新视野大学英语4——英语原文翻译

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最新新视野大学英语第四册第三版课后翻译与原文

最新新视野大学英语第四册第三版课后翻译与原文

新视野大学英语读写教程第四册汉译英答案手打不易,多多支持,Thanks♪(・ω・)ノ第一单元The Doctrine of the Mean is the core ofConfucianism. The so- called “ mean”by Confuciusdoesn ’tmean “compromise b”ut a “moderate ”a“nd jus-t r ight ”wa y when understanding andhandlingobjective things. Confucius advocatedthat this thought should not only be treated as away tounderstand and deal with things but alsobe integrated into one ’s daily conduct to makeit a virtue through self-cultivation and training.The Doctrine of the Mean is not only the core ofConfucianism but also an importantcomponentof traditional Chinese culture. From the time itcame into being to the present, it hasplayed aninvaluable role in the construction of nationalspirit, the transmission of nationalwisdom, and the development of national culture.中庸思想是儒家思想的重要内容。

孔子所谓的“中”不是指“折中”,而是指在认识和处理客观事物时的一种“适度”和“恰如其分”的方法。

新视野大学英语4――英语原文翻译.

新视野大学英语4――英语原文翻译.

UNIT1 A艺术家追求成名,如同狗自逐其尾,一旦追到手,除了继续追逐不知还能做些什么。

成功之残酷正在于它常常让那些追逐成功者自寻毁灭。

对一名正努力追求成功并刚刚崭露头角的艺术家,其亲朋常常会建议“正经的饭碗不能丢!”他们的担心不无道理。

追求出人头地,最乐观地说也困难重重,许多人到最后即使不是穷困潦倒,也是几近精神崩溃。

尽管如此,希望赢得追星族追捧和同行赞扬之类的不太纯洁的动机却在激励着他们向前。

享受成功的无上光荣,这种诱惑不是能轻易抵挡的。

成名者之所以成名,大多是因为发挥了自己在歌唱、舞蹈、绘画或写作等方面的特长,并能形成自己的风格。

为了能迅速走红,代理人会极力吹捧他们这种风格。

他们青云直上的过程让人看不清楚。

他们究竟是怎么成功的,大多数人也都说不上来。

尽管如此,艺术家仍然不能闲下来。

若表演者、画家或作家感到无聊,他们的作品就难以继续保持以前的吸引力,也就难以保持公众的注意力。

公众的热情消磨以后,就会去追捧下一个走红的人。

有些艺术家为了不落伍,会对他们的写作、跳舞或唱歌的风格稍加变动,但这将冒极大的失宠的危险。

公众对于他们藉以成名的艺术风格以外的任何形式都将不屑一顾。

知名作家的文风一眼就能看出来,如田纳西·威廉斯的戏剧、欧内斯特·海明威的情节安排、罗伯特·弗罗斯特或T.S.艾略特的诗歌等。

同样,像莫奈、雷诺阿、达利这样的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。

他们鲜明独特的艺术风格标志着与别人不同的艺术形式上的重大变革,这让他们名利双收,但也让他们付出了代价,那就是失去了用其他风格或形式表现自我的自由。

名气这盏聚光灯可比热带丛林还要炙热。

骗局很快会被揭穿,过多的关注带来的压力会让大多数人难以承受。

它让你失去自我。

你必须是公众认可的那个你,而不是真实的你或是可能的你。

艺人,就像政客一样,必须常常说些违心或连自己都不完全相信的话来取悦听众。

新视野大学英语第四册课文原文加翻译

新视野大学英语第四册课文原文加翻译

1A An artist who seeks fame is like a dog chasing his own tail who, when he captures it, does not know what else to do but to continue chasing it.The cruelty of success is that it often leads those who seek such success to participate in their own destruction."Don't quit your day job!" is advice frequently given by understandably pessimistic family members and friends to a budding artist who is trying hard to succeed.The conquest of fame is difficult at best, and many end up emotionally if not financially bankrupt.Still, impure motives such as the desire for worshipping fans and praise from peers may spur the artist on.The lure of drowning in fame's imperial glory is not easily resisted.Those who gain fame most often gain it as a result of exploiting their talent for singing, dancing, painting, or writing, etc.They develop a style that agents market aggressively to hasten popularity, and their ride on the express elevator to the top is a blur.Most would be hard-pressed to tell you how they even got there.Artists cannot remain idle, though.When the performer, painter or writer becomes bored, their work begins to show a lack of continuity in its appeal and it becomes difficult to sustain the attention of the public.After their enthusiasm has dissolved, the public simply moves on to the next flavor of the month.Artists who do attempt to remain current by making even minute changes to their style of writing, dancing or singing, run a significant risk of losing the audience's favor.The public simply discounts styles other than those for which the artist has become famous.Famous authors' styles—a Tennessee Williams play or a plot by Ernest Hemingway or a poem by Robert Frost or T.S. Eliot—are easily recognizable.The same is true of painters like Monet, Renoir, or Dali and moviemakers like Hitchcock, Fellini, Spielberg, Chen Kaige or Zhang Yimou. Their distinct styles marked a significant change in form from others and gained them fame and fortune.However, they paid for it by giving up the freedom to express themselves with other styles or forms.Fame's spotlight can be hotter than a tropical jungle—a fraud is quickly exposed, and the pressure of so much attention is too much for most to endure.It takes you out of yourself: You must be what the public thinks you are, not what you really are or could be.The performer, like the politician, must often please his or her audiences by saying things he or she does not mean or fully believe.One drop of fame will likely contaminate the entire well of a man's soul, and so an artist who remains true to himself or herself is particularly amazing.You would be hard-pressed to underline many names of those who have not compromised and still succeeded in the fame game.An example, the famous Irish writer Oscar Wilde, known for his uncompromising behavior, both social and sexual, to which the public objected, paid heavily for remaining true to himself.The mother of a young man Oscar was intimate with accused him at a banquet in front of his friends and fans of sexually influencing her son. Extremely angered by her remarks, he sued the young man's mother, asserting that she had damaged his "good" name.He should have hired a better attorney, though.The judge did not second Wilde's call to have the woman pay for damaging his name, and instead fined Wilde.He ended up in jail after refusing to pay, and even worse, was permanently expelled from the wider circle of public favor.When things were at their worst, he found that no one was willing to risk his or her name in his defense.His price for remaining true to himself was to be left alone when he needed his fans the most.Curiously enough, it is those who fail that reap the greatest reward: freedom!They enjoy the freedom to express themselves in unique and original ways without fear of losing the support of fans.Failed artists may find comfort in knowing that many great artists never found fame until well after they had passed away or in knowing thatthey did not sell out.They may justify their failure by convincing themselves their genius is too sophisticated for contemporary audiences.Single-minded artists who continue their quest for fame even after failure might also like to know that failure has motivated some famous people to work even harder to succeed.Thomas Wolfe, the American novelist, had his first novel Look Homeward, Angel rejected 39 times before it was finally published. Beethoven overcame his father, who did not believe that he had any potential as a musician, to become the greatest musician in the world. And Pestalozzi, the famous Swiss educator in the 19th century, failed at every job he ever had until he came upon the idea of teaching children and developing the fundamental theories to produce a new form of education.Thomas Edison was thrown out of school in the fourth grade, because he seemed to his teacher to be quite dull.Unfortunately for most people, however, failure is the end of their struggle, not the beginning.I say to those who desperately seek fame and fortune: good luck.But alas, you may find that it was not what you wanted.The dog who catches his tail discovers that it is only a tail.The person who achieves success often discovers that it does more harm than good.So instead of trying so hard to achieve success, try to be happy with who you are and what you do.Try to do work that you can be proud of.Maybe you won't be famous in your own lifetime, but you may create better art.1B One summer day my father sent me to buy some wire and fencing to put around our barn to pen up the bull.At 16, I liked nothing better than getting behind the wheel of our truck and driving into town on the old mill road.Water from the mill's wheel sprayed in the sunshine making a rainbow over the canal and I often stopped there on my way to bathe and cool off for a spell—natural air conditioning.The sun was so hot, I did not need a towel as I was dry by the time I climbed the clay banks and crossed the road ditch to the truck.Just before town, the road shot along the sea where I would collect seashells or gather seaweed beneath the giant crane unloading the ships. This trip was different, though.My father had told me I'd have to ask for credit at the store.It was 1976, and the ugly shadow of racism was still a fact of life.I'd seen my friends ask for credit and then stand, head down, while a storeowner enquired into whether they were "good for it".Many store clerks watched black youths with the assumption that they were thieves every time they even went into a grocery.My family was honest.We paid our debts.But just before harvest, all the money flowed out.There were no new deposits at the bank.Cash was short.At Davis Brothers' General Store, Buck Davis stood behind the register, talking to a middle-aged farmer.Buck was a tall, weathered man in a red hunting shirt and I nodded as I passed him on my way to the hardware section to get a container of nails, a coil of binding wire and fencing.I pulled my purchases up to the counter and placed the nails in the tray of the scale, saying carefully, "I need to put this on credit."My brow was moist with nervous sweat and I wiped it away with the back of my arm.The farmer gave me an amused, cynical look, but Buck's face didn't change."Sure," he said easily, reaching for his booklet where he kept records for credit.I gave a sigh of relief."Your daddy is always good for it."He turned to the farmer."This here is one of James Williams' sons.They broke the mold when they made that man."The farmer nodded in a neighborly way.I was filled with pride."James Williams' son."Those three words had opened a door to an adult's respect and trust.As I heaved the heavy freight into the bed of the truck, I did so with ease, feeling like a stronger man than the one that left the farm that morning.I had discovered that a good name could furnish a capital of good will of great value.Everyone knew what to expect from a Williams: a decent person who kept his word and respected himself too much to do wrong.My great grandfather may have been sold as a slave at auction, but this was not an excuse to do wrong to others.Instead my father believed the only way to honor him was through hard work and respect for all men.We children—eight brothers and two sisters—could enjoy our good name, unearned, unless and until we did something to lose it.We had an interest in how one another behaved and our own actions as well, lest we destroy the name my father had created.Our good name was and still is the glue that holds our family tight together.The desire to honor my father's good name spurred me to become the first in our family to go to university.I worked my way through college as a porter at a four-star hotel. Eventually, that good name provided the initiative to start my own successful public relations firm in Washington, D.C.America needs to restore a sense of shame in its neighborhoods.Doing drugs, spending all your money at the liquor store, stealing, or getting a young woman pregnant with no intent to marry her should induce a deep sense of embarrassment.But it doesn't.Nearly one out of three births in America is to a single mother. Many of these children will grow up without the security and guidance they need to become honorable members of society.Once the social ties and mutual obligations of the family melt away, communities fall apart.While the population has increased only 40 percent since 1960, violent crime in America has increased a staggering 550 percent—and we've become exceedingly used to it. Teen drug use has also risen.In one North Carolina County, police arrested 73 students from 12 secondary schools for dealing drugs, some of them right in the classroom.Meanwhile, the small signs of civility and respect that hold up civilization are vanishing from schools, stores and streets.Phrases like "yes, ma'am", "no, sir", "thank you" and "please" get a yawn from kids today who are encouraged instead by cursing on television and in music.They simply shrug off the rewards of a good name.The good name passed on by my father and maintained to this day by my brothers and sisters and me is worth as much now as ever.Even today, when I stop into Buck Davis' shop or my hometown <49>barbershop</49> for a haircut, I am still greeted as James Williams' son.My family's good name did <50>pave</50> the way for me.2A He was born in a poor area of South London.He wore his mother's old red stockings cut down for ankle socks.His mother was temporarily declared mad.Dickens might have created Charlie Chaplin's childhood.But only Charlie Chaplin could have created the great comic character of "the Tramp", the little man in rags who gave his creator permanent fame.Other countries—France, Italy, Spain, even Japan—have provided more applause (and profit) where Chaplin is concerned than the land of his birth.Chaplin quit Britain for good in 1913 when he journeyed to America with a group of performers to do his comedy act on the stage, where talent scouts recruited him to work for Mack Sennett, the king of Hollywood comedy films.Sad to say, many English people in the 1920s and 1930s thought Chaplin's Tramp a bit, well, "crude".Certainly middle-class audiences did; the working-class audiences were more likely to clap for a character who revolted against authority, using his wicked little cane to trip it up, or aiming the heel of his boot for a well-placed kick at its broad rear.All the same, Chaplin's comic beggar didn't seem all that English or even working-class.English tramps didn't sport tiny moustaches, huge pants or tail coats: European leaders and Italian waiters wore things like that.Then again, the Tramp's quick eye for a pretty girl had a coarse way about it that was considered, well, not quite nice by English audiences—that's how foreigners behaved, wasn't it?But for over half of his screen career, Chaplin had no screen voice to confirm his British nationality.Indeed, it was a headache for Chaplin when he could no longer resist the talking movies and had to find "the right voice" for his Tramp.He postponed that day as long as possible: In Modern Times in 1936, the first film in which he was heard as a singing waiter, he made up a nonsense language which sounded like no known nationality.He later said he imagined the Tramp to be a college-educated gentleman who'd come down in the world.But if he'd been able to speak with an educated accent in those early short comedies, it's doubtful if he would have achieved world fame. And the English would have been sure to find it "odd". No one was certain whether Chaplin did it on purpose but this helped to bring about his huge success.He was an immensely talented man, determined to a degree unusual even in the ranks of Hollywood stars.His huge fame gave him the freedom—and, more importantly, the money—to be his own master.He already had the urge to explore and extend a talent he discovered in himself as he went along."It can't be me. Is that possible? How extraordinary," is how he greeted the first sight of himself as the Tramp on the screen.But that shock roused his imagination.Chaplin didn't have his jokes written into a script in advance; he was the kind of comic who used his physical senses to invent his art as he went along.Lifeless objects especially helped Chaplin make "contact" with himself as an artist.He turned them into other kinds of objects.Thus, a broken alarm clock in the movie The Pawnbroker became a "sick" patient undergoing surgery; boots were boiled in his film The Gold Rush and their soles eaten with salt and pepper like prime cuts of fish (the nails being removed like fish bones).This physical transformation, plus the skill with which he executed it again and again, is surely the secret of Chaplin's great comedy.He also had a deep need to be loved—and a corresponding fear of being betrayed.The two were hard to combine and sometimes—as in his early marriages—the collision between them resulted in disaster.Yet even this painfully-bought self-knowledge found its way into his comic creations.The Tramp never loses his faith in the flower girl who'll be waiting to walk into the sunset with him; while the other side of Chaplin makes Monsieur Verdoux, the French wife killer, into a symbol of hatred for women.It's a relief to know that life eventually gave Charlie Chaplin the stability and happiness it had earlier denied him.In Oona O'Neill Chaplin, he found a partner whose stability and affection spanned the 37 years age difference between them, which hadseemed so threatening, that when the official who was marrying them in 1942 turned to the beautiful girl of 17 who'd given notice of their wedding date, he said, "And where is the young man? "—Chaplin, then 54, had cautiously waited outside.As Oona herself was the child of a large family with its own problems, she was well prepared for the battle that Chaplin's life became as many unfounded rumors surrounded them both—and, later on, she was the center of calm in the quarrels that Chaplin sometimes sparked in his own large family of talented children.Chaplin died on Christmas Day 1977.A few months later, a couple of almost comic body thieves stole his body from the family burial chamber and held it for money.The police recovered it with more efficiency than Mack Sennett's clumsy Keystone Cops would have done, but one can't help feeling Chaplin would have regarded this strange incident as a fitting memorial—his way of having the last laugh on a world to which he had given so many. 2B Modest and soft-spoken, Agatha Muthoni Mbogo, 24, is hardly the image of a revolutionary.Yet, six months ago, she did a most revolutionary thing: She ran for mayor of Embu, Kenya, and won.Ms. Mbogo's victory was even more surprising because she was voted in by her colleagues on the District Council, all men.For the thousands of women in this farming area two hours northeast of Nairobi, Ms. Mbogo suddenly became a symbol of the increasingly powerful political force women have become in Kenya and across Africa.Ms. Mbogo launched her dream of a career in politics in 1992 by running for the Embu Council, facing the obstacles that often trouble African women running for political office.She had little money.She had no political experience.She faced ridiculous questions about her personal life."My opponent kept insisting that I was going to get married to somebody in another town and move away," Ms. Mbogo said.Ms. Mbogo also faced misunderstanding among the town's women, many of whom initially were unwilling to vote for her.She became an ambassador for women's political rights, giving speeches before women's groups and going from door to door, handbag in hand, spending hours at a time giving a combination of speech and government lesson."I was delighted when she won the election, because men elected her," said Lydiah Kimani, an Embu farmer and political activist."It was the answer to my prayers because it seemed to be a victory over this idea that 'women can't lead'."Education of African women has become a top priority for political activists.One organization has held dozens of workshops in rural Kenya to help women understand the nation's constitution and the procedures and theory behind a democratic political system.One veteran female political activist said that many women had not been taught the basics of political participation.They are taught to vote for the one who "gives you a half kilo sack of flour, 200 grams of salt, or a loaf of bread" during the campaign, said the activist.Women politicians and activists say they are fighting deeply-held cultural traditions.Those traditions teach that African women cook, clean, take care of children, sow and harvest crops and support their husbands.They typically do not inherit land, divorce their husband, control their finances or hold political office.Yet, political activity among Kenyan women is not a new phenomenon.During the struggle for independence in the 1950s, Kenyan women often secretly provided troops with weapons and spied on the positions of colonial forces.But after independence, leaders jealous to protect their power shut them out of politics, a situation repeated across the continent.Today, men still have the upper hand.Women in Kenya make up 60 percent of the people who vote, but only 3 percent of the National Assembly.No Kenyan woman has ever held a cabinet post.Against that background, Agatha Mbogo began her political career.After winning her council seat, she declined a spot on the education and social services committee after a colleague called it "a woman's committee".She instead joined the town planning committee, a much more visible assignment.Then last year, she decided to challenge Embu's mayor, a veteran politician.Ms. Mbogo said she had become frustrated because the donor groups that provide substantial aid to Kenya's rural areas "did not want to come here"."We weren't seeing things done for the community," she said."It was a scandal—the donors' money seemed to be going to individuals."After a fierce campaign, the council elected her, 7 to 6.She said women in Embu celebrated.Men were puzzled; some were hostile.They asked, "How could all of those men vote for a woman? " she recalled.Ms. Mbogo has not met with the kinds of abuse that other female politicians have been subjected to, however.Some have said their supporters are sometimes attacked with clubs after rallies.Last June, Kenyan police attempted to break up a women's political meeting northwest of Nairobi, insisting it was illegal and might start a riot.When the 100 women, including a member of the National Assembly, refused to go, officers tore down their banners and beat them with clubs and fists, witnesses reported.In contrast, Ms. Mbogo generally receives warm greetings from the men of Embu, and many say they are now glad the council chose her.Donor groups are now funding projects in Embu in earnest.A new market is going up downtown.A 200-bed section for new mothers is being added to the hospital.A dormitory-style home has been built for the dozens of homeless street children who once wandered the city.Ms. Mbogo is especially proud of the market and the hospital because "they have an impact on women".At the current market, where hundreds of people, shaded by umbrellas, lay out fruits and vegetables, one person who sells lemons said she liked the new mayor."I feel like if I have a problem, I can go to her office," she said."The other mayor shouted. He acted like an emperor. He did not want to hear my problems."Nearby, a man said he found Ms. Mbogo a refreshing change."I'm tired of men," he said, watching over his pile of onions."They give us so many promises, but they don't deliver the goods. As long as she keeps giving us what we want, she is all right."3A A welfare client is supposed to cheat. Everybody expects it.Faced with sharing a dinner of raw pet food with the cat, many people in wheelchairs I know bleed the system for a few extra dollars.They tell the government that they are getting two hundred dollars less than their real pension so they can get a little extra welfare money. Or, they tell the caseworker that the landlord raised the rent by a hundred dollars.I have opted to live a life of complete honesty.So instead, I go out and drum up some business and draw cartoons.I even tell welfare how much I make!Oh, I'm tempted to get paid under the table.But even if I yielded to that temptation, big magazines are not going to get involved in some sticky situation.They keep my records, and that information goes right into the government's computer.Very high-profile.As a welfare client I'm expected to bow before the caseworker.Deep down, caseworkers know that they are being made fools of by many of their clients, and they feel they are entitled to have clients bow to them as compensation. I'm not being bitter.Most caseworkers begin as college-educated liberals with high ideals.But after a few years in a system that practically requires people to lie, they become like the one I shall call "Suzanne", a detective in shorts.Not long after Christmas last year, Suzanne came to inspect my apartment and saw some new posters pasted on the wall."Where'd you get the money for those? " she wanted to know."Friends and family.""Well, you'd better have a receipt for it, by God. You have to report any donations or gifts."This was my cue to beg.Instead, I talked back."I got a cigarette from somebody on the street the other day. Do I have to report that? ""Well, I'm sorry, but I don't make the rules, Mr. Callahan."Suzanne tries to lecture me about repairs to my wheelchair, which is always breaking down because welfare won't spend money maintaining it properly."You know, Mr. Callahan, I've heard that you put a lot more miles on that wheelchair than average."Of course I do.I'm an active worker, not a vegetable.I live near downtown, so I can get around in a wheelchair.I wonder what she'd think if she suddenly broke her hip and had to crawl to work.Government cuts in welfare have resulted in hunger and suffering for a lot of people, not just me.But people with spinal cord injuries felt the cuts in a unique way: The government stopped taking care of our chairs.Each time mine broke down, lost a screw, needed a new roller bearing, the brake wouldn't work, etc., and I called Suzanne, I had to endure a little lecture.Finally, she'd say, "Well, if I can find time today, I'll call the medical worker."She was supposed to notify the medical worker, who would certify that there was a problem.Then the medical worker called the wheelchair repair companies to get the cheapest bid.Then the medical worker alerted the main welfare office at the state capital.They considered the matter for days while I lay in bed, unable to move.Finally, if I was lucky, they called back and approved the repair.When welfare learned I was making money on my cartoons, Suzanne started "visiting" every fortnight instead of every two months.She looked into every corner in search of unreported appliances, or maids, or a roast pig in the oven, or a new helicopter parked out back. She never found anything, but there was always a thick pile of forms to fill out at the end of each visit, accounting for every penny.There is no provision in the law for a gradual shift away from welfare.I am an independent businessman, slowly building up my market.It's impossible to jump off welfare and suddenly be making two thousand dollars a month. But I would love to be able to pay for some of my living and not have to go through an embarrassing situation every time I need a spare part for my wheelchair.There needs to be a lawyer who can act as a champion for the rights of welfare clients, because the system so easily lends itself to abuse by the welfare givers as well as by the clients.Welfare sent Suzanne to look around in my apartment the other day because the chemist said I was using a larger than usual amount of medical supplies.I was, indeed: The hole that has been surgically cut to drain urine had changed size and the connection to my urine bag was leaking.While she was taking notes, my phone rang and Suzanne answered it.The caller was a state senator, which scared Suzanne a little.Would I sit on the governor's committee and try to do something about the thousands of welfare clients who, like me, could earn part or all of their own livings if they were allowed to do so, one step at a time?Hell, yes, I would!Someday people like me will thrive under a new system that will encourage them, not seek to convict them of cheating.They will be free to develop their talents without guilt or fear—or just hold a good, steady job.3B It was late afternoon when the chairman of our Bangkok-based company gave me an assignment: I would leave the next day to accompany an important Chinese businessman to tourist sites in northern Thailand.Silently angry, I stared at my desk.The stacks of paper bore witness to a huge amount of work waiting to be done, even though I had been working seven days a week.How will I ever catch up? I wondered.After a one-hour flight the next morning, we spent the day visiting attractions along with hundreds of other tourists, most of them loaded with cameras and small gifts.I remember feeling annoyed at this dense collection of humanity.That evening my Chinese companion and I climbed into a chartered van to go to dinner and a show, one which I had attended many times before.While he chatted with other tourists, I exchanged polite conversation in the dark with a man seated in front of me, a Belgian who spoke fluent English.I wondered why he held his head motionless at an odd angle, as though he were in prayer.Then the truth struck me.He was blind.Behind me someone switched on a light, and I could see his thick silvery hair and strong, square jaw.His eyes seemed to contain a white mist."Could I please sit beside you at the dinner?" he asked."And I'd love it if you'd describe a little of what you see.""I'd be happy to," I replied.。

