外国名著读后感英文版

外国名著读后感英文版
Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme： the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic——a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister.
Soon however, Marianne meets a man who measures up to her ideal： Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingneto consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure.
MOVIE: Mission Impossible III While Summer isn't officially here, it is here in terms of movies. Mission Impossible 3 kicks off the summer movie season with a bang with an interesting and entertaining installment in the money-ma-ki-ng franchise. Tom Cruise reprises his Ethan Hunt role and J.J. Abrams takes the director's chair. What makes the Mission Impossible franchise so interesting is the constant change of directors. If you look at other franchises like Lethal Weapon, Pink Panther, Indiana Jones, etc, the directors usually stay on board for the sequels. Even with the James Bond franchise you have directors usually doing several Bond films in a row. Mission Impossible was helmed by Brian De Palma and was all espionage with light action. Action maestro John Woo took the second one and made an explosive and entertaining action sequel even if it was a little over cooked. J.J. Abrams makes his feature film directorial debut with Mission Impossible 3, which is a little
bit of espionage and a little bit of action. For those who don't know Abrams, he started out writing films like Armageddon and Regarding Henry. He then
broke into the television scene with Alias, a pretty popular show. He became very well known recently for his latest show. Abrams is the creator of LOST, one of my favorite shows. So, I was excited to see his first movie. M:I-3 has Ethan Hunt trying to settle down and start a normal life, but he is thrown
back into his old job when an arms dealer played by Phillip Seymour Hoffman wants him to track down the Rabbit's Foot. The Rabbit's Foot is some kind of weapon of madestruction, and if Hunt doesn't retrieve it in 48 hours his
fiance will be killed. What follows are explosive action sequences that sing
the right tune to satisfy all of our action appetites. The movie is good, but
I couldn't help feeling like something was lacking. I tried to pinpoint it,
and the only thing that I could come up with was that it lacked style. Sure it had LOST written all over it. The tight close ups, starting the film by
showing the ending and then rewinding back to the beginning, getting Michael Giacchino to compose an almost identical score to LOST, even re-creating a scene from LOST at the end, but still the movie didn't feel like it had an overall style. The reason why I liked M:I-2 was that it had John Woo style.
The slow motion build up, the doves, and of course Hans Zimmer's amazing music. I'm just saying that Mission Impossible 3 is good, but it's not a definative action movie that stands out from the rest, let's see how Abrams develops his techniques with future projects now that he's broken into the movie scene.
本书作者罗贯中为读者陈诉了唐僧以及其他的三个徒弟一起上出生入死、降妖伏魔经
历了九九八十一难取得了真经的故事。

正是这离奇的故事叛逆赢得了宽大读者的心，致使
此书成为了我国古代的四大名著之一。

夜深了，周围静悄悄的，我还被《钢铁是怎样炼成的》这本书吸引着，这本书讲的是
发生在1917年一个真实的故事。

《三国演义》对人物描写是非常成功的。

如对刘备的描写体现在“仁义”二字上。

刘
备兵败后，带着百姓一起逃难，众将劝刘备弃民逃难而刘备去却说：“你等欲陷我于不仁
不义乎?”而对另一主人公曹操，作者则用奸雄二字来描写。

曹操虽有远大的志向和聪明
的头脑，但为了实行自己的霸业，不惜杀害忠良无数，还狂妄地高呼：“宁可我负天下人，不可天下人负我!”人物描写观点鲜明。

I merely like to do the things I like. Everytime I meet somebody or something,my thinking about he or it all depends on my foregone experience and my mood of the time.
"Insect" not just dip always be awe for life, but also contains some kind
of spirit. That spirit is the truth, that the pursuit of truth, seek truth.
This is the Fabre spirit. In "Insect Records" under the guidance, I want to continue to explore the wonderful world of insects
黄土高原，自古以来就是一方苦难而又充满希望的土地，路遥生于此，长于此。

是这
块贫瘠的土地造就了路遥的求索奋斗、不畏艰辛的性格，也正是那些挥不去的生活经历使
得路遥那么地热爱生命，使得他立志要在40岁之前要完成一部巨著：为了纪念那片贫瘠
的土地，为了纪念那个辉煌的年代，更为了纪念那里朴实无华生生奋斗的人民。

路遥该
是文坛中少有的英雄，他不仅把写作当成了一种责任，更当成了一种无比神圣的使命。

路
遥是一个热爱生命的人，他在创作手记中曾这样写道：“在这里，我才清楚地认识到我将
要进行的是一次命运的‘赌博’，而赌注则是自己的青春抑或生命。

寒假我就看了一本老舍的代表作《骆驼祥子》，讲的是一位旧北京人力车夫祥子的故事。

祥子有一个理想：拥有自己的洋车。

于是他凭着勤劳和坚忍省吃俭用，终于如愿以偿。

然而好景不长，没多久他的洋车就被士兵抢走。

但他没有灰心，靠自己的努力又买了一辆
洋车。

不过他实在太倒霉了，辛辛苦苦的积蓄又被洗劫一空。

就这样反复了三次，祥子再
也无法鼓起生活的勇气。

他开始游戏生活，吃喝嫖赌，彻底堕落为城市的垃圾。

第一篇讲的是《刘关张桃园三结义》，刘备看见地方官招兵买马，遇见张飞两人准备
一起去招募乡兵去投军。

两人去酒店喝酒又遇见关羽，三人意气相合在张飞庄后结义，第
二天刘备打制了一对双股宝剑，关羽打制了一杆一丈八尺的点钢矛去投军。

曹操献刀刺董
卓时被发现弄巧成拙慌忙而逃。

感谢您的阅读，祝您生活愉快。