贝多芬钢琴奏鸣曲全集-推荐下载

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中文名称:贝多芬钢琴奏鸣曲全集

英文名称:Beethoven: Complete Piano Sonatas [BOX SET][10CD]

资源类型:APE

发行时间:1996年11月19日

专辑歌手:Alfred Brendel 阿尔弗雷德·布伦德尔

地区:美国

简介:

专辑介绍:

Composer: Ludwig van Beethoven

Performer: Alfred Brendel

Audio CD (November 19, 1996)

Number of Discs: 10

Format: Box set

Label: Philips

PHILIPS CDA-6172

You have to have the Beethoven piano sonatas in your collection. You

really do. Beethoven's nine symphonies get the attention, and deservedly so, for radically changing music forever, for elevating musical expression beyond the constraints of the Classical style. Onward. Upward. Beethoven created the first truly transcendent music, radical new harmonies and forms, music where emotional expression takes primacy over form.

But if the symphonies were the extravagant public face of this transformation, the 32 piano sonatas, standing as a single body of work, are the private, personal works that demonstrate Beethoven's development and foreshadow the radical and sublime innovations in form and harmonic structure that would be devoured by generations of aficionados of the symphonies.

So the question isn't whether or not to include the Beethoven piano sonatas in your collection, but rather which collection. I'll give my five stars the Brendel.

If you are listening to a musical performance for the purposes of enjoying a virtuostic performance, you want the musician to feel free to interpret, to snub the composer's purpose and motivation in the name of passion and talent. That's precisely what you want if you are listening to Liszt's Waltzes or Rachmaninoff's Preludes for example. No disrespect. (I love Liszt's Waltzes but find I can't quite dance to them) But if you are listening to music to appreciate brilliant composition, then you want someone more faithful than ostentatious. That's certainly what you want in your complete collection of Beethoven's piano sonatas. (Why? Because Beethoven was a master composer, greater than any before or after by several orders of

magnitude. We've been through this before.)

That's what you get with Brendel. I saw him perform a Mozart piano concerto with the Boston Symphony Orchestra, where he wrote his own cadenzas. He didn't bounce around and make funny ecstatic faces, he didn't squint and gaze off into the heavens as if receiving the music from above. He just played and played well. He wasn't a statue, he was moving around and enjoying himself but not in a showy way, just

in service of the music. His personal touches were subtle. He wasn't a ham until the very end, when he came out again and again for more applause and hammed it up for an encore of his cadenzas.

You don't have to thank me. Just enjoy, then turn on somebody else.

--Reviewer: M. Libman (Brookline, MA) April 3, 2006

阿尔弗雷德·布伦德尔Alfred Brendel

*注:此为Philips 二十世纪伟大钢琴家系列Alfred Brendel第二卷说明书

1931年出生于摩拉维亚北方的威森堡,六岁在扎格雷跟随德泽利克学习钢琴,接着又在格拉茨音乐院师从卡恩、私下拜师米赫尔学习作曲,并在大师班跟随费雪、包加特纳与史都尔曼学习,1948年第一次在格拉茨登台演出,1949年在布梭尼国际钢琴大赛中获奖。得奖后的布伦德尔开始在欧洲各地巡回演出,1958年首次在伦敦登台。从1960年到1963年,布伦德尔首度录下贝多芬三十二首钢琴奏鸣曲(法国唱片大奖),1973年第一次在卡内基音乐厅演出。布伦德尔从197O年起定居伦敦,巡回演出的范围也扩及到全世界。他的嗜好广泛,音乐之外也喜爱文学与视觉艺术,1976年出版《音乐的观点与想法》一书,1990年出版第二本书《音乐之外》。布伦德尔被公认是当今乐坛最重要的海登、莫扎特、舒伯特、贝多芬与李斯特音乐诠释者之一,超越国界的舒伯特与贝多芬

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