新视野大学英语4:Unit4TextA课文+译文

新视野大学英语4:Unit4TextA课文+译文

新视野⼤学英语4:Unit4TextA课⽂+译⽂新视野⼤学英语4:Unit4 TextA(课⽂+译⽂) 新视野⼤学英语都讲哪些知识吗?你对新视野⼤学英语了解吗?下⾯是yjbys⼩编为⼤家带来的新视野⼤学英语4:Unit4 TextA(课⽂+译⽂),欢迎阅读。

新视野⼤学英语4:Unit4 TextA(课⽂+译⽂) 1.Environmental sensitivity is now as required an attitude in polite society as is, say, belief in democracy or disapproval of plastic surgery. But now that everyone from Ted Turner to George H. W. Bush has claimed love for Mother Earth, how are we to choose among the dozens of conflicting proposals, regulations and laws advanced by congressmen and constituents alike in the name of the environment? Clearly, not everything with an environmental claim is worth doing. How do we segregate the best options and consolidate our varying interests into a single, sound policy? 1.在上流社会,对环境的敏感就如同信仰民主、反对整容⼀样,是⼀种不可或缺的态度。

然⽽,既然从泰德•特纳到乔治•W.H.布什,每个⼈都声称⾃⼰热爱地球母亲,那么,在由议员、选民之类的⼈以环境名义⽽提出的众多的相互⽭盾的提案、规章和法规中,我们⼜该如何做出选择呢?显⽽易见,并不是每⼀项冠以环境保护名义的事情都值得去做。

新视野大学英语四 课文翻译

新视野大学英语四  课文翻译

新视野大学英语读写教程四课文翻译.UNIT2.a他出生在伦敦南部的一个贫困地区。

他穿的短袜是从妈妈的红色长袜上剪下来的。

他的妈妈一度被诊断为精神失常。

狄更斯或许能创作出查理·卓别林的童年故事,但只有查理·卓别林才能塑造出了不起的喜剧角色“流浪汉”,这个使其创作者声名永驻的衣衫褴褛的小人物。

就卓别林而言,其他国家,如法国、意大利、西班牙,甚至日本,都比他的出生地给予了他更多的掌声(和更多的收益)。

在1913年,卓别林永久地离开了英国,与一些演员一起启程到美国进行舞台喜剧表演。

在那里,他被星探招募到好莱坞喜剧片之王麦克·塞纳特的旗下工作。

令人遗憾的是,20世纪二、三十年代的很多英国人认为卓别林的“流浪汉”多少有点“粗俗”。

中产阶级当然这样认为。

劳动阶层反倒更有可能为这样一个反抗权势的角色拍手喝彩:他以顽皮的小拐杖使绊子,或用皮靴后跟对准权势者肥大的臀部踢一下。

尽管如此,卓别林的滑稽乞丐形象并不那么像英国人,甚至也不像劳动阶级的人。

英国流浪者并不留小胡子,也不穿肥大的裤子或燕尾服:欧洲的领导人和意大利的侍者才那样穿戴。

另外,“流浪汉”瞟着漂亮女孩的眼神也有些粗俗,被英国观众认为不太正派──只有外国人才那样,不是吗?而在卓别林大半的银幕生涯中,银幕上的他是不出声的,也就无从证明他是英国人。

