NOVEL Far from the Madding Crowd 英语小说远离尘嚣读后感
远离尘嚣 英文读后感
远离尘嚣英文读后感In the hustle and bustle of modern life, it's easy to get caught up in the chaos and lose sight of what's truly important. We're constantly bombarded with distractions, from the endless stream of notifications on our phones to the pressures of work and social obligations. It's no wonder that so many of us feel overwhelmed and burnt out.That's why I found "Far from the Madding Crowd" by Thomas Hardy to be such a refreshing read. This classic novel, first published in 1874, transports readers to the tranquil countryside of rural England, where the pace of life is slow and the beauty of nature is ever-present. Through the story of Bathsheba Everdene and her three suitors, Hardy explores themes of love, independence, and the timeless struggle between passion and reason.As I immersed myself in the pages of this novel, I couldn't help but feel a sense of longing for the simplicity and serenity of the countryside. The vividdescriptions of the natural landscape, from the rolling hills to the lush meadows, served as a powerful reminder of the restorative power of nature. In a world that's increasingly dominated by screens and artificial stimulation, "Far from the Madding Crowd" is a welcome retreat into a world where the only distractions are the chirping of birds and the rustling of leaves in the wind.But beyond its picturesque setting, the novel also offers valuable insights into the complexities of human relationships. Bathsheba's journey from a headstrong young woman to a mature and self-aware individual is both poignant and relatable. Her interactions with Gabriel Oak, the steadfast shepherd; Sergeant Troy, the dashing soldier; and Mr. Boldwood, the wealthy landowner, serve as a compelling exploration of the different forms that love can take. As I followed Bathsheba's romantic entanglements, I couldn't help but reflect on my own experiences with love and the choices that I've made in my own life.One of the most striking aspects of "Far from the Madding Crowd" is its timeless relevance. Despite being setin a bygone era, the novel's themes and characters remain as compelling and thought-provoking as ever. Whether it's Bathsheba's struggle for independence or Gabriel's unwavering loyalty, the novel's portrayal of human nature transcends the boundaries of time and place. In a worldthat's constantly changing, it's reassuring to find a piece of literature that speaks to the universal truths of the human experience.In conclusion, "Far from the Madding Crowd" is aliterary gem that offers a much-needed escape from the chaos of modern life. Its timeless themes, captivating characters, and evocative setting make it a must-read for anyone seeking a respite from the demands of everyday life. As I turned the final page of the novel, I felt a renewed sense of appreciation for the beauty of nature and the enduring power of love. In a world that's often characterized by noise and confusion, "Far from the Madding Crowd" serves as a poignant reminder of the importance of finding moments of peace and reflection.。
英国文学史及选读之文学史作品及作者
作家及作品1.the first epic in the English history：the song of Beowulf2.Romance传奇：Arthur and his Knights of the Round TableKing Arthur and his Knights of the Round TableSir Gawain and the Green Knight3. Popular Ballads民谣：The Robin Hood Ballad4. Geoffrey Chaucer杰弗里·乔索：The Romaunt of the Rose玫瑰传奇The Book of the Duchess悼公爵夫人Troilus and Criseyde特罗伊拉斯和克莱西德The Canterbury Tales坎特伯雷故事集5.Thomas More托马斯莫尔：Utopia乌托邦book onebook two6.William Shakespeare威廉.莎士比亚：the great comedies：A Midsummer Night’s Dream仲夏夜之梦The Merchant of Venice威尼斯商人As You Like It皆大欢喜Twelfth Night第十二夜The great tragedies：Hamlet哈姆雷特Othello奥塞罗King Lear 李尔王Macbeth 麦克白Henry VI; Part II; III; I 亨利六世上、中、下Richard III 里查德三世The Comedy of Errors 错误的喜剧错中错Titus Andronicus 克斯泰特斯·安庄尼The Taming of the Shrew 驯悍妇The Two Gentlemen of Verona 维洛那二绅士Love’s Labor’s Lost 爱的徒劳空爱一场Romeo and Juliet 罗密欧与朱丽叶Richard II 里查德二世King John 约翰王Much Ado about Nothing无事生非Henry IV; Part I; Henry IV; Part II 亨利四世Henry V 亨利五世The Merry Wives of Windsor 温莎的风流女人Julius Caesar凯撒大帝As You Like It如愿皆大欢喜Twelfth Night 第十二夜Troilus and Cressida 特洛埃勒斯与克莱西达All’s Well That Ends Well 终成眷属Measure for Measure 恶有恶报一报还一报Antony and Cleopatra 安东尼与克莉奥佩特拉Coriolanus 科利奥兰纳斯Timon of Athens 雅典的泰蒙Pericles波里克利斯Cymbeline辛柏林The Winter’s Tales冬天的故事The Tempest暴风雨Henry VIII亨利八世7.Francis Bacon：the first English essayistOf truth 论真理Of studies 论学习Love;truth ;friendship ;parents ;children ;beauty ;studies ;riches ;youth ;age ;garden ;death and others8.John Donne：the founder of the Metaphysical school of poetryFlea 跳骚Others：George HerbertAndrew MarvellHenry Vaughan9.John Milton：Paradise Lost 失乐园Paradise Regained 复乐园Samson AgonistesLycidas10.John Bunyan约翰·班扬：Grace Abounding to the Chief of Sinner罪人受恩记功德无量Pilgrim’s Pr ogress 天路历程The Life and Death of Mr. Badman 恶人先生的生平和死亡贝德曼先生的一生The Holy War 神圣战争11.Daniel Defoe：father of English novelRobinson CrusoeThe shortest way with the dissentersCaptain SingletonColonel JacqueMoll Flanders12.Jonathan Swift： A Tale of a Tub 一个木桶的故事乔纳森·斯威夫特Battle of Books 书的战争书战Predictions for the Year 1708 对1708的预言Vindication of Isaac Bickerstaff 比克斯塔夫先生第一个预言的应验Gulliver’s Travels格林佛游记The Drapier’s Letters 一个麻布商的书信A Modest Proposal 一个小小的建议13.Joseph Addison：writer and a great stylist.约瑟夫·艾迪生 A Letter from Italy 意大利来鸿“The Campaign”“出征”; best-known poem in heroic coupletRosamond 罗沙蒙The Spectator 旁观者; a daily paperCato 卡托 a tragedyAddison and Steele : epistolary novel书信体小说14. Henry Fielding ：Joseph Andrews约瑟夫˙安德鲁斯的经历comic epic poem in prose散文体滑稽史诗亨利·菲尔丁Jonathan Wild the Great 大伟人乔纳森˙魏尔德Tom Jones 汤姆˙琼斯Amelia 阿米丽亚Plays ：The Welsh Opera 威尔斯歌剧Don Quixote in England 唐·吉诃德在英国Pasqin 巴斯昆The Historical Register for the Year 1736 一七三六年历史记事15. Alexander Pope: classical poet in the period of English Enlightenment亚历山大·薄伯Pastorals 田园组诗Essay on Criticism 论批评a didactic poem in heroic coupletsThe Rape of the Lock 夺发记masterpieceTranslations; in heroic couplet：The Iliad of Homer荷马的伊里亚特The Odyssey of Homer 河马的奥德赛The Works of Shakespeare 莎士比亚全集The Dunciad “愚人志” a satirical poem.Moral Essays “道德论” a philosophic poem.An Essay on Men “人论” a philosophic poem16. Samuel Johnson：London伦敦塞缪尔·约翰逊The Vanity of Human Wishes 人类欲望之虚幻Life of Richard Savage 理查德·沙维之传Rasselas 阿比西尼王子·拉赛拉斯Two periodicals: The Rambler 漫游者The Idler闲散者The two most important literary works：The Preface of Shakespeare莎士比亚戏剧集序言Lives of Poets 诗人传A Dictionary of English Language 英语辞典17.James Boswell：Life of Johnson a classic of English biography18.Thomas Grey：model of sentimentalistElegy Written in a Country Churchyard 墓园挽歌Others：Thomas Parnell ：Night-Piece on Death 夜吟死亡Robert Blair : The Grave 坟墓Edward Yong ：Night Thoughts 夜思19. Oliver Goldsmith：Periodical: The Bee哥尔德·斯密斯Poems: The Traveler 旅游人The Deserted Village 荒村Novel: The Vicar of Wakefield 威克菲尔德的牧师Comedies: The Good-Natured Man 好心人She Stoops to Conquer 屈身求爱Collection of essays: The Citizen of the World 世界公民20. William Blake : Songs of Innocence 天真之歌威廉·布莱克Songs of Experience 经验之歌The Marriage of Heaven and Hell 天堂与地狱的婚姻The Tiger21. Robert Burn s: A Red; Red; RedAuld Lang Syne 往昔的时光To a Mouse22. Richard Brinsley Sheridan：The Rivals 情敌The School for Scandal 造谣学校23. William Wordsworth：The Rime of the Ancient Mariner “古舟子咏”; “老水手之行”华兹华斯The Prelude 序曲Lyrical BalladsLines Written in Early SpringTo the CucooI Wandered Lonely as a CloudMy Heart Leaps UpIntimations of ImmortalityLines Composed a Few Miles Above Tintern Abbey 丁登寺The solitary reaperComposed Upon Westminster Bridge24.Samuel Taylor Coleridge：The Rime of the Ancient Mariner 古舟子咏; 老水手之行Kubla Khan 忽必烈汗Christabel 克里斯特贝尔Biographia Literaria 文学传记 a literary criticismChristabel25. Robert Southey：Joan of Arc 1793 圣女贞德Wat Tyler 1794瓦特·泰勒The Inchcape Rock因尺角之石The Battle of Blenheim 布莱尼姆之战My Days among the Dead are Passed我与死者作伴的日子已结束Life of Nelson纳尔逊传Thalaba the Destroyer 撒拉巴1801Madoc 麦道克1805The Curse of Kehama 克哈马的诅咒1810Roderick; the Last of the Goths 罗德里最后的高斯人181426.George Gordon Byron：She Walks in BeautyWhen We Two PartedDon JuanThe Vision of JudgmentChild Har old’ Pilgrimage27.Percy Bysshe Shelley: Ode to the West Wind 西风颂Queen MabThe Revolt of IslamPrometheus Unbound 解放了的普罗旺斯The Masque of Anarchy 暴政的假面舞会A Defence of PoetryOzymandias奥西曼提斯T a Skylark 致云雀Adonais 阿多尼斯28.John Keats：Long poems: Endymion 恩底弥翁his first long poemIsabella 伊莎贝拉The Eve of St. Agnes 圣·爱格尼斯节前夕Lamia 莱米亚Hyperion 赫坡里昂Short poems : On a Grecian Urn 希腊古瓮颂Ode to Autumn 秋颂Ode on Melancholy 忧郁颂Ode to a Nightingale 夜莺颂the best knownOde on Indolence 懒惰颂Ode on a Grecian UrnOn the Grasshopper and the Cricket 蛐蛐与蟋蟀Bright Star 闪亮的星星When I have Fear 当我害怕的时候29．Walter Scott: The Lay of the Last Minstrel 最末一个行吟诗人Minstrelsy of the Scottish Border 苏格兰边区歌谣集Marmion 玛密恩The Lady of the Lake 湖上夫人Scott’s Historical Novels: Waverley 威弗利first historical novel.Guy Mannering 盖曼纳合not very goodOld Morality 清教徒Rob Roy 罗布·罗伊the best of the groupThe Heart of Midlothian 弥德洛西恩的心English History: Ivanhoe 艾凡赫Norman Conquest the best of the groupKenilworth 肯纳尔沃思堡during the Tudor dynastyThe Fortunes of Nigel 尼格尔的家产Stuart ruleWoodstock 皇家猎宫The English RevolutionPeveril of the Peak 贝弗利尔·皮克the Restoration European Countries: Quentin Durward 昆丁·达沃德best-known novel on Frenchhistory.Talisman 惊军英雄记Count Robert of Paris 巴黎的罗伯特伯爵St. Ronan’s Wells 圣·罗南之泉the only one; dealingwith his contemporary life 当代生活小说.30. Jane Austen: Pride and Prejudice 傲慢与偏见Northanger AbbeyMansfield ParkEmmaPersuasionSense and Sensibility31. Charles Dicken s: Sketches by Boz 特写集the first bookThe Pickwick Papers 匹克威克外传Oliver Twist 奥克佛·特维斯特雾都孤儿Nichols Nickleby 尼古拉斯·尼克尔贝The Old Curiosity Shop 老古玩店Barnaby Rudge 巴纳比·拉奇The first novel of social historyAmerican Notes 美国札记Martin Chuzzlewit 马丁·朱述尔维特The Chimes 教堂钟声A Christmas Carol 圣诞颂歌以圣诞为题材具有浓郁宗教色彩The Cricket on the Hearth 灶上蟋蟀Dombey and Son 董贝父子David Copperfield 大卫·科波菲尔his best bookBleak House 荒凉山庄Hard Times 艰难时世Little Dorrit 小杜丽A Tale of Two Cities 双城记Great Expectations 远大前程Our Mutual Friend 我们的共同朋友the worse book;Edwin Drood unfinished 艾德温·德鲁德之迷32. William Makepeace Thackeray: Vanity Fai 名利场rThe Newcomes 纽克姆一家The History of Pendennis 彭登尼斯The Book of Snobs 势力人集The History of Henry Esmond 亨利·埃斯蒙德的历史The Virginians 弗吉尼亚人33. George Eliot：Novels: Adam Bede 亚当·比德The Mill on the Floss 弗洛斯河上的磨房Silas Marner 织工马南Middlemarch 米德尔马契Description of rural life; moral problems; psychological studies of charactersFelix Holt the Radical 费立可斯·霍尔特Daniel Deronda 丹尼尔·德龙达Romola 罗慕拉Scenes of Clerical Life 教区生活场景Translation: The Essence of Christianity 基督教的本质Editor : The Westminster Review威斯敏斯特评论34. Charlotte Bronte: The Professor 教授Jane Eyre 简爱Shirley 舍丽Villette 维莱特35．