英国文学经典背诵十篇

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自己笔记英国文学

自己笔记英国文学

英国文学笔记The Anglo-Saxons times1.caedomon(paraphrases) Bede(英国文学之父,英国历史的开始)2.King Alfred(拉丁书籍写成Saxon dialect)3.BeowulfThe Roman period受法国文学的影响,以romance为主4.Sir Gawain and The Green KnightThe age of Chaucer百年战争农民起义5.Chaucera.可以分为三个时期分别收法国,意大利,英国主导。

b.The Canterbury TalesThe age of 15th century百年战争,玫瑰之战,大航海时代,宗教改革。

以ballads为主,戏剧初步发展6.Malory(整理了Arthur王的故事)7.The Robin Hood BalladsThe age of renaissance文艺复兴诗歌方面:8.Spensera.牧羊人日记b.The Faerie Queen (仙后映射Elizabeth女王,写她的12个骑士,每个骑士都代表着一种精神。

未完结)c.Spenserian stanza戏剧方面9.Marlow( university wits)The Tragic History of Doctor Faustus (反应文艺复兴时期对知识的渴求。

为得到magic book 魔鬼签下契约。

)10.Shakespearea.可分为四个阶段b.四大喜剧(仲夏夜之梦,威尼斯商人,十二夜,皆大欢喜)和四大悲剧(哈姆雷特,李尔王,麦克白,奥赛罗)【罗密欧与朱丽叶不在其中】c.Sonnet (154 1-126 Mr. W.H. / 127-154 Dark Lady)d.Shakespeare’s sonnet (abab cdcd efef gg)The 17th century由commonwealth向constitutional monarch转型。

西方经典文学100篇(ByBBC)

西方经典文学100篇(ByBBC)

西方经典文学100篇(ByBBC)1、The Lord of the Rings, JRR Tolkien 指环王,J.R.R.托尔金2、Pride and Prejudice, Jane Austen 傲慢与偏见,简?奥斯丁3、His Dark Materials, Philip Pullman 黑暗物质,菲利普?普尔曼4、The Hitchhiker’s Guide to the Galaxy, Douglas Adams 银河系漫游指南,道格拉斯?亚当斯5、Harry Potter and the Goblet of Fire, JK Rowling 哈利?波特与火焰杯,J.K.罗琳6、To Kill a Mockingbird, Harper Lee 杀死一只知更鸟,哈珀?李7、Winnie the Pooh, AA Milne 小熊维尼,A、A、米尔恩8、Nineteen Eighty-Four, George Orwell 1984,乔治?奥威尔9、The Lion, the Witch and the Wardrobe, CS Lewis 纳尼亚传奇:狮子、女巫、魔衣橱,C.S.刘易斯10、Jane Eyre, Charlotte Bront?简?爱,夏绿蒂?勃朗特11、Catch-22, Joseph Heller 第22条军规,约瑟?海勒12、Wuthering Heights, Emily Bront?呼啸山庄,艾米莉?勃朗特13、Birdsong, Sebastian Faulks鸟之歌,塞巴斯蒂安?福克斯14、Rebecca, Daphne du Maurier蝴蝶梦(吕蓓卡),达夫妮?杜穆里埃15、The Catcher in the Rye, JD Salinger 麦田里的守望者,J.D.塞林格16、The Wind in the Willows, Kenneth Grahame 柳林风声,肯尼斯?格雷厄姆17、Great Expectations, Charles Dickens 远大前程,查尔斯?狄更斯18、Little Women, Louisa May Alcott 小妇人,露意莎?梅?奥尔柯特19、Captain Corelli’s Mandolin, Louis de Bernieres柯莱利上尉的曼陀林,路易斯?德?贝尔尼埃20、War and Peace, Leo Tolstoy 战争与和平,列夫?托尔斯泰21、Gone with the Wind, Margaret Mitchell 飘,玛格丽特?米切尔22、Harry Potter And The Philosopher’s Stone, JK Rowling 哈利?波特与魔法石,J.K.罗琳23、Harry Potter And The Chamber Of Secrets, JK Rowling 哈利?波特与密室,J.K.罗琳24、Harry Potter And The Prisoner Of Azkaban, JK Rowling 哈利?波特与阿兹卡班的囚徒,J.K.罗琳25、The Hobbit, JRR Tolkien 霍比特人,J.R.R.托尔金26、Tess Of The D’Urbervilles, Thomas Hardy 德伯家的苔丝,托马斯?哈代27、Middlemarch, George Eliot 米德尔马契,乔治?艾略特28、A Prayer For Owen Meany, John Irving 为欧文?米尼祈祷,约翰?欧文29、The Grapes Of Wrath, John Steinbeck 愤怒的葡萄,约翰?斯坦贝克30、Alice’s Adventures In Wonderland, Lewis Carroll 爱丽丝漫游奇境记,刘易斯?卡罗尔31、The Story Of Tracy Beaker, Jacqueline Wilson 崔西?贝克的故事,杰奎琳?威尔森32、One Hundred Years Of Solitude, Gabriel GarcíaMárquez 百年孤独,加西亚?马尔克斯33、The Pillars Of The Earth, Ken Follett 圣殿春秋,肯?弗雷特34、David Copperfield, Charles Dickens 大卫?科波菲尔,查尔斯?狄更斯35、Charlie And The Chocolate Factory, Roald Dahl 查理和巧克力工厂,罗尔德?达尔36、Treasure Island, Robert Louis Stevenson 金银岛,罗伯特?路易斯?斯蒂文森37、A T own Like Alice, Nevil Shute 像爱丽丝的小镇,内维尔?舒特38、Persuasion, Jane Austen 劝导,简?奥斯丁39、Dune, Frank Herbert 沙丘,弗兰克?赫伯特40、Emma, Jane Austen 爱玛,简?奥斯丁41、Anne Of Green Gables, LM Montgomery 绿山墙的安妮,L.M.蒙哥马利42、Watership Down, Richard Adams 沃特希普荒原,理查德?亚当斯43、The Great Gatsby, F Scott Fitzgerald 了不起的盖茨比,斯科特?菲茨杰拉德44、The Count Of Monte Cristo, Alexandre Dumas 基督山恩仇记,大仲马45、Brideshead Revisited, Evelyn Waugh 旧地重游(故园风雨后),伊夫林?沃46、Animal Farm, George Orwell 动物农场,乔治?奥威尔47、A Christmas Carol, Charles Dickens 圣诞颂歌,查尔斯?狄更斯48、Far From The Madding Crowd, Thomas Hardy 远离尘嚣,托马斯?哈代49、Goodnight Mister Tom, Michelle Magorian晚安,汤姆先生,米歇尔?麦格里安50、The Shell Seekers, RosamundePilcher海边拾贝人,罗莎蒙德?皮尔彻51、The Secret Garden, Frances Hodgson Burnett 秘密花园,法兰西丝?霍森?柏纳特52、Of Mice And Men, John Steinbeck 人鼠之间,约翰?斯坦贝克53、The Stand, Stephen King 末日逼近,斯蒂芬?金54、Anna Karenina, Leo Tolstoy 安娜?卡列尼娜,列夫?托尔斯泰55、A Suitable Boy, Vikram Seth 合适郎君,维克拉姆?塞斯56、The BFG, Roald Dahl 吹梦巨人,罗尔德?达尔57、Swallows And Amazons, Arthur Ransome燕子与鹦鹉,亚瑟?兰塞姆58、Black Beauty, Anna Sewell 黑美人,安娜?休厄尔59、Artemis Fowl, EoinColfer阿特米斯奇幻历险,艾欧因?寇弗60、Crime And Punishment, Fyodor Dostoyevsky 罪与罚,费奥多尔?陀思妥耶夫斯基61、Noughts And Crosses, Malorie Blackman 圈与叉,马洛里?布莱克曼62、Memoirs Of A Geisha, Arthur Golden 艺伎回忆录,亚瑟?高登63、A Tale Of Two Cities, Charles Dickens 双城记,查尔斯?狄更斯64、The Thorn Birds, Colleen McCollough荆棘鸟,考琳?麦考洛65、Mort, Terry Pratchett 死神学徒(碟形世界系列之4),特里?普拉切特66、The Magic Faraway Tree, Enid Blyton 远方的魔法树,伊妮德?布莱顿67、The Magus, John Fowles 大法师,约翰?福尔斯68、Good Omens, Terry Pratchett and Neil Gaiman 好兆头,特里?普拉切特和尼尔?盖曼69、Guards! Guards!, Terry Pratchett 卫兵!卫兵!特里?普拉切特70、Lord Of The Flies, William Golding 蝇王,威廉?戈尔丁71、Perfume, Patrick Süskind 香水,帕特里克?聚斯金德(台湾译名徐四金)72、The Ragged Trousered Philanthropists, Robert Tressell 穿破裤子的慈善家,罗伯特、特莱塞尔73、Night Watch, Terry Pratchett 夜巡,特里?普拉切特74、Matilda, Roald Dahl 玛蒂尔达(小魔女),罗尔德?达尔75、Bridget Jones’s Diary, Helen Fielding 布雷吉特?琼斯的日记(BJ单身日记),海伦?菲尔丁76、The Secret History, Donna Tartt 校园秘史,唐娜?塔特77、The Woman In White, Wilkie Collins 白衣女人,威尔基?柯林斯78、Ulysses, James Joyce 尤利西斯,詹姆斯?乔伊斯79、Bleak House, Charles Dickens 荒凉山庄,查尔斯?狄更斯80、Double Act, Jacqueline Wilson81、The Twits, Roald Dahl 蠢特夫妇,罗尔德?达尔82、I Capture The Castle, Dodie Smith 我的秘密城堡,道迪?史密斯83、Holes, Louis Sachar 洞(别有洞天),路易斯?萨奇尔84、Gormenghast, MervynPeake 歌门鬼城(幽灵古堡),马温?皮克85、The God Of Small Things, Arundhati Roy 微物之神,阿兰达蒂?洛伊86、Vicky Angel, Jacqueline Wilson 87、Brave New World, Aldous Huxley 美丽新世界,奥尔德斯?赫胥黎88、Cold Comfort Farm, Stella Gibbons 寒冷舒适的农庄,斯特拉?吉本89、Magician, Raymond E Feist 魔法师,雷蒙?弗斯特90、On The Road, Jack Kerouac 在路上,杰克?克鲁亚克91、The Godfather, Mario Puzo 教父,马里奥?普佐92、The Clan Of The Cave Bear, Jean M Auel 爱拉与穴熊族,珍?奥尔93、The Colour Of Magic, Terry Pratchett 魔法的颜色(碟形世界系列之1),特里?普拉切特94、The Alchemist, Paulo Coelho 炼金术士,保罗?科埃略95、Katherine, Anya Seton 凯瑟琳,安雅?西顿96、Kane And Abel, Jeffrey Archer 该隐和亚伯,杰弗里?阿彻97、Love In The Time Of Cholera, Gabriel GarcíaMárquez 霍乱时期的爱情,加西亚?马尔克斯98、Girls In Love, Jacqueline Wilson 恋爱的女孩,杰奎琳?威尔森99、The Princess Diaries, Meg Cabot 公主日记,梅格?凯博特100、Midnight’s Children, Salman Rushdie 午夜之子,萨尔曼?拉什迪(来源)。

