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VTX65三通道电子吉他音箱高级数字信号处理器用户指南说明书

VTX65三通道电子吉他音箱高级数字信号处理器用户指南说明书

VTX65Three-Channel Guitar Amplifier with Advanced Digital SignalProcessingUser’s GuideTABLE OF CONTENTS:Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3The T op Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5The Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6The DSP Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Restoring the Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8More About The Save/T ap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Using the Footswitch for More Presets . . . . . . . . . . . . . . . . . . . . . . . .9DSP Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10,11Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12,13DSP“Fill in the Blanks” (for User Presets) . . . . . . . . . . . . . . . . . . . . .14System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15T echnical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . .back coverThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequen-cy energy and, if not installed and used in accordance with the instructions, may cause harmful interfer-ence to radio communications. However, there is no guarantee that interference will not occur in a par-ticular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Changes or modifications to this device not expressly approved by SLM Electronics could void the user’s authority to operate the equipment under FCC rules.Declaration of ConformityManufacturer’s Name:SLM ElectronicsCorporate Headquarters:1901 Congressional Drive, St. Louis, Missouri 63146 Primary Production Facility:700 Hwy 202 W, Yellville, Arkansas, 72687Product Type:Audio AmplifierProducts meet the regulations for compliance marking under:ETL standards UL6500, UL60065, or UL813CSA standards E60065 or C22.2 No.1-M90CE safety standard EN60065CE EMC standards EN55103 or EN55013 and EN61000C-tick designation Level 2, ABN #56748810738, ARBN# N222KETI standard K60065 (limited model approval)Compliance Support Contact: SLM Electronics, Attn: R&D Compliance Engineer1901 Congressional Drive, St Louis, Missouri, 63146 • Tel.: 314-569-0141, Fax: 314-569-01754The Top Panel:GAIN LOW MID HIGHRHYTHMSOLORHYTHMMULTICHORUS FLANGEPHASERVIB O T REC SIN1: INPUT:Use this jack to connect your guitar to the amplifier by means of a shielded instrument cable.SOLO/RHYTHM CHANNELS:High gain channels giving you sounds with serious overdrive.2:SOLO LED:This LED illuminates when the Solo channel is selected.3: GAIN:Use this control to adjust the amount of distortion produced by the Solo channel.4: SHAPE:Use this control to “dial in” the tone for the Solo channel. Rotating the control counter-clockwise enhances the mid frequencies, while rotating the control clockwise enhances the low and high frequencies.5:LEVEL:Use this control to adjust the output level of the Solo channel.6: SOLO/RHYTHM: Use this switch to select the Solo or Rhythm channel. When this switch is depressed, the Solo channel is selected. With the switch in the out position, the Rhythm channel is selected. This switch is active only when the Solo/Rhythm/Clean switch (#13) is depressed.7: RHYTHM LED:This LED illuminates when the Rhythm channel is selected.8:GAIN:Use this control to adjust the amount of distortion produced by the Rhythm channel.9: LOW:Use this control to adjust the low frequency level of the Solo/Rhythm channel.10: MID:Use this control to adjust the midrange frequency level of the Solo/Rhythm channel.11: HIGH:Use this control to adjust the high frequency level of the Solo/Rhythm channel.12:LEVEL:Use this control to adjust the output level of the Rhythm channel.13:SOLO/RHYTHM/CLEAN SELECT: Use this switch to select the Clean channel or the Solo and Rhythm channels. With the switch in the out position, the Clean channel is selected. When the switch is depressed, either the Solo or Rhythm channel is selected, depending on the setting of the Solo/Rhythm switch (#6).CLEAN CHANNEL:A normal gain channel designed to give you crystal clean sounds.14: CLEAN LED:This LED illuminates when the Clean channel is selected.15: VOLUME:Use this control to adjust the output level of the Clean channel.16: LOW:Use this control to adjust the low frequency level of the Clean channel.517: MID:Use this control to adjust the midrange frequency level of the Clean channel.18: HIGH:Use this control to adjust the high frequency level of the Clean channel.19:CD INPUT: Use these RCA jacks to connect the output from a CD player or tape deck to the amplifier. The signal at these jacks is combined into a mono signal which is sent to the internal power amp circuit. Use the CD or tape player’s output level control to adjust the signal for the proper mix with your guitar.20: MULTI:Use this control to select one of the fifteen “Multi” digital effects. Complete information about the DSP effects is on page 7.21: DELAY:Use this control to select one of the fifteen Delay digital effects. Complete information about the DSP effects is on page 7.22:SAVE/TAP:Use this pushbutton to set the tempo of many of the effects by tapping the button repeatedly in time with the desired tempo. The Save/Tap button is also used to save DSP presets and to restore the factory default DSP settings. Additional information about the Save/Tap button is on pages 7 and 8.23: SAVE/TAP LED:This LED flashes in time with the tempo set by the Save/Tap button (#22), and serves as a status indicator for certain DSP activities (see page 8).NOTE:For some of the DSP effects, the Save/Tap LED remains illuminated. The Save/Tap LED does not illuminate when the DSP knobs are set to the Bypass position.24. REVERB:Use this control to adjust the amount of digital reverb effect. In its fully counterclock-wise position the signal will be “dry”(without any reverb). As you rotate the control clockwise the amount of reverb increases.25: POWER:Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the switch depressed). The switch illuminates when the power is on.NOTE:When the amplifier is turned on, the Save/Tap LED flashes for one second before the amplifier is operational.26: ELECTRONIC TUNER (cabinet top, not shown):The electronic tuner is active whenever the amplifier is turned on, providing constant, “real-time” tuning. The bottom row of LEDs indicate which note (string) is being tuned. The top row of LEDs provides directional queues to facilitate quick and precise tuning of your instrument.The indicated note (string) is properly tuned when only the center LED is illuminated.VOLUME LEVELLOW MID HIGHPOWERCLEANRHYTHM /SOLOCLEANDSPVIBDELAYEFXECHO SINGLETAPEREVERBSAVE / TAP6This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation.The Bottom Panel:27: FUSE:The fuse protects the amplifier from damages caused by a faulty AC power source and/or other prob-lems. If the fuse opens, replace it ONLY with the same size and type. If fuses continue to fail, check the AC source – if the source is okay, contact your Crate dealer for service information.28: EXTENSION SPEAKER: Use this jack to connect the amplifier to an external speaker cabinet. This jack is wired in series with the internal speaker(s) which remain active when an extension speaker is connected.29:DSP A/B FOOTSWITCH:Use this jack to connect one of the footswitch cables to the three-button footswitch (supplied). This allows you to select between two presets for each of the three channels. Additional information about the operation of the footswitch is on page 9.30: CLEAN/SOLO/RHYTHM FOOTSWITCH:Use this jack to connect one of the footswitch cables to the three-button footswitch (supplied). This allows you to remotely switch between the Clean and Distortion channels and between the Solo and Rhythm channels. (See page 9.)31: INSERT: Use this jack to connect an external signal processor to the amplifier. Use Crate’s STP201, STP202,or STP203 stereo-to-mono Y-cord or an adapter such as Crate’s YPP117 and two 1/4” mono signal cables to con-nect to the effect as shown below.32: AC LINE CORD (not shown):This grounded power cord is to be plugged into a grounded power outlet, wired to current electrical codes and compatible with the voltage, power, and frequency requirements stated on the bot-tom panel. Do not attempt to defeat the safety ground connection.7effects is given below. The Multi control selects the “pitch modified” and wah effects.Many of these effects have their speed controlled by the Save/Tap button. The Delay MULTIDSP CHORUS FLANGE PHASERVIBO T R DELAY EFX ECHO SINGLETAPE REVERBSAVE / TAPMULTI:NAME DESCRIPTION SAVE/TAP BUTTON CONTROLS:Chorus LO Chorus w/low depth speed: 1 cycle/tap - tap period: .05–1 second Chorus MID Chorus w/medium depth speed: 1 cycle/tap - tap period: .05–1 second Chorus HI Chorus w/high depth speed: 1 cycle/tap - tap period: .05–1 second Flange LO Flanger w/low depth speed: 4 cycle/tap - tap period: .05–1 second Flange MID Flanger w/medium depth speed: 4 cycle/tap - tap period: .05–1 second Flange HI Flanger w/high depth speed: 4 cycle/tap - tap period: .05–1 second Phaser LO Phaser w/low feedback speed: 2 cycle/tap - tap period: .05–1 second Phaser MID Phaser w/medium feedback speed: 2 cycle/tap - tap period: .05–1 second Phaser HI Phaser w/high feedback speed: 2 cycle/tap - tap period: .05–1 second Vibrato LO Vibrato w/low depth speed: 1 cycle/tap - tap period: .05–1 second Vibrato MID Vibrato w/medium depth speed: 1 cycle/tap - tap period: .05–1 second Vibrato HI Vibrato w/high depthspeed: 1 cycle/tap - tap period: .05–1 second Octave Down Adds signal one octave lower n/a Touch Wah Touch-sensitive wah-wah n/a Reverse Wah Inverted wah-wah n/a BypassDry signal - no effectn/aDELAY:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Single LO Single delay w/low level time: .05–1 second Single MID Single delay w/medium level time: .05–1 second Single HI Single delay w/high leveltime: .05–1 second Single MAX Single delay w/maximum level time: .05–1 second Echo LO Echo w/low level time: .05–1 second Echo MID Echo w/medium level time: .05–1 second Echo HI Echo w/high leveltime: .05–1 second Echo MAX Echo w/maximum level time: .05–1 second Tape LO Tape echo w/low level time: .05–1 second Tape MID Tape echo w/medium level time: .05–1 second Tape HI Tape echo w/high leveltime: .05–1 second Tape MAX Tape echo w/maximum leveltime: .05–1 second Echo FX LO Echo w/low level, before multi effect time: .05–1 second Echo FX MID Echo w/medium level, before multi effect time: .05–1 second Echo FX HI Echo w/high level, before multi effect time: .05–1 second BypassDry signal - no effectn/aSIGNAL PATH FOR ECHO LO, MID & HI EFFECTS:DELAYSIGNAL PATH FOR ALL OTHER EFFECTS:MULTIMULTIDELAY8Storing Your Own Presets:Each channel of the VTX65 has two factory assigned DSP presets, as shown on pages 10 and 11. No matter what the settings of the DSP controls, the preset is recalled when a channel is selected. You may change the DSP settings by rotating the DSP con-trols - these changes will remain active until a different channel is selected, but will not be there for later use unless they are saved. To save a new DSP preset to a channel,first make the desired DSP changes. Then press and hold the Save/Tap button for about three seconds. The Save/Tap LED will flash through three quick sequences, indicating the preset was saved. The new preset is stored for that channel and will remain in mem-ory until a new preset is stored for that channel or the factory presets are restored.We recommend making copies of page 14 of this guide for the purpose of writing down your own presets.Restoring the Factory Presets:The factory assigned DSP presets may be restored, erasing any changes you have made. Turn the amplifier off. Press and hold the Save/Tap button as you turn the amplifi-er on. The Save/Tap LED will flash through two quick sequences, indicating the factory presets have been restored.More About the Save/Tap Button:The Save/Tap button is used to set the tempo of an effect by pressing it twice within a one second time frame. The time between the two taps sets the timing of the effect. If the Save/tap button is pressed an odd number of times (once, three times, etc.), the tim-ing will default to the maximum one second time period.The Multi effects and the Delay effects may each have a different tap speed. The default “target” for the Save/Tap button is the Delay control. To select the Multi control as the tap button’s target, rotate the Multi control. The Save/Tap tempo function will auto-matically revert back to the Delay control 16 seconds after the Multi control is rotated, or when the tap speed was last changed for the Multi effect.NOTE: In most cases, it is usually more pleasing to the ear to set a slower tap speed for the HI effects and a faster tap speed for the LO effects.MULTIDSPDELAYREVERB SAVE / TAPMULTIDSPDELAYREVERB SAVE / TAPMULTIDSPDELAYREVERBSAVE / TAP3 SECONDSUsing the Footswitch for More Presets:The Crate three-button footswitch supplied with the VTX65 allows access to an addi-tional DSP preset for each channel of the amplifier. When the footswitch is connected to the amplifier as shown below, the “original” DSP presets are active for each channel when the #3 footswitch LED is illuminated. These are referred to as “DSP Bank ‘A’.”When the #3 button is switched and the LED is out, a second DSP preset may be stored and recalled for each channel - “DSP Bank ‘B’.”NOTE: DSP Bank “B” presets are only accessible when the footswitch is connected to the amplifier. When the footswitch is not connected, only DSP Bank “A”is accessable.Switch #1: LED on = SOLO CH. LED off = RHTYHM CH. Only when Switch #2 is activated (LED lit)!Switch #2:LED on = SOLO/RHYTHM CH.LED off = CLEANCH.Switch #3:LED on = DSPBANK "A"LED off = DSPBANK "B"321910DSP Factory Presets:Factory Preset 1: Clean w/Chorus, Delay,ReverbMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPThe VTX65 Factory Presets for the DSP section are as follows:11DSP Factory Presets:Factory Preset 4: Clean w/ReverbFactory Preset 6: Solo w/ReverbMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPThe VTX65 Factory Presets for the DSP section are as follows:12VOLUME GAINLOWMIDHIGH LEVELLOW RHYTHMMULTIDSPDELAYREVERBVOLUME GAINLOWMIDHIGH LEVELLOW RHYTHMMULTIDSPDELAYREVERBVOLUME GAINLOWMIDHIGH LEVELLOW RHYTHMMULTIDSPDELAYREVERB13VOLUME GAINLOWMIDHIGH LEVELLOW RHYTHMMULTIDSPDELAYREVERBVOLUME GAINLOWMIDHIGH LEVELLOW RHYTHMMULTIDSPDELAYREVERBVOLUME GAINLOWMIDHIGH LEVELLOW RHYTHMMULTIDSPDELAYREVERB14DSP “Fill in the Blanks ”(User Settings):MULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPMULTIDSPCHORUS FLANGEPHASERVIB OT RDELAYEFXECHO SINGLE TAPEREVERBSAVE / TAPUser Preset: _________________________________CHANNEL:BANK:SOLO RHYTHM CLEAN "A""B"CHANNEL:BANK:SOLO RHYTHM CLEAN "A""B"CHANNEL:BANK:SOLO RHYTHM CLEAN "A""B"User Preset: _________________________________User Preset: _________________________________Copy this page to fill in your own DSP Presets!15System Block Diagram:INPUTBUFFERMIX AMPCLEANDAMPING CIRCUITPOWER AMPSPEAKERSPEAKERINSERTSWITCHING RHYTHMSOLORHYTHMTUNERA BC D EF GVTX65TECHNICAL SPECIFICATIONS:Output Power Rating65W RMS @5% THD, 8Ω, 120 VACSpeaker Size and Rating(1) Custom Design 12”, 8ΩInput Impedance470kΩTotal System Gain Solo Ch110dB, all controls @10Rhythm Ch88dB, all controls @10Clean Ch58dB, all controls @10CD Input29dBMaximum Input Signal Accepted7 volts peak-to-peakSolo Channel Shape Control Proprietary CircuitRhythm Channel Low Control20dB range @ 80HzMid Control15dB range @ 1kHzHigh Control20dB range @ 10kHzClean Channel Low Control36dB range @ 80HzMid Control15dB range @ 800HzHigh Control40dB range @ 10kHzPower Requirements120 VAC, 60Hz, 90VA100/115VAC, 50/60Hz, 90VA;230VAC, 50/60Hz, 90VASize and Weight19-1/4” H x 21” W x 10-1/4”D, 34 lbs.The VTX65 is covered with a durable Tolex material: wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specificationsand information in this manual are subject to change without notice.©2004 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 6313347-639-01 • 092104。

