拉丁美洲文学 英文
英语专八-最全英美文学常识.
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英国文学(English Literature)一、Old and Medieval English Literature中古英语文学(8世纪-14世纪)1) The Old English Period / The Anglo-Saxon Period古英语时期(449-1066)a. pagan poetry(异教诗歌): Beowulf《贝奥武甫》- 最早的诗歌;长诗(3000行) heroism & fatalism & Christian qualitiesthe folk legends of the primitive northern tribes; a heroic Scandinavian epic legend; 善恶有报b. religious poetry: Caedmon(凯德蒙610-680): the first known religious poet; the father of English songCynewulf(基涅武甫9C): The Christc. 8th C, Anglo-Saxon prose: Venerable Bede(673-735); Alfred the Great(848-901)2) The Medieval Period中世纪(1066-ca.1485 / 1500):a. Romance中世纪传奇故事(1200-1500): the Middle Ages; 英雄诗歌无名诗人- Sir Gawain and the Green Knight《高文爵士与绿色骑士》: Celtic legend; verse-romance; 2530 lines~ 14th C,Age of Chaucer:* Geoffrey Chaucer(乔叟1340-1400): 文风:vivid and exact language, his poetry is full of vigor and swiftnessthe father of English poetry; the father of English fiction; 首创“双韵体”couplet; 首位用伦敦方言写作英国作家The Canterbury Tales:pilgrims stories 受Boccaccio(薄伽丘) - Decameron《十日谈》启发The House of Fame; Troilus and Criseyde; The Romaunt of the Rose《玫瑰罗曼史》(译作)* William Langland(朗兰1332-1400):The Vision of Piers Plowman《农夫皮尔斯之幻象》: 普通人眼中的社会抗议b. 15th C, English ballads: Thomas Malory (1395-1471):Morte D’Arthur《亚瑟王之死》- 圆桌骑士二、The Renaissance Period英国文艺复兴(1500-1660): humanism十四行诗,文艺复兴,无韵诗,伊丽莎白戏剧1) 诗歌Henry Howard(霍华德1516-1547)a. Thomas Wyatt (怀亚特1503-1542): the first to introduce the sonnet into English literatureb. Sir Philip Sidney(雪尼爵士1554-1586):代表了当时的理想- “the complete man”Defense of Poetry《为诗辩护》Astrophel and Stella; Arcadia《阿卡狄亚》: a prose romance filled with lyrics; a forerunner of the modern worldc.Edmund Spenser(斯宾塞1552-1599): the poets’ poet; non-dramatic poet of伊丽莎白时代- long allegorical romance文风:a perfect melody, a rare sense of beauty and a splendid imagination. The Shepherd CalendarThe Faerie Queen《仙后》:long poem for Queen Elizabeth; Allegory - nine-line verse stanza/ the Spenserian Stanza Spenserian Stanza(斯宾塞诗体): Nine lines, the first eight lines is in iambic(抑扬格) pentameter(五步诗),and the ninth line is an iambic hexameter(六步诗) line.2) Prose 散文a. Thomas More(莫尔1478-1535): 欧洲早期空想社会主义创始人Utopia《乌托邦》: More与海员的对话b. John Lyly (黎里1553-160,剧作家&小说家):EupheusEuphuism(夸饰文体): Abundant use of balanced sentences, alliterations(头韵) and other artificial prosodic(韵律) means.The use of odd similes(明喻) and comparisonsc. Francis Bacon (培根1561-1626):英国首位散文家,中世纪至现代欧洲时期; 近代唯物主义哲学奠基人和近代实验科学先驱the trumpeter of a new age;Essays(论说文集):Of Studies, Of Love, Of Beauty: the first true English prose classic3) 戏剧a. Christopher Marlowe(马洛1564-1593): University Wits 大学才子派Edward II;The Jew of Malta《马耳他的犹太人》first made blank verse(无韵诗:不押韵的五步诗) the principle instrument of English dramaThe Tragical History of Doctor Faustus《浮士德博士的悲剧》:根据德国民间故事书写成; 完善了无韵体诗。
二十世纪拉丁美洲文学
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二十世纪拉丁美洲文学(小说)拉丁美洲新小说拉丁美洲从1492年哥伦布发现新大陆成为西班牙的殖民地近四个世纪之久,十九世纪殖民地各国纷纷独立,政治社会等各方面的发展,较其殖民祖国西班牙及北方的近邻美利坚有如天壤之别,遑论被视为边缘弱势的文化文学事业。
虽同以西班牙语写作,而且自十九世纪以来,拉丁美洲印第安文学与黑人文学(奴隶文学)发展蓬勃,但是这个区域的文学创作受到国际的重视仅是近半世纪的事。
在小说方面,最直接的肯定与刺激则是1967年诺贝尔文学奖颁给瓜地马拉的小说家阿斯图里亚斯(Miguel Ángel Asturias,1899-1974)及1982年颁给哥伦比亚的马奎斯(Gabriel García Márquez,1928-)【先前有1945年及1971年颁给智利诗人蜜丝特拉尔(Gabriela Mistral,1889-1957)及聂鲁达(Pablo Neruda,1904-1973),之后1990年颁给墨西哥诗人帕斯(Octavio Paz,1914-1998)】。
盱衡二十世纪的国际文坛,拉美文学占有举足轻重之地位,是一股不可忽视的力量。
回顾本世纪拉美文学(小说)的发展至大放异采约莫可分为三个时段:1940年以前的传统小说,1940-1975的新小说(爆炸时期),1975年后(后爆炸时期)转型期。
1915-1929年间,虽然有零星的个人作品市场销售成功的例子(阿根廷小说家基拉德斯(Ricardo Güiraldes)的<<塞昆多?宋布拉先生>> (Don Segundo Sombra)及曾任委内瑞拉总统的小说家罗幕洛?加叶哥斯(Rómulo Gallegos)的<<芭芭拉夫人>> (Doña Bárbara),大体而言,并没有太多杰出优秀的小说家。
此时期文学创作一般称为『区域文学』(乡土或丛林文学)。
外国文学作品英文名称
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I. Early and Medieval English Literature (5th century-15th century)1. Bewolf 《贝尔武甫》2. The Legend of King Arthur and his Round Table Knights;《亚瑟王和他的圆桌骑士》“Sir Gawain and the Green Knight” 《高文爵士和绿衣骑士》3. William Langland (1330-1400) Piers the Plowman《农夫皮尔斯》4. Geoffrey Chaucer (1340-1400) 杰弗里•乔叟The Canterbury Tales (1387-1400)《坎特伯雷故事集》The Romanunt of the Rose 《玫瑰罗曼史》Troilus and Criseyde《特罗勒斯和克丽西德》The House of Fame《声誉之堂》II. English Literature of the Renaissance (16th century) —the Elizabethan Age (1558-1603)1. Thomas More (1478-1535)Utopia (1516) 《乌托邦》2. Edmund Spenser (1552-99)The Faerie Queen (1596) 《仙后》The Shepherd’s Calendar (1597 《牧人日历》3. Christopher Marlowe (1564-93)Tamburlaine the Great (1587)《帖木儿》Dr. Faustus (1589)《浮士德博士的悲剧》The Jew of Malta (1590) 《马耳他的犹太人》The Passionate Shepherd to His Love 《多情牧童致爱人》4. William Shakespeare (1564-1616)The First Period (1590-1594)1590 Henry VI, Part II《亨利六世中篇》Henry VI, Part III《亨利六世下篇》1591 Henry VI, Part I 《亨利六世上篇》1592 Richard III《理查三世》The Comedy of Errors 《错误的喜剧》1593 Titus Andronicus《泰特斯•安德洛尼克斯》The Taming of the Shrew《训悍记》1594 The Two Gentlemen of Verona《维洛那二绅士》Love’s Labour’s Lost《爱的徒劳》Romeo and Juliet 《罗密欧与朱丽叶》Two narrative poems:Venus and Adonis 《维纳斯与阿多尼斯》The Rape of Lucrece《露克丽丝受辱记》The Second Period (1595-1600)The second period of Shakespeare’s work is his mature period, mainly a period of “great comedies” and mature historical plays. 1595 Richard II 《理查二世》A Midsummer Night’s Dream《仲夏夜之梦》1596 King John《约翰王》The Merchant of Venice 《威尼斯商人》1597 Henry IV, Part I《亨利四世上篇》Henry IV, Part II《亨利四世下篇》1598 Much Ado about Nothing《无事生非》Henry V《亨利五世》The Merry Wives of Windsor《温莎的风流娘儿们》1599 Julius Caesar《裘力斯•凯撒》As You Like It《皆大欢喜》1600 Twelfth Night《第十二夜》The Third Period (1601-1607)The third period of Shakespeare’s dramatic career is mainly the period of “great tragedies” and “dark comedies”. 