事实上,当卓别林再也无法抵制有声电影,不得不为他的“流浪汉”寻找“合适的声音”时,他确实很头疼。

他尽可能地推迟那一天的到来:在1936 的《摩登时代》里,他第一次在影片里发声唱歌。

在片中,他扮演一名侍者,满口胡言乱语,听起来不像任何国家的语言。

后来他说,他想象中的“流浪汉”是一位受过大学教育,但已经没落的绅士。

但假如他在早期那些短小的喜剧电影中能操一口受教育人的口音,那么他是否会闻名世界就难说了,而英国人也肯定会觉得这很“古怪”。

没有人知道卓别林这么干是不是有意的,但这促使他获得了巨大的成功。

新视野大学英语第四册课文原文加翻译

新视野大学英语第四册课文原文加翻译

1A An artist who seeks fame is like a dog chasing his own tail who, when he captures it, does not know what else to do but to continue chasing it.The cruelty of success is that it often leads those who seek such success to participate in their own destruction."Don't quit your day job!" is advice frequently given by understandably pessimistic family members and friends to a budding artist who is trying hard to succeed.The conquest of fame is difficult at best, and many end up emotionally if not financially bankrupt.Still, impure motives such as the desire for worshipping fans and praise from peers may spur the artist on.The lure of drowning in fame's imperial glory is not easily resisted.Those who gain fame most often gain it as a result of exploiting their talent for singing, dancing, painting, or writing, etc.They develop a style that agents market aggressively to hasten popularity, and their ride on the express elevator to the top is a blur.Most would be hard-pressed to tell you how they even got there.Artists cannot remain idle, though.When the performer, painter or writer becomes bored, their work begins to show a lack of continuity in its appeal and it becomes difficult to sustain the attention of the public.After their enthusiasm has dissolved, the public simply moves on to the next flavor of the month.Artists who do attempt to remain current by making even minute changes to their style of writing, dancing or singing, run a significant risk of losing the audience's favor.The public simply discounts styles other than those for which the artist has become famous.Famous authors' styles—a Tennessee Williams play or a plot by Ernest Hemingway or a poem by Robert Frost or T.S. Eliot—are easily recognizable.The same is true of painters like Monet, Renoir, or Dali and moviemakers like Hitchcock, Fellini, Spielberg, Chen Kaige or Zhang Yimou. Their distinct styles marked a significant change in form from others and gained them fame and fortune.However, they paid for it by giving up the freedom to express themselves with other styles or forms.Fame's spotlight can be hotter than a tropical jungle—a fraud is quickly exposed, and the pressure of so much attention is too much for most to endure.It takes you out of yourself: You must be what the public thinks you are, not what you really are or could be.The performer, like the politician, must often please his or her audiences by saying things he or she does not mean or fully believe.One drop of fame will likely contaminate the entire well of a man's soul, and so an artist who remains true to himself or herself is particularly amazing.You would be hard-pressed to underline many names of those who have not compromised and still succeeded in the fame game.An example, the famous Irish writer Oscar Wilde, known for his uncompromising behavior, both social and sexual, to which the public objected, paid heavily for remaining true to himself.The mother of a young man Oscar was intimate with accused him at a banquet in front of his friends and fans of sexually influencing her son. Extremely angered by her remarks, he sued the young man's mother, asserting that she had damaged his "good" name.He should have hired a better attorney, though.The judge did not second Wilde's call to have the woman pay for damaging his name, and instead fined Wilde.He ended up in jail after refusing to pay, and even worse, was permanently expelled from the wider circle of public favor.When things were at their worst, he found that no one was willing to risk his or her name in his defense.His price for remaining true to himself was to be left alone when he needed his fans the most.Curiously enough, it is those who fail that reap the greatest reward: freedom!They enjoy the freedom to express themselves in unique and original ways without fear of losing the support of fans.Failed artists may find comfort in knowing that many great artists never found fame until well after they had passed away or in knowing thatthey did not sell out.They may justify their failure by convincing themselves their genius is too sophisticated for contemporary audiences.Single-minded artists who continue their quest for fame even after failure might also like to know that failure has motivated some famous people to work even harder to succeed.Thomas Wolfe, the American novelist, had his first novel Look Homeward, Angel rejected 39 times before it was finally published. Beethoven overcame his father, who did not believe that he had any potential as a musician, to become the greatest musician in the world. And Pestalozzi, the famous Swiss educator in the 19th century, failed at every job he ever had until he came upon the idea of teaching children and developing the fundamental theories to produce a new form of education.Thomas Edison was thrown out of school in the fourth grade, because he seemed to his teacher to be quite dull.Unfortunately for most people, however, failure is the end of their struggle, not the beginning.I say to those who desperately seek fame and fortune: good luck.But alas, you may find that it was not what you wanted.The dog who catches his tail discovers that it is only a tail.The person who achieves success often discovers that it does more harm than good.So instead of trying so hard to achieve success, try to be happy with who you are and what you do.Try to do work that you can be proud of.Maybe you won't be famous in your own lifetime, but you may create better art.1B One summer day my father sent me to buy some wire and fencing to put around our barn to pen up the bull.At 16, I liked nothing better than getting behind the wheel of our truck and driving into town on the old mill road.Water from the mill's wheel sprayed in the sunshine making a rainbow over the canal and I often stopped there on my way to bathe and cool off for a spell—natural air conditioning.The sun was so hot, I did not need a towel as I was dry by the time I climbed the clay banks and crossed the road ditch to the truck.Just before town, the road shot along the sea where I would collect seashells or gather seaweed beneath the giant crane unloading the ships. This trip was different, though.My father had told me I'd have to ask for credit at the store.It was 1976, and the ugly shadow of racism was still a fact of life.I'd seen my friends ask for credit and then stand, head down, while a storeowner enquired into whether they were "good for it".Many store clerks watched black youths with the assumption that they were thieves every time they even went into a grocery.My family was honest.We paid our debts.But just before harvest, all the money flowed out.There were no new deposits at the bank.Cash was short.At Davis Brothers' General Store, Buck Davis stood behind the register, talking to a middle-aged farmer.Buck was a tall, weathered man in a red hunting shirt and I nodded as I passed him on my way to the hardware section to get a container of nails, a coil of binding wire and fencing.I pulled my purchases up to the counter and placed the nails in the tray of the scale, saying carefully, "I need to put this on credit."My brow was moist with nervous sweat and I wiped it away with the back of my arm.The farmer gave me an amused, cynical look, but Buck's face didn't change."Sure," he said easily, reaching for his booklet where he kept records for credit.I gave a sigh of relief."Your daddy is always good for it."He turned to the farmer."This here is one of James Williams' sons.They broke the mold when they made that man."The farmer nodded in a neighborly way.I was filled with pride."James Williams' son."Those three words had opened a door to an adult's respect and trust.As I heaved the heavy freight into the bed of the truck, I did so with ease, feeling like a stronger man than the one that left the farm that morning.I had discovered that a good name could furnish a capital of good will of great value.Everyone knew what to expect from a Williams: a decent person who kept his word and respected himself too much to do wrong.My great grandfather may have been sold as a slave at auction, but this was not an excuse to do wrong to others.Instead my father believed the only way to honor him was through hard work and respect for all men.We children—eight brothers and two sisters—could enjoy our good name, unearned, unless and until we did something to lose it.We had an interest in how one another behaved and our own actions as well, lest we destroy the name my father had created.Our good name was and still is the glue that holds our family tight together.The desire to honor my father's good name spurred me to become the first in our family to go to university.I worked my way through college as a porter at a four-star hotel. Eventually, that good name provided the initiative to start my own successful public relations firm in Washington, D.C.America needs to restore a sense of shame in its neighborhoods.Doing drugs, spending all your money at the liquor store, stealing, or getting a young woman pregnant with no intent to marry her should induce a deep sense of embarrassment.But it doesn't.Nearly one out of three births in America is to a single mother. Many of these children will grow up without the security and guidance they need to become honorable members of society.Once the social ties and mutual obligations of the family melt away, communities fall apart.While the population has increased only 40 percent since 1960, violent crime in America has increased a staggering 550 percent—and we've become exceedingly used to it. Teen drug use has also risen.In one North Carolina County, police arrested 73 students from 12 secondary schools for dealing drugs, some of them right in the classroom.Meanwhile, the small signs of civility and respect that hold up civilization are vanishing from schools, stores and streets.Phrases like "yes, ma'am", "no, sir", "thank you" and "please" get a yawn from kids today who are encouraged instead by cursing on television and in music.They simply shrug off the rewards of a good name.The good name passed on by my father and maintained to this day by my brothers and sisters and me is worth as much now as ever.Even today, when I stop into Buck Davis' shop or my hometown <49>barbershop</49> for a haircut, I am still greeted as James Williams' son.My family's good name did <50>pave</50> the way for me.2A He was born in a poor area of South London.He wore his mother's old red stockings cut down for ankle socks.His mother was temporarily declared mad.Dickens might have created Charlie Chaplin's childhood.But only Charlie Chaplin could have created the great comic character of "the Tramp", the little man in rags who gave his creator permanent fame.Other countries—France, Italy, Spain, even Japan—have provided more applause (and profit) where Chaplin is concerned than the land of his birth.Chaplin quit Britain for good in 1913 when he journeyed to America with a group of performers to do his comedy act on the stage, where talent scouts recruited him to work for Mack Sennett, the king of Hollywood comedy films.Sad to say, many English people in the 1920s and 1930s thought Chaplin's Tramp a bit, well, "crude".Certainly middle-class audiences did; the working-class audiences were more likely to clap for a character who revolted against authority, using his wicked little cane to trip it up, or aiming the heel of his boot for a well-placed kick at its broad rear.All the same, Chaplin's comic beggar didn't seem all that English or even working-class.English tramps didn't sport tiny moustaches, huge pants or tail coats: European leaders and Italian waiters wore things like that.Then again, the Tramp's quick eye for a pretty girl had a coarse way about it that was considered, well, not quite nice by English audiences—that's how foreigners behaved, wasn't it?But for over half of his screen career, Chaplin had no screen voice to confirm his British nationality.Indeed, it was a headache for Chaplin when he could no longer resist the talking movies and had to find "the right voice" for his Tramp.He postponed that day as long as possible: In Modern Times in 1936, the first film in which he was heard as a singing waiter, he made up a nonsense language which sounded like no known nationality.He later said he imagined the Tramp to be a college-educated gentleman who'd come down in the world.But if he'd been able to speak with an educated accent in those early short comedies, it's doubtful if he would have achieved world fame. And the English would have been sure to find it "odd". No one was certain whether Chaplin did it on purpose but this helped to bring about his huge success.He was an immensely talented man, determined to a degree unusual even in the ranks of Hollywood stars.His huge fame gave him the freedom—and, more importantly, the money—to be his own master.He already had the urge to explore and extend a talent he discovered in himself as he went along."It can't be me. Is that possible? How extraordinary," is how he greeted the first sight of himself as the Tramp on the screen.But that shock roused his imagination.Chaplin didn't have his jokes written into a script in advance; he was the kind of comic who used his physical senses to invent his art as he went along.Lifeless objects especially helped Chaplin make "contact" with himself as an artist.He turned them into other kinds of objects.Thus, a broken alarm clock in the movie The Pawnbroker became a "sick" patient undergoing surgery; boots were boiled in his film The Gold Rush and their soles eaten with salt and pepper like prime cuts of fish (the nails being removed like fish bones).This physical transformation, plus the skill with which he executed it again and again, is surely the secret of Chaplin's great comedy.He also had a deep need to be loved—and a corresponding fear of being betrayed.The two were hard to combine and sometimes—as in his early marriages—the collision between them resulted in disaster.Yet even this painfully-bought self-knowledge found its way into his comic creations.The Tramp never loses his faith in the flower girl who'll be waiting to walk into the sunset with him; while the other side of Chaplin makes Monsieur Verdoux, the French wife killer, into a symbol of hatred for women.It's a relief to know that life eventually gave Charlie Chaplin the stability and happiness it had earlier denied him.In Oona O'Neill Chaplin, he found a partner whose stability and affection spanned the 37 years age difference between them, which hadseemed so threatening, that when the official who was marrying them in 1942 turned to the beautiful girl of 17 who'd given notice of their wedding date, he said, "And where is the young man? "—Chaplin, then 54, had cautiously waited outside.As Oona herself was the child of a large family with its own problems, she was well prepared for the battle that Chaplin's life became as many unfounded rumors surrounded them both—and, later on, she was the center of calm in the quarrels that Chaplin sometimes sparked in his own large family of talented children.Chaplin died on Christmas Day 1977.A few months later, a couple of almost comic body thieves stole his body from the family burial chamber and held it for money.The police recovered it with more efficiency than Mack Sennett's clumsy Keystone Cops would have done, but one can't help feeling Chaplin would have regarded this strange incident as a fitting memorial—his way of having the last laugh on a world to which he had given so many. 2B Modest and soft-spoken, Agatha Muthoni Mbogo, 24, is hardly the image of a revolutionary.Yet, six months ago, she did a most revolutionary thing: She ran for mayor of Embu, Kenya, and won.Ms. Mbogo's victory was even more surprising because she was voted in by her colleagues on the District Council, all men.For the thousands of women in this farming area two hours northeast of Nairobi, Ms. Mbogo suddenly became a symbol of the increasingly powerful political force women have become in Kenya and across Africa.Ms. Mbogo launched her dream of a career in politics in 1992 by running for the Embu Council, facing the obstacles that often trouble African women running for political office.She had little money.She had no political experience.She faced ridiculous questions about her personal life."My opponent kept insisting that I was going to get married to somebody in another town and move away," Ms. Mbogo said.Ms. Mbogo also faced misunderstanding among the town's women, many of whom initially were unwilling to vote for her.She became an ambassador for women's political rights, giving speeches before women's groups and going from door to door, handbag in hand, spending hours at a time giving a combination of speech and government lesson."I was delighted when she won the election, because men elected her," said Lydiah Kimani, an Embu farmer and political activist."It was the answer to my prayers because it seemed to be a victory over this idea that 'women can't lead'."Education of African women has become a top priority for political activists.One organization has held dozens of workshops in rural Kenya to help women understand the nation's constitution and the procedures and theory behind a democratic political system.One veteran female political activist said that many women had not been taught the basics of political participation.They are taught to vote for the one who "gives you a half kilo sack of flour, 200 grams of salt, or a loaf of bread" during the campaign, said the activist.Women politicians and activists say they are fighting deeply-held cultural traditions.Those traditions teach that African women cook, clean, take care of children, sow and harvest crops and support their husbands.They typically do not inherit land, divorce their husband, control their finances or hold political office.Yet, political activity among Kenyan women is not a new phenomenon.During the struggle for independence in the 1950s, Kenyan women often secretly provided troops with weapons and spied on the positions of colonial forces.But after independence, leaders jealous to protect their power shut them out of politics, a situation repeated across the continent.Today, men still have the upper hand.Women in Kenya make up 60 percent of the people who vote, but only 3 percent of the National Assembly.No Kenyan woman has ever held a cabinet post.Against that background, Agatha Mbogo began her political career.After winning her council seat, she declined a spot on the education and social services committee after a colleague called it "a woman's committee".She instead joined the town planning committee, a much more visible assignment.Then last year, she decided to challenge Embu's mayor, a veteran politician.Ms. Mbogo said she had become frustrated because the donor groups that provide substantial aid to Kenya's rural areas "did not want to come here"."We weren't seeing things done for the community," she said."It was a scandal—the donors' money seemed to be going to individuals."After a fierce campaign, the council elected her, 7 to 6.She said women in Embu celebrated.Men were puzzled; some were hostile.They asked, "How could all of those men vote for a woman? " she recalled.Ms. Mbogo has not met with the kinds of abuse that other female politicians have been subjected to, however.Some have said their supporters are sometimes attacked with clubs after rallies.Last June, Kenyan police attempted to break up a women's political meeting northwest of Nairobi, insisting it was illegal and might start a riot.When the 100 women, including a member of the National Assembly, refused to go, officers tore down their banners and beat them with clubs and fists, witnesses reported.In contrast, Ms. Mbogo generally receives warm greetings from the men of Embu, and many say they are now glad the council chose her.Donor groups are now funding projects in Embu in earnest.A new market is going up downtown.A 200-bed section for new mothers is being added to the hospital.A dormitory-style home has been built for the dozens of homeless street children who once wandered the city.Ms. Mbogo is especially proud of the market and the hospital because "they have an impact on women".At the current market, where hundreds of people, shaded by umbrellas, lay out fruits and vegetables, one person who sells lemons said she liked the new mayor."I feel like if I have a problem, I can go to her office," she said."The other mayor shouted. He acted like an emperor. He did not want to hear my problems."Nearby, a man said he found Ms. Mbogo a refreshing change."I'm tired of men," he said, watching over his pile of onions."They give us so many promises, but they don't deliver the goods. As long as she keeps giving us what we want, she is all right."3A A welfare client is supposed to cheat. Everybody expects it.Faced with sharing a dinner of raw pet food with the cat, many people in wheelchairs I know bleed the system for a few extra dollars.They tell the government that they are getting two hundred dollars less than their real pension so they can get a little extra welfare money. Or, they tell the caseworker that the landlord raised the rent by a hundred dollars.I have opted to live a life of complete honesty.So instead, I go out and drum up some business and draw cartoons.I even tell welfare how much I make!Oh, I'm tempted to get paid under the table.But even if I yielded to that temptation, big magazines are not going to get involved in some sticky situation.They keep my records, and that information goes right into the government's computer.Very high-profile.As a welfare client I'm expected to bow before the caseworker.Deep down, caseworkers know that they are being made fools of by many of their clients, and they feel they are entitled to have clients bow to them as compensation. I'm not being bitter.Most caseworkers begin as college-educated liberals with high ideals.But after a few years in a system that practically requires people to lie, they become like the one I shall call "Suzanne", a detective in shorts.Not long after Christmas last year, Suzanne came to inspect my apartment and saw some new posters pasted on the wall."Where'd you get the money for those? " she wanted to know."Friends and family.""Well, you'd better have a receipt for it, by God. You have to report any donations or gifts."This was my cue to beg.Instead, I talked back."I got a cigarette from somebody on the street the other day. Do I have to report that? ""Well, I'm sorry, but I don't make the rules, Mr. Callahan."Suzanne tries to lecture me about repairs to my wheelchair, which is always breaking down because welfare won't spend money maintaining it properly."You know, Mr. Callahan, I've heard that you put a lot more miles on that wheelchair than average."Of course I do.I'm an active worker, not a vegetable.I live near downtown, so I can get around in a wheelchair.I wonder what she'd think if she suddenly broke her hip and had to crawl to work.Government cuts in welfare have resulted in hunger and suffering for a lot of people, not just me.But people with spinal cord injuries felt the cuts in a unique way: The government stopped taking care of our chairs.Each time mine broke down, lost a screw, needed a new roller bearing, the brake wouldn't work, etc., and I called Suzanne, I had to endure a little lecture.Finally, she'd say, "Well, if I can find time today, I'll call the medical worker."She was supposed to notify the medical worker, who would certify that there was a problem.Then the medical worker called the wheelchair repair companies to get the cheapest bid.Then the medical worker alerted the main welfare office at the state capital.They considered the matter for days while I lay in bed, unable to move.Finally, if I was lucky, they called back and approved the repair.When welfare learned I was making money on my cartoons, Suzanne started "visiting" every fortnight instead of every two months.She looked into every corner in search of unreported appliances, or maids, or a roast pig in the oven, or a new helicopter parked out back. She never found anything, but there was always a thick pile of forms to fill out at the end of each visit, accounting for every penny.There is no provision in the law for a gradual shift away from welfare.I am an independent businessman, slowly building up my market.It's impossible to jump off welfare and suddenly be making two thousand dollars a month. But I would love to be able to pay for some of my living and not have to go through an embarrassing situation every time I need a spare part for my wheelchair.There needs to be a lawyer who can act as a champion for the rights of welfare clients, because the system so easily lends itself to abuse by the welfare givers as well as by the clients.Welfare sent Suzanne to look around in my apartment the other day because the chemist said I was using a larger than usual amount of medical supplies.I was, indeed: The hole that has been surgically cut to drain urine had changed size and the connection to my urine bag was leaking.While she was taking notes, my phone rang and Suzanne answered it.The caller was a state senator, which scared Suzanne a little.Would I sit on the governor's committee and try to do something about the thousands of welfare clients who, like me, could earn part or all of their own livings if they were allowed to do so, one step at a time?Hell, yes, I would!Someday people like me will thrive under a new system that will encourage them, not seek to convict them of cheating.They will be free to develop their talents without guilt or fear—or just hold a good, steady job.3B It was late afternoon when the chairman of our Bangkok-based company gave me an assignment: I would leave the next day to accompany an important Chinese businessman to tourist sites in northern Thailand.Silently angry, I stared at my desk.The stacks of paper bore witness to a huge amount of work waiting to be done, even though I had been working seven days a week.How will I ever catch up? I wondered.After a one-hour flight the next morning, we spent the day visiting attractions along with hundreds of other tourists, most of them loaded with cameras and small gifts.I remember feeling annoyed at this dense collection of humanity.That evening my Chinese companion and I climbed into a chartered van to go to dinner and a show, one which I had attended many times before.While he chatted with other tourists, I exchanged polite conversation in the dark with a man seated in front of me, a Belgian who spoke fluent English.I wondered why he held his head motionless at an odd angle, as though he were in prayer.Then the truth struck me.He was blind.Behind me someone switched on a light, and I could see his thick silvery hair and strong, square jaw.His eyes seemed to contain a white mist."Could I please sit beside you at the dinner?" he asked."And I'd love it if you'd describe a little of what you see.""I'd be happy to," I replied.。

