Paradise Lost《失乐园》
Paradise Lost
Theme：
the main idea of the poem is the heroic revolt against god's authority. to justify the ways of God to men Milton constantly reminds us of our sins, or rather of the fact that we are sinners in a fallen world. 这首诗的主旨是英雄起义反对上帝的权威。 证明了上帝到人的过程 弥尔顿不断提醒我们的罪,或者更确切的说是,我 们是罪人在一个堕落的世界。 宣泄了王朝复辟后的内心苦楚与无奈以及对资产 阶级革命始终不渝的态度。
1.由上帝创造的第一个人类。认为是上帝珍贵的创 造。 2、遵守所有的生物的规则世界，和他的妻子驻留 在伊甸园。 3、加入夏娃违背上帝。
பைடு நூலகம்
E ve ：
1.The second human created by God, taken from one of Adam's ribs and shaped into a female form of Adam. 2. The model of a good wife, and happily submissive to Adam. 3.Is tempted by Satan to sin against God 1.由上帝创造的第二个人类,是从亚当的一根肋骨, 形成女性形式的亚当。 2.是一个典型的好妻子,并愉快地顺从亚当。 3.被撒旦诱惑得罪上帝
With suppliant knee, and deify his power, Who from the terror of this arm so late Doubted his empire; that were low indeed. That were an ignominy and shame beneath This downfall; since by Fate the strength of gods And this empyreal substance cannot fail; Since through experience of this great event
paradise lost读后感
paradise lost读后感
《失乐园》是约翰·弥尔顿的一部史诗，描述了亚当和夏娃在伊甸园中的生活，以及他们违背上帝的禁令而遭受的惩罚。
本书不仅包含了宗教和哲学的思考，还有强烈的叙事性和诗歌感。
本人在读完《失乐园》后，深受其所感动。
这部作品展示了人类的历史和人性的多面性，其中包括安逸、欲望、罪恶和羞耻等情感。
这些情感都是人类生活中必须面对的，这让我感到非常深刻。
本书中的角色和场景都极为鲜活，如亚当和夏娃在伊甸园中的日常生活、撒旦引诱夏娃等等，这些情节都让人感到非常震撼。
此外，该作品对于对抗邪恶的探讨也非常深刻，值得每位读者深思。
总的来说，《失乐园》是一部充满思考和内涵的作品，它让我更深刻地了解了人类的历史和人性。
它既是一部文学作品，也是一部哲学和宗教作品，它的作用非常深远，值得每位读者去认真阅读和思考。
- 1 -。
paradise lost修辞手法
"失乐园"（Paradise Lost）是约翰·弥尔顿（John Milton）创作的一部史诗诗歌，其修辞手法丰富多样，体现了文学的高度艺术性。
以下是其中一些常见的修辞手法：
1. 史诗才情：弥尔顿使用了史诗才情，通过叙述英雄事迹和超凡脱俗的场景，塑造了庄严宏大的史诗氛围。
2. 拟人：通过拟人，将抽象的概念或自然元素赋予人的特性。
例如，描绘天使和恶魔，以及对抽象概念如死亡、胜利的拟人。
3. 对仗：使用押韵、平仄、格律等手法，创造出旋律感强烈的韵律，增强语言的音韵美。
4. 修辞比喻：运用比喻手法，将抽象概念具象化。
例如，对于失乐园的描绘，弥尔顿通过比喻来表达人类的堕落和原罪。
5. 重复：弥尔顿在叙事中使用了重复手法，通过反复出现的词语或短语，强调主题，增强表达的力度。
6. 对照：通过对照手法，突显作品中的矛盾和冲突，使叙事更加丰富。
7. 借用古典：弥尔顿借鉴了古希腊和古罗马史诗的传统，采用了一些古典的修辞手法和表达方式。
总体而言，"失乐园" 是一部修辞手法丰富、语言华美、庄重高远的文学巨著，充分展示了约翰·弥尔顿在文学创作上的卓越才华。
Paradise Lost《失乐园》
God sends Raphael to warn Adam and Eve about Satan. He relates how the world was created so mankind could one day replace the fallen angels in heaven.
Satan returns to earth, and enters a serpent. Finding Eve alone he induces her to eat the fruit of the forbidden tree. Adam, resigned to join in her fate, eats also.
At the gate of hell, he meets his offspring, Sin and Death, who unbar（打开） the gates for him. He journeys across chaos（混沌） till he sees the new universe floating near the larger globe which is heaven.
背景介绍:
生活在欧洲社会的转折时代，约翰·弥尔顿经历了英国史 上的一个黑暗时代。当时复辟后的斯图亚特王朝，对清教 徒资产阶级革命家残酷报复，疯狂迫害，不少人经不起斗 争的考验，投降变节。弥尔顿虽屡遭迫害，生活艰苦，然 而仍不屈不挠，顽强斗争，始终不丧失其鲜明立场，不改 变原有的革命信仰，不放弃先前的革命原则。在黑暗的时 代，弥尔顿不畏强暴，以笔为旗，决心重振诗才，以暮年 之力，克服双目失明的重重困难，用口授的形式，由他女 儿和外甥笔录，创作了举世闻名的三部作品：史诗《失乐 园》（1667年）、《复乐园》（1671年）和诗剧《力士 参孙》（1671年），对复辟王朝进行勇敢的挑战，表现了 诗人对自由的渴望和对资产阶级革命的坚定信念。
弥尔顿失乐园英文作文
弥尔顿失乐园英文作文英文：Paradise Lost is a literary work written by John Milton in the 17th century. It tells the story of Adam and Eve'sfall from grace and their expulsion from the Garden of Eden. As a literature student, I have read this epic poem and was deeply moved by its themes and language.The poem's central theme is the loss of innocence and the consequences of disobedience. Adam and Eve's disobedience led to their expulsion from paradise and the introduction of sin into the world. Milton uses vivid imagery and powerful language to convey the gravity oftheir actions and the sorrow that follows.One of the most memorable scenes in the poem is when Satan tempts Eve to eat the forbidden fruit. He uses persuasive language and flattery to convince her to disobey God's command. This scene highlights the power oftemptation and the dangers of giving in to our desires.Another notable aspect of the poem is Milton's use of blank verse. This form of poetry does not rhyme, but it has a natural rhythm that mimics the cadence of speech. This makes the poem feel more like a conversation than a formal piece of literature.Overall, Paradise Lost is a masterpiece of English literature that explores timeless themes of temptation, disobedience, and redemption. Its language and imagery continue to inspire readers and writers today.中文：《失乐园》是17世纪约翰·弥尔顿所写的文学作品。
Paradise Lost 失乐园逐句解析
• From him, who in the happy Realms of light • 何等的变化呀！你原来住在 • Clothed with transcendent brightness didst outshine • 光明的乐土，全身披覆着、 • Myriads though bright: If he whom mutual league, • 无比的光辉，胜过群星的灿烂； • United thoughts and counsels, equal hope, • 你曾和我结成同盟，同心同气， • And hazard in the glorious enterprise, • 同一希望，在光荣的大事业中 • Joined with me once, now misery hath joined • 和我在一起。现在all; but torture without end • 希望无所不到，唯独不到那里。 • Still urges, and a fiery deluge, fed • 只有无穷无尽的苦难紧紧跟着 • With ever-burning sulphur unconsumed: • 永燃的硫磺不断的添注，不灭的火焰，洪水般向他们滚滚逼来。 • Such place Eternal Justice had prepared • 这个地方，就是正义之神为那些 • For those rebellious, here their prison ordained • 叛逆者准备的，在天外的冥荒中 • In utter darkness, and their portion set • 为他们设置的牢狱，那个地方
• One next himself in power, and next in crime, • 论权力和罪行都仅次于他的神魔， • Long after known in Palestine, and named • 后来在巴勒斯坦知道他的名字叫 • Beelzebub. To whom th' Arch-Enemy, • 别西卜。这个在天上叫做撒旦的 • And thence(之后) in Heaven called Satan, with bold words • 首要神敌，用豪言壮语打破可怕的 • Breaking the horrid silence thus began. • 沉寂，开始向他的伙伴这样说道： • “If thou beest(=be) he; But O how fallen! how changed • “是你啊；这是何等的堕落！
弥尔顿 《失乐园》
①体现了反抗与革命的精神，表达出对命 运的不屈服。 ②对上帝的那种专制思想的反对，体现了 共和思想。
③传达了自由、平等观念，体现了人文主 义精神。
⑴善与恶的矛盾 ⑵自由与知识的困惑
⑶道德自由和道德责任 ⑷人文主义理性的呼唤 ⑸上帝是否真的公正吗?