1601 Hamlet《哈姆莱特》1602 Troilus and Cressida《特洛伊罗斯与克瑞西达》1603 All’s Well That Ends Well《终成眷属》1604 Measure for Measure《一报还一报》Othello《奥瑟罗》1605 King Lear《李尔王》Macbeth《麦克白》1606 Antony and Cleopatra《安东尼与克莉奥佩特拉》1607 Coriolanus 《科利奥兰纳斯》Timon of Athens 《雅典的泰门》The Fourth Period (1608-1602)The fourth period of Shakespeare’s work is the period of romantic drama.1608 Pericles《泰尔亲王配瑞克里斯》1609 Cymbeline《辛白林》1610 The Winter’s Tale《冬天的故事》1601 The Tempest《暴风雨》1612 Henry VIII《亨利八世》5. Ben Jonson (1573-1637)Every Man in His Humor (1598)V olpone, or the Fox (1606)The Alchemist (1610) 《炼金术士》Bartholomew Fair (1614)6. Francis Bacon (1561-1626)Advancement of Learning, 1605 《学术的进展》Novum Organum, 1620《新工具》New Atlantics, 1627《新大西岛》Essays, 1597,1612,1625 《论说文集》III. English Literature during the English Bourgeois Revolution and the Restoration (17th century)1. John Milton (1608-1674)“Morning of Christ’s Nativity”(1629)“圣诞晨歌”“L’ Allegro” (1632) “欢乐的人”“Il Penseroso” (1632) “沉思的人”Areopagitica (1644)《论出版自由》Deference of the English People (1651)《为英国人民辨》Second Deference of the English People (1654)《再为英国人民辨》Paradise Lost (1667)《失乐园》Paradise Regained (1671)《复乐园》Samson Agonistes (1671)《力士参孙》2. John Donne (1572-1631)3. Andrew Marvell (1621-1678)“To His Coy Mistress”《给他羞怯的情人》4. Robert Herrick (1591-1674)“Gather ye Rosebuds while ye May”《花开堪折直须折》5. John Bunyan (1628-1688)T he Pilgrim’s Progress (1678) 《天路历程》The Life and Death of Mr. Badman (1680)Grace Abounding to the Chief of Sinners《罪人受恩记》6. John Dryden (1631-1700)“All for Love”《一切为了爱》“Absalom and Achitophel”“A Song for St. Ceilia’s Day, 1687”“Alexander’s Feast”“An Essay of Dramatic Poesy”IV. English Literature of the 18th Century (18th century)1. Alexander Pope (1688-1744)An Essay on Criticism (1711) 《论批评》The Rape of the Lock (1714)《夺发记》The Dunciad (1728-1742)《愚人志》Essay on Man (1732-1734)《人论》2. Richard Steele (1672-1729) and “The Tatler”《闲话》报(1709-1711)3. Joseph Addison (1672-1719) and “The Spectator” 《旁观者》报(1711-1712)4. Daniel Defoe (1660-1731)The True Born Englishman (1701)《真正的英国人》The Shortest Way with the Dissenters (1702)《消灭不同教派的捷径》Robinson Crusoe (1719)《鲁滨逊漂流记》Moll Flanders (1722)《摩尔•弗兰德》A Journal of the Plague Year (1722)《大疫年日记》5. Samuel Richardson (1689-1761)Pamela: or, Virtue Rewarded (1742)《帕美拉,或德行有报》Clarissa: or The History of a Young Lady (1747)《克莱丽莎》The History of Sir Charles Grandison (1754)《查尔斯•格兰迪森爵士的历史》6. Jonathan Swift (1667-1745)The Battle of Books (1697)《书籍之战》A Tale of a Tub (1698)《一个木桶的故事》Drapier’s Letters (1724)《布商的来信》Gulliver’s Travels (1726)《格列佛游记》7. Henry Fielding (1707-1754)The Coffee-house Politician (1730)《咖啡屋政客》Don Quixote in England (1734)《堂吉诃德在英国》The History of the Adventures of Joseph Andrews (1742)《约瑟夫•安德鲁》The History of Mr. Jonathan Wild the Great (1743)《大伟人江奈生•魏尔德伟》The History of Tom Jones, A Foundling (1749)《汤姆•琼斯》8. Richard Brinsley Sheridan (1751-1816)The Rivals (1775)《情敌》St. Patrick’s Day (1775)《圣帕特里克日》The School for Scandal (1777)《造谣学校》A Trip to Scarborough (1777)《思卡波罗之行》9. Samuel Johnson (1709-1784)A Dictionary of the English Language (1755)《英语大辞典》Lives of the Poets (1779-1781)《诗人传》The Vanity of Human Wishes《人类欲望之虚幻》10. James Boswell (1740-1795)Life of Johnson《约翰逊传》11. Edward Gibbon (1737-1794)The Decline and Fall of the Roman Empire 《罗马帝国衰亡史》12. Laurence Stern (1713-1768)The Life and Opinions of Tristram Shandy (1760-67)《项狄传》A Sentimental Journey (1768)《伤感之旅》13. Oliver Goldsmith (1730-1774)The Bee (1759)《蜜蜂》The Citizen of the World (1760—1761)《世界公民》The Vicar of Wakefield: A Tale (1766)《威克菲尔牧师传》The Deserted Village (1770)《荒村》She Stoops to Conquer (1773) 《屈身俯就》14. Thomas Gray (1716-1765)Ode on the Spring (1742)春天颂Ode on a Distant Prospect of Eton College (1747)《伊顿颂歌》Elegy Written in a Country Churchyard (1750)《墓园挽歌》The Progress of Poetry (1757) 《诗歌的进程》15. Robert Burns (1759-1796)Poems, Chiefly in the Scottish Dialect (1786)《苏格兰方言诗集》“To a Mouse”“致老鼠”“To a Louse” “致虱子”“Scots Wha Hae” “苏格兰人”“My Heart’s in the Highlands”“我的心呀在高原”“Auld Lang Syne”“过去的好时光”“A Red, Red Rose” 《一朵红红的玫瑰》16. William Blake (1757-1827)Poetical Sketches (1783)《素描诗集》Songs of Innocence (1789)《天真之歌》The French Revolution (1791)《法国革命》The Marriage of Heaven and Hell (1793)《天堂与地狱的婚姻》Songs of Experience (1794)《经验之歌》V. Romanticism in England — the Romantic Period (early 19th century)1. William Wordsworth (1770-1850)Lyrical Ballads (1789)《抒怀歌谣集》Lucy Poems (1799)《露西组诗》“The Solitary Reaper”(1807)“孤独的刈麦女”“I Wandered Lonely as a Cloud” (1807)“我似孤独流云”The Prelude (1850)《序曲》“My Hearts Leaps Up” “我的心跳了起来”Tintern Abbey 《丁登寺旁》2. Samuel Taylor Coleridge (1772-1834)“The Fall of the Bastille” (1789)“巴士底狱的倒塌”Lyrical Ballads (1789)《抒情歌谣集》“The Rime of the Ancient Mariner”(1798)“老水手谣”“Kulbla Khan”(1816)“忽必烈汗”Biographa Literaria (1817)《文学传记》3. Robert Southey (1774-1843)Joan of Arc《圣女贞德》Walt Tyler《瓦特•泰勒》The Fall of Robespierre《罗伯斯庇尔之死》The Life of Nelson 《纳尔逊传》4. George Gordon Byron (1788-1824)Hours of Idleness (1807)《懒散时刻》Childe Harold’s Pilgrimage (Canto I and II 1812; Canto III 1816; Canto IV, 1818)《恰尔德哈罗德游记》Oriental Tales (1813-1816)《东方叙事诗》Don Juan (1818-1823)《唐璜》The Age of Bronze (1822)《青铜时代》5. Percy Bysshe Shelley (1792-1822)“Queen Mab”(1813)“麦布女王”“The Masque of Anarchy”(1819)“专制魔王的化妆舞会”“Ode to West Wind” (1819)“西风颂”“Song to the Men of England”(1819)“致英国人民”“England