威廉福克纳介绍ppt课件

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6、william faulkner威廉 福克纳

6、william faulkner威廉 福克纳

A Picture of Yoknapatawpha County( a little postage stamp of native soil)
His Main Writings
His major novห้องสมุดไป่ตู้ls :
The Sound and the Fury(1929) As I Lay Dying(1930) Sanctuary(1931) Light in August(1932) Absalom , Absalom !(1936) The Hamlet(1940) His books of short stories:
Detailed Study of the Text
Part I
1.
2.
The street used to house only the best families. Then great changes took place: garages and cotton gins were established on the street and their existence wiped out the aristocratic traces in that neighborhood. While the whole street was becoming modern and commercial, only Miss Emily‟s house remained the same. Although her house was decaying, it still assumed an air of a stubborn and frivolous girl. The cotton wagons and gasoline pumps were ugly enough, but this house, which was old, in decay, pretentious, and completely out of place, was more unpleasant to look at. This detail shows that the house and its owner share the same character. Miss Emily had lived long and had become a tradition because she represented the aristocracy of the Old South that had lost out in the Civil War. She was a care because she was old, unmarried, and without family, and the people in the town felt they must take care of her. They felt that taking care of her was their duty and obligation. This obligation passed from generation to generation as long as she lived.

美国文学 作家 威廉·福克纳PPT课件

美国文学 作家 威廉·福克纳PPT课件
▪ Southern literature: twisted, pessimistic, violent, distorted Gothic novel: Poe
▪ born in New Albany, Mississippi and raised in nearby Oxford, and lived there almost all his life.
sorrow of what was to become his most frequently used subject matter. ▪ The Sound and the Fury, considered as the work of a major writer. ▪ His other major works include ▪ As I Lay Dying (l930), ▪ Light in August (l932), ▪ Absalom, Absalom! (1936), ▪ Wild Palms (1939) ▪ The Hamlet (1940). ▪ The Unvanquished (1938) ▪ Go Down, Moses (1942) ▪ These works are thematically interwoven.
Sartoris The Sound and the Fury As I Lay Dying Light in August Absalom, Absalom! (3) 1940~end: won recognition in America Go Down, Moses
His major works
▪ An anthology of his writings: The Portable Faulkner.

威廉福克纳介绍WilliamF

威廉福克纳介绍WilliamF
所以我们今天的悲剧带有普遍性和全 球性,这种肉体的恐惧由来已久,绵 延至今。以致我们几乎难以承受。精 神不再被关注,人们只关注一个问题: 我什么时候才能一鸣惊人?
Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.
An American novelist and poet whose works feature his native state of Mississippi
regarded as one of the most influential writers of the twentieth century
Faulkner in Hollywood
In the university of Virginia campus
literary career:
Faulkner's most celebrated novels ★ The Sound and the Fury 《喧哗与骚动》
(1929) As 月之光》 Absalom, Absalom 《押沙龙, 押沙龙!》
故此,如今年轻人在写作时忘记了人 类内心的冲突,而这种冲突本身就可 以造就优秀的文字,因为只有它才值 得书写,才值得痛苦和流汗。
(P3)人们必须重温这些,必须教会自己:一切事物中最基 本的东西才最值得敬畏;并且,还要教会自己,没齿不忘, 永远在自己的工作室里为亘古不变的心灵的真理留出位置; 离开这些亘古不变的真理,任何小说都注定如浮游朝菌生 命一般地短暂 - -爱或荣誉或怜悯或自豪或同情或牺牲。 如果不这样做,他的一切劳作都会受到魔咒。 他所描绘 的不是爱情而是肉欲,他所记述的失败里不会有人失去任 何有价值的东西,他所描绘的胜利中也没有希望,更没有 同情和怜悯。他的悲哀,缺乏普遍的基础,留不下丝毫痕 迹。他所描述的不是人类的心灵,而是人类的内分泌物。