新视野大学英语4课文翻译及英译汉

新视野大学英语4课文翻译及英译汉

Unit1 爱情与逻辑:谬误的故事1 在我和室友罗伯的交易成功之后,我和波莉有了第一次约会。

那一年校园里每个人都有件皮夹克,而罗伯是校足球队员中唯一一个没有皮夹克的,他一想到这个就受不了,于是他和我达成了一项协议,用他的女友换取我的夹克。

他可不那么聪明,而他的女友波莉也不太精明。

2 但她漂亮而且富有,也没有把头发染成奇怪的颜色或是化很浓的妆。

她拥有合适的家庭背景,足以胜任一名坚忍而睿智的律师的女友。

如果我能够让我所申请的顶尖律师事务所看到我身边伴随着一位光彩照人、谈吐优雅的另一半,我就很有可能在竞聘中以微弱优势获胜。

3 “光彩照人”,她已经是了。

而我也能施予她足够多的“智慧之珠”,让她变得“谈吐优雅”。

4 在一起外出度过了美好的一天之后,我驱车来到了高速公路旁一座小山上一棵古老的大橡树下。

我的想法有些怪异。

而这个地方能够俯瞰灯火灿烂的城区,我觉得它会使人的心情变轻松。

我们呆在车子里,我调低了音响并把脚从刹车上挪开。

“我们要谈些什么?”她问道。

5 “逻辑学。

”6 “好酷啊,”她一边嚼着口香糖一边说。

7 “逻辑学的原理,”我说道,“即清晰思考的主要原则。

逻辑上出现的问题会歪曲事实,其中有些还很普遍。

我们先来看看一种叫做‘绝对判断’的逻辑谬误。

”8 “好啊,”她表示同意。

9 “‘绝对判断’是指在证据不足的情况下所作出的推断。

比方说:运动是有益的,所以每个人都应该运动。

”10 她点头表示赞同。

11 我看得出她没弄明白。

“波莉,”我解释说,“这个推断太过简单化了。

如果你有心脏病或者超级肥胖症什么的,运动就变得有害而不是有益。

所以你应该说,运动对大多数人来说是有益的。

”12 “接下来是‘草率结论’。

这似乎不言自明,对吧?仔细听好了:你不会说法语,罗伯也不会说法语,那么这所学校里好像是没有人会说法语。

”13 “是吗?”波莉吃惊地说。

“没有人吗?”14 “这也是一种逻辑谬误,”我说,“这一结论太草率了,因为能够支持这一结论的例证太少了。

新视野大学英语4:Unit4TextA课文+译文

新视野大学英语4:Unit4TextA课文+译文

新视野大学英语4:Unit4TextA课文+译文新视野大学英语4:Unit4 TextA(课文+译文)新视野大学英语包括《读写教程》、《听说教程》、《视听说教程》、《综合训练》和《教师用书》等。

新视野大学英语都讲哪些知识吗?你对新视野大学英语了解吗?下面是小编为大家带来的新视野大学英语4:Unit4 TextA(课文+译文),欢迎阅读。

1.Environmental sensitivity is now as required an attitude in polite society as is, say, belief in democracy or disapproval of plastic surgery. But now that everyone from Ted Turner to George H. W. Bush has claimed love for Mother Earth, how are we to choose among the dozens of conflicting proposals, regulations and laws advanced by congressmen and constituents alike in the name of the environment? Clearly, not everything with an environmental claim is worth doing. How do we segregate the best options and consolidate our varying interests into a single, sound policy?1.在上流社会,对环境的敏感就如同信仰民主、反对整容一样,是一种不可或缺的态度。

然而,既然从泰德特纳到乔治W.H.布什,每个人都声称自己热爱地球母亲,那么,在由议员、选民之类的人以环境名义而提出的众多的相互矛盾的提案、规章和法规中,我们又该如何做出选择呢?显而易见,并不是每一项冠以环境保护名义的事情都值得去做。

新视野大学英语4 课文翻译及课后翻译答案

新视野大学英语4 课文翻译及课后翻译答案

新视野大学英语4 课文翻译及课后翻译答案UNIT 11. The plant dose not grow well in soils other than the one in which it has been developed.2. Research findings show that we spend about two hours dreaming every night, no matter what we may have done during the day.3. Some people tend to justify their failure by blaming others for not trying their best.4. We remain true to our commitment; Whatever we promised to do, we would do it.5. Even Beethoven’s father discounted the possibility that his son would one day become the greatest musician in theworld. The same is true of Edison, who seemed to his teacher to be quite dull.6. They were accused by the authorities of threatening the state security.1. 出入除自家以外的任何场所时,如果你带有宠物,一定要了解有关宠物的规定。