in 1819”(1819)“一八一九年的英国”“Prometheus Unbound” (1819)“解放了的普罗米修斯”“To a Skylark” (1820)“致云雀”“A Defense of Poetry”(1821)“诗辩”6. John Keats (1795-1821)“Endymion”(1818)“恩底弥翁”“Isabella; or the Pot of Basil” (1820)“伊莎贝拉”“Ode to a Nightingale” (1819)“夜莺颂”“Ode on a Grecian Urn” (1819)“希腊古瓮颂”“Ode on Melancholy” (1819) “忧郁颂”“Ode to Autumn” (1819) “秋颂”“La Belle Dame Sams Merci”(1820)“无情的美女”“Sonnet on Peace” “和平十四行诗”7. Charles Lamb (1775-1843)Essays of Elia (1823;1833)《伊利亚随笔》Tales from Shakespeare (1807) 《莎士比亚戏剧故事集》Specimens from English Dramatic Poets Contemporary with Shakespeare《莎士比亚时期英国戏剧诗人选》8. Thomas De Quincey (1785-1859)The Confession of an English Opium-Eater《一个英国吸食鸦片者的自白》9. Mary ShellyFrankenstein《弗兰肯斯坦》10. Walter Scott (1771-1832)The Minstrelsy of the Scottish Border(1802-1803)《英格兰边区歌谣集》The Lay of the Last Minstrel (1805) 《末代歌者之歌》The Lady of the Lake (1810)《湖上夫人》Waverly (1814)《威弗利》Guy Mannering (1815)《盖•曼纳令》Rob Roy (1817)《罗布•罗伊》Ivanhoe (1819)《艾凡赫》11. Jane Austen (1775-1817)Sense and Sensibility (1811)《理智与情感》Pride and Prejudice (1813)《傲慢与偏见》Mansfield Park (1814)《曼斯菲尔德庄园》Emma (1816)《爱玛》Northanger Abbey (1818)《诺桑觉寺》Persuasion (1818)《劝导》VI. English Critical Realism (second half of the 19th century) — the Victorian Age (1837-1901) 1. Charles Dickens (1812-1870)1836 Sketches by Box《博兹特写集》1836-1837 The Pickwick Papers《匹克威克外传》1837-1838 Oliver Twist《雾都孤儿》1838-1839 Nicholas Nickleby《尼古拉斯•尼克贝尔》1840-1841 The Old Curiosity Shop 《老古玩店》1841 Barnaby Rudge1842 American Notes 《游美札记》1843-1845 Martin Chuzzlewit《马丁•朱速尔唯特》1843 A Christmsa Carol《圣诞欢歌》1844 The Chimes《钟乐》1845 The Cricket on the Hearth《炉边蟋蟀》1846-1848 Dombey and Son《董贝父子》1849-1850 David Copperfield 《大卫•科波菲尔》1852-1853 Bleak House《荒凉山庄》1854 Hard Times《艰难时世》1855-1857 Little Dorrit《小杜丽》1859 A Tale of Two Cities《双城记》1860-1861 Great Expectations《远大前程》1864-1865 Our Mutual Friend 《我们的共同朋友》2. William M. Thackeray (1811-63)The Book of Snobs (1847)《势利人脸谱》Vanity Fair (1847-1848)《名利场》Pendennis (1848-1850)《潘丹尼斯》The History of Pendennis (1850) 《潘丹尼斯的历史》The History of Henry Esmond (1852)《亨利•埃斯蒙德》The Newcomers (1853-1855)《纽克姆一家》The Virginians (1857-1859)《弗吉尼亚人》Lovel the Widower (1860)《鳏夫洛弗尔》Adventures of Philip (1861-1862) 《菲利普历险记》3. Charlotte Bronte (1816-1855)Jane Eyre (1847)《简•爱》Shirley (1849)《谢利》Vilette (1853)《维莱特》The Professor (1857) 《教授》4. Emily Bronte (1818-1848)Wuthering Heights (1847)《呼啸山庄》5. Anne Bronte (1820-1849 )Agnes Grey 《艾格尼丝•格雷》6. William Morris (1834-1896)News from Nowhere 《来自乌有乡之消息》A Dream of John Ball《梦遇约翰•保尔》The Earthly Paradise 《人间乐园》Chants for Socialism《社会主义歌集》7. Robert Stevenson (1850-1894)Treasure Island《金银岛》New Arabian Nights《新天方夜谭》Kidnapped《诱拐》A Child’s Garden of Verses《儿童诗园》8. Oscar Wilde (1856-1900)An Ideal Husband《理想丈夫》The Picture of Dorain Gray《道林•格雷画像》A Woman of No Importance《一个无足轻重的女人》The Importance of Being Earnest《认真的重要性》Lady Windermere’s Fan《温德米尔夫人的扇子》The Ballad of Reading Gaol《累丁狱之歌》The Happy Prince and Other Tales《快乐王子集》9.George Eliot (1819-1880)Adam Bede (1859)《亚当•比德》The Mill on the Floss (1860)《弗洛斯河上的磨坊》Silas Marner (1861)《织工马南》Romola (1863)《罗莫拉》Middlemarch (1871-1872)《米德尔马奇》10. Alfred Tennyson (1809-1892)11. Robert Browning (1812-1889)VII. 20th Century English Literature (20th century) — the Modernist Period (between the two world wars) 1. Thomas Hardy (1840-1928)Far from the Madding Crowd《远离㵙尘嚣》The Mayor of Casterbridge《卡斯特桥市长》The Return of the Native《还乡》Under the Greenwood Tree《绿荫下》Tess of the D’ Urbervilles 《德伯家的苔丝》Jude the Obscure《无名的裘德》Wessex Pooems《威塞克斯诗集》2. Rudyard Kipling (1865-1936)The Jungle Book (1894)《林莽丛书》The Second Jungle Book (1895)《林莽丛书之二》3. Arnold Bennett (1867-1931)The Old Wives’ Tale (1908)《老妇谭》4. E. M. Forster (1879—1970)Where Angles Fear to Tread (1905)《天使们望而却步的地方》The Longest Journey (1907)《最漫长的旅行》A Room with a View (1908)《可以远眺的房间》A Passage to India (1924)《印度之行》5. John Galsworthy (1867-1933)The Forsyte Saga (1906)《福尔赛世家》In Chancery (1920)《骑虎》The Man of Property 《有产业的人》To Let (1921)《出租》Modern Comedy 《现代喜剧》The White Monkey (1924)《白猿》The Silver Spoon (1926)《银匙》Swan Song (1928)《天鹅曲》From the Four Winds (1897)《天涯海角》The Silver Box (1906)《银匣》6. Joseph Conrad (1857-1924)The Nigger of the Narcissus (1897)《白水仙号上的黑家伙》Lord Jim (1900)《吉姆老爷》Heart of Darkness (1902)《黑暗心脏》The Secret Agent (1907)《间谍》Under the Western Eye (1911)《在西方的注视下》7. Henry James (1843-1916)8. George Bernard Shaw (1856-1950)Widow’s Houses (1892)《鳏夫的房产》Mrs. Warren’s Profession (1894)《华伦夫人的职业》Arms and Man (1894)《武器与人》Man and Superman (1903)《人与超人》Major Barbara (1905)《巴巴拉上校》Pygmalion (1913)《皮格马利翁》Heartbreak House (1917)《伤心之家》9. W. B. Yeats (1865-1939)10. T. S. Eliot (1888-1965)11. D. H. Lawrence (1885-1930)The White Peacock (1911)《白孔雀》Sons and Lovers (1913)《儿子与情人》The Rainbow (1915)《虹》Women in Love (1916)《恋爱中的女人》Lady Chatterley’s Lover (1928)《恰泰莱夫人的情人》12. James Joyce (1882-1941)Dubliner (1914)《都柏林人》A Portrait of the Artist as a Young Man (1916)《年轻艺术家画像》Ulysses (1922)《尤利西斯》Finnegan’s Wake (1939)《芬尼根的觉醒》13. Virginia Woolf (1882-1941)Mrs. Dalloway (1925)《黛洛维夫人》To the Lighthouse (1927)《到灯塔去》The Waves (1931)《浪》The V oyage Out (1915)《航行》Orlando (1928)《奥兰多》14. Katherine Mansfield (1888—1923)。
拉丁美洲文学的辉煌之路马尔克斯与博尔赫斯的魔幻现实主义
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拉丁美洲文学的辉煌之路马尔克斯与博尔赫斯的魔幻现实主义拉丁美洲文学的辉煌之路:马尔克斯与博尔赫斯的魔幻现实主义拉丁美洲文学自20世纪以来逐渐崭露头角,其中马尔克斯和博尔赫斯两位作家以他们独特的魔幻现实主义风格成为了这一时期文学史上的璀璨星辰。
他们的作品不仅在文学领域引起了广泛的关注,更深刻地影响了整个拉丁美洲以及世界上其他国家的文化和艺术。
本文将从马尔克斯和博尔赫斯的作品中寻找魔幻现实主义的意义,并深入探讨这种文学流派对于拉丁美洲文学的辉煌之路的贡献。
