英国文学作品选读论文

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关于英国文学方面论文

关于英国文学方面论文

关于英国文学方面论文英国文学的历史比较悠久,在历史长河的推动下,经历了一个漫长又复杂的演变发展过程。

下文是店铺为大家整理的关于英国文学方面论文的范文,欢迎大家阅读参考!关于英国文学方面论文篇1浅论启蒙运动和英国文学摘要:18世纪的启蒙运动的开始,对英国的文学产生了重大影响。

现实主义小说的兴起和发展是英国启蒙文学最重要的成就。

其中,笛福的《鲁滨孙飘流记》是英国现实主义小说的先锋之一。

它创作了一位18世纪典型的具有冒险精神的英国资产阶级的人物形象。

关键词:现实主义小说;笛福;《鲁滨孙飘流记》一、启蒙文学与现实主义小说作为启蒙运动一部分的启蒙文学,在思想上以“理性崇拜”为核心,主张崇拜“自然理性”,反对君主王权。

体现在文学上,基本都表现出崇尚个人自由、崇尚回归自然、宣传开明君主制或君主立宪制、主张发展工商业、自由的经济竞争等等。

17世纪的法国古典主义文学在启蒙运动中仍占有一定地位,但并未产生伟大的作品。

尽管许多文学家仍借用古典主义的形式进行创作。

整体上看,启蒙文学中的反王权、反教会思想和文艺复兴文学有些相似,但更加激进。

由于根植于启蒙运动的土壤之中,启蒙文学具有更加强烈的哲学思辨特征和政治经济学底蕴。

启蒙文学不追求崇高的风格,多半以来自市民阶层的平民为主要人物,在体裁上也不仅仅局限于诗歌和戏剧,而是广泛采用各种体裁,其中尤以小说最为突出,为19世纪现实主义小说的繁荣奠定良好的基础。

欧洲文学的“诗体时代”向“散文体时代”的过渡就是在启蒙文学阶段完成的。

18世纪前半叶,英国社会安定,文学上崇尚新古典主义,其代表者是诗人蒲柏。

他运用英雄偶句体极为成熟,擅长写讽刺诗,但以发泄私怨居多。

表现出启蒙主义精神的主要是散文作家,他们推进了散文艺术,还开拓了两个文学新领域,即期刊随笔和现实主义小说。

二、笛福与《鲁滨孙飘流记》《鲁滨孙飘流记》是英国小说家笛福(1660-1731)写的一部小说,发表于一七一九年。

《鲁滨孙飘流记》是一部成功的现实主义小说。

英美文学选读论文

英美文学选读论文

英美文学选读论文时间过得很快,转眼,一学期的英美文学课即将结束。

这一学期里,通过对英美文学选读这两本书的学习,使我对英美两国的文学有了一个深刻的认识。

首先来说说英国文学,因为对于历史不长的美国文学来说,英国文学的历史要源远流长的多。

英国文学是生活在欧洲西部英伦三岛上的英国人民在漫长的历史发展进程中创造的英国文化与文明的精华,是世界文学宝库中一颗璀璨的明珠。

它经历了长期,复杂的发展演变过程。

在这个过程中,文学本体以外的各种现实的,历史的,政治的,文化的力量对文学发生着影响,文学内部遵循自身规律,历经盎格鲁—撒克逊、文艺复兴、新古典主义、浪漫主义、现实主义、现代主义等不同历史阶段。

下面对英国文学的发展过程作一简要概述。

一、中世纪文学(约5世纪—1485)英国最初的文学同其他国家最初的文学一样,不是书面的,而是口头的。

盎格鲁—撒克逊时代给我们留下的古英语文学作品中,最重要的一部是《贝奥武甫》(Beowulf),它被认为是英国的民族史诗,是英国文学的开端。

14世纪以后,英国资本主义工商业发展较快,市民阶级兴起,英语逐渐恢复了它的声誉,社会各阶层普遍使用英语,为优秀文学作品的产生提供了条件。

杰弗里•乔叟(Geoffrey Chaucer)的出现标志着以本土文学为主流的英国书面文学历史的开始。

《坎特伯雷故事》(The Canterbury Tales)中,乔叟创作了“英雄双行体”,对英国民族语言和文学的发展影响极大,故被誉为“英国诗歌之父”,也可以说是“英国文学之父”。

他的创作实践将英语提升到一个较高的文学水平,推动了英语作为英国统一的民族语言的进程。

二、文艺复兴时期文学(15世纪后期—17世纪初)英国的文艺复兴相对于欧洲其他国家来说较晚。

托马斯•莫尔(Thomas More)是英国最主要的早期人文主义者,弗朗西斯•培根(Francis Bacon)是这一时期最重要的散文家,他对文学的主要贡献是《论说文集》(Essays),被称为英国唯物主义及现代实验科学之父。

英国文学方面的论文范文大全

英国文学方面的论文范文大全

英国文学方面的论文范文大全英美文学课作为英语专业高年级学生的专业必修课,在教学计划中占有举足轻重的地位。

下文是店铺为大家整理的关于英国文学方面的论文范文大全的内容,欢迎大家阅读参考!英国文学方面的论文范文大全篇1浅论英美文学与英语阅读教学一.英美文学在高中英语阅读教学上的课程定位(一)英美文学的阅读教学要求《普通高中英语课程标准(实验)》(以下简称《课标》)指出,高中学生学习外语可以促进心智、情感、态度与价值观的发展和综合人文素养的提高。

程爱民(2002:17)认为:“英美文学课的首要目的在于培养学生对英美文学的兴趣,提升学生的文化修养和人文素质,而不仅仅是去提高学生的欣赏水平或是英语水平”。

这很适用于高中阶段的广大英语学习者。

因此,在高中阶段,一方面,教师从英语教学方面扩大学生接触异国文化的范围,帮助学生拓展视野。

课堂中渗透英美文学不但能促进高中英语教学,而且能切实提高学生的文学素养,培养其多元文化意识,降低跨文化交际的焦虑。

另一方面,英美文学作品是英美社会文化中的精华部分,学生接触到这些作品时,首先大量生动、优美的语句和地道的语言表达为学生提供了原汁原味的英语语料,在一定量的语言“输入”之后,学生的英语水平会在潜移默化中得到提高。

(二)高中学生的自身发展需求英国心理学家Botzlar在谈到培养学生学习兴趣的问题时说:“要不断刺激孩子的好奇心和求知欲。

”虽然在高考的压力下,学生早已厌倦了无休止的语法灌输和乏味的填鸭式教学,但是当代的高中生,他们对新鲜事物依然充满好奇,内心感情丰富,对新知识的学习拥有很强的接收能力。

事实上,笔者在实际的教学操作过程中深刻地体会到学生对获知英美文学的强烈渴望,他们尤其喜爱原版小说,学生要求教师在课堂上穿插讲解英美文学的相关知识。

他们希望在阅读、欣赏英美文学的过程中,个人的精神世界也得到极大丰富。

因此,英语课堂教学除了主要围绕考点知识的传授和解题方法的训练,英美文学的阅读教学渗透,更有利于培养有独立意识的学生个体,更有利于学生形成健康的审美观、正确的人生观和价值观。