Shure SCM820数字自动混音器产品说明书

Shure SCM820数字自动混音器产品说明书

SCM820 Digital IntelliMix® Automatic MixerSEAMLESS MIXING. ADVANCED CONTROL.SCM820Digital IntelliMix ®Automatic MixerThe SCM820 is the flagship Shure digital automatic mixer for seamless, natural-sounding speech in multiple microphone applications. This innovative 8-channel microphone mixer provides advanced new IntelliMix mixing capabilities along with convenient Ethernet connectivity and versatile configuration options.Remote ControlConvenient browser-based softwareDante ™ Digital AudioMultichannel audio over EthernetDual Mixer OperationOne or two independent mixesIntelliMix ® ModesPreset, manual & custom modesModel VariationsMultiple I/O configurationsIntelliMix ® TechnologySeamless, powerful automixingMore Control. Greater Capacity. One Box.Front Panel 3.5 mm Aux Input7-pin Block Connector with LogicDual Mixer ButtonPer Channel Direct OutputsMix A & Mix B OutputsRear Panel Aux InputMode SelectorSelect function of channel knobs Assignable Channel Knob Adjust settings and status for each inputSmart, Simple ControlsWith an intuitive hardware interface and informative LED metering, the SCM820 packs an extensive range of control and visibility into a single streamlined rack unit.Channel Control KnobsMake quick adjustments to gain, low cut and high shelf EQ, and solo/mute functions.LED Meter RingsChannel and master meter rings vibrantly display input audio or IntelliMix gain levels.Dual Mixer ModeRoute two entirely different and independent automixes to mix A and B outputs.Output Mix ControlFront-panel master gain and limiter control section with output signal meter strip.Hardware/Software ControlAdjust settings directly on the front and back panels or through the browser-based control software.Analog & Digital ConnectionsThe SCM820 provides enhanced I/O support to engineers— in both application flexibility and digital connectivity—to make setting up, configuring and managing systems easier and more efficient.DB25 or Logic-enabled Block Connector ModelsEight channel inputs on the back panel connect to mic or line level audio sources.Direct OutputsPer-channel direct outputs allow the SCM820 to be used as an insert processor or for recording.Dante ™ Digital Audio NetworkingDante-equipped models provide multichannel digital audio I/O over Ethernet and enable linking to additional SCM820 units.Mix A and B OutputsConnect line or mic level mix outputs to a sound reinforcement system, mixing console or recording device.Aux InputsRoute a mono signal straight to the mix outputs from front and back panel auxiliary inputs, bypassing the IntelliMix bus.¼" (6.5 mm) Stereo Headphone Output For channel and mix monitoring.SCM820-DAN rear panel shownAdditional models shown on back pageChannel SelectAdjust input level and phantom powerLockout and ResetMix Select ButtonSelect mix A or BAudio Output Meters and Limiter LEDsIntelliMix ModeToggle between mixer modes Dante™ Network Interface PortsNetworked SolutionsNetworking options available with the SCM820 enable advancedcontrol and signal routing. Link multiple units together on anetwork, then control their settings and signal path remotelyfrom a PC or Mac.Standard Ethernet or Dante Digital AudioChoose the best networking option for the application.Dante Upgrade CardUpgrade standard Ethernet modelsto add Dante digital audio.Dante Virtual SoundcardLicense included with Dante-equipped models and upgrade cardallows a computer to connect to a Dante network for use withplayback, recording, and internet calling software.Linking MixersDante-equipped SCM820 mixers can be linked to form largeautomixes of up to 12 units (96 channels of audio).Control System CompatibleConnects to AMX and Crestron controllers.IntelliMix® ModesIntelliMix® TechnologyRemote Set-up and ControlSCM820 Control Software provides convenient management,monitoring, and configuration support for all key systemsettings. It features a rich, browser-based graphical userinterface and is accessible from any networked computer.Control tabsInputsManage parameters and monitor audio levels foreach input channelIntelliMixConfigure IntelliMix modes and route channels to mix outputsOutputsManage parameters and monitor audio levels for each directoutput channel and mix outputsLink GroupCreate and manage larger automixes through linkingmultiple devicesPreferencesManage global device settingsShure Discovery ApplicationThe Discovery Application finds Shure devices on thenetwork automatically and provides access to each device’scontrol software.•A utomatic discovery of enabled Shure devices•S imply click on an enabled device in the list once it appearsto open its control software•W indows XP (32 and 64 bit), Windows Vista and Windows 7•A pple Mac OS X 10.5.8 and higherInput TabOutput TabIntelliMix ModesShure Discovery ApplicationSCM820Control SoftwareSelected Specifications©2013 Shure Incorporated AL21355 2.5K 01/13Asia, Pacific:Shure Asia Limited 22/F , 625 King’s Road North Point, Island East Hong KongPhone: 852-2893-4290Fax: 852-2893-4055Email:**************.hkUnited States, Canada, Latin America, Caribbean:Shure Incorporated5800 West Touhy Avenue Niles, IL 60714-4608 USA Phone: 847-600-2000Fax: 847-600-1212 (USA)Fax: 847-600-6446Email:**************Europe, Middle East, Africa:Shure Europe GmbHJakob-Dieffenbacher-Str. 12,75031 Eppingen, Germany Phone: 49-7262-92490Fax: 49-7262-9249114Email:*************GeneralAudio Frequency Response20 Hz to 20 kHz (±1 dB)Dynamic RangeAnalog-to-Analog: 110 dB20 Hz to 20 kHz, A-weighted, typical Analog-to-Dante, Dante-to-Analog: 113 dBDimensions 44 mm x 483 mm x 366 mm (1.7 in. x 19.0 in. x 14.4 in.), H x W x D Weight5.5 kg (12.0 lbs)Power Requirements100 to 240 V AC, 50-60 Hz, 1 A Operating Temperature Range −18°C (0°F) to 63°C (145°F)Analog ConnectionsConfiguration Channel input, Mix output: Active balancedAux input: Stereo unbalanced: Direct output: Impedance balancedClipping level Channel Inputs: [Line (+0): +20 dBV, Mic (+26): -6 dBV, Mic (+46): -26 dBV] Aux Input: +10 dBVPhantom Power 48 V DC, selectable per channel, 14 mA max.Max Output LevelLine (+0): +20 dBV, Line (-20): 0 dBV, Mic (-46): -26 dBVDigital Signal ProcessingAD/DA Converter 24-bit, 48 kHz, 113 dB dynamic range typical Latency Analog to Analog: 0.51 msAnalog to Dante: 0.29 msGain Adjustment Range Channel Input, Mix Output: −110 dB to +18 dB Input Processing Low cut, high shelf Output Processing 8 band PEQ, limiterNetworking Interface SCM820: Single Port, 10/100 Mbps EthernetSCM820-DAN: Dual Port, Gigabit Ethernet, Dante digital audioAvailable SKUSSCM820 8 Channel Digital Automatic Mixer, block connectorsSCM820-DAN 8 Channel Digital Automatic Mixer, block connectors, Dante Digital Audio SCM820-DB25 8 Channel Digital Automatic Mixer, DB25 connectorsSCM820-DAN-DB25 8 Channel Digital Automatic Mixer, DB25 connectors, Dante Digital Audio A820-NIC-DANTE Dante Digital Audio Upgrade Card for SCM820 Standard Ethernet Versions DB25 Accessory CablesDB25 to 8 XLR Male, DB25 to 8 XLR Female, DB25(x2) to 8 TRSNote: All specifications are subject to change.Dante is a trademark of Audinate Pty Ltd.。

Skyworks Solutions Si4844-B20 模拟调谐数字显示 AM FM SW 收音

Skyworks Solutions Si4844-B20 模拟调谐数字显示 AM FM SW 收音

SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************•Si4844-B20模拟调谐数字显示 AM/FM/SW 收音机特性功能方框图⏹ 支持全球 FM 波段(64–109MHz)⏹支持全球 AM 波段(504–1750kHz)⏹支持 SW 波段(2.3–28.5MHz)⏹所有 AM/FM 地区波段可选⏹增强 FM/SW 波段覆盖范围⏹ 2 线控制接口⏹单声道/立体声和有效的电台指示器⏹数字音量支持⏹低音/高音支持⏹最少的 BOM 元件,无需手动校准⏹卓越的接收性能⏹FM 波段中国电视频道音频载波接收⏹EN55020 兼容⏹两节 AAA 电池,电源电压为 2.0 到 3.6V⏹支持宽波段铁氧体磁棒天线和空心环形天线⏹24 引脚 SSOP 封装⏹符合 RoHS该产品、其功能和/或其体系结构使用了以下一项或多项专利,以及其他正在申请或发布的国内外专利:7,127,217;7,272,373; 7,272,375; 7,321,324;7,355,476; 7,426,376; 7,471,940;7,339,503; 7,339,504.订购信息:请参阅第 21 页。

