RISE 登峰造极境 英雄联盟2018世界赛主题曲 原调 ( Riot Games )吉他谱
lol中文台词歌曲
lol中文台词歌曲篇一：英雄联盟全英雄台词及音效本文为大家提供了英雄联盟全英雄台词及每位英雄的音效下载地址，并且还有一血到五杀、超神台词及音效下载地址，希望各位玩英雄联盟的朋友喜欢。
（英雄按照英雄名称首字母顺序排列）一血到五杀台词及音效下载：/s/lol/music.html九尾妖狐——阿狸台词及音效下载：牛头酋长——阿里斯塔台词及音效下载：/html/20120910/12372.html殇之木乃伊——阿木木台词及音效下载：/html/20120911/12392.html冰晶凤凰——艾尼维亚台词及音效下载：/html/20120911/12408.html刀锋意志——艾瑞莉娅台词及音效下载：/html/20120911/12416.html寒冰射手——艾希台词及音效下载：/html/20120911/12421.html篇二：英雄联盟英雄台词(中英文)(非完全版)You wanna play too? It'll be fun!你也要来玩儿么？很好玩的哟！Take that!尝尝这个！You wanna play too? It'll be fun! 你也要来玩儿么？很好玩的哟！Don't make me hurt you! 再烦我就打你哟！You smell like... Burning! 你闻起来像??烧焦了一样！This way! 这边儿Try to keep up! 别掉队吖！Have you seen my bear Tibbers? 那个??你看见过我的小熊吗？Beaten by a little girl! 你们好犀利，败给小萝莉，羞羞脸The cycle of life and death continues. We will live, they will die.生与死，轮回不止。
我们生，而他们死。
Anthropomancy. Divination by entrails. 死亡祭祀就要开始。
魔兽争霸歌曲歌词
1.魔兽争霸种族歌曲系列之——人类联盟（Humans）古老的暴风城堡见证着破碎和沧桑无情的战火洗礼散褪去了和平时代的璀璨和辉煌埃维爵士破碎的战枪打磨出不灭的信仰引领联盟抵御外族入侵终止残暴杀戮的最后争抗迷失在沉落的大地洛单伦最后的奇迹将无穷神奇梦幻放入心中那最后的点滴永远铭记双手合十的牧师默读远离硝烟祈祷文经四壁光芒穿过虚无空气连接着不对称的十字形挥舞起手中的剑鲜血模糊了双眼呼啸过飓风闪电守卫着故土眷恋击溃邪恶与谎言辉煌与和平重现坚定着意志上前支撑起永恒信念吟诵凯旋的诗篇拨动赞美的琴弦神圣的荣誉加冕和平到岁岁年年追随着代改朝迁映射出历史侧面祝福庇护到永远传唱着一遍一遍借助卡嘉长萧无上法力将封尘的往事静静回忆那曾经残酷而壮烈的神圣战役失控的高贵灵魂扭曲的宣泄着残暴杀戮的张狂死亡的战斧划开血雨腥风历史的沧桑战争践踏着和平安详庇佑的神圣勋章嗜血的震荡撕裂开邪恶图腾旗下沸腾的战场元素精神力量耗尽坐骑悲叹的凄厉孤军奋战到圣盾破碎血染残阳摆脱心智迷茫唤醒生命信仰抹鲜血谱写一曲战歌荡气回肠天神下凡的曙光燃起灵魂的争抗雷霆一击与风暴之锤迎风而翔，断刃与鲜血洒满了千百年前贫瘠土壤，烈焰突击泪中的暴风雪呼啸而扫过空旷专著的圣光祈祷复活理想静候着落雨抚平洗褪一处处不堪的伤(Esports Human Alliance)点燃起心灵深处沉睡的汹涌火光放逐开堕落族人迷失的灵魂影像涅磐重生展翅于沐圣光后的翱翔振奋与凝重告别一切悲凉与哀伤……2.魔兽争霸种族系列歌曲之——不死亡灵（UnDead）I hate peopleMy patience has endedwhere shall my blood be spilled哀伤之霜冰雪刃，缠绕封冻之巅突破理性极限，写下堕落的誓言抛开荒诞的使命，踏上无悔执着，找寻着遥远指引的魂移梦牵撕毁虚伪的丑恶嘴脸，死亡之约侧显力量坚毅最真实一面死亡的信仰与忠贞告别哀泣悲鸣的眷恋来自地狱深渊亡灵的歌唱诉说起不灭的永恒执念与理想寒风吹带走彷徨冻结残留破碎信仰生命祈祷祝福无奈黯然惆怅怅怅唱响离别的篇章拔起魔剑陌生而熟悉的脸曾经的荣耀的辉煌穿透昨日胸膛诅咒中闪烁泪光倾诉霜之哀伤冻结孤独绽放的凋零燃冷漠缠绕的霜冰阴霾夜幕恐惧降临蔓延堕落蚀侵告别过去与宿命契约之声默默倾听享用灵魂片刻钟宁静感受冰封召唤的引领寻内心深处的声音夕阳逆洒作别曾经寒风唤回梦醒寂寞爬满到双鬓握剑合十苍凉身影一曲豪迈忠贞于亡灵孤独飘舞的披风，蕴含多少沉重前进步伐之中，无法磨灭的伤痛告别史诗的歌颂，冲破命运牢笼，追寻着梦想彼岸的王座冰峰挥血祭下的黑暗遵从，暗潮深渊汹涌，将前世人生彻底抹冻霜之哀伤的悲鸣唤醒短暂而纯粹的夜空…………时空转换……奇幻与现实的交替相织3.魔兽争霸种族系列歌曲之——暗夜精灵（Night Elf）古老的文明起源于艾泽拉斯无上法力黑暗丛林唯不停探索暗夜精灵足迹漫天箭雨!无情穿射过最后的致命一击则以静制动流露无情冷酷沉默的美丽!manaburn 焚化沸腾起自残的法力!献祭燃圆月弯刀指引恶魔复辟冰冷的面具!刀阵剑翼散落在世界的边际转瞬之间!暗影突袭的视野只看到飞舞的风衣斩一处不结创的伤揭开竞技的篇章灵魂碰撞的瞬间迸发出无限的辉煌光标闪烁飞舞在魔兽争霸三的战场捍卫着暗夜精灵无上荣光NE 当月亮升起，当暗夜降临，大地在沉寂，野性的潜力，森林的觉醒，战乱的世界，回复到昔日的宁静NE 当月亮升起，当暗夜降临，大地在沉寂，她无限美丽，她充满神秘，她带来生命和自然那永恒的不熄追随着晚霞领略什么是上古世纪月夜笼罩下欣赏着来自美丽的飘逸野性咆哮的怒吼激发生命无穷潜力对邪恶自然飓风呼啸而起到沉睡之神苏醒沐宁静之雨而接受自然洗礼她遥望着流星飞翔在齐美拉的翅翼当自然再度的回复平寂，梦幻的神话奇迹感受暗夜精灵无限魅力！暗夜的精灵梦中露出了笑容带走了我的忧愁黑色的月光洒满大地和天空寂寞有几个人懂？魔兽世界种族歌曲之部落——Power Of The Horde (部落的力量) blueI am the son of the Wind and Rain,我是狂风与暴雨之子Thunder beckons and I heed the call,响应着雷电的召唤If I die upon this day,如果我在今天死去in battle I will fall...我将战死于沙场Hear me Brothers, gather up the wolves to battle we will ride.听着，兄弟们，将狼集合，我们将骑着它们拼杀于战场！War drums black-out the beating heart, howling from inside.战鼓掩盖了心跳声，从心底发出的呐喊Storm, Black clouds fill the sky风暴！黑云铺满天际Earth, hear my battlecry大地！听着我的战吼Fire, and Thunder will bring forth火焰！与雷带来力量Death, from the power of the Horde...死亡！以部落的力量！Farseer to the Warsong Clan 战歌部落的先知们to no matter we like hero 我们敬爱英雄Feel the power and the energy,感受这力与能量born of black blood honouring still与生俱来的力量之血依旧荣耀！Feel the Fire burning in my veins,我感受着血管中淌过的火焰the lightning strikes at my command闪电电奉我的命令攻击Storm and Earth, Axe and Fire,风暴与大地，战斧与火焰we come to claim this land 我们前来征服这土地Storm, Black clouds fill the sky风暴！黑云铺满天际Earth, hear my battlecry大地！听着我的战吼Fire, and Thunder will bring forth火焰！与雷带来力量Death, from the power of the Horde...死亡！以部落的力量！(Guitar Solo)（吉他独奏）Surrounded by the enemy,我被敌人包围the wolf among the hounds狼与猎犬混战Thunder turns to silence, sek-ta雷电突然寂静，希克-塔！（兽人语：进攻）the hundred to bring me down.成百上千的敌人企图将我击倒Wolf Brothers falling at my side,狼兄弟倒在我的身边with honour I will die带着荣耀，我将死去Upon the Altar of the Storms,在那风暴祭坛之上I will be reborn我将重生！Storm, Black clouds fill the sky风暴！黑云铺满天际Earth, hear my battlecry大地！听着我的战吼Fire, and Thunder will bring forth火焰！与雷带来力量Death, for I have been reborn...死亡！因为我已重生！！STORM!!风暴啊！！EARTH!!大地啊！！FIRE!!火焰啊！！DEATH!!死亡啊！！The Power of the Horde.....这是部落的力量！。
顾德电子 Party600灯光控制台 说明书
使用说明书
Ver. 1.026
顾 德 电 子 有 限 公 司
CODE ELECTRONIC CO., LTD.
目 录
1. 欢迎使用 Party 600.............................................................................................................................................................. 1 1.1. 设置 Party 600 .........................................................................................................................................................1 1.2. Party 600 面板装置 .................................................................................................................................................1 1.2.1. 1.2.2. 1.2.3. 1.2.4. 1.2.5. 1.2.6. 1.2.7. 1.2.8. 1.2.9. 通道推杆区 Channels ................................................................................................................................2 灯光设备单元区 Unit ................................................................................................................................2 预置区 Preset .............................................................................................................................................3 表演程序区 Playback ................................................................................................................................3 总控区 Master............................................................................................................................................3 功能键区 Function.....................................................................................................................................4 显示屏........................................................................................................................................................4 控制轮........................................................................................................................................................4 菜单键........................................................................................................................................................4
三星 YH-820播放器 说明书
AH68-01662KI.........................................................................................................................................................4 ..............................................................................................................................................6 ................................................................................................................................................................7 .......................................................................................................................................................................8 .............................................................................................................................................................10 .................................................................................................................................................................10 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......................................................................................................................................................56 .............................................................................................................................................................57I...............................................................................................................................................12 USB ......................................................................................................................................16 USB ...................................................................................................................................................18 ...............................................................................................................................................19 ......................................................................................................................................................20 Music Studio................................................................................................................................................21 ● .......................................................................................................................................................21 ● .......................................................................................................................................................22 ● ................................................................................................................................................23 ● ................................................................................................................................................24 Music Studio .................................................................................................................................25 Multimedia Studio........................................................................................................................................26 Multimedia Studio........................................................................................................................................28 Multimedia Studio .........................................................................................................................35 LyricsStation...............................................................................................................................................36 Lyrics Station...............................................................................................................................................38IEQ SRS ......................................................................................................................................................58 .................................................................................................................................................59 .............................................................................................................................................................60 ......................................................................................................................................................60 .............................................................................................................................................................61 .........................................................................................................................................................62 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Pentium 200MHz ● 50MB ● CD-ROM( ) (2.0)I1CD-ROM [Install Samsung Music Studio]2windows●USB● DirectX 8.0.