【英国文学毕业论文】 英国文学论文2000字

【英国文学毕业论文】 英国文学论文2000字

【英国文学毕业论文】英国文学论文2000字英国文学源远流长,经历了长期、复杂的发展演变过程。

关于英国文学的毕业论文是怎样的?下面是小编整理的英国文学毕业论文,仅供参考。

英国文学毕业论文【1】浅析英美文学课边缘化成因及其对策摘要:英美文学课是为英语专业高年级学生开设的课程,对于提升学生的文学修养有着不可替代的作用。

在当前的教学实践中,英美文学课出现了诸多问题,并陷入了窘境。

本文拟从文学课边缘化的成因入手,全面剖析教师、学生及课本等几方面原因,并根据笔者的教学经验,提出切实可行的解决问题的策略。

关键词:英美文学;边缘化;原因;对策阅读文学作品不但可以提升一个人的文化修养,更可以启迪精神、净化灵魂。

对于英语专业的毕业生来说,文学作为一种资源和财富,最起码的文学修养是有必要的。

尽管2000年《高等学校英语专业教学大纲》中明确指出“文学课程的目的在于培养学生阅读、欣赏、理解英语文学原著的能力,掌握文学批评的基本知识和方法,通过阅读和分析英美文学作品,促进学生语言基本功和人文素质的提高,增强学生对西方文学及文化的了解”。

然而,在近些年的教学实践中,英美文学课却陷入了一些困境,文学课已出现逐渐地被边缘化趋向,已经引起了很多教育人士的担忧。

本文试从自身教学经历来探讨文学课边缘化的成因及解决方法。

一、英美文学课教学存在的问题造成英美文学课边缘化的原因可以从教育体制、教师、学生和教材等方面来探究。

1.教育结构失衡尽管2000年《高等学校英语专业教学大纲》将英美文学课划为专业知识课,并规定在英语专业三四年级开设英美文学课,但是在实际教学过程中,文学课已被边缘化。

“从主干课、必修课沦落到选修课、讲座课;从二十人的小班、讨论式上课改为两三百人的、讲座式的大课堂;从两个学年的课程‘浓缩’到一个学期。

对该课程的要求也随之放宽”。

[3]在教学实践环节,文学课已从主干课变成服务型课程,居于次要的位置。

有关英国文学论文

有关英国文学论文

有关英国文学论文英国文学展现了作家内心的艺术世界,文学实质就是一种语言文字艺术。

下文是店铺为大家整理的有关英国文学论文的范文,欢迎大家阅读参考!有关英国文学论文篇1浅谈英国浪漫主义文学浪漫主义起源于中世纪法语中的Romance(意思是“传奇”或“小说”)一词,“罗曼蒂克”一词也由此音译而来。

浪漫主义宗旨与“理”相对立,主要特征注重个人感情的表达,形式较少拘束且自由奔放。

作为创作方法和风格,浪漫主义在表现形式上,强调主观与主体性,侧重表现理想世界,把情感和想象提到创作的首位,常用热情奔放的语言、超越现实的想象和夸张的手法塑造理想中的形象。

而以浪漫主义为基础发展起来的浪漫主义文学也因此具有其独特的艺术风格,在文学历史的长河中是一颗璀璨的明珠。

浪漫主义思潮发展得最完备,最规范,最有成就的当推英国。

英国的浪漫主义文学与其他国家相比,有其无可比拟的光彩和风韵,以独特性、多样性和活力性为特征的英国浪漫主义文学对于世界浪漫主义文学的发展和进步真可谓是功不可没。

近代的文学家,历史学家和学者都热衷于英国浪漫主义文学的研究和探索,对其发展和起源以及特点做了相当完善的了解。

一. 英国浪漫主义文学的发展和起源英国的浪漫主义文学开始于18世纪中后期,是由18世纪末和19世纪初欧洲的社会政治状况决定的。

同时18世纪英国的伤感主义文学、哥特式小说以及德国狂飙突进文学,都推崇主观情感,为浪漫主义文学的出现提供了条件。

而康德哲学的“唯心主义哲学”,费希德的“唯我论”赞扬了人的主观作用,也为浪漫主义文学的主观色彩和个人主义奠定了哲学基础。

英国的浪漫主义文学在发展历程中出现过两次高潮。

第一次是在1805年左右,这一时期是英国的湖畔派诗人创作的高峰期,最重要的代表是华兹华斯, 威廉·华兹华斯是英国19世纪著名的浪漫主义诗人,他在英国文学史上的地位仅次于莎士比亚和弥尔顿,在所有浪漫主义诗人当中,其诗歌的哲理沉思色彩是最浓重的。