一、马尔克斯的魔幻现实主义马尔克斯是魔幻现实主义的代表作家之一,他的作品充满了奇幻、夸张和神秘的元素。
他以《百年孤独》、《霍乱时期的爱情》等作品成为世界文学的经典,将拉丁美洲独特的历史、文化与现实融入到他的小说中。
在马尔克斯的小说中,人物和事件常常超越了现实的界限。
他通过魔幻的笔触描绘出一个又一个生动的故事,让读者如同置身于一个奇妙的梦境中。
他的作品中常常出现不可思议的情节,比如人们在空气中飞翔、活着的尸体等。
这种虚实相生的创作方式使得他的作品在拉丁美洲文学中独树一帜,也成为了马尔克斯的魔幻现实主义的独特标志。
二、博尔赫斯的魔幻现实主义博尔赫斯是另一位以魔幻现实主义著称的拉丁美洲作家。
他的作品以独特的思维深邃而闻名,通过形式上的实验和虚构的故事情节打破了传统文学的限制。
博尔赫斯的作品探索了时间、空间、人类及其存在的意义等哲学问题。
他通过魔幻的手法将现实和想象相融合,打破了传统小说的线性叙事模式。
他的作品中常常使用迷宫、镜子等象征性的意象,这样独特的写作风格使他的作品充满了哲学和艺术的气息,给读者带来了迷思与思考。
三、拉丁美洲文学的辉煌之路马尔克斯和博尔赫斯作为魔幻现实主义的代表作家,奠定了拉丁美洲文学辉煌之路的基石。
他们的作品不仅在拉丁美洲国家引起了巨大反响,更赢得了世界读者的赞誉。
魔幻现实主义让拉丁美洲文学在世界文学舞台上独领风骚。
他们的作品展现了拉丁美洲特有的历史、文化和社会问题,使世界更加关注并了解这个多姿多彩的地区。
外国文学作品英文名称
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外国文学作品英文名称《百年孤独》(One Hundred Years of Solitude)是哥伦比亚作家加西亚·马尔克斯的代表作,也是拉丁美洲魔幻现实主义文学的代表作,被誉为“再现拉丁美洲历史社会图景的鸿篇巨著”。
作品描写了布恩迪亚家族七代人的传奇故事,以及加勒比海沿岸小镇马孔多的百年兴衰,反映了拉丁美洲一个世纪以来风云变幻的历史。
作品融入神话传说、民间故事、宗教典故等神秘因素,巧妙地糅合了现实与虚幻,展现出一个瑰丽的想象世界,成为20世纪最重要的经典文学巨著之一。
《小王子》(The Little Prince)是法国作家安托万·德·圣埃克苏佩里于1942年写成的著名儿童文学短篇小说。
本书的主人公是来自外星球的小王子。
书中以一位飞行员作为故事叙述者,讲述了小王子从自己星球出发前往地球的过程中,所经历的各种历险。
作者以小王子的孩子式的眼光,透视出成人的空虚、盲目,愚妄和死板教条,用浅显天真的语言写出了人类的孤独寂寞、没有根基随风流浪的命运。
同时,也表达出作者对金钱关系的批判,对真善美的讴歌。
《飘》(Gone with the Wind)是美国作家玛格丽特·米切尔创作的长篇小说,是美国文学史上最畅销的小说之一。
小说以亚特兰大以及附近的一个种植园为故事场景,描绘了内战前后美国南方人的生活。
作品刻画了那个时代的许多南方人的形象,占中心位置的斯嘉丽、瑞德、艾希礼、梅兰妮等人是其中的典型代表。
他们的个性特征都代表了其所处时代与地区的特色,生动地再现了林肯时期的南北战争以及美国南方地区的社会生活。
《战争与和平》(War and Peace)是俄国作家列夫·托尔斯泰创作于13—19年间的长篇小说,是列夫·托尔斯泰的代表作品。
小说以1812年的卫国战争为中心,反映从1805到1820年间的重大历史事件。
以鲍尔康斯、别祖霍夫、罗斯托夫和库拉金四大贵族的经历为主线,在战争与和平的交替描写中把众多的事件和人物串联起来。
公共课拉丁美洲文学
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拉丁美洲文学
吴健恒译,云南人民出版社,1995年9月
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宋碧云译,台版远景出版社,1986年6月5印. 转自英译本
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拉丁美洲文学
范晔译,(新经典)南海出版公司; 第1版 (2011年6月2日)
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Mario Vargas Llosa
何塞 埃尔南德斯 José Hernández (阿根廷):《马丁 菲耶罗》Martí n Fierro
现代主义诗歌(1882-1916)El modernismo
何塞 马蒂 José Martí(古巴):《伊斯马埃利约》 Ismaelillo
卢文 达里奥 Rubén Darí o (尼加拉瓜):《蓝》Azul
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拉丁美洲文学
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拉丁美洲文学
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拉丁美洲文学
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殖民地文学时期(16-18世纪)
征服时期文学
哥伦布 (Cristóbal Colón)《航行日记》Diario de navegación 印加 加尔西拉索 德 拉 维加 El Inca Garcilaso de la Vega 《王家 述评》Comentarios reales de los Incas
安德雷斯贝略 Andrés Bello(委内瑞拉)
小说:
费尔南德斯 德 利萨尔迪 José Joaquí n Fernández de Lizardi(墨 西哥):《癞皮鹦鹉》Periquillo Sarniento
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拉丁美洲文学
西方文论著作英汉名
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西方文论著作英汉名西方文论著作英汉对照书名1.Plato理想国?古希腊语:Πολιτε?α英语:The Republic文艺对话集?英语:Plato’s Dialogues法律篇?英语:The Laws2.Aristotle修辞学?英语:Rhetoric诗学?英语:Theory of Poetry3.Horatius诗艺?拉丁语:Ars Poetica 英语:Art of Poetry4.Longinus论崇高?拉丁语:Peri Ypsous5.Saint Augustine忏悔录?英语:The Confessions (原名:Confessiones )6.Saint Thomas Aquinas反异教大全?英语:Summa Contra Gentiles神学大全?英语:Summa Theologica7.Johannes Scotus Erigena自然的分类?希腊语:Periphyseon8.Peter Abelard我的苦难史?法语:Historia calamitatum 英语:The Story of My Misfortunes认识你自己?法语:Scito Te Ipsum9.Dante Alighiere神曲?意大利语:Divina Commedia论俗语?拉丁语: De vulgari eloquentia10.Philip Sidney为诗辩护?英语:An Apology For Poetry10.Leonardo da vinci论绘画?英语:Treatise on Painting11.Ludovico Castelvetro亚里士多德<诗学>诠释?英语:Annotation on Aristotle's poeticsNeo-Classicism12. Nicolas Boileau-Despreaux 布瓦洛《诗的艺术》L'Art poétique(法)The art of poetry(英)13. Alexander Pope浦柏《论批评》An Essay on CriticismThe Enlightenment (transitional)14. D.Diderot 狄德罗《论戏剧诗》An Essay of Dramatic Poesy《绘画论》15. G.E Lessing 莱辛《拉奥扎》Laocoon L aokoon oder über die Grenzen der Malerei und Poesie (Laocoon: An Essay on the Limits of Painting and Poetry)16. G.Vieo 维柯《新科学》Scienza NuovaEarly Modern PeriodGerman Classicism17. Immanuel Kant 康德《判断力批判》Critique of Judgment Kritik der Urteilskraft (Critique of Judment)18. Georg William Friedrich Hegel 黑格尔《美学》Vorlesungen über die ?sthetik (Lectures on A esthetics)19. Johann Wolfgang von Goethe 歌德《歌德谈话录》Gespr?che mit Goethe (德)Conversations with Goethe(英)20. Johann Christoph Friedrich Schiller 席勒《论美书简》Die Philosophie des Sch?nen《审美教育书简》über die ?sthetische Erziehung des Menschen in einer Reihe von Briefen (Letters Upon The Aesthetic Education of Man) Romanticism21. Heinrich Heine 海涅《论浪漫派》Die Romantik("Romanticism", shortcritical essay)22. William Wordsworth 华兹华斯《抒情歌谣集》序言》Lyrical Ballads23. Francois Rene de Chateaubriand 夏多勃里昂《基督教真理》Génie du christianisme.(法)The Genius of Christianity(英)Realism24. Stendhal司汤达《拉辛与莎士比亚》Racine et Shakespéare (法)Racine and Shakespeare(英)25. Belinsky别林斯基《艺术的概念》26. Chernishevsky 车尔尼雪夫斯基《艺术与现实的美学关系》Aesthetic Relations of Art to Reality27. Tolstoy托尔斯泰《艺术论》Чтотакоеискусство? Chto takoye iskusstvo?(俄)What Is Art?(英)Positivism28. Madame de Stael Germaine《论文学》,全名为《从社会制度与文学的关系论文学》De la littérature considérée dans ses rapports avec les institutions sociales29. Hippolyte Taine《艺术哲学》Philosophie de l’art (1865 et 1882)(The Philosophy of Art)Non-rationalism30. Arthur Schopenhauer《作为意志和表象的世界》Die Welt Als Wille und vorstellung,1818(The World as Will and Representation)31. Friedrich Wilhelm Nietzsche《悲剧的诞生》全名《悲剧的诞生:源于音乐的灵魂》Die Geburt der Trag?die aus dem Geiste der Musik. 