背叛自己国家的诱惑。

高级英语6课文翻译,部分单元

迪士尼世界：后现代的乌托邦城市1迪斯尼世界的本质是什么？这个答案多半体现在迪斯尼为游客创造幻觉的努力上，这一幻觉使游客觉得自己进入了一个更符合他们渴望的完美世界。

迪斯尼世界用各种各样的方式创造了这个完美世界。

例如，它鼓励游客以一个孩子的眼光去看待这个乐园，并把自己定义为一个“给生活带来梦想”的地方。

然而最根本的却是，它只是创造了一个完美世界的虚构版本。

在这个世界，迪斯尼引导游客逃脱来自现实生活中的束缚；在这个世界，游客不再受时间，距离，体积和现实法则的约束。

在五花八门的游乐区中，游客似乎脱离了人体以及人体的遗传基因；他们穿梭于过去与未来中，离开了地球。

在惊险的游乐项目中，他们不遵循万有引力定律，以一种不符常理的速度和方式移动着。

2迪斯尼世界还怂恿游客逃避社会和自我的堕落状态。

它创造了美国资本主义制度和政治历史的理想化幻象；它把游客拖入到永久庆典的世界中----一个满是游行队伍、焰火，盛装的表演者以及无尽的享乐诱惑的世界。

游客仿佛加入了一个永无止境的假期中，生活中的负面情绪也都被抛之脑后。

3显然，当你把所有这些都联系在一起，就可了解到，迪斯尼世界只是帮助游客以一种虚构的方式实现人类最大的梦想：超越。

在迪斯尼世界，我们超越了平凡。

它取代了我们自己所在的世界----在现实世界，多数机遇与我们擦肩而过，多数人隐藏自己的动机；而在迪斯尼，我们游历在象征世界：这个世界客观、具体，却似乎没有压力、无忧无虑，异常精彩，正如幻想一般。

4就是这样，迪斯尼摆脱了当代社会枯燥的“科学主义”世界观。

德国社会学家马克思韦伯曾经说过，在当今社会，随着科学地位的上升和宗教影响的减弱，我们正在见证世界的觉醒。

仿真文化的产物，例如迪斯尼世界，似乎正在随着一种新的承诺而重获魅力：利用太空飞行，外星人，时光穿梭和失落世界的各种神话，艺术和科技可以将我们的世界创造成最新版的当代爱情故事。

5但迪斯尼世界并不只提供客观化幻象。

借助仿真的力量，它也向我们展示了，科技是如何赋予我们不受世界控制的力量和自由的。

高中英语必修6课文

篇⼀：⾼中英语选修6课⽂逐句翻译(⼈教新课标)1.选修六Unit1 A SHORT HISTORY OF WESTERN PAINTING西⽅绘画艺术简史Art is influenced by the customs and faith of a people. 艺术是受着⼈民⽣活习俗和信仰的影响的。

Styles in Western art have changed many times. 西⽅的艺术风格经历了多次变⾰。

As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. 由于西⽅的艺术风格多种多样，在短短的⼀篇课⽂⾥不可能进⾏全⾯的描述。

Consequently, this text will describe only the most important ones, starting from the sixth century AD.因此,本⽂只谈及从公元6世纪以来最主要的⼏种艺术风格。

The Middle Ages (5th to the 15th century AD) 中世纪(公元5世纪到15世纪)During the Middle Ages, the main aim of painters was to represent religious themes. 在中世纪,画家的主要任务是把宗教的主题表现出来。

A conventional artist of this period was not interested in showing nature and people as they really were. ⼀个传统的艺术家⽆意于如实地展现⾃然和⼈物。

A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. 那个时期的典型的绘画充满了宗教的(象)特征,体现出了对上帝的爱戴与敬重。

新编英语教程6 课文翻译

第1单元避免两词铭记两词在生活中，没有什么比顿悟更令人激动和兴奋的，它可以改变一个人——不仅仅是改变，而且变得更好。

当然，这种顿悟是很罕见的，但仍然可以发生在我们所有人身上。

它有时来自一本书，一个说教或一行诗歌，有时也来自一个朋友。

在曼哈顿一个寒冷的冬天的下午，我坐在一个法国小餐馆，倍感失落和压抑。

因为几次误算，在我生命中一个至关重要的项目就这样落空了。

就因为这样，甚至连期望看到一个老朋友（我常常私下亲切的想到的一个老人）的情形都不像以前那样令我兴奋。

我坐在桌边，皱起眉头看着色彩多样的桌布，清醒的嚼着苦涩的食物。

他穿过街道，裹着旧棉袄，一顶帽子从光头打下来，看上去不像是一个有名的精神病医生，倒像是一个精力充沛的侏儒。

他的办公室在附近到处都有，我知道他刚刚离开他最后一个病人。

他接近80岁，但仍然扛着一个装着满满文件的公文包，工作起来仍然像一个大公司的主管，无论何时有空，他都仍然爱去高尔夫球场。

当他走过来坐我旁边时，服务员早已把他总是要喝的啤酒端了过来，我已经几个月没有见他了，但他似乎还是老样子。

没有任何寒暄，他就问我“怎么了，年轻人？”我已经不再对他的样子感到奇怪，所以我详细地把烦恼告诉他。

带着一丝忧伤的自豪。

我尽量说出实情，除了我自己，我并没有因为失望而责备任何人。

我分析了整件事情，但所有负面评价以及错误仍然继续。

我讲了约有十五分钟，这期间老人只是默默的喝着啤酒。

我讲完后，他取下眼镜说：“到我的办公室去。

”“到你的办公室？你忘了带什么了吗？”他和蔼的说“不是，我想看看你对某些事情的反应，仅此而已。

”外面开始下起小雨，但他的办公室很温暖，舒服，亲切：放满书的书架靠着墙壁，长皮沙发，弗洛伊德的亲笔签名照，还有墙边放着的录音笔。

他的秘书回家了，只有我们在那里。

老人从纸盒里拿出一盘磁带放进录音笔，然后说：“这里有到我这来求助的三个人的简单录音，当然，这没有说明具体是哪三个人。

我想让你听听，看你是否能找出双字词的短语，这里是在三个案例中共有的。