Si4844-B202SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************•Si4844-B20SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************• 3T ABLE OF C ONTENTSSectionPage1. Electrical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42. Typical Application Schematic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .123. Bill of Materials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .134. Functional Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .144.1. Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .144.2. FM Receiver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154.3. AM Receiver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154.4. SW Receiver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154.5. Frequency Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164.6. Band Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164.7. Bass and Treble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164.8. Volume Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164.9. Stereo Audio Processing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164.10. Stereo DAC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174.11. Soft Mute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174.12. Reference Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174.13. Reset, Powerup, and Powerdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174.14. Memorizing Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174.15. Programming with Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .175. Commands and Properties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .186. Pin Description: Si4844-B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .207. Ordering Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .218. Package Outline: Si4844-B20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .229. PCB Land Pattern: Si4844-B20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2310. Top Marking: Si4844-B20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2411. Additional Reference Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25Document Change List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26Si4844-B204SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************•1. Electrical SpecificationsTable 1. Recommended Operating Conditions 1,2ParameterSymbol Test ConditionMin Typ Max Unit Supply Voltage 3V DD 2— 3.6V Power Supply Powerup Rise TimeV DDRISE10——µsNotes:1.Typical values in the data sheet apply at V DD =3.3V and 25°C unless otherwise stated.2. All minimum and maximum specifications in the data sheet apply across the recommended operating conditions forminimum V DD =2.7V.3. Operation at minimum V DD is guaranteed by characterization when V DD voltage is ramped down to 2.0V. Partinitialization may become unresponsive below 2.3V.Table 2. DC Characteristics(V DD =2.7 to 3.6V, TA =–15 to 85°C)ParameterSymbolTest ConditionMinTypMaxUnitFM ModeSupply Current 1I FM —21.0—mA Supply Current 2I FMLow SNR level—21.5—mAAM/SW ModeSupply Current 1I AM—20.0—mASupplies and InterfaceV DD Powerdown CurrentI DDPD—10—µANotes:1.Specifications are guaranteed by characterization.2. LNA is automatically switched to higher current mode for optimum sensitivity in weak signal conditions.Si4844-B20SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************• 5Figure 1.Reset TimingTable 3. Reset Timing Characteristics(V DD = 2.7 to 3.6V, TA = –15 to 85°C)ParameterSymbol Min Typ Max Unit RSTB Pulse Widtht PRST 100——µs 2-wire bus idle time after RSTB risest SDIO 100——µs 2-wire bus idle time before RSTB rises, and VDD valid time before RSTB risest SRST 100——µs RSTB low time before VDD becomes invalidt RRST——µsNotes:1.RSTB must be held low for at least 100µs after the voltage supply has been ramped up.2. RSTB needs to be asserted (pulled low) prior to the supply voltage being ramped down.RSTBVDDSDIOSCLKSi4844-B206SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************•Table 4. 2-Wire Control Interface Characteristics 1,2,3(V DD =2.7 to 3.6V, T A =–15 to 85°C)ParameterSymbol Test ConditionMin Typ Max Unit SCLK Frequency f SCLK 0—400kHz SCLK Low Time t LOW 1.3——µs SCLK High Timet HIGH 0.6——µs SCLK Input to SDIO ↓ Setup (START)t SU:STA 0.6——µs SCLK Input to SDIO ↓ Hold (START)t HD:STA 0.6——µs SDIO Input to SCLK ↑ Setup t SU:DAT 100——ns SDIO Input to SCLK ↓ Hold 4,5t HD:DAT 0—900ns SCLK input to SDIO ↑ Setup (STOP)t SU:STO 0.6——µs STOP to START Time t BUF 1.3——µs SDIO Output Fall Timet f:OUT—250nsSDIO Input, SCLK Rise/Fall Timet f:IN t r:IN—300nsSCLK, SDIO Capacitive Loading C b ——50pF Input Filter Pulse Suppressiont SP——50nsNotes:1.When V D =0V, SCLK and SDIO are low impedance.2. When selecting 2-wire mode, the user must ensure that a 2-wire start condition (falling edge of SDIO while SCLK ishigh) does not occur within 300ns before the rising edge of RST.3. When selecting 2-wire mode, the user must ensure that SCLK is high during the rising edge of RST, and stays highuntil after the first start condition.4. The Si484x delays SDIO by a minimum of 300ns from the V IH threshold of SCLK to comply with the minimum t HD:DATspecification.5. The maximum t HD:DAT has only to be met when f SCLK =400kHz. At frequencies below 400kHz, t HD:DAT may beviolated as long as all other timing parameters are met.200.1C b1pF----------+200.1C b1pF----------+Si4844-B20SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************• 7Figure 2.2-Wire Control Interface Read and Write Timing ParametersFigure 3.2-Wire Control Interface Read and Write Timing DiagramTable 5. FM Receiver Characteristics 1,2(V DD =2.7 to 3.6V, TA =–15 to 85°C)ParameterSymbol Test ConditionMin Typ Max Unit Input Frequencyf RF64—109MHz Sensitivity with Headphone Network 3(S+N)/N = 26 dB —2.2—µV EMFNotes:1.Additional testing information is available in “AN603: Si4822/26/27/40/44 DEMO Board Test Procedure.”Volume =maximum for all tests. Tested at RF =98.1MHz.2. To ensure proper operation and receiver performance, follow the guidelines in “AN602: Si4822/26/27/40/44 Antenna,Schematic, Layout, and Design Guidelines.” Skyworks will evaluate schematics and layouts for qualified customers.3. Frequency is 64~109MHz.4. Guaranteed by characterization.5. V EMF =1 mV.6. F MOD =1kHz, MONO, and L =R unless noted otherwise.7. ∆f =22.5kHz.8. |f 2 – f 1| > 2MHz, f 0=2x f 1 – f 2.9. B AF =300Hz to 15kHz, A-weighted.10. At L OUT and R OUT pins.11. ∆f =75 kHz.12. Tested in Digital Volume Mode.SCLK70%30%SDIO70%30%STARTSTOP t f:INt r:INt LOWt HIGHt HD:STAt SU:STA t t t SU:DATt r:INHD:DATf:IN, t f:OUTSi4844-B208SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************•LNA Input Resistance 4,5—4—k ΩLNA Input Capacitance 4,5—5—pF AM Suppression 4,5,6,7m = 0.3—50—dB Input IP34,8—105—dBµV EMFAdjacent Channel Selectivity 4±200 kHz —50—dB Alternate Channel Selectivity 4±400 kHz —65—dB Audio Output Voltage 5,6,7,12—80—mV RMS Audio Mono S/N 5,6,7,9,10—55—dB Audio Stereo S/N 3,4,5,7,9,10—55—dB Audio Frequency Response Low 4–3dB ——30Hz Audio Frequency Response High 4–3dB 15——kHz Audio Stereo Separation 5,11—40—dB Audio THD 5,6,11—0.10.5%Audio Output Load Resistance 4,10R L Single-ended 10——k ΩAudio Output Load Capacitance 4,10C LSingle-ended——50pFTable 5. FM Receiver Characteristics 1,2 (Continued)(V DD =2.7 to 3.6V, TA =–15 to 85°C)ParameterSymbolTest ConditionMin Typ Max Unit Notes:1.Additional testing information is available in “AN603: Si4822/26/27/40/44 DEMO Board Test Procedure.”Volume =maximum for all tests. Tested at RF =98.1MHz.2. To ensure proper operation and receiver performance, follow the guidelines in “AN602: Si4822/26/27/40/44 Antenna,Schematic, Layout, and Design Guidelines.” Skyworks will evaluate schematics and layouts for qualified customers.3. Frequency is 64~109MHz.4. Guaranteed by characterization.5. V EMF =1 mV.6. F MOD =1kHz, MONO, and L =R unless noted otherwise.7. ∆f =22.5kHz.8. |f 2 – f 1| > 2MHz, f 0=2x f 1 – f 2.9. B AF =300Hz to 15kHz, A-weighted.10. At L OUT and R OUT pins.11. ∆f =75 kHz.12. Tested in Digital Volume Mode.Si4844-B20SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************• 9Table 6. AM/SW Receiver Characteristics 1, 2(V DD = 2.7 to 3.6 V, TA = –15 to 85 °C)ParameterSymbol Test Condition Min Typ Max Unit Input Frequencyf RFMedium Wave (AM)504— 1750kHz Short Wave (SW)2.3—28.5MHz Sensitivity 3,4,5(S+N)/N = 26 dB — 30—µV EMF Large Signal Voltage Handling 5THD < 8%— 300— mV RMS Power Supply Rejection Ratio 5ΔV DD =100 mV RMS , 100 Hz— 40— dB Audio Output Voltage 3,6,8— 60— mV RMS Audio S/N 3,4,6— 55— dB Audio THD 3,6— 0.10.5%Antenna Inductance 5,7180—450µHNotes:1.Additional testing information is available in “AN603: Si4822/26/27/40/44 DEMO Board Test Procedure.”Volume =maximum for all tests. Tested at RF =520kHz and RF =6MHz.2. To ensure proper operation and receiver performance, follow the guidelines in ““AN602: Si4822/26/27/40/44 Antenna,Schematic, Layout, and Design Guidelines.” Skyworks will evaluate schematics and layouts for qualified customers.3. FMOD =1kHz, 30% modulation, 2kHz channel filter.4. B AF =300Hz to 15kHz, A-weighted.5. Guaranteed by characterization.6. V IN =5mVrms.7. Stray capacitance on antenna and board must be <10pF to achieve full tuning range at higher inductance levels.8. Tested in Digital Volume Mode.Si4844-B2010SkyworksSolutions,Inc.•Phone[781]376-3000•Fax[781]376-3100•*********************•Table 7. Reference Clock and Crystal Characteristics(V DD = 2.7 to 3.6V, T A = –15 to 85°C)ParameterSymbolTest Condition MinTypMaxUnitReference ClockXTALI Supported Reference Clock Frequencies *31.13032.76840,000kHz Reference Clock Frequency Tolerance for XTALI–100—100ppmREFCLK_PRESCALE 14095REFCLK31.13032.76834.406kHz Crystal OscillatorCrystal Oscillator Frequency —32.768—kHz Crystal Frequency Tolerance –100—100ppm Board Capacitance——3.5pF*Note: The Si4844-B20 divides the RCLK input by REFCLK_PROSCALE to obtain REFCLK. There are some RCLKfrequencies between 31.130kHz and 40MHz that are not supported. For more details, see Table 9 of “AN610: Si48xx ATDD Programming Guide.”Table 8. Thermal ConditionsParameterSymbol Min Typ Max Unit Thermal Resistance* JA —80—°C/W Ambient Temperature T A –152585°C Junction TemperatureT J——92°C*Note: Thermal resistance assumes a multi-layer PCB with the exposed pad soldered to a topside PCB pad.Si4844-B20Table 9. Absolute Maximum Ratings 1, 2Parameter Symbol Value UnitSupply Voltage V DD–0.5 to 5.8VInput Current3I IN10mAOperating Temperature T OP–40 to 95︒CStorage Temperature T STG–55 to 150︒CRF Input Level40.4V PKNotes:1.Permanent device damage may occur if the above Absolute Maximum Ratings are exceeded. Functional operationshould be restricted to the conditions as specified in the operational sections of this data sheet. Exposure beyond recommended operating conditions for extended periods may affect device reliability.2. The Si4844-B devices are high-performance RF integrated circuits with certain pins having an ESD rating of < 2kVHBM. Handling and assembly of these devices should only be done at ESD-protected workstations.3. For input pins RST, SDIO, SCLK, XTALO, XTALI, BAND, TUNE2, TUNE1, IRQ, and LNA_EN.4. At RF input pins, FMI, and AMI.Si4844-B202. Typical Application SchematicNotes:1.Place C4 close to V DD2 and DBYP pins.2. All grounds connect directly to GND plane on PCB.3. Pin 6 and 7 leave floating.4. To ensure proper operation and receiver performance, follow the guidelines in “AN602: Si4822/26/27/40/44 Antenna,Schematic, Layout, and Design Guidelines.” Skyworks will evaluate the schematics and layouts for qualified customers.5. Pin 8 connects to the FM antenna interface and pin 12 connects to the AM antenna interface.6. Place Si484x as close as possible to antenna jack and keep the FMI and AMI traces as short as possible.7. Recommend keeping the AM ferrite loop antenna at least 5cm away from the Si4844-B.8. Keep the AM ferrite loot antenna away from the MCU, audio amplifier, and other circuits which have AM interference.9. Place the transformer T1 away from any sources of interference and even away from the I/O signals of the Si4844-B.Si4844-B20 3. Bill of MaterialsTable 10. Si4844-B20 Bill of MaterialsComponent(s)Value/Description Supplier C1Reset capacitor 0.1µF, ±20%, Z5U/X7R MurataC4Supply bypass capacitor, 0.1µF, ±20%, Z5U/X7R MurataC5Coupling capacitor, 0.47µF, ±20%, Z5U/X7R MurataB1Ferrite bead 2.5k/100MHz MurataVR1Variable resistor (POT), 100k, ±10% KennonU1Si4844-B AM/FM/SW Analog Tune Digital Display Radio Tuner SkyworksANT1Ferrite stick,180–450μH JiaxinOptional ComponentsC2, C3Crystal load capacitors, 22pF, ±5%, COGVenkel(Optional: for crystal oscillator option)Y132.768kHz crystal (Optional: for crystal oscillator option)Epson or equivalentANT2Air loop antenna, 10-20μH variousS1Band switch Any, depends on customerR1Resistor, 203k, ±1%VenkelR2Resistor, 50k, ±1%VenkelR3Resistor, 180k, ±1%VenkelR4Resistor, 67k, ±1%VenkelSi4844-B204. Functional DescriptionFigure4.Si4844-B Functional Block Diagram4.1. OverviewThe Si4844-B is the analog-tuned digital-display digital CMOS AM/FM/SW radio receiver IC that integrates the complete receiver function from antenna input to audio output. Working with an external MCU with LCD/LED driver, Si4844-B can output the AM/FM/SW frequencies, band, Bass/Treble and stereo/mono information to display on LCD/LED, while using a simple potentiometer at the front end for analog-tune. Leveraging Skyworks' proven and patented digital low intermediate frequency (low-IF) receiver architecture, the Si4844-B delivers superior RF performance and interference rejection in AM, FM and SW bands. The Si4844-B is pin-to-pin compatible with the current Si484x-A tuning. The Si4844-B shares the advanced features of the Si484x-A and can support a wider range of FM and SW bands. It also supports China TV channels and audio reception in the FM band. The superior control algorithm integrated in Si4844-B provides an easy and reliable control interface while eliminating all the manually tuned external components used in traditional solutions.Like other successful audio products from Skyworks, Si4844-B offers unmatched integration and PCB space savings with minimum external components and small board area on a single side PCB. The high integration and complete system production test simplifies design-in, increases system quality, and improves manufacturability. The receiver has very low power consumption, runs off two AAA batteries, and delivers the performance benefits of high performance digital radio experience with digital display to the legacy analog-tuned radio market.The Si4844-B provides good flexibility in using the chip. The frequency range of FM/AM/SW bands, mono/stereo threshold, de-emphasis value, AM tuning step, AM soft mute level/rate, and Bass/Treble can be either configured by the MCU or by using external hardware to make a selection. The reference clock of the FM tuner can be provided either by the crystal or by the host MCU within tolerance.Si4844-B also has flexibility in selecting bands and configuring band properties, enabling masked Host MCU for multiple projects, and reducing the cost of development. Four tuning preferences are available tomeet different tuning preference requirements.4.2. FM ReceiverThe Si4844-B integrates a low noise amplifier(LNA) supporting the worldwide FM broadcast band (64to 109MHz) and the TV audio stations within the fre quency range in China are also supported. The FM band can also be configured to be a wider range such as 64–108 MHz in one band.Pre-emphasis and de-emphasis is a technique used by FM broadcasters to improve the signal-to-noise ratio of FM receivers by reducing the effects of high frequency interference and noise. When the FM signal is transmitted, a pre-emphasis filter is applied to accentuate the high audio frequencies. All FM receivers incorporate a de-emphasis filter which attenuates high frequencies to restore a flat frequency response. Two time constants are used in various regions. The de-emphasis time constant can be chosen to be 50 or 75μs. Refer to “AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines.”The Si4844-B also has advanced stereo blending that employs adaptive noise suppression. As a signal quality degrades, the Si4844-B gradually combines the stereo left and right audio channels to a mono audio signal to maintain optimum sound fidelity under varying reception conditions. The Si4844-B can output a stereo signal to MCU with LCD/LED driver to display on the LCD/LED so that the user can easily discern the signal quality.The stereo on signal is defined using both RSSI and the Left and Right separation levels as these two specifications are the primary factors for stereo listening. The criteria can be set between two conditions: the Left and Right channels are separated by more than 6dB with RSSI at >20dB or Left and Right channels are separated by more than 12dB with RSSI at >28dB. The selection can be set up using different values of the external resistor or configured by the host MCU. Refer to “AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines.”The user can also refer to the “AN610: Si48xx ATDD Programming Guide” for those who want to configure the value by host MCU.4.3. AM ReceiverThe highly integrated Si4844-B supports worldwide AM band reception from 504 to 1750kHz with five sub-bands using a digital low-IF architecture with a minimum number of external components and no manual alignment required. This patented architecture allows for high-precision filtering, offering excellent selectivity and SNR with minimum variation across the AM band. Similar to the FM receiver, the Si4844-B optimizes sensitivity and rejection of strong interferers, allowing better reception of weak stations.To offer maximum flexibility, the receiver supports a wide range of ferrite loop sticks from 180–450μH. An air loop antenna is supported by using a transformer to increase the effective inductance from the air loop. Using a 1:5 turn ratio inductor, the inductance is increased by 25 times and easily supports all typical AM air loop antennas, which generally vary between 10 and 20μH.A 9, 10kHz tuning step can be chosen by the external resistor or host MCU according to the different regions, and AM soft mute level can be programmed by the host MCU to have different tuning experiences. One of the AM bands can be configured as a universal AM band that simultaneously supports 9kHz and 10kHz channel spaces for all regional AM standards worldwide. Refer to “AN610: Si48xx ATDD Programming Guide” and “AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines”for more details.4.4. SW ReceiverThe Si4844-B supports short wave band receptions from 2.3 to 28.5MHz in 5kHz step size increments. It can also be configured to have a wide SW band that can be used in SW radio with 1 or 2 SW banks. Si4844-B supports extensive short wave features such as minimal discrete components and no factory adjustments. The Si4844 supports using the FM antenna to capture short wave signals. Refer to “AN610: Si48xx ATDD Programming Guide”and “AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines”for more details.4.5. Frequency TuningA valid channel can be found by tuning the potentiometer that is connected to the TUNE1 and TUNE2 pin of the Si4844-B chip.To offer easy tuning, the Si4844-B also outputs the tuned information to the MCU with LCD/LED driver to display. It will light up the icon on display if the RF signal quality passes a certain threshold when tuned to a valid station. Multiple tuning preferences are available. The user can choose to have the best performance (volume, stereo/mono effect) only at the exact channel, or the best performance in a larger range. Refer to "AN610: Si48xx ATDD Programming Guide" for more details. 4.6. Band SelectThe Si4844-B supports worldwide AM band with five sub-bands, US/Europe/Japan/China FM band with five sub-bands, and SW band with 16 sub-bands. Si4844-B provides the flexibility to configure the band and band properties at either the MCU side or the Tuner side, enabling masked MCU for multiple projects. For details on band selection, refer to “AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines”and "AN610: Si48xx ATDD Programming Guide".4.7. Bass and TrebleThe Si4844-B further supports Bass/Treble tone control for superior sound quality. The Si4844-B can be set to be default normal, or programmed by the host MCU I2C-compatible 2-wire mode. FM has nine levels Bass/Treble effect and AM/SW has seven levels Bass/Treble effect. For further configuration details, refer to "AN610: Si48xx ATDD Programming Guide." 4.8. Volume ControlThe Si4844-B not only allows users to use the traditional PVR wheel volume control through an external speaker amplifier, it also supports digital volume control programmed by the host MCU. Si4844-B can be programmed to be Bass/Treble mode only or digital volume mode only; it can also be programmed to have the digital volume coexist with Bass/Treble in two modes. Refer to "AN610: Si48xx ATDD Programming Guide" and “AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines” for more details.4.9. Stereo Audio ProcessingThe output of the FM demodulator is a stereo multiplexed (MPX) signal. The MPX standard was developed in 1961, and is used worldwide. Today's MPX signal format consists of left + right (L+R) audio, left – right (L–R) audio, a 19kHz pilot tone.Figure5.MPX Signal Spectrum4.9.1. Stereo DecoderThe Si4844-B's integrated stereo decoder automatically decodes the MPX signal using DSP techniques. The 0 to 15kHz (L+R) signal is the mono output of the FM tuner. Stereo is generated from the (L+R), (L–R), and a 19kHz pilot tone. The pilot tone is used as a reference to recover the (L–R) signal. Output left and right channels are obtained by adding and subtracting the (L+R) and (L–R) signals respectively.4.9.2. Stereo-Mono BlendingAdaptive noise suppression is employed to gradually combine the stereo left and right audio channels to a mono (L+R) audio signal as the signal quality degrades to maintain optimum sound fidelity under varying reception conditions. Three metrics, received signal strength indicator (RSSI), signal-to-noise ratio (SNR), and multipath interference, are monitored simultaneously in forcing a blend from stereo to mono. The metric which reflects the minimum signal quality takes precedence and the signal is blended appropriately.All three metrics have programmable stereo/mono thresholds and attack/release rates. If a metric falls below its mono threshold, the signal is blended from stereo to full mono. If all metrics are above their respective stereo thresholds, then no action is taken to blend the signal. If a metric falls between its mono and stereo thresholds, then the signal is blended to the level proportional to the metric’s value between its mono and stereo thresholds, with an associated attack and release rate.0575338231915Frequency (kHz)ModulationLevel4.10. Stereo DACHigh-fidelity stereo digital-to-analog converters (DACs) drive analog audio signals onto the LOUT and ROUT pins. The audio output may be muted.4.11. Soft MuteThe soft mute feature is available to attenuate the audio outputs and minimize audible noise in very weak signal conditions. An advanced algorithm is implemented to get a better analog tuning experience. The soft mute feature is triggered by the SNR metric. The SNR threshold for activating soft mute is programmable, as are soft mute attenuation levels and attack and decay rates.4.12. Reference ClockThe Si4844-B supports programmable RCLK input (to XTALI pin) with the spec listed in Table7. It can be shared with the host MCU to save extra crystal.An onboard crystal oscillator is available to generate the 32.768kHz reference when an external crystal and load capacitors are provided. Refer to "AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines" for more details.4.13. Reset, Powerup, and Powerdown Setting the RSTB pin low will disable analog and digital circuitry, reset the registers to their default settings, and disable the bus. Setting the RSTB pin high will bring the device out of reset.Figure1 shows typical reset, startup, and shutdown timings for the Si4844-B. RSTB must be held low (asserted) during any power supply transitions and kept asserted as specified in Figure1 after the power supplies are ramped up and stable. Failure to assert RSTB as indicated here may cause the device to malfunction and may result in permanent device damage.A powerdown mode is available to reduce power consumption when the part is idle. Putting the device in powerdown mode will disable analog and digital circuitry while keeping the bus active.4.14. Memorizing StatusThe Si4844-B provides the feature to memorize status from the last power down with a simple design on PCB, including frequency of the FM/AM/SW station. Refer to “AN602: Si4822/26/27/40/44 Antenna, Schematic, Layout, and Design Guidelines”for details.4.15. Programming with CommandsTo ease development time and offer maximum customization, the Si4844-B provides a simple yet powerful software interface to program the receiver. The device is programmed using commands, arguments, properties, and responses.To perform an action, the user writes a command byte and associated arguments, causing the chip to execute the given command. Commands control an action such as powerup the device, shut down the device, or get the current tuned frequency. Arguments are specific to a given command and are used to modify the command. Properties are a special command argument used to modify the default chip operation and are generally configured immediately after powerup. Examples of properties are de-emphasis and soft mute attenuation threshold.Responses provide the user information and are echoed after a command and associated arguments are issued. All commands provide a 1-byte status update, indicating interrupt and clear-to-send status information. For a detailed description of the commands and properties for the Si4844-B, see "AN610: Si48xx ATDD Programming Guide."。