✍Windows 2000 XP (Music/Multimedia Studio)...213I USBUSBUSBUSB USB3 4 5 6USB USB ●USBWindows 2000/XP: 1) 2) ➝ ➝ ➝ → Samsung YH-820 USB Device ➝ →USB➝ ➝ → → YH-820 Mass Storage DeviceUSB YH-820 USB Device"[]➝"Samsung7DI GI TA L AU DI O PL AY ER YH -82 0USBMENUSELERECCTUSB415USBUSB USB ( 29 )USBIUSB● Windows 2000/XP ( ➝ ➝ ): ➝1 2 34 5(Digital Audio Player)✍USB Windows 2000 . USB Windows USB617USB● ● Music Studio Multimedia Studio1 2USB1 2→→[YH-820 Samsung Music Studio]FAT32✍,819:●--12●●Music StudioN12●--(ID3 Tag)- Music StudioMusic Studio12✍Music StudioN12"[OK]●●- -Music Studio●→Music Studio12CD-ROM 3CD●MP3C [My Music]-Music Studio] ] [-Music Studio12PC ●- Music Studio N NMusic StudioMusic Studio F1●Music Studio●-Service SM SM- CDDB Gracenote"Powered by Gracenote CDDB"GracenoteMusic Recognition Service MRS Gracenotewindows1CD-ROM[Install Multimedia Studio]● Multimedia Studio2I1Multimedia Studio● ●●,-●23Multimedia Studio4,1●Multimedia Studio●PPL●PPLPPL●5● 55● .● →●128 x 96.- -1●NN - ppl-1Multimedia Studio●2→●7●PPL →PPL● PPL●→ppl6PPLMultimedia Studio Multimedia StudioMultimedia Studio●3●4●●●- - -N N 12Lyrics Station Lyrics Station1CD CD-ROM[Install Lyrics Station1● ● ●2- LYRIC- VBRLyrics StationI Lyrics1[Lyrics Station ]●YH-8202Lyrics Station-yeppyeppLyrics StationNLyrics StationI LyricsLyrics Text Lyrics StationLyrics StationI1 21 23 3 4●✍-lrc041● ●: :√» √»HOLD CI●PLAY Now Playing : 1 of 10 Tim Soul Tree Surfin’s safari0:01:23●""I√» ● √»PLAY Now Playing : 1 of 10 Tim Soul Tree Surfin’s safari0:01:23PLAY Now Playing : 1 of 10 Tim Soul Tree Surfin’s safari0:01:23IA↔B● A↔.↔B PLAY Now Playing : 1 of 10 Poul No Album Brave heart Theme A✍√» SELECT SCROLL UP/SCROLL DOWNIA↔B●100:01:23IVOLUME UP 0 ~40 . DOWNA↔B✍A↔B243I●MENU● SCROLL UP/SCROLL DOWN SELECTI● ●FM55I● , ● : : : : : FM ● ● FM- VBR( -✍): MP3● ●VBR VBR✍MENU445SCROLL UP/SCROLL DOWNSELECT009 5tion-Sorry 027 Cami-You can it 073 U-groove 015.everything me Michel- Theme DOC-Class room Micky-Old time is My Heart Will Go OnIJason Micky Simson● ●:ID3 tag SCROLL UP/DOWNSELECT● ● ●: √»ID3 tagBlues Ballad Pop OtherBlues Hear My songsSCROLL UP/DOWN SELECT ● ● ● :Everyday I Dream Everyday I Dream Building Birdages Turning the Tide Waking Up Is Easy Leaming Again PerfectID3 tag √»SCROLL UP/DOWNSELECT● ● ●: √»ID3 tagSCROLL UP/DOWN. SELECT 476I(,●)SELECTI1 2, SELECTSCROLL UP/SCROLL DOWN1 2 3SCROLL UP/SCROLL DOWN SELECT SELECT●,SELECT●New Songs New Songs 037.Misi-Forever 009 Jini-Love Affair 027 Jack-Takin Care 009 Kelvin-Taylor● ●: : , ,I(●)SELECT SCROLL UP/SCROLL DOWN●:1 2SELECT●✍-●:849FMI ISCROLL UP/SCROLL DOWN SELECT●FMMENUFM1 2,SELECT✍√» SELECT√»FMMO●87.9 MHzVoice 0001 Voice 0002 Voice 0003 FM87.5 108.0TOTAL [05 CHs]I I(●FMMO), SELECT1 2● ●: :, ,87.5Searching... 88.9 MHz108.0TOTAL [00 CHs]SCROLL UP/SCROLL DOWN SELECT● ● ● : : :I● FMFMSELECT87.5FMMOAuto Preset 88.9 MHz108.0TOTAL [00 CHs]✍-051FMIFMSELECTFMIFM√» “PRESET”FMPRESETMO1 2 31 288.9 MHz, SELECT MENUMO MO,87.5108.0TOTAL [00 CHs]I108.0FM√» “PRESET”FMMOFMPRESETFM89.1 MHz87.5 108.0 87.589.1 MHzTOTAL [01 CHs]TOTAL [00 CHs]✍40 MENU1 2 3,87.5Preset.01108.0TOTAL [00 CHs]SELECT253FMMP3FM RECFM MP3 CDRecFM rec1 2✍●0001.mp300:11:17 44kHz : 128kbpsREC● ● ● MP3 0001.mp3, 0002.mp3......1Line-In outline inlineRec level 8LINE-IN MICHOLD,(REC LEVEL)1 2✍RECRecREC● ● ● MP3 0001.mp3, 0002.mp3......Voice rec0003.mp300:00:06 8kHz : 32kbps2 3✍REC● MP3REC● ● ● 0001.mp3, 0002.mp3...... 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发条月亮《游戏开始》歌词(专辑：2021中国好声音-第2期)
发条月亮《游戏开始》歌词所以拿起你的小宝剑砍向那些小怪物别怕我在你身后你先冲天幕坠落暗涌成河反正世界早已充满了险恶想抓住最后的光再点亮繁星夜空从悬崖长出的稻草幻化成希望的刀剑警报声响彻云霄时间也消耗殆尽所以拿起你的小宝剑砍向那些小怪物别怕我在你身后你先冲现在黑色城堡在塌陷带着公主逃离她的枷锁冲破屏障与危险牢笼攻伐掠夺诡计交错披星戴月也不过一场幻梦斩断所有的因果利刃出鞘分界河王国尽头的碑文幻化成枭雄的传说警报声响彻云霄时间也消耗殆尽所以拿起你的小宝剑砍向那些小怪物别怕我在你身后你先冲现在黑色城堡在塌陷带着公主逃离她的枷锁冲破屏障与危险牢笼Welcome to the Clockwork Moon Game Plaza欢迎进入发条月亮街机厅Please put a coin to start thegame请投币开始游戏Choose the difficulty of thegame选择关卡难度Now shall we begin现在让我们开始吧Will you take that what I want你能接受我想要的吗Can you try can you try你能挑战吗你能尝试吗Let me see you through all thefail让我看你跨过失败Chasing shadow追捕光影Can you try can you try你能挑战吗你能尝试吗Let me see you through all thefail让我看你跨过失败Chasing shadow追捕光影Can you try can you try你能挑战吗你能尝试吗Let me see you through all thefail让我看你跨过失败Chasing shadow追捕光影Can you try can you try你能挑战吗你能尝试吗Let me see you through all thefail让我看你跨过失败Chasing shadow追捕光影Can you try can you try你能挑战吗你能尝试吗Let me see you through all thefail让我看你跨过失败Chasing shadow追捕光影Can you try can you try你能挑战吗你能尝试吗Let me see you through all thefail让我看你跨过失败Chasing shadow追捕光影现在巨龙在头顶咆哮烈火照亮的前方巨大铁门紧锁的是希望所以拿起你的小宝剑砍向那些小怪物别怕我在你身后你先冲现在黑色城堡在塌陷快带着公主逃离她的枷锁冲破屏障与危险牢笼拿起你的小宝剑砍向那些小怪物别怕我在你身后冲破屏障与危险牢笼。
英雄联盟歌词
[ti:英雄联盟][ar:乱感觉][t_time:(05:40)][00:00.87] 英雄联盟- 乱感觉[00:14.41] 中文歌词库 [00:30.73] 拿起了枪我们向前一步走[00:33.37] 在下一个路口我让火舌怒吼[00:35.99] 你只顾着捂着鼓捣你的裤头[00:38.93] 我是法外狂徒边固守边复仇[00:41.09] 德玛西亚人在塔在[00:44.01] 敌人落入了剑刃的旋风中[00:46.72] 你还在挣扎在理想和现实中[00:49.18] 闪现吧少年[00:51.64] 我曾有个温柔的名字叫做稻草人[00:54.10] 闲来无事藏在草里跳个大秒人[00:56.69] 有时找个借口变暗影猎手[00:59.40] 先把你射在墙上然后再灭口[01:02.04] 幽梦之灵它代表了我的速度[01:04.55] 你最大的梦想就是能超越[01:06.07] 排位里我的记录[01:07.23] 杀了你对不起我只是经过[01:09.80] 本无意放引燃呵只是你太虚弱[01:12.41] 战场之中谁是英雄[01:17.57] 善与恶难分伯仲[01:22.77] 竞技之中谁是英雄[01:27.63] 为胜利誓死不休[01:33.30] 我超神了当然不会忘记队友[01:35.88] 帮我承受伤害来压制我的对手[01:38.45] 为了战术大局他放下个人荣誉[01:41.05] 在一次次战斗中提升个人能力[01:43.70] 是你在买眼他Gank而且[01:46.21] 小龙刷了就杀钱发的从不晚点[01:49.02] 要么上要么撤不犹豫[01:51.12] 看他风骚的走位从不得意[01:53.94] 一个优秀的Team一定有个提莫[01:56.79] 无论AP或AD我蘑菇插满敌区[01:59.41] 我瞄的很稳我射的很准[02:01.78] 伟大的寒冰让你很闷很疼很冷[02:04.65] 不祥之刃给你带来不治之症[02:06.81] 想要制胜先抗住狗头致命一棍[02:09.45] 我是金属大师我很大只[02:12.00] 别离我太近我杀完让你诈尸[02:14.65] 战场之中谁是英雄[02:20.04] 善与恶难分伯仲[02:30.20] 为胜利誓死不休[02:49.65] 坑爹的你又差点[02:51.44] 送人头又不插眼[02:52.41] 又不看小地图了[02:53.74] 队友已经点了又点[02:55.13] 你操作没有意识你杀敌没有气势[02:57.79] 挨骂就挂机你活活把人气死[03:00.12] 你像老鼠过街得会隐身[03:02.39] 得有剑圣的速度不会被近身[03:04.82] 加上雪人的打嗝和炼金的毒[03:07.74] 配上卡牌的大和一秒回城的符[03:10.48] 看36E 抚琴的琴女[03:12.94] 不用开大也尽情无限晕你[03:15.53] 你们来呀我都还没杀够[03:18.17] 如果怕死就去买中亚沙漏[03:20.88] 我是海盗这气势就像海啸[03:23.25] 哪里在打闹我就在哪里打炮[03:25.92] 一个蛮族之王的霸气外漏[03:28.47] 就是开大招的时候[03:31.37] 战场之中谁是英雄[03:36.23] 善与恶难分伯仲[03:41.66] 竞技之中谁是英雄[03:46.47] 为胜利誓死不休[03:52.31] 我是探险家我翘首远瞻[03:54.55] 低调回音一击不漏水显山[03:57.13] 别说我头大不大没大发明家大[04:00.19] 他用炮台轰来导弹连环炸[04:02.69] 一个不太容易死的法师叫堕落[04:04.93] 我的禁锢让你发现你的懦弱[04:07.71] 你看我那么大你怕了吧哈[04:10.53] 别叫我小强我叫虚空恐惧[04:12.95] 我的对手们都在狐疑[04:14.49] 思考的就像只狐狸[04:15.81] 可是我们的出现[04:16.79] 让他们全都没了注意[04:18.33] 你是奴隶想独立可没骨气[04:20.66] 我用路灯充武力来当武器[04:23.33] 你热了吧我来给你吹吹风[04:25.90] 冷了呢我用火人给你点天灯[04:28.81] 我说先生千万别和我交锋[04:31.02] 我的外号水晶先锋[04:34.00] 战场之中谁是英雄[04:38.81] 善与恶难分伯仲[04:49.14] 为胜利誓死不休[04:54.84] 现实之中谁是英雄[04:59.58] 经历多少伤与痛[05:05.22] 梦想之中谁是英雄[05:10.10] 你我联盟最光荣[05:15.74] 我有镇定的技巧[05:18.50] 我有果断的预判[05:20.72] 我有高超的意识[05:23.17] 我有澎湃的气势[05:26.12] 我有坚韧的意志[05:29.47] 结束了孩子们[05:31.42] 霸天绝地我如神助[05:33.91] 团队默契成就我超神路[05:38.58]。
玩英雄联盟听的好听的歌,打英雄联盟时听的歌曲
玩英雄联盟听的好听的歌,打英雄联盟时听的歌曲篇一:1_首适合旅行听的歌曲1_首适合旅行听的歌曲旅行时可以陪伴你的好听的歌1.一起去旅行-魏如萱我和春天商量去旅行,把夏天的热情一起带去,凉凉微风轻轻吹起,我和秋天骑单车旅行,把冬天的假期一起带去,大声唱歌大口呼吸.一年四季,每个时节的旅行有着不同滋味喝感受2.〝听,是谁在唱歌〞-刘若英好象呼吸一样那么自然不需要换算所以我们相遇在这季节绝不是偶然仿佛候鸟一样飞过大地穿越海洋原来所有情节仔细回想都是种呼唤3.一个人流浪--熊天平年少的时候,很憧憬做个流浪歌手,听着老狼的流浪歌手的情人,感觉是很炫的事情.现在的我还有时想去流浪,不是为了炫,而是想摆脱现实的争斗和无奈.4.旅途-汪峰很适合浪子流浪的一首歌,无牵无挂的潇洒,也许只有封闭内心,才不会受到伤害.人生是条路,我爱看风景.5.眼睛想旅行-黎明如果只是眼睛想旅行,那做好不过是上网,看各地的风景名胜.也许不能身临其境,但是足不出户就可以博览天下,也是种惬意.如果实在没有时间,那就让眼睛做个旅行吧!6.旅行-许巍许巍是年轻朋友比较喜爱的歌手,歌声具有感染力.谁画出这天地又画下我和你让我们的世界绚丽多彩谁让我们哭泣又给我们惊喜让我们就这样相爱相遇总是要说再见相聚又分离总是走在漫长的路上!7.旅程-羽泉打开心窗眺望一片海我们一起寻找梦中的未来 See you, when I see you again What have we looked for so many time 跋涉过最崎岖的山脉我们终将到达那梦想中的未来!（所以如果你要唱好这首歌的话,你的搭档一定要是你的好朋友!）8．奔跑-羽泉黄征随风奔跑自由是方向追逐雷和闪电的力量把浩瀚的海洋装进我胸膛即使再小的帆也能远航随风飞翔有梦作翅膀敢爱敢做勇敢闯一闯哪怕遇见再大的风险再大的浪也会有默契的目光!9. 乘客-王菲王菲轻灵的嗓音让人陷入遐想,也许坐在前进的列车上,更能听出一份心情.我们不过都是乘客,前往不同的地方,错过的人,那不是真爱,真爱会和你到达同样的地方._. 日光倾城-卡奇社从一个高的地方去远方,从低处回家稍纵即逝的快乐,转动的车轮它载着我,偶然遇见月光倾泻的苍白色彩色的路标.天空之下,我们轻得像羽毛,双眼是盲目的最佳玩伴,还是选择了不选择的旅途._．traveling light- hanson sara groves 一直很喜欢这首歌,强劲的节奏,很耐听的歌声,歌词也很激励人心.既然去旅行,就是去享受轻松快乐,何不把烦恼都放心,轻松上路,轻装前行!_.旅行的意义-陈绮贞你看过了许多美景你看过了许多美女你迷失在地图上每一道短暂的光阴你品尝了夜的的巴黎你踏过下雪的北京!_.环岛旅行-熊宝贝乐团星期天的下午陽光變得太有溫度我們賴在家裡找不到去處於是我們決定環島旅行去吧結果卻找不到地圖星期天的下午找不到地圖的下午最後和大富翁一起迷路環島旅行一周後我贏了好多虛擬的幸福!_.旅行的蜗牛-小果我想做一只旅行的蜗牛慢慢穿行在城市角落我想到看到听到知道属于我的只有泥土和青草;轻松的向前自由的转弯就会有个完美的句点习惯看云的孤单偶尔和清风做伴像只蜗牛一样慢慢走远走远! _．简单旅行-张丹锋清晨的细雨刚过去阳光好像我的心情穿上了外衣出门远行彩虹让蓝天更透明你穿上新的连衣裙镜中的自己很美丽打开收音机最爱的调频我们一起远行!_.自助旅行-蔡淳佳咖啡店的我人群里的我打着雨伞过马路的我每座摩天楼每一个岔路口沿着路标寻找着自由虽然一个人有点寂寞!_.清晨旅行-雷光夏无法相信多么重要你的友谊宽谅的心让我还有勇敢继续前进过去像是一幕电影相遇那天简单的默契说好就从清晨开始旅行!_．指纹在旅行-泳儿就算今天天空夹杂灰尘伸手去抱白云在你手心分享折翼天使的吻让你双手织出漂亮关燃亮一屋暗灯期望你相信手里异能能用两手去采宇宙尘!_信心旅行-林俊杰何耀珊收拾我所有的行李把沉默般希望反击和信心一起旅行这次要学习不逃避挥别我所有的恐惧勇敢的走下去!_单车恋人-后弦十七岁的单车和我圆舞周期很莫扎特脑海还隔着爱河追逐中的上坡下坡_单车岁月-水木年华穿上牛仔去游荡阳光打在脸上单车是我的翅膀看世界什么样多喜欢你在身旁看风吹的方向（看变换的时光）_.单车-陈奕迅想起这单车还有幸福可惜经已给我怎会看不到? 虽说演你角色实在有难度从来虚位以待何不给个拥抱?23.23.夏伤-sara以为时间漫步的脚步,怎么也带不走我们的承诺.