英国文学作品

英国文学作品

BOOK 11、Geoffrey Chaucer (1340-1400) 杰弗里•乔叟The Canterbury Tales《坎特伯雷故事》2、Sir Thomas Malory (1405?-1471) 托马斯•马洛礼爵士The Death of King Arthur《亚瑟王之死》3、Edmund Spenser (1552?-1599) 埃德蒙·斯宾塞The Faerie Queene《仙后》The Sheepherder’s Calender《牧羊人的日历》4、Thomas Kyd (1558-1594) 托马斯·基德The Spanish Tragedy《西班牙悲剧》5、Christopher Marlowe (1564-1593) 克里斯托弗·马洛Tamburlaine the Great《帖木儿大帝》The Tragic History of Doctor Faustus《浮士德博士的悲剧》6、William Shakespeare (1564-1616) 威廉•莎士比亚Sonnet 18.29.66十四行诗Romeo and Juliet《罗密欧与朱丽叶》The Merchant of Venice《威尼斯商人·》Hamlet《哈姆雷特》Othello 《奥赛罗》King Lear《李尔王》Macbeth 《麦克白》Venus and Adonis《维纳斯和阿多尼斯》The Rape of Lucrece《露易丝受辱记》Julius Caesar《凯撒大帝》7、Francis Bacon (1561 - 1626)弗朗西斯•培根Of Great Place《论高位》Of Studies 《论读书》Of Marriage and Single Life 《论婚姻和单身》8、John Donne (1572-1631) 约翰•邓恩Songs and Sonnets《歌与短歌》The Canonization《封为圣者》A Valediction:Forbidding Mourning 《别离辞:节哀》9、Ben Jonson (1593-1633) 本·琼森Song to Celia 《致西莉亚》10、Robert Herrick (1591-1674) 罗伯特·赫里克To the Virgins, To Make Much of Time 《给少女的劝告》11、John Milton (1608-1674)约翰•弥尔顿Paradise Lost 《失乐园》To Mr. Cyriack Skinner upon His Blindness《关于自己的失明致西利雅克•石凯纳》12、John Bunyan (1628-1688) 约翰•班扬The Pilgrim’s Process《天路历程》13、John Dryden (1631-1700) 约翰•德莱顿An Essay of Dramatic Poesy《论戏剧诗》14、Daniel Defoe (1660-1731) 丹尼尔•笛福Moll Flanders《摩尔•弗兰德斯》Robinson Crusoe《鲁宾逊漂流记》15、Jonathan Swift (1667-1745) 乔纳森•斯威夫特The Battle of Books 《书的战争》A Tale of the Tub 《桶的故事》The Draiper’s Letters《布商的信》Gulliver’s Travels《格列佛游记》A Modest Proposal 《一个谦卑的建议》16、Alexander Pope (1688-1744) 亚历山大·蒲柏An Essay on Man《人论》17、Samuel Johnson (1709-1784) 塞缪尔·约翰逊A Dictionary of the English Language《英文辞典》Letter to the Right Honorable The Earl of Chester field《致吉斯特菲尔德爵爷书》The Preface of Shakespeare《莎士比亚集》序18、Henry Fielding (1707-1754) 亨利·菲尔丁The History of Tom Jones, A Foundling 《弃婴托姆•琼斯的故事》19、Thomas Gary (1716-1771) 托马斯•格雷Elegy Written in a Country Churchyard 《墓畔哀歌》20、Richard Brinsley Sheridan (1751-1816) 理查德·布林斯莱·谢立丹The Rivals 《情敌》The School of Scandal 《造谣学校》21、Robert Burns (1759-1796) 罗伯特•彭斯A Red, Red Rose 《一朵红红的玫瑰》Is There for Honest Poverty《穷得有志气》Scots, Wha Hae 《苏格兰人拥有》Auld Lang Syne 《往昔的时光》22、William Blake (1757-1827) 威廉•布莱克songs of Innocent and songs of Experience 天真之歌和经验之歌I:The Lamb 《羔羊》Holy Thursday《耶稣升天节》R:The tiger 《老虎》The Sick Rose 《病玫瑰》The Chimney Sweeper 《扫烟囱的孩子》BOOK 21、William Wordsworth (1770-1850) 威廉•华兹华斯I Wandered Lonely as a Cloud 《我好似一朵流云独自漫游》2、Samuel Taylor Coleridge (1772-1834)塞缪尔•泰勒•柯勒律治The Rime of the Ancient Mariner 《古舟子咏》Kubla Khan 《忽必烈汗》3、George Gordon Byron (1788-1824) 乔治•戈登•拜伦She Walks in Beauty《她在美中行》Childe Harold’s Pilgrimage 《恰尔德•哈罗尔德游记》Don Juan (The Isles of Greece) 《唐璜(哀希腊)》When We Two Parted 《记当时我俩分手》4、Percy Bysshe Shelley (1792-1822) 波西•比希•雪莱Ode to the West Wind 《西风颂》5、John Keats (1795-1821) 约翰•济慈Ode on a Nightingale 《夜莺颂》6、Walter Scott (1771-1832) 沃尔特·司各特Ivanhoe《艾文赫》7、Charles Dickens (1812 - 1870)查尔斯•狄更斯Dombey and Son《董贝父子》Bleak House 《荒凉山庄》Oliver Twist 《雾都孤儿》David Copperfield 《大卫•科波菲尔》A Tale of Two Cities《双城记》Great Expectations《远大前程》8、William Makepeace Thackeray (1811-1863) 威廉·梅克比斯·萨克雷Vanity Fair 《名利场》9、Lord Alfred Tennyson (1809-1892) 阿尔弗雷德•丁尼生Ulysses 《尤利西斯》Break, Break, Break《拍岸曲》The Eagle《鹰》10、Robert Browning (1812 -1889) 罗伯特•布朗宁My Last Duchess 《我已故公爵夫人》11、Matthew Arnold (1822-1888) 马修•阿诺德Dover Beach 《多佛海滩》12、The Bronte sistersCharlotte Bronte (1816-1855) 夏洛特•勃朗特Jane Eyre 《简爱》Emily Bronte (1818-1848) 艾米莉•勃朗特Wuthering Heights 《呼啸山庄》Anne Bronte (1820-1849) 安妮•勃朗特Agnes Gray 《艾格尼斯•格雷》13、Thomas Hardy (1840-1928) 托马斯•哈代Tess of the D’Urbervilles《德伯家的苔丝》14、Oscar Wilde (1854-1900) 奥斯卡•王尔德The Picture of Dorian Gray《道林•格莱的肖像》15、George Bemard Shaw (1856-1950) 乔治•萧伯纳Major Barbara 《巴巴拉少校》Pygmalion 《皮格马利翁》Heartbreak House 《伤心之家》16、Thomas Stearns Eliot (1888-1965) 托马斯·斯特尔那斯·艾略特The Waste Land 《荒原》The Love Song of J.Alfred Prufock 《J.阿尔弗雷德·普鲁弗洛克的情歌》17、James Joyce (1882-1941) 詹姆斯•乔伊斯A Portrait of the Artist as a Young Man 《青年艺术家的画像》Ulysses 《尤利西斯》18、William Golding (1911-1993) 威廉•戈尔丁Lord of the Flies 《蝇王》19、Samuel Beckett (1906-1989) Samuel BeckettWaiting for Godot 《等待戈多》。

川外英院大三英国文学背诵篇目

川外英院大三英国文学背诵篇目

《英国文学》背诵篇目1.“Sonnet 18” by ShakespeareQuatrainⅠ:A:Shall I compare thee to a summer's day?B:Thou art more lovely and more temperate.A:Rough winds do shake the darling buds of May,B:And summer's lease hath all too short a date.QuatrainⅡ:C:Sometime too hot the eye of heaven shines,D:And often is his gold complexion dimm'd;C:And every fair from fair sometime declines,D:By chance or nature's changing course untrimmed.Quatrain Ⅲ:E:But thy eternal summer shall not fade,F:Nor lose possession of that fair thou ow'st;E:Nor shall Death brag thou wander'st in his shade, F:When in eternal lines to time thou grow'st.Couplet:G:So long as men can breathe or eyes can see,G:So long lives this, and this gives life to thee.2.“To be or not to be” by ShakespeareTo be, or not to be, that is a question:Whether 'tis nobler in the mind to sufferThe slings and arrows of outrageous fortune,Or to take arms against a sea of troublesAnd by opposing end them. To die — to sleep,No more; and by a sleep to say we endThe heart-ache, and the thousand natural shocksThat flesh is heir to, 'Tis a consummationDevoutly to be wish'd. To die, to sleep;To sleep, perchance to dream — ay, there's the rub:For in that sleep of death what dreams may come,When we have shuffled off this mortal coil,Must give us pause. There's the respectThat makes calamity of so long life.For who would bear the whips and scorns of time,Th' oppressor's wrong, the proud man's contumely,The pangs of despised love, the law's delay,The insolence of office, and the spurnsThat patient merit of th' unworthy takes,When he himself might his quietus makeWith a bare bodkin? Who would fardels bear,To grunt and sweat under a weary life,But that the dread of something after death,The undiscover'd country from whose bournNo traveller returns, puzzles the will,And makes us rather bear those ills we haveThan fly to others that we know not of?Thus conscience does make cowards of us all,And thus the native hue of resolutionIs sicklied o'er with the pale cast of thought,And enterprises of great pitch and momentWith this regard their currents turn awryAnd lose the name of action.3.“Of Studies” by Francis BaconSome books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention.4.“Letter to the Right Honourable The Earl of Chesterfield” by SamuelJohnsonThe Shepherd in Virgil grew at last acquainted with Love, and found him a Native of the Rocks. Is not a patron, My Lord, one who looks with unconcern on a Man struggling for Life in the water and when he has reached ground encumbers him with help. The notice which you have been pleased to take of my Labours, had it been early, had been kind; but it has been delayed till I am indifferent and cannot enjoy it, till I am solitary and cannot impart it, till I am known and do not want it.5.“I Wandered Lonely as a Cloud” by William WordsworthThat floats on high o'er vales and hills,When all at once I saw a crowd, A host of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.Continuous as the stars that shine And twinkle on the Milky Way, They stretched in never-ending lineAlong the margin of a bay:Ten thousand saw I at a glance, Tossing their heads in sprightly dance.The waves beside them danced, but theyOut-did the sparkling waves in glee:A poet could not but be gay,In such a jocund company:I gazed -and gazed -but little thoughtWhat wealth the show to me had brought:For oft, when on my couch I lieIn vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills,And dances with the daffodils.。

一生必背的英文经典名篇

一生必背的英文经典名篇

一生必背的英文经典名篇学习并背诵英文经典名篇是提高英语水平和文学修养的好方法。

以下是一些被广泛认可为经典的英文文学作品,可以作为背诵的参考:1. William Shakespeare's Sonnets -威廉·莎士比亚的十四行诗集2. William Wordsworth's "Daffodils" -威廉·华兹华斯的《水仙花》3. Robert Frost's "The Road Not Taken" -罗伯特·弗罗斯特的《未选择的路》4. Emily Dickinson's poems -艾米莉·狄金森的诗歌5. John Keats' "Ode to a Nightingale" -约翰·济慈的《大赋颂夜莺》6. Charles Dickens' "A Tale of Two Cities" -查尔斯·狄更斯的《双城记》7. Jane Austen's "Pride and Prejudice" -简·奥斯汀的《傲慢与偏见》8. Herman Melville's "Moby Dick" -赫尔曼·梅尔维尔的《白鲸》9. F. Scott Fitzgerald's "The Great Gatsby" - F·斯科特·菲茨杰拉德的《了不起的盖茨比》10. Virginia Woolf's "To the Lighthouse" -弗吉尼亚·吴尔夫的《到灯塔去》这些作品代表了英语文学的精华,通过背诵和理解这些名篇,可以更深入地了解英语文学的内涵和风采。