英美文学作品论文

英美文学作品论文

英美文学作品论文论文既是探讨问题进行学术研究的一种手段,又是描述学术研究成果进行学术交流的一种工具。

它包括学年论文、毕业论文、学位论文、科技论文、成果论文等。

英美文学作品的论文应该怎么写?英美文学作品论文篇一:当我们阅读与学习英美文学作品的时候,经常会觉得意犹未尽,英美文学作品很大程度上给人一种耐人寻味的感觉。

造成这种效果的因素有很多,但是最主要的因素要算是产生这些文学作品的文化传统。

而追根溯源,西方的文化传统是由两种古老的文化源泉汇合而成。

一个是古希腊的光辉灿烂的文化遗产。

一个是基督教所体现的思想体系,主要表现在《圣经》的文化思想。

对于西方文学作品最直接的影响应该是来源于古希腊的神话和基督教的《圣经》,这两股重要的支流成为英美文学乃至西方文学中不可或缺的一部分。

英美国家各时期的名家志士都在不同程度上把《圣经》同自己的作品相互联系起来,从而使我们读者在欣赏名著作品的同时,也在相当一定程度上获得了欣赏和体味《圣经》的基础。

说起《圣经》,很多人会觉得它只是一本基督教的经书,便敬而远之。

其实则不然,它不止是一本简单的经书,而有其神秘的成分,在西方的传统文化的形成过程中,它的影响是深远且独一无二的。

因此,渐渐的成为英美文学作品最基本的素材库。

概括起来说,英美作品中对于《圣经》的运用主要有三种形式。

第一种方法是最容易辨认的,它的技巧是作家直接引用其中的故事作为素材。

当阅读与学习这类作品的时候,我们需要注意的是了解作品的历史背景及文化背景。

那么,对《圣经》的了解对理解这类文学作品的内涵与精髓是颇有裨益的。

比如说长诗《贝尔武夫》,其中就己谈到了上帝,并且写到妖怪格兰代尔是该隐的后裔。

该隐的故事取自《旧约全书·创世纪》。

14世纪诗人威廉·朗格兰写的寓言故事《农夫皮尔斯的幻象》,也是传播基督教精神的蓝本。

第二种方法是,作家运用《圣经》中故事的寓意使之融入到自己作品的情节和人物性格里面。

这种作品的写作方式对英美本国的读者来讲是非常容易理解的,但是对于中国的读者来讲就要多费一番周折,这些作品对我们理解英美传统文化有这非常高的要求。

英国文学作品选读论文

英国文学作品选读论文

Appreciation of the poem A Valediction: Forbidding Mourning08英语师范(1)周帆32John Donne (1572–1631), born in a Roman Catholic family, received his education at Oxford and Cambridge and later studied law at Lincoln’s Inn. He was a Jacobean poet and preacher, representative of the metaphysical poets of the period. His works, notable for their realistic and sensual style, include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, compared with that of his contemporaries. He is famous for his Holy Sonnets.The following is one of his love poems:A Valediction: Forbidding MourningAs virtuous men pass mildly away,And whisper to their souls to go,Whilst some of their sad friends do say,The breath goes now, and some say, No:So let us melt, and make no noise,No tear-floods, nor sigh-tempests move,T’were profanation of our joysTo tell the laiety our love.Moving of th’earth brings harms and fears, Men reckon what it did and meant;But trepidation of the spheres,Though greater far, is innocent.Dull sublunary lovers’ love(Whose soul is sense) cannot admitAbsence, because it doth removeThose things which elemented it.But we by a love so much refinedThat our selves know not what it is,Inter-assured of the mind,Care less, eyes, lips, and hands to miss.Our two souls therefore, which are one, Though I must go, endure not yetA breach, but an expansion,Like gold to airy thinness beat.If they be two, they are two soAs stiff twin compasses are two;Thy soul, the fixed foot, makes no showTo move, but doth, if th’other do.And though it in the center sit,Yet when the other far doth roam,It leans and hearkens after it,And grows erect, as that comes home.Such wilt thou be to me, who mustLik e th’other foot, obliquely runThy firmness makes my circle just,And makes me end where I begun.This poem was published after his death in 1633. It has nine quatrains. One quatrain is a stanza that consists of four lines. It is written in iambic pentameter, and is one of the most beautiful love poems. The title A Valediction: Forbidding Mourning reflects the content of the piece: a farewell. At that time, his wife was pregnant, so Donne wrote this love poem to his wife as a comfort before he left for France with his boss. This article firstly analyses conceits in the poem and how conceits help poetdevelop the poem. Then, it tells the development of the poem. L astly, it’s the t opic of the poem and the conclusion.The poem begins with the image of men passing away. The separation of his body and soul is so gentle that friends around him cannot tell if they are alive or dead. The poem says the lovers should depart without noise for fear of disclosing the quality of the love. This is the first reason to forbid mourning. The second one is offered in a comparative and contrasting metaphor. When an earthquake is coming, small cracks form in the ground; people regard it as ominous, but when planets move apart, though the distance is great, people think it is harmless. John Donne uses earthquakes as a metaphor for the separation of lovers. Similar to earthquakes, lovers fear separation because of their composition of sensory and sensual perceptions. However, lovers who are spiritually and physically in love are less troubled by separation. Like the separation of planets, their souls remain one until their bodies are reunited. Another metaphor is given to strengthen that idea: The separation of lovers is similar to gold stretching thin, but not breaking. The last reason is performed by using a compass as a metaphor to describe the association between lovers. Although lovers keep their souls, they are divided into two parts, similar to that of a compass. The compass is linked at the top, and works in unison. When the compass draws a circle, one point remains stationary in the centre, the other will complete its circuit. The same as the compass, if one of the lovers remains home, it ensures the return of the other. Since the lover will return home, mourning is no need and inappropriate.The circle is a traditional symbol of love. Since it has neither beginning nor end, Donne should reunite with his wife at the end of his travel. A compass has one fixed leg and the other one moves. The soul of Donne’s wife is compared to the fixed foot ofthe compass and Donne’s soul is compared to the foot that moves. But like the fixed leg leans towards the leg which moves around the centre, her soul, thought and emotions lean towards his soul wherever it is. His soul will wander as he travels but will move toward her and eventually return to its usual position as he returns home. So no matter how far he leaves away from her, the path of his travel will always lead back to her where he began. Just like a compass is fixed by the centre foot, the other foot completes the three hundred and sixty degree circle by returning to the point where it began”. “Thy firmness makes my circle just and makes me end, where I bega n”The poem explains that he has to spend time apart from his wife, but before he leaves, he tells her that their farewell should not become the reason for mourning and sorrow. In the same way, the elegant men die mildly and without complaint, so they sho uld leave without “tear-floods” and “sigh-tempests”. Publicly announcing their feelings in such a way would only profane their love. The poem says that when the earth moves, it brings “harms and fears”; when the spheres experience “trepidation”, though the impact is greater, it is also innocent. The love of “dull sublunary lovers” cannot survive separation, but it removes that which constitutes the love itself; the love he shares with his beloved is so delicate and they need not worry about missing “eyes, lips, and hands”. Though he must leave for a long time, their souls are still one. Therefore, they are not lasting a breach but to experience an expansion; similarly gold can be stretched by beating it “to airy thinness”, the soul they share will completely stretch to take in all the space between them. If their souls are separate, they are like the feet of a compass: His lover’s soul is the fixed foot in the center, and his is the foot that moves around it. The firmness of the center foot makes the circle that the outerfoot draws perfect: “Thy firmness makes my circle just, and makes me end, where I begun.”Actually, complete love unites not only the bodies of a couple but also their souls. Such spiritual love is phenomenal, metaphysical, keeping the lovers together spiritually regardless of distance between them.John Donne uses his metaphysical wit to develop a series of arguments to console his wife on the eve of his departure. He tries to convince his wife that spiritual love cannot be affected by physical distance. Then he shows her that since their souls are one, distance will only increase their love and make it more beautiful just like gold hammered and spread out into a thin sheet. Finally, if the first two arguments are not enough to comfort his wife, Donne argues that he and his wife like the legs of a compass. In each case, the metaphor Donne uses makes the readers to see the logic behind comparisons that may seem far-fetched at first. It is really a beautiful love poem which takes a positive attitude towards love.。

英国诗歌论文 乌鸦

英国诗歌论文 乌鸦

感受“美”的真谛——埃德加·爱伦·坡《乌鸦》赏析埃德加·爱伦·坡是美国文学史上一位独树一帜的作家,其作品以及写作思想对美国乃至整个世界的文坛都产生了深远的影响。

《乌鸦》是爱伦·坡的代表诗作,成作于1844年,该诗直接而又体现了坡对于诗歌创作的理论主张——为诗而诗。

其主题是他认为最富诗意的“美女之夭亡和失美之悲伤”[1]134。

本文拟对《乌鸦》中的独特的韵律、风格以及意象之美进行解读,感受坡在诗歌创造中超凡脱俗的艺术魅力。

一、韵律之美《乌鸦》中的旋律感及其节奏感都特别强,其韵律被公认为是扬抑格调。

凭借着穿插在整篇作品中的诗歌创作技巧,使整篇诗歌具有恐怖而又神秘的艺术氛围。

诗歌依托韵律之美表现出的悲伤甚至是最大限度的绝望和悲痛,深深地让读者为之震撼。

《乌鸦》自始至终笼罩着哀怨的气氛, 烘托出沁人心脾的“忧郁”之美的基调, 这是坡独巨匠心、音义结合的效果。

诗的第一节以绵长、低沉的音韵给全诗定下了“忧郁”的基调:Once upon a midnight dreary, while I pondered, weak and weary,Over many a quaint and curious volume of forgotten lore,While I nodded, nearly napping, suddenly there came a tapping,As of some one gently rapping, rapping at my chamber door,“Tis some visitor,” I muttered, “tapping at my chamber door---Only this, and nothing more.”[1]136这一节中坡精心挑选的词大都是长音, 如:“weak”和“lore”、“door”、“more”。