威廉福克纳_简介

威廉福克纳_简介

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brief introduction
1897年9月25日-1962年7月6日,美 国小说家、诗人和剧作家,为美国文学 历史上最具影响力的作家之一,意识流 文学(stream of consciousness)在美国的 代表人物。在其40多年的创作生涯中, 他写作了19部长篇小说、125篇短篇小 说、20部电影剧本、一部戏剧,约克纳 帕塔法系列小说是其中的代表。1949年, 他因为“对当代美国小说做出了强有力 的和艺术上无与伦比的贡献”而获得诺
As I Lay Dying
Sanctuary
Light in August
喧哗与躁动 我的弥留之际 圣殿 八月之光
Vision in Spring
春景
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1950年11月,福克纳在与阿尔贝·加缪、弗朗索瓦 ·莫里亚克、鲍里斯·帕斯捷尔纳克、约翰·斯坦贝克、 欧内斯特·海明威的角逐中获得了当年的诺贝尔文学奖。 他一开始在电话中声称不去参加典礼,并拒绝了采访。 不过,后来还是被说服。他面带病容出现在颁奖礼上, 以浓重的南方口音快速读完了预先写好的演讲词。这是 诺贝尔文学奖历史上最著名的的演说之一,福克纳预言, “人类不但会生存下去,他们还能蓬勃发展”。他反击 了评论界视他的作品为色情、怪异的指责,其声望随之 达到了顶峰。随后他去了巴黎,同让-保罗·萨特、西蒙 娜·德·波伏娃和加缪会面,又短暂游历了伦敦、爱尔 兰。
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意 识流
意识流文学泛指注重描绘人物意识流动状 态的文学作品,既包括清醒的意识,更包括 无意识、梦幻意识和语言前意识。“意识流” 一词是心理学词汇,是美国机能主义心理学 家先驱詹姆斯创造出意识流(stream of consciousness)这个词,用来表示意识的流 动特性:个体的经验意识是一个统一的整体, 但是意识的内容是不断变化的从来不会静止 不动。意识流文学的概念是在1918年梅·辛 克莱评论英国陶罗赛·瑞恰生的小说《旅程 》时引入文学界的。

威廉福克纳代表作ppt

威廉福克纳代表作ppt

《我的弥留之际》是“关于人类忍受能力的一个原始 寓言”。写农妇本德仑太太死后,一家人把她送去墓 地,为期10天的一次“苦难的历程”。在期间,每人 都有不同的表现。尽管有种种愚蠢、自私、野蛮的表 现,这一家人为了信守诺言,尊重亲人感情,还是克 服了巨大的困难与阻力,完成他们的使命。
《押沙龙,押沙龙!》书名取自《圣经》,本是大卫王 对阴谋篡位被杀身死的爱子押沙龙发出的哀叹,福克纳 借此表达父子反目、兄弟阋墙、命运不可违的悲剧主题。 具有史诗结构和悲剧气氛。
海德格尔认为,时间构成了人的实体或存在。 时间性是现代人的视界,“现代”使时间的意识空前
强化。 萨特认为作品中突出强调的是现在。
海德格尔和萨特都强调人的未来性:“人不是他所有 的一切的总和,而是他还没有而可以有的一切的综 合。”
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“神话模式”三、一、四章的标题分别为1928年4月6日至8 日,这三天恰好是基督受难日到复活节。而第二章的1910 年6月2日在那一年又正好是基督圣体节的第八天。因此, 康普生家历史中的这四天都与基督受难的四个主要日子有 关联。不仅如此,从每一章的内容里,也都隐约可以找到 与《圣经·新约》中所记基督的遭遇大致平行之处。
人生犹如痴人说梦,充满着喧哗与骚动,却没有任何 意义。
小说的故事发生在杰弗生镇上的康普生家。这是一个曾经 显赫一时的望族,祖上出过一位州长、几名将军。家中原 来广有田地,黑奴成群,如今只剩下一幢破败的宅子,黑 奴也只剩下老婆婆迪尔西和她的小孙女。
一家之主康普生是个律师,但从不接洽业务,整天醉醺醺 的发表空谈,把悲观失望的情绪传给大儿子昆丁。
康普生太太无病呻吟,总感觉自己在受气吃亏。她时时不 忘自己是南方大家闺秀的身份,家中却没有一个人从她那 里得到温暖。