这本书谴责了上帝的专制统治，赞扬了撒旦 的反抗精神，同情亚当，夏娃的不幸遭遇， 在书中，塑造了一个具有崇高精神的叛逆者 形象。
The differences
The way of destroying the heavenly palace is different:Monkey King is alone,while Satan is with others' help. Their result is different:Monkey King is considered as the represent of kindness and justice ,while Satan is considered as represent of evil.
Character Contrast
Monarchy
V.S
Parliament
God
•Satan
a mixture of evil and good the spirit who dares to question the authority of God
a ruler with unli mited power a selfish despot cruel and unjust
节选
我损失了什么 并非什么都丢光 不挠的意志，热切的复仇心，永不退让的勇 气 还有什么比这些更难战胜的吗
失乐园-弥尔顿.PARADISELOST-JOHNMILTON中英对照翻译
失乐园-弥尔顿.PARADISELOST-JOHNMILTON中英对照翻译Milton, John, 1608-1674. 密尔顿，约翰，1608-1674Electronic Text Center, University of Virginia Library1: Of Mans First Disobedience, and the Fruit 人类最初的违抗，还有那禁果2: Of that Forbidden Tree, whose mortal tast 它那必死的味道3: Brought Death into the World, and all our woe, 将死亡带到世上，连同我们所有的悲哀4: With loss of EDEN, till one greater Man 自伊甸园失去，到更伟大的人5: Restore us, and regain the blissful Seat, 修复我们，让我们重回福地6: Sing Heav'nly Muse, that on the secret top 唱天堂般的音乐，在神秘的欧瑞伯山顶7: Of OREB, or of SINAI, didst inspire 和西耐山顶，真正赋予那牧者灵感8: That Shepherd, who first taught the chosen Seed, 第一个教晓那些被选出的种子9: In the Beginning how the Heav'ns and Earth 最初天堂与大地是如何10: Rose out of CHAOS: Or if SION Hill 在一片混沌中出现：或假如锡安山11: Delight thee more, and SILOA'S Brook that flow'd 更喜爱你，那地底的溪流12: Fast by the Oracle of God; I thence 恰带来神谕；我从此13: Invoke thy aid to my adventrous Song, 让你助我完成那冒险之歌14: That with no middle flight intends to soar 平庸者所不敢飞越的高度15: Above th' AONIAN Mount, while it pursues 翻越阿诺安山，追逐着16: Things unattempted yet in Prose or Rhime. 诗歌与散文里未曾尝试之事17: And chiefly Thou O Spirit, that dost prefer 你，灵魂做主，更爱18: Before all Temples th' upright heart and pure, 在所有庙宇之前，以正直纯粹之心19: Instruct me, for Thou know'st; Thou from the first 指引我，因你知道：你自最初20: Wast present, and with mighty wings outspread 即已在此，伸开有力的双翼21: Dove-like satst brooding on the vast Abyss 鸽子般安坐在巨大的深渊前沉思22: And mad'st it pregnant: What in me is dark 看穿我内心的黑暗23: Illumine, what is low raise and support; 照亮那卑微，唤起并支持着我24: That to the highth of this great Argument 直到这伟大的辩论25: I may assert th' Eternal Providence, 我可断言永恒的天意26: And justifie the wayes of God to men. 证明神对世人的方式27: Say first, for Heav'n hides nothing from thy view 预言，因天对人无所隐藏28: Nor the deep Tract of Hell, say first what cause地狱亦是如此，言明何因29: Mov'd our Grand Parents in that happy State, 令我们的祖先自那欢乐境界30: Favour'd of Heav'n so highly, to fall off 先得天宠，因违背其意31: From their Creator, and transgress his Will 从他们的创造者那里堕落32: For one restraint, Lords of the World besides? 世界的主宰们竟然失去耐性33: Who first seduc'd them to that fowl revolt? 引他们发动家禽般的反抗34: Th' infernal Serpent; he it was, whose guile 邪恶的魔鬼，他的诡计35: Stird up with Envy and Revenge, deceiv'd 因嫉妒和复仇而起，欺骗了36: The Mother of Mankinde, what time his Pride 人类的母亲，当他的自尊37: Had cast him out from Heav'n, with all his Host 将他自天堂抛弃，以他为首的38: Of Rebel Angels, by whose aid aspiring 叛逆天使，因他们的热情39: To set himself in Glory above his Peers, 赋予他高于同类的光荣40: He trusted to have equal'd the most High, 相信他具有与最高者同等的地位41: If he oppos'd; and with ambitious aim 他野心勃勃42: Against the Throne and Monarchy of God 反抗神的王座和权力43: Rais'd impious War in Heav'n and Battel proud 徒然在天堂骄傲的发起不敬的战争44: With vain attempt. Him the Almighty Power 全能的力量45: Hurld headlong flaming from th' Ethereal Skie 自天上投射熊熊烈火46: With hideous ruine and combustion down 可怕的毁灭和燃烧降临47: To bottomless perdition, there to dwell 无尽的毁灭，若无休止48: In Adamantine Chains and penal Fire, 坚硬的锁链和惩罚之火49: Who durst defie th' Omnipotent to Arms. 加于敢对全能之神挑战者50: Nine times the Space that measures Day and Night 九倍于凡人以日夜计算的时间51: To mortal men, he with his horrid crew 他和他可怕的队伍52: Lay vanquisht, rowling in the fiery Gulfe 被击溃，倒在烈火的深渊53: Confounded though immortal: But his doom 虽不死却充满困惑：但他的厄运54: Reserv'd him to more wrath; for now the thought 使他更加愤怒；想起55: Both of lost happiness and lasting pain 失去的快乐和永恒的痛苦折磨56: Torments him; round he throws his baleful eyes 他以邪恶的眼神望向四周57: That witness'd huge affliction and dismay 只看到巨大的痛苦和沮丧58: Mixt with obdurate pride and stedfast hate:混合着冷酷的骄傲和笃实的憎恨59: At once as far as Angels kenn he views 旋以天使之眼看到60: The dismal Situation waste and wilde, 荒芜凄惨的境遇61: A Dungeon horrible, on all sides round 四周皆是恐怖的地牢62: As one great Furnace flam'd, yet from those flames 如巨大的洪炉，那火焰之中63: No light, but rather darkness visible 没有光，只有看的见的黑暗64: Serv'd only to discover sights of woe, 只为让你看见悲哀的景象65: Regions of sorrow, doleful shades, where peace 悲痛的领域，阴沉的影子，66: And rest can never dwell, hope never comes 永无和平与休息，人人都有的希望在这里67: That comes to all; but torture without end 永不来临，只有无穷的折磨68: Still urges, and a fiery Deluge, fed 仍在以燃烧不尽的硫磺，69: With ever-burning Sulphur unconsum'd: 持续那烈火的狂潮70: Such place Eternal Justice had prepar'd 这样的地方是永恒的正义71: For those rebellious, here their Prison ordain'd 为反叛者所准备，这里注定是他们的监狱72: In utter darkness, and their portion set 在绝对的黑暗中，他们的身体73: As far remov'd from God and light of Heav'n 被置于离神和天堂的光明玄远之地74: As from the Center thrice to th' utmost Pole. 三倍于天堂的中心到最远支柱的距离75: O how unlike the place from whence they fell! 与他们坠落的地方多么的不同76: There the companions of his fall, o'rewhelm'd 那和他一起坠落的，是无法抗拒的77: With Floods and Whirlwinds of tempestuous fire, 有如洪水旋风般的狂暴的火焰78: He soon discerns, and weltring by his side 他很快辨认出，在他之旁79: One next himself in power, and next in crime, 和他一样具有权力和罪行的80: Long after known in PALESTINE, and nam'd 那以后很久才在巴勒斯坦被名以81: BEELZEBUB. To whom th' Arch-Enemy, 别卜西以及他们头号敌人的82: And thence in Heav'n call'd Satan, with bold words 当时在天堂被称作撒旦的，83: Breaking the horrid silence thus began. 以大胆言辞打破恐怖的沉默的魔王。