Emily Bronte: Wuthering Heights 呼啸山庄36. Anne Bronte: Agnes Grey 安格斯格雷The Tenant of the Wildfell Hall37.Alfred Tennyson：Poems by Two Brothers 两兄弟诗集Poems; Chiefly Lyrical 抒情诗集Poems two volumes 诗集The Princess 公主Maud 毛黛The Idylls of the King 国王叙事集In Memoriam 悼念Short Poems：Break; Break; Break 拍吧;拍吧;拍吧”Crossing the Bar 穿过沙洲38. Robert Browning: The Ring and the Book 指环和书dramatic monologuesDramatic Lyrics 戏剧抒情诗Dramatic Romances and Lyrics 戏剧故事及抒情诗Men and Women 男男女女Dramatic Personae 登场人物Poems: Pippa Passes 皮帕走过了Bells and Pomegranates 铃铛和石榴树Home-Thoughts; from Abroad 异域乡思Meeting at Night 深夜幽会Parting at Morning 清晨离别The Pied Piper of Hamelin39. Elizabeth Barrett: The Battle of Marathon 马拉顿之战The Cry of the Children 孩子们的哭声Sonnets from the Portuguese 葡萄牙十四行诗Poems before Congress 在大会之前写成的诗Casa Guidi Windows 圭迪的窗子Aurora Leigh 奥罗拉·利40. Thomas Hard y: Novel: Far From the Madding Crowd远离尘嚣The Woodlanders 林地居民The Return of the Native 还乡The Mayor of Casterbridge 卡斯特桥市长Tess of the D‘Urbervilles 德伯家的苔丝Jude the Obscure无名的裘德Under the Greenwood Tree 绿荫下Poem:The Dynasts; written between 列王41. David Herbert Lawrence: Rainbow 虹Lady Chatterley Lover 查泰莱夫人的情人The White Peacock 白孔雀Women in Love 恋爱中的女人Sons and Lovers 儿子和情人Oedipus Complex 恋母情结The STREAM CONSCIOUSNESS42. Virginia Woolf: Jacob′Room 雅各布的房间Mrs. Dalloway 达洛威夫人To the Lighthouse 到灯塔去Orlando 奥兰多The Waves 海浪43.James Joyce: Dubliners 都柏林人first workA Portrait of the Artist as a Young Man 年轻艺术家的肖像first novelUlysses 尤莉西斯Finnegans Wake 芬尼根的守灵夜43. William Butler Yeats: Sailing to Byzantium 驶向拜占庭When You are Old 当你老了44. George Bernard Shaw: Widower Houses 鳏夫的房子Mrs. Warren′s Profession 华伦夫人的职业The Devil′s Disciple 魔鬼的门徒Man and Superman 人和超人Major Barbara 芭芭拉上校Heartbreak House 伤心之家Saint Joan 少女贞德The Apple Cart 苹果车45. Oscar Wilde: Salome 莎美乐tragedyThe Importance of Being Earnest 认真的重要性A Woman of No Importance 无足轻重的女人An Ideal Husband 理想丈夫Lady Windermere′s Fan 温德美尔的扇子The Picture of Dorian Gray 道林格雷的肖像。
2020-2021某大学《英语阅读》2期末课程考试试卷A1(含答案)
2020-2021《英语阅读》2期末课程考试试卷A1适用于考试日期：试卷所需时间：120分钟；闭卷； 总分：100分。
Part I True or False (10 points)Section ADirections: The following ten statements are details of plots adapted from the novels read during the semester. Read and decide whether they are true or false, and mark a T for a true statement and an F for a false one.1. ( ) In the novel Great Expectations , the story ends with the marriage of Pip andEstella.2. ( ) In the novel Great Expectations , the reason for Miss Havisham’s being mad andvengeful is the death of her husband on their wedding day. 3. ( ) O ’liver Twist is born in a workhouse in 1830s England.4. ( ) In the novel Far From the Madding Crowd , two major characteristic of theprotagonist Bathsheba Everdene is her vanity and spiritual independence on others. 5. ( ) In the novel Far From the Madding Crowd , Gabriel Oak loses his farm because ofa huge storm.6. ( ) The novel Wuthering Heights is a gothic novel, which is designated to both horrifyand fascinate readers with scenes of passion and cruelty; supernatural elements; and a dark, foreboding atmosphere.7. ( ) The narrator of the novel Wuthering Heights is Nally, the servant.8. ( ) A galaxy is a star system in which a great many stars gather in one group.9. ( ) Galileo made his first telescope, which is a radio telescope, for the study of stars. 10. ( ) In America, the first Tuesday after the first Monday in December in every twoyears is Election Day.Part II Vocabulary (20 points)Section ADirections: There are twenty sentences in this section. Beneath each sentence there are four words or phrases marked A, B, C and D. Choose the ONE word or phrase that best completes the sentence.1. With all its advantages, the computer is by no means without its ________. A. boundaries B. limitations C. confinements D. restraints2. While nuclear weapons present grave _______ dangers, the predominate crisis of overpopulation is with us today.A. inevitableB. constantC. overwhelmingD. potential 3. Many people lost their jobs during the business ________.A. despairB. decreaseC. desperationD. depression4. He was such a _________ speaker that he held our affection every minute of the three-hour lecture.A. specificB. dynamicC. heroicD. diplomatic 5. I had to stand in a ________ for hours to get tickets fro the film.A. rowB. processionC. tailD. queue 6. The clock works well; there is only ______ of a second per year.A. a faultB. a mistakeC. an errorD. flaw7. Professor Taylor’s talk has indicated that science has a very strong _______ on the everyday life of non-scientists as well as scientists.A. motivationB. perspectiveC. impressionD. impact 8. Floods cause billions of dollars worth of property damage ______.A. relativelyB. actuallyC. annuallyD. comparatively 9. Writing is a slow process, requiring _________ thought, time and effort. A. significant B. considerable C. enormous D. numerous 10. He was _______ with sorrow for his wife’s sudden death.A. overthrownB. overcomeC. overpoweredD. overtaken11. She _________ that it was a trick to get her involved in the matter, for she knew themtoo well.A. doubtedB. suspectedC. conceivedD. convinced 12. We have planned an exciting publicity _________ with our advertisers. A. battle B. struggle C. conflict D. campaign13. That problem is beyond the __________ of this article, so I’ll not discuss it here. A. scale B. extent C. scope D. range14. They took _________ measures to prevent poisonous gasses from escaping. A. fruitful B. beneficial C. valid D. effective 15. These seats are ________ for special guests.A. preservedB. reservedC. reversedD. occupied 16. His hands were _________ so violently that he almost split his tea.A. quiveringB. trembleC. shiveringD. shaking 17. The elderly Russians find it hard to live on their state __________. A. pensions B. earnings C. salaries D. donations.18. Many regional associations are _________ the government so that they may promotetheir common interests together.A. kept track ofB. combined withC. transferred toD. registered with19. All the guests were invited to attend the wedding _________ and had a very good time. A. feast B. congratulations C. festival D. recreation 20. The Pope is the _________ leader of the Roman Catholic Church. A. supreme B. superior C. ultimate D. utmostPart III Reading Comprehension (55 points)院系： 专业班级： 姓名： 学号装 ……… 订 线Section ADirections:In this section there are two passages followed by ten questions, each with four suggested answers marked A, B, C and D. Choose the ONE that you think is the best answer.Passage 1Questions 1 to 3 are based on the following passage:It is generally agreed that the first true cities appeared about 5000 years ago in the food-producing communities of the Middle East. The cities of Sumeria, Egypt and the Indus Valley possessed a number of characteristics which distinguished them a truly urban. The cities were very much larger and more densely populated than any previous settlement, and their function was clearly differentiated from that of the surrounding villages. In the cities the old patterns of kinship relations were replaced by a complex hierarchy of social classes based on the specialization of labor. Moreover, the need to keep records led to the development of writing and arithmetic, and the increased sophistication of urban society gave a new impetus to artistic expression of every kind.When the basis of city life was established in Europe the urban tradition was drawn from the ancient cities of the middle East, via the civilizations of Greece and Rome, we can trace three main phases in the growth of the West European city. The first of these is the medieval phase, which extends from the beginning of the 11th century A. D to about 1500. The second is the renaissance and Baroque phase, which can be traced from about 1 500 to the beginning of the 19th century. The third is the modern phase, extending from the early 19th century to the present day.Every medieval city began as a small settlement which grew up round a geographical or cultural focal point. This would often be a permanent structure such as a stronghold, a cathedral or a large church. In districts where travel and trade were well established, it might be a market, a river crossing, or a place where two or more trade routes met. In studies of urban geography other oldest part of a town is referred to as the nuclear settlement. There are many small towns in Europe where it is still possible to trace the outline of the original nuclear settlement. It is, of course, much more difficult to do this in the case if a large modern city which has grown to may times its original size. (358 words)1. The ancient cities were characterized by all the following EXCEPT _____A. larger populationsB. different locationsC. different rolesD. different social classes2. Which of the following statements is CORRECT?A. West European cities established their own urban tradition。
Hardy哈代
In the following twenty-three years he produced over ten local-colored novels（有当地特色） until 1896 when he was tired of all those hostile criticisms against his last two novels.
an ominous bird a-wing: a bird bringing ill-luck flying past
And wrings with wrong: wrings the heart with the sense of being wronged
诗歌：Hardy wrote eight volumes of poetry (918 poems in all).
The most famous one is The Dynasts《列王》, a long epic-drama about the Napoleonic Wars.
3. Artistic features：
From then on, he abandoned novel-writing and returned to his first love—poetry.
In the following twenty-three years he produced over ten local-colored novels until 1896 when he was tired of all those hostile criticisms against his last two novels.
托马斯.哈代
“ The sudden disappointment of a hope leaves a scar which the ultimate fulfillment of that hope never entirely removes.” 一个希望的突然失落会留下一处伤痕， 即使那希望最终会实现，也决不能完全平 复。
1874 Far from the Madding Crowd 《远离尘嚣》
Other popular novels followed in quick succession: 1878 The Return of the Native《还乡》 1886 The Mayor of Casterbridge 《卡斯特桥市长》
——Tomas Hardy
Mankind is subjected to the rule of some hostile and mysterious fate, which brings misfortune to human life.
Fatalism（宿命论）：chance and
fate, nature, the final disintegration of peasantry in England, Hypocritical morality.
The Return of the Native (1878)
Short Stories
Wessex Tales(1888)（威赛克斯诗集） 境的讽刺） … Poetry
(1904-1908) The Dynasts 《列王》是以拿破仑战 争为题材的三卷本诗剧，除此之外还有近千首短小 的抒情诗.
1910 he was awarded the Order of Merit.