2. 一些女性完全可以不待在家里,而是去工作,挣一份不错的工资。

但是为了家庭,他们放弃了工作。

3. 你怎么为这样粗鲁的行为辩护,你将会为此付出沉重的代价,因为他们已经以诋毁名誉的罪名起诉了你。

新视野大学英语翻译(第四册)(共5则)

新视野大学英语翻译(第四册)(共5则)

新视野大学英语翻译(第四册)(共5则)第一篇:新视野大学英语翻译(第四册)1.这种植物只有在培育它的土壤中才能很好地成长。

(other than)Suggested answer: The plant does not grow well in soils other than the one in which it has been developed.2.研究结果表明,无论我们白天做了什么事情,晚上都会做大约两个小时的梦。

(may have done)Suggested answer: Research findings show that we spend about two hours dreaming every night, no matter what we may have done during the day.3.有些人往往责怪别人没有尽最大努力,以此来为自己的失败辩护。

(justify sth.by)Suggested answer: Some people tend to justify their failure by blaming others for not trying their best.4.我们忠于我们的承诺:凡是答应做的,我们都会做到。

(remain true to)Suggested answer: We remain true to our commitment: Whatever we promised to do, we would do it.5.连贝多芬的父亲都不相信自己儿子日后有一天可能成为世界上最伟大的音乐家。

爱迪生也同样如此,他的老师觉得他似乎过于迟钝。

(discount;be true of) Suggested answer: Even Beethoven's father discounted the possibility that his son would one day become the greatest musician in the world.The same is true of Edison, who seemed to his teacher to be quite dull.6.当局控告他们威胁国家安全。

新视野大学英语第四册第三版课文及翻译

新视野大学英语第四册第三版课文及翻译

Unit 5Speaking Chinese in America在美国说中文Once,at a dinner on the Monterey Peninsula, California, my mother whispered to me confidentially:"Sau-sau (brother’s wife)pretends too hard to be a polite recipient!Why bother with such nominal courtesy? In the end, she always takes everything.”有一次,在加州蒙特雷半岛上用餐时,我母亲私下悄悄地对我说:“嫂嫂想做个彬彬有礼的客人,但是装得太厉害了!何必费劲讲究形式上的客套呢?到最后她还是什么都要.”My mother acted like a waixiao, an emigrant, no longer patient with old taboos and courtesies. To prove her point,she reached across the table to offer my elderly aunt from Beijing the last scallop from the garlic seafood dish, along with the flank steak and the cucumber salad。

我母亲行事像个“外侨”,即一个移民国外的侨民,因为她已经不耐烦老一套的禁忌和礼数了。

为了证明她刚才的观点,她手伸过桌子,把蒜香海鲜拼盘里的最后一个扇贝,连同牛腩排及黄瓜沙拉一起,递给我从北京来的年长舅妈。

Sau—sau frowned. ”B'yao,zhenb'yao!” she cried, patting her substantial stomach. I don’t want it,really I don't.嫂嫂皱起了眉头,“不要,真不要!”她一边大声说一边拍着自己已经吃得很饱的肚子。

新视野大学英语【第三版】读写教程第四册课文原文及翻译-新视野大学英语四翻译原文

新视野大学英语【第三版】读写教程第四册课文原文及翻译-新视野大学英语四翻译原文

Unit 1Text A Love and logic: The story of a fallacy爱情与逻辑:谬误的故事1 I had my first date with Polly after I made the trade with my roommate Rob. That year every guy on campus had a leather jacket, and Rob couldn't stand the idea of being the only football player who didn't, so he made a pact that he'd give me his girl in exchange for my jacket. He wasn't the brightest guy. Polly wasn't too shrewd, either.在我和室友罗伯的交易成功之后,我和波莉有了第一次约会。

那一年校园里每个人都有件皮夹克,而罗伯是校足球队员中唯一一个没有皮夹克的,他一想到这个就受不了,于是他和我达成了一项协议,用他的女友换取我的夹克。

他可不那么聪明,而他的女友波莉也不太精明。

2 But she was pretty, well-off, didn't dye her hair strange colors or wear too much makeup. She had the right background to be the girlfriend of a dogged, brilliant lawyer. If I could show the elite law firms I applied to that I had a radiant, well-spoken counterpart by my side, I just might edge past the competition.但她漂亮而且富有,也没有把头发染成奇怪的颜色或是化很浓的妆。

新视野大学英语4:Unit4TextA课文+译文

新视野大学英语4:Unit4TextA课文+译文

新视野大学英语4:Unit4TextA课文+译文《新视野大学英语》是教育部“新世纪网络课程建设工程”大学英语网络课程的出版用名。

使用对象为非英语专业的本科生。

下面是店铺为大家带来的新视野大学英语4:Unit4 TextA(课文+译文),欢迎阅读!1.Environmental sensitivity is now as required an attitude in polite society as is, say, belief in democracy or disapproval of plastic surgery. But now that everyone from Ted Turner to George H. W. Bush has claimed love for Mother Earth, how are we to choose among the dozens of conflicting proposals, regulations and laws advanced by congressmen and constituents alike in the name of the environment? Clearly, not everything with an environmental claim is worth doing. How do we segregate the best options and consolidate our varying interests into a single, sound policy?1.在上流社会,对环境的敏感就如同信仰民主、反对整容一样,是一种不可或缺的态度。

然而,既然从泰德特纳到乔治W.H.布什,每个人都声称自己热爱地球母亲,那么,在由议员、选民之类的人以环境名义而提出的众多的相互矛盾的提案、规章和法规中,我们又该如何做出选择呢?显而易见,并不是每一项冠以环境保护名义的事情都值得去做。

新视野大学英语第4册课文翻译

新视野大学英语第4册课文翻译

新视野大学英语课文翻译第四册UNIT 1艺术家追求成名,犹如狗自逐其尾,一朝追到手,除开接续追逐不知还能做些啥子乐成之凶狠冷酷正在于它常常让那一些追逐乐成者自寻扑灭对一位正起劲追求乐成并刚刚崭露头角的艺术家,其亲友常例会提议“正经的饭碗不能丢!”他们的担忧不无道理追求光宗耀祖,最乐不雅地说也困难幢幢,很多人到最后纵然不是潦倒生活困难,也是几近精力瓦解只管如此,但愿博患上追星族追捧和同行赞扬什么的的不太纯正的念头却在激励着他们向前安享乐成的无上庆幸,这类诱惑不是能等闲抵挡的成名者之以是成名,大多是因为发挥了本身在讴歌、跳舞、绘画或撰著等方面的拿手,并能形成本身的气势派头为了能快速走红,代办别人代理人会尽力吹嘘他们这类气势派头他们平步显要的地位的历程让人看不清楚他们到底是怎么乐成的,大多数人也都说不上来只管如此,艺术家仍然不能闲下来若演出者、画家或作家感应无聊,他们的作品就难以接续连结以前的魔力,也就难以连结公家的注重力公家的热忱消磨往后,就会去追捧下一个走红的人有些艺术家为了不后进,会对他们的撰著、跳舞或唱歌的气势派头略加变更,但这将冒泼天的掉宠的危险公家对于他们藉以成名的艺术气势派头之外的不论什么情势都将掉以轻心知名作家的文风一眼就能见患上,如田纳西·威廉斯的戏剧、欧内斯特·海明威的情节摆设、罗伯特·弗罗斯特或T.S.艾略特的诗歌等同样,像莫奈、雷诺阿、达利如许的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋如许的电影建造人也是如此他们鲜明奇特的艺术气势派头标记着与旁人不同的艺术情势上的重大变革,这让他们求名求利,但也让他们付出了代价,那就是掉去了用其他气势派头或情势表现自我的自由名气这盏聚光灯可比回归森林还要炙热圈套很快会被揭穿,过多的关注带来的压力会让大多数人难以蒙受它让你掉去自我你必须是公家认可的阿谁你,而不是真正的你或是可能的你艺人,就像政客同样,必须常常说些违心或连本身都不纯粹信赖的话来取悦听众一滴名气之水有可能玷辱人的心魄这一整口井,因此一个艺术家若能连结真我,会非分特别让人齰舌你可能答不上来哪一些人没有妥协,却仍然在这场名利的游戏中获胜一个例子就是爱尔兰著名作家奥斯卡·王尔德,他在社交举动和性举动方面以我行我素而闻名于世虽则他的举动受到公家的阻挡,却傲然故我,他也因此付出了凄惨的代价在一次宴席上,他一位密友的母亲当着他的伴侣和崇拜者的面,诘问诘责他在性方面影响了她的儿子他听了她的话往后大为光火,起诉了这个年青人的母亲,声称她毁了本身的“好”名声但是,他真该请一个更好的状师结果是,法官不仅不撑持他提出的让这个女人补偿他名声损掉费的请求,反倒对他本人举行了罚款他由于拒交罚款终极还被送进了牢狱更糟的是,他再也没有办法获患上更多公家的宠爱在最糟的时辰,他发现没有一个人愿意拿本身的名声冒险来替他措辞为连结真我,他付出的代价是,在最需要崇拜者时,谁也不睬他稀罕的是,收获最大的恰恰是掉败者他们收获了自由!他们可以自由地表达,独辟蹊径,不落俗套,不消担忧掉去崇拜者的撑持掉败的艺术家寻求慰藉时,可以想一想很多伟大的艺术家都是过世多年往后才成名,或是他们没有出卖本身他们也可认为本身的掉败辩白:本身的才调实在过于深奥,不是今世听众或不雅众所理解患了的那一些掉败了却仍不肯抛却的顽固派也许会乐于知道,某些明星曾如何越挫越勇,直至乐成西方强国小说家托马斯·伍尔芙的熬头本小说《向家乡看吧,安琪儿》被拒39次后,才终极患上以出书贝多芬打败了爸爸认为他一无音乐家潜质的成见,成为世界上最伟大的音乐家19世纪瑞士著儒家观念育家裴斯泰洛齐原先干的工作没有一件乐成,直至他想到去教小孩儿,并研究出一种新式教育标准样式的根蒂根基意见托马斯·爱迪生在四班级时被赶出了学校,因为老师感觉他彷佛太迟钝但不幸运的是,对大多数人而言,掉败是奋斗的竣事,而不是起头对那一些背注一掷的追名逐利之徒,我要说:祝你们好运但是,遗憾的是,你会发现这不是你想获患上的狗自逐其尾所获患上的只是一条尾巴而已获患上乐成的人常常发现乐成对他来说弊大于利以是要为真正的你、为本身的所为感应开心,而不是拼命去获患上乐成做那一些你为之感应自满的工作可能在有生之年你默默无闻,但你可能创编了更好的艺术Unit 2查理·卓别林他出生在伦敦南部的一个贫困地区,他所穿的短袜是从妈妈的红色长袜上剪下来的。