NRS PM—816说明书

NRS PM—816说明书

NRS PM—816说明书
雅赛数码电子是一家专业从事现代影音设备生产的制造企业,产品涉及家庭影院系统的功放机、音箱、喇叭以及舞台音响设备(专业音响)、多媒体有源音箱、汽车音响等各个领域。

本厂拥有自己独立的电子生产车间、PVC、喷漆、木箱车间、铝合金面板车间、喇叭车间、专业音响网布厂等下属配套机构。

所有车间全部采用具有先进水平的生产设备,同时严格按照质量管理体系进行全局跟踪管理。

一条龙式的规模化大生产加上先进的集团化企业管理模式确保了成本在下降、效益在增长。

公司下属位于广东新会的新丰彩专业音响网布厂是国内最具规模、最专业的音响网布之一,从织造到染色全部采用德国、日本原装进口的先进纺织设备全程现代化大生产。

所产音箱网布不仅供给全国大部分的音响厂家还远销国外,成为众多知名音响厂家的首选品牌。

展望未来,雅赛人充满了必胜的心,全体员工都时刻牢记“实实在在做人,认认真真做事”的企业宗旨,在各自的岗位上兢兢业业,诚恳工作,同时不断钻研以创新、不断研究以上进,为迎合公司展而时刻努力着。

ArenaMatch Utility 小前景 补声扬声器 AMU105 AMU108 AMU206

ArenaMatch Utility 小前景 补声扬声器 AMU105 AMU108 AMU206


规范信息
本产品符合所有适用的欧盟指令要求。您可以从网站 /compliance 找到完整的符合性声明。
此符号表示不得将此产品作为生活垃圾丢弃,应将其送到合适的 回收站点进行回收。正确处理和回收有助于保护自然资源、人类 健康和环境。想要获得更多关于此产品的处理和回收的信息,请 联系当地市政当局、垃圾处理服务部门或您购买此产品的商店。
中国危险物质限用表
有毒或有害物质或元素名称及成分
有毒或有害物质和元素
零件名称


(Pb) (Hg)
镉 ()
六价铬 (CR(VI))
多溴化 联苯 (PBB)
印刷电路板 X
O
O
O
O
金属零件
X
O
O
O
O
塑料零件
O
O
O
O
O
扬声器
X
O
O
O
O
线缆
X
O
O
O
O
此表格依据 SJ/T 11364 的要求制定。
O:表示此零件中所有均质材料所包含的此类有毒或有害物质均低于 GB/T 26572 中的限定要求。
6. 只能使用制造商指定的附件/配件。
7.
只能使用制造商指定或随本设备一起销售的推车、支架、
三角架、托架或工作台。如果使用推车,则在移动推车/设
备时应格外小心,以免因倾倒而造成伤害。
警告/小心:
包含可能导致窒息危险的小部件。不适合 3 岁以下的儿童使用。
本产品含有磁性材料。有关这是否会影响到您的植入式医疗器 械,请咨询您的医生。
包装清单................................................................................................................................................................................................... 5 可选配件................................................................................................................................................................................................... 5 检查和维护....................................................................................................................................................................................................... 6 保持防风雨性........................................................................................................................................................................................... 6 推荐使用的工具.............................................................................................................................................................................................. 6 产品尺寸........................................................................................................................................................................................................... 7 ArenaMatch Utility AMU105........................................................................................................................................................... 7 ArenaMatch Utility AMU108........................................................................................................................................................... 8 ArenaMatch Utility AMU206.......................................................................................................................................................... 9 ArenaMatch Utility AMU208........................................................................................................................................................ 10