威廉·福克纳共21页PPT资料

威廉·福克纳共21页PPT资料

• 福克纳深受家庭传统和南方风土人情的影响。他 的作品中有南方人特有的幽默感,深入刻画黑人 与白人的地位、相处、矛盾等敏感问题,生动描 绘出惟妙惟肖的南方人形象。
• family traditions and Southern customs. Southerners unique sense of humor, his work depth characterization of the status, contradictions, and other sensitive issues, and vividly depicts a image of Southerners..
• 支配这个家族的是福克纳的曾祖父威廉·克拉 科·福克纳老上校。他既是种植园主,又是军人、 作家、政治家。
• Dominate the this family is the old Colonel Faulkner's great-grandfather William Krakow Faulkner. He is both a planter, soldier, writer, statesman.
• 福克纳笔下的剧情浸染着人物的复杂心理变化, 细腻的感情描写穿插其中。他作品最大的外在特 点是绵延婉转、结构极为繁复的长句子和反复斟 酌推敲后选取的精巧词汇。他一生多产,令很多 美国作家羡艳不已,不过也有很多人对其持批评 态度。他和风格简洁明了、干脆利落的海明威更 是两个极端。一般认为他是1930年代唯一一位真 正意义上的美国现代主义作家,与欧洲文学试验 者乔伊斯、伍尔芙、普鲁斯特等人遥相呼应,大 量运用意识流、多角度叙述和陈述中时间推移等 富有创新性的文学手法。
• 《野棕榈》(If I Forget Thee Jerusalem (The Wild Palms/Old Man))(1939)

A-Rose-for-Emily课件

A-Rose-for-Emily课件

对福克纳的写作风格的总结和评价
写作风格
福克纳的写作风格独特,语言细腻、 刻画深入,对人物心理和南方社会的 描绘尤为出色。
评价
福克纳的写作技巧使得故事情节紧凑 、引人入胜,人物形象鲜明,为读者 带来了深刻的阅读体验。
对故事主题的深入思考
主题探讨
小说主题包括孤独、执着、爱情和社会冷漠等,这些主题在故事中交织在一起 ,引发读者深思。
语言风格
福克纳的语言风格独特,质朴自然,贴近生活,让读者感受到浓 厚的生活气息。
时间和空间的构建
时间构建
福克纳在《A Rose for Emily》中通过将过去与现在交织在一起, 展现了时间的流逝和变迁。
空间构建
福克纳通过细腻的描写,构建了一个具体而富有象征意义的场景, 为故事的发展提供了背景和舞台。
隐喻和象征
福克纳善于运用隐喻和象征手法,通过具体的意象和事物暗示抽象的概念和情感,使作品 更具艺术感染力。
语言和句法
方言和土语
福克纳在作品中运用了大量的方言和土语,展现了当地人的生活 和语言习惯,增强了作品的地域色彩。
长句和复杂句
福克纳善于运用长句和复杂句,使语言更加丰富和有层次感,同 时表达了人物内心的复杂情感。
家庭环境
Emily成长在一个严格的 家庭环境中,受到父母和 家族长辈的管束和期望。
教育经历
Emily接受了传统的南方 教育,注重礼仪、文化和 家族荣誉。
Emily与Homer的恋情
相识过程
Emily与Homer在一次社 交场合相识,两人彼此吸 引,开始秘密交往。
感情发展
随着时间的推移,两人的 感情逐渐加深,但Homer 的性格和家庭背景让他们 的恋情充满曲折。
很少有人真正了解她内心的想法和感受。

William Faulkner

William Faulkner

威廉•福克纳,美国作家,出身名门望族,毕业于牛津大学。

威廉·福克纳比同龄人长得矮小,整个童年都在希望自己能长得高大些。

他也是个出名的酒鬼,纵贯一生都浸泡在酒精之中。

威廉·福克纳生于1897年9月25日,出身名门望族,全名威廉·卡斯伯特·福克纳。

支配这个家族想象力的是福克纳的曾祖父威廉·克拉科·福克纳老上校。

他既是种植园主,又是军人、作家、政治家。

他还是经营铁路的企业家,他修的铁路是当地唯一的铁路。

但是威廉·福克纳的父亲却被普遍认为是一个不肖子孙,他的工作换了一个又一个,却永远找不到自己的安身立命之地。

但福克纳为他的母亲自豪,她意志坚定,自尊心强。

屡屡失败的父亲与坚强自尊的母亲势不两立。

在童年,母亲经常强迫他在“软弱”和“坚强”中做出选择,让他从小就体验到深深的分裂和痛苦。

1949年,福克纳作品《我弥留之际》获诺贝尔文学奖。

——As I Lay Dying他在斯德哥尔摩发表的得奖感言是诺贝尔文学奖最精彩的感言之一。

主要代表作品有《喧哗与骚动》,《圣堂》。

福克纳笔下的剧情浸染着人物的复杂心理变化,细腻的感情描写穿插其中。

他和风格简洁明了、干脆利落的海明威更是两个极端。

一般认为他是1930年代唯一一位真正意义上的美国现代主义作家,与欧洲文学试验者乔伊斯、伍尔芙、普鲁斯特等人遥相呼应,大量运用意识流、多角度叙述和陈述中时间推移等富有创新性的文学手法。