Paradise_Lost_失乐园（中英对照版）
ParadiseParadiseParadiseParadiseLostLostLostLost失乐园JohnJohnJohnJohnMiltonMiltonMiltonMilton约翰约翰约翰约翰····弥尔顿弥尔顿弥尔顿弥尔顿目录V1V1V1V1第一卷撒旦在地狱召集军队号召复仇点兵第二卷大会作出决议由撒旦亲赴人类乐园侦察人类的乐园第三卷神子声称愿为人类赎罪撒旦向乐园飞进第四卷撒旦进入乐园被捕第五卷敌人撒旦的来路第六卷在天界三天大战第七卷创造天地万物第八卷创造人类始祖第九卷夏娃受引诱食禁果第十卷违抗禁令震惊天界建筑大桥横贯混沌界第十一卷预示人类未来第十二卷继续预示未来亚薄⑾耐薇恢鸪隼衷癟HETHETHETHEARGUMENTARGUMENTARGUMENTARGUMENT提纲ThisfirstBookproposesfirstinbriefthewholeSubjectMansdisobedienceandthelossthereupon ofParadisewhereinhewasplact:ThentouchestheprimecauseofhisfalltheSerpentorratherSata nintheSerpentwhorevoltingfromGodanddrawingtohissidemanyLegionsofAngelswasbythe commandofGoddrivenoutofHeavenwithallhisCrewintothegreatDeep.Whichactionpastover thePoemhastsintothemidstofthingspresentingSatanwithhisAngelsnowfallenintoHelldescri bdherenotintheCenterforHeavenandEarthmaybesupposdasyetnotmadecertainlynotyetaccu rstbutinaplaceofutterdarknessfitliestcalldChaos:HereSatanwithhisAngelslyingontheburnin gLakethunder-struckandastonishtafteracertainspacerecoversasfromconfusioncallsuphimw honextinOrderandDignitylaybyhimtheyconferofthirmiserablefall.SatanawakensallhisLegi onswholaytilltheninthesamemannerconfoundedTheyrisethirNumbersarrayofBattelthirchie fLeadersnamdaccordingtotheIdolsknownafterwardsinCanaanandtheCountriesadjoyning.T otheseSatandirectshisSpeechcomfortsthemwithhopeyetofregainingHeavenbuttellsthemlast lyofanewWorldandnewkindofCreaturetobecreatedaccordingtoanancientProphesieorreport inHeavenforthatAngelswerelongbeforethisvisibleCreationwastheopinionofmanyancientFa thers.TofindoutthetruthofthisProphesieandwhattodeterminthereonhereferstoafullCouncel. WhathisAssociatesthenceattempt.PandemoniumthePalaceofSatanrisessuddenlybuiltoutoft heDeep:TheinfernalPeerstheresitinCouncel.V1在第一卷我先扼要点明本书的主题人失去曾经拥有的乐园是由于违背了天神命令。
《失乐园》主要情节
《失乐园》主要情节《失乐园》是英国文学巨匠约翰·弥尔顿创作的叙事诗，描绘了天使堕落和人类原罪的故事。
该作通过描述亚当和夏娃的堕落以及撒旦对上帝统治的反抗，探讨了人类自由意志、命运和对抗邪恶的永恒主题。
该作被广泛认为是一部有深度的哲学作品，同时也是一部优秀的艺术作品。
故事发生在伊甸园中，亚当和夏娃作为上帝的完美创造，生活在那里。
伊甸园是他们的乐园，他们拥有无忧无虑、自由自在的生活。
然而，撒旦对亚当和夏娃的幸福嫉妒不已，他决定陷害他们，引导他们背叛上帝。
撒旦化身为一条蛇，在夏娃面前诱惑她品尝伊甸园中唯一被禁止的果实，即知善恶树上的果实。
夏娃受到撒旦的诱惑，她吃下了禁果，并把果子分给亚当。
亚当和夏娃品尝了禁果之后，他们的眼界得到了开启，意识到了善恶的概念。
他们感到羞耻和愧疚，因为背叛了上帝的命令。
上帝发现了亚当和夏娃的背叛，震怒之下将他们驱逐出伊甸园，让他们尝到了苦痛和辛劳的滋味。
亚当和夏娃的堕落引发了一系列悲剧。
他们犯下了原罪，为后代带来了永恒的负担。
亚当成为了劳作的奴隶，夏娃成为了痛苦分娩的代价。
他们对于自由和快乐的追求变得漫长而艰苦。
与此同时，撒旦也承受着自己的惩罚。
他被打入地狱，与其他堕落天使一起受苦。
他对于上帝的反抗和欺骗使他和其他堕落天使的处境更加痛苦。
然而，撒旦依然坚持不懈地反抗，他发誓要与上帝展开永恒的战争。
整部诗歌以撒旦为中心，他是一个复杂而多维的角色。
虽然他是一个堕落的天使，但他以其坚定的意志和自由的思想吸引着读者。
弥尔顿试图揭示撒旦心中那种追求自由和反抗权威的动机，以及这种动机对他自身和他所掌控的堕落世界的无可避免的后果。
《失乐园》在以叙事诗的形式讲述了一段引人入胜的故事，同时也提出了一系列深刻的哲学问题。
作品探讨了自由意志和宿命的关系，道德和罪恶的本质，以及人类与上帝之间的关系。
通过对亚当和夏娃的堕落以及撒旦的反抗进行描绘，作者展示了人类内心的复杂性和对抗邪恶的勇气与坚持。
《失乐园》：堕落与救赎的永恒主题
《失乐园》：堕落与救赎的永恒主题失乐园（Paradise Lost）是英国文学史上最伟大的史诗之一，由约翰·弥尔顿创作于17世纪。
这部作品深入探讨了堕落与救赎的永恒主题，并以其复杂而引人深思的故事情节和形象塑造成为经典。
《失乐园》以基督宗教中关于天使撒旦在天堂之战、被驱逐至地狱并策划诱惑亚当夏娃背叛上帝的神话为蓝本，表达出对人类存在意义及自由意志等哲学问题的思考。
通过描述上帝与撒旦之间斗争以及人类从无知到觉醒再到最终得到拯救的过程，弥尔顿探讨了一个重要而普遍存在于所有文化中的问题：罪恶如何产生，并如何摆脱其束缚。
整个叙事结构延续了悲剧式发展轨迹，在开始时描绘了完美和幸福充满天堂，但却随着撒旦因嫉妒、愤怒和反抗心态而导致他与一部分天使谋划叛乱。
这种堕落形成了整个故事的基础，也是对人性弱点的深入探索。
与此同时，亚当和夏娃则代表着无知而纯真的人类。
他们因为撒旦的诱惑而从幸福中被驱逐出去，并开始面临罪恶和痛苦。
然而，在《失乐园》中，弥尔顿并没有将他们描绘成彻底堕落或完全无辜。
相反，亚当和夏娃通过经历一系列错误决定和悔过自新来展现了人类拥有改变命运、追求救赎的能力。
正如作品标题所暗示的那样，《失乐园》还涉及了一个重要主题：对于失去理想状态（即天堂）后寻找重新获得快乐与满足感之路。
撒旦在地狱感到孤独、愤怒和沮丧，并试图通过引诱亚当背叛上帝来实现复仇，但最终却只收获到毁灭和更大的痛苦。
相比之下，亚当选择接受上帝给予的原谅与救赎，最终找回了失去的快乐与幸福。
在《失乐园》中，弥尔顿通过描绘一系列角色和事件，以及对人性、命运和道德的思考来探讨堕落与救赎的主题。
作品展现了撒旦从天使到堕落恶魔的转变过程，亚当和夏娃由无知而觉醒并寻求拯救的历程。
这些形象塑造不仅为读者提供了一个深思熟虑的叙事框架，同时也带给我们关于内心挣扎、选择与奋斗等永恒问题上的启示。
总之，《失乐园》是一部充满哲理和复杂情节的文学巨著，在其构建出来的世界中呈现了关于堕落与救赎这一永恒主题，并引发读者对人类自由意志、罪孽原因及如何摆脱罪恶束缚等问题进行反思。
paradise lost译本
paradise lost译本
《Paradise Lost》的中文译本有很多，如《失乐园》
《失乐园》是英国政治家、学者约翰·弥尔顿创作的史诗。
《失乐园》讲述诗中叛逆之神撒旦，因为反抗上帝的权威被打入地狱，却毫不屈服，为复仇寻至伊甸园。
亚当与夏娃受被撒旦附身的蛇的引诱，偷吃了上帝明令禁吃的知识树上的果子。
最终，撒旦及其同伙遭谴全变成了蛇，亚当与夏娃被逐出了伊甸园。
该作说明人类从不识不知的原始社会进入生产劳动的文明社会，必须依靠知识和劳动。
同时，宇宙间本身就有正反相对、相互矛盾的两种势力存在，人类历史上也反复出现过变革、斗争的流血事件，出现过失乐园的悲剧。
《失乐园》与荷马的《荷马史诗》、阿利盖利·但丁的《神曲》并称为西方三大诗歌。
Paradise__Lost(失乐园中撒旦形象的分析)
Satan is comparable in many ways to the tragic heroes of classic Greek literature but, Satan's hubris far surpasses those of previous tragedies. 撒旦在许多方面相当经典的希腊文学的悲剧英雄,但撒旦的傲慢远远超过之前的悲剧。
Formerly the most beautiful of all angels in Heaven, he's a tragic figure曾经最美丽的天使在天堂,他是一个悲剧性人物The image of Satan in Paradise Lost is extremely complex and subtle. He seems to be almost heroic in the earlier portion of the poem, grand and majestic in appearance, fearless in character. 弥尔顿在《失乐园》中撒旦的形象是极其复杂和微妙。
他似乎几乎英雄在前面部分的诗,和雄伟的外观,无所畏惧的性格。