远离尘嚣读后感英文
远离尘嚣读后感英文Escaping the Hustle and Bustle: A Reflection on "Far Away from the Madding Crowd""Far Away from the Madding Crowd" is a novel written by Thomas Hardy, which was first published in 1874. The story revolves around the life of Bathsheba Everdene, a beautiful and independent woman, and her relationships with three different men. Throughout the novel, the theme of escaping the hustle and bustle of society is prevalent, and it serves as a powerful reminder of the importance of finding peace and solitude in a world that is constantly moving and changing.As I read through the pages of this timeless classic, I couldn't help but be drawn into the world that Hardy had created. The vivid descriptions of the English countryside and the characters' struggles and triumphs made me feel as though I was right there alongside them, experiencing their joys and sorrows. Bathsheba's journey, in particular,resonated with me as she navigated through the complexities of love, ambition, and societal expectations.One of the most compelling aspects of the novel is the way in which Hardy portrays the contrast between the tranquil beauty of the countryside and the chaos of urban life. The idyllic setting of Weatherbury Farm, where Bathsheba resides, serves as a sanctuary from the pressures and demands of the outside world. It is a place where she can find solace and clarity, away from the distractions and noise of society. This portrayal of nature as a refuge from the madding crowd is a powerful metaphor for the need to disconnect from the chaos of modern life and reconnect with the natural world.In today's fast-paced and interconnected world, it is all too easy to become caught up in the hustle and bustle of everyday life. We are bombarded with constant stimuli, from the relentless buzz of technology to the pressures of work and social obligations. It can be overwhelming, and at times, it feels as though there is no escape from the noise and commotion that surrounds us. "Far Away from the MaddingCrowd" serves as a poignant reminder of the importance of seeking out moments of peace and solitude, away from the distractions of the modern world.As I reflected on the novel, I found myself yearningfor the simplicity and serenity that the characters in the story found in the countryside. I longed for the opportunity to disconnect from the chaos of everyday life and immerse myself in the tranquility of nature. It made me realize the value of taking a step back from the constant demands of society and finding moments of quiet reflection. Whether it's taking a leisurely walk in the park, spending time in a peaceful garden, or simply finding a quiet spot to sit and read, these moments of respite are essential for maintaining a sense of balance and well-being.Furthermore, the novel also highlights the importance of finding inner peace and contentment, regardless of the external pressures and expectations that surround us. Bathsheba's journey towards self-discovery and independence serves as a powerful reminder that true happiness comes from within, rather than from external validation ormaterial success. In a world that often measures worth by external achievements and possessions, this message is especially relevant. It encourages us to look inward and cultivate a sense of inner peace and fulfillment, rather than constantly seeking validation from others.In conclusion, "Far Away from the Madding Crowd" is a timeless and thought-provoking novel that resonates with readers across generations. Its portrayal of the contrast between the tranquility of nature and the chaos of society serves as a powerful reminder of the importance of finding moments of peace and solitude in our fast-paced world. It encourages us to seek out moments of quiet reflection and inner peace, and to appreciate the beauty and serenity that can be found in the natural world. As I closed the final pages of the novel, I found myself inspired to seek out my own moments of respite, away from the hustle and bustle of everyday life, and to cultivate a sense of inner peace and contentment. It is a message that I will carry with me long after I have finished reading the novel, and one that I believe is more relevant now than ever before.。
电影远离尘嚣Far.from.the.Madding.Crowd.2015剧本中英文对照完整版
嘘……Shh. Hey.这个名字听起来总是很陌生The name has always sounded strange to me.我不喜欢别人大喊我的名字I don't like to hear it said out loud.我的双亲在我年幼的时候去世My parents died when I was very young, 所以根本无从知道我的名字的起源so there's no one to ask where it came from.我习惯了自己一个人长大I've grown accustomed to being on my own. 甚至有点过于习惯了Some say even too accustomed.我太独立了Too independent.小姐！Miss!小姐Miss!我的围巾My scarf.我弄丢了I lost it.你一定是农夫Oak吧Y ou must be Farmer Oak.Gabriel，没错Gabriel, yes.我姨妈跟我提起过你My aunt's told me about you.我冬天在她农场做工I'm working on her farm for the winter.这是你的地盘啊This is your land.看来我擅闯宝地了I'm trespassing.我很欢迎你来Y ou're welcome here.下午好，Oak先生Good afternoon, Farmer Oak.下午好，小姐Good afternoon, miss.过来，GeorgeCome by, George.George,走开！够了！George, away! Enough, George!够了！Enough!听下，听下Stand. Stand.George，停下George, stand.走远些！A way!走远点！A way!George,走远点！George, away!他甚至都不知道什么时候该停下，年轻的George啊He doesn't know when to stop, Y oung George.这只叫什么？What's this one called?老GeorgeOld George.老GeorgeOld George.你觉得我很风趣对吧So you find me amusing, do you?天哪，是Oak先生Goodness, it's Mr. Oak.那之后她本来应该去做家庭教师的...and after that she was gonna be a governess.但是她太野了But she was far too wild.一向如此Always has been.哦！Oh!Bathsheba Everdene小姐Miss Bathsheba Everdene.我给你带了只小羊羔I've brought you a lamb.哇！Oh!谢谢，Oak先生他太可爱了Thank you, Mr. Oak. He's such a dear thing. 它出生太晚了可能捱不过冬天He's come too soon and won't last the winter,所以我想你能帮着饲养它so I thought you'd like to rear it instead.谢谢真是太好了Thank you, that's very kind.我去沏茶I'll make some tea.我来这不只是为了送羊The lamb is not why I came.还为什么？Go on.好吧，Everdene小姐，我想问你……Well, Miss Everdene, I wanted to ask...你想嫁给我吗？Would you like to marry me?这个问题我从未问过别人I've never asked anyone before.不No.我想我应该说不I should hope not.好吧……Well...也许我……呃……Perhaps I, erm, I should...我还是走吧Oak先生！Perhaps I should leave. Mr. Oak,这事没那么简单there are things to consider.你有意中人了？Is someone waiting for you?没有，但那也不代表我会嫁给你No, but that doesn't mean I'll marryyou.祝好Good day to you, then.Oak先生！Mr. Oak!Oak先生！等等！Mr. Oak! Wait!我并没有说我不想嫁给你啊I didn't say I wouldn't marry you, either.我只是完全没想过这事I haven't ever really thought about it.我有100亩地200只羊I have 100 acres and 200 sheep.只要付清了钱农场就是我们的If I pay off the money, the farm is ours. 一到两年内我能给你买架钢琴Y ou could have a piano in a year or two. 有花，鸟，还有满院的黄瓜Flowers and birds and a frame for cucumbers. 生一两个孩子A baby or two.Oak先生……也许更多……Mr. Oak... Or more.我会永远和你在一起的I will always be there for you.Oak先生我不需要丈夫Mr. Oak, I don't want a husband.我讨厌变成某人的财产I'd hate to be some man's property.我不介意结婚I shouldn't mind being a bride at a wedding只要你不给我配个新郎在身边我就愿意if I could be one without getting a husband.这话蠢死了That's stupid talk.你值得更好的Oak先生Y ou are better off than I, Mr. Oak.我只不过读了两年书而已I have an education and nothing more.有比我更好的女人在等你Y ou could do much, much better than me.这不是借口That's not the reason.对你来说我……太独立了I'm too independent for you.如果我要结婚的话If I ever were to marry,我希望能嫁给一个能驯服我的人I'd want somebody to tame me这你永远做不到and you'd never be able to do it.你会嫌弃我的Y ou'd grow to despise me.我不会I would not.永远不会Ever.再见，Everdene小姐Good-bye, Miss Everdene.怎么了伙计？What is it, old boy?在这别动Stay here.呆着别动，老GeorgeStay here, Old George.留在这Stay here.George!George!不！！！No!全是你的了It's all yours.这生意做的我们也不开心We take no pleasure in this.希望你过得好Oak先生We wish you well, Mr. Oak. Bathsheba.怎么了？What is it?亲爱的，这是你可怜叔叔的遗嘱My love. It's your poor uncle's will.里面写什么？What does it say?自己读Read it.他留给了你一切全是你的了He's left you everything. It's all yours. 哦！！Oh!天哪！Oh, my goodness.保重，听见了吗Take care, you hear.走Walk on.再见Bye.有谁自愿加入我们？So who will join us, lads?哪个男孩愿意Which one of you fine boys穿上制服will put on the scarlet uniform骄傲地为女王和国家献身？and proudly serve his Queen and country? 去看看世界？See the world.排成一线，前面的人们Form an orderly line, gentlemen, at the front.戴帽子的那位，请站出来This gentleman in the straw hat, step forward, sir.那是我的男人，就那个That's my sweetheart, right there.你，先生，站在美丽女士周围的那个Y ou, sir, next to the pretty lady. 很强壮嘛There's a good strong figure of a man.加入我们吧Join us, sir.去吧，你会是一个好兵Go on. Y ou'd make a fine soldier.这里总有机会施展你的才干Always room in the ranks for a gentlemanof your caliber.是个好机会It's a roof over your head. Food.谁想拿高薪水？Who wants a fine wage?不好意思Excuse me.如果你想找一份工作的话可以试试WeatherburyY ou might try Weatherbury. If you're looking for work,那有一个农场非常需要人手there's a farm there needs all the help it can get.那边的人Y es. The young lad there.我会去的谢谢I will. Thank you.这么冷的天你应该加件衣服Y ou should have a cloak for a day like this. Francis会照顾我的Francis will take care of me.我们快结婚了We are to be married soon.再见Good-bye.来吧，薪酬优厚Come on, a decent wage.家人也有面子Make your family proud.食物，住所都有，谁想加入？Food, shelter. Who will join us?快找别的农场帮忙！Go and wake up the other farms!叫他们过来！我们需要人手！Get them down here! We need more hands! 我需要更多的人！现在！We need more men now!把他们叫醒！Wake them up!把Smith兄弟先叫过来！Go and get the Smith brothers first.注意安全！火势蔓延了！Protect yourself, the fire's spreading!这里谁管事？Who's in charge here?干草堆快烧没了！We're losing the ricks! The rick is lost.我们得保住谷仓！We need to save the barn. Come on, help me!快！拿点水过来！Come on, get some more water! Get some more water! 我们把它推出去！快！We need to push this out. Come on!用劲！Heave!用劲！Heave!用劲！Heave!快！推！Come on, push!大家都出去！Everybody out! Everybody out!水！！这边再来点！Water! More over here!把袋子搬出去！屋顶要撑不住了！Get the sacks out, the roof's about to go!他在干吗？What's he doing up there?谷仓没了，我们啥也没了We lose the barn, we lose everything. Joseph，拿扫帚过来Joseph, bring those brooms over把他们扫出去and let's get this sorted out.注意哥们那个农夫在这呢Look sharp, men, the farmer's here.Oak先生是你吗？Mr. Oak, is that you?也许你需要一个牧羊人夫人Perhaps you want a shepherd, ma'am?我欠你一个大人情Oak先生I owe you an immense debt, Mr. Oak.我要是没保住这些我的农场就啥都不剩了If I'd have lost all of this, I'd have lost my farm.你的农场？Y our farm?我继承的My inheritance.原来的家也是继承的我父母去世了My home, too, for a while when my parents died.我叔叔去世后把这里留给了我When my uncle passed away, he left it to me.是啊现在这破破烂烂的Of course, it's a little ragged now,但从前这是方圆几里最好的农场了but this once used to be the finest farm for miles.我打算让它生机重现And I intend to make it so again.你可能觉得有点好笑吧Perhaps you find the idea preposterous.我破产了I no longer have that luxury.听到这消息实在太不幸了Oak先生I'm truly sorry to hear of your loss, Mr. Oak,如果我这个暴发户……but if our reversal of fortune让你觉得被冒犯了……causes you any embarrassment...并没有……女士Not at all, ma'am.Billy Smallbury？9或8便士Billy Smallbury? 9 and 8 pence.{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Joseph Poorgrass?去吧JosephGo on, Joseph.去吧小子Go on, lad.帽子摘了Hat off.你能做什么JosephAnd what do you do, Joseph?最普通的活I does general things.春天打打白嘴鸽And in spring I shoot the rooks帮忙杀猪什么的先生and help at pig killing, sir.哦不女士I mean ma'am.7或9便士再给9便士吧我是新手其实7 and 9 pence. And another 9 because I'm new.谢谢女士Thank you, ma'am.下一个Fanny RobbinNow, Fanny Robbin?Fanny Robbin在哪？Where is Fanny Robbin?她去哪了Where is she?她跑了女士She's run away, ma'am.和一个士兵私奔了女士She's gone off with a soldier, ma'am.不是士兵是一个军官Not a soldier, a sergeant.{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Bailiff Pennyways?这是10个先令再送给你10个Here is 10 shillings and a further 10.什么？Why?我们两清了你被解雇了This ends our association. Y ou are dismissed. 什么？小姐？I beg pardon, miss?我叔叔活着的时候When my uncle was alive,这是一个生机勃勃产出丰厚的农场this was a fine, productive farm. 他死了之后一切都毁了Since his death, it has fallen into ruin.我只能说……放清楚，小姐I can only assume... Now see here, miss. 你不能解雇我Y ou can't get rid of people like that.