电铃使用说明书

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电铃说明书

电铃说明书一、产品简介电铃是一种用于传递声音信号的电子设备，通常用于提醒、警示、通知等场景。

本说明书将为您介绍电铃的基本功能、使用方法、注意事项等相关内容。

二、产品特点1. 高音质：电铃采用先进的声音处理技术，能够输出高品质的声音，确保声音清晰、响亮。

2. 多种音调：电铃配备了多种音调的选择，用户可以根据需要调节电铃发出的声音，以适应不同场景的需求。

3. 安装简便：电铃小巧轻便，安装简单方便，可直接固定在任何平整的表面上，也可使用附赠的安装支架进行安装。

4. 能耗低：电铃采用节能设计，能耗较低，节约能源。

5. 耐用可靠：电铃采用优质的材料制造，结构坚固，具有较强的抗震性能，长时间使用不易损坏。

三、使用方法1. 安装步骤a. 找到安装位置：选择一个合适的位置，确保电铃能够清晰地发出声音，并且容易被注意到。

b. 清洁表面：将安装位置的表面清洁干净，以确保电铃能够牢固地固定在上面。

c. 固定电铃：使用附赠的安装支架或直接使用胶水、螺丝等方式将电铃牢固地安装在所选位置上。

2. 使用步骤a. 连接电源：将电铃的电源线插入电源插座，确保供电正常。

b. 调节音量：根据需要调节电铃的音量大小，确保声音在合适的范围内。

c. 设置音调：根据需要选择电铃发出的音调，可以根据具体场景选择不同的音调。

d. 测试功能：按下电铃上的按钮，测试电铃的功能是否正常，确保能够正常发出声音。

e. 定期维护：定期清洁电铃表面，确保灰尘不会影响声音质量；如果发现故障，应及时联系专业人员进行维修。

四、注意事项1. 安全使用：在使用过程中，避免将电铃放在易燃易爆物体附近，避免触摸电铃的内部部件，以免产生电击风险。

2. 防水防潮：避免将电铃安装在潮湿的环境中，以免影响电铃的正常工作，同时注意避免电铃进水，以防发生电气故障。

3. 避免重压：避免电铃受到重压、撞击和震动，以避免损坏。

4. 正常使用温度范围：电铃的工作温度一般为-10℃至50℃，请在此温度范围内正常使用。

【推荐】电铃控制器说明书-范文模板 (9页)

本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！== 本文为word格式，下载后可方便编辑和修改！ ==电铃控制器说明书篇一：电铃使用说明书1、概述目前在皮带运输巷和提升运输巷使用的信号装置大致有两类，一类是传统的隔爆型电磁式电铃；另一类是组合式声光信号电铃，其中有一些具有单工对讲功能。

后者在技术和功能上都有了较大发展，但要实现多水平信号区分、二级传送、安全灯自动转换等功能仍需要增设大量电缆及隔爆型三通、四通等，投资大、故障率高。

针对目前这种状况，我们研制生产了KXT23型数显通信声光信号装置。

该产品结构上为隔爆兼本安型设计，采用单片微控制器及调制解调技术，仅需一条四芯信号电缆，即能实现发出声、光信号、单工对讲、自动区分多水平、二级传送、红绿灯转换等功能。

技术领先、设计合理、一机多用。

可应用于皮带机巷和轨道运输巷，是目前声光信号装置中理想的更新换代产品。

2、主要技术参数3、主要功能3.1、发出声光信号、数显打点数功能在等机状态下，按下信号装置的“信号按钮”，联线上的各装置，均发出声光信号，并数字显示打点数（二级传送除外）。

3.2、自动实现二级传送功能将车房内的信号装置，设置为二级传送状态（将DTP2开关中“1”拨到数字侧，“2”拨到ON侧），井口发出打点信号时，车房及其它水平相应发出声光信号，并显示打点数；当其它水平打点时，车房内的信号装置，只有灯光及数字显示，而不发出打点声，也无127V电压输出，无须使用双联按钮，自动实现二级传送。

3.3、对讲呼叫功能在待机状态下，可实现单工对讲及呼叫功能。

按下信号装置对讲按钮，联线的所有信号装置均能听到讲话及呼叫，松开对讲按钮，信号装置均处于接收状态。

注：在绞车运行时，应禁止对讲呼叫，以免影响司机操作。

3.4、多水平数显功能将每台信号装置设置一个编码（如井口为“1”，一水平为“2”，车房不设置等），按下信号装置“信号按钮”后，其它所有联机装置都数显打点位置的编码，同时根据编码的不同而发出不同的音调，无须增加任何电缆及设备，自动实现多水平的信号区分。

电铃使用方法说明

使用方法：1、打开机器底部电池盖板，装入1号电池2节（停电时保持程序用），接通220V电源，首先同时按两个“复位”键两次，屏幕显示“0：00”，此时秒点闪动。

2、时钟使用说明：（1）调星期：按“星期”键调星期，按一下调一天。

（2）调时分：按“时间+”键调时、分，按一下加一，按住不放转为快加，按“时间-”调时、分，按一下减一，按住不放，转为快减。

（3）校秒：在走时状态下按一下“储存”键，时钟显示‘秒钟’，按下“时间+”键，或“时间-”键，可调整秒，再按一下“储存”键，时钟部分返回显示当前时、分状态。

编程方法：编程前应列好时间表：1、按住“编程”键五秒，星期指示灯全部闪烁，时钟显示部分显示“0：15”表示本机已进入编程状态，请求输入响铃模式和每次响铃时间，本机检有三种响铃模式供选择，可用星期键调整（每按一下星期键，变换一次，在三种模式间切换）（1）星期一至星期日批示灯全部闪（表示一周七天都打铃）（2）星期一至星期六批示灯闪，星期日不闪（表示星期一到星期六打铃，星期日不打铃）（3）星期一至星期五批示灯闪，星期六、星期日不闪（表示星期一到星期五打铃，星期六、星期日不打铃）（4）本机每次响铃时间默认为15秒，如感觉不满意可用“时间+”和“时间-”键修改，本机可在0——99秒之间任意设置打铃时间长度。

确认打铃模式和打铃长度后按“储存”键储存。

2、编程：按作息时间表，用“时间+”和“时间-”将时钟时、分、调整到欲打铃的时间，按一下“储存”键，此时，“打铃”指示灯亮，机器内部继电器吸合，电铃开始响。

表示此打铃点输入成功。

注：如果想去掉这一打铃点，再按一下“储存”键，此时，“打铃”指示灯熄灭，表示此单一打铃点擦除成功。

（本机在编程状态下最多能按40次“储存”键，如果输入的错误过多，请复位后重新输入。

否则将因输入错误而不能正常工作）。

将时间调到下一次欲打铃的时间，按一下“储存”键，此时“打铃”指示灯亮，表示此点输入成功。

【推荐下载】电铃敬老院用-word范文模板 (6页)

本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！== 本文为word格式，下载后可方便编辑和修改！ ==电铃敬老院用篇一：电铃使用方法说明使用方法：1、打开机器底部电池盖板，装入1号电池2节（停电时保持程序用），接通220V电源，首先同时按两个“复位”键两次，屏幕显示“0：00”，此时秒点闪动。

2、时钟使用说明：（1）调星期：按“星期”键调星期，按一下调一天。

（2）调时分：按“时间+”键调时、分，按一下加一，按住不放转为快加，按“时间-”调时、分，按一下减一，按住不放，转为快减。

确认打铃模式和打铃长度后按“储存”键储存。

表示此打铃点输入成功。

注：如果想去掉这一打铃点，再按一下“储存”键，此时，“打铃”指示灯熄灭，表示此单一打铃点擦除成功。

（本机在编程状态下最多能按40次“储存”键，如果输入的错误过多，请复位后重新输入。

兰尼电子GS412L Bass电钢琴电铃器说明书

42 11 42 1L A N E Y A M P L I F I C A T I O Nw w w.l a n e y.c o.u kGS412LAGS412LSLaneyDear Player,Thank you very much for purchasing your new Laney product and becoming part of the worldwide Laney family. Each and every Laney unit is designed and built with the utmost attention to care and detail, so I trust yours will give you many years of enjoyment.Laney products have a heritage which stretches back to 1967 when I first began building valve amplifiers in my parent’s garage. Since then we have moved on from strength to strength developing an extensive range of guitar, bass, public address and keyboard amplification products along with a list of Laney endorsees that includes some of the world’s most famous and respected musicians. At the same time we believe we have not lost sight of the reason Laney was founded in the first place - a dedication to building great sounding amplification for working musicians. Warm Regards,Lyndon Laney CEOPage 2/4412 412INTRODUCTIONThe GS412LA & GS412LS are a pair 4 x 12” cabinets optimised for use with GH100TI - to enhance the amplifiers huge tonal range and produce stunning tone at any volume, but are equally at home with any other amplifier from the Laney range.Rated at 320 watts (16 ohms) these cabinets can be used in isolation or together to form an 8 x 12 stack. Construction features a robust plywood cabinet, with black powdercoated steel side bar handles and corner protection, castor cups on top of the straight cabinet to allow stacking, removable kick proof grille and a set of roadworthy casters mounted to each model for ease of mobility.Every Laney product is extensively play tested by experienced guitarists to ensure it has the tone and durability to perform at the very highest level, before being shipped to our customers.We hope you enjoy using your new extension cabinet as much as we enjoyed designing and making it. It should give you years of trouble-free service, however please take time to read this manual, as it will allow you to get the best from your GS412LA or GS412LS.Best wishes from all at Laney.LaneyCHECK CONTENTS ARE ALL INCLUDED16 Ohms16 OhmsDesigned in the UK by Laney1. Open top of carton, remove top foam tray and open protective bag, pull back to sides.2. Flip carton over. Cabinet rests on its castors.3. Remove the Carton, bottom foam tray and protective bag.4. Enjoy.UNPACKING INSTRUCTIONSAlways use good quality speaker cablesThis product conforms to the requirements of the following European Regulations, Directives & Rules:-CE Mark (93/68/EEC), LowIn order to reduce environmental damage, at the end of its useful life, this product must not be disposed of along with normal household waste to landfill sites. It must be taken to an approved recycling centre according to the recommendations of the WEEE(Waste Electrical and Electronic Equipment) directive applicable in your country.IMPORTANT SAFETY INSTRUCTIONSDuration Per Day In Hours 864321 ½1½¼ or less Sound Level dBA, slow response 909295971001021051101151). Read & Retain these Instructions carefully before installing or operating this product.2). Comply with Warnings: All warnings and instructions for these products should be adhered to.3). Unpacking: On unpacking your product please check carefully for any signs of damage that may have occured whilst in transit from the Laney factory to your dealer. In the unlikely event that there has been damage, please repack your unit in it original carton and consult your dealer. We strongly advise you to keep your original transit carton, since in the unlikly event that your unit should develop a fault, you will be able to return it to you dealer for rectification securely packed.4). Amplifier Connection: In order to avoid damage , it is advisable to establish and follow a pattern for turning on and off your system. With all system parts connected, turn on source equipment, tape decks, cd players, mixers, effects processors etc, BEFORE turing on your guitar amplifier. Many products have large transient surges at turn on and off which can cause damage to your speakers.By turning on your guitar amplifier LAST and making sure its level control is set to a minimum, any transients from other equipment should not reach your loud speakers. Wait till all system parts have stabillised, usually a couple of seconds. Similarly when turning off your system always turn down the level controls on your guitar amplifier and then turn off its power before turning off other equipment5). Cables: Never use shielded or microphone cable for any speaker connections as this will not be stubstantial enough to handle the amplifier load and could cause damage to your complete system.6). Caution: These professional loudspeaker systems are capable of generating very high sound pressure levels. Use care with placement and operation to avoid excessive levels that can cause permament hearing damage.7). Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time.The U.S. Government's Occupational Safety and Health Administration (OSHA) hasspecified the permissible noise level exposure in the chart oposite.According to OSHA, any exposure in excess of the above permissible limits could result insome hearing loss. Ear plugs or protectors in the ear canals or over the ears must beworn when operating this amplification system in order to prevent a permanent hearingloss if exposure exceeds the limits set forth oposite. T o ensure against potentiallydangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation.8). Servicing: The user should not attempt to service these products. Refer all servicing to qualified service personnel。