英国文学史论文2100字_英国文学史毕业论文范文模板

英国文学史论文2100字_英国文学史毕业论文范文模板

英国文学史论文2100字_英国文学史毕业论文范文模板英国文学史论文2100字(一):“雨课堂”在“英国文学史及选读”课程教学中的应用论文【摘要】本文分析了现阶段“英国文学史及选读”课程教学现状,特别是传统教学方法的局限和问题,结合教学实践,总结了“雨课堂”在课程教学中的应用。

【关键词】雨课堂;英国文学史及选读;智慧教学一、“英国文学史及选读”教学现状2018年初教育部颁布的《外国语言文学类教学质量国家标准》中明确规定外语类专业学生应具备文学赏析能力,专业知识课程包括外国文学。

胡文仲先生曾说:“在外语教学中,文学作品往往是能够最生动、具体、深入、全面地提高学生文化素养的材料。

从这个角度看,可以说没有其他任何材料可以替代文学作品。

”随着本科专业必修课课时的缩减,许多学校对文学课尽量给其他应用课程让道,或将文学史与作品选读整合在一起。

在西南石油大学,“英国文学史及选读”仅有40学时。

“英国文学史及选读”目的在于培养学生阅读、理解及欣赏英语文学原著的能力,掌握基本文学常识,掌握文学批评的基本知识和基本方法,通过对文学作品阅读和分析,加强学生语言运用能力,同时提高人文素质。

但由于该课程内容涵盖广(从古英语到近现代英国文学),传统教学采用以讲授为主的教学模式下,“英国文学史及选读”课程教学面临着许多挑战。

有限课堂时间几乎只能让教师快速按照时间脉络介绍各时期文学概况,不足以深入文学文本;作品选读成了精读或故事梗概介绍,很少或基本不涉及到文学批评或欣赏,教学效果较差;学生对课外阅读的兴趣不大,或由于满篇的生单词产生畏难情绪;由于上课信息量大,老师讲课速度快,学生只有埋头抄笔记应付最后的考试,学习效果差;授课过程中;课后练习缺乏实效性,教师无法及时了解学生掌握情况。

二、“雨课堂”在“英国文学史及选读”课程中的应用“雨课堂”是由清华大学在线教育办公室组织研发的推动混合式教学,形成性评价,多通道互动的教学利器,将教学工具巧妙融入PowerPoint与微信全景式采集数据,驱动教学探微。

英国文学相关论文大全

英国文学相关论文大全

英国文学相关论文大全英国文学中不乏一些著作,在特定历史背景下,这些著作在故事背后表现出的情感方向也存在差异性。

下文是店铺为大家整理的关于英国文学相关论文下载大全的范文,欢迎大家阅读参考!英国文学相关论文下载大全篇1浅论英国文学中荒岛意象一、引言英国荒岛文学的出现与英国的地理位置以及其殖民发展的历史和其本民族早先形成的资产阶级的冒险精神息息相关。

也正是因为如此,荒岛成为英国文学中重要的意象之一,也是其文学的重要主题。

莎士比亚的《暴风雨》、巴兰坦的《珊瑚岛》、威廉·戈尔丁的《蝇王》这些优秀的文学作品中都主要以荒岛为意象,目的在于揭示在资本主义经济的发展过程中,人与自然的一种冲突,同时试图探索人改造社会以及自然过程中的途径。

二、英国荒岛文学中的母题英国产生了自己独特的荒岛文学并不是偶然的,而是多种因素作用的结果,主要有:(一)人文以及地理环境等因素的影响任何一种文化的形成都有其特定的模式,并且受到多种因素的影响。

英国的荒岛文学的形成也是由其人文。

经济、政治、文化以及地理等因素相互作用形成的。

英国属于典型的岛屿海洋性文化,它位于欧洲的大不列颠诸岛上南面和法国相望,中间隔着多佛海峡和英吉利海峡,这两个海峡是欧洲大部分国家前往大西洋的唯一的路径,正是因为如此使得英伦三岛在世界的海上交通系统中占有中举足轻重的地位,这种独特的地位为作家们文学作品的创作提供了重要的前提基础。

此外,英国率先开始工业革命,经济获得快速发展,其冒险的精神起着重要的作用,这从某种程度上也酝酿了其文学作品中的荒岛母题。

总之,岛屿和海洋一直深深影响着英国文化的形成于发展。

(二)启蒙思想的影响英国所出现的荒岛文学并不只是一两部,而是作为一种现象出现的,丹尼尔·笛福的《鲁滨逊漂流记》、《辛格顿船长》、乔纳森·斯威夫特的《格列佛游记》,以及罗伯特·路易斯·史蒂文森的《金银岛》在文学史上都是具有重要地位的荒岛文学的代表,这类的文学大多都带有很强的写实性,这类的作品大多都受到了启蒙思想影响。