一个女人的爱,始终在包容与忍让,SARA唱出了所有柔弱女子遭到背弃之后,爱在心中回旋的感受.〝落叶飘零的秋天/带不走的是夏伤/看不破的永远是真相/想要退后模糊了/牵强附会的伤/回忆旁白泪水的信仰〞.24.一个人旅行-源泉袁泉的每段Short Stay,总会用她细腻的触觉,挖掘出对城市的丰富感受,就像是和这个城市谈了一场短暂而深刻的恋爱.篇二:绝对经典好听中文歌曲推荐50首绝对经典好听中文歌曲推荐50首1 袁唯仁--坦白我最喜欢的歌曲唱的如此真实我是无法抗拒了2陈百强--一生何求很老的歌了但一样经典时间不能冲淡一切匆匆一生中究竟是求什么?3 陈冠蒲--太多不用多介绍了听过的朋友一定忘不了4 youme--knockin on heaven s door 虽说是翻唱的还算很好另外说一句我的野蛮师姐真的好感人5 迪克牛仔--爱盲老爹的歌不用多说经典经典一定要收藏6 黎明--排行榜轻快的节奏容易上口我们还在期待天王啊7卢冠廷--一生所爱看过大话西游的朋友都会记得吧很感人的歌虽说是喜剧但还是有些感人的8 fool s garden--lemon tree 好听无数的翻唱版唯有原版动听9 卓文萱--想家没听过的朋友可以去听听她的嗓音太棒了虽说是个小女孩_ 张学友--忘了哭歌神的新歌人老了但歌声还是那么干净希望他坚持唱到80岁 _ 郑伊健-心照伊面的新歌不要错过哦众口评论很好个人也感觉非常不错_ 郑伊健-爸爸的汽水个人较喜欢的另一首伊面的歌好几年前的歌听着很舒服 _ 永邦-死心塌地不可不听的经典歌曲我也是听完这首歌才认识他磁性的声音_ 古巨基-中箭很不错的我比较喜欢他的嗓音他唱的歌很有味道下面还有他的歌 _ 韩红－那片海大陆内我最喜欢的歌手算了不提人了但真的是实力歌手 _ 何炅-可不可以爱炅哥哥的歌虽说唱功还有不是很好但这首唱的很不错_ 黄义达-显微镜下的爱情燕姿的师弟长的也像燕姿很多女生都喜欢他 _ 酷客-一封信网络歌手唱的不错歌也好听_ 莫文蔚－两个女孩莫姐姐的我只听这首歌唱的有些悲_ 李宗盛－凡人歌好听谁让我是凡人呢呵呵_ 迪克牛仔-不忍老爹的柔歌可以听听感觉不错_ 胡彦斌-情不自禁喜欢快歌的朋友这首歌不容错过哦23 黎明-别添伤口新歌虽说是粤语的但很好听24 刘德华-当我遇上你华仔歌中我最喜欢的阿虎主题曲很是好听粤语25 刘仲仪-肺腑箴言歌唱的一般但这首歌词写的很好值得保留26 品冠－门没锁轻快的旋律很容易上口很好听27 容祖儿-独照祖儿偶很喜欢她的歌朋友们可以听听哦粤语28 邰正宵-烟蒂也算是首新歌吧静静的听这首歌很轻的旋律曾很长时间冲击我的耳朵 29 吴宗宪－我会想你宪哥很老的歌曲了唱给女友在好不过了呵呵听了你就会明白了 30 张敬轩－明了他的歌不用多介绍了吧断点大家一定听过了这首也算是重量级的 31 陈小春-痛哭很喜欢小春的嗓音绝对是百听不厌的好歌32 陈小春-扑火山鸡故事的插曲我很喜欢的粤语歌33 陈弈迅-一滴眼泪好听我就不用多说了听过的一定会赞同我34 michael learns to rock--you took my hart away 虽说很少听外国歌曲但他们歌的却是例外他们翻唱学友的吻别也很好听的35 michael learns to rock--that s why 没得说也是他们的经典之作肯定好听36 潘玮柏-tell me 玮柏唱的歌中本人很喜欢的一首歌37 周传雄-啤酒泡泡很悠闲的快歌心情不好时常听38信乐团-活该阿信的嗓子千万不能错过太棒了没得挑剔39 陈晓东-包容唱给男人的歌很是不错哦只是太老了女生也是可以听得 :）40 郑智化-未婚爸爸最老的歌别看不起残疾人呵呵开玩笑比较适合热恋中的男女我很喜欢希望大家也喜欢吧41 groove coverage-god is girl 一个丹麦的男女组合有许多好听歌不一一介绍了个人偏爱这首歌42 lmnt-heyjuliet 呵呵这么有名的广告曲肯定大家都听过了在说就没完没了了 43 nana - lonely 无数的歌友推荐过了不能算是我抄袭吧真是很好听的说44 动力火车-路人甲很不错的组合歌唱的也很好声调也很高极力推荐此歌45 古巨基 - 忘了时间的钟前面已经介绍过他了很是喜欢他的嗓音个人感觉这首歌是唱的最有味道的46 胡彦斌-包袱如此好听的歌从没有介绍过奇怪胡彦斌第一张专集的主打歌很好听 47许茹云阮丹青--永不结束的故事好像是我在初中时就很喜欢的歌曲了永不结束怎能结束最后还是结束48 许志安－烂泥志安最经典的歌曲唱的很感人很希望他和〝文〞能在一起可是?? 呵呵不好意思跑题了必须珍藏的经典曲目49 杨千嬅-我很好她的歌我感觉都很好听很难评论都拿上来又太多这首是我较喜欢的介绍给大家50 永邦-天堂绝对是实力歌手大家去听听吧我看在狗狗上的共享很少也是呼唤世界和平和环境问题的歌绝对是超重量级的篇三:5_首经典歌曲经典好听歌曲大全 1.萍聚(李翊君)2.甘心情愿(郭峰)3.大海(张雨生)4.隐形的翅膀(张韶涵)5.再回首(姜育恒)6.突然的自我(伍佰)7.千千阙歌(陈慧娴)8.梦里水乡(江珊)9.偏偏喜欢你(陈百强)_.天路(韩红)_.雨蝶(李翊君)_.我只在乎你(邓丽君)_.日不落(蔡依林)_.偏爱(张芸京) _.上海滩(叶丽仪) _.全是爱(凤凰传奇) _.相见恨晚(彭佳慧)_.爱情错觉(王娅)_.单身情歌(林志炫)_.梦醒时分(陈淑桦)_.女人花(梅艳芳) _.青花瓷(周杰伦)23.Trouble Is a Fr 24.有没有人告诉你(陈楚生)25.火花(高耀太) 26.独角戏(许茹芸)27.路边的野花不要采 28.风中有朵雨做的云 29.感恩的心(欧阳菲菲) 30.丁香花(唐磊) 31.想起(韩雪) 32.兔子舞(精选DJ舞) 33.亲爱的你怎么不在我身 34.花好月圆夜(任贤齐) 35.披着羊皮的狼(刀郎) 36.十五的月亮(董文华) 37.寂寞沙洲冷(周传雄) 38.burning 39.小酒窝(林俊杰) 40.容易受伤的女人(王菲) 41.昨日重现 42.来生缘(刘德华) 43.酒干倘卖无(苏芮) 44.放生(范逸臣) 45.星星(Vitas) 46.世上只有妈妈好47.一生爱你千百回(梅艳芳) 48.because of you 49.黄土高坡(李娜) 50.nothing in the 51.Floorfiller 52.可惜不是你(梁静茹) 53.路灯下的小姑娘(杨坤) 54.外婆的澎湖湾(儿童歌曲) 55.Gee(少女时代)56.我的未来不是梦(张雨生)57.那个男人的谎言58.老人与海(海鸣威59.吻别(张学友)60.一生有你(水木年华)61.即使知道要见面62.涛声依旧(毛宁) 63.光辉岁月(Beyond)64.童话(光良) 65.小螺号(程琳) 66.玫瑰花的葬礼(许嵩 ) 67.爱江山更爱美人李丽 68.知心爱人(付笛声任)69.朋友别哭(吕方)70.痴心绝对(李圣杰) 71.沧海一声笑(任贤齐) 72. 舞女泪(韩宝仪) 73.挪威的森林(伍佰) 74.鲁冰花(甄妮)75.寂寞在唱歌(阿桑)76.Apologize77.两个人(蔡妍78.背对背拥抱(林俊杰)79.风中的承诺(李翊君)80.你的承诺（旧版本）81.当你孤单你会想起谁 82.认真的雪(薛之谦) 83.just one last d 84.cry on my shoul 85.Tell Me Who You 86.盛夏的果实(莫文蔚) 87.你若成风(许嵩) 88.潇洒走一回(叶倩文) 89.童年(罗大佑) 90.北国之春(口哨王) 91.让我们荡起双浆 92.舍不得(弦子) 93.蓝精灵(儿童歌曲) 94.浪人情歌(伍佰) 95.广岛之恋(莫文蔚) 96.爱拼才会赢 (闽) 97.Honey(少女时代) 98.红颜(胡彦斌) 99.再见(张震岳) 1_.走过咖啡屋(千百惠) 1_.Better In Time 1_.Far Away From H 1_.其实不想走(周华健) 1_.棉花糖(至上励合) 1_.valder fields 1_.娃哈哈(儿童歌曲) 1_.菊花台(周杰伦)1_.我一直站在被你伤害的1_.万里长城永不倒 1_.相思风雨中(张学友) _1.樱花草(Sweety) _2.贝多芬的悲伤(萧风)_3.爱要怎么说出口(赵传) _4.真的好想你(周冰倩) _5.千里之外(周杰伦) _6.甜蜜蜜(邓丽君) _7.黄昏(周传雄) _8.因为是女子(Kiss)_9.九百九十九朵玫瑰_0.北极星的眼泪全选随机选择选择歌曲后点击这里播放清空选定经典老歌_1.粉红色的回忆(韩宝仪) _2.心湖雨又风(新白娘子传) _3.i saw you walki_4.一直很安静(阿桑)_5.泥娃娃(儿童歌曲)_6.懂你(满文军)_7.没有情人的情人节_8.昨夜星辰(龙飘飘)_9.今天你要嫁给我(陶喆) _0.断点(张敬轩)_1.天使消逝的地方_2.红豆(王菲) _3.从头再来(刘欢) _4.不得不在乎(Sara) _5.一剪梅(费玉清) _6.铁血丹心－射雕英雄 _7.夜曲(周杰伦) _8.醉清风(弦子) _9.潮湿的心(甘萍) _0.同桌的你(老狼) _1.为了谁(祖海) _2.渡情(新白娘子传) _3.精忠报国(屠洪刚) _4.只对你有感觉(飞轮海) _5.美酒加咖啡(邓丽君) _6.我可以抱你吗(张惠妹) _7.小城故事(邓丽君) _8.我的中国心(张明敏) _9.命运(浪漫满屋) _0.窗外(李琛) _1.离歌(信乐团) _2.千纸鹤(邰正宵) _3.他还在(阴霾娃娃) _4.牧羊曲(郑绪岚) _5.最浪漫的事(赵咏华) _6.篱笆墙的影子(毛阿敏) _7.美丽的神话(孙楠)_8.凤舞九天(九酷精选)_9.Yesterday_0.踏浪(徐怀钰)全选随机选择选择歌曲后点击这里播放清空选定经典老歌_1.面具（韩文版）(安七炫)_2.晚秋(毛宁)_3.城府(许嵩)_4.祝你一路顺风(吴奇隆) _5.追梦人(凤飞飞)_6.星空物语(一起来看流) _7.夏伤(Sara) _8.水手(郑智化) _9.迟来的爱(贺一航) _0.梅花三弄(姜育恒)_1.The Show_2.小白杨(阎维文)_3.特别的爱给特别的你_4.christmas in my_5.万水千山总是情(汪明荃) _6.昨日重现(精选英文歌) _7.god is a girl _8.Stand(Jewel) _9.心太软(任贤齐)_0.阳光总在风雨后(许美静) _1.そばにいるね_2.类似爱情(萧亚轩) _3.风雨无阻(周华健) _4.暖暖(梁静茹) _5.讲不出再见(谭咏麟) _6.My Oh My _7.铁血丹心(罗文) _8.心雨(杨钰莹) _9.我曾用心爱着你(潘美辰) _0.钞票(迟志强) _1.假如(信乐团) _2.Girlfriend _3.花心(周华健) _4.i could be the _5.别在我离开之前离开 _6.高原红(容中尔甲) _7.霸王别姬(屠洪刚) _8.月亮代表我的心(邓丽君) _9.宝贝对不起(草蜢) _.生日快乐(儿童歌曲) 全选随机选择选择歌曲后点击这里播放清空选定经典老歌_.Bye Bye _.Never Say Goodb _.明天过后(张杰) 2_.prisoner of lov 2_.红星歌(儿童歌曲) 2_.死了都要爱(信乐团) 2_.天堂(腾格尔)2_.因为我太傻(花样男子) 2_.牵手(苏芮)2_.漫步人生路(邓丽君) 2_.有何不可(许嵩) 2_.女人是老虎(李娜)2_.爱我的人和我爱的人 2_.一千个伤心的理由2_.小薇(黄品源) 2_.想太多(李玖哲) 2_.爱江山更爱美人(李丽芬) 2_.Gotta Have You 2_.第一次爱的人(王心凌) 2_.千年等一回(高胜美) 2_.如果这就是爱情(张靓颖) _2.伤心太平洋(任贤齐) _3.世界第一等(刘德华) _4.谢谢你的爱(刘德华) _5.天竺少女(李玲玉) _6.左边(杨丞琳) _7.离别(阿杜) _8.星星点灯(郑智化) _9.突然好想你(五月天)230.As Long As You 231.大约在冬季(齐秦) 232.海阔天空(Beyond)233.爸爸妈妈(王蓉) 234.爱如潮水(张信哲) 235.如果爱下去(张靓颖) 236.好人好梦(孙悦) 237.今天(刘德华) 238.稻香(周杰伦) 239.你怎么舍得我难过240.我们都一样(张杰) 全选随机选择选择歌曲后点击这里播放清空选定经典老歌241.花好月圆(刁寒) 242.勇气(梁静茹) 243.Imagine Me With 244.记事本(陈慧琳) 245.山不转水转(那英) 246.走进新时代(张也) 247.新鸳鸯蝴蝶梦(黄安) 248.原来你也在这里(刘若英) 249.不怕不怕(郭美美) 250.爱(小虎队) 251.倩女幽魂(张国荣) 252.会呼吸的痛(梁静茹) 253.又见炊烟(邓丽君) 254.一个人的浪漫 - 俞 255.再回到从前(张镐哲) 256.恋曲_90(罗大佑) 257.狮子座(曾轶可)。
XPSPEAK 说明书
Using XPSPEAK Version 4.1 November 2000Contents Page Number XPS Peak Fitting Program for WIN95/98 XPSPEAK Version 4.1 (1)Program Installation (1)Introduction (1)First Version (1)Version 2.0 (1)Version 3.0 (1)Version 3.1 (2)Version 4.0 (2)Version 4.1 (2)Future Versions (2)General Information (from R. Kwok) (3)Using XPS Peak (3)Overview of Processing (3)Appearance (4)Opening Files (4)Opening a Kratos (*.des) text file (4)Opening Multiple Kratos (*.des) text files (5)Saving Files (6)Region Parameters (6)Loading Region Parameters (6)Saving Parameters (6)Available Backgrounds (6)Averaging (7)Shirley + Linear Background (7)Tougaard (8)Adding/Adjusting the Background (8)Adding/Adjusting Peaks (9)Peak Types: p, d and f (10)Peak Constraints (11)Peak Parameters (11)Peak Function (12)Region Shift (13)Optimisation (14)Print/Export (15)Export (15)Program Options (15)Compatibility (16)File I/O (16)Limitations (17)Cautions for Peak Fitting (17)Sample Files: (17)gaas.xps (17)Cu2p_bg.xps (18)Kratos.des (18)ASCII.prn (18)Other Files (18)XPS Peak Fitting Program for WIN95/98 XPSPEAKVersion 4.1Program InstallationXPS Peak is freeware. Please ask RCSMS lab staff for a copy of the zipped 3.3MB file, if you would like your own copyUnzip the XPSPEA4.ZIP file and run Setup.exe in Win 95 or Win 98.Note: I haven’t successfully installed XPSPEAK on Win 95 machines unless they have been running Windows 95c – CMH.IntroductionRaymond Kwok, the author of XPSPEAK had spent >1000 hours on XPS peak fitting when he was a graduate student. During that time, he dreamed of many features in the XPS peak fitting software that could help obtain more information from the XPS peaks and reduce processing time.Most of the information in this users guide has come directly from the readme.doc file, automatically installed with XPSPEAK4.1First VersionIn 1994, Dr Kwok wrote a program that converted the Kratos XPS spectral files to ASCII data. Once this program was finished, he found that the program could be easily converted to a peak fitting program. Then he added the dreamed features into the program, e.g.∙ A better way to locate a point at a noise baseline for the Shirley background calculations∙Combine the two peaks of 2p3/2 and 2p1/2∙Fit different XPS regions at the same timeVersion 2.0After the first version and Version 2.0, many people emailed Dr Kwok and gave additional suggestions. He also found other features that could be put into the program.Version 3.0The major change in Version 3.0 is the addition of Newton’s Method for optimisation∙Newton’s method can greatly reduce the optimisation time for multiple region peak fitting.Version 3.11. Removed all the run-time errors that were reported2. A Shirley + Linear background was added3. The Export to Clipboard function was added as requested by a user∙Some other minor graphical features were addedVersion 4.0Added:1. The asymmetrical peak function. See note below2. Three additional file formats for importing data∙ A few minor adjustmentsThe addition of the Asymmetrical Peak Function required the peak function to be changed from the Gaussian-Lorentzian product function to the Gaussian-Lorentzian sum function. Calculation of the asymmetrical function using the Gaussian-Lorentzian product function was too difficult to implement. The software of some instruments uses the sum function, while others use the product function, so both functions are available in XPSPEAK.See Peak Function, (Page 12) for details of how to set this up.Note:If the selection is the sum function, when the user opens a *.xps file that was optimised using the Gaussian-Lorentzian product function, you have to re-optimise the spectra using the Gaussian-Lorentzian sum function with a different %Gaussian-Lorentzian value.Version 4.1Version 4.1 has only two changes.1. In version 4.0, the printed characters were inverted, a problem that wasdue to Visual Basic. After about half year, a patch was received from Microsoft, and the problem was solved by simply recompiling the program2. The import of multiple region VAMAS file format was addedFuture VersionsThe author believes the program has some weakness in the background subtraction routines. Extensive literature examination will be required in order to revise them. Dr Kwok intends to do that for the next version.General