[英国文学作品]英国文学

[英国文学作品]英国文学

[英国文学作品]英国文学英国文学篇(1):10部英国经典小说10. 《名利场》Vanity Fair (William Makepeace Thackeray, 1848)威廉·梅克皮斯·萨克雷,1848年出版这部小说的主角或许就是英国文学史上最知名的非正统派女主角——贝奇·夏普,小说的情节围绕阶级、社会、跻身上流社会以及现代读者听来又熟悉又害怕的金融危机。

《名利场》这些要素全都具备, 讲述那个年代,也讲述着每一个年代。

9. 《科学怪人》Frankenstein (Mary Shelley, 1818)玛莉·雪莱,1818年出版这部先锋作品集科幻和哥特式恐怖于一身,营造了一个难以磨灭的“恶魔”主题,即科学家中的“现代普罗米修斯”,几世纪以来经久不衰。

8. 《大卫·科波菲尔》David Copperfield (Charles Dickens, 1850)查尔斯·狄更斯,1850年出版David Copperfield is populated by some of the most vivid characters ever created. They are as much a part of readers’ world, and their way of thinking about the world, as people they have actually met.《大卫·科波菲尔》人物形象众多,性格鲜活的角色云集。

这些人物角色仿佛是读者所在真实世界的一部分,和读者亲身遇见的人一样,有着相似的世界观。

7. 《呼啸山庄》Wuthering Heights (Emily Bront, 1847)艾米莉·勃朗特,1847年出版《呼啸山庄》“蕴含巨大的心理能量,没有其它书籍能够与之匹敌。

”读者推崇《呼啸山庄》是因为其“层层叠叠的叙述结构”和丰富惊人的想象力,更因为《呼啸山庄》超越了爱情故事本身,展现了我们转瞬即逝的欲望之下“永恒的震撼”。

适合背诵的英文原著

适合背诵的英文原著

适合背诵的英文原著
以下是一些适合背诵的英文原著:
1. "Pride and Prejudice" by Jane Austen - 傲慢与偏见
2. "To Kill a Mockingbird" by Harper Lee - 杀死一只知更鸟
3. "1984" by George Orwell - 1984
4. "The Great Gatsby" by F. Scott Fitzgerald - 了不起的盖茨比
5. "Moby-Dick" by Herman Melville - 白鲸
6. "A Tale of Two Cities" by Charles Dickens - 双城记
7. "The Catcher in the Rye" by J.D. Salinger - 麦田的守望者
8. "Jane Eyre" by Charlotte Bronte - 简·爱
9. "The Adventures of Huckleberry Finn" by Mark Twain - 哈克贝利·费恩历险记
10. "The Lord of the Rings" by J.R.R. Tolkien - 魔戒三部曲
这些原著都是经典文学作品,既有故事情节的吸引力,又有丰富的文化内涵,背诵它们不仅有助于提高英语语言能力,还能够加深对文学的理解和品味。

必背英文名篇

必背英文名篇

必背英文名篇必背英文名篇是一个广泛的概念,因为有许多经典的英文文学作品值得一读。

以下是一些被广泛认为是必背或必读的英文名篇:1. 威廉·莎士比亚(William Shakespeare) 的戏剧作品:例如《哈姆雷特》(Hamlet)、《罗密欧与朱丽叶》(Romeo and Juliet)、《麦克白》(Macbeth)等。

2. 查尔斯·狄更斯(Charles Dickens) 的小说:例如《雾都孤儿》(Oliver Twist)、《双城记》(A Tale of Two Cities)、《伟大的期望》(Great Expectations)等。

3. 简·奥斯汀(Jane Austen) 的小说:例如《傲慢与偏见》(Pride and Prejudice)、《理智与情感》(Sense and Sensibility)等。

4. 马克·吐温(Mark Twain) 的小说:例如《汤姆·索亚历险记》(The Adventures of Tom Sawyer)、《哈克贝利·费恩历险记》(Adventures of Huckleberry Finn)等。

5. 奥斯卡·王尔德(Oscar Wilde) 的剧作和小说:例如《道林·格雷的画像》(The Picture of Dorian Gray)、《温夫人的扇子》(Lady Windermere's Fan)等。

6. 乔治·奥威尔(George Orwell) 的小说:例如《1984》、《动物庄园》(Animal Farm)等。

7. 莫尔·查拉斯(Maurice Sendak) 的儿童图书:例如《哥哥的大森林》(Where the Wild Things Are)。

8. 哈珀·李(Harper Lee) 的小说:《杀死一只知更鸟》(To Kill a Mockingbird)。

优秀英美文学选篇背诵

优秀英美文学选篇背诵

1.BiblePleasant words are like a honeycome, sweetness to the soul and health to the body. Evil will not depart from the house of one who returns evil for good.Those with good sense are slow to anger, and it is their glory to overlook an offense. Listen to the one who fathered you, and don't despise your mother in her old age.Do not love sleep, ,or else you will come to poverty; open your eyes, and you will have a lot of bread.Where there is no guidance, a nation falls, but in an abundance of counselors there is safety.2.Benjamin Franklin –The AutobiographyTemperance: Eat not to dullness; drink not to elevation.Silence: Speak not but what may benefit others or yourself; avoid trifling conversation.Order: Let all your things have their places; let each part of your business have its time.Resolution: Resolve to perform what you ought; perform without fail what you resolve.Frugality: Make no expense but to do good to others or yourself; i.e., waste nothing. Industry: Lose no time; be always employ'd in something useful; cut off all unnecessary actions.3.Critique of JudgmentIn a product of beautiful art we must become conscious that it is art not nature; but you the perposiveness in its form must seem to be as free from all constraint of arbitrary rules as if it were a product of mere nature. Nature is beautiful because it looks like art; and art can only be called beautiful if we are conscious of it as art while yet it looks like nature.4. When you are oldWhen you are old and grey and full of sleep,And nodding by the fire, take down this book,And slowly read, and dream of the soft look,Your eyes had once, and of their shadows deep;How many loved your moments of glad grace,And loved your beauty with love false or true,But one man loved the pilgrim soul in you,And loved the sorrows of your changing face;And bending down beside the glowing bars,Murmur, a little sadly, how love fled,And paced upon the mountains overhead,And hid his face amid a crowd of stars.5. The Wolf and the CraneA Wolf had been feasting too greedily, and a bone had stuck crosswise in his throat. He could get it neither up nor down, and of course he could not eat a thing. Naturally that was an awful state of affairs for a greedy Wolf.So away he hurried to the Crane. He was sure that she, with her long neck and bill, would easily be able to reach the bone and pull it out."I will reward you very handsomely," said the Wolf, "if you pull that bone out for me."The Crane, as you can imagine, was very uneasy about putting her head in a Wolf's throat. But she was grasping in nature, so she did what the Wolf asked her to do.When the Wolf felt that the bone was gone, he started to walk away."But what about my reward!" called the Crane anxiously."What!" snarled the Wolf, whirling around. "Haven't you got it? Isn't it enough that I let you take your head out of my mouth without snapping it off?"6.Jane EyreDo you think I can stay to become nothing to you? Do you think I am an automaton?--a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!--I have as much soul as you,--and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,--as we are!。

英国文学选读几篇背诵文章的英汉对照

英国文学选读几篇背诵文章的英汉对照

Sonnet 18 --- William ShakespeareShall I compare thee to a summer's day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines,And often is his gold complexion dimmed,And every fair from fair sometime declines,By chance, or nature's changing course untrimmed: But thy eternal summer shall not fade,Nor lose possession of that fair thou ow'st,Nor shall death brag thou wand'rest in his shade, When in eternal lines to time thou grow'st,So long as men can breathe or eyes can see,So long lives this, and this gives life to the梁实秋译文:我可能把你和夏天相比拟?你比夏天更可爱更温和:狂风会把五月的花苞吹落地夏天也嫌太短促,匆匆而过。

有时太阳照得太热,常常又遮暗他的金色的脸;美的事物总不免要凋落,偶然的,或是随自然变化而流转。

但是你的永恒之夏不会褪色,你不会失去你的俊美的仪容;死神不能夸说你在它的阴影里面走着,如果你在这不朽的诗句里获得了永生;只要人们能呼吸,眼睛能看东西,此诗就会不朽,使你永久生存下去。

英语专业生必背10篇文学史诗歌

英语专业生必背10篇文学史诗歌

英语专业生必背诵10篇文学史诗歌NO.01: Sonnet 18Shakespeare'sShall I compare thee to a summer's day?Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines,And often is his gold complexion dimm'd;And every fair from fair sometime declines, By chance or nature's changing course untrimm'd;But thy eternal summer shall not fade Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest:So long as men can breathe, or eyes can see,So long lives this, and this gives life to thee.Sonnet 18莎士比亚我怎么能把你比作夏日,你比他可爱也比他温婉,狂风把五月的娇蕊摧残,夏天出赁的期限又太短;天上的眼睛会太热,他金色的容颜又经常淡黯。