呼啸山庄论文

呼啸山庄论文

呼啸山庄论文《呼啸山庄》是英国作家艾米莉·勃朗特创作的一部经典小说,也是十九世纪英国文学的杰作之一。

该小说包含了丰富的主题和深刻的人物描写,以及作者独特的叙事风格,引起了广泛的研究和讨论。

1. 主题探索:《呼啸山庄》主要探讨了爱与复仇、社会等级和阶层之间的冲突、自我认同和自由等主题。

小说通过对希斯克利夫和凯瑟琳等主要角色的塑造,揭示了个人欲望和社会规范之间的冲突,以及一些人类情感的复杂性。

2. 符号和象征:《呼啸山庄》中充满了丰富的符号和象征主义的元素。

例如,呼啸山庄本身就是一个象征,代表着野蛮和自然的力量,同时也代表着希斯克利夫那种野蛮的本性。

其他的符号和象征包括风、火、小屋以及各种动物等等。

3. 叙事结构:《呼啸山庄》的叙事结构独特而复杂。

故事以一个嵌入式的形式展开,通过尼尔利作为主叙述者,回忆起自己与希斯克利夫和凯瑟琳的经历。

这种非线性的叙述方式增添了小说的神秘感和复杂性。

4. 人物塑造:小说中的人物形象生动而复杂。

希斯克利夫被描写为一个粗野而又痴迷的角色,他的野蛮本性与他对凯瑟琳的爱形成了强烈的反差。

凯瑟琳则是一个充满激情和自傲的女性,她的个性和冲动给整个故事带来了许多戏剧性的转折。

5. 时代背景:小说描绘了十九世纪英国乡村的生活和社会阶层的固化。

它展示了当时社会的严格的等级和身份制约,以及人们对权力和财富的追求。

6. 文学价值:《呼啸山庄》被认为是英国文学的杰作之一,因其独特的叙事风格、复杂的人物描写和深刻的主题而备受赞誉。

它对后世的文学影响也非常深远,成为了许多作家的灵感源泉。

综上所述,《呼啸山庄》通过对爱、复仇、自由和社会等级等主题的探索,丰富的符号和象征的运用,独特的叙事结构以及生动的人物塑造,使其成为一部不可忽视的文学作品。

它不仅具有文学价值,还对社会和人性提出了深刻的问题,值得我们深入研究和探讨。

英国文学论文优秀范文

英国文学论文优秀范文

英国文学论文优秀范文英国文学论文优秀范文篇1浅论人文精神与英国文学素质教育和人文精神的塑造已成为一个广为接受的概念。

然而,人们对如何在具体教学过程中实施素质教育、塑造人文精神却持有不同观点。

英美文学等文学课程是使英语学科有别于其他学科的专业知识课程,所以应给予足够重视并使之成为素质教育和人文精神塑造的重要组成部分。

人文精神英国文学素质教从莎士比亚说起英国文学从发生、发展到今天已有千余年的时间,取得了辉煌的成就,对世界文学尤其是世界英语文学产生了持久、深刻的影响。

这期间先后出现的有名有姓的作家数百上千,创作的作品更是卷帙浩繁。

就作家在文学史上的地位和影响而言,学习英国文学最躲不开的作家就是威廉莎士比亚。

莎士比亚是一个世界级文化名人,对英国文学以及世界文学均产生了深刻的影响。

他是一位人文主义作家,阅读和理解莎士比亚的关键是把握和领会其作品里的人文主义思想和精神。

人文主义是欧洲文艺复兴时期所形成的思想体系,也可以说是文艺复兴运动的精髓。

它强调人的独立意识和主体意识,宣扬个性解放,主张人们应重视现世而不是来生,是对禁锢欧洲思想达千年之久的宗教神学体系和僵化腐败的封建制度的有力反拨。

莎士比亚以其精湛的艺术手法塑造了一系列个性鲜明的人物形象,展现了封建制度和资本主义制度交替时期波澜壮阔的历史画卷。

他赞扬人的美德,歌颂爱情、友谊和忠诚,鞭挞昏聩的君主和奸邪的小人。

在莎士比亚身后的近四个世纪以来,他的声誉日隆,世界各国学者研究其作品和生平事迹的专著和论文可谓汗牛充栋。

有学者曾说,如果没有莎士比亚,整个英国文学乃至世界文学都会呈现出一番不同的面貌。

17~20世纪英国文学的代表人物17世纪英国文学的一个重点和难点是约翰弥尔顿。

弥尔顿早期积极投身于英国的资产阶级革命,以其犀利的笔锋和雄辩的才能为革命立下了汗马功劳。

他的主要文学作品《失乐园》、《复乐园》和《力士参孙》都是在其双目失明以后在极其艰难的条件下创作的。

说他是个重点是指其在英国文学史上的重要地位而言的;说他是个难点是因为其主要作品的题材均取自《圣经》,与宗教的关系非常紧密,加之语言艰深,思辨曲折,令一般读者望而却步。

英国文学方面的参考论文例文

英国文学方面的参考论文例文

英国文学方面的参考论文例文英美文学从诞生之日起,就在不断的发展之中,具有较高的艺术成就。

下文是店铺为大家整理的关于英国文学方面的参考论文例文的内容,欢迎大家阅读参考!英国文学方面的参考论文例文篇1论英美文学中典故的英汉翻译摘要:典故作为一种特殊的语言形式,承载了丰富的历史文化遗产,具有浓厚的民族色彩.文章从基本对应,部分对应和不对应三个方面论述了英汉典故的对应关系。

从而得出英语典故翻译的具体原则和方法。

关键词:典故;差异;对应关系典故在英美文学中出现的频率极高。

在给文学语言增加亮丽色彩的同时,也形成了语言翻译的一道特殊障碍。

典故(Allusion),指诗文中利用神话,寓言,传说,历史故事或历史名人的词语构成的语句。

一、英汉典故的对应情况英汉典故主要来源于神话故事、寓言故事、《圣经》、文学作品莎士比亚戏剧及一些民间文学。

典故有如此多的差异,能否互译两种语言,典故间的对应情况值得注意。

英汉典故在文化内涵方面可分为基本对应,部分对应和不对应三个方面:1 基本对应指英语典故与对应的汉语典故的意义和用法上都基本一致,有可能互译,基本对应不是对等,两者仍有差异,但总的说还可以互译。

例如:burn one’s boat与“破釜沉舟” burn one’s boat来源:古时候从海路入侵外国的将军,到达彼岸后把他的船只弄上沙滩,放火烧掉,以此向士兵指明后路已断,不可能退却。

“破釜沉舟”出自《史记项羽本纪》项羽乃悉引兵渡河,皆沉船,破釜甑,烧庐舍,持三日粮,以示士卒必死,无一还。

这两个典故不仅形象寓意相似,人们还认为他们的典故也相同。

2 部分对应指英语典故在意义上或用法上与汉语典故有不一致的地方,但仍存在共同点,所以说两者只是部分对应,在某些情况下仍可以互译,翻译时要根据上下文灵活运用。

例如: the touch of Midas与“点铁成金” the touch of Midas出自希腊神话:酒神巴克科斯(Bacchus)报答弗利治亚(Phrygia)国王迈达斯(Mides)赋予他神力可以把接触的东西变成金子,他接触到的食物和他的女儿都变成了金子,他害怕了,只好求巴克科斯解除他这种神力。

英国文学方面的毕业论文优秀范文

英国文学方面的毕业论文优秀范文

英国文学方面的毕业论文优秀范文文学艺术关乎着人生的终极意义,文学作品是我们人类外化的生命。

下文是店铺为大家整理的关于英国文学方面的毕业论文优秀范文的内容,欢迎大家阅读参考!英国文学方面的毕业论文优秀范文篇1浅谈英美文学作品中模糊语言的翻译方式1、英美文学作品中的模糊性模糊性是大多数语言所具有的内在属性,模糊语言在我们的语言交流中是不可避免的。

罗素在1923年写的一篇有名的论文《论模糊性》中指出:“整个语言或多或少是模糊的”。

汪培庄为伍铁平所著《模糊语言学》所做序中开宗明义地指出:“模糊性是非人工语言的本质属性,因而是语言学所不能回避的对象。

”文学作为一种语言艺术。

其重要的特点就在于形象性。

基本上大多数读者都是通过在脑海里的再造想象欣赏文学作品的,这种再造想象的特征之一就是模糊语言。

也正是这种模糊语言的使用,极大程度上拓展了读者的视野和想象空间,也彰显了文字的魅力。

典型的一段如莎士比亚在《王子复仇记》中一句“to be,or not to be”短短几个词引起了读者无限的遐想和解读,同时也让这句话获得了旺盛的生命力。

2、英美文学作品中模糊语言的翻译方式翻译就好像婚姻一样,它是一种互相妥协的文字艺术。

同样的语言翻译也是拥有不同语言以及不同文化背景的人跨文化交流的一种手段。

优秀的语言翻译带来的是成功的交流,而劣质的翻译也会导致误解。

在这样重要的情况下,翻译就会显得异常重要,面对不同的语言,翻译者就需要采取恰如其分的翻译方式,以实现不同语言的信息成功传递。

从某种程度上说,成功的文学翻译也是对原著作者精神的模糊转达。

2.1、符合原文精神文章翻译的首要方法就是以对应的形式再现原文的模糊语言美感。

比如杰克·伦敦的《马丁·伊登》卷首引诗:Let me live out my years in heat of blood/ Let me lie drunken with the dreamer’s wine/ Let me not see this soul-house built of mud/ Go toppling to the dust a vacant shrine! (让我在热血沸腾中度此一生! /让我在醇酒般的梦幻里醉沉!/莫使我眼见这泥塑的肉身,/终以空虚的躯壳毁于泥尘!) 译文里面的语言就是诗歌创作中形象与模糊思维互相交感的出品,翻译可谓是恰如其分,不但精确化,还模糊化,文章美感仍在。