Information (from R. Kwok)This version of the program was written in Visual Basic 6.0 and uses 32 bit processes. This is freeware. You may ask for the source program if you really want to. I hope this program will be useful for people without modern XPS software. I also hope that the new features in this program can be adopted by the XPS manufacturers in the later versions of their software.If you have any questions/suggestions, please send an email to me.Raymund W.M. KwokDepartment of ChemistryThe Chinese University of Hong KongShatin, Hong KongTel: (852)-2609-6261Fax:(852)-2603-5057email: rmkwok@.hkI would like to thank the comments and suggestions from many people. For the completion of Version 4.0, I would like to think Dr. Bernard J. Flinn for the routine of reading Leybold ascii format, Prof. Igor Bello and Kelvin Dickinson for providing me the VAMAS files VG systems, and my graduate students for testing the program. I hope I will add other features into the program in the near future.R Kwok.Using XPS PeakOverview of Processing1. Open Required Files∙See Opening Files (Page 4)2. Make sure background is there/suitable∙See Adding/Adjusting the Background, (Page 8)3. Add/adjust peaks as necessary∙See Adding/Adjusting Peaks, (Page 9), and Peak Parameters, (Page 11)4. Save file∙See Saving Files, (Page 6)5. Export if necessary∙See Print/Export, (Page 15)AppearanceXPSPEAK opens with two windows, one above the other, which look like this:∙The top window opens and displays the active scan, adds or adjusts a background, adds peaks, and loads and saves parameters.∙The lower window allows peak processing and re-opening and saving dataOpening FilesOpening a Kratos (*.des) text file1. Make sure your data files have been converted to text files. See the backof the Vision Software manual for details of how to do this. Remember, from the original experiment files, each region of each file will now be a separate file.2. From the Data menu of the upper window, choose Import (Kratos)∙Choose directory∙Double click on the file of interest∙The spectra open with all previous processing INCLUDEDOpening Multiple Kratos (*.des) text files∙You can open up a maximum of 10 files together.1. Open the first file as above∙Opens in the first region (1)2. In the XPS Peak Processing (lower) window, left click on 2(secondregion), which makes this region active3. Open the second file as in Step2, Opening a Kratos (*.des) text file,(Page 4)∙Opens in the second region (2)∙You can only have one description for all the files that are open. Edit with a click in the Description box4. Open further files by clicking on the next available region number thenfollowing the above step.∙You can only have one description for all the files that are open. Edit with a click in the Description boxDescriptionBox 2∙To open a file that has already been processed and saved using XPSPEAK, click on the Open XPS button in the lower window. Choose directory and file as normal∙The program can store all the peak information into a *.XPS file for later use. See below.Saving Files1. To save a file click on the Save XPS button in the lower window2. Choose Directory3. Type in a suitable file name4. Click OK∙Everything that is open will be saved in this file∙The program can also store/read the peak parameter files (*.RPA)so that you do not need to re-type all the parameters again for a similar spectrum.Region ParametersRegion Parameters are the boundaries or limits you have used to set up the background and peaks for your files. These values can be saved as a file of the type *.rpa.Note that these Region Parameters are completely different from the mathematical parameters described in Peak Parameters, (Page 11) Loading Region Parameters1. From the Parameters menu in the upper window, click on Load RegionParameters2. Choose directory and file name3. Click on Open buttonSaving Parameters1. From the Parameters menu in the XPS Peak Fit (Upper) window, clickon Save Region Parameters2. Choose directory and file name3. Click on the Save buttonAvailable BackgroundsThis program provides the background choices of∙Shirley∙Linear∙TougaardAveraging∙ Averaging at the end points of the background can reduce the time tofind a point at the middle of a noisy baseline∙ The program includes the choices of None (1 point), 3, 5, 7, and 9point average∙ This will average the intensities around the binding energy youselect.Shirley + Linear Background1. The Shirley + Linear background has been added for slopingbackgrounds∙ The "Shirley + Linear" background is the Shirley background plus astraight line with starting point at the low BE end-point and with a slope value∙ If the slope value is zero , the original Shirley calculation is used∙ If the slope value is positive , the straight line has higher values atthe high BE side, which can be used for spectra with higher background intensities at the high BE side∙ Similarly, a negative slope value can be used for a spectrum withlower background intensities at the high BE side2. The Optimization button may be used when the Shirley background is higher at some point than the signal intensities∙ The program will increase the slope value until the Shirleybackground is below the signal intensities∙ Please see the example below - Cu2p_bg.xps - which showsbackground subtraction using the Shirley method (This spectrum was sent to Dr Kwok by Dr. Roland Schlesinger).∙ A shows the problematic background when the Shirley backgroundis higher than the signal intensities. In the Shirley calculation routine, some negative values were generated and resulted in a non-monotonic increase background∙ B shows a "Shirley + Linear" background. The slope value was inputby trial-and-error until the background was lower than the signal intensities∙ C was obtained using the optimisation routineA slope = 0B slope = 11C slope = 15.17Note: The background subtraction calculation cannot completely remove the background signals. For quantitative studies, the best procedure is "consistency". See Future Versions, (Page 2).TougaardFor a Tougaard background, the program can optimise the B1 parameter by minimising the "square of the difference" of the intensities of ten data points in the high binding energy side of the range with the intensities of the calculated background.Adding/Adjusting the BackgroundNote: The Background MUST be correct before Peaks can be added. As with all backgrounds, the range needs to include as much of your peak as possible and as little of anything else as possible.1. Make sure the file of interest is open and the appropriate region is active2. Click on Background in the upper window∙The Region 0 box comes up, which contains the information about the background3. Adjust the following as necessary. See Note.∙High BE (This value needs to be within the range of your data) ∙Low BE (This value needs to be within the range of your data) NOTE: High and Low BE are not automatically within the range of your data. CHECK CAREFULLY THAT BOTH ENDS OF THE BACKGROUND ARE INSIDE THE EDGE OF YOUR DATA. Nothing will happen otherwise.∙No. of Ave. Pts at end-points. See Averaging, (Page 7)∙Background Type∙Note for Shirley + Linear:To perform the Shirley + Linear Optimisation routine:a) Have the file of interest openb) From the upper window, click on Backgroundc) In the resulting box, change or optimise the Shirley + LinearSlope as desired∙Using Optimize in the Shirley + Linear window can cause problems. Adjust manually if necessary3. Click on Accept when satisfiedAdding/Adjusting PeaksNote: The Background MUST be correct before peaks can be added. Nothing will happen otherwise. See previous section.∙To add a peak, from the Region Window, click on Add Peak ∙The peak window appears∙This may be adjusted as below using the Peak Window which will have opened automaticallyIn the XPS Peak Processing (lower) window, there will be a list of Regions, which are all the open files, and beside each of these will be numbers representing the synthetic peaks included in that region.Regions(files)SyntheticPeaks1. Click on a region number to activate that region∙The active region will be displayed in the upper window2. Click on a peak number to start adjusting the parameters for that peak.∙The Processing window for that peak will open3. Click off Fix to adjust the following using the maximum/minimum arrowkeys provided:∙Peak Type. (i.e. orbital – s, p, d, f)∙S.O.S (Δ eV between the two halves of the peak)∙Position∙FWHM∙Area∙%Lorenzian-Gaussian∙See the notes for explanations of how Asymmetry works.4. Click on Accept when satisfiedPeak Types: p, d and f.1. Each of these peaks combines the two splitting peaks2. The FWHM is the same for both the splitting peaks, e.g. a p-type peakwith FWHM=0.7eV is the combination of a p3/2 with FWHM at 0.7eV anda p1/2 with FWHM at 0.7eV, and with an area ratio of 2 to 13. If the theoretical area ratio is not true for the split peaks, the old way ofsetting two s-type peaks and adding the constraints should be used.∙The S.O.S. stands for spin orbital splitting.Note: The FWHM of the p, d or f peaks are the FWHM of the p3/2,d5/2 or f7/2, respectively. The FWHM of the combined peaks (e.g. combination of p3/2and p1/2) is shown in the actual FWHM in the Peak Parameter Window.Peak Constraints1. Each parameter can be referenced to the same type of parameter inother peaks. For example, for four peaks (Peak #0, 1, 2 and 3) with known relative peak positions (0.5eV between adjacent peaks), the following can be used∙Position: Peak 1 = Peak 0 + 0.5eV∙Position: Peak 2 = Peak 1 + 0.5eV∙Position: Peak 3 = Peak 2 + 0.5eV2. You may reference to any peak except with looped references.3. The optimisation of the %GL value is allowed in this program.