一切的美好总难免灰暗,为机缘巧合所摧残,但你的夏日永不黯淡,也不会失去你所有的璀璨。

死神也不敢夸口你在他的阴霾,因为你会于这诗行一起长存:只要还有人呼吸,还有眼睛会看,这一切将永存,并赐予你生命。

英国文学作品选读

英国文学作品选读

1、It‟s taken from Chaucer , father of English poetry‟smasterpiece “The Canterbury Tales “.In masterpiece(杰作) ,Chaucer gives us a faithful picture of the society of his time .Taking the standard of the rising bourgeoisie(资产阶级) , he affirms(断言) men and opposes the dogma(信条、教条) of asceticism(苦行主义、禁欲主义) preached by the church.. As a forerunner(先驱) of humanism , he praises man‟s energy ,intellect ,quick wit and love of life .His tales expose(暴露) and satirize(讥讽) the evils of his time .They attack the degeneration(堕落、退化、颓废) of the noble(高尚) , the heartlessness of the judge ,and the corruption(腐化的行为,道德败坏) of the church , etc .2、It‟s taken from Shakespeare‟s greatest tragedy Hamlet .In this famous monologue(独白、独角戏) ,Hamlet , facing the dilemma(困境) of the action and mind ,is hesitating(犹豫、踌躇) whether he should revenge for his father , which may bring him death , or he should suffer and hide his hatred(仇恨) for his uncle in his deep heart , which may secure his life . 3、Sonnet 18 is one of Shakespeare …s most beautifulsonnet . In the poem ,he has a profound meditationon the destructive power of time and the eternal(永久的,不朽的) beauty brought forth by poetry to the one he loves .A nice Summer‟s day is usually transient(短暂的) , but the beauty in poetry can last forever . Thus Shakespeare has a faith in the permanence of the poetry , the rhyme of the poem is abab ,cdcd ,efef ,gg .4、The poem is written by John Donne , entitled Avalediction(告别、告别词):Forbidding Mourning .John Donne thinks that the nature of love is a perfect union of body and soul . In his love poetry , Donne attempts to understand how intellectual side of love can be related to its physical side , and to reflect the complex evolution the poetry seeks to reproduce .In A valediction : Forbidding Mourning , John Donne results too much display of evolution when two lovers apart . In his poem , we are familiarized with John Donne‟s famous conceit : the two lovers(he and his wife) are liked to the two points of a compasses(圆规) . The wife stays at home .She is often the fixed foot and the husband “roams”around , but never deviates(背离) from the center . Ina word ,John Donne seems to emphasize theimportance of Platonic love .5、It‟s taken from John Donne‟s Death , Be not proud . Itmeans that shortly after we die , we will make up (as from sleep) and live eternally . It reveals(揭露) the poet‟s belief in life after death : death is but momentary while happiness after death is eternal . The poem reads like a bold challenge to the proud death .Under Donne‟s pen , Death is neither ““nor “dreadful”, for men may derive “much” pressure from death , and death is a slave to many things . The poem ends with the claim . “Death , thou Shalt die .”Written in a specific sonnet form , the poem presents an argument with its forcefulness , wit and dramatic comparison .6、It‟s taken from Paradise Lost , written by John Milton .It is the greatest of John Milton‟s epics . It is the only generally acknowledge epic in English . Literature since Beowulf . The story is taken from the Bible .The theme of the epic is man‟s disobedience and the loss of Paradise , with its prime cause --Satan who rebels against God‟s authority and tyranny(专制).The text can be interpreted as follows : by saying so Satan means that though he and his followers are driven out of heaven , he is not going to admit failure . After all , they have built up strength to fight against God , the symbol of tyranny , and shaken God‟s ruling position .7、In Robinson Crusoe , Defoe describes Robinson . Crusoeas the very prototype of the empire builder , the pioneer colonist(移住民、殖民地居民) . Caught in the hostile nature , Robinson Crusoe . struggle single –handedly .He is a real hero of a typical eighteenth –century English middle –class or the rising bourgeoisie . He survives with a great capacity for work , inexhaustible(耗不尽) energy , courage patience and persistence in overcoming obstacles , in struggling against the hostile natural environment . In portraying , Robinson‟s life on the island , Defoe glorifies(颂扬) human labor and the puritan(严守清规戒律的人) fortitude(坚忍,刚毅) , which save Robinson from despair and are a source of pride and happiness . On the other hand , we must admit the Robinson Crusoe seems incapable of deep feelings and is preoccupied(使全神贯注) withpossession , power and authority . For example , Robinson has a servant named Friday and the first English word Robinson teaches him is “master”, Also , all that Crusoe does seems to concern nobody but welfare .His industry resourcefulness(善于随机应变) and solitary(孤独的) courage have made him a typical individual . Crusoe‟s flaws(缺点) reflect those of his time , and Defoe , through Crusoe , tell us much about frustration(挫败、阻止) , alienation(疏离感) , suffering and successes of modern man .8、Jane Austen is one of the most important Romanticnovelist in English literature . She creates six influential novels . Her main literary concern is about human begins in their personal relationships . She makes trivial daily life as important in English literature . Jane Austen has brought the English novel , as an art of form , to its maturity because of her sensitivity to universal patterns of human behavior and her accurate portrayal of human individuals . She describes the world from a hanuman‟s point of view , and depictsa group of authentic and common9、Ode to the west wind is Shelley‟s best of all thewell-known lyric pieces . In this poem , Shelley‟s rhapsodies and declamatory tendencies find a subject perfectly suited to them .The autumn wind , burying the deal years : preparing for a new spring , becomes an image of Shelley himself , as he would want to be , in it‟s freedom , its destructive constructive potential , it‟s universality . “I fall upon the thorns(荆棘) of life ! I need ! “calls the Shelley that could not bear being fettered to the humdrum realities of everyday ! The whole poem hasa logic of feeling , a not easily analyzable progressionthat leads to the triumphant , hopeful and convincing conclusion . “if winter comes , can spring be far behind ?“The poem is written in the tarsal rime form Shelley derived from his reading of Dante . In this poem , the west wind also served as a symbol . In destroys dead things and preserves new life . The west wind enjoys boundless freedom and has the power to spread messages far and wide .10、In this poem , Keats shows the contrast between thepermanence of art and the transience of human passion . The poet has absorbed himself into thetimeless beautiful scenery on the antigne . Grecian urn , the lovers , musicians and worshippers carved in their intensity of joy . They are unaffected by time , stilled in expectation . This is at once the glory and the limitation of the world conjured up by an objected of art . The urn celebrates but simplifies intuitions of ecstasy by seeming to deny our painful knowledge of transience and suffering . But in the last stanza , the urn becomes a “cold pastoral “, which presents his ambivalence about time and the nature of beauty . BLANK FILLING1、Chaucer is considered the “father of English poetry”.2、Hamlet is considered to the summit of Shakespeare‟sart , and it was first published in the year of 1603 .3、Paradise Lost is written by John Milton.4、To Daniel Defoe is often given the credit for thediscovery of the modern word .5、In 1798 , Wordsworth and S.T.Coleridge jointlypublished Lyricall Ballads .I wandered lonely as a cloudWritten in 1804 , by William Wordsworth , describes the poet‟s own experience based on his recollection in tranquility . In the poem , Wordsworth sings the harmony between things is nature and the harmony between nature and the poet himself . It is written in the tetrameter with the rhyme scheme of ab ab cc in each stanza .Hamlet1、This stanza is taken from Hamlet is written byShakespeare .2、The soliloquy is the most famous part in Hamlet .The background is that Hamlet is astonished and confused after hearing that his mother and his uncle are married immediately after the death of his father . However , he couldn‟t take action immediately to get even with his uncle . Then his thinks of committing suicide to end all the troubles and torture . But things are not simple . Thus , Hamlet felt confused and hesitate about what to do .These soliloquies , together with his speeches and asides are wonderful analytical studies of the inner working of Hamlet‟s mind . This delving into hisactions and word is perhaps partly accounts for one‟s impressions of indecision or delay in Hamlet‟s action for revenge .But our interest is not only in Hamlet the tragic hero , for this play is also Shakespeare‟s most detailed expose of a corrupted court ---an unneeded garden”Shakespeare condemns the hypocrisy and treachery and general corruption at the royal court .Ode on a Grecian urn It is taken from ode on a Grecian urn which is written John Keats .There are five stanzas in the poem . The first four stanzas describe two senses , one is the happy of festival playing peoples and the everlasting love between the young . The other is sacrifice . In this poem Keats shows the contrast between the permanence of art and the transience of human passion . In the poem , the poet seems to so deeply absorbed in the beautiful scenes that he was almost completely carried away to the timeless world of art . The result was that his eternal bliss made him onlyoccasionally aware of the unpleasant things in the workday world . This is at once the glory and the limitation of the world conjured up by an object of art . The urn celebrates but simplifies intuitions of estuary by seeming to deny our painful knowledge of transience and suffering . But in the last stanza , the urn becomes a “a cold past-oral”which presents his ambivalence about time and the nature of beauty .This poem is written in uniform stanza , each consist ting of ten lines of iambic pentameter . The rhyme scheme is abab cde cde .Pride and Prejudice It is taken from Pride and Prejudice which is written by Jane Austin .The vividly described the life of the common people in the countryside . Her novels reveal determined manner the beauty of women and their longing for freedom in marriage life . Pride and Prejudice express female dignity and a longing for equality with men .Pride and Prejudice is the most popular of her novels . The characters are remarkably portaged andthey come alive under her pen .The conflict between Elizabeth and Darcy is the conflict between two equally wrong views on people‟s worth . Elizabeth is not the ideal woman to be Darcy‟s life at first sight because she does not have a pretty face . But a woman‟s value should not be judged from the surface . Darcy will soon find her a woman with special charm and beauty that go beyond what is only skin-deep . He loves her for her intelligence and integrity . But his proposal is rejected . His pride is hurt , yet his lesson is learnt . Elizabeth finally discards her prejudice and accepts the man as her husband . She is a heroine who captivates her man with intellectual wit instead of physical beauty . Thus Austen idealized a type of new heroine that was not common in previous English literature . Austen liked her characters down-to-earth .。