英国文学选读论文格式及要求

英国文学选读论文格式及要求

件:封面样式(空两行)《英美文学选读》课程论文论文题目(宋体小二)(副标题宋体四号)姓名:班级:学号:(以上四项用宋体四号字)年月日(黑体3号字)《英国文学选读》学期论文指导写作一、学期论文的要求:期末考试时上交, 《英国文学选读》相关作品, 按正规论文格式, A4打印稿。

1200 words, 包括:题目,中英文摘要, 关键词, 正文分论述层次,参考文献。

谢绝抄袭和剽窃!二、论文的考察目的通过论文的写作,考查学生分析问题和运用基本理论解决问题的能力,同时引起学生对该门课程前沿理论和热点问题的关注,提高阅读和分析英国文学作品的能力,锻炼学生的写作能力,提高学生的理论素养和水平。

三、论文的选题论文题目的选定必须注意四个准则:必须对此课题有浓厚的学术兴趣,在力所能及的范围内有充分的参考资料可供使用,应有能力收集、组织和利用这些材料,能够应用科研的方法实施研究计划。

四者缺一不可,否则就有半途而废的可能。

通过对课程的学习,除对本课程知识有了整体的把握以外,对课程的某些问题会产生深入探究的兴趣,这就是研究性学习的基础。

论文题目的确定应该是在围绕自己感兴趣的问题进行深入阅读的过程中产生的。

在学术工作中,论文的题目就是研究的课题或课题研究的一部分。

课题的选择除了客观因素外,与一个研究人员的业务素质和认识能力有很大的关系。

著名科学家贝尔纳说过:“课题的形成和选择,无论是作为外部的技术经济要求,抑或作为科学本身的要求,都是科研工作中最复杂的一个阶段。

一般来说提出课题比解决课题更困难。

”选题,也就是发现问题。

因此,人们常说,确定了研究课题,等于研究工作完成了一半,这就是在强调选题定题的重要性。

每一个学科都有自己的基础理论、历史发展和方法技术,也都有基础研究、应用研究和开发研究。

每个方面,只要钻进去,都有许多课题可以探讨与研究。

一个课题解决了,又会出现新的课题,科学是无止境的。

随着科学研究的深入,科研工作的分工越来越细,每一个人如果能够在专业领域内某一问题上有所发现,有所突破,就是非常可喜的了,不可能什么都明白。

关于英国文学方面的论文范文

关于英国文学方面的论文范文

关于英国文学方面的论文范文篇1浅析文化差异对英美文学评论的影响英美文学在世界文坛中占据着重要的地位,影响英美文学评论的因素有很多,如社会文化环境、评论者个人的兴趣爱好等,其中文化差异是影响英美文学评论的重要因素。

把握好文化差异对英美文学的影响,才能够帮助读者在阅读英美文学时进行更准确的理解。

一、英美文学的发展历史(一)英国文学的发展历史英国是一个历史悠久的国家,其历史和社会文化等方面都对英国文学产生了很大的影响。

从中古世纪开始,英国文学就经历了英语文学和中古英语文学阶段。

到了16世纪,随着英国国力的逐渐增强,人民的民族英雄主义也空前高涨,英国文学开始进入文艺复兴时期,许多优秀的文学家都出现在这一时期,如莎士比亚、萨里、斯宾塞等。

17世纪的英国文学主要由玄学派和骑士派组成,玄学派主要指的是作者的怀疑和信念相互交替的观念,骑士派主要指的是文学中末世的浪漫色彩。

18世纪的英国主要推崇的是新古典主义。

19世纪初期,英国浪漫主义文学开始形成,英国文学进入了一个辉煌的时代,拜伦、雪莱等作家更是将英国浪漫主义文学推向更加广阔的境界。

到了19世纪末期,英国文学的题材也随着社会的进步而逐渐扩展开来,开始涉及到科学幻想、婚姻问题等各个方面。

进入20世纪以后,爱尔兰文艺复兴和现代主义使英国文学巩固了在世界文学中的地位。

(二)XX文学的发展历史与历史悠久的英国文学相比,XX文学发展历史很短,而且XX的多民族特点,有许多来自各个国家的移民,导致了XX 文学更加复杂和多样。

XX文学早期发展大多是以英国文学为依据进行模仿,一直到19世纪末,XX文学才开始逐渐形成自己独有的文学特点。

20世纪开始,随着XX综合国力的不断增强,出现了许多著名的文学作家,XX文学也开始达到了繁荣时期。

在此之后,XX文学发展迅速,很快便在世界文学中占有了一席之地。

第二次世界大战后,随着多元文化的发展,XX 的新旧文学也展开了激烈的斗争,XX的文学也更加多元化。

英国文学类论文例文

英国文学类论文例文

英国文学类论文例文英国文学是我国高等院校英语本科专业的一门专业必修课程。

下文是店铺为大家整理的关于英国文学类论文例文的内容,欢迎大家阅读参考!英国文学类论文例文篇1浅析英国茶文化与英国文学1848年,东印度公司皇家植物园温室部主管罗伯特·福琼来到中国,他将茶树种子放入一个用特殊玻璃制成的便携式保温箱中,偷偷地带上了从中国开往印度的轮船,由此千万株以上的茶树苗在印度生根发芽,继而形成了大规模的茶园。

茶叶传入欧洲后,并没有像咖啡和可可那样受到过多的欢迎,直到它进入远离欧洲大陆的英伦三岛,竟然奇迹地掀起了饮茶的风尚,并由此产生了世界茶文化的一枝奇葩——英国的茶文化[1]。

一、英国茶文化的主要内容英语中有Teatime一词,指的就是占据英国人l/3生命的饮茶时间。

英式红茶更是以名目繁多、内容丰富闻名于世,其主要的内容包括:1.英式早茶英国人在晨起时要饮“早茶”,又名“开眼茶”,即Earlymorning Tea,有时在早茶之前还会有“床头茶”,即清晨一睁眼靠在床头就能享受的茶。

而早茶主要是以红茶为主要饮料,是英国当家招牌茶的重要内容之一,它集浓郁和清新于一体,色泽和口感都相当出色。

正统的早茶要精选阿萨姆、锡兰、肯尼亚等地红茶调制而成,因此早餐茶的口感来自锡兰、浓度来自阿萨姆、色泽来自肯尼亚[2],可见英国人的早茶还是相当讲究的,最适合早上起床后饮用。

2.英式上午茶这是最不为外人所知的英国饮茶习惯,又称为“公休茶”,大约持续20分钟。

英国人在上午1l点(亚洲时间上午10点左右),无论是空暇在家享受生活的贵族还是忙碌奔波的上班一族,都要在这一时间休息一会儿,喝一杯茶,他们称之为elevens,即早上十一点时的便餐,所以上午茶可以看成是英国人工作间隙的一种很好的调剂方式[3]。