VTX200S三频 guitar 电铃机用户指南说明书

User’s GuideVTX200SThree-Channel Guitar Amplifier with Stereo Digital SignalProcessingTABLE OF CONTENTS:Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3The T op Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5The Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6The DSP Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Restoring the Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8More About The Save/T ap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Using the Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9DSP Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10,11Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12,13DSP“Fill in the Blanks” (for User Presets) . . . . . . . . . . . . . . . . . . . . .14System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15T echnical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . .back coverThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequen-cy energy and, if not installed and used in accordance with the instructions, may cause harmful interfer-ence to radio communications. However, there is no guarantee that interference will not occur in a par-ticular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Changes or modifications to this device not expressly approved by SLM Electronics could void the user’s authority to operate the equipment under FCC rules.Declaration of ConformityManufacturer’s Name:SLM ElectronicsCorporate Headquarters:1901 Congressional Drive, St. Louis, Missouri 63146 Primary Production Facility:700 Hwy 202 W, Yellville, Arkansas, 72687Product Type:Audio AmplifierProducts meet the regulations for compliance marking under:ETL standards UL6500, UL60065, or UL813CSA standards E60065 or C22.2 No.1-M90CE safety standard EN60065CE EMC standards EN55103 or EN55013 and EN61000C-tick designation Level 2, ABN #56748810738, ARBN# N222KETI standard K60065 (limited model approval)Compliance Support Contact: SLM Electronics, Attn: R&D Compliance Engineer1901 Congressional Drive, St Louis, Missouri, 63146 • Tel.: 314-569-0141, Fax: 314-569-01753The Top Panel:121: INPUT:Use this jack to connect your guitar to the amplifier by means of a shielded instrument cable. CHANNEL1 - Featuring a low gain FlexWave circuit for clean sounds or sounds with mild dis-tortion:2:LOW:Use this control to adjust the low frequency level of Channel 1.3: GAIN:Use this control to adjust the amount of distortion produced by Channel 1.4:MID:Use this control to adjust the midrange frequency level of Channel 1.5:LEVEL:Use this control to adjust the output level of Channel 1.6:HIGH:Use this control to adjust the high frequency level of Channel 1.7: CHANNEL1 SELECT:This switch, when depressed, selects Channel 1 as the active channel. The adjacent LED illuminates when Channel 1 is active.CHANNEL2 - Featuring a medium gain FlexWave circuit for moderate distortion and crunch:8:LOW:Use this control to adjust the low frequency level of Channel 2.9: GAIN:Use this control to adjust the amount of distortion produced by Channel 2.10:MID:Use this control to adjust the midrange frequency level of Channel 2.11:LEVEL:Use this control to adjust the output level of Channel 2.12:HIGH:Use this control to adjust the high frequency level of Channel 2.13: CHANNEL2 SELECT:This switch, when depressed, selects Channel 2 as the active channel. The adjacent LED illuminates when Channel 2 is active.CHANNEL3 - Featuring a high gain FlexWave circuit for extreme distortion and sustain:14:LOW:Use this control to adjust the low frequency level of Channel 3.15: GAIN:Use this control to adjust the amount of distortion produced by Channel 3.16:MID:Use this control to adjust the midrange frequency level of Channel 3.17:LEVEL:Use this control to adjust the output level of Channel 3.18:HIGH:Use this control to adjust the high frequency level of Channel 3.19: CHANNEL3 SELECT:This switch, when depressed, selects Channel 3 as the active channel. The adjacent LED illuminates when Channel 3 is active.4520: MUTE:This switch, when depressed, mutes the output signal at the speaker jacks and the effects loops, allowing you to silently tune or switch instruments. The adjacent LED illuminates when the Mute function is active.21: TUNER:The electronic tuner is active whenever the amplifier is turned on, providing constant,“real time” tuning. The bottom row of LEDs indicate which note (string) is being tuned. The top row of LEDs provides directional queues to facilitate quick and precise tuning of your instrument. The indicated note (string) is properly tuned when only the center LED is illuminated.22. EFFECTS:Use this control to select one of the fifteen digital effects. Complete information about the DSP effects is on page 7.23. DELAY:Use this control to select one of the fifteen digital delay effects. Complete information about the DSP effects is on page 7.24: SAVE/TAP:Use this pushbutton to set the tempo of many of the effects by tapping the button repeatedly in time with the desired tempo. The Save/Tap button is also used to save DSP presets and to restore the factory default DSP settings. Additional information about the Save/Tap button is on pages 7 and 8.25: SAVE/TAP LED:This LED flashes in time with the tempo set by the Save/Tap button (#4) and serves as a status indicator for certain DSP activities (see page 8).26:REVERB:Use this control to adjust the amount of the digital reverb effect. In its fully counter clockwise position the signal is “dry” (without any reverb). As you rotate the control clockwise the amount of reverb increases. The Reverb setting may be saved as a channel preset - see page 8.SAVE / TAPO P H A W C S F LAN G E P H A SE R EC GG I ALMUTE3The Bottom Panel:27: POWER (not shown):Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom) of the switch depressed. The switch illuminates when the power is on.28: AC LINE CORD (not shown):This grounded power cord is to be plugged into a grounded power outlet, wired to current electrical codes and compatible with the voltage, power, and frequency requirements stated on the bot-tom panel. Do not attempt to defeat the safety ground connection.29: SPEAKER OUTPUTS: Use these jacks to connect the amplifier to the speakers. The VTX200S is shipped from the factory with a cable from each channel connected to the speakers within the cabinet. Additional speakers may be connected providing the four ohm minimum load rating for these jacks is observed. When using the stereo Chorus effect the right channel is dry and the left channel is detuned (wet). Each channel will provide 70 watts RMS into an eight ohm load and 100 watts RMS into a four ohm load. 30:STEREO EFFECTS LOOP RETURN:When using a stereo external effects processor, connect this jack to the output jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.31:STEREO EFFECTS LOOP SEND:When using a stereo external effects processor, connect this jack to the input jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.32:MONO EFFECTS LOOP RETURN:When using a mono external effects processor, connect this jack to the output jack of the effect by means of a shielded signal cable.33:MONO EFFECTS LOOP SEND:When using a mono external effects processor, connect this jack to the input jack of the effect by means of a shielded signal cable.34:FOOTSWITCH:Use this jack to connect the footswitch cable (5-conductor midi cable) to the four-button footswitch (supplied). This allows you to remotely switch between the channels, set tap tempos, save new presets, and access a second set of DSP presets. (See page 9 for additional information.)67SAVE / TAPO W U SANA E EC GG I ALEFFECTS:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Chorus 1stereo chorus w/low depthspeed: 1 cycle/tap - period: .05 - 1 second Chorus 2stereo chorus w/medium low depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 3stereo chorus w/medium high depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 4stereo chorus w/high depth speed: 1 cycle/tap - period: .05 - 1 second Flange 1flanger w/low depthspeed: 4 cycles/tap - period: .05 - 1 second Flange 2flanger w/medium low depth speed: 4 cycles/tap - period: .05 - 1 second Flange 3flanger w/medium high depth speed: 4 cycles/tap - period: .05 - 1 second Flange 4flanger w/high depthspeed: 4 cycles/tap - period: .05 - 1 second Phaser 1phase shift w/low feedbackspeed: 2 cycles/tap - period: .05 - 1 second Phaser 2phase shift w/medium low feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 3phase shift w/medium high feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 4phase shift w/high feedbackspeed: 2 cycles/tap - period: .05 - 1 second Oct-adds signal one octave below original n/a Phase Wah medium phase w/touch sensitive wah n/a Wahtouch sensitive wah wahn/a bypass (dry signal - no effect)n/aDELAY:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Single 1single delay w/low level delay time: .05 - 1 sec Single 2 single delay w/medium level delay time: .05 - 1 sec Single 3 single delay w/high leveldelay time: .05 - 1 sec Single 4 single delay w/maximum level delay time: .05 - 1 sec Echo 1 echo delay w/low level delay time: .05 - 1 sec Echo 2 echo delay w/medium level delay time: .05 - 1 sec Echo 3 echo delay w/high leveldelay time: .05 - 1 sec Echo 4echo delay w/maximum level delay time: .05 - 1 sec Ping Pong 1 stereo panning delay w/low level delay time: .05 - 1 sec Ping Pong 2 stereo panning delay w/medium level delay time: .05 - 1 sec Ping Pong 3 stereo panning delay w/high leveldelay time: .05 - 1 sec Ping Pong 4 stereo panning delay w/maximum level delay time: .05 - 1 sec Special 1 low echo delay w/effect on echo only delay time: .05 - 1 sec Special 2 medium echo delay w/effect on echo only delay time: .05 - 1 sec Special 3high echo delay w/effect on echo only delay time: .05 - 1 sec bypass (dry signal - no effect)n/aSIGNAL PATH FOR SPECIAL DELAY EFFECTS:DELAYSIGNAL PATH FOR ALL OTHER EFFECTS:EFFECTSEFFECTSDELAY8Storing Your Own Presets:Each channel of the VTX200S has two factory assigned DSP presets, as shown on pages 10 and 11. No matter what the settings of the DSP controls, the preset is recalled when a channel is selected. You may change the DSP settings by rotating the DSP con-trols - these changes will remain active until a different channel is selected, but will not be there for later use unless they are saved. To save a new DSP preset to a channel,first make the desired DSP changes. Then press and hold the Save/Tap button for about three seconds. The Save/Tap LED will flash through three quick sequences, indicating the preset was saved. The new preset is stored for that channel and will remain in mem-ory until a new preset is stored for that channel or the factory presets are restored.We recommend making copies of page 14 of this guide for the purpose of writing down your own presets.Restoring the Factory Presets:The factory assigned DSP presets may be restored, erasing any changes you have made. Turn the amplifier off. Press and hold the Save/Tap button as you turn the amplifi-er on. The Save/Tap LED will flash through two quick sequences, indicating the factory presets have been restored.More About the Save/Tap Button:The Save/Tap button is used to set the tempo of an effect by pressing it twice within a one second time frame. The time between the two taps sets the timing of the effect. If the Save/Tap button is pressed an odd number of times (once, three times, etc.), the tim-ing will default to the maximum one second time period.The Effects and the Delays may each have a different tap speed. The default “target”for the Save/Tap button is the Delay control. To select the Effects control as the tap but-ton’s target, rotate the Effects control. The Save/Tap tempo function will automatically revert back to the Delay control 16 seconds after the Effects control is rotated, or when the tap speed was last changed for the Effects control.NOTE: In most cases, it is usually more pleasing to the ear to set a slower tap speed for the HI effects and a faster tap speed for the LO effects.SAVE / TAPSAVE / TAPSAVE / TAP9Using the Footswitch:The special Crate four-button footswitch supplied with the VTX200S performs a variety of functions. The footswitch allows remote channel selection, remote Tap/Save for each channel, and allows access to an additional DSP preset for each channel of the amplifier. Use only the supplied Crate four-button momentary footswitch with the VTX200S. A standard 5-wire midi cable (supplied) may be used to connect the footswitch to the amplifier.(See page 8.)the LED channel - “DSP NOTE: DSP Bank “B” pre-sets are only accessible when the footswitch is connected, only DSP “A”is accessible.SWITCH #1:CH. 1 SELECT;TAP/SAVE FOR CH. 1FOOTSWITCHSWITCH #2:CH. 2 SELECT;TAP/SAVE FOR CH. 2SWITCH #4:LED on: DSP BANK A LED off: DSP BANK B421SWITCH #3:CH. 3 SELECT;TAP/SAVE FOR CH. 3310DSP Factory Presets:O P H AGG LO P H AGG LO P H AGG LFactory Preset 1: Clean w/Chorus, Delay, ReverbFactory Preset 2: Rhythm w/Slapback DelayFactory Preset 3: Solo w/Flange, Delay, ReverbThe VTX200S Factory Presets for the DSP section are as follows:11DSP Factory Presets:OP H AGG LO P H AGG LO P H AGG LFactory Preset 4: Clean w/ReverbFactory Preset 5: Rhythm w/ReverbFactory Preset 6: Solo w/ReverbThe VTX200S Factory Presets for the DSP section are as follows:INPUT12 INPUT12 INPUT12 INPUT12 INPUT12INPUT 12"Oceanic"Clean withVibrato, Delay,& Reverb"Super Funk"Clean withWah, Delay,& Reverb"Arena"Rhythm withReverb& Delay"Haze Faze"Rhythm withPhase& Reverb"Solo Wah"Solo withWah, Delay& Reverb"Octanator"Solo withOctave& Reverb1213SAVE / TAPO C T -C H OF L AN GE S I NEG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO CT -C H OF L AN GE S I N EN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3EFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: N/ADELAY TAP Tempo: FASTEFFECTS TAP Tempo: N/ADELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/ADSP “Fill in the Blanks”(User Settings): Copy this page to fill in your own DSP Presets!User Preset:GLUser Preset:GLUser Preset:GL 1415System Block Diagram:INPUTCHANNEL 1BUFFERFLEX WAVE (LOW CHANNEL 2FLEX WAVE (MEDIUM CHANNEL 3FLEX WAVE (HIGH SWITCH CONTROLLERDSPA/B FOOTSWITCH 1 2 3 4TUNERA BC D EF GPOWER AMP 1OUTPUTS RETURN SEND SEND RETURNDAMPINGPOWER AMP 2OUTPUTS DAMPINGVTX200S TECHNICAL SPECIFICATIONS:Output Power Rating70W per channel @5% THD, 8 ohm load100W per channel @5% THD, 4 ohm load Speaker Size and Rating(2) Celestion Seventy 80W 12” 8 ohmInput Impedance470kΩTotal System Gain Ch 174dB, all controls @10Ch 288dB, all controls @10Ch 3103dB, all controls @10Maximum Input Signal Accepted 5 volts peak-to-peakChannel 1Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 2Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 3Low Control17dB range @ 100HzMid Control16dB range @ 1kHzHigh Control12dB range @ 7kHzPower Requirements120 VAC, 60Hz, 95VA100/115VAC, 50/60Hz, 95VA;230VAC, 50/60Hz, 95VASize and Weight21” H 27-3/4” W x 11-1/4”D, 45 lbs.The VTX200S is covered with a durable Tolex material: wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specificationsand information in this manual are subject to change without notice.@2004 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 6313347-387-01 • 082004。