1872在1886年则改以《悲剧的诞生:希腊文化和悲观主义》Die Geburt der Trag?die, Oder: Griechentum und Pessimismus为名重新出版(The Birth of Tragedy )A.Aestheticism32. Theophile Gautier《诗集》Poésies(1830)《莫般小姐》Mademoiselle de Maupin(1835)33. Walter Horatio Pater《文艺复兴:艺术和诗的研究》The Renaissance: Studies in Art and Poetry 34. Oscar wilde《批评即艺术家》The Critic as Artist《英国的文艺复兴》The English Renaissance of Art35. Francesco De Sanctis《批评文集》Saggi criticiB.Symbolism36. Charles Baudelaire《美学探奇》或译为《美学珍玩》Curiosités Esthétiques 186837. Paul Verlaine《诗艺》Poèmes saturniens 186638. Arthur Rimbaud《通灵人的信》L ettre à Paul Demeny 187139. Stephane Mallarme《谈文学运动——答儒勒.于莱问》(查不到法文名和英文名,中文名应该是《谈文学运动—斯特芬·马拉美答儒勃·于莱问》)Intuitionism40. Henri Bergson《笑之研究》Le rire. Essai sur la signification du comique (Laughter: An Essay on the Meaning of the Comic)41. Benedetto Croce《作为表现的科学和一般语言学的美学》Estetica come scienza dell'espressione e linguistica generale (1902)(Aesthetic as Science ofExpression and General Linguistic)《美学原理》Breviario di estetica (The Essence of Aesthetic)42. Sigmund Freud(Austrian)《梦的解析》Die TraumdeutungThe Interpretation of Dreams《作家与白日梦》Creative Writers and Day-dreaming《论创造力与无意识》On creativity and the Unconscious43. Carl Gustav Jung(Swiss)《心理学与文学》Psychology and Literature44. Roman Jakobson(Russian-American)《语言学与诗学》("Closing Statement: Linguistics and Poetics," in Style in Language)Linguistics and Poetics45. Boris Eichenbaum(Russian and Soviet)《论散文,论诗歌》(这本书不是很确定)ЛесковисовременнаяпрозаLeskov and Contemporary Prose46. Victor Shklovsky(Russian and Soviet)《作为手法的艺术》("Art as Technique": pages 15–21 Literary Theory) Art as Technique《词的复活》The Resurrection of the Word47. Northrop Frey(Canadian)《文学的原型》(没找到)《批评的解剖》Anatomy of Criticism48. A. Richards(British)《文学批评原理》The Principles of Literary Criticism《实用批评》Practical Criticism49. William Empson(British)《含混七型》Seven Types of Ambiguity《复杂词的结构》The Structure of Complex Words50. John Crowe Ransom(American)《新批评》The New Criticism《诗歌:本体论笔记》(没找到)51. Brooks/Warren:《怎样读诗》Understanding Poetry 是不是一般译为理解诗歌?不确定是不是对应这本。
《世界文学发展史》拉丁美洲文学之三:20世纪拉丁美洲文学2
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《世界文学发展史》拉丁美洲文学之三:20世纪拉丁美洲文学2拉丁美洲文学之三:20世纪拉丁美洲文学2地方主义小说家认为大自然代表一种力量,它决定了拉美人的性格,所以在他们的作品中都描写了独特的自然风光:辽阔的潘帕斯草原和神秘的热带森林,展现给读者一个全新的大自然。
在艺术方面,作家善于运用诗化的语言和民间口语,写景状物体现了拉美小说的进一步成熟和发展。
地方主义文学作品在不同程度上抨击了社会的不公正,具有明显的现实主义倾向和进步意义,为以后魔幻现实主义的发展打下了基础。
进入本世纪20年代,拉丁美洲在诗歌方面出现了后现代主义和先锋派诗歌两种倾向。
前者的代表是智利著名的女诗人米斯特拉尔。
米斯特拉尔(1889-1957),智利女诗人。
生于圣地亚哥。
父亲早逝。
早年独立谋生,自学成才,14岁时便开始发表诗作。
1911年至1919年在家乡从事教育工作。
1914年以《死的十四行诗》获圣地亚哥花节诗歌比赛第一名。
1918年至1920年任阿雷纳斯角女子中学校长。
1921年在圣地亚哥主持女子中学。
1922年发表第一部诗集《孤寂》,突破了当时现代主义诗歌的风格,独树一帜。
1930年发表《艺术十条原则》。
从此以后,她的诗歌创作有了明显的转变。
她的富于强烈博爱主义色彩的抒情诗歌,使她成为拉丁美洲的第一个诺贝尔文学奖金获得者。
她的诗集《有刺的树》(1938)和《葡萄压榨机》(1955),表达了对祖国和人民的深情厚意。
1957年,死于纽约。
米斯特拉尔用朴实无华的形式抒发真情实感,描绘客观现实,开辟了拉美诗歌的新天地。
拉丁美洲的先锋派诗歌的代表以维多夫罗和博尔赫斯最为著名。
维多夫罗(1893-1948),智利诗人,他早年推崇法国作家并接受现代主义诗歌的影响,但很快便摒弃了这些流派,反对一切传统,主张诗歌应是" 绝对的创造" ,1916年在巴黎正式提出" 创造主义" 这个名词,并在《论诗的艺术》和《1917宣言》中系统阐述了创造主义的诗歌理论:把事物人格化;把一切晦涩的东西写得清晰和准确;把抽象的东西具体化,把具体的东西抽象化。
One Hundred Years of Solitude
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• • • • • • •
女性成员
• 在作品中的女性中,乌尔苏拉是整个家族母性的代表, 几乎是整个家族史的见证人。乌尔苏拉是家族的支柱, 具有女性几乎一切的优点。她不仅抛弃男性的野蛮与 荒诞而真正引入文明,还热情地创建家园,解决家族 基本生存问题,并且力图阻止男性统治带来的恶果。 • 布恩迪亚家族其他女性成员是“乌尔苏拉”的延续和 补充。如:阿玛兰坦的高傲、丽贝卡的野性、雷梅黛 丝的美丽、丽贝卡· 雷梅黛丝(梅梅)的热情,以及雷 梅黛丝· 莫科特的纯真善良。
One Hundred Years of Solitude
----加西亚•马尔克斯
加西亚•马尔克斯
• 哥伦比亚作家 • 从小受外祖母神话故事的 影响,这就成了他创作的 重要源泉。 • 作品荒诞神奇,植根于拉 丁美洲历史 • 拉丁美洲魔幻现实主义文 学的代表人物 • 1982年 - 获诺贝尔文学奖 • 代表作有《百年孤独》 《霍乱时期的爱情》
1内Байду номын сангаас梗概
• • 家族第一代 何塞· 阿尔卡蒂奥· 布恩迪亚是西班牙人的后裔,他的妻子乌尔苏拉由于害怕生出长尾巴的孩子,拒 绝与丈夫同房。因此他们遭到邻居的耻笑,于是布恩迪亚杀死了邻居。从此,死者的鬼魂经常出现 在他眼前,使他日夜不得安宁。他们只好离开村子,经过了两年多的奔波,来到一片滩地上定居下 来。又有许多人迁移至此,建立村镇,这就是马孔多。布恩迪亚家族在马孔多的历史由此开始。布 恩迪亚是个极富创造性的人,他的朋友吉卜赛人从外面带来了许多新奇发明,于是他狂热的埋头研 究。后来他又沉迷于炼金术,整天把自己关在实验室里。由于他的精神世界与马孔多的落后格格不 入,他陷入抑郁孤独之中不能自拔,以至于精神失常,被家人绑在一棵大树上,几十年后才在那棵 树上死去。他的妻子乌尔苏拉一直是家里的顶梁柱。 家族第二代 家族的第二代有两男一女。老大阿尔卡蒂奥与一名吉普赛女郎相爱并私奔,后来他回来了,不顾家 人的反对,与妹妹丽贝卡结婚,但被赶出家门,最后在家中被枪杀,。 老二奥雷里亚诺从小就赋有预见事物的本领,少年时就像父亲一样沉默寡言,长大后爱上小萝莉蕾 梅黛丝,蕾梅黛丝被小姑子阿玛兰妲误杀死去。后来他参加了内战,当上上校。当他认识到这场战 争是毫无意义的时候,对准心窝开枪自杀,可却奇迹般的活了下来。 与17个外地女子同居,生下 17个男孩。这些男孩都被枪杀。上校年老归家,每日炼金子作小金鱼,一直到死。 老三女儿阿玛兰妲和姐姐丽贝卡同时爱上意大利钢琴技师皮埃特罗,在姐姐放弃意大利人时与他交 往,却又拒绝结婚,意大利人为此自杀。由于悔恨,她决心永不嫁人。但她内心感到异常孤独,便 和刚刚成年的侄儿发生乱伦关系,然而她始终无法摆脱内心的孤独,她把自己终日关在房中缝制殓 (lian)衣,缝了拆,拆了缝,直至生命的最后一刻。 家族第三代 第三代人是阿尔卡蒂奥和情人庇拉尔的儿子阿尔卡蒂奥及奥雷里亚诺和情人庇拉尔的儿子奥雷里亚 诺。前者不知生母为谁,竟狂热地爱上自己的生母,后来爱上了桑塔索菲亚,后来成为马孔多的从 未有过的暴君,最后被军队枪毙。后者过早成熟,热恋着自己的姑母,因无法得到满足而陷入孤独 之中,于是参军,最终也死于乱军之中。
文学英语赏析专有名词释义
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文学英语赏析专有名词释义第一篇:文学英语赏析专有名词释义1.Abdul Ghafar Ibrahim 阿布都拉·珈法·易布拉欣(1969~),马来西亚当代诗人。
2.Abraham Lincoln 林肯(1809~1865年),美国第十六任总统。
3.Adolphe Hippolyte 泰纳(1828~1893), 法国文艺批评家、历史学家、哲学家。
4.Alan Duff 达夫(1950~), 新西兰小说家,专栏作家。
5.Albert Einstein 爱波特·爱因斯坦(1879~1955),美籍德国理论物理学家,获1921年诺贝尔物理学奖。
6.Albigenses 阿比尔教派, 起源于11世纪法国阿比尔的基督教派别, 13世纪被诬为异教徒,遭到教皇与法王组织的十字军的镇压。
7.Alexander Pope 亚历山大·蒲伯(1688~1744),英国诗人8.Alfred Lord Tennyson 阿尔弗雷特·丁尼生爵士(1809~1892),英国著名诗人。
9.Alistair Cooke 艾里斯泰尔·库克(1908~2004), 著名记者,电视、广播节目撰搞人。
10.Allegheny 阿勒格尼山(在宾夕法尼亚州)11.Allen Ginsberg 艾伦·金斯堡(1926~1997),美国“垮掉的一代” 代表诗人,著有诗集《美国的堕落》。
12.Ambrose Bierce 安布罗斯·彼尔斯(1842~1914?),美国小说家、新闻专栏作家、评论家。
13.American Civil War 美国南北战争(1861~1865)。
14.Amy Levy 艾米·雷维(1861~1889),英国诗人。
15.Andrew Marvell 安德鲁·马韦尔(1621~1678),英国十七世纪著名玄学派诗人。
16.Anne Sexton 安妮·塞克斯顿(1928~74),美国诗人,其诗集《生与死》曾获普利策奖。
文艺冷僻的英文单词
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文艺冷僻的英文单词1.小说: novel 小说家: novelist2.散文: essay3.诗歌: poem 诗人: poet4.文艺复兴: Renaissance5.游记: book of travels6.报告文学:reportage7.畅销书: best seller8.选集: anthology9.版: copyright10.版权, 著作权: edition, printing11.精装: deluxe binding12.平装: flat stitching13.线装: smyth sewed14.戏剧: drama 喜剧:comedy 悲剧:tragedy 滑稽剧:farce15.古典文学: classical literature16.Curtain 落幕17.Allure Love 倾城恋18.Tenderness 温存19.Flowers 繁花【外国人眼中5个最美英文单词】Petrichor 初雨的气息A pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather。