我已经决定不要什么执行官了I have resolved to have no bailiff at all, Pennyways先生如果你有兴趣听我说的话Mr. Pennyways, if you'll listen to me for a moment.Pennyways先生大火差点把谷仓烧没了Mr. Pennyways, a fire threatened to destroy the barn你人影都找不到and you are nowhere to be found.我不雇没用的人Pennyways先生I have no use for a man like you, Mr. Pennyways.你被解雇了Y ou are dismissed.我要是你我现在就出去了Get out while you can, if I were you.Oak先生新牧羊人全在这了Now you've all met our new shepherd, Mr. Oak.Oak先生你明白你要做什么了吗？Y ou understand your duties, Mr. Oak?如果我没记住我会问的女士If I don't, I'll ask, ma'am.从现在开始你们有一个女主人而非男主人了From now on, you have a mistress, not a master.我可能在农活上没啥天分I don't yet know my talents in farming,但我会尽力做好的but I shall do my best.别以为我是一个女人Don't suppose, because I'm a woman,就分辨不了I don't know the difference between好事和坏事bad goings-on and good.在你们睁眼的时候我应该已经起床了I shall be up before you're awake. 你们起床的时候我应该已经下地了I shall be a-field before you are up. 我会让所有人刮目相看的It is my intention to astonish you all.回去干活吧亲们Back to work, please.我要在这等着吗？Perhaps I should wait here?不用No.别想偷懒Liddy 你是姐的搭档Nonsense, Liddy. Y ou're my companion.这些都拿去？All of these?都拿去All of them.抬头挺胸LiddyHead high, Liddy.别人看着你的时候别慌If they stare, do not hesitate.记住我们比任何人都有底气来这Remember, we have as much right to be here as anyone.早上好Good morning.Liddy 把东西归置一下Liddy, if you lay things out.好的Y es, miss.先生们，我们继续谈生意吧Gentlemen, shall we get back to business?来先生There you go, sir.你摸摸就能感受这质量都多好If you feel it, you can feel the quality. 这些粮食成色很好小姐谢谢This is fine grain, miss. Thank you.也许我们该走了小姐Perhaps we should leave, miss.没有什么比这个还好啦But none of it as good as this lot.这是好东西我同意It's good stuff, I'll grant you that.啊，这取决于你啊，如果你还想到处转转Well, it's up to you. If you wanna go elsewhere...不不不No, no, no...农场主Stone先生吗？Farmer Stone?我是Everdene农场主的侄女It's Miss Everdene. Farmer Everdene's niece.他老是特别崇拜地提起你He talked about you with such great admiration.你当然可以试试别家Of course, you're welcome to try elsewhere,但是我觉得你找不到but I think you'll find the grain as good更好的粮食了as it's ever been.Stone先生？多少钱？Mr. Stone? How much?4盎司5镑￡5 a quarter.\N3镑10先令￡3-10 shillings.同样的粮食先生It's the same grain, Mr. Stone.你付我叔叔5镑Y ou paid my uncle ￡5.\N3镑10先令￡3-10.这位先生会给个好价钱对吧This gentleman will pay me the properprice.显然不会Apparently not, no.4镑4镑10先令￡4. ￡4-10.四镑五先令￡4-05.也许我得找别家了Perhaps I should move on.Liddy, 帮我招待这位先生Liddy, would you help me with this gentleman?当然Of course.要不要看看样品？Perhaps you'd like a sample?多少钱？5镑4盎司￡5 a quarter.How much?非常好的粮食啊V ery well.4镑10先令￡4-10.他有钱又英俊让当地的女孩倒着追He's rich, he's handsome. He sends the local girls mad.Taylor姐妹花追了他两年The Taylor sisters worked on him for two years.Jane Perkins花20镑买新衣服Jane Perkins spent ￡20on new clothes 为了他花钱and might as well have跟流水一样thrown the money out the window.据说他年轻的时候被情人抛弃了It's said, when he was young, his sweetheart jilted him.人们都这么说People always say that.女人不会抛弃男人是男人抛弃我们Women don't jilt men. Men jilt us. 你被谁抛弃过了？Did someone jilt you, miss?当然没有Certainly not.不过确实有男人向我求婚过A man did ask to marry me once.就不久之前Some time ago.但是我可是脱了缰的野马拴不住But I was too restless to be tied down.还有得选……真是羡慕What a luxury, to have a choice.“吻我于足吾唇只求因果”"Kiss my foot, sir, my face is for mouths of consequence."才不是那样的呢It wasn't like that at all.为什么？Why?你爱他吗？Did you love him?并不是“爱”……但是我喜欢他No, but I rather liked him.随意了反正都拒绝了Anyway, it's impossible now.Boldwood先生Mr. Boldwood.我并不想吓到您I had no intention of shooting you.我是Everdene 你的邻居It's Miss Everdene. Y our neighbor.农场主Everdene的侄女Farmer Everdene's niece.我现在一个人打理农场I'm managing the farm alone now.也许你都听说了Perhaps you've heard?是啊我觉得你肯定能做好Y es, I'm sure you'll do very well.在这种条件下……In the circumstances.恩……你说的没错我们是邻居嘛Well, as you say, we're neighbors. 看看我拿到了什么Look what I've got here.什么东西？What is it?听着Listen to this.“玫瑰是红色罗兰花是蓝色”"The rose is red The violet blue“康乃馨是甜的你也是”"Carnation's sweet And so are you"这是情书哇It's a V alentine's card.我要寄给Joseph PoorgrassI'm going to send it to Joseph Poorgrass就想看看他看到这信时候的傻样子just to see the look of panic on his stupid face.可怜的孩子这有点过分不是吗Poor boy. It's a little bit far-fetched, isn't it?那发给Oak先生好了What about Mr. Oak, then?不行不许给Oak先生No. Not Mr. Oak.那给Boldwood先生呢?Imagine if we sent it to Mr. Boldwood.像那样无视你高贵又傲慢Ignoring you like that, all high and mighty. {\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Mr. Boldwood?要不算了？Perhaps not?为什么要算了？Why not?因为我觉得他没啥幽默感Because I don't think he'll see the humor.没准他有呢Perhaps he wouldn't,也许这个太过分了？perhaps it's too much.\NMr. Boldwood.你是对的没准真挺过分Y ou're right. Perhaps it is.要不我们扔硬币决定？So we're gonna toss for it.{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Liddy!来吧Come on.正面给JosephOpen, Joseph.不，给Jan CogganNo, Jan Coggan.正面Jan Coggan 反面Boldwood先生Open, Jan Coggan. Closed, Boldwood.军士Troy 11:00Sergeant Troy, 11:00.好的Troy 军士和？Y es, Sergeant Troy. And?Fanny Robbin小姐Miss Fanny Robbin.欢迎跟我来Welcome. Step down the front.她在哪？Where is she?我不知道I don't know.她来了Here she comes.哦Oh.抱歉我来晚了Sorry I'm late, old boy.幸好没错过Not long now.亲爱的人们我们欢聚一堂……Dearly beloved, we are gathered here in the sight...我只能再多等几分钟I can only wait a few more minutes.她会来的She'll be here.怎么了这是？What do you think is happening?我觉得她不会来了I don't think she's coming, old boy.这边去快走那边去Come on. Go on, off you go. That's it. Go on.早安哥们Morning, my love.快来Come on.开门放羊吧JohnBring them in, John.抓住这只Grab this one.Everdene小姐来啦Miss Everdene's here now,你们得甩开膀子好好干so you better do your best work.我盯着你呢CogganI'm looking at you, Coggan.安静点LiddyY eah, you keep quiet, Liddy.你在干嘛？What you doing?也许你该搭把手Perhaps you'd care to lend a hand?你觉得我不敢？Y ou don't think I would?你肯定不敢No, you wouldn't.来吧Come here.天哪她来了There, she's getting in.干得漂亮女士Well done, ma'am.这边出来嘿Joseph 看着点Gangway through. Hey, Joseph. Joseph, look.早上好Boldwood先生Good morning, Mr. Boldwood.Everdene小姐Miss Everdene.Boldwood先生想借一步说话！Mr. Boldwood wondered if he might have a word with you.Boldwood先生好的Mr. Boldwood. Of course.一千亩地耕地和家畜都有One thousand acres. A mix of arable and livestock.还和Everdene家相邻Adjacent to Everdene.果园玻璃屋An orchard. Glasshouse.还有特别有意思的小猪I have some interesting pigs.下次指给你看也许Some other time, perhaps.谢谢你Thank you.你家很漂亮Y ou have a very beautiful house.Boldwood先生Mr. Boldwood?Everdene小姐……Miss Everdene.我非常想……I want非常非常……very much, more than anything,想让你做我的妻子to have you as my wife.Everdene小姐嫁给我吧Miss Everdene, marry me.我……I...我感觉……I feel...尽管我非常尊敬您……Though I respect you very much,我也找不到理由说服我自己……I do not feel what would justify me接受您的求婚in accepting your offer.我之前被抛弃过I have known disappointments before,但是我不会轻易求婚……but I would never have asked in this instance 如果没有这个……had I not been, er,让我相信你……led to believe...除非……我错了……Unless... Unless I am mistaken.情书The valentine.没有你没错No, you're not mistaken,但是我不应该把它寄给你but I should never have sent it.原谅我冒冒失失打搅你的生活实在是太不应该了Forgive me, it was thoughtless to disturb your peace of mind.所以这是个玩笑？So you meant it as a joke?不不不这不是玩笑No. No, not as a joke.真的不是这是一时冲动Not exactly. It was impetuous.我明白了I see.你觉得我太老了？Perhaps you think I am too old?但是我会比同龄男人更加呵护你But I will care for you more than anyone your own age.我确定你会……我会保护你……I'm sure you would... I will protect you.你会有漂亮的裙子Y ou shall have dresses,马车钢琴a gig. Uh, a piano.心动了吗I amuse you?没有No.只是……It's only...我有钢琴I have a piano.还有自己的农场And I have my own farm.我真的不需要丈夫And I have no need for a husband,不管我有多庆幸收到求婚no matter how honored I am by the offer.我觉得我该回家了I think I'd like to return home.好吧……我会……Y es, er... I'll, er...我叫人送你回去I'll get someone to drive you.Boldwood 先生我让你难受了Mr. Boldwood, I've made you miserable. 我太不道德了It was very wicked of me.你会重新考虑吗Will you reconsider?我想想Let me think.好的Y es.我给你时间Y es, I'll give you time.我等着I will wait.你干到这么晚啊Oak先生Y ou're working late, Mr. Oak.教教我吧Will you teach me?拿着Here.转轮子Spin the wheel.斜点这样Incline it, like that.轻轻滑动转轮子And slide it gently. Spin the wheel.快一点点像这样非常好Bit faster. Like that. V ery good.滑动一下Now slide it.呃……这个……I... It's...卡住了Getting stuck.我想问问I wanted to ask,今天是不是有人说了什么有关Boldwood先生的话did the men say anything today about Mr. Boldwood?是的They did.听他们说什么？What did they say?他们说今年末你要结婚了That you'd be married before the end of the year.接着Come on.呃我想你帮我反驳一下那帮人Well, I'd like you to contradict it, to the men.那个……Bathsheba...Well, Bathsheba...叫我Everdene小姐谢谢"Miss Everdene," please.如果Boldwood先生真的求婚了If Mr. Boldwood did really speak of marriage,我不会编故事哄你开心了I'm not going to tell stories just to please you. 我只想让你帮我澄清一下I just said I wanted you to mention to the men 我并没有答应求婚啊that it might not be true I was going to marry him.如果你愿意的话我会说I could say that if you wish.我还想对你做的事发表点意见But I could also give you an opinion on what you've done.恕我直言我不想听你的意见I dare say, but I don't want your opinion, Mr. Oak.不会吧I suppose not.好吧你想说什么Well, what is your opinion?你对Boldwood先生那些That you're greatly to blame for playing pranks 玩心的招数on a man like Mr. Boldwood.太不像你做的事了Y our actions were unworthy of you.太不像？Unworthy?我能问问哪不像了吗？May I ask where my unworthiness lies?拒绝了你？也许？In rejecting you, perhaps?我早就断了念头了I've long given up thinking of that.连想也没想过Or wishing it, either.但是我要说But I will say this.勾引一个你不在乎的男人实在不像你做的事Leading on a man you don't care for is beneath you.我不能允许一个男人对我的生活指手画脚I cannot allow a man to criticize my private conduct.请你周末之前离开我的农场Y ou will please leave the farm at the end of the week.我现在就走I'd prefer to go at once.走啊我不想再看到你了Then go. I never want to see your face again. 非常好Everdene小姐V ery well, Miss Everdene.啊我们到了Whoa, there we are. There.它们怎么了？What's wrong with them?它们把栅栏撞破吃到了毒草They broke fence and ate the young clover.毒草涨胃Makes their stomachs swell.一群羊都中毒了Nothing. The whole flock is blasted.你是说他们都要死了？Y ou mean they're all going to die?很有可能这边还有女士Most probably. Another one gone here, ma'am.只有一个办法能救他们Only one way of saving them.你必须用工具刺穿他们的侧身Y ou must pierce their side with a tool.用中空管A hollow tube. Pricker inside.好吧你能做吗Well, can you do it?这只还活着This one's still alive.不No.我可以吗？天哪不行Can I? Oh, good Lord, no.往左偏一厘米就能要了它的命One inch to the right or the left,你会弄死母羊的and you kill the ewe for sure.连牧羊人都做不到Not even a shepherd can do it, as a rule.那谁能做到？Well, who, then?Gabriel!Garbriel 等等！Gabriel! Gabriel Oak, wait!Everdene需要你Miss Everdene needs you.你怎么一个人回来了找到他了么？Why are you alone? Did you find him?是的女士Y es, miss.他说什么？So what did he say?他说……He said...{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Joseph?他说你得亲自求他He said you're to go in person并且有礼貌的请求他and request him civilly in a proper manner.他怎么这么牛气了？我才不会求他呢Where does he get his airs? I'll do no such thing.他就知道您会这么说He said you'd say that.他让我回复“乞丐没权利挑肥拣瘦”He said to reply, "Beggars can't be choosers."{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Mr. Oak.{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Gabriel.{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Gabriel.别抛弃我啊GarbrielPlease don't desert me, Gabriel.我需要你的帮助I need your help.给我让个位Make room for me.我想看I wanna see.不不许插手Liddy 安静点No, don't you start, Liddy, be quiet.找到切点Find the spot.肋骨之间Between the ribs.天哪不不不不Oh, Lord! No, no, no, no, no.现在Now...它的心又在跳了I can see his heart beating.-醒醒-醒醒妹子- Come on. - Come on, girl.醒醒Come on.她好啦She'll be all right. She'll be all right.好了吗PixieY ou all right? Y ou all right, Pixie?耶！醒了Y eah, come on.好了PixieAll right, Pixie! Pixie!嘿！回来！Hey! Come here!出去Get out.安静一点Please, quiet.小姐Boldwood先生来了Miss. Mr. Boldwood is here.-谢谢JAN -谢谢Thank you. Thank you, Jan. Jan, thank you.真是惊喜啊你要加入吗？Mr. Boldwood.\NWhat a pleasant surprise. Will you join us?真开心你能来先生Nice to have you, sir.唱歌女士A song, ma'am.我不会唱歌I have no voice.别装啦女士你的声音那么好听Come on, ma'am, you've got a lovely voice.我觉得我们最好一起唱I thought we were rather good together.我也这么觉得So did I.我们是完美的二重唱组合We would make a fine duo.我想谢谢你没有因为那件事I wanted to thank you for not approaching me在找我on that subject again.