英语专业考必背之英国文学纲要

英语专业考必背之英国文学纲要

英语专业考必背之英国文学纲要I. Early and Medieval English Literature (5th century-15th century)1. Bewolf 《贝尔武甫》2. The Legend of King Arthur and his Round Table Knights;《亚瑟王和他的圆桌骑士》“Sir Gawain and the Green Knight” 《高文爵士和绿衣骑士》3. William Langland (1330-1400) Piers the Plowman《农夫皮尔斯》4. Geoffrey Chaucer (1340-1400) 杰弗里•乔叟The Canterbury Tales (1387-1400)《坎特伯雷故事集》The Romanunt of the Rose 《玫瑰罗曼史》Troilus and Criseyde《特罗勒斯和克丽西德》The House of Fame《声誉之堂》II. English Literature of the Renaissance (16th century) —the Elizabethan Age (1558-1603) 1. Thomas More (1478-1535)Utopia (1516) 《乌托邦》2. Edmund Spenser (1552-99)The Faerie Queen (1596) 《仙后》The Shepherd’s Calendar (1597 《牧人日历》3. Christopher Marlowe (1564-93)Tamburlaine the Great (1587)《帖木儿》Dr. Faustus (1589)《浮士德博士的悲剧》The Jew of Malta (1590) 《马耳他的犹太人》The Passionate Shepherd to His Love 《多情牧童致爱人》4. William Shakespeare (1564-1616)The First Period (1590-1594)1590 Henry VI, Part II《亨利六世中篇》Henry VI, Part III《亨利六世下篇》1591 Henry VI, Part I 《亨利六世上篇》1592 Richard III《理查三世》The Comedy of Errors 《错误的喜剧》1593 Titus Andronicus《泰特斯•安德洛尼克斯》The Taming of the Shrew《训悍记》1594 The Two Gentlemen of Verona《维洛那二绅士》Love’s Labour’s L ost《爱的徒劳》Romeo and Juliet 《罗密欧与朱丽叶》Two narrative poems:Venus and Adonis 《维纳斯与阿多尼斯》The Rape of Lucrece《露克丽丝受辱记》The Second Period (1595-1600)The second period of Shakespeare’s work is his mature period, mainly a period of “great comedies” and mature hi storical plays.1595 Richard II 《理查二世》A Midsummer Night’s Dream《仲夏夜之梦》1596 King John《约翰王》The Merchant of Venice 《威尼斯商人》1597 Henry IV, Part I《亨利四世上篇》Henry IV, Part II《亨利四世下篇》1598 Much Ado about Nothing《无事生非》Henry V《亨利五世》The Merry Wives of Windsor《温莎的风流娘儿们》1599 Julius Caesar《裘力斯•凯撒》As You Like It《皆大欢喜》1600 Twelfth Night《第十二夜》The Third Period (1601-1607)The third period of Shakespeare’s dramatic career is mainly the period of “great tragedies” and “dark comedies”.1601 Hamlet《哈姆莱特》1602 Troilus and Cressida《特洛伊罗斯与克瑞西达》1603 All’s Well That Ends Well《终成眷属》1604 Measure for Measure《一报还一报》Othello《奥瑟罗》1605 King Lear《李尔王》Macbeth《麦克白》1606 Antony and Cleopatra《安东尼与克莉奥佩特拉》1607 Coriolanus 《科利奥兰纳斯》Timon of Athens 《雅典的泰门》The Fourth Period (1608-1602)The fourth period of Shakespeare’s work is the period of romantic drama.1608 Pericles《泰尔亲王配瑞克里斯》1609 Cymbeline《辛白林》1610 The Winter’s Tale《冬天的故事》1601 The Tempest《暴风雨》1612 Henry VIII《亨利八世》5. Ben Jonson (1573-1637)Every Man in His Humor (1598)Volpone, or the Fox (1606)The Alchemist (1610) 《炼金术士》Bartholomew Fair (1614)6. Francis Bacon (1561-1626)Advancement of Learning, 1605 《学术的进展》Novum Organum, 1620《新工具》New Atlantics, 1627《新大西岛》Essays, 1597,1612,1625 《论说文集》III. English Literature during the English Bourgeois Revolution and the Restoration (17th century)1. John Milton (1608-1674)“Morning of Christ’s Nativity”(1629)“圣诞晨歌”“L’ Allegro” (1632) “欢乐的人”“Il Penseroso” (1632) “沉思的人”Areopagitica (1644)《论出版自由》Deference of the English People (1651)《为英国人民辨》Second Deference of the English People (1654)《再为英国人民辨》Paradise Lost (1667)《失乐园》Paradise Regained (1671)《复乐园》Samson Agonistes (1671)《力士参孙》2. John Donne (1572-1631)3. Andrew Marvell (1621-1678)“To His Coy Mistress”《给他羞怯的情人》4. Robert Herrick (1591-1674)“Gather ye Rosebuds while ye May”《花开堪折直须折》5. John Bunyan (1628-1688)The Pilgrim’s Progress (1678)《天路历程》The Life and Death of Mr. Badman (1680)Grace Abounding to the Chief of Sinners《罪人受恩记》6. John Dryden (1631-1700)“All for Love”《一切为了爱》“Absalom and Achitophel”“A Song for St. Ceilia’s Day, 1687”“Alexander’s Feast”“An Essay of Dramatic Poesy”IV. English Literature of the 18th Century (18th century)1. Alexander Pope (1688-1744)An Essay on Criticism (1711) 《论批评》The Rape of the Lock (1714)《夺发记》The Dunciad (1728-1742)《愚人志》Essay on Man (1732-1734)《人论》2. Richard Steele (1672-1729) and “The Tatler”《闲话》报 (1709-1711)3. Joseph Addison (1672-1719) and “The Spectator”《旁观者》报 (1711-1712)4. Daniel Defoe (1660-1731)The True Born Englishman (1701)《真正的英国人》The Shortest Way with the Dissenters (1702)《消灭不同教派的捷径》Robinson Crusoe (1719)《鲁滨逊漂流记》Moll Flanders (1722)《摩尔•弗兰德》A Journal of the Plague Year (1722)《大疫年日记》5. Samuel Richardson (1689-1761)Pamela: or, Virtue Rewarded (1742)《帕美拉,或德行有报》Clarissa: or The History of a Young Lady (1747)《克莱丽莎》The History of Sir Charles Grandison (1754)《查尔斯•格兰迪森爵士的历史》6. Jonathan Swift (1667-1745)The Battle of Books (1697)《书籍之战》A Tale of a Tub (1698)《一个木桶的故事》Drapier’s Letters (1724)《布商的来信》Gulliver’s Travels (1726)《格列佛游记》7. Henry Fielding (1707-1754)The Coffee-house Politician (1730)《咖啡屋政客》Don Quixote in England (1734)《堂吉诃德在英国》The History of the Adventures of Joseph Andrews (1742)《约瑟夫•安德鲁》The History of Mr. Jonathan Wild the Great (1743)《大伟人江奈生•魏尔德伟》The History of Tom Jones, A Foundling (1749)《汤姆•琼斯》8. Richard Brinsley Sheridan (1751-1816)The Rivals (1775)《情敌》St. Patrick’s Day (1775)《圣帕特里克日》The School for Scandal (1777)《造谣学校》A Trip to Scarborough (1777)《思卡波罗之行》9. Samuel Johnson (1709-1784)A Dictionary of the English Language (1755)《英语大辞典》Lives of the Poets (1779-1781)《诗人传》The Vanity of Human Wishes《人类欲望之虚幻》10. James Boswell (1740-1795)Life of Johnson《约翰逊传》11. Edward Gibbon (1737-1794)The Decline and Fall of the Roman Empire 《罗马帝国衰亡史》12. Laurence Stern (1713-1768)The Life and Opinions of Tristram Shandy (1760-67)《项狄传》A Sentimental Journey (1768)《伤感之旅》13. Oliver Goldsmith (1730-1774)The Bee (1759)《蜜蜂》The Citizen of the World (1760—1761)《世界公民》The Vicar of Wakefield: A Tale (1766)《威克菲尔牧师传》The Deserted Village (1770)《荒村》She Stoops to Conquer (1773) 《屈身俯就》14. Thomas Gray (1716-1765)Ode on the Spring (1742)春天颂Ode on a Distant Prospect of Eton College (1747)《伊顿颂歌》Elegy Written in a Country Churchyard (1750)《墓园挽歌》The Progress of Poetry (1757) 《诗歌的进程》15. Robert Burns (1759-1796)Poems, Chiefly in the Scottish Dialect (1786)《苏格兰方言诗集》“To a Mouse”“致老鼠”“To a Louse” “致虱子”“Scots Wha Hae” “苏格兰人”“My Heart’s in the Highlands”“我的心呀在高原”“Auld Lang Syne”“过去的好时光”“A Red, Red Rose”《一朵红红的玫瑰》16. William Blake (1757-1827)Poetical Sketches (1783)《素描诗集》Songs of Innocence (1789)《天真之歌》The French Revolution (1791)《法国革命》The Marriage of Heaven and Hell (1793)《天堂与地狱的婚姻》Songs of Experience (1794)《经验之歌》V. Romanticism in England — the Romantic Period (early 19th century)1. William Wordsworth (1770-1850)Lyrical Ballads (1789)《抒怀歌谣集》Lucy Poems (1799)《露西组诗》“The Solitary Reaper”(1807)“孤独的刈麦女”“I Wandered Lonely as a Cloud” (1807)“我似孤独流云”The Prelude (1850)《序曲》“My Hearts Leaps Up” “我的心跳了起来”Tintern Abbey 《丁登寺旁》2. Samuel Taylor Coleridge (1772-1834)“The Fall of the Bastille” (1789)“巴士底狱的倒塌”Lyrical Ballads (1789)《抒情歌谣集》“The Rime of the Ancient Mariner”(1798)“老水手谣”“Kulbla Khan”(1816)“忽必烈汗”Biographa Literaria (1817)《文学传记》3. Robert Southey (1774-1843)Joan of Arc《圣女贞德》Walt Tyler《瓦特•泰勒》The Fall of Robespierre《罗伯斯庇尔之死》The Life of Nelson 《纳尔逊传》4. George Gordon Byron (1788-1824)Hours of Idleness (1807)《懒散时刻》Childe Harold’s Pilgrimage (Canto I and II 1812; Canto III 1816; Canto IV, 1818)《恰尔德哈罗德游记》Oriental Tales (1813-1816)《东方叙事诗》Don Juan (1818-1823)《唐璜》The Age of Bronze (1822)《青铜时代》5. Percy Bysshe Shelley (1792-1822)“Queen Mab”(1813)“麦布女王”“The Masque of Anarchy”(1819)“专制魔王的化妆舞会”“Ode to West Wind” (1819)“西风颂”“Song to the Men of England”(1819)“致英国人民”“England in 1819”(1819)“一八一九年的英国”“Prometheus Unbound” (1819)“解放了的普罗米修斯”“To a Skylark” (1820)“致云雀”“A Defense of Poetry”(1821)“诗辩”6. John Keats (1795-1821)“Endymion”(1818)“恩底弥翁”“Isabella; or the Pot of Basil” (1820)“伊莎贝拉”“Ode to a Nightingale” (1819)“夜莺颂”“Ode on a Grecian Urn” (1819)“希腊古瓮颂”“Ode on Melancholy” (1819) “忧郁颂”“Ode to Autumn” (1819) “秋颂”“La Belle Dame Sams Merci”(1820)“无情的美女”“Sonnet on Peace” “和平十四行诗”7. Charles Lamb (1775-1843)Essays of Elia (1823;1833)《伊利亚随笔》Tales from Shakespeare (1807) 《莎士比亚戏剧故事集》Specimens from English Dramatic Poets Contemporary with Shakespeare 《莎士比亚时期英国戏剧诗人选》8. Thomas De Quincey (1785-1859)The Confession of an English Opium-Eater《一个英国吸食鸦片者的自白》9. Mary ShellyFrankenstein《弗兰肯斯坦》10. Walter Scott (1771-1832)The Minstrelsy of the Scottish Border(1802-1803)《英格兰边区歌谣集》The Lay of the Last Minstrel (1805) 《末代歌者之歌》The Lady of the Lake (1810)《湖上夫人》Waverly (1814)《威弗利》Guy Mannering (1815)《盖•曼纳令》Rob Roy (1817)《罗布•罗伊》Ivanhoe (1819)《艾凡赫》11. Jane Austen (1775-1817)Sense and Sensibility (1811)《理智与情感》Pride and Prejudice (1813)《傲慢与偏见》Mansfield Park (1814)《曼斯菲尔德庄园》Emma (1816)《爱玛》Northanger Abbey (1818)《诺桑觉寺》Persuasion (1818)《劝导》VI. English Critical Realism (second half of the 19th century) —the Victorian Age (1837-1901)1. Charles Dickens (1812-1870)1836 Sketches by Box《博兹特写集》1836-1837 The Pickwick Papers《匹克威克外传》1837-1838 Oliver Twist《雾都孤儿》1838-1839 Nicholas Nickleby《尼古拉斯•尼克贝尔》1840-1841 The Old Curiosity Shop 《老古玩店》1841 Barnaby Rudge1842 American Notes 《游美札记》1843-1845 Martin Chuzzlewit《马丁•朱速尔唯特》1843 A Christmsa Carol《圣诞欢歌》1844 The Chimes《钟乐》1845 The Cricket on the Hearth《炉边蟋蟀》1846-1848 Dombey and Son《董贝父子》1849-1850 David Copperfield 《大卫•科波菲尔》1852-1853 Bleak House《荒凉山庄》1854 Hard Times《艰难时世》1855-1857 Little Dorrit《小杜丽》1859 A Tale of Two Cities《双城记》1860-1861 Great Expectations《远大前程》1864-1865 Our Mutual Friend 《我们的共同朋友》2. William M. Thackeray (1811-63)The Book of Snobs (1847)《势利人脸谱》Vanity Fair (1847-1848)《名利场》Pendennis (1848-1850)《潘丹尼斯》The History of Pendennis (1850) 《潘丹尼斯的历史》The History of Henry Esmond (1852)《亨利•埃斯蒙德》The Newcomers (1853-1855)《纽克姆一家》The Virginians (1857-1859)《弗吉尼亚人》Lovel the Widower (1860)《鳏夫洛弗尔》Adventures of Philip (1861-1862) 《菲利普历险记》3. Charlotte Bronte (1816-1855)Jane Eyre (1847)《简•爱》Shirley (1849)《谢利》Vilette (1853)《维莱特》The Professor (1857) 《教授》4. Emily Bronte (1818-1848)Wuthering Heights (1847)《呼啸山庄》5. Anne Bronte (1820-1849 )Agnes Grey 《艾格尼丝•格雷》6. William Morris (1834-1896)News from Nowhere 《来自乌有乡之消息》A Dream of John Ball《梦遇约翰•保尔》The Earthly Paradise 《人间乐园》Chants for Socialism《社会主义歌集》7. Robert Stevenson (1850-1894)Treasure Island《金银岛》New Arabian Nights《新天方夜谭》Kidnapped《诱拐》A Child’s Garden of Verses《儿童诗园》8. Oscar Wilde (1856-1900)An Ideal Husband《理想丈夫》The Picture of Dorain Gray《道林•格雷画像》A Woman of No Importance《一个无足轻重的女人》The Importance of Being Earnest《认真的重要性》Lady Windermere’s Fan《温德米尔夫人的扇子》The Ballad of Reading Gaol《累丁狱之歌》The Happy Prince and Other Tales《快乐王子集》9.George Eliot (1819-1880)Adam Bede (1859)《亚当•比德》The Mill on the Floss (1860)《弗洛斯河上的磨坊》Silas Marner (1861)《织工马南》Romola (1863)《罗莫拉》Middlemarch (1871-1872)《米德尔马奇》10. Alfred Tennyson (1809-1892)11. Robert Browning (1812-1889)VII. 20th Century English Literature (20th century) — the Modernist Period (between the two world wars)1. Thomas Hardy (1840-1928)Far from the Madding Crowd《远离㵙尘嚣》The Mayor of Casterbridge《卡斯特桥市长》The Return of the Native《还乡》Under the Greenwood Tree《绿荫下》Tess of the D’ Urbervilles《德伯家的苔丝》Jude the Obscure《无名的裘德》Wessex Pooems《威塞克斯诗集》2. Rudyard Kipling (1865-1936)The Jungle Book (1894)《林莽丛书》The Second Jungle Book (1895)《林莽丛书之二》3. Arnold Bennett (1867-1931)The Old Wives’ Tale (1908)《老妇谭》4. E. M. Forster (1879—1970)Where Angles Fear to Tread (1905)《天使们望而却步的地方》The Longest Journey (1907)《最漫长的旅行》A Room with a View (1908)《可以远眺的房间》A Passage to India (1924)《印度之行》5. John Galsworthy (1867-1933)The Forsyte Saga (1906)《福尔赛世家》In Chancery (1920)《骑虎》The Man of Property 《有产业的人》To Let (1921)《出租》Modern Comedy 《现代喜剧》The White Monkey (1924)《白猿》The Silver Spoon (1926)《银匙》Swan Song (1928)《天鹅曲》From the Four Winds (1897)《天涯海角》The Silver Box (1906)《银匣》6. Joseph Conrad (1857-1924)The Nigger of the Narcissus (1897)《白水仙号上的黑家伙》Lord Jim (1900)《吉姆老爷》Heart of Darkness (1902)《黑暗心脏》The Secret Agent (1907)《间谍》Under the Western Eye (1911)《在西方的注视下》7. Henry James (1843-1916)8. George Bernard Shaw (1856-1950)Widow’s Houses (1892)《鳏夫的房产》Mrs. Warren’s Profession (1894)《华伦夫人的职业》Arms and Man (1894)《武器与人》Man and Superman (1903)《人与超人》Major Barbara (1905)《巴巴拉上校》Pygmalion (1913)《皮格马利翁》Heartbreak House (1917)《伤心之家》9. W. B. Yeats (1865-1939)10. T. S. Eliot (1888-1965)11. D. H. Lawrence (1885-1930)The White Peacock (1911)《白孔雀》Sons and Lovers (1913)《儿子与情人》The Rainbow (1915)《虹》Women in Love (1916)《恋爱中的女人》Lady Chatterley’s Lover (1928)《恰泰莱夫人的情人》12. James Joyce (1882-1941)Dubliner (1914)《都柏林人》A Portrait of the Artist as a Young Man (1916)《年轻艺术家画像》Ulysses (1922)《尤利西斯》Finnegan’s Wake (1939)《芬尼根的觉醒》13. Virginia Woolf (1882-1941)Mrs. Dalloway (1925)《黛洛维夫人》To the Lighthouse (1927)《到灯塔去》The Waves (1931)《浪》The Voyage Out (1915)《航行》Orlando (1928)《奥兰多》本文来源:环球时代学校内部讲义。