∙ A suggestion to use this feature is to find a nice peak for a certain setting of your instrument and optimise the %GL for this peak.∙Fix the %GL in the later peak fitting process when the same instrument settings were used.4. This version also includes the setting of the upper and lower bounds foreach parameter.Peak ParametersThis program uses the following asymmetric Gaussian-Lorentzian sumThe program also uses the following symmetrical Gaussian-Lorentzian product functionPeak FunctionNote:If the selection is the sum function, when the user opens a *.xps file that was optimised using the Gaussian-Lorentzian product function, you have to re-optimise the spectra using the Gaussian-Lorentzian sum function with a different %Gaussian-Lorentzian value.∙You can choose the function type you want1. From the lower window, click on the Options button∙The peak parameters box comes up∙Select GL sum for the Gaussian-Lorentzian sum function∙Select GL product for the Gaussian-Lorentzian product function. 2. For the Gaussian-Lorentzian sum function, each peak can have sixparameters∙Peak Position∙Area∙FWHM∙%Gaussian-Lorentzian∙TS∙TLIf anyone knows what TS or TL might be, please let me know. Thanks, CMH3. Each peak in the Gaussian-Lorentzian product function can have fourparameters∙Peak Position∙Area∙FWHM∙%Gaussian-LorentzianSince peak area relates to the atomic concentration directly, we use it as a peak parameter and the peak height will not be shown to the user.Note:For asymmetric peaks, the FWHM only refers to the half of the peak that is symmetrical. The actual FWHM of the peak is calculated numerically and is shown after the actual FWHM in the Peak Parameter Window. If the asymmetric peak is a doublet (p, d or f type peak), the actual FWHM is the FWHM of the doublet.Region ShiftA Region Shift parameter was added under the Parameters menu∙Use this parameter to compensate for the charging effect, the fermi level shift or any change in the system work function∙This value will be added to all the peak positions in the region for fitting purposes.An example:∙ A polymer surface is positively charged and all the peaks are shifted to the high binding energy by +0.5eV, e.g. aliphatic carbon at 285.0eV shifts to 285.5eV∙When the Region Shift parameter is set to +0.5eV, 0.5eV will be added to all the peak positions in the region during peak fitting, but the listed peak positions are not changed, e.g. 285.0eV for aliphatic carbon. Note: I have tried this without any actual shift taking place. If someone finds out how to perform this operation, please let me know. Thanks, CMH.In the meantime, I suggest you do the shift before converting your files from the Vision Software format.OptimisationYou can optimise:1. A single peak parameter∙Use the Optimize button beside the parameter in the Peak Fitting window2. The peak (the peak position, area, FWHM, and the %GL if the "fix" box isnot ticked)∙Use the Optimize Peak button at the base of the Peak Fitting window3. A single region (all the parameters of all the peaks in that region if the"fix" box is not ticked)∙Use the Optimize Region menu (button) in the upper window4. All the regions∙Use the Optimize All button in the lower window∙During any type of optimisation, you can press the "Stop Fitting" button and the program will stop the process in the next cycle.Print/ExportIn the XPS Peak Fit or Region window, From the Data menu, choose Export or Print options as desiredExport∙The program can export the ASCII file of spectrum (*.DAT) for making high quality figures using other software (e.g. SigmaPlot)∙It can export the parameters (*.PAR) for further calculations (e.g. use Excel for atomic ratio calculations)∙It can also copy the spectral image to the system clipboard so that the spectral image can be pasted into a document (e.g. MS WORD). Program Options1. The %tolerance allows the optimisation routine to stop if the change inthe difference after one loop is less that the %tolerance2. The default setting of the optimisation is Newton's method∙This method requires a delta value for the optimisation calculations ∙You may need to change the value in some cases, but the existing setting is enough for most data.3. For the binary search method, it searches the best fit for each parameterin up to four levels of value ranges∙For example, for a peak position, in first level, it calculates the chi^2 when the peak position is changed by +2eV, +1.5eV, +1eV, +0.5eV,-0.5eV, -1eV, -1.5eV, and -2eV (range 2eV, step 0.5eV) ∙Then, it selects the position value that gives the lowest chi^2∙In the second level, it searches the best values in the range +0.4eV, +0.3eV, +0.2eV, +0.1eV, -0.1eV, -0.2eV, -0.3eV, and -0.4eV (range0.4eV, step 0.1eV)∙In the third level, it selects the best value in +0.09eV, +0.08eV, ...+0.01eV, -0.01eV, ...-0.09eV∙This will give the best value with two digits after decimal∙Level 4 is not used in the default setting∙The range setting and the number of levels in the option window can be changed if needed.4. The Newton's Method or Binary Search Method can be selected byclicking the "use" selection box of that method.5. The selection of the peak function is also in the Options window.6. The user can save/read the option parameters with the file extension*.opa∙The program reads the default.opa file at start up. Therefore, the user can customize the program options by saving the selectionsinto the default.opa file.CompatibilityThe program can read:∙Kratos text (*.des) files together with the peak fitting parameters in the file∙The ASCII files exported from Phi's Multiplex software∙The ASCII files of Leybold's software∙The VAMAS file format∙For the Phi, Leybold and VAMAS formats, multiple regions can be read∙For the Phi format, if the description contains a comma ",", the program will give an error. (If you get the error, you may use any texteditor to remove the comma)The program can also import ASCII files in the following format:Binding Energy Value 1 Intensity Value 1Binding Energy Value 2 Intensity Value 2etc etc∙The B.E. list must be in ascending or descending order, and the separation of adjacent B.E.s must be the same∙The file cannot have other lines before and after the data∙Sometimes, TAB may cause a reading error.File I/OThe file format of XPSPEAK 4.1 is different from XPSPEAK 3.1, 3.0 and 2.0 ∙XPSPEAK 4.1 can read the file format of XPSPEAK 3.1, 3.0 and 2.0, but not the reverse∙File format of 4.1 is the same as that of 4.0.LimitationsThis program limits the:∙Maximum number of points for each spectrum to 5000∙Maximum of peaks for all the regions to 51∙For each region, the maximum number of peaks is 10. Cautions for Peak FittingSome graduate students believe that the fitting parameters for the best fitted spectrum is the "final answer". This is definitely not true. Adding enough peaks can always fit a spectrum∙Peak fitting only assists the verification of a model∙The user must have a model in mind before adding peaks to the spectrum!Sample Files:gaas.xpsThis file contains 10 spectra1. Use Open XPS to retrieve the file. It includes ten regions∙1-4 for Ga 3d∙5-8 for Ga 3d∙9-10 for S 2p2. For the Ga 3d and As 3d, the peaks are d-type with s.o.s. = 0.3 and 0.9respectively3. Regions 4 and 8 are the sample just after S-treatment4. Other regions are after annealing5. Peak width of Ga 3d and As 3d are constrained to those in regions 1 and56. The fermi level shift of each region was determined using the As 3d5/2peak and the value was put into the "Region Shift" of each region7. Since the region shift takes into account the Fermi level shift, the peakpositions can be easily referenced for the same chemical components in different regions, i.e.∙Peak#1, 3, 5 of Ga 3d are set equal to Peak#0∙Peak#8, 9, 10 of As 3d are set equal to Peak#78. Note that the %GL value of the peaks is 27% using the GL sum functionin Version 4.0, while it is 80% using the GL product function in previous versions.18 Cu2p_bg.xpsThis spectrum was sent to me by Dr. Roland Schlesinger. It shows a background subtraction using the Shirley + Linear method∙See Shirley + Linear Background, (Page 7)Kratos.des∙This file shows a Kratos *.des file∙This is the format your files should be in if they have come from the Kratos instrument∙Use import Kratos to retrieve the file. See Opening Files, (Page 4)∙Note that the four peaks are all s-type∙You may delete peak 2, 4 and change the peak 1,3 to d-type with s.o.s. = 0.7. You may also read in the parameter file: as3d.rpa. ASCII.prn∙This shows an ASCII file∙Use import ASCII to retrieve the file∙It is a As 3d spectrum of GaAs∙In order to fit the spectrum, you need to first add the background and then add two d-type peaks with s.o.s.=0.7∙You may also read in the parameter file: as3d.rpa.Other Files(We don’t have an instrument that produces these files at Auckland University., but you may wish to look at them anyway. See the readme.doc file for more info.)1. Phi.asc2. Leybold.asc3. VAMAS.txt4. VAMASmult.txtHave Fun! July 1, 1999.。
DIN_EN_10296-1_2004-02
DIN EN 10296-1:2004-02
Nationaler Anhang NA (informativ) Literaturhinweise
DIN EN 10208-1, Stahlrohre für Rohrleitungen für brennbare Medien – Technische Lieferbedingungen — Teil 1: Rohre der Anforderungsklasse A; Deutsche Fassung EN 10208-1:1997. DIN EN 10217-1, Nahtlose Stahlrohre für Druckbehälter — Technische Lieferbedingungen — Teil 1: Rohre aus unlegierten Stählen mit festgelegten Eigenschaften bei Raumtemperatur; Deutsche Fassung EN 10216-1:2002. DIN EN 10224, Rohre und Fittings aus unlegierten Stählen für den Transport wässriger Flüssigkeiten einschließlich Trinkwasser — Technische Lieferbedingungen; Deutsche Fassung EN 10224:2002. DIN V 17006-10, Bezeichnungssysteme für Stähle — Zusatzsymbole für Kurznamen; Deutsche Fassung CR 10260:1998.