MKH_816_P48U3使用说明

MKH_816_P48U3使用说明

MKH_816_P48U3使用说明MKH 816 P48U3 是一款由 Sennheiser 推出的高质量麦克风,适用于各种录音环境。

在本篇使用说明中,我们将介绍该麦克风的功能、使用方法和维护注意事项。

一、产品概述MKH816P48U3是一款超心形指向性电容麦克风,具有出色的射频抗干扰性能和高灵敏度。

它经过精心设计,适用于广播、电视、录音室等多个专业录音场合。

二、使用方法1.麦克风连接:将麦克风的XLR连接器插入录音设备的相应插槽,并确保连接牢固。

2.电源供应:MKH816P48U3需要外部48V电源供应,确保麦克风能够正常工作。

3.麦克风定位:麦克风应以心脏形状朝向声源,保持适当距离和角度,以获得最佳录音效果。

4.麦克风灵敏度:MKH816P48U3的灵敏度较高,请注意避免过度接近或面对高音压水平的声源,以避免失真。

5.监听录音:建议使用耳机或监听器来实时监控录制的声音,确保录音效果符合需求。

三、功能特点1.超心形指向性:MKH816P48U3采用超心形指向性模式,能够高效地捕捉声源,并减少背景噪音的干扰。

2.宽频响范围:该麦克风可以准确地传递声音的细节,覆盖从20Hz到20kHz的广泛频率范围,适用于各种录音需求。

3.射频抗干扰:MKH816P48U3内置抗干扰电路,能够有效消除射频干扰,确保录音质量稳定可靠。

4.强大的信噪比:麦克风具有优异的信噪比,可以清晰地捕捉声音信号,并减少环境噪音的影响。

5.耐用可靠:MKH816P48U3采用高质量的材料和先进的制造工艺,经久耐用,适应各类复杂录音环境。

四、维护注意事项1.清洁:定期使用干净柔软的布轻轻擦拭麦克风表面,避免使用液体或化学物质直接清洗,以防损坏麦克风。

2.保护:当不使用麦克风时,应使用麦克风套或盖子保护麦克风头部,防止灰尘、液体或意外伤害对麦克风造成损坏。

3.存储:将麦克风存放在干燥、通风、无尘的环境中,远离高温、湿度和强磁场。

4.运输:在运输麦克风时,请使用麦克风原装包装盒或专用麦克风袋,确保麦克风不受到碰撞和挤压。

Bose ArenaMatch Utility AMU208 小型前景 填充扬声器说明书

Bose ArenaMatch Utility AMU208 小型前景 填充扬声器说明书

P R O F E S S I O N A LTECHNICAL DATAArenaMatch Utility AMU208small-format foreground/fill loudspeakerProduct OverviewBuilt for zone-fill coverage or high-SPL foreground music, Bose ArenaMatch Utility loudspeakers feature similar tonal balance to ArenaMatch array modules but in compact designs. They have the same EMB2S compression driver as ArenaMatch arrays, ensuring consistent sound, and the same direct-exposure outdoor weather rating. Deploy them for zone-fill coverage in sports stadiums, arenas, outdoor entertainment centers, and more. Or use them to provideintelligible, high-level sound in any outdoor area — from niche venues such as breweries and fairgrounds to larger settings like resorts and outdoor shopping centers.The AMU208 is a small-format ArenaMatch Utility model for outdoor applications that require excellent audio from a compact loudspeaker. It provides wide, even coverage with a 90° × 60° constant-directivity high-frequency horn, 70 Hz – 18 kHz frequency response, 126 dB peak SPL, and supports the lowest vocal ranges with two Bose LF8 8-inch woofers.Key FeaturesDeploy as zone-fill to support ArenaMatch arrays systems , delivering powerful, intelligible sound and ensuring consistent tonal balance with EMB2S compression drivers in every speaker Deploy to provide high-level foreground music in any outdoor venueInstall outdoors with an IP55 weather rating, three-layer stainless steel grille, water-resistant woofer cone coating, industrial polyurethane exterior coating, and molded cover to protect inputsAdapt to a variety of configurations — all models ship standard with 70/100V transformer inputs and passive crossover with optimized filters for more consistent frequency and polar responseStreamline the design process by combining with complementary Bose Professional products, such as PowerMatch amplifiers and ControlSpace DSPsMount easily with included stainless-steel U-bracket ; rear enclosure panel also includes M8 threaded inserts to accept third-party accessory mounting bracketsProvide wide, even coverage with 90° × 60° constant-directivity high-frequency horn, which can be rotated for horizontal or vertical installationPerform in the most demanding applications with 70 Hz – 18 kHz frequency response and 126 dB maximum peak SPL Support lowest vocal range with 2 × Bose LF8 8-inch woofers featuring a 2-inch extended-excursion voice coil, which extends response to 70 HzEN 54-24 Certified: EN 54-24: 2008, Loudspeaker for Voice Alarm Systems for Fire Detection and Fire Alarm Systems for BuildingsFootnotes(1) Frequency response and range measured on-axis in anechoic enviornment with recommended high-pass filter. Frequency response graphs display SPL axis with 0 dB line reference to sensitivity SPL value.(2) Bose extended-lifecycle test using pink noise filtered to meet IEC268-5, 6-dB crest factor, 500-hour duration. (3) AES standard 2-hour duration with IEC system noise. (4) Sensitivity measured in anechoic environment with recommended bandpass and EQ. (5) Maximum SPL calculated using sensitivity and power ratings, exlusive of power compression. (6) Tested to IP55 per EN60529 when used in General Purpose Audio installation.Technical SpecificationsFrequency ResponseFor additional specifications and application information, please visit . Specifications subject to change without notice. 03/2021。

IPS LSP2160 数字音箱处理器 说明书

IPS LSP2160 数字音箱处理器 说明书

产品介绍领先的数字处理技术数字音箱处理器LSP2160LSP2160是基于数字信号处理技术、具有2输入6输出的数字音箱处理器。

在LSP2160音箱处理器中,两个输入通道均有31段图示均衡处理模块,每个输出通道均有6段参量均衡、高低通滤波器等处理模块,可以精细地对音箱特性进行修正和补偿,也可以对音源特性进行调整和修饰,使得扩声系统更好地适应建筑环境的声学特性;每个输出通道还设计有压缩器和限幅器,可对输出信号大小进行限制,避免后级设备长时间过载以保护功放和音箱。

在LSP2160音箱处理器中,内置了两进六出的混音矩阵,每一路输入信号可以不同的比例大小任意地分配到每一路输出通道。

两组信号输入可接受外部控制信号自动切换,实现不同音源之间的远程自动切换。

LSP2160音箱处理器采用数字信号处理的方法实现音频信号的调整和补偿,功能强大,界面友好,使用简捷,适用于对音箱特性的补偿、音频信号的修饰等,以弥补音箱特性和建筑声学特性的不足。

● ● 两组音频输入,每组两个通道,增益分别独立可调;一组为XLR 端子,一组为RCA 端子,可远程自动切换或手动切换● 六路线路输出,XLR 端子形式● 两个输入通道均具有31段图示均衡、信号电平表等处理模块● 内置2×6的输出混音器,两个通道的信号分量在六路输出中的混音比例可独立调整● 六路输出通道均设计了六段参量均衡、以24dB/oct 滚降的高通滤波器和低通滤波器、信号压缩器和限幅器以及输出电平表等处理模块● 输入输出信号在面板上有+6、0、-10、-20、-40dB 等量程的五段LED 电平表● 多组工厂或用户参数预置● 带有计算机控制接口,现场调整方便● 液晶屏显示,直观简洁● 供电要求:交流180~245 V ,整机功耗<15W ● 整机重量:3kg● 外形尺寸:480mm (含两侧安装把手)×44mm ×180mm (W ×H ×D )● 使用环境:0℃到70℃,相对湿度为5%到95%24bitA/D 、D/A 转换器,44.1kHz 取样频率数字音箱处理器产品特性系统应用连接图所有图片仅作参考,请以实物为准。

Soundtech X-618+X-DA2250产品数据书说明书

Soundtech X-618+X-DA2250产品数据书说明书

When HN-D32N Noise Detector is installed, X-DA2250 can adjust volume according to the ambient noise automatically to ensure high sound intelligibility.X-DA2250High Efficiency Power AmplifierX-DA2250High Efficiency Power Amplifierprovides amplification for audio signal delivered by high power loudspeakers that are connected to X-618Digital Public Address and Voice Alarm System.X-DA2250 is reliable, efficient and light in FeaturesX-DA2250supports both balanced andunbalanced audio inputs.To receive unbalanced audio inputs, simply connect the ground port with the negative input port to the rear panel.X-DA2250can receive audio signal fromX-DCS2000/EN via Ethernet through the RJ45standard port.X-DA2250can self-protect from overheat,over current,over voltageand under voltage. For example, when the internal temperature reaches its critical limit, the overheat protection circuit will shut down the power amplification module and activate the protection indicator light on the front panel.X-DA2250can detect power supply errors automatically during operation. The built-in fuse will provide over current protection to the main power supply.INPUT/OUTPUTFAULT DETECTIONWhen a shout circuit is detected in the main power supply circuit, the power will be automatically shut down.The backup powersupply will then be enabled to replace the main one.When a fault,self-protection or self-testinghappens, its audio input fault port on the rear panel will short circuit and a fault signal will then be sent to the control unit in the network.The device adopts lightweight design.The front panel is made of UL94V-0 fire proof ABS material,protecting the machine under extreme conditions.A cooling fan is equipped for heat exhaustion so that the machine can maintain high working efficiency.Power lightŸŸAC fault light x 2ŸSignal light (for each channel)ŸClip light (for each channel)ŸProtection light (for each channel)SAFETYVOLUME CONTROLINDICATOR LIGHTS ŸamplifierAutomatic protection ŸFault detectionŸEffective ventilation using forced air cooling ŸfanCE certification compliedTwo channel 250W high efficiency Class-D Ÿweight.Indicator lightsPower indicator light Main power fault light Backup power fault light Signal lightsPeak clipping lightsEquipment protection lightsNumber of channels 2Operating conditions95 % humidity, 0 °C ~ +40 °C (0 ~ 104 °F)(no condensation)Storage temperature-10 °C ~ +55 °C (14°F ~ 131°F)Cooling method Air coolingProduct dimensions (W×H×D)416 × 88 × 483 mm Package dimensions (W×H×D)489 × 186 × 568 mm Net weight 12.2 kg Gross weight15.3 kgINTERFACES Main power and backup power port ŸŸAudio inputs (balanced or unbalanced)ŸAudio outputs (100V or 70V)ŸRJ-45 net cable portTechnical SpecificationsNominal output power 2 × 250 WMain power supply voltage~ 220 - 240 V, 50/60 Hz Backup power supply voltage~ 220 - 240 V, 50/60 Hz Power consumption < 720 W Main power supply protectionT10 AL 250 V Speaker output voltage 100 V / 70 VFrequency response 70 Hz -18 kHz (+1 dB ~ -3 dB )Input sensitivity 1.414 V RMS Impedance 20 k ΩSNR> 100 dB(withA-Weight)Non-linear distortion<0.05% (at 1/3 ratedpower, 1 kHz)Packing ListX-DA2250 High Efficiency Power Amplifier 1Network cable 1Input cable terminal 1Output cable terminal 1AC power cable 1Power connector kit 1Plastic foot 4Warranty card 1Quality certificate 1Product manual 1Rack2Certification and StandardSafety Europe CE C omplied SafetyEuropeCB Certified Material USAUL94V-0 Fire-proof ABS materialHoneywellAudiovisuals No. 257, Junye Road Guangzhou GETDD East 510530 ChinaTel: +86 20 2839 9600 Fax: +86 20 2820 8706 1013702005_EN2.1Aug 2013© 2013 Honeywell International Inc.Order InformationX-DA4125 High EfficiencyPower Amplifier 4×125WX-DA4125。