这可不容易了呢Well, it has not been easy.你希望我……呃……Do you wish me to, er,陪你回房子吗accompany you back to the house?不用了我喜欢每天晚上在农场里散步No, I like to walk around the farm every night确保一切都安全to make sure all is safe.我……我可以陪你散步Then I... I can walk with you.我一般都自己来的I've done it many times alone.晚安Boldwood先生Good night, Mr. Boldwood.见到你太好了Y ou've been very kind. A pleasure to see you.-你是谁？-对不起我好像迷路了Who are you? I'm sorry. I seem to be lost.我们被缠住了你受伤了吗？We're entangled. Are you hurt?没有No.我在找WeatherburyI'm looking for Weatherbury.希望我没有吓到你I hope I didn't startle you.我们好像被勾在一起了We've got hitched together somehow.我来吧Here, allow me.不了不了我自己来No. No. Please, let me do it myself.能不能抬一下你的脚If you lift your foot for a moment.别看着我Please don't stare.我从未见过这么美的容颜I don't think I've ever seen a face as beautiful as yours.你不该在这的给我油灯Y ou shouldn't be here. Please let me have the lamp.看起来真是丰收啊A mighty impressive harvest this looks like.小姐Miss,看look.他是谁LIDDYWho is he, Liddy?军官Francis TroySergeant Francis Troy.贵族充满前途有型有款Noble blood, full of promise. V ery sharp and trim.受过好的教育Well-educated.大好前途等着他There was good things expected of him.但是他抛弃一切当兵了He threw it all in to be a soldier.关我啥事啊Well, I won't have it.你干嘛去小姐？What are you doing, miss?我让他离开I'm going to tell him to leave.我得要求您马上离开I must absolutely insist that you leave at this very moment.我做不到I can't.跟着我来好吗Will you follow me, please?你在气什么？What angers you, exactly?别这样Please.我说的话还是我说话的方式What I said or the way I said it?你要知道Y ou must know.总要有男人告诉你你有多漂亮there must be some man tells you that you're beautiful.哦别当着我的面说啊Oh, not to my face, not...有没有人吻过你But there is someone who kisses you?我没有被吻过I've never been kissed.为什么你就不能装作什么也没发生过Why couldn't you have just passed by and said nothing?你原谅我吗？Do you forgive me?-不-为什么？I do not. Why?因为你说的那些话Because the things you say...我说你很漂亮I said that you were beautiful.我在想你打仗的技术和嘴皮子功夫是不是一样好I wonder if you fight as well as you speak.更好Better.明天来找我Meet me. Tomorrow.我不行I can't.你不想吗？Y ou don't want to?我想但是……Y es, but...-那你一定要来-我不会去的Then you must. I mustn't.没有人会知道Nobody would know.请快走吧Please go now.明天Tomorrow.{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}8:00.林中空地见The hollow in the ferns.你相信我吗Do you trust me?我相信I do.我用军人身份跟你保证I give you my word as a soldier,我不会伤害你I will not harm you.这剑是钝的The sword is blunt,所以你别哆嗦but you must not flinch.我尽量I'll try not to.你割了我的头发Y ou cut my hair.这把剑锋利到能活剥了你This sword could skin you alive.但你说我很安全But you told me I was safe.没错你很安全And you were. Entirely safe.我给你我的承诺了I gave you my word.现在我要这个Now I will take this.{\fnSimHei\fs12\1c&HDCC1A7&\b0\be1}Miss Everdene.我能和你一起走吗Perhaps I could walk with you?我更喜欢一个人走I'm quite happy to walk by myself.你不应该和他有联系Y ou should have nothing to do with him.他配不上你He's not good enough for you.他是个可靠的男人He's a perfectly decent man.这不是我看到的That's not what I believe.为什么？你又听到什么？Why? What have you heard?你根本不认识他只是流言罢了Y ou don't know him at all. It's all rumors.我喜欢军人但这一个例外I like soldiers. But not this one.我坚信他没有良心I believe him to have no conscience at all.别陷进去别被他迷惑Stay clear. Don't listen to him.不要相信他Don't believe him.离开他Get rid of him.你能得到什么好处吗？And what is it to you?我没有你想得那么傻I'm not such a fool as to imagine我可能还抱有希望I might stand a chance now that you are so above me. 但是别以为我会一直留在你身边But don't suppose I'm content to stay a nobody all my life.有一天我一定会离开的One day I will leave you. Y ou can be sure of that.但是现在我还是那么在乎你But for now, I care for you too much在乎你不要被花花公子毁了to see you go to ruin because of him.所以如果你不介意我……So if you don't mind, I'll...我想在你身边I'll stay by your side.晚上好Good evening.Boldwood先生Mr. Boldwood,过去的几个月里你一直是一个亲切的朋友you have been a dear friend to me these past months.因为我在乎我们的友情And it is because I value our friendship所以我想说so greatly that I am writing.能收到你的邀请我很开心I am honored by your proposal经过深思熟虑之后and have given it much thought,我决定告诉你连我自己都惊讶于自己所经历的一切but I must tell you that, to my own surprise,我只能描述这一切为I have undergone what can only be described“心灵的变化”as a change of heart所以我不能接受你的求婚了and I'm afraid I cannot accept your offer.。
德伯家的苔丝英文分析
内容摘要在英国，许多的作家以幻灭为主题，将其融入到自己的作品当中。
在这些作家中最有代表性的是托马斯〃哈代。
在19世纪的英国，托马斯〃哈代是著名的批判现实主义作家，《德伯家的苔丝》是他作品中最有影响力的一部。
在这部作品中他的对比是：人和社会环境、人和大自然、人的外貌和他的内心世界。
《德伯家的苔丝》主要讲述了一个美丽善良的少女苔丝失身后所遭遇的悲惨故事。
他认为平民的生活是悲惨的，平民人物的命运也是悲剧，而主人公苔丝的命运就是平民命运的一个小缩影。
并且在18世纪到19世纪之交，维多利亚时期是一个以男性为中心的时代，男女不平等已经成为维多利亚时期根深蒂固的社会习俗，因此，当时妇女倍受压迫和歧视。
苔丝作为一个普通人，与当时社会的抗争是无助的，她的结局会像所有一切与道德伦理相悖的事物一样，成为这个社会的牺牲品。
苔丝的悲剧是又多方因素造成的，我的论文仅通过社会环境的描写、法律制度，伦理道德和宗教, 分析出造成苔丝悲惨命运的社会因素。
苔丝的悲剧是那个社会所造成的。
关键词：苔丝社会环境法律系统伦理道德宗教因素ABSTRACTMany novelists from England expressed disillusionment in their novels. The most typical one was Thomas Hardy who was a famous critical realistic writer at the run of the 19th century in England. In the novel, His contrasts are human and social environment, human and nature, surface and heart. Tess of the D’Urbervilles is the most influential one of all his works. This novel is a tragic story about one beautiful and kind Tess after she had been lost chastity. In his mind, the life of demos is tragic, and the destiny of Tess is a miniature display the life of demos is a tragedy. And at the turn of the century between 18th and 19th, women were oppressed and discriminated, due to the deeply inequality social culture between man and woman in Victorian Age, all of which existed in the Tess‟s livin g time. As a common person, Tess fought with the society is helpless. In the end, she turned out to be the sacrificial victim of society like all other things, which disobey the morality and ethic. The tragedy happened on Tess is caused by many reasons. My paper is about to analyze the tragedy of Tess though the social environment, law system，morality and religion factor at that time. Tess…s tragic life is caused by that society and it is the result of that time.KEY WORDS: Tess society environment law system morality ethic religion factorCONTENTSI. Introduction of author and novel (1)1.1 Introduction of Thomas Hardy (1)1.2 Introduction of Tess of the D’Urbervilles (2)II. Bac k gro und (4)2.1Background of the novel…………………………………………2.2 Background of Political, Economical and Cultural (4)2.3 Background of the Features of Victorian novels (5)III. Analyze the tragedy of Tess from social factors (5)3.1 Life environment for the peasants (7)3.2 Unfair law system for the peasants (9)3.3 The victim of morality for Female3.4 Contacting with religionIV. Conclusion (14)R E F E R E N C E S (15)I. The introduction of author and novel1.1 Introduction of Thomas HardyThomas Hardy was born on June 2, 1840, a village of southwestern England that was the focus of his novels. He got a love of music from his father and literature from his mother. In 1862, he went to London to work for a famous architect. During the time when he was free, he widely studied: language, literature, history, philosophy and art. At that time, he even gained two prizes for essays on architecture, but it was not his desired profession. He started to write poetry and paid more attention to poetry than novel when he was 25-year-old. But he had no chance to publish his poetry. He changed the matter to create novel. In 1871, his first long novel was published. Three years ago, the celebrated work was his fourth novel far from the Madding Crowd. He stopped construction industry and devoted to the novel creation. There were early 20 long novels in Hardy‟s life. The most famous novel is Tess of the D’Urbervilles. However his view has led considerably conflict with the moral of Victorian era. Some plots were deleted in the serial and the title of the novel is a true life of the pure woman that caused strong dissatisfaction among some people. They believe that is an affront on public moral because Tess gets the sympathetic and understanding from the author in the novel. Hardy‟s works reflected the changed of social economy, political, moral and tradition, which is the advanced thoughts in Victorian era. Especially, his novels exposed women‟s tragic life and morals, legal and religious. And his story is the people pursue a ideal life by describing the struggle, pursuit and disillusionment in his novel. Therefore, the story is full of the deep society-significance and philosophy. His works not only were the great tradition of England realism, but also were the way for 20th century British literature.1.2 Tess of the D’UrbervillesTess is a 16-year-old who is a beautiful and kind girl comes from a poor family in a village，the whole family make their living by transporting with an old horse. However the old horse was dead in a sudden accident. The poverty of the family forces her to claim help from the rich D‟Urbervilles.While visiting the D‟Urbervilles at the Slopes, Tess meets Alec D‟Urbervilles. Alec is a young master of the D‟Urbervilles and a playboy. Alec arranges for Tess to take care of his blind mother‟s poultry, and Tess moves to the Slopes. Alec seduces and rapes Tess.Tess returns home, gives birth to a son. His name is sorrow. Tess works as a field worker on nearby farms. Sorrow becomes ill and dies when he is a baby. People‟s opinion forces Tess makes another journey away from home to become a milkmaid on a dairy farm. There she meets Angel Clare. She falls in love with each other. On their wedding night, Tess displays her own past, Tess forgives Angel for his past, but Angel cannot forgive Tess for having a child with another man. Finally, he leaves her. Tess goes to her parents‟ home. Tess eventually leaves home to work in another town at Flint comb-Ash farm, where the working conditions are very harsh. Tess meets some of her friends from Talbot hays, and they are at Flint comb to the hard work. Tess wants to visit Angel‟s family, but she gives up at the last minute. On the way Flint comb, Tess meets Alec again. When Alec meets Tess, he leaves his position to pursue her. Alec follows Tess to Flint comb, asking her to marry him. Tess refuses in the strongest terms. However her father‟s death leads to the whole burden of thefamily on her, she is forced to go back to Alec.In the meantime, Angel returns from Brazil to look for Tess and begin his own farm in England. When Angel goes to Tess‟s family, they tell him that Tess has gone to a fashionable seaside in the south of England. In the meeting with Angel, Tess asks him to leave her. Angel does leave. After her meeting with Angel, she decides to accuse Alec. In a fit of anger, Tess kills Alec with a knife. Alec is dead. Tess tells Angel that Alec is dead. Angel has trouble believing Tess‟ story but welcomes her back. Their plan is to leave the country as soon as possible. They spend a week in a house.They are discovered, and the police take her away. Before she is executed for her crime, Tess has Angel promise to marry her sister Liza Lu. Angel agrees with her. The two, Angel and Liza Lu, leave together, and the tragic tale of Tess ends.II. Background2.1Background of the novelThis story happened in the late of Britain's Victorian era，in this time, Capitalist class controlled all right, and the law were serviced for them. Farmers were at the bottle of the society. They had never equal right as the capitalist class. Tess as a woman in the Victorian era，she cannot avoided the “Hegemony” father right awareness to “woman” nature understanding. And in the man society, tradition customs made women lost their independent status.。
Far_from_the_Madding_Crowd_(Excerpt)《远离尘嚣》（节选）