很长一段温暖、干燥的天气后,第一场雨带来的清香。
petrichor,这个单词的英文释义那么美,可是如果查有道词典的话会显示是“潮土油”这么low又费解的词义。
为什么?词根petr-表石头,太多西方人的教名Peter其实就是“磐石”之意,再如petroleum石油。
而-ichor则是希腊神话中神仙体内流淌的“神液”,即神的血液。
希腊神话中青铜巨人[微博]Talos塔罗斯全身青铜铸就,所向无敌。
只有一根血管,从颈部通下,其内流淌着ichor直到膝盖处以铜钮遮掩。
阿尔戈号船员取得金羊毛后要在Talos所在的岛屿登陆,Talos阻止时被Medea拔掉了铜纽,金黄色的ichor流淌了满地而死。
《世界文学发展史》拉丁美洲文学之十二:略萨
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《世界文学发展史》拉丁美洲文学之十二:略萨拉丁美洲文学之十二:略萨巴尔加斯.略萨(1936.3.28 ~)是秘鲁作家,他的作品在西班牙、拉丁美洲广为流传,并被译成多种外文,具有广泛的国际影响。
略萨从1952年开始写作,1962年发表长篇小说《城市与狗》一举成名。
此后每两三年发表一部作品,主要有《绿房子》(1966),《" 大教堂" 里的谈话》(1969),《潘达雷昂上尉与劳军女郎》(1973),《胡莉娅姨妈与作家》(1977),《世界未日之战》(1981)和《马伊塔的故事》(1985)。
此外还有剧本《达克纳城的小姐》(1981)和两部短篇小说集。
他的文学成就受到高度评价,他本人在70年代被选为国际笔会主席。
略萨的作品始终以社会政治题材为主,具有对现实进行讽刺批判的强烈的倾向性,人称" 拉丁美洲的德莱塞"。
但在表现手法上略萨却是独树一帜,在小说结构上尤其讲究,被评论界誉为" 结构现实主义大师"。
结构现实主义的特点在《绿房子》和《潘达雷昂上尉与劳军女郎》中表现得尤为突出。
《绿房子》写20年代以来秘鲁北部的社会生活。
全书由五个故事组成:鲍妮法西娅的经历和她与利杜马的婚姻;伏屋的一生;安塞尔的生平及绿房子的兴衰史;胡姆的反抗;四个二流子的故事。
作者所要表现的是:科学技术的发展和城市的现代化并未改变普通人忍受剥削和压迫的命运,反抗的火山随时会爆发。
他把不同人物在不同的时间、地点的经历分割为小块,按照新的时空顺序加以组合,使几条线索齐头并进,读者同时被几个悬念攫住,不能不穷根究底读下去。
《潘达雷昂上尉与劳军女郎》写的是,由于边境地区士兵不断骚扰当地妇女,潘达雷昂被派前去组建军中流动妓院——劳军队。
他化装为商人带妻子和母亲前去赴任。
工作很有成效。
劳军队的活动被敲诈未遂的记者揭露,加之潘达雷昂为悼念军中名妓" 巴西女郎" ,公开穿起军服为她送葬,暴露了军官身份,一时舆论大哗,妻子出走,他本人被撤回,发配到北部高寒地带任职。
拉丁美洲魔幻现实主义文学
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拉丁美洲魔幻现实主义文学南京大学莫娅妮摘要:上世纪60、70年代的拉丁美洲文学爆炸在一定程度上改变了世界文学的构成和走向,而在这一时期出现在世界读者和批评家眼前的魔幻现实主义成为了拉丁美洲现当代文学最重要的特征之一!然而,在普通读者之间,甚至某些批评家对于何谓魔幻现实主义,却存在着一定的误解和错判!本文从魔幻现实主义的概念溯源入手,探讨这一文学手法的基本艺术特征,介绍其代表作家、作品及其在世界文学范围内的深远影响!关键词:拉丁美洲文学;文学爆炸;魔幻现实主义Title:Magical Realism in Latin-AmericaAbstract:The Latin American Boom in the1960s and1970s changed the composition and direction of the world literature to a certain extent,while the magical realism,which appeared during this period in front of the readers and c3itics a3ound the wo3ld,became one of the most impo3tant featu3es of contemporary literature in Latin America.However,there are some misunderstandings and misjudgments between ordinary readers and even some critics ofmagicalrealism.Bytracingtheconceptofmagicalrealism,thisarticlediscu s es the basic artistic features of this literary technique in question and introduces its mostrepresentat)veauthors,alongwththe)rworks,and)tsfar-reach)ng)nfluence )ntheworldlterature.Key Words:Latin-American literature;the boom;magical realism作者简介:讲师,主要研究方向:拉丁美洲现当代文学、女性文学。
The Beginning of American Literature 美洲文学的开端
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综合类——A级The Beginning of American Literature【美洲文学的开端】American has always been a land of beginnings. After Europeans 'discovered' America in the fifteenth century, the mysterious New World became for many people a genuine hope of a new life, an escape from poverty and persecution, a chance to start again. We can say that, as nation, America begins with that hope. When, however, does American literature begin?American literature begins with American experiences. Long before the first colonists arrived, before Christopher Columbus, before the Northmen who 'found' America about the year 1,000, Native Americans lived here. Each tribe's literature was tightly woven into the fabric of daily life and reflected the unmistakably American experience of lining with the land. Another kind of experience, one filled with fear and excitement, found its expression in the reports that Columbus and other explorers sent home in Spain, French and English. In addition, the journals of the people who lived and died in the New England wilderness tell unforgettable tales of hard and sometimes heartbreaking experiences of those early years.Experience, then, is the key to early American literature. The New World provided a great variety of experiences, and these experiences demanded a wide variety of expressions by an even wider variety of early American writers. These writers included John Smith, who spent only two-and-a-half years On the American continent. They included Jonathan Edwards and William Byrd, who thought of themselves as British subjects, never suspecting a revolution that would create a United States of America with a literature of its own. American Indians, explorers, Puritan ministers, frontier wives, plantation owner - they are all the creators of the first American literature.练习:1. What does "that hope" in the first paragraph refer to?A) The hope that America would be discovered.B) The hope to start a new life.C) The hope to see the mysteries of the New World.D) The hope to find poverty here.2. When did American literature begin?A) Before the American natives lived there.B) When Columbus and other explorers sent reports back home.C) When the Northmen found America in about l,000.D) Long before the year l,000.3. What can we leam from the literature of the tribes of the native Americans?A) About the everyday life of the native Americans.B) About the arrival of Columbus.C) About the experience of the first European settlers.D) About the experience of those who died in the New England wildemess.4. The main purpose of the last paragraph is to tell the readers that____.A) in the early days most American writers were from Great Britain.B) people with rich life experiences became writersC) there were many writers in the early days of American historyD) early-day expenence provided the foundation for American literature5. According to the last paragraph, which of the following statements is true about American literature?A) Some British writers started American literature.B) Early-day American literature is a reflection of the boring life then.C) Some British writers had doubts about the future of American literature.D) Some British writers had great confidence in the future of American literature.译文:美国一直是一个充满新开端的地方。