Pyle 无线蓝牙流媒体DJ混音台控制器音频混音台控制台系统PMXU43BT - PMXU63BT

Pyle 无线蓝牙流媒体DJ混音台控制器音频混音台控制台系统PMXU43BT - PMXU63BT

Wireless BT Streaming Studio MixerDJ Controller Audio Mixing Console SystemPMXU43BT - PMXU63BT - PMXU83BTTABLE OF CONTENTSImportant Safety Instructions1. IntroductionGeneral mixing console functions Before you get started2. Control Elements and Connectors Channel InputMain Control3. InstallationMains connectionAudio connections4. Speci cations 3 4 4 4 5 5 6 7 7 8 9231. Read these instructions.2. Keep these instructions.3. Heed all warnings.4. Follow all instructions.5. Do not use this apparatus near water.6. Clean only with dry cloth.7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampli ers) that produce heat.9. Do not defeat the safety purpose of the polarizedor grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.11. Use only attachments/accessories speci ed by the manufacturer.13. Unplug this apparatus during lightning storms or when unused for long periods of time.14. Refer all servicing to quali ed service personnel. Servicing is required when the apparatus has beendamaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.15. The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection.16. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.This symbol, wherever it appears, alerts you to important operating and maintenance instructions in theaccompanying literature. Please read the manual.IMPORTANT SAFETY INSTRUCTIONSTerminals marked with this symbol carry electrical current of su cient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. All other installation or modi cation should be performed only by quali ed personnel.This symbol, wherever it appears, alerts you to the presence ofuninsulated dangerous voltage inside the enclosure - voltage that may be su cient to constitute a risk of shock.CautionTo reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to quali ed personnel. CautionTo reduce the risk of re or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects lled with liquids, such as vases, shall be placed on the apparatus. CautionThese service instructions are for use by quali ed service personnel only.To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by quali ed service personnel.1. INTRODUCTIONCaution!We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control in the main section fully counter-clockwise before you switch on the unit. Always be careful to set appropriate volume levels.Important notes concerning installationThe sound quality may diminish within the range of powerful broadcasting stations and high-frequency sources. Increase the distance between the transmitter and the device and use shielded cables for allconnections.1.1 General mixing console functionsA mixing console ful ls three main functions:• Signal processing: Preampli cation, level adjustment, mixing of e ects, frequency equalization.• Signal distribution: Summing of signals to the aux sends for e ects processing and monitor mix, distribution to one or several recording tracks, power amp(s), control room and 2-track outputs.• Mix: Setting the volume level, frequency distribution and positioning of the individual signals in the stereo eld, level control of the total mix to match the recording devices/crossover/power ampli er(s).All other mixer functions can be included in this main function.The interface of the mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path.1.2 Before you get started1.2.1 ShipmentYour mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physicaldamage, which may have occurred during transit.• If the unit is damaged, please do NOT return it to us, but notify your dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted.1.2.2 Initial operationBe sure that there is enough space around the unit for cooling purposes and to avoid over-heating please do not place your mixing console on high-temperature devices such as radiators or power amps. The console is connected to the mains via the supplied cable. The console meets the required safety standards. Blown fuses must only be replaced by fuses of the same type and rating.• Never connect the Mixer to the power supply unit when the latter is connected to the mains!First connect the power supply unit to the console, then connect the power supply unit to the mains. • Please note that all units must be properly grounded. For your own safety, you should never remove anyground connectors from electrical devices or power cables, or render them inoperative.• Please ensure that only quali ed people install and operate the mixing console. During installation and operation, the user must have su cient electrical contact to earth, otherwise electrostatic discharges might a ect the operation of the unit.1.2.3 Online registrationPlease register your new equipment right after your purchase by visiting /register and read the terms and conditions of our warranty carefully. Should your product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the retailer from whom the equipment was purchased. Should your dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information isincluded in the original equipment packaging. Should your country not be listed, please contact the distributor nearest you.A list of distributors can be found in the support area of our website ().Registering your purchase and equipment with us helps us process your repair claims more quickly and e ciently. Thank you for your cooperation!45XLRUNBALANCED 1/4 " PLUG2. CONTROL ELEMENTS AND CONNECTORSThis chapter describes the various control elements of your mixing console. All controls, switches and connectors will be discussed in detail.2.1 CHANNEL INPUTMICEach mono input channel o ers a balanced microphone input via the XLR connector and also features switchable +48/+15 V phantom power supply for condenser microphones. The preamps provide undistort-ed and noise-free gain as is typically known only from costly outboard preamps.• Please mute your playback system before you activate the phantom power supply to prevent switch -on thumps being directed to your loud speakers.1. [MIC/LINE] Mono Input: Connect the microphone, musical instrument or audio device (CD player and so on) to the device. The sockets are supports both XLR and UNBALANCED 1/4" PLUG.2. [+48V PHANTOM] Button/LED: When the button is turned ON, the LED light is on, provide DC+48V phantom power to XLR plug on MIC/LINE mono input. Please turn ON this button when using the condenser microphone which is powered by a phantom power.3. [PAD] button: It will attenuate the sound input to the device when turned ON. You can turn on the switch if you hear the distortion or [PEAK]LED indicator light is on.4. [GAIN] Controller: Determines the basic volume of each channel, adjust for maximum volume performance. [PEAK] LED indicator light indicates the volume is too loud.5. [HIGH] Treble tone controller: Adjust the controller to enhance or attenuate for 15dB at 12KHz.6. [MID] Alto tone controller: Adjust the controller to enhance or attenuate for 15dB at 2.5KHz.7. [LOW] Bass tone controller: Adjust the controller to enhance or attenuate for 15dB at 80Hz.8. [FX] Controller: Adjust the signal level from the channel to the reverberation line. Please note, the single level will vary with the di erent setting of the channelattenuator. If using the stereo channel, will mix the signals from L and R channels, then, send it to reverberation line.9. [PEAK] LED indicator light: When the volume of input signal or volume after adjusting equalizer is too high, the LED indicator light will keep ashing, please rotate the[GAIN] CONTROLLER counterclockwise to turn down the volume.10. [LEVEL]:Controller ,adjust to balance the volume of each channels.6LINEEach mono input also features a balanced line input on a 1/4" connector. Unbalanced devices (mono jacks) can also be connected to these inputs.• Please remember that you can only use either the microphone or the line input of a channel at any one time. You can never use both simultaneously!GAINUse the GAIN control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.FXFX sends (or AUX sends) enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the console’s FX send output and can be fed from there to an external e ects device. The return from the e ects unit is then brought back into the console on the aux return connectors or normal channel inputs. Each FX send is mono and features up to +15 dB gain.As the name suggests, the FX sends of the mixing consoles are intended to drive e ects devices (reverb, delay, etc) and are therefore con gured post-fader. This means that the mix between dry signal and e ect remains at the level determined by the channel’s aux send, irrespective of the channel fader setting. If this were not the case, the e ects signal of the channel would remain audible even when the level knob is lowered to -∞.MAIN CONTROL1. [PROGRAM] Controller: Select from 16 kinds of internal digital e ects, provides the same signal to L and R stereo.2. [REPEAT] Echo controller of internal e ects: Adjust to achieve the desired state of internal echo signal.3. [FX LEVEL] E ects return level controller: Adjust the volume of e ect.4. Level indicators can show the signal level from [STEREO OUT] output. Adjust the [LEVEL] controller to lower the level if [PEAK] indicator light up in RED.5. [LEVEL PHONES] Earphone controller: Adjusts the earphone’s volume.6. [STEREO LEVEL] Fader: Adjust the overall volume from [STEREO OUT] output signal.7. [SEND] Level controller: Adjust the sending level.8. [RETURN] Level controller: Adjust the return level.1. USB interface:Use for MP3 input or computer connection (can be used for U disk or computer software recording)2. MP3 Display: Displays the status and details of the MP3 play.3. [MAIN OUT] Output: Connect the active speaker or ampli er.4. [CTRL OUT] Output: Connect the monitor room to monitor.5. Converting switch for channel 3/4 and USB signal.6. Channel input socket (stereo): 8CH mixer with two group of input socket, 4CH and 6CH mixers with one group of input socket. If connected only to L (MONO) socket, the mixer will send out the same monosignal to L and R sockets.7. [SEND & RETURN] Socket: When using the [SEND] output socket separately, can be connected withpower ampli er, act as the monitoring signal. When using the [RETURN] input socket separately, can beconnected with the audio source. When using two sockets together, can connect with the external audio processor.8. [PHONES] Socket: Connect an earphone, the socket is supporting stereo phone plug.1. The external power input socket, receiving external power supply, DC +15V, -15V, +48V, ground wire2. Power Switch1. WIRELESS BT CONNECTIONa. Press the "MODE" button in order to select the BT mode, then the Wireless BT icon on display willash and displays BT.b. Open the Wireless BT, select "KT-08UP" for pairing, after the success of the pairing, there will be asound prompt.2. BUTTON FUNCTIONa. " " button: Short press to pause the playing song, press again to continue playing.b. " " button: Short press to play the previous song, long press to reduce the input volume.c. " " button: Short press to play the next song, long press to increase the input volume.d. [MODE] Selecting button: Switching the functional model, select USB, REC, BT in order;3. RECORDING OPERATIONa. Press the "MODE" key to select the REC state.b. Press the " " button to start recording, the LED screen shows the recording time, press the " "button again to pause the recording.c. Press the "MODE" key to back out the recording.4. Computer sound card: Connect the computer data cable to a PC and it will enter the PC playing stateautomatically. (The computer will install the driver automatically at the rst connection, need to waituntil the installation nish to play or record)3. INSTALLATION3.1 Mains connectionAC POWER INConnect the power supply to the 3-pin mains connector on the rear of the console. Use the AC adapter supplied to connect the console to the mains. The adapter complies with all applicable safety standards. • Please use only the power supply unit provided with the console.• Never connect the Studio Mixer to the power supply unit while the latter is connected to the mains!First connect the console to the power supply unit, then connect the power supply unit to the mains. • Please note that both the power supply unit and the mixing console heat up considerably duringoperation. This is completely normal.73.2 Audio ConnectionsYou will need a large number of cables for di erent applications. The illustrations below show how the connectors should be wired. Be sure to use only high-grade cables. Please use commercial RCA cables to connect the 2-track inputs and outputs. You can, of course, also connect unbalanced devices to the balanced inputs/outputs. To do this, use either mono plugs or stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the case of XLR connectors).• Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected) on the MIC input connectors when using the phantom power supply.8GENERAL SPECIFICATIONS• Multi 4-Channel Audio Source Mixing• (2) XLR/14’’ Combo Audio LINE/Microphone Inputs • 1/4’’ Mono + Stereo Inputs • 1/4’’ Send + Return Inputs • Input Mixer Channels: 4-Ch. (+ FX/Headphones)• Dimensions (L x W x H): 9.3’’ x 7.5’’ x 2.6’’• Multi 6-Channel AudioSource Mixing• (4) XLR/14’’ Combo AudioLINE/Microphone Inputs• 1/4’’ Mono + Stereo Inputs• 1/4’’ Send + Return Inputs• Input Mixer Channels:6-Ch. (+ FX/Headphones)• Dimensions (L x W x H):9.3’’ x 9.7’’ x 2.6’’• Multi 8-Channel AudioSource Mixing• (4) XLR/14’’ Combo AudioLINE/Microphone Inputs• (2) Pair RCA (L/R) Inputs• (2) Pair 1/4’’ Mono + Stereo Inputs• 1/4’’ Send + Return Inputs• Input Mixer Channels:8-Ch. (+ FX/Headphones)• Dimensions (L x W x H):9.3’’ x 10.8’’ x 2.6’’PMXU63BTPMXU43BT PMXU83BT910PMXU43BT - PMXU63BT - PMXU83BTWireless BT Streaming Studio Mixer DJ Controller Audio Mixing Console SystemFeatures:• DJ & Studio Console Mixer System • Built-in Wireless BT Receiver• FX (Analog Effects) & 16 Bit DSP processor• Direct-to-Computer Connect & Sound Record Ability • LCD Digital Display & Front Panel Control Center • Rotary Adjustment Knobs & LED Indicator Lights • MP3 Digital Audio File Compatibility• USB Interface: MP3 Flash Drive Reader/Computer Connection • Connect & Stream Audio from External Devices • (2) 1/4’’ (L/R) MAIN Outputs • 1/4’’ Headphone Jack • Stereo Level Fader/Slider• Output Signal Level Indication • BUS Audio Control, Sound Routing • PAD Channel Source Input Switch• Independent Channel Input Audio Configuration• Gain, High, Mid, Low, FX/Send, Level, Base + Tone Adjustment • +48V Phantom Power Control • Power ON/OFF Switch• Used for Professional Studio Applications & On-Stage Performances Wireless BT Connectivity:• Hassle-Free Audio Streaming Ability • Works with All of Today’s Latest Devices(Smartphones, Tablets, Laptops, Computers, etc.) • Wireless BT Network Name: ‘KT-08UP’ • Wireless BT Version: 4.0 • Wireless Range: 15’+ ft.Technical Specs:• Mic Input: Sensitivity/Impedance: 1.5mV/750 Ohm • Input Frequency Response: 20Hz-20kHz, +/-3dB • Input Distortion: 0.03%, 1kHz/150mV Input • Channel GAIN Adjustment: +20/+64 (-6/+38) • HIGH Gain: +/-15 dB, 12kHz Frequency Shelving • MID Gain: +/-15 dB, 2.5kHz Frequency Shelving • LOW Gain: +/-15 dB, 80kHz Frequency Shelving • HIGH/MID/LOW Adjustment: -15/+15dB• Stereo Output Level Meter: 5-Segment (+6, +3, 0, -3, -10dB) • PAD Input Channel Adjustment: 26dB • Peak CLIP Level: < 3dB• Phantom Power Voltage: +48V• Power Supply: 100-240V (+/-15V DC Power Adapter) • Digital Audio File Compatibility File-Types: MP3, WAVWhat’s in the Box:• Wireless BT Studio Mixer • Power Adapter Cable, 4-PinPMXU43BT - PMXU63BT - PMXU83BTWireless BT Streaming Studio Mixer DJ Controller Audio Mixing Console System PMXU43BTPMXU63BTPMXU83BT11Questions? Issues?We are here to help! Phone: (1) 718-535-1800Email: *******************。

