承德民俗音乐戏曲文化
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Qingyinin history and at present
Eunuch Chen Jiugong who was educated in music school first broughtQingyinto Rehe in Qianlong period, later children of ministers of the ministry of civil affairs formedpeaceqingyin choir.After emperor Jiaqing came to power, heleaved some confiscated instrument of Heshen, the famous corrupted minister, in mountain resort, and some instrument from other countries as well.In 1915Tang Xifu started to take apprentices,Liu Mengfang, Bai Xueqiao and Wang Jianyan.Later they formedqingyinchoir withPeace Qingyin Choir.It reached its best in the 1940s. at that time there were approximately 40 members in the choir. At the start of 1980s,Bai Xiaoying helped his grandfather Bai Xueqiao to argue for restoreQingyintechniques and write material aboutqingyin. Rehe Qingyinhas given Chengde a way to communicate with outside. From then on,Qingyinhasbeenan important tool for displaying the charm of Chengde.
otherQingyin choirwhich are notoperating in the Chengde Street, not like the rules, butgetas close as possible to our premise according to its own conditions, what instruments on an instrument. Played in additionto representation of the soundtracks, there are also other types of music.
Qing yingenerally represents opera oratorio without makeup and stage management, also includes folk concerts which we callzuoyue or xingyue.It started in Jiangsu during Ming dynasty, and it was popular among people of Jiangsu, Zhejiang, Fujian, Tianjin, Beijing and Hebei. After Qianlongperiodof Qing dynasty, it could be found all over China. Reheqingyinis one of the branches.
Qingyin choirofChengde street onheadcountand the instruments of function has strictrequirements, as combat instruments forexample, there are drum, cloud gongs , Board, and other small instruments like star, Dum,Pu, andta, andzha,; blow wind instruments like Sheng, tube, and flute , flute.plucked musical instrument Sanxian, yueqin, pair (also known as " Yu ", and" six-peg harp "), Hu, key piano; bowed for two strings (Chinese violin). Ensemble in its music playing form, requires that all kinds of musical instruments are according to their own music to play, not " adding ". The drummer is in theCommander position, moods of the music and the music of free interface (commonly called " heads "and "tail" )is controlledby the drummer.
Rehe qingyinis an only kind of folk music that has features of Mountain resort of Chengde. It’s not only represents an only music association. For the last two hundred years, it has been displayed and inherited via various kinds of folk concerts.
内容与形式：
承德街上的清音乐队对自己的编制及乐器的功用有着严格的要求，如打击乐器为大鼓1面、云锣1架、板1件、其它“小傢伙”有星、铛、铺、塌、扎等；吹管乐器为笙2件、管1件、笛2件、箫1件；弹拨乐器为三弦2件、月琴2件、双清（也称“月琴”、“六楞琴”）1件、琵琶1件、胡拨（“浑不似”）1件、匙琴1源自文库；拉弦乐器为二弦（中国提琴）2件、四胡1件。在其音乐的演奏上采用齐奏形式，要求各类乐器均按照自己的曲谱演奏，不许“加花”。乐队中的鼓手居统帅地位，音乐的情绪变化和乐曲的自由衔接（通常说的“合头”、“合尾”等）均由鼓手掌控。
ReheQingyinis combination ofChinese court music withManchu and otherminority music, fullyrepresents the Qing ruler’s "Grand unification" political ideas, and it’s also important remnantof the music culture of the Chinese nation. It has great significanceto carryingforward the outstanding culture of the Chinese nation and promoting the national cultural identity.