拉美作家群及魔幻现实主义的文化生成
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Latin American Writers and the Cultural Formation
of Magic Realism
作者: 王充闾[1]
作者机构: [1]辽宁省作家协会,辽宁沈阳110041
出版物刊名: 辽宁大学学报:哲学社会科学版
页码: 1-10页
年卷期: 2012年 第6期
主题词: 拉丁美洲作家群;魔幻现实主义;文化生成
摘要:拉美作家群表现美洲独有的现实与历史的广度、深度及其所体现的文学价值,具有世界性意义。
他们善于把民族传统同西方现代派手法结合起来,使现实主义和超现实主义相融合,通过神奇的幻景、混合的体裁、无拘无束的表现形式,赋予了文学以无限的生命力。
魔幻现实主义这朵文学奇葩的独特之处,在于把历史与现实置于神话史诗般的氛围之中,运用奇妙的构思,打破主客观世界的界限,创造一种迷离惝恍的魔幻境界,映现严酷的现实生活。
文学专业英语词汇
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Literature 文学Classical literture 古典文学Contemporary literature 现代文学Popular literature 大众文学Light literature 通俗文学Folklore 民间文学Saga (river) novel 长篇小说Short novel, long short story 中篇小说Short story 短篇小说Love story 爱情小说Detective story 侦探小说Mystery story 怪诞小说Whodunit 推理小说Humorous story 幽默小说Historical novel 历史小说Essay 随笔Book of travels 游记Reportage 报告文学Criticism 评论Best seller 畅销书Anthology 选集The complete works(of) 全集Edition, printing 版Masterpiece 杰作Copyright 版权, 著作权Deluxe binding 精装Flat stitching 平装Smyth sewed 线装Humanities 人文学科-Writer 作家Book 书V olume 卷Theatre 戏剧(美作theater)Drama 话剧Comedy 喜剧Tragedy 悲剧Farce 滑稽剧Play 剧本The three unities 三一律(一个情节,一个地点,一个时间)Playwright 编剧Act 幕Scene 场Plot 情节Intrigue 错综复杂的剧情Story 故事Episode 逸事Ending, denouement 结局Poetry 诗歌Poet 诗人Poem 诗Epic poetry 史诗Epopee 叙事诗Ode 颂歌Sonnet 十四行诗Verse, stanza (诗)节Line (诗)行Rhyme 韵脚,押韵Metrics 韵律学,格律学-Prose 散文Novel 小说Biography 自传Allegory 寓言Science fiction 科幻,科学幻想小说Satire 讽刺诗Essay 杂文Composition 学术著作Rhetoric 修辞学Oratory 讲演术Declamation 朗诵技巧Improvisation 即席讲演Criticism 批判主义Critic 批评家Wit 才智,创作才能Eloquence 文才Lyricism 抒情性。
拉丁美洲文学史赵德明读后感
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拉丁美洲文学史赵德明读后感篇一拉丁美洲文学史赵德明读后感嘿,朋友们!最近我读了赵德明老师的《拉丁美洲文学史》,这感觉,咋说呢,就像是在一片神秘的丛林里探险,刺激又让人着迷!一开始,我可能觉得这书会像那种超级无聊的学术大部头,充满了一堆让人头疼的术语和干巴巴的理论。
但真读进去了,我去,完全不是那么回事儿!书里描绘的那些拉丁美洲的文学作品,就像一道道色彩斑斓的光芒,照亮了我原本对那块土地模糊的认知。
比如说,马尔克斯笔下那神奇的马孔多小镇,仿佛能让我闻到热带雨林的潮湿气息,听到那些神秘的传说在耳边低语。
也许有人会说,读这些外国的文学有啥用?咱又不在那儿生活。
可我觉得吧,文学这东西,它不分国界呀!通过读拉丁美洲的文学,我仿佛能感受到那里人们的喜怒哀乐,那种强烈的情感冲击,就像一阵狂风,吹开了我心里的一扇窗。
我在想,咱们的生活是不是也像那些小说里的人物一样,充满了未知和惊喜,只是我们有时候太麻木,没发现而已?比如说,今天我走在路上,突然看到一只流浪猫,我就想,它是不是也有自己的故事,是不是也像小说里的某个角色,在默默地承受着生活的苦难?读这本书的过程中,我有时候会被那些复杂的人名和地名搞得晕头转向,心里嘀咕着:“这都啥呀!”但又咬咬牙坚持下去,因为我知道,后面可能会有更精彩的东西等着我。
反正读完这本书,我觉得自己好像变得不一样了,说不上来具体哪儿不一样,可能就是看世界的眼光多了那么一点点的色彩吧。
你们觉得呢?篇二拉丁美洲文学史赵德明读后感哎呀妈呀,读完赵德明老师的《拉丁美洲文学史》,我这小心脏可是被狠狠地震撼了一把!这书刚开始的时候,我还真有点打怵,心想:“拉丁美洲?那是啥遥远的地方啊,能跟我有啥关系?”可谁能想到,一旦读进去,我就像掉进了一个充满魔力的漩涡,根本出不来!书里讲的那些故事,就像是一场盛大的狂欢派对。
什么魔幻现实主义啦,什么独特的叙事风格啦,简直让我眼花缭乱。
我就琢磨着,这些作家咋就这么牛呢?能写出这么让人拍案叫绝的东西。
百年孤独英文读书笔记「精选」
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百年孤独英文读书笔记「精选」百年孤独英文读书笔记「精选」《百年孤独》是哥伦比亚作家加西亚·马尔克斯的代表作,也是拉丁美洲魔幻现实主义文学的代表作,被誉为"再现拉丁美洲历史社会图景的鸿篇巨著"。
下面是关于百年孤独英文精选的内容,欢迎阅读!百年孤独英文读书笔记【篇一】One Hundred Years of SolitudeProbably García Márquez finest and most famous work. One Hundred Years of Solitude tells the story of the rise and fall, birth and death of a mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, alive with unforgettable men and women, and with a truth and understanding that strike the soul. One Hundred Years of Solitude is a masterpiece of the art of fiction.Plot:One Hundred Years of Solitude (1967) is the story of seven generations of the Buendía Family in the town of Ma condo. The founding patriarch of Macondo, José Arcadio Buendía, and úrsula, his wife (and first cousin), leave Riohacha, Colombia, to find a better life and a new home. One night of their emigration journey, whilst camping on a riverbank, José Arcadio Buendía dreams of “Macondo”, a city of mirrors that reflected the world in and about it. Upon awakening, he decides to found Macondo at the river side; after days of wandering the jungle, José Arcadio Buendía’s founding of Macondo is utopic.()Founding patriar ch José Arcadio Buendía believes Macondo to be surrounded by water, and from that island, he invents the world according to his perceptions.Soon after its foundation, Macondo becomes a town frequented by unusual andextraordinary events that involve the ge nerations of the Buendía family, who are unable or unwilling to escape their periodic (mostly) self-inflicted misfortunes. Ultimately, a hurricane destroys Macondo, the city of mirrors; just the cyclical turmoil inherent to Macondo. At story’s end, a Buendía man deciphers an encrypted cipher that generations of Buendía family men had failed to decipher. The secret message informed the recipient of every fortune and misfortune lived by the Buendía Family generations.