英美经典文章背诵

英美经典文章背诵

英美经典文章背诵第一篇:英美经典文章背诵Four Passages From the Dramatic Writings of Shakespeare 莎士比亚戏剧精选四段(1)Twelfth Night II.iv.103-117 [DUKE OF ILLYRIA] What dost thou know? [VIOLA] Too well what love women to men may owe.In faith, they are as true of heart as we.My father had a daughter loved a man As it might be perhaps, were I a woman, I should your lordship.[DUKE OF ILLYRIA] And what's her history? [VIOLA] A blank, my lord.She never told her love,But let concealment, like a worm i'th'bud,Feed on her damask cheek.She pined in thought;And, with a green and yellow melancholy, She sat like Patience on a monument, Smiling at grief.Was not this love indeed? We men may say more, swear more;but indeed Our shows are more than will;for still we prove Much in our vows but little in our love.男人的爱与女人的爱 [伊利里亚公爵] 您深知的是什么? [薇奥拉] 深知女人可以如何热爱男人。

英国文学考试必背

英国文学考试必背

1. What are the major features of the Romantic Movement in Britain between 1790 and 1830?The English Romantic period is an age of poetry. Wordsworth, Coleridge, Byron, Shelly and Keats are the major Romantic poets. They started a rebellion against the neoclassical literature, which was later regarded as the poetic revolution. They believed that poetry could purify both individual souls and the society. The Lyrical Ballads by Wordsworth and Coleridge in 1798 acts as a manifesto for the English Romanticism. The Romantics not only eulogize(颂扬) the faculty(能力) of imagination, but also stress the concept of spontaneity and inspiration, regarding them as something crucial for true poetry. The natural world comes to the forefront of the poetic imagination. Nature is not only the major source of poetic imagery, but also provides the dominant subject matter. They advocate freedom from classical rules and traditions. Romantics turn to the humble people and their everyday life for subjects. Romantic writers are always seeking for the absolute , the ideal through the transcendence(杰出) of the actual. They prefer to write about something exotic, remote, mysterious, weird, monstrous and even satanic.2. Comment briefly on naturalism and criticism in Hardy’s novels.In his works, man is shown inevitably bound by his own inherent nature and hereditary(遗传性的) traits which prompt him to go and search for some specific happiness or success and set him in conflict with the environment. The outside nature---the natural environment or Nature herself---is shown as some mysterious supernatural force.Though naturalism seems to have played an important part in Hardy’s works, there is also bitter and sharp criticism, and even open challenge of irrational, hypocritical and unfair Victorian institutions, conventions and morals which strangle(抑制,压制) the individual will and destroy natural human emotions and relationships.3. What are the main features of Romance?(1)Expressiveness: Instead of regarding poetry as “a mirror to nature”, the romantics hold that the object of the artist should be t he expression of the artist’s emotions, impressions, or beliefs. The role of instinct, intuition, and the feelings of “the heart” is stressed instead of neoclassicists’ emphasis on “the head”, on regularity, uniformity, decorum, and imitation of the classical writers. Romantic poets describe poetry as “the spontaneous overflow of powerful feelings”.(2)Imagination: Romantic literature puts great emphasis on the creative function of the imagination, seeing art as a formulation of intuitive, imaginative perceptions that tend to speak a nobler truth than that of fact, logic, or the here and now.(3)Singularity: Romantic poets have a strong love for the remote, the unusual, the strange, the supernatural, the mysterious, the splendid, the picturesque, and the illogical.(4)Worship of nature: Romantic poets see in nature revelation of Truth, the “living garment of God”. In their view, the natural is the dominant influence in changing people’s sensibilities; nature to them is a source of mental cleanness and spiritualunderstanding.(5)Simplicity: Romantic poets tend to turn to the humble people and the everyday life for subjects, employing the commonplace, the natural and simple as their materials. They take to using everyday language spoken by the rustic people as opposed to the poetic diction used by neoclassic writers.4. What is the theme of Thomas Gray’s Elegy Written in a Country Churchyard? Elegy Written in a Country Churchyard is regarded as Thomas Gray’s best and most representative work in this poem. Gray reflects on death, the sorrows of life, and the mysterious of human life with a touch of his personal melancholy(忧郁,悲伤). The poet compares the ordinary people with the great ones, wondering what the commons could have achieved if they had had the chance. Here he reveals his sympathy for the poor and the unknown, but scorns the great ones who despise the poor and bring havoc on them.5. Give a definition to Renaissance.The Renaissance refers to the transitional period from the medieval to the modern world. It first started in Italy in the 14 century. The Renaissance means rebirth or revival. It was stimulated by a sense of historical events, such as the rediscoveries in geography and astrology(占星术), the religious reformation, and the economic expansion. Humanism is the essence of Renaissance. The English Renaissance did not begin until the reign of Henry VIII. It was regarded as England’s Golden Age, especially in literature. The real mainstream of the English Renaissance is the Elizabethan drama. This period produced such literary giants as Shakespeare, Spenser, Marlowe, Bacon, Donne and Milton, etc.6. Give a brief comment on Enlightenment Movement.It was a progressive, intellectual movement, which flourished in France and then swept through the whole Western Europe. The movement was a furtherance of the Renaissance from the 14 century to mid-17 century. The purpose of the movement was to enlighten the whole world with the light of modern philosophical and artistic ideas. It celebrated reason or rationality, equality and science. It advocated universal education. Literature at the time became a very popular means of public education. 7. Give a brief account of the contributions which William W ordsworth made to the development of the English poetry.As a great romantic poet, Wordsworth made great contributions to the development of the English poetry. His Lyrical Ballads, written with Coleridge, is generally regarded as the symbol of the beginning of the Romantic period in England. He defined the poet as a “man speaking to men”and poetry as “the spontaneous overflow of powerful feelings, which originates in emotion recollected in tranquility”. Wordsworth is regarded as a “worship of nature”. Nature stands out in his poetry. A case in point is I wandered Lonely as a Cloudy, one of the most beautiful poems inEnglish literature. He sympathizes with the poor and their joys and sorrows are his constant themes. His poetry is characterized by simplicity and purity of his language. Wordsworth is the leading figure of the English Romantic poetry, the major poetic voice of the period voice of the period. The most important contributions he has made is that he has not only started the modern poetry but also changed the course of English poetry. He is one of English “Lake Poets”.8. What is dramatic monologue?Dramatic monologue is a kind of poem in which a single fictional or historical character other than the poet speaks to a silent “audience”of one or more persons. Such poems reveal not the poet’s own thoughts but the mind of the impersonated character, whose personality is revealed while the implied presence of an auditor(旁听者) distinguishes it from a soliloquy(独白). Some plays in which only one character speaks, in the form of a monologue or soliloquy, have also been called dramatic monologues or as monodramas. Robert Browning is associated with the term. His My Last Duchess is a case in point. It is Browning’s hands that “dramatic monologue” reaches its maturity and perfection.9. Comment briefly on Rebecca Sharp.Rebecca is the heroine of William Thackeray’s masterpiece V anity Fair. As her name suggests Becky Sharp is determined to seize a palace for herself in V anity Fair. She succeeds in establishing herself in Vanity Fair, at the cost of the lives of two men and alienation of all her friends and family. But she enjoys the battle. Rebecca is charming and witty. Although she is at heart selfish and hostile, she can act the part of modesty, simplicity, gentleness and untiring good humor. Although Rebecca is a merciless social climber, yet it is she who brings Amelia to her senses and who realizes that the one true gentleman in the whole of Vanity Fair is Dobbin. She also protects Amelia from the two ruffian(暴徒,恶棍) friends who follow Rebecca and are intent on exploiting Amelia. For once she acts unselfishly. She serves as a direct contrast to Amelia.10. Comment briefly on Heath cliff.Heath cliff is a sympathetic figure. Readers sympathize with this unfortunate, lonely waif when he is maltreated by Hindley, jeered at by the Lintons, betrayed by Catherine, and tormented by the unobtainable love. He is entirely wicked, even, at times a criminal. Readers are abhorred by his mad, heartless and almost inhuman revenge on all those around, whether responsible or not for his suffering. In him, there is a most terrible picture of love scorned turning into desperate hatred and revenge that is destructive to both the avenger and the revenged.。