FlexWave120H三通道吉他电铃器指南说明书

Three-Channel Guitar Amplifier with DSP and Channel TrackingOwner’s ManualTABLE OF CONTENTSIntroduction (3)Channel Tracking (4)The Front Panel (5)The Rear Panel (6)The DSP Section (7)Using the Footswitch with the DSP (8)Suggested Settings (9)System Block Diagram (10)Technical Specifications (12)Service Information (12)2IntroductionCongratulations! You are now the proud owner of the Crate FlexWave120H three-channel guitar amplifier with advanced digital signal processing (DSP) and Channel Tracking. This rug-ged amplifier combines outstanding features with serious clean and distorted sounds. Digital Reverb, Delay, and Modulation effects provide you with a wide variety of sounds. Crate’s unique Channel Tracking feature automatically stores your DSP settings for each channel to memory. As you switch from one channel to another, the DSP settings for the selected chan-nel are instantly recalled. The supplied three-button footswitch allows you to select channels and change the DSP bank (Bank A/Bank B) by “remote control.” A front panel 1/8" stereoCD input jack allows you to play along with your CD player, MP3 player, or iPod. A rear panel insert jack allows you to add even more effects by connecting an external effect processor. Like all Crate products, your FlexWave120H amplifier is designed by musicians and built using only the best components. Extensive testing confirms that this amplifier is the absolute best it can be. In order to get the most out of your new amplifier, we strongly urge you to read this manual before you begin playing.And thank you for choosing Crate.Here are some of the features packed into your new FlexWave120H Amplifier:• 120 watts rms power outputThree-ChannelOperation•Channel—HighG ainChannel—OverdriveChannel—Clean• 3-band EQ on the Overdrive and Clean Channels• Proprietary “Shape” EQ control on the High Gain Channel• DSP Effects including Delay, Modulation, and Reverb sectionsInput• CD• EffectsLoopFootswitchincluded• 3-FunctionjackSpeaker• External• Built-in Chromatic Tuner3Channel TrackingYour Crate FlexWave120H gives you the power of Channel Tracking. Once you select a DSP setting for each channel, Channel Tracking stores the settings to memory whenever you change channels. When you go back to that channel, Channel Tracking recalls those DSP set-tings automatically, without changing the DSP controls!For example:• Select the Clean channel. Set the Mod control to “Flanger,” the Delay control to “Medium,”and adjust the Reverb control to your preference.• Select the Overdrive channel. Set the Mod control to “Chorus,” the Delay control to “Slap,”and readjust the Reverb control to a different setting. (The DSP settings for the Clean channel are now saved to memory.)• Select the High Gain channel. Set the Mod control to “Phaser,” the Delay control to “Long,”and readjust the Reverb control once again. (The DSP settings for the Overdrive channel are now saved to memory.)• Reselect the Clean channel. (The DSP settings for the High Gain channel are now saved to memory.)When you reselected the Clean channel, the DSP settings previously stored in memory were automatically recalled. Switch to the Overdrive channel and the DSP settings you just stored are still there. You can change the DSP settings at any time. Once you set the DSP and select another channel, Channel Tracking stores the settings for you. Even when the amplifier is turned off, the DSP settings are stored and recalled the next time you turn it on. That’s the power of Channel Tracking!In addition, each channel has two DSP banks, Bank A and Bank B, when you use the supplied three-button footswitch (see page 8 for more information on using the footswitch). Channel Tracking also remembers which DSP bank was selected for each channel.41. POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the switch depressed). The switch illuminates when the amplifier is turned on.2. ELECTRONIC TUNER: The electronic tuner is active whenever the amplifier is turned on, providing constant “real-time” tuning. The row of red LEDs on the left indicates which note is being tuned. When a single LED is lit, it represents the note that appears just below the LED. When two LEDs are lit, it represents the note that appears between them in the bottom row. The left green LED indicates the note is flat, and the right green LED indicates the note is sharp. The note is properly tuned when both LEDs are lit at the same time.3. CD INPUT: Use this 1/8" stereo mini jack to connect the output from a CD player, MP3 player, laptop, etc., to the amplifier. The signal at this jack is summed into a mono signal, which is sent to the internal power amp circuit. Use the output level con-trol for the signal source to adjust the signal for the proper mix with your guitar.4-6. EFFECTS: Use these controls to apply and adjust the DSP effects. Complete informa-tion on these effects is provided on page 7. 7. HIGH: This adjusts the treble frequen-cies. Use this control to attain a bright and lively sound for your instrument when using the Clean channel.8. MID: This adjusts the midrange frequen-cies. Use this control to get the best projec-tion and midrange tones for your instrument when using the Clean channel.9. LOW: This adjusts the bass frequencies. Use this control to get the best sounding bass response for your instrument when using the Clean channel.10. VOLUME: Use this control to adjust the output level of the Clean channel.11. CLEAN LED: This LED illuminates when the Clean channel is selected.12. OVERDRIVE/CLEAN: Use this switch to select the Clean channel or the Overdrive and High Gain channels. With the switch in the out position, the Clean channel is select-ed. When the switch is pushed in, either the High Gain or Overdrive channel is selected, depending on the setting of the High Gain/ Overdrive switch [19].13. LEVEL: Use this control to adjust the output level of the Overdrive channel.14. HIGH: This adjusts the treble frequen-cies. Use this control to attain a bright and lively sound for your instrument when using the Overdrive channel.15. MID: This adjusts the midrange frequen-cies. Use this control to get the best projec-tion and midrange tones for your instrument when using the Overdrive channel.16. LOW: This adjusts the bass frequen-cies. Use this control to get the best sound-ing bass response for your instrument when using the Overdrive channel.17. GAIN:Use this control to adjust the amount of distortion for the Overdrive channel.18. OVERDRIVE LED: This LED illuminates when the Overdrive channel is selected. 19. HIGH GAIN/OVERDRIVE: Use this switch to select the High Gain or Overdrive channel. With the switch in the out position, the Overdrive channel is selected. When the switch is pushed in, the High Gain channel is selected.Note: This switch is only active when the Overdrive/Clean switch [12] is pushed in.20. LEVEL: Use this control to adjust the output level of the High Gain channel.The Front Panel5621. SHAPE: Use this control to “dial in” the tone for the High Gain channel. Rotating this control counter-clockwise enhances the mid frequencies, while rotating it clockwise enhances the low and high frequencies.22. GAIN: Use this control to adjust the amount of distortion for the High Gain channel.23. HIGH GAIN LED: This LED illuminates when the High Gain channel is selected.24. INPUT: Use this jack to connect your guitar to the amplifier by means of a shield-ed instrument cable.The Rear PanelCrate’s STP201, STP202, or STP203 stereo-to-mono Y-cord or an adapter such as Crate’s YPP117 and two 1/4" mono signal cables to connect to the effect, as shown below.26. CHANNEL FOOTSWITCH: Use this jack to connect one of the footswitch cables to the three-button footswitch (supplied). This allows you to remotely switch between the Clean, High Gain, and Overdrive channels. Additional infor-mation about the opera-tion of the footswitch is on page 8.27. DSP FOOTSWITCH: Use this jack to connect one of the footswitch cables to the three-but-ton footswitch (supplied). This allows you to select between two DSP pre-sets for each of the three channels. Additional infor-mation about the opera-tion of the footswitch is on page 8.speaker cabinet. Note: The external speaker cabinet shouldhave a nominal impedance of 4 ohms or higher.29. FUSE: The fuse protects the amplifier from damage caused by a faulty AC power source or other problems. If the fuse opens, replace it with the same size and type. If fuses continue to fail, check the AC source. If the source is okay, refer to page 12 or con-tact your Crate dealer for service information.30. POWER CORD:This grounded powercord is to be plugged into a grounded power outlet, wired to currentelectrical codes and compatible with the voltage, power, andfrequency requirementsstated on the rear panel. Do not attempt to defeat the safety ground con-nection!8Using the Footswitch with the DSPThe Crate three-button footswitch supplied with the FlexWave120H allows access to an addi-tional DSP preset for each channel of the amplifier. When the footswitch is connected to the amplifier as shown below, the “original” DSP presets are active for each channel when the #3 footswitch LED is illuminated. These are referred to as “DSP Bank A.” When the #3 button is switched and the LED is off, a second DSP preset may be stored and recalled for each chan-nel — “DSP Bank B.”Note: DSP Bank B presets are only accessible when the footswich is connected to the ampli-fier. When the footswitch is not connected, only DSP Bank A is accessible.LED ON = HIGH GAIN CHLED OFF = OVERDRIVE CH[only when Switch #2 is activated (LED ON)]LED OFF = CLEAN CHSuggested SettingsSweet ‘n Clean:Just a ‘Lil Nasty:Politely Gritty:Down ‘n Dirty:Mean & Obscene:9System Block Diagram10INPUTBUFFERMIX AMPCLEANDAMPING POWER AMPEXT.SPEAKERINSERTTUNERDSPMIX AMPCHANNEL HIGH GAINCONTROL DSP BANK A BANK BCONTROL11This equipment has been tested and found to comply with the limits for a Class B digital device, pur-suant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Changes or modifications to this device not expressly approved by LOUD Technologies Inc. could void the user's authority to operate the equipment under FCC rules.Declaration Of ConformityManufacturer: LOUD Technologies Inc.16220 Wood-Red Rd. NEWoodinville, WA 98072, USAProduct Name: Crate FlexWave120HProduct Type: Audio AmplifierComplies with Standards:LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWGSafety: EN60065EMC: EN55013, EN55020, EN55022, EN55103, EN61000-3-2, & EN61000-3-3The official Declaration of Conformity for this product is kept on file at:LOUD Technologies Inc., 16220 Wood-Red Road NE, Woodinville, WA 98072 • Tel: 1-866-858-5832FlexWave120H TECHNICAL SPECIFICATIONS:Output Power Rating 120W rms @ 5% THD into 4 ohm load, 120 VAC Gain High Gain Channel 110 dB, all controls @ 10Overdrive Ch 88 dB, all controls @ 10Clean Ch 58 dB, all controls @ 10CD Input 29 dBMaximum Input Signal Accepted 2.5 volts rms @ 400 HzInput Impedance 470k ohmHigh Gain Channel Shape Control Proprietary CircuitOverdrive Channel Low 20 dB range @ 80 HzMid 15 dB range @ 1 kHzHigh 20 dB range @ 10 kHzClean Channel Low 36 dB range @ 80 HzMid 15 dB range @ 800 HzHigh 40 dB range @ 10 kHzExternal Speaker: 4 ohm minimum nominal impedancePower Requirements 120 VAC, 60 Hz, 95 VA100/115 VAC, 50/60 Hz, 95 VA230/240 VAC, 50/60 Hz, 95 VASize (H x W x D) 10.2 in/25.9 cm x 29.8 in/75.7 cm x10.5 in/26.7 cmWeight 27.8 lb/12.6 kgThe FlexWave120H is covered with a durable Tolex material. Wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specifications and information in this manual are subject to change without notice.“Crate” is a registered trademark of LOUD Technologies Inc. All other brand names mentioned are trademarks or registered trademarks of their respective holders and are hereby acknowledged.Service Information:If you are having a problem with your FlexWave120H, you can go to our website()and click on Support for service information, or call 1-800-898-3211 during business hours (7 am to 5 pm PST, Monday-Friday). If you are outside of the U.S., contact your local distributor for technical support and service.@2007 LOUD Technologies Inc.16220 Wood-Red Road NE • Woodinville, WA 98072Part No. 0022726 Rev. A 02/0712。