总体说来,上午茶由于客观条件的约束,不可能很繁杂,所以成为英国茶中最简单的部分。

3.英式下午茶英文名称Afternoon Tea,这其实才是真正意义英国茶文化载体,英国茶正是凭借其内涵丰富、形式优雅的“英式下午茶”——红茶文化享誉世界,“英式下午茶”更是成为英国人典雅生活的象征。

英国文学论文——傲慢与偏见

英国文学论文——傲慢与偏见

Book Report on Pride and PrejudiceAbstract: Jane Austen (1775-1817), whose novels are highly prized not only for light irony, humor, and depiction of contemporary English country life, but also for their underlying serious qualities. Pride and Prejudice has shaped Elizabeth, an intelligent, quick-witted, sensible and brave female image.Key words: summary; Elizabeth; character; writing stylePride and Prejudice is one of the most popular novels of Jane Austen, whose works of romantic fiction have earned her a place as one of the most widely read and most beloved writers in English literature. And no doubt her Pride and Prejudice is a shining pearl be cherished forever.The novel is about the Bennet family and set in 18th century England. The Bennet family consists of Mr. and Mrs. Bennet and their five unmarried daughters. At that time, we know that a poor woman must marry a wealthy husband to have luxurious lives. That’s why Mrs. Bennet is so excited about the coming of Mr. Bingley, a wealthy young gentleman. To help all her daughters get married is the most important thing of her life.Elizabeth is the second daughter in the Bennet family, and Mr. Darcy is unpopular because of his extremely aloof and proud attitude and is generally thought to be very disagreeable. This two is the main part of the novel. However, Darcy finds he has been attracted not only by Elizabeth’s physical beauty, but also by her sharp intelligence and witty observations gradually. He proposes marriage to her but isrefused. Later Elizabeth finds how foolish she was when she knew the truth about everything Darcy did for her family. The series of events which they both experience give them the opportunities to understand one another and the time to reconcile their feelings for each other, for the pride and prejudice. Finally, they are together.Throughout the book, I love Elizabeth most. She is outstanding and totally different from other women around her. She dares to speak as well as act. In addition, no flattering to the rich. She is like a red rose, beautiful with throne. Actually she is the main heroine in the novel. Sensible, intelligent, humorous, has sharp mind and her own mind. From the beginning of the novel, we know that Mr. Bennet adores his Elizabeth more, because “she has something more of quickness than her sisters”. Though she is young and having been confined in the rural society, Elizabeth always has deep insight and watch things from her knowledge, which makes her distinctive. Also we cannot neglect her conversations are full of wit and humor. Her language is very concise and penetrating, especially in her dialogues with Darcy. It’s interesting to read their talks, which is like a “battle”but in a wit and intelligent way. Here is a description:"Oh!" said she, "I heard you before; but I could not immediately determinewhat to say in reply. You wanted me, I know, to say "Yes," that you mighthave the pleasure of despising my taste; but I always delight inoverthrowing those kind of schemes, and cheating a person of theirpremeditated contempt. I have therefore made up my mind to tell you that Ido not want to dance a reel at all -- and now despise me if you dare."This passage perfectly demonstrates Elizabeth is quick-witted and sensible. Her sense and skillful words come from her ability to use knowledge as well as her self-confidence. It is the inner beauty of Elizabeth that has attracted Darcy rather than her appearance.She is definitely brave and believes in love, she want to find a man she really loves. It is a precious character of Elizabeth I appreciate. She is determined and strong-minded, and she will do anything she thinks right rather than do everything according to social norms. She shows her mock towards some social rules. When Mr. Collins tells Elizabeth he wants to marry her so that she can take possession of her father’s legacies, and it’s good for both sides. Without hesitating, Elizabeth refuses him immediately. It’s beyond imagination at that time, especially under the pressure of her mother and the family house. I think the strongest rebellion Elizabeth has made against the social custom is that she marries Darcy despite that her family background is inferior to Darcy’s. Elizabeth and Darcy’s marriage is not admitted by the social norms. When Catherine comes to Elizabeth’s home to blame her for the engagement with her nephew Darcy, she is brave enough to negotiate with her. In the hierarchical society, she does not feel inferior. Instead, she is confidant and brilliant. We know in Jane Austen’s soc iety, obedience is supposed to be the most important virtue of a woman. In a male-dominating society, women are supposed to behave like Jane in Pride and Prejudice, who is gentle, mild, pleasing and obedient. Women are imprisoned and constrained by the dominant ideologies of womanhood, and they are restrained in expressing their passion or telling the feelings about their experience.Men do not want women to have independent characters, because once women become spirit-independent and powerful, they will threat the social structure in which men are masters of everything.Jane Austen’s capability of writing subtle discrimination and her shrewd perceptiveness are showed in Pride and Prejudice; she is able to convey such a complex message using a simple and witty style. The e first sentence of the novel: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In this statement, Austen has declared that the main subject of the novel will be courtship and marriage, and then she has established the humorous tone of the novel by taking a simple subject and she has told the reader that in the novel, either a husband in search of a wife, or a woman in pursuit of a husband. And the sentence also defines Austen's book as a piece of literature that connects itself to the 18th century period. Pride and Prejudice is 18th century because of the emphasis on man in his social environment rather than in his individual conditions. The use of satire and wit is a common form of 18th century literature, also make it belongs to18th century.Jane Austen’s writing is from the experience of her own life, so she can describe a picture of life of her time vividly with her forceful insight and gentle wit. She is skillful in the interesting plot and quick-witted language of the novel, she also presents her attitude toward the society which seriously discriminates against women. Her attitude is ironic and critical. Elizabeth represents her to revolt against the tradition and convention, so we must aware that Jane Austen is one of thechallengers of the male dominant tradition in the awakening of feminist consciousness.Works Cited:Edward Corpland & Juliet Mcmaster, The Cambridge Companion to Jane Austen, 上海:Shanghai Foreign Language Education Press, 2001.Susan M. Shaw and Janet Lee, Women’s V oices, Feminist Visions, California: Mayfield Publishing Company, 2001.。

毕业论文英国文学

毕业论文英国文学

毕业论文英国文学英国文学,犹如一座宏伟的文化宝库,蕴含着丰富的智慧与情感。

从古老的史诗到现代的小说,英国文学的发展历程见证了社会的变迁、思想的演进以及人类对自身和世界的不断探索。

英国文学的起源可以追溯到古代的盎格鲁撒克逊时期。

那时候的英雄史诗《贝奥武夫》展现了英勇无畏的精神和神秘的神话色彩,为后来的文学创作奠定了基础。

随着时间的推移,中世纪的英国文学迎来了浪漫传奇和宗教诗歌的繁荣。

到了文艺复兴时期,英国文学绽放出耀眼的光芒。

威廉·莎士比亚无疑是这一时期最具代表性的作家之一。

他的作品涵盖了各种题材和风格,从悲剧《哈姆雷特》《罗密欧与朱丽叶》中对人性的深刻洞察,到喜剧《仲夏夜之梦》《威尼斯商人》里对生活的幽默描绘,莎士比亚以其卓越的才华和深邃的思想征服了世界。