英语美文诵读经典作品

英语美文诵读经典作品

英语美文诵读经典作品1. 《了不起的盖茨比》——弗朗西斯·斯科特·基·菲茨杰拉德(F. Scott Fitzgerald):这部小说以20世纪20年代的纽约和长岛为背景,描绘了一个追求爱情和成功的故事。

2. 《安妮日记》——安妮·弗兰克(Anne Frank):这是一本日记,记录了一个年轻女孩在二战期间躲藏在荷兰阿姆斯特丹的隐秘场所中的生活。

3. 《杀死一只知更鸟》——哈珀·李(Harper Lee):这部小说讲述了一个美国小镇上的种族歧视和正义的问题,描绘了一个律师和他的两个孩子如何对抗不公正的故事。

4. 《简爱》——夏洛蒂·勃朗特(Charlotte Brontë):这是一部19世纪英国小说,讲述了一个年轻女孩追求自由和独立的故事。

5. 《傲慢与偏见》——简·奥斯汀(Jane Austen):这部小说以19世纪英国为背景,描绘了一个贵族家庭的生活和社交场景,以及一个年轻女孩追求爱情和婚姻的故事。

6. 《红与黑》——司汤达(Stendhal):这是一部19世纪法国小说,讲述了一个年轻男孩在巴黎和外省的生活经历,以及他与两个女性的情感纠葛。

7. 《战争与和平》——列夫·托尔斯泰(Leo Tolstoy):这是一部19世纪俄国小说,描绘了拿破仑入侵期间的历史事件和人性的复杂性。

8. 《麦田里的守望者》——J. D. 塞林格(J. D. Salinger):这部小说以一个美国高中男孩为主角,描绘了他的内心世界和对成人世界的反抗。

9. 《老人与海》——欧内斯特·海明威(Ernest Hemingway):这是一篇短篇小说,讲述了一个老年渔夫与一条大鱼的斗争,表现了人的坚韧和毅力。

10. 《飘》——玛格丽特·米切尔(Margaret Mitchell):这是一部20世纪初的美国小说,讲述了一个南北战争期间的爱情故事,描绘了当时的社会背景和人们的命运。

英国文学背诵篇目

英国文学背诵篇目

《英国文学》背诵篇目1.“Sonnet 18” by Shakespeare2.“To be or not to be” by Shakespeare3.“Of Studies” by Francis BaconSome books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention.4.“Letter to the Right Honourable The Earl of Chesterfield”bySamuel JohnsonThe Shepherd in Virgil grew at last acquainted with Love, and found him a Native of the Rocks. Is not a patron, My Lord, one who looks with unconcern on a Man struggling for Life in the water and when he has reached ground encumbers him with help.The notice which you have been pleased to take of my Labours, had it been early, had been kind; but it has been delayed till I am indifferent and cannot enjoy it, till I am solitary and cannot impart it, till I am known and do not want it.5.“I Wandered Lonely as a Cloud” by William Wordsworth以上篇目要求学生熟练背诵,期末考试拟以填空题形式考查。

英语背诵名篇English Classics大一

英语背诵名篇English Classics大一

1. Much to Live For[导读] 热爱生活,让生命的体验成为一段美丽的乐符。

翻开书页,睁开双眼、用心体会这优美的语言和聆听这智慧的声音。

There is so much I have not been, so much I have not seen. I have not thought and have not done or felt enough -- the early sun, rain and the seasonal delight of flocks of ducks and geese in flight, the mysteries of late-at-night. I still need time to read a book, write poems, paint a picture, look at scenes and faces dear to me. There is something more to be of value-- something I should find within myself -- as peace of mind, patience, grace and being kind. I shall take and I shall give, while yet, there is so much to live for -- rainbows, stars that gleam, the fields, the hills, the hope, the dreams, the truth that one must seek. I'll stay here -- treasure every day and love the world in my own way![注释]seasonal delight: 季节性的喜悦mystery: something that is not fully understood or that baffles or eludes the understanding; an enigma 秘密,谜grace: A characteristic or quality pleasing for its charm魅力,优雅rainbow: 虹,彩虹gleam: To emit a gleam; flash or glow 闪光;闪烁或发光;闪耀[参考译文]生命中,有那么多我没经验过,有那么多我没见过。

英国经典文学十篇

英国经典文学十篇

英国经典文学十篇(英语专业必背)1. Sonnet 18 by William Shakespeare2. Hamlet (Act 3, Scene 1, lines 55-86) by William Shakespeare3. A Read, Read Rose by Robert Burns4. Auld Lang Syne by Robert Burns5. I Wandered Lonely as a Cloud by William Wordsworth6. She Walks in Beauty by Lord Byron7. To the Cuckoo By William Wordsworth8. Ode to the West Wind (Excerpt) by Percy Bysshe Shelley9. Ode To A Nightingale (Excerpt) by John Keats10. Of Studies By Francis Bacon1. Sonnet 18 by William Shakespeareby William Shakespeare (1564-1616)Shall I compare thee to a summer's day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May,And summer's lease hath all too short a date:Sometime too hot the eye of heaven shines,And often is his gold complexion dimmed,And every fair from fair sometime declines,By chance, or nature's changing course untrimmed:But thy eternal summer shall not fade,Nor lose possession of that fair thou ow'st,Nor shall death brag thou wand'rest in his shade,When in eternal lines to time thou grow'st,So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.2. Hamlet (Act 3, Scene 1, lines 55-86) by William Shakespeare Hamlet: To be, or not to be- that is the question:Whether 'tis nobler in the mind to sufferThe slings and arrows of outrageous fortuneOr to take arms against a sea of troubles,And by opposing end them. To die- to sleep-No more; and by a sleep to say we endThe heartache, and the thousand natural shocksThat flesh is heir to. 'Tis a consummationDevoutly to be wish'd. To die- to sleep.To sleep- perchance to dream: ay, there's the rub!For in that sleep of death what dreams may comeWhen we have shuffled off this mortal coil,Must give us pause. There's the respectThat makes calamity of so long life.For who would bear the whips and scorns of time,Th' oppressor's wrong, the proud man's contumely,The pangs of despis'd love, the law's delay,The insolence of office, and the spurnsThat patient merit of th' unworthy takes,When he himself might his quietus makeWith a bare bodkin? Who would these fardels bear,To grunt and sweat under a weary life,But that the dread of something after death-The undiscover'd country, from whose bournNo traveller returns- puzzles the will,And makes us rather bear those ills we haveThan fly to others that we know not of?Thus conscience does make cowards of us all,And thus the native hue of resolutionIs sicklied o'er with the pale cast of thought,And enterprises of great pitch and momentWith this regard their currents turn awryAnd lose the name of action.3. A Read, Read Rose by Robert BurnsO, my Luve's like a red, red rose,That's newly sprung in June.O, my Luve's like the melodie,That's sweetly play'd in tune.As fair art thou, my bonie lass,So deep in luve am I,And I will luve thee still, my dear,Till a' the seas gang dry.Till a' the seas gang dry, my dear,And the rocks melt wi' the sun,O, I will luve thee still, my dear,While the sands o' life shall run.And fare thee weel, my only Luve,And fare thee weel a while!And I will come again, my Luve,Tho' it were ten thousand mile!4. Auld Lang Syne by Robert BurnsShould auld acquaintance be forgot,And never brought to min'?Should auld acquaintance be forgot,And auld lang syne?For auld lang syne, my dear,For auld lang syne,We'll tak a cup o'kindness yet,For auld lang syne.We twa hae run about the braes.And pu'd the gowans fine;But we've wander'd mony a weary footSin' auld lang syne.We twa hae paidl'd i' the burn,From morning sun till dine;But seas between us braid hae roar'dSin' auld lang syne.And there's a hand, my trusty fiere,And gie's a hand o'thine;And we'll tak a right guide-willie waught,For auld lang syne.And surely ye'll be your pint-stowp,And surely I'll be mine;And We'll tak a cup o'kindness yetFor auld lang syne.5. I Wandered Lonely as a Cloud by William WordsworthI wandered lonely as a cloudThat floats on high o'er vales and hills,When all at once I saw a crowd,A host, of golden daffodils:Beside the lake, beneath the trees,Fluttering and dancing in the breeze.Continuous as the stars that shineAnd twinkle on the milky way,They stretched in never-ending lineAlong the margin of a bay:Ten thousand saw I at a glance,Tossing their heads in sprightly dance.The waves beside them danced; but theyOutdid the sparkling waves in glee;A poet could not but be gay;In such a jocund company;I gazed--and gazed--but little thoughtWhat wealth the show to me had brought:For oft, when on my couch I lieIn vacant or in pensive mood,They flash upon that inward eyeWhich is the bliss of solitude;And then my heart with pleasure fills,And dances with the daffodils.6. She Walks in Beauty by Lord ByronShe walks in beauty, like the nightOf cloudless climes and starry skies;And all that's best of dark and brightMeet in her aspect and her eyes:Thus mellow'd to that tender lightWhich heaven to gaudy day denies.One shade the more, one ray the less,Had half impair'd the nameless graceWhich waves in every raven tress,Or softly lightens o'er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.And on that cheek, and o'er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with all below,A heart whose love is innocent!7. To the Cuckoo By William Wordsworth By William WordsworthO blithe new-comer! I have heard,I hear thee and rejoice.O Cuckoo! shall I call thee Bird,Or but a wandering Voice?While I am lying on the grassThy twofold shout I hear;From hill to hill it seems to passAt once far off, and near.Though babbling only to the Vale,Of sunshine and of flowers,Thou bringest unto me a taleOf visionary hours.Thrice welcome, darling of the Spring!Even ye thou art to meNo bird, but an invisible thing,A voice a mystery;The same whom in my schoolboy daysI listened to; that CryWhich made me look a thousand waysIn bush, and tree, and sky.To seek thee did I often roveThrough woods and on the green;And thou wert still a hope, a love;Still longed for, never seen.And I can listen to thee yet;Can lie upon the plainAnd listen, till I do begetThat golden time again.O blessed Bird! the earth we paceAgain appears to beAn unsubstantial, faery place;That is fit home for thee!8. Ode to the West Wind (Excerpt) by Percy Bysshe Shelley IO wild West Wind, thou breath of Autumn's being,Thou, from whose unseen presence the leaves deadAre driven, like ghosts from an enchanter fleeing,Yellow, and black, and pale, and hectic red,Pestilence-stricken multitudes: O thou,Who chariotest to their dark wintry bedThe winged seeds, where they lie cold and low,Each like a corpse within its grave, untilThine azure sister of the Spring shall blowHer clarion o'er the dreaming earth, and fill(Driving sweet buds like flocks to feed in air)With living hues and odours plain and hill:Wild Spirit, which art moving everywhere;Destroyer and preserver; hear, oh hear!VMake me thy lyre, even as the forest is:What if my leaves are falling like its own!The tumult of thy mighty harmoniesWill take from both a deep, autumnal tone,Sweet though in sadness. Be thou, Spirit fierce,My spirit! Be thou me, impetuous one!Drive my dead thoughts over the universeLike withered leaves to quicken a new birth!And, by the incantation of this verse,Scatter, as from an unextinguished hearthAshes and sparks, my words among mankind!Be through my lips to unawakened earthThe trumpet of a prophecy! O Wind,If Winter comes, can Spring be far behind?9. Ode To A Nightingale (Excerpt) by John Keats IMy heart aches, and a drowsy numbness painsMy sense, as though of hemlock I had drunk,Or emptied some dull opiate to the drainsOne minute past, and Lethe-wards had sunk:'Tis not through envy of thy happy lot,But being too happy in thine happiness,--That thou, light-winged Dryad of the treesIn some melodious plotOf beechen green, and shadows numberless,Singest of summer in full-throated ease.ⅧForlorn! the very word is like a bellTo toll me back from thee to my sole self!Adieu! the fancy cannot cheat so wellAs she is fam'd to do, deceiving elf.Adieu! adieu! thy plaintive anthem fadesPast the near meadows, over the still stream,Up the hill-side; and now 'tis buried deepIn the next valley-glades:Was it a vision, or a waking dream?Fled is that music:--Do I wake or sleep?10. Of Studies By Francis BaconSTUDIES serve for delight, for ornament, and for ability. Their chief use for delight is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment and disposition of business.For expert men can execute, and perhaps judge of particulars, one by one; but the general counsels, and the plots and marshalling of affairs, come best from those that are learned. To spend too much time in studies is sloth; to use them too much for ornament is affectation; to make judgment wholly by their rules is the humor of a scholar.They perfect nature, and are perfected by experience; for natural abilities are like natural plants, that need proyning by study; and studies themselves do give forth directions too much at large, except they be bounded in by experience.Crafty men contemn studies, simple men admire them, and wise men use them, for they teach not their own use; but that is a wisdom without them, and above them, won by observation.Read not to contradict and confute, nor to believe and take for granted, nor to find talk and discourse, but to weigh and consider.Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy and extracts made of them bothers, but that would be only in the less important arguments and the meaner sort of books; else distilled books are like common distilled waters, flashy things.Reading maketh a full man, conference a ready man, and writing an exact man. And therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit; and if he read little, he had need have much cunning, to seem to know that he doth not. Histories make men wise; poets witty; the mathematics subtle; natural philosophy deep; moral grave; logic and rhetoric able to contend. Abeunt studia in mores.Nay, there is no stand or impediment in the wit but may be wrought out by fit studies, like as diseases of the body may have appropriate exercises.Bowling is good for the stone and reins; shooting for the lungs and breast; gentle walking for the stomach; riding for the head; and the like. So if a man's wit be wandering, let him study the mathematics; for in demonstrations, if his wit be called away never so little, he must begin again. If his wit be not apt to distinguish or find differences, let him study the schoolmen; for they are Cymini sectores. If he be not apt to beat over matters, and to call up one thing to prove and illustrate another, let him study the lawyers' cases. So every defect of the mind, may have a special receipt.。