but when facing with the god`s cruel punishment, although it so heavy a burden for him to bear, he got through it, he was not scared to quivered. Instead, he made his mind to oppose god. He soon recovering from defeat and he called on all his followers to regain their courage. He told them to do good reparation to the future fight. 这会让人感觉绝望,痛苦将深化在这样的环境中。
《失乐园》
《失乐园》是一部气势喧昂的史诗式作品。
其作者是约翰·弥尔顿（John Milton1608-1674），十七世纪英国杰出的诗人和思想家，是继莎士比亚后最伟大的诗人，生活在风云动荡的十七世纪。
要充分理解这首诗，首先要对弥尔顿生活的风云年代和社会有所了解。
其双亲有相当的文化素养，同时又有强烈的清教主义倾向，家境比较富裕。
从小就受家庭中浓烈的文化气息和宗教意识的熏陶。
他的一生和创作大约可分为三个时期：他12岁始从学于博览群书的名师，十七岁时进入剑桥大学，并开始用拉丁语和英文写诗；1638-1639年间，他前往欧洲旅行，这一时期主要作品是一些短诗，比较优秀的有《利西达斯》（Lycidas,1637）等。
1639年，英国资产阶级革命即将爆发，他返回英国。
随后的二十多年中，他积极投身英国革命，发表了大量的散文和政论文，为英国革命辩护。
革命成功后被委任为共和国的拉丁秘书，负责处理大量外交信函。
因劳累过度，目力受损，1652年，他双目逐渐失明，仍坚持不辍。
在此期间，发表大量的革命文章。
其中比较著名的有《为英国人民申辩》（Defense of the English People,1650）等。
1660年王朝复辟后，弥尔顿被捕入狱，但在亲友的积极营救之下，很快被释放。
从此开始了他第三时期的创作，先后完成了最著名的以圣经故事为题材的三部长篇诗作《失乐园》（Paradise Lost,1667）、《复乐园》（Paradise Regained,1671）和《力士参孙》（Samson Agonistes,1671）。
弥尔顿的作品同时体现了欧洲两种最重要的文学传统：以荷马史诗为代表的古希腊罗马文学和文艺复兴文学。
他的最后一部作品《力士参孙》描写了主人公在失明后思想、精神上的升华，在一定程度上是弥尔顿自己的一生忠实写照。
王朝复辟后（1660年），这时弥尔顿双目失明，变得衰老、落魄。
这时，他开始了一部伟大著作的创作，希望它能表现出他心中一直渴望实现的雄心壮志。
paradiselost失乐园赏析课件
paradiselost失乐园赏析课件paradise-lost失乐园赏析课件————————————————————————————————作者：————————————————————————————————日期：Paradise LostType of WorkParadise Lost is an epic poem which —like the epic poems of Homer, Dante, Vergil, and Goethe—tells a story about momentous events while incorporating grand themes that are timeless and universal.Date CompletedMilton completed the first version of Paradise Lost in 1667. It consisted of 10 books. In 1668 and 1669, he added an introductory comment about the verse form and a special section with summaries of each book. In 1674, he published the final version of the epic, in which he divided Books 7 and 10 into two books each. The completed work thus had 12 books instead of 10. He also placed each summary at the beginning of the book it summarized.SourcesMilton used the Bible, Homer's Iliad andOdyssey, Vergil's Aeneid, and the stories in Greco-Roman mythology as sources of information and as writing models. The Bible's Book of Genesis is the main source for his retelling of the story of creation and the first humans, Adam and Eve.SettingsThe settings are heaven, hell, the firmament (苍穹) (Chaos), and earth.CharactersGod the Father, God the Son: (trinity)Two of the three divine persons making up the all-powerful Godhead, the single deity （神性）that created and ruled all that exists outside of itself. The third divine person, the Holy Spirit, does not play a role in Paradise Lost. God the Father is portrayed as just but merciful, condemning (批判) the defiant （目中无人）and unrepentant (不后悔的) rebel angels but permitting redemption of the repentant Adam and Eve. God the Son volunteers to redeem them by becoming human and enduring suffering and death.Satan (Lucifer, Archfiend): Powerful and prideful angel who, with legions (众多的) of supporters, leads an unsuccessful rebellion against God and suffers eternal damnation. To gain revenge, he devises a plan to corrupt God's newly created beings, Adam and Eve, through deceit. Modern readers often admire him for his steely defiance (藐视). He would rather rule in hell, he says, than serve in heaven. It was not Milton's intent, however, to create an admirable character; rather his intent was to create a character of colossal (巨大的) hatred —loathsome (令人讨厌的), execrable (恶劣的), incurably remorseless (冷酷无情的).Adam and Eve: The first human beings, created by God to fill the void（真空）that resulted when God cast Satan and his supporters out of the celestial realm. Adam and Eve live on the planet earth in utter happiness in a special garden where spring is the only season and love and godly living prevail. Though they have all that theywant and need, cunning Satan tells them they can have knowledge and status beyond their reach if only they eat of the fruit of the Tree of Knowledge. Eve can become a goddess, he says. Vanity overtakes her. She eats. Adam reluctantly does thesame.Gabriel, Raphael, Michael, Uriel: Powerful and fearless angels on the side of God. Beelzebub, Mammon, Belial, Moloch: Powerful leaders in Satan's army. In a great council in hell, each of them speaks his mind on what policy devil-kind should follow after losing paradise. Should they make a new war? Should they make peace?Ithuriel, Zephron: Angels who expel Satan from the Garden of Eden with the help of a sign from God. Satan returns to the garden later to complete his devious enterprise.Mulciber: Fallen angel who designs hell's capital city and seat of government, Pandemonium. In ancient Roman mythology, Mulciber is another name for Vulcan (Greek: Hephaestus), god of fire and the forge. As ablacksmith, he kept shop in burning mountains (volcanoes).Sin: Daughter of Satan. She was born from his head in the manner of Athena, Greek goddess of wisdom and war, who sprang from the forehead of Zeus, king of the gods.Death: Son of Satan and SinVarious Other Angels and DevilsMilton's Solar SystemIn describing the planets and other celestial bodies, Milton models God’s creatio n on the