“热河清音”是独具避暑山庄特色的民间音乐，而不是指承德某个单一的音乐会组织。“热河清音”二百多年来通过活跃在热河境内及周边地区的各类民间音乐会的演奏得以展现与传承。
历史与现状：
乾隆时期曾在“十番学”学过音乐的的宦官“陈九宫”首先将“清音”带入，后来避暑山庄内务府官员子弟中的音乐爱好者成立了“昇平清音班”；嘉庆皇帝登基后，将查抄大贪官和珅在承德府邸的部分乐器留在山庄，又拨一部分外国进贡的乐器到山庄内务府保管。1915年清音班的唐锡福开始收徒传艺，先收了刘梦舫、白雪樵和王鑑殷三人教习，随之，先后出宫的内务府官员子弟中的音乐爱好者便与他们组建了承德街上的“清音会”；在四十年代达到鼎盛，清音班达到四十余人。80年代伊始，白晓颖协助祖父白雪樵为恢复清音奔走呼号，撰写有关清音的各类材料，热河清音为改革开放初期的承德开启了一扇绚丽之窗。从此，代表着地方文化的热河清音成为了向外界展示承德魅力的一张重要名片。
承德满族民俗音乐：清音
我的家乡河北承德，最出名的时期应该就是在清朝了，而且由于满族人口比例非常高，满族文化始终可以算是主流，并且在饮食，建筑音乐等方面有着很大影响，在音乐方面的代表就是热河清音。
“清音”泛指不化妆、不设舞台调度的戏曲清唱，也泛指当时民间“坐乐”和“行乐”的花会或音乐会，其作为一种演唱形式兴起于明代的江苏，流行于苏、浙、闽、津、京、冀等地，至清朝乾隆年间流布全国。热河清音属其中一支。
热河境内活动的其他清音乐队则不似承德街上的那般规矩，而是在尽量靠近雅乐的前提下根据自身条件，有什么乐器就上什么乐器。演奏的是除清音的代表性曲目以外，也有其他各类乐曲。
热河清音呈现着汉族宫廷音乐与满族及其他少数民族音乐的复合型态，充分体现了清朝统治者“大统一”的政治理念，是中华民族音乐文化的重要遗存，对弘扬中华民族优秀文化、促进中华民族文化认同有着重要的意义。
ManchuFolk Music in Chengde
My hometown, Chengde, was quite famous in Qing dynasty. Due to the high percentage of Manchu people of population of Chengde, Manchu culture is the mainstream, andhasthe biggest influence on food, architecture and our daily life. The most distinguishing music form isqing yin.
Eunuch Chen Jiugong who was educated in music school first broughtQingyinto Rehe in Qianlong period, later children of ministers of the ministry of civil affairs formedpeaceqingyin choir.After emperor Jiaqing came to power, heleaved some confiscated instrument of Heshen, the famous corrupted minister, in mountain resort, and some instrument from other countries as well.In 1915Tang Xifu started to take apprentices,Liu Mengfang, Bai Xueqiao and Wang Jianyan.Later they formedqingyinchoir withPeace Qingyin Choir.It reached its best in the 1940s. at that time there were approximately 40 members in the choir. At the start of 1980s,Bai Xiaoying helped his grandfather Bai Xueqiao to argue for restoreQingyintechniques and write material aboutqingyin. Rehe Qingyinhas given Chengde a way to communicate with outside. From then on,Qingyinhasbeenan important tool for displaying the charm of Chengde.
otherQingyin choirwhich are notoperating in the Chengde Street, not like the rules, butgetas close as possible to our premise according to its own conditions, what instruments on an instrument. Played in additionto representation of the soundtracks, there are also other types of music.
Qing yingenerally represents opera oratorio without makeup and stage management, also includes folk concerts which we callzuoyue or xingyue.It started in Jiangsu during Ming dynasty, and it was popular among people of Jiangsu, Zhejiang, Fujian, Tianjin, Beijing and Hebei. After Qianlongperiodof Qing dynasty, it could be found all over China. Reheqingyinis one of the branches.
Qingyin choirofChengde street onheadcountand the instruments of function has strictrequirements, as combat instruments forexample, there are drum, cloud gongs , Board, and other small instruments like star, Dum,Pu, andta, andzha,; blow wind instruments like Sheng, tube, and flute , flute.plucked musical instrument Sanxian, yueqin, pair (also known as " Yu ", and" six-peg harp "), Hu, key piano; bowed for two strings (Chinese violin). Ensemble in its music playing form, requires that all kinds of musical instruments are according to their own music to play, not " adding ". The drummer is in theCommander position, moods of the music and the music of free interface (commonly called " heads "and "tail" )is controlledby the drummer.