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Sonnet 18By William Shakespeare Shall I compare thee to a summer’s day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May,And summer’s lease hath all too short a date:Sometime too hot the eye of the heaven shinesAnd often is his gold complexion dimmed;And every fair from fair sometime declines,By chance or nature’s changing course untrimmed; But thy eternal summer shall not fade,Nor lose possession of that fair thou ow’st;Nor shall death brag thou wander’st in his shade, When in eternal lines to time thou grow’st:So long as a man can breathe, or eyes can see,So long lives this, and this gives live to thee. 十四行第十八首我該把你比擬做夏天嗎?你比夏天更可愛,更溫婉:狂風會把五月的嬌蕊吹落,夏天出租的期限又太短暫:有時天上的眼睛照得太熱,他金色的面容常常變陰暗;一切美的事物總不免凋敗,被機緣或自然的代謝摧殘:但你永恆的夏天不會褪色,不會失去你所擁有的美善,死神也不能誇說你在他陰影裡徘徊,當你在永恆的詩行裡與時間同久長:只要人們能呼吸或眼睛看得清,此詩將永存,並且賜給你生命。

I wandered lonely as a cloudI wandered lonely as a cloudThat floats on high o’er vales and hills, When all at once I saw a crowd,A host, of golden daffodils;Beside the lake, beneath the tress, Fluttering and dance in the breeze. Continuous as the stars that shineAnd twinkle on the milky way,They stretched in the never-ending line Along the margin of a bay;Ten thousand say I at a glance,Tossing their heads in sprightly dance. The waves beside them danced; but they Outdid the sparkling waves in glee;A poet could not but be gay,In such a jocund company;I gazed – and gazed – but little thought What wealth the show to me had brought: For oft, when on my couch I lieIn vacant or in pensive mood,They flash upon that inward eyeWhich is the bliss of solitude;And then my heart with pleasure fills, And dance with the daffodils. 我像一朵孤雲我像一朵孤雲在群山萬壑之上飄飛,忽然看到一大群,好大一堆金黄色的水仙;在湖邊,在樹下蔭處,於微風中翩翩起舞。

像銀河中繁星一般不斷的閃耀發光,它們沿著水灣的邊緣伸展成為無窮盡的一行:我一眼望到花兒千萬朵,歡蹦亂跳的把頭搖著。

它們旁邊的湖水也在舞動;可是花比閃亮的水更活潑:有如此歡愉的環境,一個詩人怎能不快樂。

我凝視--凝視--並未省悟這景象給我帶來何等的財富:因為時常我臥在榻上茫茫然陷入沉思狀態,它們會在我內心閃亮,這是寂寞中無上的愉快;那時節我的心充滿快樂,和水仙一同起舞婆娑。

To the cuckoo*O blithe new-comer! I have heard,?I hear thee and rejoice.?O Cuckoo! shall I call thee Bird,Or? but a wandering Voice?While I am lying on the grassThy twofold shout I hear;From hill to hill it seems to passAt once far off, and near.*Though babbling only to the Vale,Of sunshine and of flowers,Thou bringest unto me a taleOf visionary hours.*Thrice welcome, darling of the Spring! Even ye thou art to meNo bird, but an invisible thing,A voice a mystery;The same whom in my schoolboy days I listened to; that CryWhich made me look a thousand ways In bush, and tree, and sky.*To seek thee did I often rove Through woods and on the green; And thou wert still a hope, a love;Still longed for, never seen.*And I can listen to thee yet;Can lie upon the plainAnd listen, till I do begetThat golden time again.*O blessed Bird! the earth we pace Again appears to beAn unsubstantial, faery place;That is fit home for thee! 致杜鵑歡樂的新客啊!我已聽到了你的叫聲和歡喜。

杜鵑啊!該稱你為鳥兒,或只是飄揚的音波呢?此刻我正躺臥綠野上,靜聽你呼喚的聲音這聲響從山崗越過山崗,忽遠忽近。

你只向山谷咕咕傾訴,詠嘆陽光和花兒,這歌聲卻彷彿在向我述說如夢年華的故事。

春天的驕子!歡迎你歡迎至今,我仍覺得你不是鳥兒,而是無形的精靈是音波,是一團神秘。

與童年時期聽見的一模一樣:那時,你的啼叫聲總使我向樹叢、林木、天空百遍千遍探看不已。

為了尋覓你我多次遊蕩,越過林間和草地。

你是希望,你是愛被渴求,卻看不見。

今天,我仰臥在草原上,靜聽妳的樂音,直到我心底悠悠再現往昔的黃金歲月。

吉祥的鳥兒啊!這在我們腳下的沃野大地,如今彷彿又成了夢幻仙境,正適合給你居住。

Auld Lang SyneShould auld acquaintance be forgot, And never brought to mind?Should auld acquaintance be forgot, And auld lang syne!For auld lang syne, my dear,For auld lang syne.We’ll tak a cup o’ kindness yet,For auld lang syne.We twa hae run about the braes,And pou’d the gowans fine;But we’ve wander’d mony a weary fit, Sin’ auld lang syne.We twa hae paidl’d in the burn,Frae morning sun till dine;But seas between us braid hae roar’d Sin’ auld lang syne.And there’s a hand, my trusty fere! And gie’s a hand o’ thine!And we’ll tak a right gude-willie waught, For auld lang syne.And surely ye’ll be your pint stowp! And surely I’ll be mine!And we’ll tak a cup o’kindness yet,For auld lang syne. 昔日时光老朋友怎能遗忘掉永不再放心上老朋友怎能遗忘掉,还有过去的好时光?为了过去的好时光,(亲爱的)为了过去的好时光,让我们干一杯友谊的酒,为了过去的好时光。

我们俩曾游遍山岗,并把野菊来采摘;我们已历尽艰辛,远离过去的好时光。

远离过去的好时光。

老朋友,我已伸出我的手,请你也伸手相握为了过去的好时光。

当然你要付你自己的酒钱,我也付我自己的。

让我们干一杯友谊的酒,为了过去的好时光。

She Walks in Beauty GeorgeGordon,Lord Byron (1788–1824) She walks in beauty, like the nightOf cloudless climes and starry skies,And all that’s best of dark and bright Meet in her aspect and her eyes;Thus mellow’d to that tender light Which heaven to gaudy day denies.One shade the more, one ray the less, Had half impair’d the nameless grace Which waves in every raven tressOr softly lig htens o’er her face,Where thoughts serenely sweet express How pure, how dear their dwelling-place.And on that cheek and o’er that brow So soft, so calm, yet eloquent,The smiles that win, the tints that glow But tell of days in goodness spent,—A mind at peace with all below,A heart whose love is innocent. 她在美丽中行走她在美丽中行走,像无云夜晚天空里的星星点点,黑夜与明亮辉映出她的雍容,和如水秋波。

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