Ptolemaic天动说的design (also called the geocentric design) rather than the Copernican design (also called the heliocentric 以太阳为中心的design). The former placed earth at the center of the solar system, with the sun and other celestial bodies orbiting it. Copernicus and other scientists later proved that the earth orbits the sun. Milton was aware of the Copernican theory, but he used the Ptolemaic design—either because he believed it was the more credible theory or becausehe believed it would better serve hisliterary purpose. In Paradise Lost, Adam inquires about the movements of celestial bodies—in particular, whether earth orbits the sun or vice versa—in his conversation with the archangel天使Raphael, but Raphael gives no definite answer. Raphael may have been speaking for Milton. Style and Verse FormatMilton wrote Paradise Lost in dignified, lofty, melodic English free of any colloquialisms and slangs that would have limited the work's timeliness and universality. The format, Milton says in an introductory note, is "English heroic verse without rhyme"—in other words, blank verse, the same verse form used by Shakespeare in his plays. Milton's strong religious faith infuses the poem with sincerity and moral purpose, but he does not allow his enthusiasm for his subject to overtake control of his writing. Though Milton frequently uses obscure allusions to mythology and history, as well as occasional difficult words and phrases, his language is never deliberately affected or ostentatious炫耀的. What is more, itdoes not preach and does not take the reader on circumlocutory迂回的expeditions. Like a symphony composer—mighty Beethoven, for example —Milton is always in control, tempering his creative genius with his technical discipline. With a good dictionary and an annotated有注解的text, a first-time reader of Milton can easily follow and understand the story while developing an appreciation for the exquisite writing.Epic ConventionsIn Paradise Lost, Milton used the classical epic conventions—literary practices, rules, or devices established by Homer that became commonplace in epic poetry. Some of these practiceswere also used in other genres of literature. Among the classical conventions Milton used are the following:(1) The invocation 祈祷of the muse, in which a writer requests divine help in composing his work.(2) Telling a story with which readers or listeners are already familiar; they know thecharacters, the plot, and the outcome. Most of the great writers of the ancient world—as well as many great writers in later times, including Shakespeare—frequently told stories already known to the public. Thus, in such stories, there were no unexpected plot twists, no surprise endings. If this sounds strange to you, the modern reader and theatergoer, consider that many of the most popular motion pictures today are about stories already known to the public. Examples are The Passion of the Christ, Titanic, The Ten Commandments, Troy, Spartacus, Pearl Harbor, and Gettysburg.(3) Beginning the story in the middle, a literary convention known by its Latin term in media res 资源(in the middle of things). Such a convention allows a writer to begin his story at an exciting part, then flash back to fill the reader in on details leading up to that exciting part.(4) Announcing or introducing a list of characters who play a major role in the story. They may speak at some length about how to resolve a problem (as the followers of Satan do early in Paradise Lost).(5) Conflict in the celestial realm. Divine beings fight and scheme against one another in the epics of Homer and Vergil, and they do so in Paradise Lost on a grand scale, with Satan and his forces opposing God and his forces.(6) Use of dramatic irony. Dramatic irony is a literary devicein which a character in a story fails to see or understand what is obvious to the audience or readers. Dramatic irony appears frequently in the plays of the ancient Greeks. For example, in Oedipux Rex, by Sophocles, dramatic irony occurs when Oedipus fails to realize what the audience knows—that he married his own mother. In Paradise Lost, dramatic irony occurs when Adam and Eve happily go about daily life in the Garden of Eden unaware that they will succumb to the devil's temptation and suffer the loss of Paradise. Dramatic irony also occurs when Satan and his followers fail to understand that it is impossible ultimately to thwart挫败or circumvent divine will and justice.Plot SummaryAll Hell broke looseBook IV, Paradise Lost.The Invocation of the Muse/doc/4f3501395.html,ton opens Paradise Lost by asking a muse to inspire his writing. In ancient Greece and Rome, poets had always requested “the muse” to fire them with creative genius when they began long narrative poems, called epics, about godlike heroes and villains. In Greek mythology, there were nine muses, all sisters, who were believed to inspire poets, historians, flutists, dancers, singers, astronomers, philosophers, and other thinkers and artists. If one wanted to write a great poem, play a musical instrument with bravado, or