他的戏剧不仅在当时引起轰动,而且至今仍然在舞台上不断上演,被视为文学经典。

17 世纪的英国文学在约翰·弥尔顿的作品中达到了新的高度。

《失乐园》以宏大的叙事和深刻的宗教思考展现了人类的堕落与救赎。

18 世纪的英国文学呈现出多样化的特点。

丹尼尔·笛福的《鲁滨逊漂流记》开创了现实主义小说的先河,通过主人公在荒岛上的生存经历展现了人类的坚韧和智慧。

而乔纳森·斯威夫特的《格列佛游记》则以讽刺的手法揭示了社会的种种弊端。

19 世纪是英国文学的黄金时代。

简·奥斯汀以细腻的笔触描绘了英国乡村中产阶级的生活和爱情,其作品《傲慢与偏见》《理智与情感》成为了爱情小说的经典之作。

勃朗特姐妹的《简·爱》和《呼啸山庄》则以强烈的情感和独特的女性视角震撼了读者。

而查尔斯·狄更斯的作品如《雾都孤儿》《大卫·科波菲尔》等,生动地反映了当时社会的贫富差距和底层人民的苦难。

进入 20 世纪,英国文学在现代主义思潮的影响下发生了深刻的变革。

DH劳伦斯的作品探讨了人性与工业文明的冲突,詹姆斯·乔伊斯的《尤利西斯》以创新的意识流手法展现了人物内心的复杂世界。

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Appreciation of the poem A Valediction: Forbidding Mourning08英语师范(1)周帆32John Donne (1572–1631), born in a Roman Catholic family, received his education at Oxford and Cambridge and later studied law at Lincoln’s Inn. He was a Jacobean poet and preacher, representative of the metaphysical poets of the period. His works, notable for their realistic and sensual style, include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, compared with that of his contemporaries. He is famous for his Holy Sonnets.The following is one of his love poems:A Valediction: Forbidding MourningAs virtuous men pass mildly away,And whisper to their souls to go,Whilst some of their sad friends do say,The breath goes now, and some say, No:So let us melt, and make no noise,No tear-floods, nor sigh-tempests move,T’were profanation of our joysTo tell the laiety our love.Moving of th’earth brings harms and fears, Men reckon what it did and meant;But trepidation of the spheres,Though greater far, is innocent.Dull sublunary lovers’ love(Whose soul is sense) cannot admitAbsence, because it doth removeThose things which elemented it.But we by a love so much refinedThat our selves know not what it is,Inter-assured of the mind,Care less, eyes, lips, and hands to miss.Our two souls therefore, which are one, Though I must go, endure not yetA breach, but an expansion,Like gold to airy thinness beat.If they be two, they are two soAs stiff twin compasses are two;Thy soul, the fixed foot, makes no showTo move, but doth, if th’other do.And though it in the center sit,Yet when the other far doth roam,It leans and hearkens after it,And grows erect, as that comes home.Such wilt thou be to me, who mustLik e th’other foot, obliquely runThy firmness makes my circle just,And makes me end where I begun.This poem was published after his death in 1633. It has nine quatrains. One quatrain is a stanza that consists of four lines. It is written in iambic pentameter, and is one of the most beautiful love poems. The title A Valediction: Forbidding Mourning reflects the content of the piece: a farewell. At that time, his wife was pregnant, so Donne wrote this love poem to his wife as a comfort before he left for France with his boss. This article firstly analyses conceits in the poem and how conceits help poetdevelop the poem. Then, it tells the development of the poem. L astly, it’s the t opic of the poem and the conclusion.The poem begins with the image of men passing away. The separation of his body and soul is so gentle that friends around him cannot tell if they are alive or dead. The poem says the lovers should depart without noise for fear of disclosing the quality of the love. This is the first reason to forbid mourning. The second one is offered in a comparative and contrasting metaphor. When an earthquake is coming, small cracks form in the ground; people regard it as ominous, but when planets move apart, though the distance is great, people think it is harmless. John Donne uses earthquakes as a metaphor for the separation of lovers. Similar to earthquakes, lovers fear separation because of their composition of sensory and sensual perceptions. However, lovers who are spiritually and physically in love are less troubled by separation. Like the separation of planets, their souls remain one until their bodies are reunited. Another metaphor is given to strengthen that idea: The separation of lovers is similar to gold stretching thin, but not breaking. The last reason is performed by using a compass as a metaphor to describe the association between lovers. Although lovers keep their souls, they are divided into two parts, similar to that of a compass. The compass is linked at the top, and works in unison. When the compass draws a circle, one point remains stationary in the centre, the other will complete its circuit. The same as the compass, if one of the lovers remains home, it ensures the return of the other. Since the lover will return home, mourning is no need and inappropriate.The circle is a traditional symbol of love. Since it has neither beginning nor end, Donne should reunite with his wife at the end of his travel. A compass has one fixed leg and the other one moves. The soul of Donne’s wife is compared to the fixed foot ofthe compass and Donne’s soul is compared to the foot that moves. But like the fixed leg leans towards the leg which moves around the centre, her soul, thought and emotions lean towards his soul wherever it is. His soul will wander as he travels but will move toward her and eventually return to its usual position as he returns home. So no matter how far he leaves away from her, the path of his travel will always lead back to her where he began. Just like a compass is fixed by the centre foot, the other foot completes the three hundred and sixty degree circle by returning to the point where it began”. “Thy firmness makes my circle just and makes me end, where I bega n”The poem explains that he has to spend time apart from his wife, but before he leaves, he tells her that their farewell should not become the reason for mourning and sorrow. In the same way, the elegant men die mildly and without complaint, so they sho uld leave without “tear-floods” and “sigh-tempests”. Publicly announcing their feelings in such a way would only profane their love. The poem says that when the earth moves, it brings “harms and fears”; when the spheres experience “trepidation”, though the impact is greater, it is also innocent. The love of “dull sublunary lovers” cannot survive separation, but it removes that which constitutes the love itself; the love he shares with his beloved is so delicate and they need not worry about missing “eyes, lips, and hands”. Though he must leave for a long time, their souls are still one. Therefore, they are not lasting a breach but to experience an expansion; similarly gold can be stretched by beating it “to airy thinness”, the soul they share will completely stretch to take in all the space between them. If their souls are separate, they are like the feet of a compass: His lover’s soul is the fixed foot in the center, and his is the foot that moves around it. The firmness of the center foot makes the circle that the outerfoot draws perfect: “Thy firmness makes my circle just, and makes me end, where I begun.”Actually, complete love unites not only the bodies of a couple but also their souls. Such spiritual love is phenomenal, metaphysical, keeping the lovers together spiritually regardless of distance between them.John Donne uses his metaphysical wit to develop a series of arguments to console his wife on the eve of his departure. He tries to convince his wife that spiritual love cannot be affected by physical distance. Then he shows her that since their souls are one, distance will only increase their love and make it more beautiful just like gold hammered and spread out into a thin sheet. Finally, if the first two arguments are not enough to comfort his wife, Donne argues that he and his wife like the legs of a compass. In each case, the metaphor Donne uses makes the readers to see the logic behind comparisons that may seem far-fetched at first. It is really a beautiful love poem which takes a positive attitude towards love.。

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