Gesamtumfang 36 Seiten
Tizzy T—2018 MDSK CYPHER—歌词
Flow和文字的艺术
商业或地下的同行都佩服
My Gang
刚硬的技术到内部
都市的荷尔蒙贵族
挑动着年轻人心跳和脉路
Peace and love
金子和热度理想和抱负
去开辟成就和未来的道路
OB03总能给你不一样的体验或是感受
1998保持我的作品质量掌声伴我左右
M03：
MDSK
在全球刮起风暴后
2018 MDSK CYPHER
2019-02-01
作曲: Tizzy T/OB03/满舒克/李大奔/懒惰致富集团/Kafe.Hu
作词: Tizzy T/OB03/满舒克/李大奔/懒惰致富集团/Kafe.Hu
编曲：Goldchild@FJS, Hop@FJS
Tizzy T：ok把我风格的拿去给你抄袭
谁不知天高地厚想渗透没出招就先吓死
在搞笑骂一副花架子歌没几首你就会摆架势
算了你没机会碰上我算你背想来蹭投胎等下次
King Kafree
Kill the bad dream
混音：KWORLD@FJS
母带：Freejam Sound
我独自沉醉
在喧哗中突出重围
我只辐射我的情绪
真实的我无法被定义
此刻我的目标更清晰
不会在乎路多少荆棘
灵魂与周遭共振
为她变更忠贞
从不缺席像钟声
灵感像断线的风筝
就忘我去fly to the sky
Started from the street
那就饱受期待
享受下一个better me
尽情放纵我的天赋
拿下最佳每个年度
in you face oh oh oh oh
I’m on my way like oh oh oh oh
帕克硬管接头说明书
派克硬管接头已经获得世界上各种不同机构的认证，如：德国劳氏（GL）英国劳氏（LR）挪威船级社（DNV）美国船级社（ABS）认证通常针对特定的产品、应用领域、工况条件、有效期或其他限制条件。
我们可为不同应用情况提供相应的资料文件。
派克的硬管接头同时也被世界上许多主机设备生产商或最终用户认可。
目 录技术信息认证证书 .................................................................................................................................... B -2简介 ........................................................................................................................................... B -5硬管接头产品及应用概览 ........................................................................................................... B -6PSR 卡套及特点 .........................................................................................................................B-8DPR 不锈钢卡套及特点 ...........................................................................................................B-10EO-2 型接头及特点..................................................................................................................B-11EO2-FORM 型接头及特点 .......................................................................................................B-13O-Lok ® 型接头及特点 ..............................................................................................................B-15如何选择合适的硬管接头产品..................................................................................................B-17硬管接头产品的国际标准 .........................................................................................................B-25推荐使用的钢管 .......................................................................................................................B-26温度的压降影响 .......................................................................................................................B-28表面处理 ..................................................................................................................................B-29介质兼容性表 ...........................................................................................................................B-30安全指南 ..................................................................................................................................B-32装配指南装配流程简介 ...........................................................................................................................B-33EO 卡套接头装配指南 .............................................................................................................B-34EO-2 卡套接头装配指南 ..........................................................................................................B-38EO 安装工具检查.....................................................................................................................B-42EO2-FORM 装配指南 ..............................................................................................................B-43EO2-FROM 安装工具检查 .......................................................................................................B-48O-Lok ® 装配指南 .....................................................................................................................B-49Parflange ® 工具检查及夹具调整..............................................................................................B-52油口端安装指导 .......................................................................................................................B-53目录可调向接头及旋转螺母安装指导 ..............................................................................................B-57法兰连接安装指导....................................................................................................................B-59硬管布管指导 ..........................................................................................................................B-60安装设备KONU 锥面规 ..........................................................................................................................B-62AKL 测距仪 .............................................................................................................................B-63EO-KARRYMAT.......................................................................................................................B-64EOMAT UNI ............................................................................................................................B-65EO2-FORM F3 ........................................................................................................................B-69KARRYFLARE .........................................................................................................................B-72Parflange ® 1025 ......................................................................................................................B-75Parflange ® 50 .........................................................................................................................B-76EO-NIROMINT ........................................................................................................................B-81手动去毛刺工具 .......................................................................................................................B-82电动去毛刺工具 .......................................................................................................................B-82螺纹识别包 ..............................................................................................................................B-82接头产品EO 接头产品目录.....................................................................................................................B-83如何订购EO 接头......................................................................................................................B-87阀 产品目录..............................................................................................................................B-163阀 技术信息 .............................................................................................................................B-165EO 旋转接头 ............................................................................................................................B-187旋转接头技术信息....................................................................................................................B-188O-Lok ® 产品目录 ...................................................................................................................B-200如何订购O-Lok ® 接头 ..............................................................................................................B-203公制钢管信息及订货 ..............................................................................................................B-236钢管管夹概览 ...........................................................................................................................B-240目录作为管路元件供应商，派克一直致力于为您提供一个更高压力，更易安装，无需维护的无泄漏液压系统。
英雄联盟打直播听的歌曲,打英雄联盟时听的歌曲
英雄联盟打直播听的歌曲,打英雄联盟时听的歌曲篇一：适合打球时听的歌1.basketball—Lil Bow Wow f. Fabolouslil bow很早以前的歌了，从小成名的他确实很有说唱才华，但是现在也很少听到他的消息了，这首歌的背景音乐曾是NBA的主题曲，经常在CCAV5播放。
stnight—Allen Iverson艾佛森的音乐才华和他的球技一样让人佩服，这是很早以前也是最经典的一首他创作的歌曲，动感，和女声配合很完美。
3.Smooth Criminal—Michael Jackson杰克逊的经典歌曲，经典的不解释。
4.Lose Yourself—EMINEM痞子阿姆为半自传电影《8 mile》所创作，个人觉得是EM最给力的一首，很多跑酷视频都是用它做背景音乐，牛逼之作。
5.Till I Collapse—EMINEM说唱味十足，名字也很有意义。
6.Beautiful—EMINEM2008年EM新专辑感觉很不错的一首歌，他现在的歌锐气少了，但是节奏感把握的还是很强，越听越耐听。
7.Shake That—EMINEM.Feat. Nate Dogg这个是Eminem的打榜单曲，虽然没有太多新意，但是和Nate Dogg的合作还比较默契，我觉得MV比较劲爆，虽然只是动画。
8.Chingy Jackpot—Chingychingy的嗓音很特殊，但是我喜欢，这首歌也是他很经典的一首。
9.number_one—Nelly我觉得这首歌比较适合打街球用，很不错的歌曲。
10.Heart Of A Champion—Nelly最早听到是被用作姚明视频的背景音乐，Nelly的音乐一向是热力动感的曲风。
11.Feel Me Flow —Naughty By Nature1995年歌曲哦，轻松的说唱，欢快的节奏，神曲。
12.Johnny B—Down Low最近喜欢的一首歌曲，节奏感很强又不闹心，很不错，算DJ慢摇吧。
HP Hewlett-Packard 说明书
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目录安装电脑 (1)组装电脑 (1)将电脑放置到适当的位置 (1)使用电涌保护设备 (1)连接到电脑 (2)存放文档和复原光盘 (4)首次启动您的电脑 (4)设置和连接 Internet (5)配置和注册 Norton Internet Security 软件 (6)安全舒适地使用电脑 (7)注册软件更新 (7)在新电脑上设置帐户 (8)创建用户帐户 (8)创建密码 (9)安装软件和硬件设备的指导 (9)使用 HP 和 Compaq 产品 (10)将文件和设置从旧电脑转移到新电脑 (10)使用 HP Organize 或 Compaq Organize 软件 (10)使用键盘 (11)自定义键盘按钮 (13)使用电脑机箱顶部 (15)使用支撑架 (15)iii配置扬声器和声音选项 (19)步骤 1：连接扬声器 (19)音频接口类型 (19)扬声器配置 (22)扬声器类型 (23)连接 2.1（2个扬声器和一个低音炮）音频扬声器 (23)连接 4.1（4个扬声器和一个低音炮）音频扬声器 (24)连接 5.1（5个扬声器和一个低音炮）音频扬声器 (25)连接 7.1（7个扬声器和一个低音炮）音频扬声器 (27)将家用音频系统连接到电脑 (29)2 或 2.1 家用立体声系统的安装 (30)5.1（5 个扬声器和一个低音炮）家用音频系统的安装 (31)5.1（5 个扬声器和一个低音炮）家用音频系统的安装过程 (32)连接数字音频 (33)步骤 2：配置音频软件 (34)使用 Multi-channel Sound Manager 配置音频输出 (35)使用 Sound Effect Manager 配置音频输出 (37)使用 Realtek HD Sound Effect Manager 配置音频输出 (39)配置多音源音频 (41)步骤 3：为媒体软件程序配置声音 (43)选择录音设备 (44)解决关于声音的问题 (44)配置 Creative Sound Blaster X-Fi 声卡（仅适用于部分型号） (45)连接扬声器 (45)配置声卡软件 (46)配置 FlexiJack 接口 (46)使用声卡进行录音 (47)Sound Blaster X-Fi 配置模式 (47)详细信息 (48)使用读卡器 (49)使用读卡器 (50)媒体插入指南 (51)使用 HP Personal Media Drive (53)连接硬盘驱动器 (54)插入硬盘驱动器 (55)定位硬盘驱动器并为之分配一个盘符 (56)使用硬盘驱动器 (57)断开硬盘驱动器的连接 (58)iv入门指南处理数码图像 (59)使用 HP Photosmart Premier (60)播放 CD 和 DVD (63)播放音乐 CD (63)播放 DVD (63)使用国家/地区编码 (64)使用 Windows Media Player 播放 CD 和 DVD (64)播放视频 CD(VCD) (65)使用 Windows Media Player 播放视频 CD(VCD) (65)制作音频和数据光盘 (67)刻录前请擦除光盘上的内容 (68)制作音频 CD (68)验证音频文件刻录是否无误 (69)音频 CD 提示 (69)制作音频 CD (70)制作 jukebox 光盘 (70)制作数据 DVD 和 CD (71)验证数据光盘刻录是否无误 (71)数据光盘提示 (71)制作数据光盘 (72)复制 DVD 或 CD (73)将文件归档至 CD 或 DVD (73)处理映像文件 (74)制作映像文件 (74)从映像文件进行烧录 (74)使用 LightScribe 制作光盘标签 (75)Lightscribe 需求 (75)使用 Sonic Express Labeler 烧录 LightScribe 标签 (75)使用胶粘光盘标签 (76)兼容性信息 (76)光盘特性及兼容性图表 (77)光驱快速参考图表 (78)软件快速参考图表 (79)v制作视频光盘和影片 (81)开始捕获影片之前 (81)Sonic MyDVD Video 项目 (82)制作视频项目 (82)将文件添加到视频项目 (83)为视频项目捕获视频 (83)将幻灯片添加到视频项目 (84)将子菜单添加到视频项目 (84)编辑视频项目的样式 (85)编辑影像文件 (85)将视频项目刻录到光盘 (86)使用 Direct-to-Disc 向导制作视频项目 (87)视频质量和光盘尺寸 (88)DVD 刻录时间 (89)使用 muvee autoProducer 制作影像 (91)制作影像的基本步骤 (91)查找 muvee autoProducer (92)使用 muvee autoProducer (93)入门 (93)从数码视频摄像机截取影像 (94)加入影像 (95)加入图片 (97)加入音乐 (97)选择风格 (98)更改设置 (98)加入开场标题和结束署名 (99)制作影像 (100)预览影像 (100)修改影像 (101)保存影像项目 (102)将影像项目刻录到光碟 (103)获取帮助 (105)查找屏幕指南 (105)从网络上查找指南 (105)使用屏幕上的“帮助和支持中心” (106)使用 PC 帮助和工具 (106)使用 HP（或 Compaq 连接）更新信息 (106)获取消息 (107)关闭消息 (107)重新激活消息 (108)索引 (109)vi入门指南安装电脑警告：您所购买的电脑，已经根据其销往的国家/地区预先设好了电源。
JessieJ李玟KZ·谭定安歌手2018总决赛《BangBang+龙拳》歌词
Jessie J&李玟&KZ·谭定安歌手2018总决赛《Bang Bang+龙拳》歌词在歌手2018的总决赛的舞台中，由Jessie J、李玟、KZ·谭定安合作演唱了这首《Bang Bang+龙拳》，现场气氛超燃。