develop a grand scientific or philosophical theory, he would ask for help from a muse.When a writer asked for help, he was said to be “invoking the muse.” The muse of epic poetry was named Calliope [kuh LY uh pe]. However, in Book 7, Milton identifies Urania—the museofastronomy—as the goddess to whom he addresses his plea for inspiration.In Milton’s time, writers no longer believed in muses, of course. Nevertheless, since they symbolized inspiration, writers continued to invoke them. So it was that when Milton began Paradise Lost, he addressed the muse in the telling of his tale, writing, “I thence invoke thy aid to my adventurous Song.”The StorySatan and his followers rebel against God. But God and his mighty angels defeat the rebels in a terrible war. God casts them into a dark abyss with a lake of fire. There, the defeated legions deplore悲叹their fate and consider their future. In a great council, the many thousands of the fallen assemble in the capital city and seat of government, Pandemonium, where Satan sits on his royal throne, to hear their leaders speak their minds on the course of action they should take. Moloc, a rebel leader who fought fiercely against the forces of the Almighty, calls forrenewed war. Belial彼勒advises a do-nothing policy, maintaining that the horror of their hell will abate in time and that their surroundings will brighten. To challenge God would only result in another defeat and more punishment. After Mammon advises peace, Beelzebub—a majestic, imposing figure—notes that God is creating a new creature, man, who will occupy a new world, earth. If they turn this new creature from his ordained course, using force or trickery, they can enjoy revenge against God, Beelzebub says. His plan is not his own; it is the plan of Satan, his master. The assembly of devils does not respond; they do not know what to say about this proposal. Then the leader of all the accursed, Satan, speaks up. He first bemoans悲叹their environs: Our prison strong, this huge convex of Fire, Outrageous to devour, immures us round Ninefold, and gates of burning AdamantBarred over us prohibit all egress.(Book 2, lines 444-447)But if any of them manages to break free, Satan says, he will encounter a dark void beyond whichare unknown regions and unknown dangers. Nevertheless, Satan, as leader, says he will venture forth and "Through all the coasts of dark destruction seek / Deliverance for us all: this enterprise / None shall partake参与with me." His "enterprise," of course is to work his deceptive charms against the new creatures. He will subvert 破坏God’s plan and give hell a reason to cheer. None in the assemblage spoke against this plan. Instead, all rose with a thunderous noise to give assent:Towards him they bendWith awful reverence prone; and as a GodExtol him equal to the highest in Heaven. (Book 2, 477-479) And so the assembly broke up and ventured off into the regions from whence they came: Rocks, caves, lakes, fens, bogs, dens, and shades of death,A universe of death, which God by curse Created evil, for evil only good,Where all life dies, death lives, and nature breeds, Perverse, all monstrous, all prodigious things,Abominable, inutterable, and worse.(Book 2, 621-626)Meanwhile, Satan "with thoughts inflamed of highest design / Puts on swift wings, and toward the Gates of Hell / Explores his solitary flight. . . " (Book 2, lines 630-632). Later, Satan's daughter,Sin, who was born from the archfiend's head, and his son, Death, who was born of Satan's union with Sin, decide to follow and assist their father. In heaven, God the Father and God the Son observe Satan flying in a rage toward earth. Satan will corrupt his new creatures, the Father says, even though they possess the willpower to reject sin. Their penalty will be death. However, because they will not rebel against God but instead succumb to Satan’s temptation, they will be redeemable—if someone takes on the burden of their sin by suffering and dying on their behalf. When the Son offers himself for this task, the Father accepts the offer and approves of his incarnation in the world of man.To reach earth, Satan must fly past Uriel, a member of the highest-ranking order of angels,the Seraphim. Uriel watches over earth from his post at the sun. Disguising himself as one of the cherubim—the second-highest-ranking order of angels—Satan asks Uriel to point out the planet where man dwells so that he may go there, admire this new creature, and praise his great Maker. Uriel instructs him, and Satan resumes his journey and arrives at earth.The sight of Paradise disheartens him, for it reminds him of all that he lost in his rebellion against God. After struggling with self-recrimination and doubt, Satan regains himself and enters Paradise, taking the shape of a cormorant—a web-footed sea bird—and perching in the Tree of Life (a tree producing fruit which, when eaten, yields everlasting life) to observe the newly created Adam and Eve. They are beautiful, happy creatures who surprise Satan with their ability to speak and think