Nobel Prize Acceptance Speech / William FaulknerI feel that this award was not made to me as a man, but to my work -- a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand here where I am standing.Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed -- love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.Until he relearns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.。

福克纳William Faulkner简介 ppt课件

福克纳William Faulkner简介 ppt课件
onemostfamousimaginaryplacesbestknownworksfury1929喧嚣与骚动laydying1930我弥留之际sanctuary1931圣殿august1932八月之光absalomabsalomabsalomabsalom1936押沙龙
福克纳William Faulkner简介
1925, first novel published, Soldier’s Pay 《军饷》
1929, two novels: Sartoris, The Sound and the Fury 1929-1942, most productive: 2 short-story collections, a
l One of the most influential writers of the 20th century
l One of the leading American writers in the literary history of the United States.
l A representative of the writers using stream of consciousness.
volume of poetry, 11 novels Early 1940s, forgotten by the public 1945, a second rise to fame, higher than the first 1949, Nobel Prize for Literature
Major themes:
Here is “a tale/Told by an idiot, full of sound and fury,/ Signifying nothing.”

Faulkner 福克纳 ppt课件

Faulkner 福克纳 ppt课件

Adulthood
In 1929-1942, a period of amazing literary output • The Sound and the Fury(1929)
《喧哗与骚动》 • As I Lay Dying(1930)
《我弥留之际》 • Sanctuary(1931)
《圣殿》 • Light in August(1932)
multiple points of view
showing within the same story different reactions to the same person or the same situation,giving the story a circular from rather than a linear structure.
(约克纳帕塔法郡)
Most of Faulkner’s works are set in Yoknapatawpha County, an imaginary place based on Faulkner’s childhood memory about the town of Oxford in his native Lafayette County.
• In 1925, he went to Eurpoe, his literary began in New orlends where he met Sherwood Anderson, who helped him get his first novel Soilderʼ
Pay (军饷)published in 1926.
However, it not merely an imaginary place, it could be considered as an allegory and a parable of the south.

William Faulkner ppt

William Faulkner ppt

Faulkner in Hollywood:1930s
In the university of Virginia campus
The End of His Life
• Faulkner died July 6th, 1962 after suffering from a coronary occlusion (心肌梗塞) • Up to his death he worked as a Writer-In-Residence at the University of Virginia in 1957. • The United States Postal Service issued a first-class 22-cent stamp commemorating his life and stint as a postmaster.
• 2 Deterioration(堕落) • 3 Conflicts between generations, classes, races, man and environment • 4 Horror, violence and the abnormal
Features of His Works
William Faulkner
Sept 25, 1897 – July 6, 1962
Childhood
• Born in New Albany, Mississippi in 1897. Moved to Oxford, Mississippi (prototype(原型) of Yoknapatawpha约克纳帕塔法郡, the setting of most of his works) at the age of 5. • He grew up as the eldest son of four brothers. • He hoped to aspire to be like his great-grandfather, a writer as well.