奔驰FenderUltimate Chorus电钢吉他电铃机操作指南说明书

T H E S O U N T H A T C R E A T E S L E G E N D SChorusP/N 049106Your new Fender®Ultimate Chorus amplifier is a fine musi-cal instrument that will deliver great tone and pleasure for years to come. It combines many of the great musical fea-tures that have made Fender®amplifiers the only serious choice of guitarists for over 45 years, with a few new tricks of its own.The most striking tonal feature of the Ultimate Chorus amp is its fat, full-range chorus. Unlike many other chorus designs that can make an amp sound thin or “washsy”, our classic analog circuit actually adds depth and dimension to any style of playing— whether you’re playing rhythm or solo. Also, besides the basic Volume, Treble, Mid, Bass and Reverb controls in the Normal channel, the Ultimate Chorus features completely independent Reverb and Tone controls in the Drive channel.The DRIVE channel also features exclusive Fender®Pre- & De-Emphasis Distortion circuitry based on unique Pre and Post clipper voicing filters. These filters were designed to simulate the preamp tone settings and speaker output of an overdriven tube amplifier. You get the searing smooth highs backed by deep punch that stack amps are known for. The MID BOOST switch provides a second pre-empha-sis voice and the PRESENCE control provides continuous variation of the high frequency content in the de-emphasis voicing. The extended range, three band equalization cir-cuitry is after the distortion and can be used to further mod-ify the overall sound of the amp. In addition, a true, stereo chorus circuit utilizing two 65-watt power amplifiers gives this amp that lush, stereo chorus sound. The Fender®ULTI-MATE CHORUS is one of the most “Expressive” amplifiers ever made.In addition to convenient features like All Front Panel Mounted Controls and Jacks, the ULTIMATE CHORUS fea-tures a detachable footswitch for selecting the Drive Channel and for activating the stereo chorus circuitry.These switching functions are sent over a standard 1/4 inch phone plug for ease of connection or extension of the footswitch to remote pedal boards. The versatility of the ULTIMATE CHORUS is greatly expanded by the individual mono and true, stereo effects loops. These patch points allow for a wide variety of external effects connection schemes and amplifier slaving configurations. They also provide for direct connection to recording and sound rein-forcement mixers.Last, but definitely not least, the Fender®ULTIMATE CHO-RUS packs a new stereo power amp section based on a radically underdamped design that interacts with the speakers in much the same way as a tube amplifier does, producing sparkle and punch with an increase in apparent loudness and power that defies comparison to other simi-larly rated units. These amps are LOUD, and the Fender Special Design 12 inch speakers can reliably put it out, day after day.This manual is designed to familiarize you with your new amplifier and to acquaint you with its many fine features. Read it carefully so that you will benefit from all the fea-tures as soon as you start using the amplifier.The built-in quality of a Fender®amplifier is the result of over four decades of dedication in the combined skills of research and development by our engineers and musicians.That is why we proudly say...FENDER®, The Sound That Creates Legends.WARNING: TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, DO NOT EXPOSE AMPLIFIER TO RAIN OR MOISTURE.ULTIMATE CHORUS FRONT PANEL FUNCTIONSINPUT 1- A high impedance, high sensitivity plug-in connection for instruments.INPUT 2- Plug-in connection for instruments. This input exhibits a lower input impedance and sensitivity than INPUT 1 (Item A) and is useful with active preamp guitars, and will provide a darker tone with passive guitars. Both inputs are identical when used simulta-neously.VOLUME-Adjusts the overall loudness of the Normal Channel.NORMAL CHANNEL INDICATOR- This LED is illumi-nated when the Normal Channel is active.TREBLE- Adjusts the amount of boost (accentuation) or cut (attenuation) in the high frequency range of the Normal Channel.MID- Adjusts the amount of boost or cut in the mid fre-quency range of the Normal Channel.BASS-Adjusts the amount of boost or cut in the low frequency range of the Normal Channel.REVERB-Adjusts the overall amount of reverberated signal mixed with the original dry signal for the Normal Channel.GAIN- Adjusts the amount of preamp amplification in the Drive Channel. Cleaner sound is achieved at lower gain settings; high gain settings will produce more sustain and distortion. This control works in con-junction with the DRIVE VOLUME control (Item L) to set the overall loudness at the output while the Drive Channel is active.MID BOOST- Activates a special pre-emphasis filter that accentuates mid range frequencies. This boost occurs pre distortion in the Drive Channel and will fur-ther modify the distortion characteristic. PRESENCE- Adjusts the amount of boost or cut in the upper high frequency range of the Drive Channel. This control occurs post preamp distortion and is useful in adjusting the distortion characteristic from brash, to smooth.VOLUME-Adjusts the overall loudness of the Drive Channel.DRIVE CHANNEL INDICATOR- This LED is illuminated when the Drive Channel is active.TREBLE- Adjusts the amount of boost or cut in the high frequency range of the Drive Channel.MID- Adjusts the amount of boost or cut in the mid fre-quency range of the Drive Channel.BASS- Adjusts the amount of boost or cut in the low frequency range of the Drive Channel.DRIVE SELECT- Activates the Drive Channel. NOTE: This switch disables the Channel Select Footswitch and the Normal Channel controls.REVERB- Adjusts the overall amount of reverberated signal mixed with the original dry signal for the Drive Channel.RATE- Adjusts the sweep rate of the chorus generating circuitry. A lower number corresponds to a slower rate of sweep.SELECT- Activates the stereo CHORUS mode for both the Normal and Drive channels. NOTE: This switch disables the Chorus Select Footswitch.A. B.C. D. E. F. G. H. I.J.K.L. M. N. O. P. Q. R. S. T.DEPTH- Adjusts the intensity of the chorus effect. A lower setting will introduce a subtle yet distinct effect, whereas a higher setting will create a more dramatic effect. With both the RATE (Item S) and DEPTH controls set midway or higher, a variety of vibrato/tremolo type effects can be achieved.CHORUS INDICATOR- This LED is illuminated when the stereo chorus is active. The color of the LED is modu-lated red and green by the chorus sweep LFO to give a visual indication of the sweep rate. FOOTSWITCH- Plug-in connection for remote footswitch to switch between the Normal and Drive channels and to activate the Stereo Chorus mode. For proper operation of the footswitch, both DRIVE SELECT (item Q) and CHORUS SELECT (Item T) switches should be out. NOTE: Any good quality patch cord will work with the remote footswitch; however, a speaker grade cord is preferable to a coax guitar cord when it is available.MONO FX SEND- This jack provides an unbalanced mono output signal from the preamp at a point before the internal CHORUS circuits. This output can be used in conjunction with the MONO FX RETURN (Item Y) as a patch point for mono effects devices. (SEE EFFECTS LOOP CONNECTION DIAGRAMS.) The MONO FX SEND can also be used to feed recording and sound reinforcement mixers a dry signal. (For a signal with internal CHORUS, use the STEREO FX SEND (Item Z) jack.) Additionally this output can be used to drive another ULTIMATE CHORUS as a slave amp. This is done by connecting a standard guitar cord from the MONO FX SEND jack of the master amplifier to the MONO FX RETURN jack of the slave.MONO FX RETURN- This unbalanced jack inputs sig-nal to the stereo chorus generating circuitry, which drives the stereo power amp section. It automatically disconnects the preamp and reverb circuitry when used. This is useful when using the MONO FX option or when using the ULTIMATE CHORUS as a slave amplifier for a mono signal source. The CHORUS is active in the slave so that a stereo image will be gener-ated if it is used.STEREO FX SEND- This jack provides an unbalanced stereo output from the preamp, reverb and chorus cir-cuits of the ULTIMATE CHORUS. This output can be used in conjunction with the STEREO FX RETURN (Item AA) as a patch point for stereo effects devices. (SEE EFFECTS LOOP CONNECTION DIAGRAMS.) The Stereo Effects Loop jacks are standard 1/4 inch Tip-Ring-Sleeve types, with the left channel signal on the tip and the right channel signal on the ring. This send can also be used to feed a stereo signal to two chan-nels of a recording or sound reinforcement mixer. Additionally this output can be used to drive another ULTIMATE CHORUS as a slave amp. This is done by connecting a shielded stereo cord from the STEREO FX SEND jack of the master amplifier to the STEREO FX RETURN jack of the slave.STEREO FX RETURN- This stereo jack inputs signal directly to the left and right power amps. It automati-cally disconnects the preamp, reverb and chorus cir-cuitry when used. This is useful when using the ULTI-MATE CHORUS as a slave amplifier for a stereo signal source.POWER SWITCH- Turns AC power ON and OFF. When the switch is OFF the amplifier is completely shut down.U. V. W. X.Y. Z.AA. BB.LINE CORD: This amplifier is equipped with a grounding type supply cord to reduce the possibility of shock hazard.Be sure to connect it to a grounded receptacle.DO NOT ALTER THE AC PLUG.VINYL CARE: The exclusive Fender ®vinyl covering on your cabinet has been especially designed for years of lasting beauty. A very light soapy solution on a sponge may be used to remove dirt and residue that may accumulate in the grain. Be careful not to let any liquid come in contact with operating surfaces. DO NOT have the amplifier plugged into the power outlet when cleaning.If the amp is set up but does not function, check the following items:•Is the amp power cord properly plugged into an electrical outlet?•Is there power at the outlet?•Are the speakers properly connected to the amplifier?•Are all the control knobs turned up above four?•Is the volume control on the instrument turned up?•Is your instrument properly plugged into the amplifier?(Eliminate any effect pedals and try another guitar cord.)If, after checking all of the above, the system is still not performing correctly, consult your Fender ®Service Dealer.TROUBLESHOOTER‘S CHECKLISTULTIMATE CHORUS REAR PANELTYPE:PR 204120V Version022-6701-010230V Version022-6761-010240V Version022-6731-010INPUT IMPEDANCE:INPUT 1 only - Greater than 1MΩINPUT 2 - 131kΩNOMINAL LEVEL:INPUT 1 only - 100 mVINPUT 2 - 200mVPOWER OUTPUT:65W R.M.S. per channel = 130W R.M.S.RATED LOAD IMPEDANCE:8 Ohms per channelMONO EFFECTS LOOP:Nominal Level: -10dBVSend Output Impedance:1kΩReturn Input Impedance:25kΩSTEREO EFFECTS LOOP:Nominal Level: -10dBVSend Output Impedance: 1kΩReturn Input Impedance: 14kΩ(Specifications for each channel - Left on Tip, Right on Ring)POWER REQUIREMENTS:100V AC 50/60 Hz, 360W120V AC 60 Hz, 360W230V AC 50 Hz, 360W240V AC 50 Hz, 360WSPEAKER COMPLEMENT:Two 8ΩFender®Special Design 12-inch speakers (P.N. 025923)PHYSICALSPECIFICATIONS:Height:18-1/2” (47cm)Width: 26-1/8” (66cm)Depth: 10-1/4” (26cm)Weight:47 lbs. (21.3kg)SOUND:“KICKS @$$, in STEREO!”WARNINGS: NO USER SERVICEABLE PARTS INSIDE, REFER SERVICING TO QUALIFIED PERSONNEL ONLY.THIS EQUIPMENT MUST BE EARTH GROUNDED.A PRODUCT OF:FENDER®MUSICAL INSTRUMENTS CORP., CORONA, CA 91720。

人民电器 SHF型电铃产品说明书

SHF系列电铃
产品用途
规格参数
SHF电铃，系属外击式电铃，声音洪亮悦耳，适用于交流380V电路中，应用在工
厂、机关、学校、铁路等室内外的公共场合，作为音响讯号和报警所用。

型及以下
选型指南
正常工作条件
□ 周
□ 空气相对湿度不大于85%；
□ 单次持续工作时间不宜超过3分钟；
□ 工作电压在±10%额定电压范围内均能正常工作；
□ 绝缘电阻不低于20MΩ；
□ 在无易爆、无腐蚀金属和破坏绝缘的气体与尘埃(包括导电尘埃)环境中使用；
□ 在没有雨雪侵袭的地方使用。