logically.Later, when they are asleep, Satan whispers evil thoughts into Eve’s ear—of “vain hopes” and “inordinate desires.” When the archangel Gabriel learns of Satan’s presence in Eden, hesends twoangels to expel him. When they confront him, Satan defiantly scorns them and prepares for a fight. An angelic squadron descends toward Eden under the command of Gabriel, and a sign appears in the heavens in which God weighs the adversaries in his golden scales. When Gabriel tells Satan to look at the scales, the archfiend sees that they tip in the favor of the celestial forces, and he flees.On a mission from God, the angel Raphael warns Adam and Eve about Satan. So that they understand the nature of their foe, Raphael tells them the story of Satan’s rebellion and the great war in which angels on both sides fought fiercely. It ended in Satan’s expulsion from heaven, Raphael says, after the Son of God intervened on behalf of the celestial forces. A new world with new creatures was then created to fill the void left by the rebels cast into the deep.Adam, a curious creature, asks Raphael about the earth and its place in creation. Raphael explains the universe but warns Adam to temper his desire for knowledge with humility. When Adam expresses his great satisfaction with Eve as a mate, Raphael again cautions him to be careful. Living with and loving a creature such as Eve, with all of her charm and beauty, is wonderful; however, Adam must not let her divert his attention from his responsibilities to God.Satan returns to the Garden of Eden in the form of a snake and tempts Eve to eat fruit of the Tree of Knowledge in defiance of a divine command never to do so. If she and Adam taste the fruit, he says, they will become gods. Eve eats. After Satan leaves, Adam—though reluctant—also eats. And so Adam and Eve fall from grace, and the Son of God pronounces judgment on thetransgressing humans.When Satan returns in triumph to hell, the multitude of fiends cheer him but suddenly turn into serpents. Earth becomes a place of changing seasons; the eternal spring is no more. Adam is downcast, wishing for death, and blames Eve for leading them astray. But they reconcile and decide to go on, confessing their wrongdoing and pleading for forgiveness.。
Paradise Lost 失乐园赏析教学文案
Adam and Eva
✓Cherished of everything
✓Innocent of the world
✓Unconquerable will to survive
Other Warriors
✓Satan’s troops 鬼王Moloch 鬼王Beelzebub 贪婪鬼王Mammon 比列Belial 撒拉弗Seraph
They feel sorry for what they have done and prayed to God.
For their disobedience, Adam and Eve were driven out of Paradise. In the last book, they were given the hope for redemption. The poem ended with Adam and Eve walking away from Paradise, hand in hand, and the gates of Eden were closed behind them.
• Occupation Poet, Author, Polemicist, Civil Servant for the Commonwealth of England
• Notable Works Paradise Lost, Paradise Regained, Samson Agonistes
Paradise Lost
Paradise Lost is an epic poem in blank verse divided into 12 books. The original story is taken from Genesis 3: 1-24 of the Bible(《圣经》中的《创世纪3： 1-24》）. The poem concerns the Christian story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the garden of Eden.
paradise lost赏析
《失乐园》是英国政治家、学者约翰·弥尔顿创作的史诗，以宏大的叙述、深刻的哲学思想、丰富的幻想元素、复杂的情节以及优美的音韵和音乐式语调，展现了人类历史和宇宙观念的壮丽画卷。
在《失乐园》中，弥尔顿以撒旦的反抗和最终失败的情节为主线，将人类的堕落与救赎、自由意志与罪恶等主题紧密相连，深刻探讨了人类命运的复杂性和宇宙间正反相对、相互矛盾的两种势力的存在。
作品中的主要人物形象鲜明，包括上帝、撒旦、亚当和夏娃等，他们各自代表着不同的哲学观念和宗教信仰。
在神话符号的角度上，《失乐园》展示了一个充满神秘和象征意义的世界。
例如，作品中的许多符号和象征，如知识树、蛇、天使等，都具有深刻的哲学意义和启示作用。
这些符号和象征使得作品更加深邃、富有哲学意义。
在宗教哲学角度上，《失乐园》主要主题是失乐园，它是对长久以来关于上帝、人类、自由意志和罪恶的辩论的哲学回应。
作品展示了人类失去天堂的悲剧，同时也揭示了人类命运的复杂性和宇宙间正反相对、相互矛盾的两种势力的存在。
总的来说，《失乐园》是一部具有深刻哲学意义和启示作用的史诗。
通过对人类历史和宇宙观念的描述，作品展现了人类命运的复杂性和宇宙间正反相对、相互矛盾的两种势力的存在。
同时，作品也启示人们要珍惜自由意志和知识，追求真理和正义，以实现人类的救赎和自我超越。
英美文学讲解弥尔顿-Paradise Lost失乐园
followers
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are banished from heaven and driven into hell, but even here in hell, mist flames and poisonous fumes, Satan and his adherents are not discouraged. The writer’ epic shows the writer’s misery after the Restoration, and his determination for revolution. The style of the epic is lifegrand, which is the result of his lifelong classical and biblical study.版权所有 翻版必究Ab Nhomakorabeatract:
• “Paradise Lost” is Minton’s ” ’ masterpiece .It is a long epic in 12 books, written in blank verse. The story were taken from the Old Testament: the creation of the earth and Adam and Eve, the fallen angels in hell plotting against God, Satan’s ’ temptation of Eve, and the departure of Adam and Eve from Eden .Satan and his
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Conclusion
• "Lose paradise " be such one chansons de geste, the author does not participate in fault present age fighting with firsthand , he is expert in but force trying one's best to have white out war within the epic range in fulllength novel , appearance , he return the intrepid spirit back to braveness having sung the praises of his coeval person at the same time not only being to describe heroes' magnificent battle its dreadful author.