下面一起来看看小编分享给大家的《Bang Bang+龙拳》歌词，希望你喜欢!Bang Bang+龙拳歌词Bang Bang + 龙拳 (Live) - Jessie J/李玟/KZ·谭定安词：Max Martin/Savan Kotecha/Rickard Göransson/Onika Maraj/方文山曲：Max Martin/Savan Kotecha/Rickard Göransson/Onika Maraj/周杰伦原唱：Jessie J/Ariana Grande/Nicki Minaj/周杰伦编曲：尼克Program：尼克合作表演：KZ谭定安音乐总监：梁翘柏PGM：杨阳键盘：达日丹/白宇軒吉他：Tommy/黄仲贤贝斯：韩阳鼓手：郝稷伦打击乐：刘效松萨克斯/长笛：Charlie萨克斯/单簧管：Miles小号：Ray长号：Anthony和声：爱之音合音组弦乐：靳海音®弦乐团琵琶：佘恬恬Jessie J：She got a body like an hourglassBut I can give it to you all the time李玟：She got a booty like a Cadillac and I send you into overdrive Jessie J：You've been waiting for that李玟：Step on up swing your batJessie J：See anybody could be bad to youYou need a good girl to blow your mindBang bang into the room I know you want itBang bang all over you I'll let you have it李玟/Jessie J：Wait a minute let me take you thereWait a minute till yaJessie J：Bang bang there goes your heart I know you want it李玟：Back back seat of my car I'll let you have it李玟/Jessie J：Wait a minute let me take you thereWait a minute till yaJessie J：She got a body like an hourglassBut I can give it to you all the timeShe got a booty like a Cadillac but I can send you into overdriveYou've been waiting for thatStep on up swing your batSee anybody could be good to youYou need a bad girl to blow your mindBang bang into the room I know you want it李玟：Bang bang all over you I'll let you have itJessie J：Wait a minute let me take you there李玟/Jessie J：Wait a minute till yaBang bang there goes your heart I know you want it Back back seat of my car I'll let you have itWait a minute let me take you thereWait a minute till ya李玟：She might of let you hold her hand in schoolBut I'mma show you how to graduateNo I don't need to hear you talk the talkJust come and show me what yo momma gave ya Jessie J：You've got a very big mouthBut don't say a thing李玟：See anybody could be good to youYou need a bad girl to blow your mind李玟/Jessie J：Bang bang into the room I know you want itBang bang all over you I'll let you have itWait a minute let me take you thereWait a minute till yaJessie J：Bang bang there goes your heart I know you want it Back back seat of my car I'll let you have itWait a minute let me take you thereKZ谭定安：It's Myx moscato it's frizz in a bottleIt's Nicki full throttle it's oh ohSwimming in the grotto we winning in the lottoWe dipping in the pot of blue foamKitten so good it's dripping on woodGet a ride in the engine that couldGo Batman robbin' it bang bang cockin' itQueen Nicki dominant prominentIt's me Ari and Jessie if they test me they sorryRide his up like a Harley then pull off in his FerrariIf he hanging we banging phone ranging he slanging It ain't karaoke night but get the mic 'cause I'm singing 合：B to the A to the N to the G to the uhB to the A to the N to the G to the heyB to the A to the N to the G to the uhB to the A to the N to the G to the heyJessie J：See anybody could be good to youYou need a bad girl to blow your mind your mind 合：Bang bang into the room I know you want itBang bang all over you I'll let you have itWait a minute let me take you thereWait a minute till yaBang bang there goes your heart I know you want itBack back seat of my car I'll let you have itWait a minute let me take you thereWait a minute till ya李玟：我左拳打开了天化身为龙这大地心脏汹涌不安跳动全世界的表情只剩下这一种等待英雄我就是那条龙我右拳打开了天化身为龙这大地心脏汹涌不安跳动全世界的表情只剩下这一种等待英雄我就是那条龙Jessie J：Bang bang into the room I know you want itBang Bang歌曲简介《Bang Bang》是英国女歌手Jessie J、美国女歌手爱莉安娜·格兰德和妮琪·米娜合作演唱的歌曲，分别收录在Jessie J的第三张录音室专辑《Sweet Talker》和爱莉安娜·格兰德的第二张录音室专辑《My Everything》(豪华版)中。
Native Instruments MASCHINE MK3 用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.6.11 (11/2017)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 203B & 201B, Nanshan E-Commerce Base Of Innovative ServicesShi Yun Road, Shekou, Nanshan, Shenzhen China© NATIVE INSTRUMENTS GmbH, 2017. All rights reserved.Table of Contents1Welcome to MASCHINE (23)1.1MASCHINE Documentation (24)1.2Document Conventions (25)1.3New Features in MASCHINE 2.6.11 (27)2Basic Concepts (29)2.1Important Names and Concepts (29)2.2Adjusting the MASCHINE User Interface (32)2.2.1Adjusting the Size of the Interface (32)2.2.2Switching between Ideas View and Arranger View (33)2.2.3Showing/Hiding the Browser (34)2.2.4Minimizing the Mixer (34)2.2.5Showing/Hiding the Control Lane (35)2.3Common Operations (36)2.3.1Using the 4-Directional Push Encoder (36)2.3.2Pinning a Mode on the Controller (37)2.3.3Pinning a Mode on the Controller (38)2.3.4Undo/Redo (39)2.3.5List Overlay for Selectors (41)2.3.6Zoom and Scroll Overlays (42)2.3.7Focusing on a Group or a Sound (42)2.3.8Switching Between the Master, Group, and Sound Level (47)2.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.482.3.9.1Extended Navigate Mode on Your Controller (53)2.3.10Using Two or More Hardware Controllers (56)2.3.11Touch Auto-Write Option (58)2.4Native Kontrol Standard (60)2.5Stand-Alone and Plug-in Mode (62)2.5.1Differences between Stand-Alone and Plug-in Mode (62)2.5.2Switching Instances (63)2.5.3Controlling Various Instances with Different Controllers (64)2.6Preferences (65)2.6.1Preferences – General Page (66)2.6.2Preferences – Audio Page (70)2.6.3Preferences – MIDI Page (74)2.6.4Preferences – Default Page (77)2.6.5Preferences – Library Page (81)2.6.6Preferences – Plug-ins Page (89)2.6.7Preferences – Hardware Page (94)2.6.8Preferences – Colors Page (98)2.7Integrating MASCHINE into a MIDI Setup (100)2.7.1Connecting External MIDI Equipment (100)2.7.2Sync to External MIDI Clock (101)2.7.3Send MIDI Clock (102)2.8Syncing MASCHINE using Ableton Link (103)2.8.1Connecting to a Network (103)2.8.2Joining and Leaving a Link Session (103)2.9Using a Pedal with the MASCHINE Controller (105)2.10File Management on the MASCHINE Controller (105)3Browser (107)3.1Browser Basics (107)3.1.1The MASCHINE Library (107)3.1.2Browsing the Library vs. Browsing Your Hard Disks (108)3.2Searching and Loading Files from the Library (109)3.2.1Overview of the LIBRARY Pane (109)3.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (114)3.2.2.1Browsing by Product Category Using MASCHINE MK3 (118)3.2.2.2Browsing by Product Vendor Using MASCHINE MK3 (119)3.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (119)3.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (124)3.2.4Selecting a File Type (125)3.2.5Choosing Between Factory and User Content (126)3.2.6Selecting Type and Mode Tags (127)3.2.7List and Tag Overlays in the Browser (133)3.2.8Performing a Text Search (135)3.2.9Loading a File from the Result List (135)3.3Additional Browsing Tools (140)3.3.1Loading the Selected Files Automatically (140)3.3.2Auditioning Instrument Presets (142)3.3.3Auditioning Samples (143)3.3.4Loading Groups with Patterns (144)3.3.5Loading Groups with Routing (145)3.3.6Displaying File Information (145)3.4Using Favorites in the Browser (146)3.5Editing the Files’ Tags and Properties (152)3.5.1Attribute Editor Basics (152)3.5.2The BANK Page (154)3.5.3The TYPES and MODES Pages (155)3.5.4The PROPERTIES Page (157)3.6Loading and Importing Files from Your File System (158)3.6.1Overview of the FILES Pane (158)3.6.2Using Favorites (160)3.6.3Using the Location Bar (161)3.6.4Navigating to Recent Locations (162)3.6.5Using the Result List (163)3.6.6Importing Files to the MASCHINE Library (166)3.7Locating Missing Samples (168)3.8Using Quick Browse (170)4Managing Sounds, Groups, and Your Project (175)4.1Overview of the Sounds, Groups, and Master (175)4.1.1The Sound, Group, and Master Channels (176)4.1.2Similarities and Differences in Handling Sounds and Groups (177)4.1.3Selecting Multiple Sounds or Groups (178)4.2Managing Sounds (183)4.2.1Loading Sounds (185)4.2.2Pre-listening to Sounds (186)4.2.3Renaming Sound Slots (187)4.2.4Changing the Sound’s Color (187)4.2.5Saving Sounds (189)4.2.6Copying and Pasting Sounds (191)4.2.7Moving Sounds (194)4.2.8Resetting Sound Slots (196)4.3Managing Groups (197)4.3.1Creating Groups (198)4.3.2Loading Groups (200)4.3.3Renaming Groups (201)4.3.4Changing the Group’s Color (201)4.3.5Saving Groups (203)4.3.6Copying and Pasting Groups (205)4.3.7Reordering Groups (208)4.3.8Deleting Groups (209)4.4Exporting MASCHINE Objects and Audio (210)4.4.1Saving a Group with its Samples (211)4.4.2Saving a Project with its Samples (212)4.4.3Exporting Audio (214)4.5Importing Third-Party File Formats (221)4.5.1Loading REX Files into Sound Slots (221)4.5.2Importing MPC Programs to Groups (222)5Playing on the Controller (226)5.1Adjusting the Pads (226)5.1.1The Pad View in the Software (226)5.1.2Choosing a Pad Input Mode (228)5.1.3Adjusting the Base Key (231)5.1.4Using Choke Groups (233)5.1.5Using Link Groups (235)5.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (238)5.3Adjusting the Base Key (239)5.4Playing Tools (240)5.4.1Mute and Solo (241)5.4.2Choke All Notes (245)5.4.3Groove (246)5.4.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (248)5.4.5Tap Tempo (252)5.5Performance Features (253)5.5.1Overview of the Perform Features (253)5.5.2Selecting a Scale and Creating Chords (256)5.5.3Scale and Chord Parameters (256)5.5.4Creating Arpeggios and Repeated Notes (262)5.5.5Swing on Note Repeat / Arp Output (267)5.6Using Lock Snapshots (268)5.6.1Creating a Lock Snapshot (268)5.6.2Using Extended Lock (269)5.6.3Updating a Lock Snapshot (269)5.6.4Recalling a Lock Snapshot (270)5.6.5Morphing Between Lock Snapshots (270)5.6.6Deleting a Lock Snapshot (271)5.6.7Triggering Lock Snapshots via MIDI (272)5.7Using the Smart Strip (274)5.7.1Pitch Mode (274)5.7.2Modulation Mode (275)5.7.3Perform Mode (275)5.7.4Notes Mode (276)6Working with Plug-ins (277)6.1Plug-in Overview (277)6.1.1Plug-in Basics (277)6.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (281)6.1.3Loading, Removing, and Replacing a Plug-in (281)6.1.3.1Browser Plug-in Slot Selection (287)6.1.4Adjusting the Plug-in Parameters (290)6.1.5Bypassing Plug-in Slots (290)6.1.6Using Side-Chain (292)6.1.7Moving Plug-ins (292)6.1.8Alternative: the Plug-in Strip (294)6.1.9Saving and Recalling Plug-in Presets (294)6.1.9.1Saving Plug-in Presets (295)6.1.9.2Recalling Plug-in Presets (296)6.1.9.3Removing a Default Plug-in Preset (297)6.2The Sampler Plug-in (298)6.2.1Page 1: Voice Settings / Engine (300)6.2.2Page 2: Pitch / Envelope (302)6.2.3Page 3: FX / Filter (305)6.2.4Page 4: Modulation (307)6.2.5Page 5: LFO (309)6.2.6Page 6: Velocity / Modwheel (311)6.3Using Native Instruments and External Plug-ins (313)6.3.1Opening/Closing Plug-in Windows (313)6.3.2Using the VST/AU Plug-in Parameters (316)6.3.3Setting Up Your Own Parameter Pages (317)6.3.4Using VST/AU Plug-in Presets (322)6.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (325)7Working with Patterns (326)7.1Pattern Basics (326)7.1.1Pattern Editor Overview (327)7.1.2Navigating the Event Area (333)7.1.3Following the Playback Position in the Pattern (335)7.1.4Jumping to Another Playback Position in the Pattern (337)7.1.5Group View and Keyboard View (338)7.1.6Adjusting the Arrange Grid and the Pattern Length (341)7.1.7Adjusting the Step Grid and the Nudge Grid (344)7.2Recording Patterns in Real Time (349)7.2.1Recording Your Patterns Live (349)7.2.2The Record Prepare Mode (352)7.2.3Using the Metronome (353)7.2.4Recording with Count-in (354)7.2.5Quantizing while Recording (356)7.3Recording Patterns with the Step Sequencer (356)7.3.1Step Mode Basics (356)7.3.2Editing Events in Step Mode (359)7.3.3Recording Modulation in Step Mode (361)7.4Editing Events (361)7.4.1Editing Events with the Mouse: an Overview (362)7.4.2Creating Events/Notes (365)7.4.3Selecting Events/Notes (366)7.4.4Editing Selected Events/Notes (372)7.4.5Deleting Events/Notes (378)7.4.6Cut, Copy, and Paste Events/Notes (381)7.4.7Quantizing Events/Notes (383)7.4.8Quantization While Playing (385)7.4.9Doubling a Pattern (386)7.4.10Adding Variation to Patterns (387)7.5Recording and Editing Modulation (391)7.5.1Which Parameters Are Modulatable? (392)7.5.2Recording Modulation (393)7.5.3Creating and Editing Modulation in the Control Lane (395)7.6Creating MIDI Tracks from Scratch in MASCHINE (401)7.7Managing Patterns (403)7.7.1The Pattern Manager and Pattern Mode (403)7.7.2Selecting Patterns and Pattern Banks (406)7.7.3Creating Patterns (408)7.7.4Deleting Patterns (410)7.7.5Creating and Deleting Pattern Banks (411)7.7.6Naming Patterns (413)7.7.7Changing the Pattern’s Color (415)7.7.8Duplicating, Copying, and Pasting Patterns (416)7.7.9Moving Patterns (419)7.7.10Adjusting Pattern Length in Fine Increments (420)7.8Importing/Exporting Audio and MIDI to/from Patterns (421)7.8.1Exporting Audio from Patterns (421)7.8.2Exporting MIDI from Patterns (422)7.8.3Importing MIDI to Patterns (425)8Audio Routing, Remote Control, and Macro Controls (434)8.1Audio Routing in MASCHINE (435)8.1.1Sending External Audio to Sounds (436)8.1.2Configuring the Main Output of Sounds and Groups (441)8.1.3Setting Up Auxiliary Outputs for Sounds and Groups (446)8.1.4Configuring the Master and Cue Outputs of MASCHINE (450)8.1.5Mono Audio Inputs (456)8.1.5.1Configuring External Inputs for Sounds in Mix View (457)8.2Using MIDI Control and Host Automation (461)8.2.1Triggering Sounds via MIDI Notes (462)8.2.2Triggering Scenes via MIDI (469)8.2.3Controlling Parameters via MIDI and Host Automation (471)8.