围环境温度不高于+40℃，不低于-40℃；
订货须知
订货时须说明电铃铃碗直径、电流类别、额定电压、数量等参数。

例如订购电铃铃碗直径为
150mm6寸AC110V，为:电铃SHF-150mm6110V 100。

()，，黑数量100只。

可写(寸)黑只
全国统一客服热线: 400 898 1166 348。

Kustom KBA35X DFX 电子吉他电铃器说明书

OWNER'S MANUALKBA35X DFXCongratulations on the purchase of your new Kustom amp! Your KBA35X DFX model successfully draws on more than 30 years of amplifier design and manufacturing experience at Kustom. This amp was planned from the ground up by our engineers to offer top-notch tone and dependable performance. Inside this manual, you'll find useful information about the amp's features and some suggested settings to illustrate its tonal capabilities. We wish you many years of enjoyment with your Kustom amplifier.DURATION PER DAY IN HOURS8643211/2 HR. or LESSDANGEREXPOSURE TO EXTREMELY HIGH NOISE LEVELS MAY CAUSE APERMANENT HEARING LOSS. INDIVIDUALS VARY CONSIDERABLY TO NOISE INDUCED HEARING LOSS BUT NEARLY EVERYONE WILL LOSE SOME HEARING IF EXPOSED TO SUFFICIENTLY INTENSE NOISE FOR A SUFFICIENT TIME.THE U.S. GOVERNMENT'S OCCUPATIONAL SAFETY AND HEALTHADMINISTRATION (OSHA) HAS SPECIFIED THE FOLLOWING PERMISSIBLE NOISE LEVEL EXPOSURES: ACCORDING TO OSHA, ANY EXPOSURE IN THE ABOVE PERMISSIBLE LIMITS COULD RESULT IN SOME HEARING LOSS. EAR PLUGS ORPROTECTORS IN THE EAR CANAL OR OVER THE EARS MUST BE WORN WHEN OPERATING THIS AMPLIFICATION SYSTEM IN ORDER TO PREVENT A PERMANENT HEARING LOSS. IF EXPOSURE IN EXCESS OF THE LIMITS AS PUT FORTH ABOVE, TO INSURE AGAINST POTENTIALLY HARMFULEXPOSURE TO HIGH SOUND PRESSURE LEVELS. IT IS RECOMMENDED THAT ALL PERSONS EXPOSED TO EQUIPMENT CAPABLE OF INDUCING HIGH SOUND PRESSURE LEVELS, SUCH AS THIS AMPLIFICATION SYSTEM, BE PROTECTED BY HEARING PROTECTORS WHILE THIS UNIT IS IN OPERATION.WARNING!!THIS APPARATUS SHALL NOT BE EXPOSED TO DRIPPING OR SPLASHING. NO OBJECTS FILLED WITH LIQUIDS SUCH AS VASES SHALL BE PLACED ON THE APPARATUS.!TO AVOID ELECTRICAL SHOCK, DO NOT DISASSEMBLE.REFER SERVICING TO QUALIFIED PERSONAL ONLY!AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.THIS SYMBOL IS INTENDED TO ALERT THE USER TO THEPRESENCE OF UNINSULATED "DANGEROUS VOLTAGE" WITHIN THE PRODUCT'S ENCLOSURE THAT MAY BE OF SUFFICIENT MAGNITUDE TO CONSTITUTE A RISK OF ELECTRIC SHOCK TO PERSONS.THIS SYMBOL IS INTENDED TO ALERT THE USER TO THE PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE(SERVICING) INSTRUCTIONS IN THE LITERATURE ACCOMPANYING THE UNIT.Kustom Inc., 4940 Delhi Pike, Cincinnati, OH • USA (800) 999-5558 Fax: (513) 347-2192 / IMPORTANT1. Read all safety and operating instructions before using this product.2. All safety and operating instructions should be kept for future reference.3. Obey all cautions in the operating instructions and on the back of the unit.4. All operating instructions should be followed.5. This product should not be used near water i.e. bathtub, sink, swimming pool, wet basement, etc.6.This product should be located so that its position does not interfere with proper ventilation. It should not be placed flat against a wall or placed in a built-in enclosure that will impede the flow of cooling air.7. This product should not be placed near a source of heat, such as a stove, radiator, or another heat producing amplifier.8.Connect only to a power supply of the type indicated on the back of the amplifier near the power supply cord.9.Do not break off the ground pin of the power supply cord.10.Power supply cords should always handled carefully. Never walk or place equipment on power supply cords. Periodically check cords for cuts or signs of stress, especially at the point where the cord exits the unit.11. The power supply cord should be unplugged when the unit is unused for long periods of time.12.If this product is to be mounted in an equipment rack, rear support should be provided.13.Metal parts and vinyl covering may be cleaned with a damp rag.14.Care should be taken so that objects do not fall and liquids are not spilled into the unit through the ventilation ports or any other openings.15.This unit should be checked by a qualified service technician if:A. The power supply cord or plug has been damaged.B. Anything has fallen or been spilled into the unit.C. The unit does not operate correctly.D. The unit has been dropped or the enclosure damaged.16. The user should not attempt to service this equipment. All service work must be done by a qualified service technician for warranty repairs.CAUTIONTHIS AMPLIFIER HAS BEEN DESIGNED AND CONSTRUCTED TO PROVIDE ADEQUATE POWER RESERVE FOR PLAYING MODERN MUSIC WHICH MAY REQUIRE OCCASIONAL PEAK POWER. EXTENDED OPERATION AT ABSOLUTE MAXIMUM POWER IS NOT RECOMMENDED SINCE THIS COULD DAMAGE THE ASSOCIATED LOUDSPEAKER SYSTEM. PLEASE BE AWARE THAT MAXIMUM POWER CAN BE OBTAINED WITH VERY LOW SETTINGS OF THE MASTERVOLUME CONTROLS IF THE INPUT SIGNAL IS VERY STRONG.SOUND LEVEL dB FLOW RESPONSE909395971001031101.)CD/Tape Input - this 1/4" 3 conductor jack will allow you to plug in a CD player, tape or any other sourceto practice along with. It sums the left and right signals into a mono signal and passes it through to the amplifier section. To control the volume of the source, adjust the output volume of the device. We suggest you turn the volume all the way down then plug in and adjust the volume according to your taste.2.)Guitar Input - this is a 1/4" 2 conductor input jack for plugging in your instrument. It is intended for bassguitar or Hi-Z microphones but will accept other instruments as well.3.)Volume Level - this control is the output volume control for the bass guitar input. Slowly increase thecontrol to increase the volume. If you are using a bass guitar with an on-board preamp, set it's level for a mid position before increasing this control otherwise distortion may occur.5.)Low - this control is the bass control. It is active and set to boost or cut frequencies at 60 Hz. This willeffect the low frequency signals. Turning it fully clockwise, the signal is boosted 15 db. Turning itcounterclockwise, the low will be rolled off -15db. Especially good for making low output, thin toned bass guitars sound fuller.6.)Lo Mid - this control is the Low Midrange control. It is active and set to boost or cut frequencies at 250HzThis will effect the mid-low frequency signals. Turning it fully clockwise, the signal is boosted 10 db.Turning it counterclockwise, the low-mids will be rolled off -10db. Especially good for "cleaning up" muddy bass guitar overtones.7.)Hi Mid - this control is the High Midrange control. It is active and set to boost or cut frequencies at1.5KHz. This will effect the mid-high frequency signals. Turning it fully clockwise, the signal is boosted 10 db. Turning it counterclockwise, the low-mids will be rolled off -10db. Increasing this will add punch to a bass guitars' sound.8.)High - this is the high frequency control. It is active and set to boost or cut frequencies at 8KHz. This willeffect the high frequency signals. Turning it fully clockwise, the signal is boosted 15 db. Turning it counterclockwise, the highs will be rolled off -15db. This will add or subtract the high end attack of slapping style sounds or pick attack and clarity.9.)Effects On/Off - this switch engages the digital effects section.10.)Effects Level - this control adds the digital effects section and mixes it into the main signal buss. Severaldifferent effects are available.11.)Program Select - this switch will select any of eight different effects. 4- Chorus, 2- Flanges, 2- Chorus,and 2- delay.12.)Jewel Light - this jewel light lets you know that the amplifier is on.13.)Power - this switch turns on and off the AC power to the amp.Back Panel - (not pictured)Speaker Out - this is a 2 conductor 1/4" speaker output jack. This will disconnect the internal speaker and allow an external speaker cabinet to be employed. Rating is 8 ohms.Line Output - this is a 2 conductor 1/4" line output jack. This will allow an external amplifier or mixing board to be supplied with the signal from this amp. This is output is attenuated and comes from the power amp signal.Headphone Jack - this is a 1/4" 3 conductor jack for plugging headphones. It will sum the signal and put the sound in both ears, thereby creating a pseudo-stereo sound. Volume will be determined by the volume control on the channel you are on. It will disconnect the internal speaker when plugged into. This will allow quiet practicing.Footswitch- this is a mono 1/4” jack. Plug a single non LED type footswitch (optional) into this jack to turn the digital effects on and off.4.) Notch - this control is a dramatic cut filter. It is "notched" at a rate of -15db. The width of the notch is set atone octave and can be swept from 45 Hz to 1KHz. It will create a very precise subtraction of undesirable overtones or allow you to fine tune your tone settings.Suggested Settings(These settings are general starting points. Theyare designed to get you close to the sound you are looking for. If the control is not shown, then it doesn't apply to this particular sound. )Traditional Electric Bass Setting - in this setting the amplifier will deliver a standard electric bass sound. Whether you are playing rock, country, blues or gospel, this setting will get you close.Because of the Active EQ, you will be able to dial in your preferences from here. If you play with a pick and want less top end attack on the notes, roll off a bit of the High control. If it's deeper bottom your looking for, add more low and low mid. The key is to experiment to achieve your own personal sound.Funk "Slap" Sounds - this style of music needs a good strong attack sound with lots of top end. Usually a hollowed out middle will produce the extra top end necessary for the punch needed for this style of music. If you are using a more thumb style, a bit more low end and volume might be needed for your particular style of playing. Or less if you really hit it hard. Even though this is a practice or rehearsal level amplifier, it will deliver the punch and clarity that you require. Remember to try this amp with an additional speaker plugged in. You'll be nicely surprised.Alternative Style - this setting is designed for a upper end punch and edge that will cut through most any sound. This style will work well with pick or fingers and will add a touch of distortion to the sound as well. Make sure your instrument's volume control is up all the way. Since you are adding volume, you need to be careful with the actual amount of e.q.. you use as it also can add distortion to the sound. Also, you may want to use a compressor pedal in the signal chain before the amp to give it a smoother sound but still "edgy". As in all the settings above, it is strictly a matter of personal taste in a achieving the sound you are looking for.....experiment.OFF1. LITE CHORUS 12. LITE CHORUS 23. MEDIUM CHORUS4. HEAVY CHORUS5. FLANGE 16. FLANGE 27. SLAPBACK8. DELAYLO-MID HIGHNOTCH LEVEL LEVELPROGRAM57LOW HI-MID OFF1. LITE CHORUS 12. LITE CHORUS 23. MEDIUM CHORUS4. HEAVY CHORUS5. FLANGE 16. FLANGE 27. SLAPBACK8. DELAYLO-MID HIGHNOTCH LEVEL EQUALIZERDIGITAL EFFECTSLEVELPROGRAM731VOLUMELOW HI-MID OFF1. LITE CHORUS 12. LITE CHORUS 23. MEDIUM CHORUS4. HEAVY CHORUS5. FLANGE 16. FLANGE 27. SLAPBACK8. DELAYLO-MID HIGHNOTCH LEVEL EQUALIZER DIGITAL EFFECTSLEVELPROGRAM7VOLUME LOW HI-MID。