艾伦GLD80数码调音台中文版详细说明书

艾伦GLD80数码调音台中文版详细说明书

LED 灯
Part: LEDlampX 直 角 4 针 XLR LED 灯 带 内 置 调 光器
10 米(396 英尺)CAT5 绕线鼓
AH8721 ● 仅 用 于 dSNAKE 与 ACETM 连接
80 米(264 英尺)CAT5 绕线鼓
AH7000 ● 仅 用 于 所 有 的 GLD CAT5 连接
• 访问 Allen & Heath 网站获取本指南的最新版本。 • 访问 Allen & Heath 网站获取 GLD 固件的最新版本。 • 在本指南的最后提供单页的快速操作指南。
GLD User Guide
5
AP8561 iss.4
系统
仅有 GLD 调音台 8 路输入(4 路话筒),10 路输出
数字调音台系统
用户指南
适用于固件版本 V1.4 请从 ALLEN & HEATH 网站查看最新的可用版本
出版号 AP8561
一年有限保修
本产品因材料或工艺缺陷等造成的质量问题,自最初购买者购买之日起一年内免费维修。 为了保证本产品获得设计和制造的最佳使用性能及可靠性,请在使用前阅读此用户指南。 保修期内,如果出现保修条款内的故障,请通知并将故障单元送回 ALLEN & HEATH 公司或经他 授权的代理商进行维修。
●在开始使用之前请先阅读
电源线 ●检查是否符合您所 在地区
在开始使用之前请先阅读 请在线注册产品 /support/register-product/
配件
GLD 音频机架附带的 2 米 CAT5 线可作为起点或用作本地连接。需要用于 更远距离,请访问 Allen & Heath 网站获取推荐线缆类型的信息。Allen & Heath 供应以下线缆:

M16.8数字调音台说明书.doc

M16.8数字调音台说明书.doc

目录 (1)快速连接指导书 (2)产品介绍■调音台面板介绍M16.8简介、功能、技术参数 (3)前面板 (4)后面板 (5)■交互式操作界面介绍 (6)1级导航:主要访问按钮(始终存在) (6)1 1-8/CH9-16: 1~16路输入通道 (6)2 AUX:6路辅助输出 (10)3 EFFECT:混响/回声 (11)4 GROUP: 编组 (16)5 48V幻想供电 (15)6 EFFECT:混响/回声参数 (17)7 CLEAN SOLO (18)8 CLEAN MUTE (18)9 SYSTEM:系统 (18)10 HOME (18)2级导航:主输出控件 (19)主画面区域 (21)故障排除指南 (21)注意事项 (22)________________________________________________________________________________________________ 引言感谢您选用masononsic 铭声数字调音台,并欢迎您加入我们数以万计的专业用户队伍,我们的专业设计和生产经验确保了我们的产品质量,性能及稳定性等各方面的优良表现。

________________________________________________________________________________________________快速指导书一、应用程序下载:使用IPAD打开APP Store 应用程序,搜索M16.8下载安装。

二、M16.8快速连接调音台与Ipad通信连接1:打开调音台电源开关,打开IPAD的WIFI设置,连接M16.8(WIFI出厂密码:12345678)2:打开M16.8软件。

3: 点击软件连接状态按键或系统设置按键进入连接页面。

4:点击搜索后显示出IP地址,单击IP地址再点击连接。

5:连接成功后自动跳转至通道首页,连接状态按键亮蓝色表示连接成功产品介绍M16.8是一款16路输入8路输出数字无线控制调音台,是一款通过平板电脑的应用程序操控的新款调音台,可支持所有Apple iOS 平板及Windows 8平板。

AM816自动混音器

AM816自动混音器

AM816自动混音器设备使用注意事项为确保人员的安全和设备的可靠使用,在安装、使用和维护时,请遵守以下事项:1、在设备安装时,电源线中的地线必须接地良好,同时请勿使用两芯插头。

设备的输入电源为220V/50Hz的交流电。

2、当设备即使没有处于通电的状态时,机箱内的电源线仍然可能带电,因此非专业人员请勿打开机箱,以免发生触电事故。

3、不要将设备置于过冷或过热的地方。

4、设备在工作时会发热,因此要保持工作环境的良好通风,以免温度过高而损坏机器。

5、 阴雨潮湿天气或长时间不使用时,应关闭设备电源总闸。

6、 非专业人士未经许可,请不要试图拆开设备机箱,不要私自维修,以免发生意外事故或加大设备的损坏程度。

免责声明未经版权所有者书面许可,不得采用任何形式对本文内容进行复制。

本文内容可能由于方法、设计和制造流程的变化随时变更,恕不另行通知。

对因使用本文所引起的任何错误或损失,不承担任何责任。

禁止行为您不得对该相关软件或该产品使用说明书或其含有的注册商标、未注册商标或其他商业标识进行以下任一行为:- 修改、改进、转换、分解、改编、翻译、汇编、反编译、反汇编、反向工程或以其它方式创建衍生产品;- 复制、仿制、更改、转换、分解或以其它方式使用;- 销售、租借、发行、转让、展示或以其它方式传播、传递或经销;- 侵害利益或商誉的行为;- 其他违反法律的行为。

软件使用使用该服务涉及到的软件可能附带或包含相关的用户软件使用许可协议。

您应仔细阅读用户软件使用许可协议(如果有的话)并受其条款和条件的制约。

免责不按照使用说明书,包括但不限于使用说明书、用户手册以及/或不正确或粗心操作或使用本产品;因使用本产品时采用非我司直接或间接供应的硬件,货物或软件而使本产品无法使用(包括但不限于,故障、功能障碍、意外停机、病毒感染或其他问题),由此造成的任何损失、成本、费用、开支、索赔或损害,我司概不负责。

感谢您对本公司的信任与支持,购买了本公司的AM816自动混音器,为了使您了解我们的产品,敬请仔细阅读本说明书。

Shure SCM800 SCM800E 八通道微电话混音器系统规格表说明书

Shure SCM800 SCM800E 八通道微电话混音器系统规格表说明书

SCM800SCM800/SCM800E Microphone MixerSpecification SheetTL1030 (Rev. 3)©2009 Shure IncorporatedSCM800/SCM800E EIGHT-CHANNEL MICROPHONE MIXERSYSTEM OVERVIEWThe Shure Model SCM800 is a full-featured, eight-channel micro-phone mixer for sound reinforcement, general audio recording, and audio-visual systems. Any low-impedance, balanced dynamic or con-denser microphone, including a wireless microphone system, can be used with the SCM800 mixer.Each SCM800 accepts up to eight microphone- or line-level inputs and one aux-level input (two input jacks feed the same channel). Up to four SCM800 mixers can be linked to provide up to 32 input chan-nels. Each input channel has a two-band equalizer, switchable micro-phone- or line-level operation, switchable 48 V phantom power, and a 1/4-inch send/receive insert jack.The SCM800 operates on 120 Vac power; the SCM800E operates 230 Vac power. Both models are supplied with rack-mounting hard-ware, link cable and removable block terminal connectors. An acces-sory rack panel adapter (Model RKC800, available separately)converts the removable block input and output connectors to XLR connectors, and the Aux connectors to phono jacks.FEATURES•Compatible with Shure SCM810 and FP410 automatic mi-crophone mixers•Adjustable EQ per channel: low-frequency rolloff and high-frequency shelving•48 V phantom power selectable for each input•Active balanced microphone- and line-level inputs and line-level output•Highly RF-resistant chassis and circuitry •LED indication of channel clipping•Linking capability for systems up to 32 microphones •Two Aux-level input jacks that feed one channel •Insert jack on each channel •Manual mixing of input channels•Front-panel headphones output with level control•Peak-responding output limiter with selectable thresholdsand LED indicatorSHURE Incorporated United States, Canada, Latin America, Caribbean:5800 W. Touhy Avenue, Niles, IL 60714-4608, U.S.A.Phone: 847-600-2000 U.S. Fax: 847-600-1212 Intl Fax: 847-600-6446Europe, Middle East, Africa:Shure Europe GmbH, Phone: 49-7131-72140 Fax: 49-7131-721414Asia, Pacific:Shure Asia Limited, Phone: 852-2893-4290 Fax: 852-2893-4055SCM800/SCM800E MICROPHONE MIXER SPECIFICATION SHEETSPECIFICATIONSMeasurement Conditions (unless otherwise specified):Line voltage 120 Vac, 60 Hz (SCM800) or 230 Vac, 50 Hz (SCM800E); full gain; 1 kHz.Source impedances: Mic 150 Ω, Line 150 Ω.Terminations: Line 10 k Ω, Phones 300 Ω (tip-sleeve and ring-sleeve), Direct Out 10 k Ω.Equalization controls adjusted for flat response, Channel 1 gain control full clockwise, other gain controls full counterclockwise Frequency Response (Ref .1 kHz, channel controls centered)50 Hz to 20 kHz ±2 dB; -3 dB corner at 25 Hz Voltage Gain (typical, controls full clockwise)InputsOutputsTotal Harmonic Distortion<0.1% at +18 dBV output level, 50 Hz to 20 kHz (through 20 Hz-20 kHz filter; Input 1 and Master at 5, all other controls full counterclockwise)Hum and NoiseEquivalent Input Noise: –125 dBV (150 Ω source; through 400 Hz—20 kHz filter)Equivalent Input Hum and Noise: (150 Ω source; through 20Hz—20 kHz filter)–123 dBV Output Hum and Noise (through 20 Hz—20 kHz filter; channel controls full counterclockwise):Master full counterclockwise: -90 dBV Master full clockwise: -62 dBVCommon Mode Rejection>70 dB at 1 kHzPolarityMic/Line, Send inputs to all outputs are non-inverting; Aux input to all outputs is inverting Overload and Shorting ProtectionShorting outputs, even for prolonged periods, causes no dam-age. Microphone inputs are not damaged by signals up to 3 V; Line and Monitor inputs by signals up to 20 V EqualizationLow-frequency: 6 dB/octave cut, adjustable corner from 25 to 320 HzHigh-frequency: ±6 dB at 5 kHz, ±8 dB at 10 kHz, shelving LimiterType: PeakThreshold: Switchable: off, +4, +8, +16 (dBm at output)Attack Time: 2 msRecovery Time: 300 msIndicator: Lights red when limiting occurs Input LEDsLight at 6 dB below clippingPhantom Power46 Vdc open-circuit through 6.8 k Ω series resistance per DIN 45 596Operating VoltageSCM800: 120 Vac rated nominal (see Voltage Selection for 230 Vac operation), 50/60 Hz, 200 mASCM800E: 230 Vac rated nominal (see Voltage Selection for 120 Vac operation), 50/60 Hz, 100 mA Temperature RangeOperating: 0︒ to 60︒ C (32︒ to 140︒ F )Storage: -30︒ to 70︒ C (-22︒ to 158︒ F)Overall Dimensions44.5 mm H x 483 mm W x 317 mm D (13/4 x 19 x 121/2 in.)Net Weight4.3 kg (9 lb 9 oz)CertificationsSCM800: UL LISTED (U.S.) and cUL Certified (Canada)SCM800E: Conforms to European Union directives; eligible to bear CE marking.REPLACEMENT PARTSKnob, Channel Gain & Phones (white)........................95A8238Knob, Master (blue).....................................................95B8238Line (Power) Cord (SCM800).....................................95B8389*Line (Power) Cord (SCM800E)...................................95C8247*Link Cable....................................................................95B8889Three -Terminal Block Connector................................95B8580Output InputLine HeadphonesDirect Out Low-impedance mic(150 Ω)80 dB 88 dB 34 dB Line 40 dB 48 dB –6 dB Aux 44 dB 52 dB -Send/Return20 dB28 dB-ImpedanceInput Designed for use with Actual (typical)InputClipping LevelMic 19-600 Ω10 k Ω–15 dBV Line ≤2 k Ω10 k Ω+22 dBV Aux ≤2 k Ω10 k Ω+22 dBV Send/Return≤2 k Ω10 k Ω+18 dBVImpedanceOutput Designed for use with Actual (typical)Output Clipping Level Line >600 Ω60 Ω+18 dBV Headphones8-200 Ω,60 Ω recommended300 Ω+12 dBVDirect Out >2 k Ω 1 k Ω+18 dBV Send/Return>2 k Ω1 k Ω+18 dBVSCM800。