福克纳及其《喧嚣与骚动》课件

福克纳及其《喧嚣与骚动》课件
1929年1月31日,《萨托利斯》 出版,这部小说开创了福克纳伟大 的小说家的历史,是作家头脑中一 个巨大的小说世界的第一部。
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这一年10月7日,他的《喧嚣与 骚动》出版。
这两部小说构成了福克纳神话 王国——“约克纳帕塔法”的两道最 引人注目的风景。
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约瑟夫·布洛特那在《二十世纪 美国文学》中对福克纳的“约克纳帕 塔法世系小说”给予了极高的评价:
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杰生是福克纳正式出版的长篇小 说中的第一个工商势力的代表人物。 是一个极端的个人主义者,是恶的化 身,在他身上,几乎集中了人类所有 的丑恶。
他的性格充分反映了正值衰朽残 年的美国南方庄园主阶级最后一代的 心态与特征。
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杰生是一个“新南方”的代表人物, 他是从康普生家族和萨托利斯家族演 变到斯诺普斯家族的一个过渡性的人 物,在他身上体现了福克纳这样的观 点:
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《喧哗与骚动》封面
《喧嚣与骚动》 ( The Sound
and the Fury,1929):
凯蒂:是小说的中心人物和关键 人物,在作品中起着重要的作用。凯 蒂在小说中是“美”的象征,对于凯 蒂的重要地位,福克纳曾经说过 “ 对我来说,她就是美,是我的心肝宝 贝。”在凯蒂身上,体现着福克纳的 人道主义精神,以及他对人性美的赞
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福克纳所运用的琐碎的意识片 断并不是完全孤立的,而是具有某 种内在的联系,福克纳通过叙述角 色的频繁转换,把各个人物的意识、 思绪、感觉和记忆绵延成一个复杂 的整体。
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❖ 二、《喧嚣与骚动》 ❖ 长篇小说《喧嚣与骚动》
(1929)是福克纳的代表作品, 是意识流小说的典型。作品标题 的来源、讲述的故事、主题和所 运用的艺术手法。
我对这本书最有感情,总是撇不开, 忘不了,尽管用尽了功夫写,总是写 不好。我真想重新再写一遍,不过恐 怕还是写不好”。

福克纳

福克纳

福克纳坚信自己熟悉的家乡和人民是他进行文学创作 发挥想象力的最可靠的源泉。“我发现我家乡的那块 邮票般大小的地方值得一写,只怕我一辈子也写完, 我 只要化实为虚,就可以放手充分发挥我那点小小的才 华。我可以像上帝一样,把这些人调来调去,不受时 空的限制。结果非常成功,至少在我看来效果极好。” 于是,一个个人物、一个个家族的故事开始在想象中 繁殖,场面和情节开始衍生,想象力不断地涌现。
二、宗教色彩
福克纳在新教占统治地位的南方长大,而且长期生活 在 它的影响下, 他的文学想象必然带有这样的宗教色彩 , 在福克纳的作品中本能地大量使用基督教典故,明显 表现出基督教思想和意识。在福克纳的小说中,最直 接 最明显地使用基督教故事的是《寓言》。在《喧哗与 骚动》中,故事和结构都是以耶稣基督受难的时间为 背景的。1928 年的三个日期,恰是那一年的基督受 难 日、复活节前和复活节;
获奖感言

“对于一个作家和一个文艺工作者来说,占领他的 工作全部时间的应该是人类内心古老的真理、那些 亘古不变的真理,是爱、荣耀、怜悯、自豪、同情 和牺牲,除非他去铭记这些真理,如果他不铭记这 些真理,那么他只是在诅咒的阴影里写作,因为他 写的不是爱而是情欲,他写的失败里没有人失去任 何真正有价值的东西,他的胜利里面看不到希望, 最糟糕的是人们从这里面看不到悲悯和同情,他写 的哀伤里面留不下真正的伤痕,他写的不是心灵而 是内分泌。”
《喧哗与骚动》

《喧哗与骚动》通过康普生一家的没落,为南方传统和贵 族精神谱写了一曲挽歌。 “南方骑士”昆丁对老南方传统恋恋不舍,不过,他虽然 保留了贵族式的骄傲,却缺乏适应社会变化的能力,最终 以自杀的方式逃避现实。杰生顺应潮流,完全抛弃了贵族 价值体系,却同时丧失了人性,那种资产者的实利主义和 市侩精神,残忍、自私得令人发指。班吉的思想纯真得像 一面镜子,但是没有思考的能力,只不过是一个无法自理 的善良的白痴。凯蒂曾经天真活泼,充满活力,然而后来 失足堕落,彻底摧毁了南方淑女形象。一家人的手足相残, 更是破坏了南方重视家庭与亲情的传统。在福克纳笔下, 老南方已经彻底解体,新南方却又异化充斥,在绝望之中, 唯有正直、善良、乐观的劳动者迪尔西,体现出人性复活 的人道主义理想,那也正是南方的希望所在。

美国文学 作家 威廉·福克纳PPT教学课件

美国文学 作家 威廉·福克纳PPT教学课件

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(3) 1940~end: won recognition in America Go Down, Moses
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His major works
▪ a volume of poetry The Marble Faun (1924) ▪ first novel Soldiers' Pay (6) ▪ Sartoris (l929) In writing it, he began to see and feel the dignity and
▪ Southern literature: twisted, pessimistic, violent, distorted Gothic novel: Poe
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▪ born in New Albany, Mississippi and raised in nearby Oxford, and lived there almost all his life.
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His life and writing
Faulkner is the most powerful and eloquent representative of American Southern writers. American Southern writers mainly write about the history, customs, people and social change of the American South, a region that contains much beauty, violence, passion, courage and, finally tragedy. It was from the region's characteristics that Faulkner drew the material for most of his fiction.