打铃仪操作使用

打铃仪操作使用
操作使用
1、使用时打开侧面电池开关。

2、不操作键盘时60秒钟自动上锁，右下角显示键盘已锁，除打铃键。

3、开锁：连按4次“取消/恢复”键，自动开锁。

4、分别按“星期、时、分”，调整北京时间。

5、打铃时间默认20 秒，可设定1~99秒可调。

如设定错误或取消设定按（取消）键。

再按一次恢复原来的设定。

无设定时显示（---：--）。

6.检查:按（设定）键检查所设定的时间是否正确。

7、修改：请在该设定处按（取消）键，然后重新设定该定时开关的时间和星期。

8、结束检查：按（时钟）结束检查及设定，显示时钟。

9、手动控制：按（手动打铃）键，即可实现随意的打铃运行。

10、以上调试完毕连接电铃，插上电源插头，控制面板上红灯亮表示已有电源。

按一下“手动打铃”键绿灯亮同时控制器有电从两只接线输出到电铃上。

注意事项：
1、打铃器后面二只接线柱输出电压220V AC，直接接到电铃上。

2、打铃时间的设定、不能交叉设定，应按时间顺序设定。

3、学校在放假时期间不必切断电源，只需在控制器后面把开关打在“关”方向。

Rocktron Rampage RT80 电子吉他电铃说明书

RT80 ELECTRIC GUITAR AMPLIFIER WITHTMAGX TECHNOLOGY ANDBUILT-IN CHROMATIC TUNERUser’s ManualPrecautionsNOTE: IT IS VERY IMPORTANT THAT YOU READ THIS SECTION TO PROVIDE YEARS OF TROUBLE FREE USE. THIS UNIT REQUIRES CAREFUL HANDLING.•All warnings on this equipment and in the operating instructions should beadhered to and all operating instructions should be followed.•Do not use this equipment near water. Care should be taken so that objects donot fall and liquids are not spilled into the unit through any openings.•The power cord should be unplugged from the outlet when left unused for along period of time.DO NOT ATTEMPT TO SERVICE THIS EQUIPMENT. THIS EQUIPMENT SHOULD BE SERVICED BY QUALIFIED PERSONNEL ONLY. DO NOT MAKE ANY INTERNAL ADJUSTMENTS OR ADDITIONS TO THIS EQUIPMENT AT ANY TIME. DO NOT TAMPER WITH INTERNAL ELECTRONIC COMPONENTS AT ANY TIME. FAILURE TO FOLLOW THESE INSTRUCTIONS MAY VOID THE WARRANTY OF THIS EQUIPMENT, AS WELL AS CAUSING SHOCK HAZARD.OPERATING TEMPERATUREDo not expose this unit to excessive heat. This unit is designed to operate between 32° F and 104° F (0° C and 40° C). This unit may not function properly under extreme temperatures. Copyright © 2000 GHS CorporationAll Rights Reserved.INPUT JACKS - LOW AND HIGHConnect the output of your guitar to one of the 1/4”input jacks with a shielded guitar cable. Select LOW for normal, or HIGH for extra gain. Plugging into the LOW input will attenuate your guitar’s signal cooling down a “hot” guitar. These two jacks provide slightly different input levels. Experi-ment with these and adjust to your tastes.PREAMP GAIN - DRIVETurning this knob clockwise determines the amount of gain (or distortion) added to the signal.PREAMP GAIN - CLEANThis knob controls the Clean Channel Level.CH SELECT - Button & DRIVE LEDChannel Select button - allows you to select between the DRIVE channel or the CLEAN channel.The DRIVE LED is ON (or lit) when the DRIVE channel is active.MASTER - Volume ControlThe MASTER volume control adjusts the overall sound level.REVERB controlAdjusts the amount of reverb added to your guitar’s signal. Turn the knob clockwise to increase the effect.TREBLE/MID/BASS controlsTone controls or EQ. The BASS control boosts or cuts the amount of low frequency, or bass sound.Treble does the same for high frequencies, MID adjusts the midband frequencies.12345678MID SCOOP buttonProvides a fixed “scoop” of te mid frequencies for a “metal” sound.PHONE (HEADPHONE) jackPlugging your headphones into this jack disconnects the sound going to the speakers and allows you to practice in private.CHROMATIC TUNER sectionThis built-in Chromatic tuner allows you to tune your guitar without unplugging from your amplifier.Please see “Built-in Chromatic Tuner Functions” for a more detailed description on how to operate the tuner.POWER switch & LEDTurns the amp ON and OFF. When the LED is lit, the amp is on.REV/CH FTSW (Footswitch) JackTo control CHANNEL selection, plug a single footswitch* into this jack. To control REVERB ON/OFF and CHANNEL selection, us a double footswitch* with a stereo 1/4” jack.EFFECTS RETURN / SEND Jack1/4” jacks allow you to connect to an effects processor. Plug a shielded guitar cable into the SEND jack of the RT80 into the INPUT of the “loop” section on the effects processor. Use another shielded guitar cable from the OUTPUT of the “loop” section of the effects processor to the RETURN jack on the RT80.OUTPUTS -PREAMP1/4” jacks allow you to connect two seperate powered speaker cabinets or directly into a stereo power amp - like the Rocktron Velocity 100 and from the power amp into two 4x12s, a stereo 4x12or a stereo 2x12 cabinet. The preamp output is controlled by the master volume control.OUTPUT - LINE OUTThe 1/4” jack allow you to connect to a speaker simulator and into a PA system or recording device.You may also run the signal out to a power amp with volume controls and from there into a speaker cabinet. The line output is not controlled by the master volume control.* Rocktron Rampage single (RFS1) and double (RFS2) footswitches are available and sold separately.910111234Built-in Chromatic Tuner FunctionsOn/Off buttonPress this button to engage the tuner function. When tuner is on the LED lights will be on depending on the note you play.A.CALIB. buttonA.Calib = Auto Calibration. To match the pitch of any instrument or audio source (like an old piano or tape player) press the auto calibration button while playing the note on the instrument. (Note: you might have to first tune one string on the guitar by ear to match the actual note if the piano is out of standard tuning or if tape player you are playing along with runs slower or faster than normal). Once you have one note on the guitar tuned to the source - simply play that note on the guitar - while the note is “ringing” press the Auto Calibration button. The tuning pitch of the tuner will automatically be shifted the match the pitch of the audio source. Release the button and tune the remaining strings as normal with the tuner. The tuner at this point has automatically adjusted the tuning range to match that pitch. To reset the tuner to standard 440Hz pitch you turn the tuner off and then back on again.NOTE LED display:These LEDs show the note being tuned. The LED under the note being tuned will be lit.TUNE LED displayThis series of 5 LEDs shows you if the note being played (tuned) is either sharp or flat.To Tune:1) Turn on tuner function2) Play a note on your guitar. The tuner automatically senses the note being played and will show you the note which is the closest to the one being played by lighting the appropriate LED in the NOTE LED display.1234C D E F G A B #If the LED(s) to the right of the center green LED are lit, then the note is sharp. Tune the string down until the center green LED is lit - the note should then be “in tune”.3) The “TUNE LED display shows by “how much” the guitar is out of tune from the note being played (in standard 440Hz tuning) indicated in the NOTE LED display. If the LED is to the left of the Center green LED the note is flat. Tune the string up until the LED reaches the Center green LED. Once this LED is reached the note is in tune.Power OutputSpeakersEQ TrebleMiddleBassOutputs:LinePreamp Headphone Output Effects Loop Channels Reverb Scoop Dimensions Weight Power Requirements80 Watts 12” Velocity High Definition by Rocktron Active Shelving Active Bandpass Active Shelving 1/4” jack 2x1/4” jack1x4” jack2x1/4” jackOverdrive and Clean (Footswitchable)Spring (Footswitchable)Bandstop20”H x 12” W x 18”D38.38 lbs. (17.40kg.)100 V olts AC 50/60Hz or 117 V olts AC, 50/60Hzor 220/240 V olts AC, 50/60Hz, as specified on chassis RT80 Specifications b #TUNE Flat In TuneGreen LED SharpCheck out some of our other products:Rack Gear:Gainiac(preamp w/12ax7 tube)Chameleon 2000 (preamp w/multi-effects)Voodu Valve (preamp w/12ax7 tube and multi-effects)Prophesy (our top of the line preamp with multi-effects)Intellifex On Line (Multi-effects processor)HUSH Super C (guitar noise silencing system)Stomp Boxes:Rampage Distortion, Tsunami Chorus, Austin Gold Overdrive, Orange Peel PhaserHUSH The Pedal, Surf TremoloGuitar Amplifiers:RepliTone (Digital Guitar Amplifier with Built-in Multi-effects)RT122C (120 W 2x12 Amp w/Stereo Chorus, Reverb & Built-in Chromatic Tuner)ACOUSTIC (60 Watt Acoustic Amp with Chorus & Reverb)R50C (50 Watt 2x8"Guitar Amp w/Reverb & Chorus)R20 (20 Watt 1x8"Amp w/Reverb)R10 (10 Watt 1x6"Guitar Amp)Foot Controllers:MIDI Mate (Midi Foot Controller)All Access (Midi Foot Controller)AGX (Automatic Gain Expander)Rocktron’s patented AGX system solves the long standing problem encountered by guitar players when using high gain distortion. The AGX circuit expands the gain of the amplification circuit only when required based on the input level. When no signal is present, the AGX circuit expands down the amplification level to a point where hum and noise are dramatically reduced.RT80ELECTRIC GUITAR AMPLIFIER WITHAGX TECHNOLOGY ANDTMBUILT-IN CHROMATIC TUNERRocktron -A Division of GHS Corporation 2813 Wilber AvenueBattle Creek MI 48307USARocktron Phone:1-(249)-860-6913 Email:*****************Check us out on the web at:2002-0001Rev. 9/13/02。

电铃操作步骤

电铃操作步骤(总4页)--本页仅作为文档封面，使用时请直接删除即可----内页可以根据需求调整合适字体及大小--电铃调整方法与步骤⑴调星期:正常走时状态下,按“星期”键调星期,按一下调整一天。

⑵调时分:按“＋”键调时、分,按一下加一,按住5秒钟不放转为快加;按“－”键调时、分,按一下减一,按住5秒钟不放,转为快减。

注:调整时分后,秒钟自动清零,即从该时刻的0秒开始走时。

四、简单编程(实例):编程前先列好时间表(如下表)。

设置音乐1响铃20秒,音乐2响铃16秒,音乐3响铃12秒,音乐4响铃8秒。

⑴清除内部程序:按“编程”键3秒,屏幕显示“Y-:15”,星期灯全闪,音乐1灯亮,按“确认”键,显示“07:00”,再按“清除”键3秒清除内部所有程序直至显示“Y-:15”,进入星期及音乐设置模式状态。

⑵星期模式设置:按“星期”键,直至星期一至日灯全闪,表示一周七天全打铃。

⑶音乐模式设置:音乐灯1亮,显示“Y-:15”按“＋”5次调整至显示“Y-:20”;再按“音乐2”,音乐2灯亮,按“＋”1次调整直至显示“Y-:16”；再按“音乐3”,音乐3灯亮,按“－”3次调整至显示“Y-:12”；再按“音乐4”,音乐4灯亮,按“－”7次调整至显示“Y-:08”,按“确认”键,星期模式及音乐模式设置的信息存入打铃器中,此时星期灯全闪,显示“07:00”表示进入打铃点设置状态。

⑷打铃点设置:按“－”调整时间至6:30,按“音乐1”键,1灯亮表示6:30响音乐1的设置成功;再按“＋”,调整时间至“8:20”,按“音乐2”,灯2亮,表示8:20响音乐2的设置成功;再按“＋”调整至8:30,按音乐3键,3灯亮,表示8:30响音乐3的设置成功;再按“＋”调整至13:15,按“音乐4”键,4灯亮,表示13:15响音乐4的设置成功;再按“＋”调整至15:30,按音乐4键,4灯亮,表示15:30响音乐4的设置成功。

⑸退出编程状态:设置完打铃点,按“编程”键退出编程进入正常走时状态,此时按“＋”“－”调整时间,按“星期”键调整星期。

罗兰德 CUBE Street 电子吉他电铃说明书

6
Portable PA
It’s a guitar amp and mini PA system in one! With its dual-channel architecture and XRL/1/4” Microphone input, you can sing and play guitar through one convenient amplifier. There’s even a delay and reverb devoted to the Mic/Line channel.
The Ultimate Amp for Traveling Musicians
If you’re a musician who’s on the move, the new CUBE Street is for you. Whether you’re running to a rehearsal, lesson, street gig, or any situation that requires portability and versatility, the CUBE Street is a battery-powered marvel that’s ready to travel fast. The CUBE Street sounds amazing and is capable of high-volume output thanks to dual (or two) digital power amps and a pair of high-performance neodymium speakers. And just wait until you hear the built-in effects and amp models!