Crazy English2023.8Gabriel climbed a gate into a field,intending to sleep for the rest of the night under a hay rick (干草堆),but then he noticed an unusual light in the darkness,about half a mile away.Something was on fire.He hurried across the fields towardsthe fire.Soon,in the rich orange light ofthe flames,he could see a hay rick burning fiercely.It was too late to save the rick,so for a few minutes he stood and stared at the flames.But when the smoke clearedfor a moment,he was horrified to see,veryFar from the Madding Crowd (Excerpt)《远离尘嚣》（节选）Thomas Hardy56疯狂英语（新读写）close tothe burning rick,a whole row of wheatricks.These probably contained most of the wheat produced on the farm that year,and could catch fire at any moment.As he rushed towards the wheatrickthat was most in danger,he saw he was not alone.A crowd of farm workers had seen the fire and run into the field to help savethe wheat,but they were so confused that they did not know what to do.Gabriel tookcontrol and gave orders.“Get a large cloth!”he shouted.“Putit over the wheat rick,so the wind can t blow the flames from the hayrick on to it!Now,you,stand here with a bucket of water and keep the cloth wet!”The men hurried to obey him.The flames,prevented from burning the bottom and sides of the wheatrick,began to attack its roof.“Get me a ladder!”cried Gabriel.“And a branch,and some water!”He climbed up the wheat rick and sat on the top,beating down the flames with thebranch.Billy Smallbury,one of the men who had been in the cart,climbed up with a bucket of water to throw water on Gabrieland keep the flames off him.The smokewas at its thickest at this corner of the rick,but Gabriel never stopped his work.On the ground the villagers were doing what they could to stop the fire,which was not much.A little further away was a young woman who had just arrived on her horse,with her maid on foot.They werewatching the fire and discussing Gabriel.“He s a fine young man,ma am,”saidLiddy,the maid.“And look at his clothes!They re all burnt!”“Who does he work for?”asked the woman in a clear voice.“I don t know,ma am,nor do the others.He s a stranger.”“Jan Coggan!”called the woman to one of her workers.“Do youthink the wheat is safe now?”“I think so,yes,ma am,”he answered.“If the fire had spread to this wheat rick,all the other ricks would have caught fire too.That brave young man up there on top of the rick is the one who s saved yourwheat.”ReadingCheck Use your own words to share thisstory with your friends.57。
远离尘嚣读后感
远离尘嚣读后感《墓园挽歌》Far from the madding crowd's ignoble strife;远离尘嚣中不光彩的争权夺利,，Their sober wishes never learned to stray;他们清醒的欲望从不迷途,，Along the cool sequestered vale of life;沿着那与世隔绝的人生谷地,，They kept the noiseless tenor of their way.坚持不声不响地走常规正路。
托马斯哈代1840年6月2日生于英国西南部的多塞特郡，毗邻多塞特郡大荒原，这里的自然环境日后成了哈代作品的主要背景。
他的父亲是石匠，但爱好音乐。
父母都重视对哈代的文化教育。
1856年哈代离开学校，给一名建筑师当学徒。
1862年前往伦敦，任建筑绘图员，并在伦敦大学进修语言，开始文学创作。
1867年因健康问题返回故乡。
最初写作诗歌，后因无缘发表，改事小说创作。
成名作是他的第四部小说《远离尘嚣》(Far from the Madding Crowd)（1874）。
从此，他放弃建筑职业，致力于小说创作。
1867-1868年完成第一部小说《穷人与贵妇》(The Poor Man and the Lady)，但未能出版。
首次发表的小说是《计出无奈》(Desperate Remedies)（1871）。
接着发表《绿林荫下》(Under the Greenwood Tree)（1872）、《一双湛蓝的眼睛》(A Pair of Blue Eyes)（1873），开始了以威塞克斯(Wessex)为背景的一系列乡土小说的写作。
1878年发表《还乡》(The Return of the Native)。
一些评论家认为《还乡》是他最出色的作品。
另一部重要作品是《卡斯特桥市长》(The Mayor of Casterbridge)（1886），这是他唯一不以农村为背景的小说，《德伯家的苔丝》(Tess of the D'Urbervilles)（1891）是他最优秀的小说。
从女性主义视角解读《还乡》游苔莎的悲剧命运
从女性主义视角解读《还乡》游苔莎的悲剧命运摘要游苔莎在哈代第一部悲剧小说《还乡》中的是一个颇有争议的人物，她桀骜不驯，美丽聪颖，特立独行，敢于冒险和追求，同时又身怀遇人不淑的哀怨。
小说中,荒原人视她为女巫,克林的妈妈称她为坏女人，连圣贤者之称的克林这样的进步青年也以局限的眼光认为她是一个利己、享乐的世俗人。
但是哈代在道德上却对她少有批判，反而他将她塑造得像女神般超凡尊贵。
本文认为游苔莎充满女性意识，她的行为偏离了父权制传统的期望和为女性设置的道德规范，并呼吁女性实现自我意识，她的自我意识的体现了女性独立意识的觉醒，女性开始超越自己的内在本质并且去为自我认同而奋斗。
关键词：托马斯·哈代；游苔莎; 悲剧命运；女性主义视角Eustacia's Tragedy in The Return of the Native from Feminist PerspectiveAbstractEustacia was a controversial figure in the first tragic novel The Return of the Native written by Thomas Hardy. She was unruly, beautiful and intelligent, maverick, adventurous and pursuing, and at the same time, she was broken-hearted that she met some bad men. In the novel, people who lived in the Edgon Heath regarded her as a witch, Clym’s mother thought she was a bad woman, even Cylm who was considered to be a sage and an advanced youth also had a bias against her. Cylm thought Eustacia was selfish and hedonistic. But Hardy had little moral criticism on her and gave her unique image, like a elegant goddess. This essay mainly claimed Eustacia in Hardy's The Return of the Native was full of female consciousness, her action deviated from the traditional expectations of patriarchal society and moral norms for women, she had set an example for other women and called on women to achieve their own values, certainly her self-consciousness reflected that women began to overcome their own intrinsic nature and fight for self-identity with awakening of women’s individual consciousness.Key Words: Thomas Hardy; Eustacia; Tragic Fate; Feminist Perspective1. IntroductionThomas Hardy was a British poet, novelist and a writer who had spanned twocenturies. He was one of the most prominent native novelists and poets in the United Kingdom. His early and middle works were given priority to novel, which inherited and carried forward the tradition of Victorian literature. When he was old, his excellent poems influenced a lot and opened up the British literature in the 20th century. “Victorian notion of sexuality was quite obvious in the n ineteenth century reviews of Hardy’s novel. And Irving Howe called Hardy as a male writer with an openness to the feminine principle.”[]Speaking of Hardy's unusual writing process, which surprised readers a lot. Hardy was born in Dorset southwest England, which was adjacent to the Dorset wasteland and the natural environment was the main background of Hardy's works in the future. He was born in a declining aristocratic family. His father was a stonemason who was fond of music. His parents paid much attention to Hardy's cultural education. Hardy left school as an architect's apprentice in 1856. In 1861, he went to London to study the construction project and engaged in the research of literature, philosophy and theology. At last, he was devoted to the creation of literature. Because of his bad health, he returned to his hometown. At the beginning, he started to write poems, his works were not recognized by the world, and it was not published. He began to write novels. “He was famous for his fourth novel Far F rom the Madding Crowd (1874). From then on, he had given up his career and dedicated to the novel creation. During 1867-1868, he completed his first novel The Poor Man and The Lady, but not published. His first published novel was Desperate Remedies (1871). And then his next publication was Under the Greenwood Tree (1872) and A Pair of Blue Eyes (1873), those novels also focused on analysing the new females fighting against their tragic fates in the patriarchy. “Unfortunately, as the other and the second se x, although they have achieved independence and freedom in a degree, their resistances are not rootless. By indicating the tragic life of female in the family, female's rebelling and submitting and the loser image in the love relation, this thesis put forth effort to find out the social root of these tragedies patriarchy. ”[] Eustacia obtained some characteristics of new women, but because of being influenced by conventional limitation and ingrained patriarchy ideology they couldn't break off the patriarchyfetters. Thus Eustacia’s resistance with both progress and compromise was the tragedy of her own, early Feminist movement and the age. And The Return of the Native was also one of the most well-known representatives.The Return of the Native, initially published in 1879, was a tragic story about the love story of five young people. The tragic fate of the heroine was worth pondering. The Return of the Native mainly told about two young persons who married happily and suffered the pain of separation. The young man Clym was born in a rich family in Egdon Heath. He received good education and was sent to Paris to study business. Finally, he succeeded in business and had a bright future. But he experienced the sufferings of the lower class people. He was full of sympathy for poor people in the village, so he hated the glamorous city life and wanted to return to the countryside to improve the education of the villagers and help them to change their own fates. The girl Eustacia who was born in the city, because her parents passed away，she was forced to take refuge in her grandpa’s in the countryside. She lived in Egdon Heath, where was blocked and far away from the city. She was a good-looking girl who was elegant and eager to go to a big city such as a high society Paris to live a better life. She could do anything as long as she could realize her dream. Unfortunately, on a rainy evening, she and her lover eloped and fell into the river and drowned.Thomas Hardy was one of the greatest writers in United Kingdom. He was famous for his wonderful novels, which made a great contribution to the world in his later years. As a novelist and poet, he was regarded as the only second to Shakespeare. Thomas Hardy was one of the representatives of British Critical Realism at the turn of the 19th century. Hardy grew up in the region of Dorset shire of England, the basis for the Wessex countryside that later as the background of his fiction The Return of the Native. “The local color in Hardy's novels could be found in the following aspects: descriptions about the geographical environment, the local dialect, folklore and the local customs and even folk music in Wessex, as well as the structures in novel.” [] The Return of the Native was a typical novel which mainly told about the social tragedies in Wessex. He picked up the Egdon Heath as background of this story and mainly described five young persons' different fates.Feminist criticism was a sort of literary criticism or some people had criticism on the fashion, which began to develop as late as the end of 1960 years of political turmoil in the west. In fact, early in the last century, Virginia Woolf who was one of the contemporary feminist criticism of torchbearers had noted that women's voices was absent from in the mainstream discourse in literary works, most of the women actually only talked and did something that male writers wanted. French feminist ideologist Simone de Beauvoir proposed a famous argument that female was constructed, which spawned a number of feminist critics. Feminist literary criticism was that literary criticism represented by feminist theory, in other words, more broadly, the politics of feminism also belonged to its catalog. Often it used feminist principles and ideology to critique the language and some format used in the literature.Today, there was a boom of studying Hardy’s works in different perspectives and the boom had never stopped. Feminist perspective was a new theory of literary criticism. Feminist perspective was an approach to literature that seeked to correct or supplement what might be regarded as a predominantly male-dominated critical perspective with feminist consciousness and thinking. Feminist criticism placed literature in some social context and used a broad range of disciplines, including history, sociology, psychology, and linguistics to provide a perspective to analyse some unfair treatments, which was sensitive to feminist issues. Feminist theories also attempted to understand representation from a woman’s point of view and to explain w omen’s writing strategies as a specific