百年孤独英文读书笔记【篇二】I don't like them, so deep to sing "one hundred years of solitude". Any book in my here, it is a mirror, led his own at the same time, also means we used to ignore the fact that. I'm thinking, their fate of sorrow. They were so hard perseverance and luster, but there is a so ridiculous and boring life. I had a fear, and fear of my life, to protect my parents, my on the material to meet them, in the spiritual support them.I also deeply realized that a reality. A person, when there is love and ideals, there will be a lonely. The more we love, more lonely.Then, this day, for me, although it is the only one year, but it will not perfect. "One hundred years of solitude" boone diaz family each person, they all of life is decided by childhood, a scene in a moment, it has affected their rich and long life. Walked to the end, I could have, but also is the scene of the moment, just at that moment, have without any emotion, as if, the moment has been at his side, and he was the one who has been lost.I hope I can don't like them, in the process of life, committed to the initial imperfection, has been lost.Open the heart, embrace the world of good, be a doomednot to complete, but happy people.This is the birthday of speech. Not happy birthday to myself, but I wish yourself open-minded contentment.百年孤独英文读书笔记【篇三】It was impossible to conceive of a man more like his mother. He was wearing a somber taffeta suit, a shirt with a round and hard collar, and a thin silk ribbon tied in a bow in place of a necktie. He was ruddy and languid with a startled look and weak lips.His black hair, shiny and smooth, parted in the middle of his head by a straight and tired line, had the same artificial appearance as the hair on the saints. The shadow of a well-uprooted beard on his paraffin face looked like a question of conscience. His hands were pale, with green veins and fingers that were like parasites, and he wore a solid gold ring with a round sunflower opal on his left index finger. When he opened the street door Aureliano did not have to be told who he was to realize that he came from far away.With his steps the house filled up with the fragrance of the toilet water that ?rsula used to splash on him when he was a child in order to find him in the shadows, in some way impossible to ascertain, after so many years of absence. Jos Arcadio was still an autumnal child, terribly sad and solitary. He went directly to his mother’s bedroom, where Aureliano had boiled mercury for four months in his grandfather’s grandfather’s water pipe to conserve the body acco rding to Melquíades?formula. Jos?Arcadio did not ask him any questions.He kissed the corpse on the forehead and withdrew from under her skirt the pocket of casing which contained three as yet unused pessaries and the key to her cabinet. He did everythingwith direct and decisive movements, in contrast to his languid look. From the cabinet he took a small damascene chest with the family crest and found on the inside, which was perfumed with sandalwood, the long letter in which Fernanda unburdened her heart of the numerous truths that she had hidden from him. He read it standing up, avidly but without anxiety, and at the third page he stopped and examined Aureliano with a look of second recognition.。
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“Chicano”
History of Latino Literature
Roots in legends and myths Began as oral tradition Ties to the Catholic religion of Spain
Latino Literature
Why gender roles?
Traditionally, older customs and cultural traditions prevail. Women were expected to be obedient and uphold the family honor.
Why social protest and exploitation?
Latin America
Latin America is a geographic location People from Latin America are all Latin, but not all Hispanic For example, Brazilians speak Portuguese, making them Latin not Hispanic
For example, in Spanish the word for cave is “cueva”, in Portuguese “cova”, Italian “cava”
The Latins (aka Romans) invaded the Iberian Peninsula Founded a province named “Hispania” Lived there 7 centuries “Hispania” evolved into España (Spain)
“Latino/a”
The term “Latino” (as we -- Americans-- use it) encompasses all citizens of the United States whose heritage is Mexican, Puerto Rican, Cuban, Central American, and South American.
Why Families?
Family is considered one's strongest bond and loyalty, and people in the workforce must often work to support relatives both in the U.S. and in other native countries.
Many Hispanic countries have gone through periods of social unrest. Cuba = communism Dominican Republic = dictatorship
Hispanic is not a RACE but an ETHNIC distinction Hispanics come from all races and physical traits
Chicano
Exclusive term used solely in reference to people of Mexican descent Conquistadors called Mexican Indians “Mexicas” Spaniards dropped the “me” and called them Xicanos (or Chicanos)
Hispanic Literature
History and Background
Latino v. Hispanic v.Chicano
What’s the right term?
Latino
“Latin” comes from Italy Latin in the base language of Spanish, Italian, Portuguese, and French
Became popular in 1930’s and 40’s as a derogatory term for Mexicans imported for cheap field labor. Term went out of style In 1960’s and 70’s the Brown Power Movement adopted it as term for Mexican-American Today term still has negative connotations for many MexicanAmericans
Common themes:
Familial relationships and Loyalties Poverty Gender roles Social protest and Exploitation
Why Poverty?
Poverty is largely at issue because of the desperate situations in which many Latin American countries find themselves.
Hispanic
“Hispanic” was later used to refer to all territories conquered by Spain in the New World This covers almost all nic” came about in the 1970s as a US Census attempt to quantify Spanishspeaking people Today Hispanic is used to refer to any people whose culture and heritage have direct ties to Spain