马尔萨斯电子JCM900值 Series电钢吉他电铃机说明书

J C M 900V A L V E S E R I E SWARNING!PLEASE READ THE FOLLOWING LIST CAREFULLYA. ALWAYS fit a good quality mains plug conforming to the latestB.S.I. standards (UK only).B. ALWAYS wire the plug in accordance with the colour code attached to the mains lead (UK only).C. DO NOT attempt to remove the amplifier chassis. There are no user serviceable parts inside.D. ALWAYS have this equipment serviced or repaired by competent, qualified personnel.E. NEVER under any circumstances, operate the amplifier without an earth.F. NEVER use any amplifier in damp or wet conditions.G. ALWAYS ensure that the impedance of the amplifiers speaker orspeakers connected does not fall below the minimum impedance rating.I. PLEASE READ this instruction manual carefully before switching on.INTRODUCTIONMarshall have specialised in the production of valve amplification since 1962.The unique tone and playing response of the valve has formed the cornerstone of the Marshall “Sound of Rock”, which we have modified over the years to cope with the changing demands of the evolving guitar player.The JCM 900 models split into two distinct product ranges, the Master Volume SL-X and the Dual Reverb. Though they share common ancestry and have similar rear panel functions their applications are quite different.HI GAIN MASTER VOLUME SL-XThe latest innovation from our valve designers involves the use of an extra ECC83 pre-amp valve in the gain stage of the Master Volume SL-X models.This gives a gain soaked front end that is the most extreme yet produced by Marshall and is controlled by twin gain controls, the first (item 2), from 0-10, the second (item 3), from 10-20! Combinations of these two controls can take you from classic Marshall crunch in lower positions, to pure overdriven outrage onmaximum. It is well worth experimenting with these twin gains in conjunction with the tone network (items 6-9) to really get to know the full capability of your new SL-X head.The twin Master Volumes (items 4 & 5) are another unique feature of the SL-X amp giving you twofootswitchable output volume levels, ideal for rhythm to solo switching.Although a clean sound is available, this amp was designed for the uncompromising high gain player who demands a no compromise sound.HI GAIN DUAL REVERBThe Dual Reverb range was designed for versatility with two independently controlled footswitchablechannels, each voiced totally differently.Channel A is voiced for brilliant clean tones with the gain control (item 2) on lower settings and crunch to lower gain lead as you turn it up.Channel B is boosted with enough gain (item 3), for fearsome lead tones, ranging from classic on lower settings to contemporary screaming solos on maximum.Channel master volumes (items 9 & 11) and individual channel reverb controls (items 8 & 10) give you incredible control and all round versatility in either, head or combo form.VALVE OUTPUT POWERThe JCM 900 range use high quality 5881 output valves (x2 in 50 Watt models, x4 in 100 Watt models) for their unique distortion properties and fluid tone.With most valve amplifiers, particularly Marshalls', the best sounds are achieved when the Master Volumes are set high enough to be utilising the driving power of the output valves to the full.This delicate working balance between the pre-amp and power amp levels can only be achieved byexperimentation.You will find that all the JCM 900 models like to work hard and are designed to withstand prolonged use at full power quite readily. The PB100 Power attenuator is ideal for this use (connects between amp andcabinets) as it will allow you to run your amp at full power but keep the overall volume low.The important thing to remember here is that it is the interaction between all the controls that plays a part in achieving your sound.HI GAIN MASTER VOLUME 900 SL-XFRONT PANEL FUNCTIONSModels 2100 & 25001. Input JackConnects the instrument to the amplifier. (A high quality screened lead must be used).2. Pre-Amp Volume ControlSets the initial gain level of the pre-amp section (0-10). Lower settings for clean sounds - higher settings for crunch and overdrive.3. Gain Sensitivity ControlSets the secondary gain level of the pre-amp section (10-20).NOTE:Combinations of the two gain controls (items 2 and 3) provide a wide range of clean, crunch and overdrive possibilities. Experimentation will reveal the optimum settings for each.4 & 5. Master Volume “A” Master Volume “B”Twin footswitchable Master Volume Controls. Master “B” controls the overall volume exclusively when a footswitch is not connected. The connection of footswitch P801 allows switching between Master “A” or “B”giving independent volume levels for rhythm and solo playing.6,7,8 & 9. Treble, Middle, Bass & PresencePassive equalisation circuit. These controls are interactive to provide the maximum range of tonal variation.10. Master Volume B “ON” LED IndicatorIndicates red when Master Volume “B” is selected.11. Footswitch Jack SocketInput for the connection of remote footswitch (model P801).12. Standby SwitchControls the H.T. supply to the amplifier valves. Allows the filaments to remain heated during breaks.13. Power SwitchOn/Off switch for total mains power to the amplifier.HI GAIN DUAL REVERBFRONT PANEL FUNCTIONSModels 4100, 4101, 4102, 4500, 4501 & 45021. Input JackConnects the instrument to the amplifier. (A high quality screened lead must be used).2. Channel “A” Pre-Amp Gain ControlSets the gain level for channel “A”. Lower settings give clean sounds - higher settings for medium drive and crunch rhythm.3. Channel “B” Lead Gain ControlSets the gain level for boosted Channel B. Lower settings give slight overdrive - higher settings for maximum drive and sustain.4,5,6 & 7. Treble, Middle, Bass & PresencePassive rotary equalisation circuit. These interactive controls provide a wide range of tonal possibilities for both channels.8. Reverb Control Channel AControls the amount of reverb on Channel “A”.9. Master Volume Channel AControls the overall volume level of Channel “A”.10. Reverb Control Channel BControls the amount of reverb on Channel “B”.11. Master Volume Channel BControls the overall volume level of Channel “B”.12. Channel B ‘ON’ Push Switch/LEDIndicates red when Channel “B” is selected either manually or by remote footswitch (models P802).13. Footswitch Jack SocketConnects the remote dual footswitch (models P802) for reverb ON/OFF and Channel A/B switching.14. Standby SwitchAllows the amplifier to remain at “standby” (i.e. the valve heaters remain on, ready for instant use, but without the signal circuit being active).15. Power SwitchOn/Off switch for total mains power to the amplifier.REAR PANEL FUNCTIONS The Hi Gain Master Volume SL-X and DualReverb models feature comprehensive connection and control facilities on the rear panel which arecommon to both ranges.50 Watt Models 2500, 4500, 4501 & 45021. Effects Loop Level ControlAdjusts the level of the effects loop from -10dBVto + 4dBm. Higher settings match modern effectsprocessors and lower settings match floor pedals. NOTE:Some effects such as distortion and compressionare best suited to connection via the front panelinput as opposed to the loop.2. Effects Send SocketJack socket for connection to the input of external effects processor.3. Effects Return SocketJack socket for the connection from the output ofexternal effects processor.4. Recording Compensated Line-OutSocketJack socket for direct connection to recordingequipment or PA system. The signal is speciallyfiltered for optimum recording performance.5. Direct Line-Out SocketUnfiltered pre-amp signal for connection toexternal power amplifiers.6. Impedance Selector SwitchTwo-way switch for matching the amplifier tospeaker impedance. Amp heads feature 8 or 16Ohm operation. Combo versions feature 4 or 8Ohm options.7. Loudspeaker Output Jack SocketsParallel wired jacks for linking speaker cabinets.Ensure that the speaker system is easily capable of handling the full amplifier power and that theimpedance (item 6) is correctly selected. If in doubt consult your dealer.8. Output Mode SwitchSwitches the amplifier from high to low poweroutput. The “low” setting configures the outputstage to “triode” operation, which gives half therated output (i.e. 25 Watts on 50 Watts models - or50 Watts on 100 Watt models). The “high” powerposition gives “pentode” operation for the fullrated output.9. Valve Failure L.E.D.Indicates red when output valve fails and causesvalve fuse (item 10) to operate.10. Valve Failure FuseOperates in the event of an output valve failure and prevents any internal damage to the amplifier. NOTE:On 50 Watt models items 11 & 12 DO NOTappear.13. Mains Power InputConnects the amplifier to the mains power supply. NOTE:Always ensure that the incoming mains voltagematches that of the amplifier. If in doubt consultyour Marshall dealer.14. Mains Power FuseProtects the amplifier and mains supply in theevent of a fault.NOTE:Always ensure that the fuse value matches thelabelling on the amplifier rear panel. If in doubtconsult your dealer.REAR PANEL FUNCTIONS100 Watt models 2100, 4100, 4101 & 4102Items 1 to 8 follow the same format as the 50 Watt models.9 & 10. Valve Failure LED (OPV1-OPV4)Valve Fuse (OPV1-OPV4)In the case of output valve failure (OPV1-OPV4), the fuse (item 10) will operate and illuminate LED (item 9). The amplifier will continue to function on reduced power (Using OPV2-OPV3 Only). Service should be obtained as soon as possible to preventthe premature ageing of (OPV2-OPV3).11 & 12. Valve Failure LED (OPV2-OPV3)Valve Fuse (OPV2-OPV3)Similar functions to items (10) and (11) butoperating on OPV2 and OPV3.13. Mains Power InputConnects the amplifier to the mains power supply. NOTE:Always ensure that the incoming mains voltagematches that of the amplifier. If in doubt consultyour Marshall dealer.14. Mains Power FuseProtects the amplifier and mains supply in theevent of a fault.NOTE:Always ensure that the fuse value matches thelabelling on the amplifier rear panel. If in doubtconsult your dealer.JCM 900 SL-X HI GAIN MASTER VOLUMEFRONT PANEL。

电铃说明书

正红CN2100H(交直流二用)电脑打铃仪使用说明书正红CN2100系列全电脑可编程打铃仪采用国际流行全数字化电路研制。

一次性编入程序后即可每天周期性重复工作。

该机设计新颖，性能可靠，安装方便，结构特别合理，还具有同类产品中前所为有的最简单操作。

该机耗电省，具有断电储存记忆作息时间，继续精确计时功能，操作采用轻触开关，屏幕有提示显示，为编程带来方便，是属于新一代电脑型高性能耐用打零仪。

正红CN2100H不受停电影响，交直流二用全自动转换，特别适应于经常停电，或无交流电源的地方使用。

直流电可用12V蓄电瓶或普通一号干电池8节（12V），当交流停电时自动转换成直流打铃。

直流打铃时为减轻耗电量，时钟显示屏不亮，并且不能作任何键操作。

仪器照样正常工作。

如12V电铃响度不够，请更换机外电池及电瓶充电。

正红CN-2100H型打零仪可编打正式铃（长零），预备零（短零），二种铃声，一周中可任意设定那天打零与不打铃功能，该机为24小时制显示，时间显示更为清楚，规范。

技术性能：电源电压：交流180-240V 负载功率：交流220V5A 编程范围：24小时任意时分编入铃数：共60次响铃时间：正式铃（长铃）20秒，连续响铃。

预备铃（短铃）8秒，响4秒断1秒再响4秒。

指示灯：正式铃（长铃）为长亮，预备铃（短铃）闪烁亮。

断电走时：打开仪器后板的电池盒盖装上3节5号电池（半年更换一次）。

安装：接线说明：将打铃仪电源插头插入交流22V插座，打铃仪220V打铃输出一条接电铃，打铃仪的另一条及电铃的另一条接电源（220V）。

12V的电铃直接接打铃的12V打铃输出端，电瓶正负极不能接反。

电瓶正负极反接会烧坏仪器。

用户按以下操作即可将打铃仪后板电池盒盖，装上3节5号电池（此电池专为停电后继续走时用，使用电池走时显示屏不亮）。

一周中任意一天打铃或不打铃设定：首先按“功能键”使屏幕出现1-1。

“时”个位显示数表示星期几，“分”个位显示数表示打铃或不打铃，在此状态按“快进键”来改变星期1-7。

J11212电铃使用说明书

J11212电铃使用说明书
一、用途：电铃主要供中学物理教学使用，用来说明电铃的结构域工作原理
及电磁铁的应用
二、结构：电铃主要由底座支架、电磁铁、黄片及触电、小锤、铃盘以及接
线柱、触电调节装置组成，如图所示：
三、工作原理及使用方法：接通电源之前，先检查簧片触点与调节杆是
否接触良好，且黄片弹性适中，然后两接线端输入3~6V 直流电流，电铃即开始工作，发出清脆的铃声。

其工作原理是：当电流接通时，电磁铁通电产生磁力，吸引簧片一侧的铁片，小锤击打铃盘一次，同时常闭触点断开，电磁铁断电，磁力消除，簧片由于弹性恢复到原来的位置，使触电与调节杆再次接触，电路通电，如此通电、断电循环往复。

四、维护保养与注意事项：1、仪器应放在通风干燥处保存，以免金属件
生锈和线圈老化；2、勿长时间通电，以免电磁铁发热损坏。

底座
接线柱
支架电磁铁
铃盘
小锤
触电
触电调节干
簧片。

LA10 LA系列小型吉他电铃器说明书

In order to reduce environmental damage, at the end of its useful life, this product must not be disposed off along with normal household waste to landfill sites. It mist be taken to an approved recycling centre according to the recommendations of the WEEE (Waste Electrical And Electronic Equipment) Directive applicable in your country.
Guitar
CD/MP3 Headphones
General Notes Amplifier connection: In order to avoid damage, it is advisable to establish and follow a pattern for turning on and off your equipment. With all system parts connected, turn on source equipment, MP3/CD players, etc. BEFORE turning on your guitar amplifier. Similarly when turning off your system always turn down the Volume controls on your guitar amplifier and then turn off its power before turning off other equipment. Cables: Only use a good quality screened cable to connect your instrument to the amplifier. Servicing: The user should not attempt to service these products. Refer all servicing to qualified service personnel. 6

