中国扬琴
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Key words: Yangqin Chinese Yangqin Art Style Development "Tianshan Poetry and Painting"
一、作曲家人物简介
黄河，1954年生人，与伟大的音乐家贝多芬在同一天出生即12月16日，我国著名的扬琴演奏家。曾考入中央音乐学院，并师从于著名扬琴演奏家项祖华。学习期间，黄河不断摸索扬琴的演奏方法，沉淀自己，为成为一名扬琴演奏家而努力奋斗，与此同时黄河发现，单单靠扬琴演奏技巧远远不够，演奏与创作是完全分不开的。因此,黄河在扬琴演奏与创作上都开始下功夫。还出国参加国际访问演出，受到高度称赞。得到当时中国音乐学院院长的大量赏识和器重。同时也是一位尊贵、严谨治学的教育家，本着传道、授业、解惑的原则，为我国扬琴艺术的发展培养了很多优秀的扬琴专业人才。现担任中国民族管弦乐学会扬琴专业委员会会长。他将扬琴这一民族气息浓重的乐器推上了更大的音乐舞台，为扬琴的发展做出了不可磨灭的贡献。代表作有《黄土情》《川江韵》《天山诗画》等。
The main research direction of this paper is about the development of Chinese dulcimer, the examination and research of Chinese dulcimer works and playing techniques. The analysis of the performance skills of the dulcimer "Tianshan Poems and Paintings" further helps to understand the style of the dulcimer, and to understand the connotation of the dulcimer through the history, techniques and works of the Chinese dulcimer.
关键词：扬琴 中国扬琴 艺术风格 发展 《hina's national musical instrument score, the dulcimer is the only national instrument with a wide range of cosmopolitan and distinct national characteristics. As a very unique musical instrument, a masterpiece of dulcimer will bring audiences into the real playing situation, and can make people forget for a long time.
Yangqin is also known as Yaoqin, steel wire piano, butterfly piano, Yangqin and so on. It is said to be a stringed musical instrument originating from ancient Persia. It is quite famous at court banquets. In the Middle Ages, Yangqin was prevalent in Europe because of the Renaissance and was introduced into China by sea in the late Ming and early Qing Dynasties. Blending with the national cultures of all parts of China, it forms various unique artistic styles of China, and finally achieves the present Chinese dulcimer.
在中国的民族乐器谱中，扬琴是唯一一个兼有广泛的世界性与鲜明的民族性的民族乐器。作为一种极具地位的演奏乐器,一部扬琴佳作会给听众带入到真实的演奏境遇中,并能让人久久不忘。
扬琴又被称瑶琴、洋琴，据说起是源于古波斯的击奏弦鸣乐器，在宫廷宴会上相当有名气，中世纪时期因为文艺复兴的到来扬琴盛行于欧洲地区，又在明末清初时期由海运传入中国与中国历史接轨。与中国各个地方民族文化交融形成各种中国独有的艺术风格，最后成就了现在的中国扬琴。
This paper elaborates the artistic style of the Yangqin solo "Tianshan Poetry and Painting" compiled by the composer Huanghe and the analysis of the performance technology of the Yangqin to understand the era environment, and further explores the composer's creative background in order to better understand the emotional content contained in the song.
扬琴的技法丰富而个性突出,每一种技法蕴含的力量和音色都是不同的,使扬琴艺术的性能更加完善，为扬琴艺术做出了开拓性的贡献
阐述有作曲家黄河所编扬琴独奏曲《天山诗画》的艺术风格与扬琴演奏技术分析来了解时代环境；进一步探查作曲家的创作背景，以便更好的了解此曲所蕴涵的情感内容。
本论文的主要研究方向是关于中国扬琴的发展，中国扬琴作品及演奏技术的考查研究。扬琴曲《天山诗画》的演奏技巧分析进一步有效了解扬琴的风格，通过扬琴历史、扬琴技法、中国扬琴作品了解扬琴的内涵。
The technique of the dulcimer is abundant and its personality is outstanding. The strength and timbre of each technique are different, which makes the performance of the dulcimer art more perfect and makes pioneering contributions to the art of the dulcimer.