最新新视野大学英语第四册Cloze原文及翻译

最新新视野大学英语第四册Cloze原文及翻译

新视野大学英语第四册Cloze原文及翻译Unit 11)"So you want to be a rock and roll star?" asked the musician, Bib Dylan. You have decided to seek fame's spotlight. And you will not be persuaded otherwise. What is it that lures you? Is it the worshiping fans? Or is it simply to be recognized for being truly fantastic at something? This is all quite understandable. I should warn you, though. It is difficult to sustain the public's favor. These people will grow bored so easily. Even if you should succeed, you might not be happy, once you win in your conquest of fame, complaints will follow. For example, people will say that your work fails to show a lack of continuity in its appeal. You see, their enthusiasm will soon dissolve. I should also tell you that there will be plenty of people who will want to exploit you during your brief stay at the top. Friends? Sure, as long as you have money you'll have friends who will suck everything you have out of you. And don't forget to watch your agent closely. You might need a good lawyer and an accountant, but they too will want their piece of the pie—making money out of you.2)I see you understand the cruelty of the situation. However, your chase for fame can't be discouraged by my pessimistic outlook. Go ahead then. Don't ket me stop you. But when you fail of fall right back where you started and you're miserable, don't accuse me of not having warned you. I've done all that I can for you.“所以,你要成为一个摇滚明星?”音乐家,鲍勃·迪伦问。

新视野大学英语(第三版)读写教程第四册课文翻译(全册)

新视野大学英语(第三版)读写教程第四册课文翻译(全册)

unit 1 TextALove and logic: The story of a fallacy爱情与逻辑:谬误的故事1 I had my first date with Polly after I made the trade with my roommate Rob. That year every guy on campus had a leather jacket, and Rob couldn't stand the idea of being the only football player who didn't, so he made a pact that he'd give me his girl in exchange for my jacket. He wasn't the brightest guy. Polly wasn't too shrewd, either.在我和室友罗伯的交易成功之后,我和波莉有了第一次约会。

那一年校园里每个人都有件皮夹克,而罗伯是校足球队员中唯一一个没有皮夹克的,他一想到这个就受不了,于是他和我达成了一项协议,用他的女友换取我的夹克。

他可不那么聪明,而他的女友波莉也不太精明。

2 But she was pretty, well-off, didn't dye her hair strange colors or wear too much makeup. She had the right background to be the girlfriend of a dogged, brilliant lawyer. If I could show the elite law firms I applied to that I had a radiant, well-spoken counterpart by my side, I just might edge past the competition.但她漂亮而且富有,也没有把头发染成奇怪的颜色或是化很浓的妆。

新视野大学英语课文翻译(第四册)

新视野大学英语课文翻译(第四册)

新视野大学英语课文翻译(第四册)Unit 1Section A 名气之尾艺术家追求成名,如同狗自逐其尾,一旦追到手,除了继续追逐不知还能做些什么。

成功之残酷正在于它常常让那些追逐成功者自寻毁灭。

对一名正努力追求成功并刚刚崭露头角的艺术家,其亲朋常常会建议“正经的饭碗不能丢!”他们的担心不无道理。

追求出人头地,最乐观地说也困难重重,许多人到最后即使不是穷困潦倒,也是几近精神崩溃。

尽管如此,希望赢得追星族追捧和同行赞扬之类的不太纯洁的动机却在激励着他们向前。

享受成功的无上光荣,这种诱惑不是能轻易抵挡的。

成名者之所以成名,大多是因为发挥丁自己在歌唱、舞蹈、绘画或写作等方面的特长,并能形成自己的风格。

为了能迅速走红,经纪人会极力吹捧他们的这种风格。

他们青云直—上的过程让人看不清楚。

他们究竟是怎么成功的,大多数人也都说不上来。

尽管如此,艺术家仍然不能闲下来。

若表演者、画家或作家感到厌烦,他们的作品就难以继续保持以前的吸引力,也就难以保持公众的注意力。

公众的热情消磨以后,就会去追捧下一个走红的人。

有些艺术家为了不落伍,会对他们的写作、跳舞或唱歌的风格稍加变动,但这将冒极大的失宠的危险。

公众对于他们藉以成名的艺术风格以外的任何形式都将不屑一顾。

知名作家的文风一眼就能看出来,如田纳西·威廉斯的戏剧、欧内斯特·海明威的情节安排、罗伯特·弗罗斯特或T.S.艾略特的诗歌等。

同样,像莫奈、雷诺阿、达利这样的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。

他们鲜明独特的艺术风格标志着与别人不同的艺术形式上的重大变革,这让他们名利双收,但也让他们付出了代价,那就是失去了用其他风格或形式表现自我的自由。

名气这盏聚光灯可比热带丛林还要炙热。

骗局很快会被揭穿,过多的关注带来的压力会让大多数人难以承受。

它让你失去自我。

你必须是公众认可的那个你,而不是真实的你或是可能的你。

艺人,就像政客一样,必须常常说些违心或连自己都不完全相信的话来取悦听众。

新视野大学英语第四册课文及译文整理!

新视野大学英语第四册课文及译文整理!

正副课文的词汇写作的题目与5,6,10单元正副课文有关10空15个选项的与5,6,10的A篇有关词汇选择和翻译句子与正课文有关Unit 5Section A Choose to be alone on purposeHere we are, all by ourselves, all 22 million of us by recent count, alone in our rooms, some of us liking it that way and some of us not. Some of us divorced, some widowed, some never yet committed.Loneliness may be a sort of national disease here, and it's more embarrassing for us to admit than any other sin. On the other hand, to be alone on purpose, having rejected company rather than been cast out by it, is one characteristic of an American hero. The solitary hunter or explorer needs no one as they venture out among the deer and wolves to tame the great wild areas. Thoreau, alone in his cabin on the pond, his back deliberately turned to the town. Now, that's character for you. Inspiration in solitude is a major commodity for poets and philosophers. They're all for it. They all speak highly of themselves for seeking it out, at least for an hour or even two before they hurry home for tea.Consider Dorothy Wordsworth, for instance, helping her brother William put on his coat, finding his notebook and pencil for him, and waving as he sets forth into the early spring sunlight to look at flowers all by himself. “How graceful, how benign, is soli tude,” he wrote.No doubt about it, solitude is improved by being voluntary.Look at Milton's daughters arranging his cushions and blankets before they silently creep away, so he can create poetry. Then, rather than trouble to put it in his own handwriting, he calls the girls to come back and write it down while he dictates.You may have noticed that most of these artistic types went outdoors to be alone. The indoors was full of loved ones keeping the kettle warm till they came home.The American high priest of solitude was Thoreau. We admire him, not for his self-reliance, but because he was all by himself out there at Walden Pond, and he wanted to be. All alone in the woods.Actually, he lived a mile, or 20 minutes' walk, from his nearest neighbor; half a mile from the railroad; three hundred yards from a busy road. He had company in and out of the hut all day, asking him how he could possibly be so noble. Apparently themain point of his nobility was that he had neither wife nor servants, used his own axe to chop his own wood, and washed his own cups and saucers. I don't know who did his laundry; he doesn't say, but he certainly doesn't mention doing his own, either. Listen to him: “I never found the companion that was so companionable as solitude.”Thoreau had his own self-importance for company. Perhaps there's a message here. The larger the ego, the less the need for other egos around. The more modest and humble we feel, the more we suffer from solitude, feeling ourselves inadequate company.If you live with other people, their temporary absence can be refreshing. Solitude will end on Thursday. If today I use a singular personal pronoun to refer to myself, next week I will use the plural form. While the others are absent you can stretch out your soul until it fills up the whole room, and use your freedom, coming and going as you please without apology, staying up late to read, soaking in the bath, eating a whole pint of ice cream at one sitting, moving at your own pace. Those absent will be back. Their waterproof winter coats are in the closet and the dog keeps watching for them at the window. But when you live alone, the temporary absence of your friends and acquaintances leaves a vacuum; they may never come back.The condition of loneliness rises and falls, but the need to talk goes on forever. It's more basic than needing to listen. Oh, we all have friends we can tell important things to, people we can call to say we lost our job or fell on a slippery floor and broke our arm. It's the daily succession of small complaints and observations and opinions that backs up and chokes us. We can't really call a friend to say we got a parcel from our sister, or it's getting dark earlier now, or we don't trust that new Supreme Court justice.Scientific surveys show that we who live alone talk at length to ourselves and our pets and the television. We ask the cat whether we should wear the blue suit or the yellow dress. We ask the parrot if we should prepare steak, or noodles for dinner. We argue with ourselves over who is the greater sportsman: that figure skater or this skier. There's nothing wrong with this. It's good for us, and a lot less embarrassing than the woman in front of us in line at the market who's telling the cashier that her niece Melissa may be coming to visit on Saturday, and Melissa is very fond of hot chocolate, which is why she bought the powdered hot chocolate mix, though she never drinks it herself.It's important to stay rational.It's important to stop waiting and settle down and make ourselves comfortable, at least temporarily, and find some grace and pleasure in our condition, not like a self-centered British poet but like a patient princess sealed up in a tower, waiting for the happy ending to our fairy tale.After all, here we are. It may not be where we expected to be, but for the time being we might as well call it home. Anyway, there is no place like home.翻译:有意选择独处事实如此,我们孤独无伴地生活着。

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UNIT1 A艺术家追求成名,如同狗自逐其尾,一旦追到手,除了继续追逐不知还能做些什么。