电铃说明书

超速达CS－9812型电脑自动响铃器使用说明书型号：CS－9812尺寸：260mm(长)×180mm(宽)×50mm(厚)功能简介：1、微电脑控制，高亮度LED显示，清晰，明亮。

2、24小时内最多可设置40次不同的响铃时间。

3、铃声分长声、短声、一长一短三种方式可供选择。

4、响铃时间长短在99秒内可任意选择。

5、计时精度月差小于20秒。

6、内置高性能可充电电池，保证外部断电后20小时数据记忆。

7、既可每天响铃，也可设置一周内一或两天（休息日）不响铃。

8、紧急情况下可手动控制响铃。

9、输入电压在160V～230V之间仪器均能可靠工作，适合低电压地区使用。

10、设有输出保险，当外接负载短路或过载时，保险将熔断以对内部电路进行保护。

11、功率2W，耗电极小，500小时仅耗约一度电。

12、输出负载功率为220V/3A，可并接多个电铃。

面板说明：面板示意图操作步骤：***本仪器请勿与其他用电器共用电源插座，以免因干扰使响铃程序出现紊乱。

1、将响铃器电源接入220V 市电插座。

2、将响铃器后面板上的“内置电池”开关置于“开”的位置，使内置电池充电。

3、按动响铃器后面板上的“复位”键，屏幕显示。

4、按“S1”键，进入第一次响铃的响铃方式设置状态，屏幕显示。

5、对照下表，按动“S3 ”键设置末位数字，即响铃方式。

6、按“S2”键，进入第一次响铃时间设置状态，屏幕显示时位数字闪动。

7、按“S3”键，设置第一次响铃时间之“小时”。

注：若持续按住“S3”键，数字将快速变动。

（以下当S3键用作调整数字时相向。

）8、再按“S2”键，屏幕显示分位数字闪动。

9、按“S3”键，设置第一次响铃时间之“分”。

10、按“S1”键，存入第一次响铃的设置，同时进入第二次响铃的响铃方式设置状态，屏幕显示11、重复5 －10 步，设置第二、三、…次响铃的响铃方式及晌铃时向，直到将所需要的多次响铃的响铃方式和响铃时间全部设置完毕并存入，此时屏幕显示为第一次响铃的响铃方式设置状态，用户可不必设置，直接进入下一步。

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1、概述目前在皮带运输巷和提升运输巷使用的信号装置大致有两类，一类是传统的隔爆型电磁式电铃；另一类是组合式声光信号电铃，其中有一些具有单工对讲功能。

针对目前这种状况，我们研制生产了KXT23型数显通信声光信号装置。

技术领先、设计合理、一机多用。

可应用于皮带机巷和轨道运输巷，是目前声光信号装置中理想的更新换代产品。

3.3、对讲呼叫功能在待机状态下，可实现单工对讲及呼叫功能。

按下信号装置对讲按钮，联线的所有信号装置均能听到讲话及呼叫，松开对讲按钮，信号装置均处于接收状态。

注：在绞车运行时，应禁止对讲呼叫，以免影响司机操作。

3.5、安全灯自动转换功能在轨道运输中当绞车起动时，可对车房内信号装置输入36V电压信号或工作闸继电器常开接点信号，每个水平都可自动实现安全灯转换，而无需重新架设电缆。

3.6、打点信号电压输出功能本装置可输出与打点信号同步的电压信号，当设置为二级传送状态时，只有DIP8编码为“1”的信号装置发出的信号，H、I端子才有127V电压输出，编码不为“1”的信号装置发出的信号，H、I端子无127V电压输出。

当不用二级传送时，任意位置发出信号，H、I端子均有127V电压输出。

4、结构原理原理框图见附图<一>。

该装置为隔爆兼本安型设计，由隔爆腔、本安腔、电源板、主机板构成。

采用单片微控制器及调制解调技术，以实现声音、数字信号的传输及各种控制功能。

对讲声音，由送话器经过放大送主处理器，然后通过调制解调器加到电源线上，接收机把电源线上的信号经调制解调器，通过主处理器，把声音信号还原出来。

经功率放大后，驱动扬声器发声。

位置数据信号通过打点控制，使主处理器经调制解调器把信号送入电源线上，接收机则把信号经调制解调器送入主处理器，主处理器经过运算后送入位置数据显示和信号计数显示电路。

5、使用方法5.1、对讲使用方法对讲时，按下面板下端的“对讲按钮”，通过中间小孔，声音信号传送到所有联机上，讲完后松开“对讲按钮”，则处于接听状态。

5.2、打点信号使用方法打点时，按下“信号按钮”，则本系统的所有信号装置，均数字显示发出打点信号的位置编码及打点数，两个发光二极管会发出红光，扬声器发出铃声。

发信号时，两次信号的间隔不大于0.8秒时，信号将累加计数，如果大于0.8秒，则信号数重新从1开始计数，视为另一组打点。

要求两次按下信号按钮的时间间隔不小于0.1秒。

6、安装及设置方法6.1、皮带机巷信号装置的安装方法皮带机巷信号装置的安装示意图、接线端子图见附图<二>。

6.1.1、电源线安装安装时将第一台右侧的A端子、B端子接127V信号综保，接地线接外壳，左侧的A端子、B端子及A1端子接第二台右侧的A端子、B端子、A1端子，线顺序要一致，第二台左侧再接第三台右侧，依次类推，并把所有机壳与地线连接好。

6.1.2、编码设置将所有联机本安腔内的DIP2开关中的“1”拨到ON位置，“2”拨到数字侧（出厂时已设置完成），把第一台的DIP8开关中的“1”拨到ON侧，第二台DIP8开关中的“2”拨到ON侧，其余各台依次类推，设置一个不重复的编码即可。

6.2、小型轨道绞车信号装置的安装方法小型轨道绞车信号装置安装示意图、接线端子图见附图<三>。

注：多部绞车共用1台信号综保时，必须拨下位于本安腔（装置下部）电路板上的DJX插件。

6.2.1、电源线安装安装时，将第一台右侧的A端子、B端子接127V信号综保，接地线接外壳，左侧的A端子、B端子及A1端子接第二台右侧的A端子、B端子、A1端子，接线顺序要一致，第二台左侧再接第三台右侧，依次类推，并把所有机壳与地线连接好。

6.2.2、安全灯安装绞车房内的信号装置右侧的D端子、E端子接来自80N或120N开关输出的36V电压控制信号（开车时有36V输出，停车时无36V输出），其它联机各台此两端子悬空，将每台左侧的F端子接安全灯公共线，G端子接绿灯，R端子接红灯。

6.2.3、与（行车不行人）语音报警信号装置连接方法将本信号装置的电源线A、B接到语音报警信号装置的电源侧，将隔爆腔内R端子接到语音报警信号装置的触发端，具体安装时要参照语音报警信号装置的说明书。

如果语音报警信号装置不能正常工作，则可能是触发相位不对，将A、B相电源对调即可。

6.2.4、编码设置编码设置开关为DIP8开关，二级传送为DIP2开关，都设在本安腔内的线路板上。

6.2.4.1不用二级传送时的设置方法将所有联机主机板（位于装置下半部）上DIP2开关中“1”拨到ON侧，“2”拨到数字侧（出厂设置）。

将井口信号装置主机板上DIP8开关中“1”拨到ON侧，其余在数字侧；下一台DIP8开关“2”拨到ON侧，其余在数字侧；依次设置一个不重复的编码。

注：每台只能将一个拨码拨到数字侧，否则发不出信号。

6.2.4.2、使用二级传送时的设置方法将绞车房信号装置主板上DIP2开关中的“1”拨到数字侧，“2”拨到ON侧（与出厂设置相反）；DIP8开关中的8个开关都拨到数字侧。

将井口及其它各台信号装置主机板上DIP2开关中的“1”拨到ON侧，“2”拨到数字侧（与出厂设置相同）。

将井口DIP8开关中的“1”拨到ON侧，其余在数字侧；下一台信号装置DIP8开关中的“1”拨到ON侧，其余在数字侧；依次设置一个不重复的编码即可。

6.3、大型轨道绞车信号装置的安装方法大型轨道绞车的安装示意图、接线端子图见附图<四>。

6.3.1、电源线的安装安装时将第一台右侧的A端子、B端子等接127V信号综保，接地线接外壳，左侧的A端子、B端子及A1端子接第二台右侧的A端子、B端子、A1端子，接线顺序要一致，第二台左侧再接第三台右侧，依次类推，并把所有机壳与地线连接好。

6.3.2、安全灯安装将大绞车工作闸继电器GZJ的一组空闲常开点，接于车房内信号装置右侧的E端子和A1端子，其它联机各台E端子悬空，将每台信号装置左侧的F端子接公共线，G端子接绿灯，R端子接红灯。

6.3.3、与（行车不行人）语音报警信号装置连接方法将本信号装置的电源线A、B接到语音报警信号装置的电源侧，将隔爆腔内R端子接到语音报警信号装置触发端，具体安装时要参照语音报警信号装置的说明书。

如果语音报警信号装置不能正常工作，则可能是触发相位不对，将A、B 相电源对调即可。

6.3.4、信号继电器与绞车后备保护信号的安装本信号装置中的右侧端子H和I将输出与打点信号同步的127V电压，此电压可供给电控系统中的信号继电器用，也可以供后备保护作为打点信号用，容量为127V、1A。

在二级传送状态，只有DIP8开关设置为“1”的信号装置发出信号时，车房内信号装置的H、I端子才输出127V电压，其它编码的信号装置发出信号时，H、I端子才输出127V电压，其它编码的信号装置发出信号时，H、I端子无127V电压输出，与绞车保护配合实现信号闭锁。

6.3.5、编码设置编码设置开关为DIP8，二级传送开关为DIP2，均设置在本安腔内的线路板上。

6.3.5.1、不用二级传送时的设置方法将所有联机主机板（位于装置下半部）上DIP开关中“1”拨到ON侧，“2”拨到数字侧（出厂设置）。

将井口信号装置主机板上DIP8开关中“1”拨到ON侧，其余在数字侧；下一台DIP8开关“2”拨到ON侧，其余在数字侧；依次设置一个不重复的编码。

注：每台只能将一个拨码拨到数字侧，否则发不出信号。

6.3.5.2、使用二级传送时的设置方法将绞车房信号装置主机板上DIP2开关中的“1”拨到数字侧，“2”拨到ON 侧（与出厂设置相反）；DIP8开关中的8个开关都拨到数字侧。

将井口及其它各台信号装置主板上DIP2开关中的“1”拨到ON侧，“2”拨到数字侧（与出厂设置相同）。

将井口DIP8开关中的“1”拨到ON侧，其余在数字侧；下一台信号装置DIP8开关“2”拨到ON侧，其余在数字侧；依次设置一个不重复的编码即可。

7、简单故障处理8、安装使用注意事项8.1、安装前要认真阅读说明书，并作好常规防爆性能检查，注意工作电压与装置额定电压是否一致。

8.2、接线时应注意所有联机为A、B、A1端子顺序必须一致，以免造成信号装置损坏或通信不正常。

8.3、本安腔（装置下半部分）打开时，要向上侧或右侧轻轻翻转，不要用力拉扯，以免拉断扬声器连接线。

8.4、多部绞车共用一个信号综保时，必须拨下位于本安腔电路板上的DJX 插件。

（拨下后，注意保存）8.5、本安腔内带电改变编码时，应先将原拨码拨回，然后再拨新码，拨码时不要用力过大，以免损坏拨码开关。

不可同时拨两个或两个以上编码，否则发不出打点信号。

8.6、防爆腔内127V电压输出端子H、I外接电铃、继电器时，总负载功率应不大于100W；H、I端子不能并接其它电源，以免烧坏可控硅。

8.7、每次打点响铃时间必须大于0.1秒，一组信号的两次打点间隔必须大于0.1秒而小于0.8秒，两组信号间隔要大于0.8秒。

8.8、距话筒0.3m左右对讲时，声音更清晰。

8.9、本安腔上面的小孔为话筒孔，右侧为发声孔。

不可有异物塞入此孔。

8.10、隔爆腔上盖前应涂抹凡士林。

8.11、不准在A、B相与A1间另加按钮，否则会造成装置损坏。

8.12、根据规程要求，信号装置电源必须专用，禁止其它设备从本装置内借用电源，语言报警信号和安全灯除外。

9、售后服务请仔细阅读说明书，一般电工即可安装，我公司不派专人安装，出现非人为故障保修6个月，并长期有偿服务。

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