aim to their social conditions. These days, the voice of women was increasingly powerful, analyzing literary works in the view of feminist perspective had been more and more noticeable. The feminist perspective aimed to balance the male and female relationship to make women and men much closer. The fundamental reason for the oppression of women was the way of thinking of conflict in the patriarchal society. The Return of the Native was Hardy's first important tragic novel. The story happened in Egdon Heath, which showed the intense conflict between the old and backward country and the civilization in the modern city. This paper would analyze Eustacia's tragic fate in the Return of the Native in thefeminist perspective. As an ideological and cultural trend worldwide, feminist had witnessed drastic progress in literature, and had played a positive role in realistic significance. This paper attempted to analyze Eustacia’s tragic fate in feminist perspective. Eustacia was a tragic person in Thomas Hardy’s The Return of the Native. The causes of Eustacia’s tragic fate reflected in The Return of the Native could be attributed to subjective reasons and objective reasons to highlight the consequences of male supremacy in the ca pitalistic society in Hardy’s novel.2. Eustacia’s Tragic Fate and her ImageEustacia’s fate was doomed to be unusual. First, she was a strong woman, she suffered the sorrow of losing parents when she was young. Also, she had to leave her abundant life in big city for blocked countryside. The next, she was tolerable. She was not scared of oppressions from men and society. Finally, she was isolated and helpless, women looked down upon her, all her life was not happy, Eustacia still kept positive. Although she was unsocial and regarded as a monster, she still had a strong belief to be someone she wanted to be.2.1 Eustacia’s Tragic FateSpeaking of Eustacia’s tragic fate, In the Return of the Native, Eustica 's tragic fate mainly expressed that lost her parents at a young age and lived in the harsh environment of Egdon Heath with grandfather, had to be lover because of lack for material support, her rebellious consciousness and self-consciousness could not get other women's identity. Instead, she was isolated and treated as an oddity at that time.2.1.1 Life ChangesEustacia had suffered a lot during all her short and unusual life. First, she lost her parents when she was young and had to give up the life in the big city to live with her grandfather in Egdon Heath. Life in Egdon Heath was very hard and isolated. She missed life before she came to Egdon Heath and was eager to live a better life like before, she began to rack her brain to flee from Egdon Heath, even she gave in life to be a prodigal’s mistress. She lost her independent status, from this, women and men were unequal. No matter what women and men they both had their dignity. But in the novel, men could treat with women in a casual way, women had no dignity at all,which led to the absence of self identity and social identity for women. Actually, Eustica was an independent woman, but something had changed her mind. She could have lived in a happy life with her family, but the reality did not satisfy people. She lost her parents, had bad living conditions and met someone unkind, unfriendly, which would influence her personality a lot.Secondly, one change influenced Eustacia was that she changed herself from a pure girl into a prodigal mistress, she began to lose her dignity and independence. “French femin ist ideologist Simone de Beauvoir proposed a famous argument that female was constructed by men.”[] Before her parents passed away, she was a pure girl who was so joyous and carefree. When she came to Egdon Heath with her grandfather, her life changed a lot. In order to flee away from Egdon Heath, but she was unable to change her condition, she chose a decadent way to be a mistress and made use of marriage to achieve her city dream.Third, she had to live in remote and blocked area with her grandfather who had been used to living there and could be well integrated with Egdon Heath, but Eustacia she rejected and resisted local Egdon Heath’s environment. Her grandfather could not understand her inner thought. Eustacia’s character and environment gradually had the fierce conflict, people were unable to change the natural environment at that time, finally, Eustacia was doomed to be a tragic ending.2.1.2 Oppressions on her from Male-oriented SocietyFemale always put up with all kinds of oppressions from male and society. Take Eustacia 's case as an example, she was a woman who was very independent in mind, but in some way she had to rely on male. On the one hand, Eustacia had no choice but rely on men to escape from Egdon Heath because she was lack of material support, so she had to be a mistress for the prodigal son. Her husband Clym hoped to achieve his dream on supporting rural education by depending on her and did not allowed her to chase her dream of going city. Her husband did not allow her to have her own dream, she was supposed to follow his dream first. But in Eustacia's eye, her dream of going city was more vital. Emotion and love were not important and they could not be equal with her dream. Eustacia chose to love her husband Clym who was rich and in high。
Far from the Madding Crowd—Book Summary
Book SummaryAt the beginning of the novel，Bathsheba Everdene is a beautiful young woman without a fortune. She has the enviable problem of coping with three suitors simultaneously. She meets Gabriel Oak,a farmer as ordinary, stable, and sturdy as his name suggests. Perceiving her beauty, he proposes to her and is promptly rejected. He vows not to ask again. Upon inheriting her uncle's prosperous farm she moves away to the town of Weatherbury.A disaster befalls Gabriel's farm and he loses his sheep; he is forced to give up farming. He goes looking for work, and in his travels finds himself in Weatherbury. After rescuing a local farm from fire he asks the mistress if she needs a shepherd. It is Bathsheba, and she hires him. As Bathsheba learns to manage her farm she becomes acquainted with her neighbor, Mr. Boldwood, and on a whim sends him a valentine with the words "Marry me." Boldwood becomes obsessed with her and becomes her second suitor. Rich and handsome, he has been sought after by many women. Bathsheba refuses him because she does not love him, but she then agrees to reconsider her decision.Oak's flock of sheep is tragically destroyed, and he is obliged to seek employment. Chance has it that in the search he spies a serious fire, hastens to aid in extinguishing it, and manages to obtain employment on the estate. Bathsheba inherits her uncle's farm, and it is she who employs Gabriel as a shepherd. She intends to manage the farm by herself. Her farmhands have reservations about the abilities of this woman, whom they think is a bit vain and capricious.That very night, Bathsheba meets a handsome soldier, Sergeant Troy. Unbeknownst to Bathsheba, he has recently impregnated a local girl, Fanny Robin, and almost married her. Troy falls in love with Bathsheba, enraging Boldwood. Bathsheba travels to Bath to warn Troy of Boldwood's anger, and while she is there, Troy convinces her to marry him. Gabriel has remained her friend throughout and does not approve of the marriage.A few weeks after his marriage to Bathsheba, Troy sees Fanny, poor and sick; she later dies giving birth to her child. Bathsheba discovers that Troy is the father. Grief-stricken at Fanny's death and riddled with shame, Troy runs away and is thought to have drowned.Indeed, it is caprice that prompts her to send an anonymous valentine to a neighboring landowner, Mr. Boldwood, a middle-aged bachelor. His curiosity and, subsequently, his emotions are seriously aroused, and he becomes Bathsheba's second suitor. She rejects him, too, but he vows to pursue her until she consents to marry him.The vicissitudes of country life and the emergencies of farming, coupled with Bathsheba's temperament, cause Gabriel to be alternately fired and rehired. He has made himself indispensable. He does his work, gives advice when asked, and usually withholds it when not consulted.But it is her third suitor, Sergeant Francis Troy, who, with his flattery, insouciance, and scarlet uniform, finally captures the interest of Bathsheba. Troy, who does not believe in promises, and laments with some truth that "women will be the death of me," has wronged a young serving maid. After a misunderstanding about the time and place where they were to be married, he left her. This fickle soldier marries Bathsheba and becomes an arrogant landlord. Months later, Fanny, his abandoned victim, dies in childbirth. Troy is stunned — and so is Bathsheba, when she learns the truth. She feels indirectly responsible for the tragedy and knows that her marriage is over. Bathsheba is remorseful but somewhat relieved when Troy disappears. His clothes are found on the shore of a bay where there is a strong current. People accept the circumstantial evidence ofhis death, but Bathsheba knows intuitively that he is alive. Troy does return, over a year later, just as Boldwood, almost mad, is trying to exact Bathsheba's promise that she will marry him six years hence, when the law can declare her legally widowed. Troy interrupts the Christmas party that Boldwood is giving. The infuriated Boldwood shoots him. Troy is buried beside Fanny, his wronged love. Because of his insanity, Boldwood's sentence is eventually commuted to internment at Her Majesty's pleasure.With Troy supposedly dead, Boldwood becomes more and more emphatic about Bathsheba marrying him. Troy sees Bathsheba at a fair and decides to return to her. Boldwood holds a Christmas, to which he invites Bathsheba and again proposes marriage; just after she has agreed, Troy arrives to claim her. Bathsheba screams, and Boldwood shoots Troy dead. He is sentenced to life in prison. A few months later, Bathsheba marries Gabriel, now a prosperous bailiff.Gabriel, who has served Bathsheba patiently and loyally all this time, marries her at the story's conclusion. The augury is that, having lived through tragedy together, the pair will now find happiness.AnalysisCh. 