外文翻译 建筑学

芬兰建筑主要因两点而闻名实用而直接的现代主义和一种同自然之间的虚构的关系。

从阿尔瓦·阿尔托和他同时代——包括埃里克·布吕格曼Erik Bryggman和保利·布卢姆斯泰特Pauli E. Blomstedt在内——的那些设计了80年前的芬兰现代建筑作品的建筑师开始就是如此。

阿尔托在1930年代的设计特别是完成于1933年的帕伊米奥疗养院布吕格曼设计的私人住宅和图尔库的公寓区以及布卢姆斯泰特的教堂设计都是芬兰现代建筑早期阶段的标志。

在这之后现代主义运动的主流和分支总是成为芬兰建筑学习的对象。

如此忠诚于现代主义的原因可以归结到芬兰自1917年独立以来的社会发展以及北欧人一贯的建筑和设计方向。

北部的地理位置和文化在北欧的多种现代主义中建筑是与众多北部欧洲的文化特性交织在一起的。

起决定性的因素是气候和自然环境同时还有从路德教而来、体现在北欧福利国家的一种共有的精神。

这里值得一提的是在当地民众与自然之间的关系形成的过程中有一个关键因素——“自由信步”的理念简而言之即在一定限度内每个人都有权利进入到自然环境及其所赋予的一切中去。

这一传统在那些居住环境与自然紧密相联的地方广为人知在北欧国家更是根深蒂固。

波罗的海地区的自然环境十分富足、多样且尺度较小。

内陆中不计其数的湖面形成了广阔的水路。

芬兰被称为“千岛之国”。

实际上可以说芬兰的自然环境充满了各种独特的场所。

我们没有一望无际的海岸沙滩或巨大的高差但是我们拥有河、湖和群岛。

多样且无所不在的水陆交替为芬兰的自然环境提供了一种韵律。

这种韵律既是视觉上的也是精神上的。

此外四季的变换——温暖明亮的夏季和寒冷多雪的冬季——强化了景观的多变对自然空间的应用有着显著影响。

关于芬兰建筑前文所述都与芬兰人所认知的好建筑密切相关。

在这里成为好建筑的关键因素是同地段或场所的联系及其空间体验。

当代芬兰建筑中的自然和现代主义NA TURE AND MODERNISM IN CONTEMPORARY FINNISH ARCHITECTURE尤哈那·拉赫蒂/Juhana Lahti孙凌波译/Translated by SUN LingboFinnish architecture is renowned primarily for two things: pragmatic and no-nonsense modernism and a mythical relationship with nature. This has been the case ever since Alvar Aalto and his contemporaries, including Erik Bryggman and Pauli E. Blomstedt, designed the first masterpieces of Finnish modern architecture some 80 years ago. Aalto's 1930s designs, especially the Paimio Sanatorium completed in 1933, Bryggman's private houses and blocks of flats in the city of Turku, and Blomstedt's church designs, most importantly the Kannonkoski Church completed in 1938, mark the early stage of Finnish modern architecture. Modernism has subsequently been the movement that the mainstream, and often also the alternative, Finnish architecture has leant on. The commitment to modernism is related to Finland's social development since it gained independence in 1917 and the Nordic approach to architecture and design.Northern Location and CultureIn the Nordic variety of modernism, the architecture is interwoven with many Northern European culturaltraits. The determining factors at play are climate and natural surroundings, but also a communal spirit, drawing on Lutheranism, which has been embodied by the Nordic welfare state. A key characteristic in the formation of the local people's relationship with nature, which is worth mentioning here, is the idea of "freedom to roam", which, in a nutshell, means that everyone has the right to access the natural environment and what it offers, within certain limits. This tradition, which is known globally by people who live in close connection with nature, has stood its ground in the Nordic countries.The natural environment in the Baltic Sea region is very rich, varied and small in scale. The inland, again, features an endless number of lakes that form vast waterways. Finland is known as the land of a thousand lakes. In fact, you can say that Finnish nature is filled with unique places. We do not have endless sandy beaches by oceans or particularly great differences in height. Instead, we have rivers, lakes and archipelagos. This varied and omnipresent alternation of land and water provides a rhythm to the Finnish natural landscape. This rhythm is both visual and spatial. In addition, the changing of the four seasons, with warm and light summers and dark, snowy and cold winters when the waterways freeze, accentuates the variability of the landscape and has a considerable effect on the use of natural space. On Finnish ArchitectureI see that all the above is closely associated with what people perceive as good architecture in Finland. Being tied to a site or place andspatial experience are key issues here.Firstly, what is considered good architecture is linked with having respect for a site and its history, whether in a natural or an urban setting. The leading Finnish architects from the 1930s to the 1960s, most importantly Alvar Aalto, consistently insisted that the trees on building sites were to be protected against damage throughout the projects. This was a way to allow nature to be a concrete part of the buildings’ yard areas. During this era, zone thinking became part of urban planning, and the link between residential areas and natural green zones assumed particular prominence in suburban planning. In urban planning, having an appreciation for historic building stock is a phenomenon of recent decades. As a flip side to the development of modernisation, the 1970s still saw numerous首先成为好建筑要尊重地段及其历史无论它是在自然环境里还是在城市之中。