威廉福克纳介绍ppt课件

威廉福克纳介绍ppt课件

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Awards
1. One of three finalists for the
first Ellery Queen Mystery Magazine Award(1946). 2. Nobel Prize Winner(1949) 3. Pulitzer Winner twice: • A Fable(1955) • The Reivers(1963) 4. National Book Awards twice: • Collected Stories(1951) • A Fable(1955) 5. O. Henry Short Story Prize.
• regarded as one of the most influential writers of the twentieth century
• one of the leading American writers in the literary history of the United States.
grandfather.
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As a Young Man
• 1914 the first world war. • dreamed of becoming a pilot in the
army however was declined because of his height. • He later became a member of the Royal Canadian Air Force, yet did not see any World War I wartime action.
William Faulkner
Sept 25, 1897 – July 6, 1962
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•William Faulkner won the Nobel
Prize in Literature
in 1949.
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Fame:
• an American novelist and poet whose works feature his native state of Mississippi
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Awards
1. One of three finalists for the
first Ellery Queen Mystery Magazine Award(1946). 2. Nobel Prize Winner(1949) 3. Pulitzer Winner twice: • A Fable(1955) • The Reivers(1963) 4. National Book Awards twice: • Collected Stories(1951) • A Fable(1955) 5. O. Henry Short Story Prize.
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Adulthood
• For twenty years he worked in Hollywood writing several screen
plays like Today We Live (1933) and Land of the Pharaos (1955) and
producing many novels and short stories.
William Faulkner
Sept 25, 1897 – July 6, 1962
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Family
• Born in New Albany, Mississippi in 1897. Moved to Oxford, at the age of 4.
Mississippi :prototype(原型) • Hreisspfoatnhseibrle:untowhoirsthfaymdielyscendants,纳n帕oto塔f 法Yo郡kn,aMpoastat wofphhias约w克orks,
grandfather.
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As a Young Man
• 1914 the first world war. • dreamed of becoming a pilot in the
army however was declined because of his height. • He later became a member of the Royal Canadian Air Force, yet did not see any World War I wartime action.
❖1930 As I lay Dying 《我弥留之际》
❖1931 Sanctuary 《圣殿》
❖1932 Light in August 《八月之光》
❖1936 Absalom, Absalom! 《押沙龙!押沙龙!》
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❖1942 Go Down, Moses 《去吧,摩西》 ❖1948: Intruder in the Dust 《坟墓的闯入者》 ❖1946:The Portable Faulkner《袖珍本福克纳选集
• He later worked in Hollywood with Howard Hawks, a movie director who became a friend of him.
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The End of His Life
• Faulkner died July 6th, 1962 after suffering from a coronary occlusion (心肌梗塞)
great-grandfather: plantation owners, as well as soldiers, writer and politician;
Colonel John Sartoris , created in Faulkner's
works ,is on the basis of his great-
his mother: steadfast and persevseertiningYoknapatawpha County,
unfold the contradictions and
conflicts of the South in the turbulent times.
• He hoped to aspire to be like his greatgrandfather, Colonel John Sartoris .

❖A Rose for Emily《献给艾米丽的玫瑰》
❖Trilogy of the Snopes family
The Hamlet (1940) 《村子》 The Town (1957) 《小镇》 The Mansion (1959)《大宅》
❖Short Story collection:
The Unvanquished《没有被征服的人》(1938)
• Up to his death he worked as a Writer-In-Residence at the University of Virginia in 1957
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Major Works:
❖Oxford, poems -Fra bibliotek- prose
❖1924 The Mirble Faun 《云石牧神》 ❖1925, first novel Soldier’s Pay 《军饷》 ❖The Sound and the Fury 《喧嚣与骚动》
Considered one of the two greatest American novelists of his era with Ernest Hemingway One of the representatives of Southern renaissance in American literature
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