Rehe qingyinis an only kind of folk music that has features of Mountain resort of Chengde. It’s not only represents an only music association. For the last two hundred years, it has been displayed and inherited via various kinds of folk concerts.
内容与形式：
承德街上的清音乐队对自己的编制及乐器的功用有着严格的要求，如打击乐器为大鼓1面、云锣1架、板1件、其它“小傢伙”有星、铛、铺、塌、扎等；吹管乐器为笙2件、管1件、笛2件、箫1件；弹拨乐器为三弦2件、月琴2件、双清（也称“月琴”、“六楞琴”）1件、琵琶1件、胡拨（“浑不似”）1件、匙琴1源自文库；拉弦乐器为二弦（中国提琴）2件、四胡1件。在其音乐的演奏上采用齐奏形式，要求各类乐器均按照自己的曲谱演奏，不许“加花”。乐队中的鼓手居统帅地位，音乐的情绪变化和乐曲的自由衔接（通常说的“合头”、“合尾”等）均由鼓手掌控。
ReheQingyinis combination ofChinese court music withManchu and otherminority music, fullyrepresents the Qing ruler’s "Grand unification" political ideas, and it’s also important remnantof the music culture of the Chinese nation. It has great significanceto carryingforward the outstanding culture of the Chinese nation and promoting the national cultural identity.
“热河清音”是独具避暑山庄特色的民间音乐，而不是指承德某个单一的音乐会组织。“热河清音”二百多年来通过活跃在热河境内及周边地区的各类民间音乐会的演奏得以展现与传承。
历史与现状：
乾隆时期曾在“十番学”学过音乐的的宦官“陈九宫”首先将“清音”带入，后来避暑山庄内务府官员子弟中的音乐爱好者成立了“昇平清音班”；嘉庆皇帝登基后，将查抄大贪官和珅在承德府邸的部分乐器留在山庄，又拨一部分外国进贡的乐器到山庄内务府保管。1915年清音班的唐锡福开始收徒传艺，先收了刘梦舫、白雪樵和王鑑殷三人教习，随之，先后出宫的内务府官员子弟中的音乐爱好者便与他们组建了承德街上的“清音会”；在四十年代达到鼎盛，清音班达到四十余人。80年代伊始，白晓颖协助祖父白雪樵为恢复清音奔走呼号，撰写有关清音的各类材料，热河清音为改革开放初期的承德开启了一扇绚丽之窗。从此，代表着地方文化的热河清音成为了向外界展示承德魅力的一张重要名片。
承德满族民俗音乐：清音
我的家乡河北承德，最出名的时期应该就是在清朝了，而且由于满族人口比例非常高，满族文化始终可以算是主流，并且在饮食，建筑音乐等方面有着很大影响，在音乐方面的代表就是热河清音。
“清音”泛指不化妆、不设舞台调度的戏曲清唱，也泛指当时民间“坐乐”和“行乐”的花会或音乐会，其作为一种演唱形式兴起于明代的江苏，流行于苏、浙、闽、津、京、冀等地，至清朝乾隆年间流布全国。热河清音属其中一支。
热河境内活动的其他清音乐队则不似承德街上的那般规矩，而是在尽量靠近雅乐的前提下根据自身条件，有什么乐器就上什么乐器。演奏的是除清音的代表性曲目以外，也有其他各类乐曲。
热河清音呈现着汉族宫廷音乐与满族及其他少数民族音乐的复合型态，充分体现了清朝统治者“大统一”的政治理念，是中华民族音乐文化的重要遗存，对弘扬中华民族优秀文化、促进中华民族文化认同有着重要的意义。
ManchuFolk Music in Chengde
My hometown, Chengde, was quite famous in Qing dynasty. Due to the high percentage of Manchu people of population of Chengde, Manchu culture is the mainstream, andhasthe biggest influence on food, architecture and our daily life. The most distinguishing music form isqing yin.