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (479)8.2.5Sending MIDI from Sounds (480)8.3Creating Custom Sets of Parameters with the Macro Controls (484)8.3.1Macro Control Overview (485)8.3.2Assigning Macro Controls Using the Software (486)8.3.3Assigning Macro Controls Using the Controller (492)9Controlling Your Mix (494)9.1Mix View Basics (494)9.1.1Switching between Arrange View and Mix View (494)9.1.2Mix View Elements (495)9.2The Mixer (497)9.2.1Displaying Groups vs. Displaying Sounds (498)9.2.2Adjusting the Mixer Layout (500)9.2.3Selecting Channel Strips (501)9.2.4Managing Your Channels in the Mixer (502)9.2.5Adjusting Settings in the Channel Strips (504)9.2.6Using the Cue Bus (508)9.3The Plug-in Chain (510)9.4The Plug-in Strip (511)9.4.1The Plug-in Header (513)9.4.2Panels for Drumsynths and Internal Effects (515)9.4.3Panel for the Sampler (516)9.4.4Custom Panels for Native Instruments Plug-ins (519)9.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (523)9.5Controlling Your Mix from the Controller (525)9.5.1Navigating Your Channels in Mix Mode (526)9.5.2Adjusting the Level and Pan in Mix Mode (527)9.5.3Mute and Solo in Mix Mode (528)9.5.4Plug-in Icons in Mix Mode (528)10Using the Drumsynths (529)10.1Drumsynths – General Handling (530)10.1.1Engines: Many Different Drums per Drumsynth (530)10.1.2Common Parameter Organization (530)10.1.3Shared Parameters (533)10.1.4Various Velocity Responses (533)10.1.5Pitch Range, Tuning, and MIDI Notes (533)10.2The Kicks (534)10.2.1Kick – Sub (536)10.2.2Kick – Tronic (538)10.2.3Kick – Dusty (541)10.2.4Kick – Grit (542)10.2.5Kick – Rasper (545)10.2.6Kick – Snappy (546)10.2.7Kick – Bold (548)10.2.8Kick – Maple (550)10.2.9Kick – Push (551)10.3The Snares (553)10.3.1Snare – Volt (555)10.3.2Snare – Bit (557)10.3.3Snare – Pow (559)10.3.4Snare – Sharp (560)10.3.5Snare – Airy (562)10.3.6Snare – Vintage (564)10.3.7Snare – Chrome (566)10.3.8Snare – Iron (568)10.3.9Snare – Clap (570)10.3.10Snare – Breaker (572)10.4The Hi-hats (574)10.4.1Hi-hat – Silver (575)10.4.2Hi-hat – Circuit (577)10.4.3Hi-hat – Memory (579)10.4.4Hi-hat – Hybrid (581)10.4.5Creating a Pattern with Closed and Open Hi-hats (583)10.5The Toms (584)10.5.1Tom – Tronic (586)10.5.2Tom – Fractal (588)10.5.3Tom – Floor (592)10.5.4Tom – High (594)10.6The Percussions (595)10.6.1Percussion – Fractal (597)10.6.2Percussion – Kettle (600)10.6.3Percussion – Shaker (602)10.7The Cymbals (606)10.7.1Cymbal – Crash (608)10.7.2Cymbal – Ride (610)11Using the Bass Synth (613)11.1Bass Synth – General Handling (614)11.1.1Parameter Organization (614)11.1.2Bass Synth Parameters (616)12Using Effects (618)12.1Applying Effects to a Sound, a Group or the Master (618)12.1.1Adding an Effect (618)12.1.2Other Operations on Effects (627)12.1.3Using the Side-Chain Input (629)12.2Applying Effects to External Audio (632)12.2.1Step 1: Configure MASCHINE Audio Inputs (632)12.2.2Step 2: Set up a Sound to Receive the External Input (635)12.2.3Step 3: Load an Effect to Process an Input (637)12.3Creating a Send Effect (639)12.3.1Step 1: Set Up a Sound or Group as Send Effect (639)12.3.2Step 2: Route Audio to the Send Effect (644)12.3.3 A Few Notes on Send Effects (646)12.4Creating Multi-Effects (647)13Effect Reference (650)13.1Dynamics (651)13.1.1Compressor (651)13.1.2Gate (655)13.1.3Transient Master (659)13.1.4Limiter (661)13.1.5Maximizer (665)13.2Filtering Effects (668)13.2.1EQ (668)13.2.2Filter (671)13.2.3Cabinet (675)13.3Modulation Effects (676)13.3.1Chorus (676)13.3.2Flanger (678)13.3.3FM (680)13.3.4Freq Shifter (681)13.3.5Phaser (683)13.4Spatial and Reverb Effects (685)13.4.1Ice (685)13.4.2Metaverb (687)13.4.3Reflex (688)13.4.4Reverb (Legacy) (690)13.4.5Reverb (692)13.4.5.1Reverb Room (692)13.4.5.2Reverb Hall (695)13.4.5.3Plate Reverb (698)13.5Delays (700)13.5.1Beat Delay (700)13.5.2Grain Delay (703)13.5.3Grain Stretch (705)13.5.4Resochord (707)13.6Distortion Effects (709)13.6.1Distortion (709)13.6.2Lofi (711)13.6.3Saturator (713)13.6.4Analog Distortion (716)13.7Perform FX (718)13.7.1Filter (719)13.7.2Flanger (721)13.7.3Burst Echo (724)13.7.4Reso Echo (726)13.7.5Ring (729)13.7.6Stutter (731)13.7.7Tremolo (734)13.7.8Scratcher (737)14Working with the Arranger (740)14.1Arranger Basics (740)14.1.1Navigating the Arranger (743)14.1.2Following the Playback Position in Your Project (745)14.1.3Jumping to Other Sections (746)14.2Using Ideas View (748)14.2.1Scene Overview (748)14.2.2Creating Scenes (750)14.2.3Assigning and Removing Patterns (751)14.2.4Selecting Scenes (755)14.2.5Deleting Scenes (757)14.2.6Creating and Deleting Scene Banks (758)14.2.7Clearing Scenes (759)14.2.8Duplicating Scenes (759)14.2.9Reordering Scenes (761)14.2.10Making Scenes Unique (762)14.2.11Appending Scenes to Arrangement (763)14.2.12Naming Scenes (764)14.2.13Changing the Color of a Scene (765)14.3Using Arranger View (767)14.3.1Section Management Overview (767)14.3.2Creating Sections (772)14.3.3Assigning a Scene to a Section (773)14.3.4Selecting Sections and Section Banks (774)14.3.5Reorganizing Sections (778)14.3.6Adjusting the Length of a Section (779)14.3.6.1Adjusting the Length of a Section Using the Software (781)14.3.6.2Adjusting the Length of a Section Using the Controller (782)14.3.7Assigning and Removing Patterns (783)14.3.8Duplicating Sections (785)14.3.8.1Making Sections Unique (786)14.3.9Removing Sections (787)14.3.10Renaming Scenes (789)14.3.11Clearing Sections (790)14.3.12Creating and Deleting Section Banks (791)14.3.13Enabling Auto Length (792)14.3.14Looping (793)14.3.14.1Setting the Loop Range in the Software (793)14.4Playing with Sections (794)14.4.1Jumping to another Playback Position in Your Project (795)14.5Triggering Sections or Scenes via MIDI (796)14.6The Arrange Grid (798)14.7Quick Grid (800)15Sampling and Sample Mapping (801)15.1Opening the Sample Editor (801)15.2Recording a Sample (802)15.2.1Opening the Record Page (802)15.2.2Selecting the Source and the Recording Mode (803)15.2.3Arming, Starting, and Stopping the Recording (806)15.2.5Checking Your Recordings (810)15.2.6Location and Name of Your Recorded Samples (813)15.3Editing a Sample (814)15.3.1Using the Edit Page (814)15.3.2Audio Editing Functions (820)15.4Slicing a Sample (828)15.4.1Opening the Slice Page (829)15.4.2Adjusting the Slicing Settings (830)15.4.3Live Slicing (836)15.4.3.1Live Slicing Using the Controller (836)15.4.3.2Delete All Slices (837)15.4.4Manually Adjusting Your Slices (837)15.4.5Applying the Slicing (844)15.5Mapping Samples to Zones (850)15.5.1Opening the Zone Page (850)15.5.2Zone Page Overview (851)15.5.3Selecting and Managing Zones in the Zone List (853)15.5.4Selecting and Editing Zones in the Map View (858)15.5.5Editing Zones in the Sample View (862)15.5.6Adjusting the Zone Settings (865)15.5.7Adding Samples to the Sample Map (872)16Appendix: Tips for Playing Live (875)16.1Preparations (875)16.1.1Focus on the Hardware (875)16.1.2Customize the Pads of the Hardware (875)16.1.3Check Your CPU Power Before Playing (875)16.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (876)16.1.5Consider Using a Limiter on Your Master (876)16.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (876)16.1.7Improvise (876)16.2Basic Techniques (876)16.2.1Use Mute and Solo (876)16.2.2Use Scene Mode and Tweak the Loop Range (877)16.2.3Create Variations of Your Drum Patterns in the Step Sequencer (877)16.2.4Use Note Repeat (877)16.2.5Set Up Your Own Multi-effect Groups and Automate Them (877)16.3Special Tricks (878)16.3.1Changing Pattern Length for Variation (878)16.3.2Using Loops to Cycle Through Samples (878)16.3.3Using Loops to Cycle Through Samples (878)16.3.4Load Long Audio Files and Play with the Start Point (878)17Troubleshooting (879)17.1Knowledge Base (879)17.2Technical Support (879)17.3Registration Support (880)17.4User Forum (880)18Glossary (881)Index (889)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN We recommend that you follow along with these instructions while the respective appli-cation is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.1234567812345678The unlabeled buttons and knobs on the MASCHINE controller.For better reference, we applied a special formatting here: throughout the document, the ele-ments are capitalized and numbered, so the buttons above the displays are written Button 1 to Button 8, while the knobs under the displays are written Knob 1 to Knob 8. E.g., whenever you see an instruction such as “Press Button 2 to open the EDIT page,” you’ll know it’s the second button from the left above the displays.1.3New Features in MASCHINE2.6.11The following two new features have been added to MASCHINE 2.6.11 and are only aimed at MASCHINE MK3 users:▪Introduction of the General, Audio, MIDI and Hardware Preferences direct from the MA-SCHINE MK3 controller using the SETTINGS button. For more information on using the Preferences from the hardware, refer to each section of the following chapter: ↑2.6, Prefer-ences.。
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fitbit inspire 3 用户手册说明书
用户手册版本 1.3目录开始 (6)包装盒内容 (6)为智能设备充电 (6)设置Inspire 3 (8)在 Fitbit 应用程序上查看您的数据 (8)解锁 Fitbit Premium (9)佩戴 Inspire 3 (10)全天候佩戴和锻炼时佩戴 (10)用手习惯 (11)将 Inspire 3 置于配夹中 (11)佩戴配夹 (12)佩戴与保养技巧 (13)更换腕带 (13)移除腕带 (13)安装腕带 (14)基础信息 (15)操作 Inspire 3 (15)基本浏览指南 (15)快速设置 (16)调整设置 (18)显示设置 (18)安静模式 (19)其他设置 (19)检查电池电量 (20)调整屏幕常亮 (20)关闭屏幕 (21)钟面和应用程序 (22)更改钟面 (22)打开应用程序 (22)寻找手机 (23)来自手机的通知 (24)2设置通知 (24)查看收到的通知 (24)管理通知 (25)关闭通知 (25)接听或拒绝来电 (26)回复消息（Android 手机） (27)计时功能 (28)设置闹钟 (28)关闭或延后闹钟 (28)使用计时器或秒表 (29)活动和健康 (30)查看您的统计数据 (30)追踪每日活动目标 (30)选择目标 (31)追踪每小时的活动 (31)追踪您的睡眠 (31)设定睡眠目标 (32)了解您的长期睡眠习惯 (32)了解您的睡眠习惯 (32)管理压力 (32)练习引导式呼吸 (32)查看您的压力管理分数 (33)高级健康指标 (33)锻炼和心脏健康 (34)自动追踪您的锻炼 (34)使用“锻炼”应用程序追踪和分析锻炼 (34)GPS 要求 (34)自定义您的锻炼设置 (35)检查您的锻炼汇总信息 (37)查看您的心率 (37)默认心率区间 (37)自定义心率区间 (38)获得活跃区间分钟数 (38)接收心率通知 (39)查看您的每日准备状态分数 (40)3查看您的心肺有氧健康指数 (40)分享您的活动 (41)更新、重启和清除 (42)更新 Inspire 3 (42)重启 Inspire 3 (42)清除 Inspire 3 (43)故障排除 (44)心率信号丢失 (44)GPS 信号丢失 (44)其他问题 (45)通用信息和规格 (46)传感器与组件 (46)材料 (46)无线技术 (46)触觉反馈 (46)电池 (46)内存 (46)显示屏 (47)腕带尺寸 (47)环境条件 (47)了解更多 (47)退货政策和保修 (47)Regulatory and Safety Notices (48)USA: Federal Communications Commission (FCC) statement (48)Canada: Industry Canada (IC) atement (49)European Union (EU) (50)Argentina (52)Australia and New Zealand (52)Ghana (52)Indonesia (52)Israel (52)Japan (53)Kingdom of Saudi Arabia (53)Malaysia (53)Mexico (53)4Morocco (54)Nigeria (54)Oman (54)Paraguay (54)Philippines (55)Serbia (55)Singapore (55)South Korea (55)Taiwan (56)Thailand (59)United Arab Emirates (59)United Kingdom (60)About the Battery (60)IP Rating (61)Safety Statement (61)Regulatory Markings (61)56开始了解 Fitbit Inspire 3——这是一款帮助您寻获活力、享受自己的兴趣并改善健康的智能设备。
RealGuitar中文教程
目录说明.................................................................................................................................. 目录..关于RealGuitar................................................................................................................ 运行RealGuitar............................................................................................................... 装载吉他 (5)虚拟指板 (6)用户键盘映射..................................................................................................................式. (7)独奏模式 (7)和声模式........................................................................................................................和弦模式..........................................................................................................................贝斯&和弦模式. (9)贝斯&Pick 模式 (10)力度变化效果 (12)MIDI 控制器区 (12)主控区 (13)和弦映射 (15)联系MusicLab....................................................................................................................如何购买 (17)附录: 吉他相关知识 (18)运行RealGuitar将RealGuitar 作为一个VST 乐器：1. 打开VST 乐器窗口2. 点击“No Instrum ents（没有乐器）”，在菜单中选择RealGuitar3.点击前面的Edit 编辑按钮打开RealGuitar 窗口4.在VST 主程序里把RealGuitar 作为某个音轨的输出端口在Pro Tools 运行RealGuitar :1. 新建音轨并在可用的插件列表里面选择RealGuitar2. 新建一条MIDI 音轨并选择RealGuitar 作为输出端口3. 打开MIDI 音轨的录音按钮把RealGuitar 作为一个单独的软件来运行:在Windows 开始菜单选择程序/MusicLab/RealGuitar 文件夹下面的RealGuitar图标装载吉他点击RealGuitar 窗口中间上面的黑色连接盒，从下拉列表里面选择需要的吉他音色。