一、作曲家人物简介
黄河，1954年生人，与伟大的音乐家贝多芬在同一天出生即12月16日，我国著名的扬琴演奏家。曾考入中央音乐学院，并师从于著名扬琴演奏家项祖华。学习期间，黄河不断摸索扬琴的演奏方法，沉淀自己，为成为一名扬琴演奏家而努力奋斗，与此同时黄河发现，单单靠扬琴演奏技巧远远不够，演奏与创作是完全分不开的。因此,黄河在扬琴演奏与创作上都开始下功夫。还出国参加国际访问演出，受到高度称赞。得到当时中国音乐学院院长的大量赏识和器重。同时也是一位尊贵、严谨治学的教育家，本着传道、授业、解惑的原则，为我国扬琴艺术的发展培养了很多优秀的扬琴专业人才。现担任中国民族管弦乐学会扬琴专业委员会会长。他将扬琴这一民族气息浓重的乐器推上了更大的音乐舞台，为扬琴的发展做出了不可磨灭的贡献。代表作有《黄土情》《川江韵》《天山诗画》等。
The main research direction of this paper is about the development of Chinese dulcimer, the examination and research of Chinese dulcimer works and playing techniques. The analysis of the performance skills of the dulcimer "Tianshan Poems and Paintings" further helps to understand the style of the dulcimer, and to understand the connotation of the dulcimer through the history, techniques and works of the Chinese dulcimer.
关键词：扬琴 中国扬琴 艺术风格 发展 《hina's national musical instrument score, the dulcimer is the only national instrument with a wide range of cosmopolitan and distinct national characteristics. As a very unique musical instrument, a masterpiece of dulcimer will bring audiences into the real playing situation, and can make people forget for a long time.
Yangqin is also known as Yaoqin, steel wire piano, butterfly piano, Yangqin and so on. It is said to be a stringed musical instrument originating from ancient Persia. It is quite famous at court banquets. In the Middle Ages, Yangqin was prevalent in Europe because of the Renaissance and was introduced into China by sea in the late Ming and early Qing Dynasties. Blending with the national cultures of all parts of China, it forms various unique artistic styles of China, and finally achieves the present Chinese dulcimer.
在中国的民族乐器谱中，扬琴是唯一一个兼有广泛的世界性与鲜明的民族性的民族乐器。作为一种极具地位的演奏乐器,一部扬琴佳作会给听众带入到真实的演奏境遇中,并能让人久久不忘。
扬琴又被称瑶琴、洋琴，据说起是源于古波斯的击奏弦鸣乐器，在宫廷宴会上相当有名气，中世纪时期因为文艺复兴的到来扬琴盛行于欧洲地区，又在明末清初时期由海运传入中国与中国历史接轨。与中国各个地方民族文化交融形成各种中国独有的艺术风格，最后成就了现在的中国扬琴。
This paper elaborates the artistic style of the Yangqin solo "Tianshan Poetry and Painting" compiled by the composer Huanghe and the analysis of the performance technology of the Yangqin to understand the era environment, and further explores the composer's creative background in order to better understand the emotional content contained in the song.
扬琴的技法丰富而个性突出,每一种技法蕴含的力量和音色都是不同的,使扬琴艺术的性能更加完善，为扬琴艺术做出了开拓性的贡献
阐述有作曲家黄河所编扬琴独奏曲《天山诗画》的艺术风格与扬琴演奏技术分析来了解时代环境；进一步探查作曲家的创作背景，以便更好的了解此曲所蕴涵的情感内容。
本论文的主要研究方向是关于中国扬琴的发展，中国扬琴作品及演奏技术的考查研究。扬琴曲《天山诗画》的演奏技巧分析进一步有效了解扬琴的风格，通过扬琴历史、扬琴技法、中国扬琴作品了解扬琴的内涵。
The technique of the dulcimer is abundant and its personality is outstanding. The strength and timbre of each technique are different, which makes the performance of the dulcimer art more perfect and makes pioneering contributions to the art of the dulcimer.