成功之残酷正在于它常常让那些追逐成功者自寻毁灭。

对一名正努力追求成功并刚刚崭露头角的艺术家,其亲朋常常会建议“正经的饭碗不能丢!”他们的担心不无道理。

追求出人头地,最乐观地说也困难重重,许多人到最后即使不是穷困潦倒,也是几近精神崩溃。

尽管如此,希望赢得追星族追捧和同行赞扬之类的不太纯洁的动机却在激励着他们向前。

享受成功的无上光荣,这种诱惑不是能轻易抵挡的。

成名者之所以成名,大多是因为发挥了自己在歌唱、舞蹈、绘画或写作等方面的特长,并能形成自己的风格。

为了能迅速走红,代理人会极力吹捧他们这种风格。

他们青云直上的过程让人看不清楚。

他们究竟是怎么成功的,大多数人也都说不上来。

尽管如此,艺术家仍然不能闲下来。

若表演者、画家或作家感到无聊,他们的作品就难以继续保持以前的吸引力,也就难以保持公众的注意力。

公众的热情消磨以后,就会去追捧下一个走红的人。

有些艺术家为了不落伍,会对他们的写作、跳舞或唱歌的风格稍加变动,但这将冒极大的失宠的危险。

公众对于他们藉以成名的艺术风格以外的任何形式都将不屑一顾。

知名作家的文风一眼就能看出来,如田纳西·威廉斯的戏剧、欧内斯特·海明威的情节安排、罗伯特·弗罗斯特或T.S.艾略特的诗歌等。

同样,像莫奈、雷诺阿、达利这样的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。

他们鲜明独特的艺术风格标志着与别人不同的艺术形式上的重大变革,这让他们名利双收,但也让他们付出了代价,那就是失去了用其他风格或形式表现自我的自由。

名气这盏聚光灯可比热带丛林还要炙热。

骗局很快会被揭穿,过多的关注带来的压力会让大多数人难以承受。

它让你失去自我。

你必须是公众认可的那个你,而不是真实的你或是可能的你。

艺人,就像政客一样,必须常常说些违心或连自己都不完全相信的话来取悦听众。

一滴名气之水有可能玷污人的心灵这一整口井,因此一个艺术家若能保持真我,会格外让人惊叹。

你可能答不上来哪些人没有妥协,却仍然在这场名利的游戏中获胜。

一个例子就是爱尔兰著名作家奥斯卡·王尔德,他在社交行为和性行为方面以我行我素而闻名于世。

虽然他的行为遭到公众的反对,却依然故我,他也因此付出了惨痛的代价。

在一次宴会上,他一位密友的母亲当着他的朋友和崇拜者的面,指责他在性方面影响了她的儿子。

他听了她的话以后大为光火,起诉了这个年轻人的母亲,声称她毁了自己的“好”名声。

但是,他真该请一个更好的律师。

结果是,法官不仅不支持他提出的让这个女人赔偿他名声损失费的请求,反而对他本人进行了罚款。

他由于拒交罚款最终还被送进了监狱。

更糟糕的是,他再也无法获得更多公众的宠爱。

在最糟糕的时候,他发现没有一个人愿意拿自己的名声冒险来替他说话。

为保持真我,他付出的代价是,在最需要崇拜者时,谁也不理他。

奇怪的是,收获最大的恰恰是失败者。

他们收获了自由!他们可以自由地表达,独辟蹊径,不落窠臼,不用担心失去崇拜者的支持。

失败的艺术家寻求安慰时,可以想想许多伟大的艺术家都是过世多年以后才成名,或是他们没有出卖自己。

他们也可以为自己的失败辩解:自己的才华实在过于高深,不是当代听众或观众所理解得了的。

那些失败了却仍不肯放弃的顽固派也许会乐于知道,某些名人曾经如何越挫越勇,直至成功。

美国小说家托马斯·伍尔芙的第一本小说《向家乡看吧,安琪儿》被拒39次后,才最终得以出版。

贝多芬战胜了父亲认为他毫无音乐家潜质的偏见,成为世界上最伟大的音乐家。

19世纪瑞士著名教育家裴斯泰洛齐原先干的工作没有一件成功,直到他想到去教小孩子,并研究出一种新型教育模式的基础理论。

托马斯·爱迪生在四年级时被赶出了学校,因为老师觉得他似乎太迟钝。

但不幸的是,对大多数人而言,失败是奋斗的结束,而不是开始。

对那些孤注一掷的追名逐利之徒,我要说:祝你们好运。

但是,遗憾的是,你会发现这不是你想得到的。

狗自逐其尾所得到的只是一条尾巴而已。

获得成功的人常常发现成功对他来说弊大于利。

所以要为真实的你、为自己的所为感到高兴,而不是拼命去获得成功。

做那些你为之感到骄傲的事情。

可能在有生之年你默默无闻,但你可能创作了更好的艺术。

Unit1B夏日的一天,父亲让我去买些铁丝网和栅栏,用来围畜棚,把牛圈起来。

那时我16岁,最喜欢开上货车,沿着老磨坊路到城里去。

研磨机轮子上的水花在阳光下喷洒,在河道上空形成一道彩虹。

我常在半路上把车停下来,在河里洗个澡,凉快一会,享受一下天然空调。

太阳火辣辣的,不用毛巾擦,等我爬上岸边的土坡,穿过路边的壕沟,到达货车时,身上已经都干了。

快进城时,有一段沿着海滩的路,我会在那儿拣贝壳,拣海藻,头顶就是正从轮船上卸货的巨大的起重机。

但是,这次却有所不同。

父亲告诉我,我得向店里要求赊账。

那是1976年,种族主义的丑陋阴影仍然是生活的现实。

我曾目睹我的朋友要求赊账,然后就低着头站在那里,等着店主查询他“配不配赊账”。

许多店员只要一看见年轻的黑人走进商店,就盯着他们,疑心他们是小偷。

我们家人诚实正派,有债必还。

但在庄稼收割之前,所有的钱都已经花光了。

银行里也没有新的存款,现金不够。

在戴维斯兄弟杂货店,巴克·戴维斯站在收银机后面,正和一个中年农夫说着话。

巴克个子高高的,穿着一件红色的狩猎衬衫,显得饱经风霜。

我冲他点了点头,经过他的身边,向五金柜台走去,拿了一盒钉子,一卷用于捆扎的铁丝网和栅栏。

我把要买的东西拖到柜台前,把钉子放进秤盘,小心翼翼地说道:“我要赊账。

”一边抬起胳膊去擦额头上紧张的汗珠。

那个农夫像寻开心般怀疑地看着我,但是巴克的脸色却没有变。

他随和地说道:“当然可以,你老爹总能有借有还,”一边伸手去拿记账的账本。

我舒了一口气。

他转过头,对那个农夫说:“这是詹姆士·威廉的儿子。

像詹姆士·威廉这样讲信用的人是很少的。

”那个农夫友善地点了点头。

我的心里顿时充满了自豪。

“詹姆士·威廉的儿子”,这句话打开了通往成年人的尊敬和信任的大门。

当我把沉重的货物拉进货车车厢时,觉得轻而易举,感到比早上离开农庄时更有劲了。

我发现,一个好名声所带来的友好是一笔无价之宝。

人人都知道,威廉家的人是什么样的:是诚实守信的体面人,自尊自重,不干坏事。

我的曾祖父也许曾被作为奴隶拍卖,但这不能成为伤害他人的理由。

相反,我父亲相信,赢得尊敬的唯一方法就是努力工作、尊敬他人。

我们这些孩子──八个男孩和两个女孩──可以坐享这个好名声,除非或直到我们做错什么事情而失去它。

我们要对自己的行为负责,我们也要为相互的行为负责,否则就会毁掉父亲建立起来的好名声。

我们的好名声曾经是,现在仍是把我们家紧紧联系在一起的纽带。

我不愿意辜负父亲的好名声,这激励我成为了家里第一个上大学的人。

我靠在一家四星级酒店当行李工挣钱读完了大学。

最终,好名声促使我在华盛顿特区开办了我个人的公共关系公司。

美国需要在社区里重新树立羞耻感。

吸毒、在酒馆把钱挥霍一空、偷盗、让年轻女子怀孕却又不想和她结婚,这些事本应让人感到无地自容,但事实并非如此。

在美国,近三分之一的婴儿是单身母亲所生的。

这些孩子在成长过程中大多会缺乏安全感和指导,而这正是成为社会的好公民所需要的。

一旦社会纽带和家人相互间的责任瓦解了,社区也就分崩离析。

自从1960年以来,美国的人口虽然只增长了40%,但暴力犯罪却陡增了55%,而我们对此却已司空见惯。

青少年吸毒人数也在上升。

在北卡罗来纳的一个县,警察从12所中学逮捕了73名交易毒品的学生,而有些交易就发生在教室里。

与此同时,支撑着文明、体现于细微之处的礼貌和敬意,却正从学校、商店和街头消失。

由于受到电视和音乐中的脏话的影响,像“是的,女士”、“不,先生”、“谢谢”和“请”这样的话,只会让今天的孩子哈欠连天。

他们对好名声的作用满不在乎。

从父亲那传下来的,由我的兄弟姐妹和我保持的好名声,在现在仍和过去一样地珍贵。

甚至直到今天,当我走进巴克·戴维斯的商店,或去老家的理发店理发时,人们仍然称呼我是詹姆士·威廉的儿子。

我们家的好名声确实为我铺平了道路。

UINT2 A他出生在伦敦南部的一个贫困地区。

他穿的短袜是从妈妈的红色长袜上剪下来的。

他的妈妈一度被诊断为精神失常。

狄更斯或许能创作出查理·卓别林的童年故事,但只有查理·卓别林才能塑造出了不起的喜剧角色“流浪汉”,这个使其创作者声名永驻的衣衫褴褛的小人物。

就卓别林而言,其他国家,如法国、意大利、西班牙,甚至日本,都比他的出生地给予了他更多的掌声(和更多的收益)。

在1913年,卓别林永久地离开了英国,与一些演员一起启程到美国进行舞台喜剧表演。

在那里,他被星探招募到好莱坞喜剧片之王麦克·塞纳特的旗下工作。

令人遗憾的是,20世纪二、三十年代的很多英国人认为卓别林的“流浪汉”多少有点“粗俗”。

中产阶级当然这样认为。

劳动阶层反倒更有可能为这样一个反抗权势的角色拍手喝彩:他以顽皮的小拐杖使绊子,或用皮靴后跟对准权势者肥大的臀部踢一下。

尽管如此,卓别林的滑稽乞丐形象并不那么像英国人,甚至也不像劳动阶级的人。

英国流浪者并不留小胡子,也不穿肥大的裤子或燕尾服:欧洲的领导人和意大利的侍者才那样穿戴。

另外,“流浪汉”瞟着漂亮女孩的眼神也有些粗俗,被英国观众认为不太正派──只有外国人才那样,不是吗?而在卓别林大半的银幕生涯中,银幕上的他是不出声的,也就无从证明他是英国人。

事实上,当卓别林再也无法抵制有声电影,不得不为他的“流浪汉”寻找“合适的声音”时,他确实很头疼。

他尽可能地推迟那一天的到来:在1936 的《摩登时代》里,他第一次在影片里发声唱歌。

在片中,他扮演一名侍者,满口胡言乱语,听起来不像任何国家的语言。

后来他说,他想象中的“流浪汉”是一位受过大学教育,但已经没落的绅士。

但假如他在早期那些短小的喜剧电影中能操一口受教育人的口音,那么他是否会闻名世界就难说了,而英国人也肯定会觉得这很“古怪”。

没有人知道卓别林这么干是不是有意的,但这促使他获得了巨大的成功。

他是一个才能非凡的人,他的决心之大甚至在好莱坞明星中也十分少见。

他的巨大名声为他带来了自由,更重要的是带来了财富,他因此得以成为自己的主人。

在事业发展之初,他就感到一种冲动要去发掘并扩展自己身上所显露的天才。

当他第一次在银幕上看到自己扮演的“流浪汉”时,他说:“这不可能是我。

那可能吗?瞧这角色多么与众不同啊!”这种震惊唤起了他的想象。

卓别林并没有把他的笑料事先写成文字。

他是那种边表演边根据感觉去创造艺术的喜剧演员。

没有生命的物体特别有助于卓别林发挥自己艺术家的天赋。

他将这些物体想象成其他东西。

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