贝塔斯瑞D1608说明书

贝塔斯瑞D1608说明书

贝塔斯瑞D1608说明书D1608简介D1608是一款数字化音频处理器。

该设备内置一个强大的“声音处理引擎”可对16路模拟输入音频信号进行数字化处理,它提供了音频处理和音箱管理功能,非常适合于各种扩声场合,并且可在集中监控扩声系统的工作状态。

本设备强大的处理功能可以把众多的音频设备囊入其中,包括:自动调音台、分频器、均衡器、压限器、延时器、电平表、限幅器、调音台、路由器等。

D1608特点8通道平衡话筒输入,带幻象供电,支持话筒前置放大增益调整;提供多路自动混音,每路话筒输入可选择参与或不参与混音;话筒混音具备反馈抑制功能。

所有输入通道均具有多段参量均衡调节和增益控制,带滤波、均衡、和门限反馈消除或增益分享自动混音反馈消除,高/ 低通可设;多通道平衡线路输出,延时可调,混音递减和辅助路径的混音信号给到多个特殊位置或满足任何特殊要求的输出;所有输出通道均具有多段参量均衡调节和增益控制,带滤波、均衡、和门限反馈消除或增益分享自动混音反馈消除,高通/ 低通可设;实时精确显示输入/ 输出电平;16 x 8 全矩阵混合模块,136 个交叉点混合电平可任意调节;淡入淡出功能,支持中控操作,支持视像联动输入功能:功能特点8通道平衡话筒输入,带幻象供电,提供8 路自动混音,音量可调。

1 路混音后输入通道。

每个话筒输入可选择参与或退出混音。

可设置3种混音模式:电平最大或设置优先级,最后话筒保持8通道线路输入。

混合总线通道具备移频功能。

8 通道线路输入,音量可调。

输入3 段参量均衡调节和增益控制。

高/ 低音调节和混合混益调节。

输入电平测量。

输出功能:功能特点8 路平衡线路输出延时可调。

输出5 段参量均衡调节和增益控制,高通/ 低通可设。

输出电平测量。

17 x 8 全矩阵混合模块,136 个交凡点混合电平可任意调节。

随机调试软件提供完整的调试功能及UV 显示,可记忆8 组参数。

具有个性化模块,内置软件的编程,实现系统的设置及所有设置的备份与复制。

Philips BTM1360 超迷你音響系統用户指南说明书

Philips BTM1360 超迷你音響系統用户指南说明书
鈕,此產品會自動切換為節能待機模式。
設定時鐘
1 在待機模式中,按住 CLOCK 超過二
秒,即可進入時鐘設定模式。 »» 隨即顯示 [24H] 或 [12H]。 8 ZH-TW
選擇來源
在主音樂系統
重複按 SOURCE 以選擇來源。 • [DISC] :光碟插槽中的光碟 • [USB] :儲存在連接 USB 儲存裝置中
警告
•• 請勿打開產品外殼。 •• 請勿在本產品的任何部位使用潤滑油。 •• 請勿直視本產品內的雷射光。 •• 請勿將本產品放置在其他電器上。 •• 請勿讓本產品直接曝曬於陽光下,或靠近未隔離
的火燄或熱源。
•• 請確認電源線、插頭或變壓器位於容易取得的地
方,以方便中斷產品電源。
• 請勿將裝置置於滴水或濺水的環境。 • 請勿在裝置上放置危險物品 (如盛裝液
h SLEEP/TIMER • 設定睡眠定時器。 • 設定鬧鐘定時器。
i CLOCK • 設定時鐘。 • 檢視時鐘資訊。
j PROG • 編排曲目。 • 編排廣播電台。 • 自動儲存 FM 廣播電台。
k • 靜音或還原音量。
l SOUND • 採用數位音效控制 (DSC) 讓聲音 更豐富。
m VOL +/• 調整音量。
1 連接右揚聲器時,找到主裝置背面標有
「R」的插孔。
2 將紅色電線插入紅色 (+) 插孔,並將黑
色電線插入黑色 (-) 插孔。
3 連接左揚聲器時,找到主裝置上標有
「L」的插孔。
4 重複步驟 2,插入左揚聲器線。
若要插入每條揚聲器線:
1 壓開插孔擋板。 2 完全插入揚聲器線。 3 放開插孔擋板。
將電源線連接至電源插座。
備註

Philips MU5700 BeoVision 4迷你音響手册说明书

Philips MU5700 BeoVision 4迷你音響手册说明书
隨時為您提供協助
請至以下網址註冊您的產品並取得支援:
/support
有問題?請與 Philips 聯絡
BTM2460
使用手冊
目錄
1 重要事項 安全性
2 您的迷你音響 簡介 內容物 主裝置概覽 遙控器概覽
3 開始使用 連接 FM 天線 接上電源 準備遙控器 設定時鐘 開啟
您的方向。 »» 隨即自動開始播放。 若沒有自動播
放,請按 。
播放 USB 裝置
備註
• 確定 USB 裝置中有可播放的音訊內容 (請參見第
16 頁的 '產品資訊')。
1 重複按 USB/AUDIO IN 選擇 USB 來 源。
控制播放
/
選擇資料夾。
/
按下可跳至上一/下一曲目。
按住可在曲目內倒轉/快轉搜
2 請按 / 以選擇 [24H] 或 [12H] 小時制。
3 請按 CLOCK 確認。 »» 小時數字會顯示並開始閃爍。
ZH-TW 7
4 按 / 設定小時,然後按 CLOCK 確認。 »» 分鐘數字會顯示並開始閃爍。
5 按 / 設定分鐘,然後按 CLOCK 確認。
備註
• 如果沒有在 10 秒內按下任何按鈕,系統會自動退
4 ZH-TW
e
• USB 插孔。
f 光碟插槽
g
• 開啟/關閉光碟插槽。
h • • • •
/
跳至上一/下一曲目。 在曲目/光碟/USB 內進行搜尋。
調至廣播電台。
調整時間。
i VOL+/VOL• 調整音量。
j 顯示面板
k FM ANT
• FM 天線插孔。
l • 耳機插孔。
m AUDIO IN

TOA全自动数字混音器M-633D

TOA全自动数字混音器M-633D

TOA全自动数字混音器M-633D
佚名
【期刊名称】《电声技术》
【年(卷),期】2012(36)4
【摘要】M-633D设置简便,非专业人员在无人指导的情况下,也能轻松操作,解决音响调节中的难题。

该款产品日本原装生产,主要针对各类中小型报告厅、酒店独立会议室、培训室、学校多用途体育馆、礼堂而设计。

【总页数】1页(P91-91)
【关键词】混音器;全自动;TOA;报告厅;会议室;体育馆;音响
【正文语种】中文
【中图分类】TN912.2
【相关文献】
1.MR88数字自动混音器/SEED(声德电子有限公司)推出2进2出处理模块 [J],
2.AT-MX381八路数字智能混音器 [J],
3.MR88数字自动混音器 [J],
4.力卡WAM-400全自动智能无线混音器 [J],
5.铁三角公司的新型AT-MX381八路数字智能混音器 [J],
因版权原因,仅展示原文概要,查看原文内容请购买。

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数字音频处理系统
数字音频处理系统
2011产品目录
IPS数字音频处理器系统
在新世纪的第一年,由多位资深专业音频应用工程师组建了君明科技有限公司。

公司自创立以来,注重技术的创新和研发投入,长期致力于音频设备的数字
化、智能化的研制工作,陆续推出了KARAOKE前级、音箱管理、数字混音台等音频数字处理系列产品。

该系列产品的开发以实际应用为导向,采用技术新颖先进,产品架构简捷实用,具有性价比好、智能度高、应用范围广、操作简便等特
点。

产品应用逐步涉及了KARAOKE、会议系统、公共广播、以及中央控制系统等
数字混音器
DM1004是具有6路线路输入和4路线路输出的数字混音器。

根据混音台的一般处理要求和中设计了多个混音矩阵:6×2的麦克风混音矩阵,10×1的辅助输出混音矩阵及多级矩阵组成的输出混音矩阵。

从6×2的麦克风混音矩阵混合得到的麦克风总线信号对麦克风进行精细的效果处理。

在DM1004数字混音器中,每路输入配置了3段参量均衡和压缩处路输出配置了9段图示均衡、高低通滤波器等音箱处理模块。

DM1004数字混音器智能度高、会议、教堂、娱乐节目等多种场合。

DM1004数字混音器
功能特性
◎ 24bit 、Σ-Δ模式的A/D 、D/A 转换器,44.1kHz 取样频率◎ 6路麦克风平衡输入,1/4英寸大三芯;4路线路输入,RCA 端子◎ 4路线路平衡输出,EURBLOCK 端子
◎ 6个麦克风输入和4路线路输入均具有3段参量均衡、压缩、信号电平表等处理模块
◎ 优良的DSP 音效模块具有多种可精细调整参数的混响、回声处理,混响和回声并行处理以实现两路麦克风音效信号的互相独立
◎ 内置了多个不同输入数量的混音矩阵以满足不同输出要求和实时操作的需要
◎ 4个输出通道均设计了9段图示均衡、信号压缩器和限幅器以及输出电平表等处理模块,第四输出通道还增设了24dB/oct 滚降的低通滤波器,以用于低音音箱的信号驱动◎ 输入输出信号在面板上有SIG 、CLIP 等LED 电平指示◎ 多组工厂或用户参数预置
◎ 带有计算机控制接口,现场调整方便
◎ 基本功能可通过面板或运行相关的配置软件来设置 ◎ 液晶屏显示,直观简洁
◎ 有红外遥控输入接口,与配套的红外接收器连接后实现红外遥控
前面板
后面板
DM1004数字混音器
系统应用连接图
AM 816数字自动混音器
AM816
是基于数字信号处理技术、具有8路MIC/LINE 输入和4路输出的数字式自动混音器。

可工作于自动混音模式或普通的手动混音模式。

采用全数字的方法实现自动混音,利用数字信号处理技术对音频信号进行调整和补偿,
同时由于设备内置了微处理器
,具有RS232控制接口,与各种中央控制设备连接十分方便。

AM816自动混音器智能度高,信号处理功能强,控制界面友好,使用十分简捷

可应用于教学、会议、教
堂、娱乐节目等多种场合。

◎ ◎ ◎ ◎ ◎ ◎ ◎ ◎
◎ ◎ ◎ ◎ ◎ ◎ 24bitA/D 、D/A 转换器,8路平衡输入,可开关设置为EURBLOCK 端子
4路线路平衡输出,EURBLOCK 端子
8个输入通道均具有3段参量均衡、信号电平表等处理模块
内置8×4的输出混音器,路输入的信号分量在4个输出通道中的混音比例可独立调整手动混音和自动混音工作模式
手动混音时, 每一路输入信号可以不同的比例大小任意地分配到每一路输出
自动混音时,通过设置使得接入的多只话筒在同一时间里仅有1只或2-3只发言的话筒开启,不讲话时就自动关闭。

在自动混音模式下,系统还实现了以下的功能以保障自动混音的实施。

MIC 数量自动调整系统的输出电平,不会因为输入电平的叠加而使系统的输出增益提高,有效地抑制声反馈的形成
功能—保持一只MIC 开启以拾取房间的背景噪声贵宾设置功能—具有优先开启的话筒以保证会议的有序进行输入输出信号在面板上有+6、0、-10、-20、-40dB 等量程的五段多组工厂或用户参数预置
带有计算机控制接口,现场调整方便
基本功能可通过面板或运行相关的配置软件来设置 液晶屏字符显示,直观简洁
有红外遥控输入接口,与配套的红外接收器连接后实现红外遥控
前面板
后面板
信号处理流程图
应用环境
■自动化会议室
UM112/UM112LED 麦克风采用了优质的电容音头,结合了精心设计的前置放大电路,具有超心型锐指向特性,频响特性好,话音逼真雄浑,拾音灵敏度高;麦克风开关噪声消除电路保证了麦克风在开启和关闭时达到超静的效果。

UM112/UM112LED(有LED 灯环)麦克风的外形设计高雅别致,做工精细,是适用于各种高级会议、公共广播、演讲、集会等场合使用的高级专业麦克风。

UM112UM112LED
IR02红外遥控器
IR02红外遥控接收器IR02红外遥控发射器
其它
其它
UM112/UM112LED
超心型指向会议专业麦克风
主要技术指标
频率响应指向性100~16000Hz 超心型锐指向
电池供电)
红外遥控接收器
43×12mm 工作电流工作温度接口电平
<100mA -10℃~+50℃TTL 电平
红外遥控发射器在使用时,要扯去电池分断塑料插片;长期不使用时可将电池分断插片插回或将电池卸下,以免电池漏电。

外形尺寸工作距离。

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