失乐园
失乐园《失乐园》(Paradise Lost)，全文12卷，以史诗一般的磅礴气势揭示了人的原罪与堕落。
诗中叛逆天使撒旦，因为反抗上帝的权威被打入地狱，却仍不悔改，负隅反抗，为复仇寻至伊甸园。
亚当与夏娃受被撒旦附身的蛇的引诱，偷吃了上帝明令禁吃的分辨善恶的树上的果子。
最终，撒旦及其同伙遭谴全变成了蛇，亚当与夏娃被逐出了伊甸园。
该诗体现了诗人追求自由的崇高精神，是世界文学史、思想史上的一部极重要的作品。
作者简介弥尔顿（1608～1 约翰·弥尔顿674）英国诗人、政论家。
1608年12月9日出生于伦敦一个富裕的清教徒家庭。
父亲爱好文学，受其影响，弥尔顿从小喜爱读书，尤其喜爱文学。
1625年16岁时入剑桥大学，并开始写诗，1632年取得硕士学位。
因目睹当时国教日趋反动，他放弃了当教会牧师的念头，闭门攻读文学6 年，一心想写出能传世的伟大诗篇。
1638年弥尔顿为增长见闻到当时欧洲文化中心意大利旅行，拜会了当地的文人志士，其中有被天主教会囚禁的伽利略。
弥尔顿深为伽利略在逆境中坚持真理的精神所感动。
翌年听说英国革命即将爆发，便中止旅行，仓促回国，投身革命运动。
1641年，弥尔顿站在革命的清教徒一边，开始参加宗教论战，反对封建王朝的支柱国教。
他在一年多的时间里发表了5本有关宗教自由的小册子，1644年又为争取言论自由而写了《论出版自由》。
1649年，革命阵营中的独立派将国王推上断头台，成立共和国。
弥尔顿为提高革命人民的信心和巩固革命政权，发表《论国王与官吏的职权》等文，并参加了革命政府工作，担任拉丁文秘书职务。
1652年因劳累过度，双目失明。
1660年，王朝复辟，弥尔顿被捕入狱，不久又被释放。
从此他专心写诗，为实现伟大的文学抱负而艰苦努力，在亲友的协助下，共写出3首长诗：《失乐园》(1667)，《复乐园》(1671)和《力士参孙》(1671)。
1674年11月8日卒于伦敦。
2作品概述《失乐园》（Paradise Lost），全文12卷，以史诗一般的磅6 《失乐园》各种版本书籍封面图片礴气势揭示了人的原罪与堕落。
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The summary
The story opens in hell, where Satan and his followers are recovering from defeat in a war they waged against God. They build a palace, called Pandemonium（混战场）, where they hold council to determine whether or not to return to battle.
Lucifer and Satan
Lucifer ~ the name by which Satan is known before his fall from Heaven. The name is Latin, meaning "light-bearer." See Satan
Satan ~ generally acclaimed as the most compelling and complex character in the epic, Satan becomes known by this name (which means "enemy" or "adversary" in Hebrew) after his expulsion from Heaven. Formerly he was called Lucifer and was one of the highest ranking angels, but envy drove him to rebel against God.
Eve
Eve ~ the mother of all mankind, the first and most beautiful woman, and wife of Adam, having been made by God from Adam's rib.
Raphael
Raphael ~ the angel God sends to visit Adam and Eve in Eden to warn them about Satan. He is the poem‘s narrator of the account of Satan’s rebellion in heaven and the creation of the world, as told to the human couple. He is “sociably mild”（和蔼 可亲的） in contrast to the stern（严肃的）, military angels, Michael and Gabriel.
Satan gains entrance into the Garden of Eden, where he finds Adam and Eve and becomes jealous of them. He overhears them speak of God's commandment that they should not eat the forbidden fruit.
Instead they decide to explore a new world prophesied （预言） to be created, where a safer course of revenge can be planned. Satan undertakes the mission alone.
Michael
Michael ~ the archangel（大天使） who leads the loyal angelic army against the rebels in the war in Heaven. Wielding（使用） a mighty sword, he duels(决斗） with Lucifer and wounds him [vi.245]. He later descends to Earth to expel Adam and Eve from Paradise [Books XI, XII].
作品介绍
Paradise Lost
INTRODUCTION
A Brief summary
Paradise Lost is about Adam and Eve--how they came to be created and how they came to lose their place in the Garden of Eden, also called Paradise.
At the gate of hell, he meets his offspring, Sin and Death, who unbar（打开） the gates for him. He journeys across chaos（混沌） till he sees the new universe floating near the larger globe which is heaven.
He was considered as the allegorical personification of evil, originator of evil, father of Sin and Death, adversary of God, and destroyer of Eden.
God
Their innocence is lost and they become aware of their nakedness. In shame and despair, they become hostile to each other.
the Son of God descends to earth to judge the sinners, mercifully delaying their sentence of death. Upon his return to hell, instead of a celebration of victory, Satan and his crew are turned into serpents as punishment.
God ~ the Creator of the universe, of angels, Heaven, Hell, and man. The Supreme Being, omniscient(全知的）, omnipotent（全能的）, omnipresent（无所不在的）, and ruler of all.
Dramatis Personae
---- the characters in the poem
Adam the first human being, created by God by his
own hand and breath; husband of Eve, who was created from his rib. Described as the "goodliest man of men" [iv.323], given the tasks of naming the animals and tending the Garden of Eden.
Originally, he was called Lucifer, an angel in heaven who led his followers in a war against God, and was ultimately sent with them to hell. Thirst for revenge led him to cause man's downfall by turning into a serpent and tempting Eve to eat the forbidden fre story you find in the first pages of Genesis, expanded by Milton into a very long, detailed, narrative poem. It also includes the story of the origin of Satan.
Paradise Lost
1、作者介绍 2、创作的背景 3、概述《失乐园》 4、作品中的人物介绍 5、《失乐园》插图中的一些图片欣赏
背景介绍:
生活在欧洲社会的转折时代，约翰·弥尔顿经历了英国史 上的一个黑暗时代。当时复辟后的斯图亚特王朝，对清教 徒资产阶级革命家残酷报复，疯狂迫害，不少人经不起斗 争的考验，投降变节。弥尔顿虽屡遭迫害，生活艰苦，然 而仍不屈不挠，顽强斗争，始终不丧失其鲜明立场，不改 变原有的革命信仰，不放弃先前的革命原则。在黑暗的时 代，弥尔顿不畏强暴，以笔为旗，决心重振诗才，以暮年 之力，克服双目失明的重重困难，用口授的形式，由他女 儿和外甥笔录，创作了举世闻名的三部作品：史诗《失乐 园》（1667年）、《复乐园》（1671年）和诗剧《力士 参孙》（1671年），对复辟王朝进行勇敢的挑战，表现了 诗人对自由的渴望和对资产阶级革命的坚定信念。
God sees Satan flying towards this world and foretells the fall of man. His Son, who sits at his right hand, offers to sacrifice himself for man's salvation. Meanwhile, Satan enters the new universe. He flies to the sun, where he tricks an angel, Uriel, into showing him the way to man's home.