1: Description of Farmer Oak—An IncidentThis chapter introduces a major character, twenty-eight-year-old Gabriel Oak, a bachelor with smile lines “extending upon his countenance like the rays in a rudimentary sketch of the rising sun.” On work days Oak is a man of “sound judgment” and “good character,” while Sundays find him “a man of musty views.” He’s tall and modest, generally dressed in old work clothing and possessed of an old, inaccurate silver watch. The time is December, the place the village of Norcombe, in Hardy’s fictional Wessex, the “partly-real, partly dream-county” setting, as he described it, of most of his novels. Walking along the fields, Oak sees a painted wagon carting goods. The wagoner walks beside it, while perched on top sits a lovely young woman. When the wagoner discovers that the tailboard has fallen off, he must walk back for it. Unseen, Oak observes the young woman as she unpacks a mirror and admires her reflecti on till she hears the wagoner’s step and hastily hides the mirror. Oak meets the wagon at a toll gate where he pays the extra two pence for the heavily-laden cart to proceed. The woman does not thank him as the wagon proceeds. Oak thinks, as he watches the wagon leave, of the young woman’s vanity.AnalysisThe two characters at the center of the novel meet for the first time in the opening chapter. Gabriel Oak, the phlegmatic farmer, is presented positively as thoughtful and capable, while the as yet unnamed young woman comes across as vain and spoiled. The “Incident” of the chapter’s title seems slight, yet it sets in action a relationship that will develop throughout the novel.Ch. 4: Gabriel’s Resolve—The Visit—The MistakeGabriel Oak is in love w ith the young woman, to his surprise and alarm: “His dog waited for his meals in a way so like that in which Oak waited for the girl’s presence that the farmer was quite struck with the resemblance, felt it lowering, and would not look at the dog.” Through inquiries he finally learns her name—Bathsheba Everdeen. Oak loves simply to say her name and decides that he must marry her. One January morning finds cause to go to Bathsheba’s aunt’s home, where shehas been staying. Oak dresses up a little, slicks bac k his hair, and takes a lamb as a gift. She “might like to rear it,” he tells Mrs. Hurst; “girls do.” Then he asks the aunt if she thinks Bathsheba would marry him. Mrs. Hurst exaggerates, saying that her niece has “a dozen young men” courting her, so Oak starts home, disappointed. However, Bathsheba has overheard the conversation and runs after him to assure him that she has no suitors. Oak thinks that she is accepting his proposal and is startled to hear her object, “I hate to be thought men’s property in that way.” Oak protests that he can make her happy, but she will not have him. No gift or financial security is worth having a husband around all the time, and besides, she yawns, she is not in love with Oak. For his part, he declares his love in such str ong terms, saying that he will “love you, and long for you, and keep wanting you till I die,” that she is distressed and wants to escape the conversation. She lists her disqualifications to be his wife: She has not enough money and too much education. Though it pains him to do so, he agrees not to press her again.AnalysisReaders learn that both Oak and Bathsheba are strong-minded. He, once he decides to marry her, wastes no time in proposing. She, when she hears his plans, states her opposition clearly and forcefully. The basis of their relationship is thus fixed in these cross purposes. Moreover, readers learn that Bathsheba is unusual for her time in her desire not to be a man’s property but rather to maintain her independence. Love matters more to her than financial security; she seems a romantic on this matter, much as Oak is a romantic in his attachment to the natural world.13英语6班陈锷。
【微书评】《远离尘嚣》(Far from the Madding Crowd)
【微书评】《远离尘嚣》（Far from the Madding Crowd）发表于：2014-03-27【推荐理由】《远离尘嚣》（Far from the Madding Crowd）是英格兰伟大的小说家哈代的代表作。
书中的主人公加布里埃尔经营着一个小农场，他对前来帮工的巴思喜巴小姐一见倾心，向她求婚却遭拒绝。
一场突如其来的变故致使他倾家荡产，流落他乡。
当他来到威瑟伯农场，他惊喜地发现农场主就是他朝思暮想的巴思喜巴小姐，不过这次他却成了巴思喜巴小姐的仆人。
巴思喜巴的女佣范妮和中士特罗伊相恋，并定下婚约。
范妮走错了教堂，特罗伊拒绝举行第二次婚礼。
邻居博尔德伍德疯狂地爱着巴思喜巴小姐，而巴思喜巴小姐却醉心于特罗伊，并在不明真相的情况下和他闪电般地结了婚。
加布里埃尔和巴思喜巴小姐的关系若即若离。
博尔德伍德在冲动中杀死了特罗伊，自己也被送进了法院。
在巴思喜巴小姐的三个追求者中，只剩下加布里埃尔一个。
历经生活磨难的巴思喜巴小姐终于嫁给了对她忠心耿耿的加布里埃尔。
"美丽、高傲的芭思希芭来到威瑟伯里继承她叔叔的农场。
忠诚能干的奧克对她一见钟情，但遭到了拒绝。
家境殷实的农场主波德伍德因为一次误会不断地向芭思希芭求爱。
而芭思希芭却与英俊的中上特洛伊结了婚。
然而，浪漫的爱情到结婚后便告终结。
几番风波之后，波德伍德开枪打死了特洛伊，自己则向警方自首。
失去了丈夫的芭思希芭同时又面临着失去农场的可能。
这时奥克来到她的身边，给故事一个皆大欢喜的结局。
作者托马斯·哈代，英国诗人、小说家。
他是横跨两个世纪的作家，早期和中期的创作以小说为主，继承和发扬了维多利亚时代的文学传统；晚年以其出色的诗歌开拓了英国20世纪的文学。
英语口语培训/。
英汉翻译实务第四单元 小 说翻译(二)
二. 小说的分类
按篇幅———微型小说 (mini-novel)、短篇小说 (short story)、中篇小说 (novella)和长篇小说 (novel). 按题材———武侠小说、推理小说、历史小说、 言情小说、科幻小说、探险小说、恐怖小说、军 事小说、武侠小说等。 按流派———古典主义小说、现实主义小说、浪 漫主义小说、表现主义小说、存在主义小说、意 识流小说、黑色幽默、新小说派、魔幻现实主义 等。 按体制———章回体小说、日记体小说、书信体 小说、自传体小说。 按语言形式———文言小说、白话小说。
5. 主题(theme) 定义：主题是读者或者批评家根据小说的人 物、环境、情节、叙事手法等因素，概括出 来的思想感情、道德价值判断、时代风貌等 具有抽象化和普遍化特点的陈述。 主题既受时代语境的影响，也受作家个体生 活阅历的制约。如，查尔斯· 狄更斯出生贫寒， 童年贫苦。苦难童年是狄更斯的小说主题。 托马斯· 哈代受达尔文思想的影响，有着悲观 的宿命论思想，他的小说弥漫着悲剧性的主 题。
2. 生动性 例1：Emma Woodhouse, handsome, clever and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. （Emma by Flaubert ) 【译文】爱玛· 伍德豪斯简直是一个得天独厚的人， 又美丽，又聪明，又有钱，不但在家里生活舒适， 而且性格开朗。她快满二十一岁了，一直过着无忧 无虑的生活。（张经浩译）
评论和分析《远离尘嚣》中芭思希芭的性格
A brief analysis of Bathsheba in Far from the Madding CrowdAbstract:Tomas hardy is recognized as one of the most representative writer of realism in English literature in 19th century.In his major novels,the writer tried to reveal the plight of rural women during the period of transition and the destructive situation where human nature suffered in the brutal environment.Hardy paid special attention to the female’s plight,and showed much sympathy for them.His first famous novel Far from the madding Crowd presents the living conditions of the Victorian women fully and centrally.This thesis focuses on the female character in this novel and presents Hardy’s depiction of a Victorian woman---Bathsheba who surpasses the tradition under Patriarchy.She has extraordinary personality and abundant emotions,and shows the distinctive female-consciousness in pursuing independence and freedom.Thus,the purpose of this thesis is to show Bathsheba’s resistance to patriarchy ends up with her surrender to it,then point out that this is a female tragedy and finally analyze its sources.Key word:Bathsheba；environment and personality；feminism；patriarchy评论和分析《远离尘嚣》中芭思希芭的性格摘要：托马斯·哈代是19世纪英国文坛被公认的最具代表性的现实主义作家之一。
wessex novels英文解释
wessex novels英文解释Wessex Novels refers to a collection of novels written by the renowned British author Thomas Hardy. These novels are set in the fictional region of Wessex, which isinspired by the real-life counties of Dorset, Somerset, and Devon in southwestern England.Hardy's Wessex Novels gained popularity in the late19th and early 20th centuries for their realistic portrayal of rural life and the social issues of Victorian England. The novels often revolve around ordinary people and their struggles against societal conventions, fate, and the changing landscape of rural England.One of Hardy's most notable Wessex Novels is 'Tess of the d'Urbervilles,' published in 1891. The novel follows the tragic story of Tess, a young woman from a humble background who becomes entangled in a web of social injustice, betrayal, and personal tragedy. 'Far from the Madding Crowd,' published in 1874, is another well-known Wessex Novel that explores themes of love, passion, and the consequences of one's choices.Hardy's Wessex Novels are often praised for their vivid descriptions of the countryside and the people who inhabitit. The author skillfully brings the landscapes of Wessex to life, making them an integral part of the narratives. The novels also provide insights into the social and economic changes taking place in rural England during the Victorian era.While the Wessex Novels gained popularity during their time, they also faced initial criticism due to their portrayal of sexuality and controversial themes. Hardy's candid approach to depicting the lives of his characters, as well as his exploration of unconventional relationships, challenged the moral standards of the time.In summary, the term 'Wessex Novels' refers to a collection of novels written by Thomas Hardy that are set in the fictional region of Wessex. These novels provide a realistic portrayal of rural life in Victorian England, delving into social issues, personal struggles, and the changing landscape of the countryside. Hardy's Wessex Novels gained both praise and criticism for their candid approach to controversial themes and their vivid descriptions of the characters and landscapes.。
全版被搬到屏幕的小说译名是否还在.doc
被搬到屏幕的小说译名是否还在当小说被改编成电影，它们的译名抑或沿用，抑或多了艺名。
接下来，我给大家准备了,欢迎大家参考与借鉴。
1. Far From the Madding Crowd《远离尘嚣》它是哈代Thomas Hardy发表于1874年的长篇小说，是一个发生于英格兰农村的爱情故事，译名《远离尘嚣》颇具书香气息。
后来的电影版大都沿用这个直译的名字，但也有“艺名”如《疯狂佳人》和《远离尘嚣：珍爱相随》，虽然突出了女主人公或是美好的爱情，但总有一种落入俗套之感。
2. The Sun Also Rises《太阳照样升起》它是美国"迷惘的一代"Lost Generation代表作家海明威ErnestMillerHemingway早期的长篇小说。
小说背景设于20世纪20年代的巴黎，讲述了战后的爱情。
小说的译名《太阳照样升起》也是1957版电影普遍流传的译名，虽是直译，但很合适。
电影版还有另一个有意思的“艺名”《妾似朝阳又照君》。
这个名字倒是很配宣传海报，有几分古意，读起来也朗朗上口，“君君妾妾”也是博取了观众眼球。
但是从整个意境来讲，似乎牛头不对马嘴，因为描述的是自由新女性和，而太阳升起之前的迷惘与厌战的情绪也不曾提及。
3. A Farewell to Arms《永别了，武器》它是海明威1929年的长篇小说, 讲述了一战时期救护志愿者与护士的爱情故事。
小说译名为《永别了，武器》，1957版电影改名为《战地春梦》。
小说译名注重战争的主题，电影则战争与爱情兼顾。
这样的区别源于对“arm”这个多义词的翻译，它既有“武器”的意思，指代战争，又有“手臂”的意思，寓意拥抱与爱。
而影片的海报上主人公相拥，很是契合爱情这一层面的含义。
再者，如果说“永别了，武器”或可能有一个美好的结局，“春梦”一词则暗示了破灭的必然。
4. For Whom the Bell Tolls《丧钟为谁而鸣》是海明威1940年的小说，背景是1937年的西班牙内战，主题是战争与爱情，最终美国青年为西班牙人民英勇献出生命。
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Far from the Madding Crowd
Far from the Madding Crowd tells us a story that happened in a village of Britain. The young farmer, Oak, had fallen in love with a girl named Bathsheba Everdene. Bathsheba was beautiful, but too proud, so she didn’t accept O ak. The girl’s uncle was also a farmer, and she succeeded him after his death, so Bathsheba became very rich. At the same time, Oak lost everything in one night, and Bathsheba became his employer, he worked for her as a shepherd. As he thought that he had chance to be close to Bathsheba, another farmer from a rich family, Boldwood, had came into Bathsheba’s life and he begged her to accept his love and marry him. But Bathsheba gave her love to a Sergeant Troy, and soon they got married. However, Troy had a lover named Fanny Robin, and this caused a series of unhappiness. Troy left their home after Fanny’s death, and Bathsheba lived a painful life since then. Then there was some bad news, people said that Troy had been killed at sea. Boldwood asked her to marry him again, and Bathsheba agreed to marry him if there was no any news about Troy six years later. Troy appeared surprisingly at the party, which Boldwood wanted to ask for Bathsheba’s hand in marriage. Boldwood shot Troy with a gun because of fury, and then he gave himself up to the police. He was judged to be mad, and sent to the prison for life. Finally, Bathsheba became Oak’s wife. And they faced the hard tests of life together.
Village, is a place that far from the madding crowd, and it is not complicated. However, not every person there has a pure heart. There are all kinds of people. The young sergeant Troy, with his good looks, he deceived girls time after time. He was good at mouthing beautiful words. Even the proud girl, Bathsheba, was seduced by him. It cannot be denied that Bathsheba was as naive and chaste as a child. But at the same time, she was vainglorious. Her isolation from reality made her life road be full of bumpy. And Boldwood’s love for her was pure, without any distracting thoughts. He was a great person, he just wanted her to live in happiness. His love was very great, but he lost his
mind, it’s reckless of him to kill Troy. And Bathsheba’s ignorance was the principal cause of Boldwood’s tragedy.
Oak, in my eyes, was a man with a gentle heart, and he was determined. Though he became very poor in the disaster, he worked hard, and he loved her as always. He had a tolerant heart, he stayed with her in her most disappointed. Though he was not so rich as Boldwood, and not as handsome as Troy, he had his own good qualities, and they empowered him to overcome all the difficulties and live with Bathsheba. Their love grows from fight in the hard tests of life, and this kind of feeling is the only love which is strong as death.
Being the master of ourselves, we should know ourselves well, without pretending and without being vain. We should be a primeval person. In my opinion, the happiest life is the simplest life.。