托福听力原文
托福听力tpo50 lecture1、2、3、4 原文+题目+答案+译文
托福听力tpo50 lecture1、2、3、4 原文+题目+答案+译文Lecture1 (1)原文 (1)题目 (4)答案 (6)译文 (6)Lecture2 (8)原文 (8)题目 (10)答案 (12)译文 (12)Lecture3 (14)原文 (14)题目 (16)答案 (18)译文 (18)Lecture4 (20)原文 (20)题目 (22)答案 (24)译文 (24)Lecture1原文NARRATOR: Listen to part of a lecture in an ancient history class.FEMALE PROFESSOR: OK, last time we were discussing trade and commerce during the Bronze Age … And I said a little over 3,000 years ago there was quite a lively trade among the countries along the Mediterranean Sea—people were making objects out of bronze, and they were using bronze tools to make other goods, and they developed trade networks to trade these goods with other countries around the Mediterranean … One of the things they traded was glass …And recently there was an archeological excavation in Egypt—on the Nile River, around where it enters the Mediterranean Sea—where they discovered an ancient glass factory. Robert?MALE STUDENT: I thought our textbook said that the Egyptians imported their glass from other countries.FEMALE PROFESSOR: Well, until now that's what the evidence seemed to suggest. I mean, we had some evidence that suggested that the Egyptians were making glass objects, uh, but not glass.MALE STUDENT: OK, am-am I missing something? They're making glass, but they're not making glass.FEMALE PROFESSOR: I said they were making glass objects, right? You see, it was previously thought that they weren't actually making the raw glass itself, that they were importing unfinished glass from Mesopotamia—um, which today is a region consisting of Iraq, and parts of Syria, Turkey, and Iran—and simply reworking it. Most archeologists believed that the glass factories were in Mesopotamia because that's where the oldest known glass remains come from. You see, there were two stages of glassmaking: the primary production stage, where they made disks of raw glass… Uh, an- and then there was the secondary stage, where they melted the raw glass, the glass disks, and created decorative objects or whatever.And from this new Egyptian site we've learned that the primary production stage had several steps. First, they took quartz—a colorless, transparent mineral—and crushed it. Then they took that crushed quartz and mixed it with plant ash; uh, “plant ash” is just what it soundslike—the ash that's left after you've burned plant material. They slowly heated this mixture, at a relatively low temperature, in small vessels, um containers, like jars, made out of clay. Uh, and that yielded a kind of glassy material…They took this glassy material and ground it up into a powder, and then they used metallic dye to color it… After that, they poured the colored powder out into disk-shaped molds and heated it up to very high temperatures, so that it melted. After it cooled, they'd break the molds, and inside…there were the glass disks. These disks were shipped off to other sites within Egypt and places around the Mediterranean. Then, in the secondary phase, the disks were reheated and shaped into decorative objects. Susan?FEMALE STUDENT: So what kind of objects were people making back then? FEMALE PROFESSOR: Well, the most common objects we’ve found—mostly in Egypt and Mesopotamia—uh, the most common objects were beads; one thing Egyptians were very, very good at was imitating precious stones; they created some beads that looked so much like emeralds and pearls that it was very difficult to distinguish them from the real thing. Uh, and-and also beautiful vessels, uh, with narrow necks; they were probably really valuable, so they wouldn't have been used to hold cooking oil or common food items; they were most likely used for expensive liquids like perfume. Now the glass made at this factory was mostly red; to get this red color, they used copper; in a sophisticated process. Of course, any kind of glass was very valuable, so these red bottles would only have been owned by wealthy people. In fact, because it was so difficult to make, and sort of mysterious and complicated, it was probably a product produced for the royal family, and they probably used glass to show their power. Also, beautiful, expensive objects make great gifts if you're looking to establish or strengthen political alliances…and it's quite possible that ancient Egyptians were actually exporting glass, not just making it or importing it. The trade with Mesopotamia was probably a friendly, mutual trade…because, uh, Mesopotamian glass was usually white or yellow, so Mesopotamians might have said something like, “We'll give you two white disks for two red disks.” There’s no proof ofthat, uh—at least not yet…题目1.What is the lecture mainly about?A. New information about glass production and use in ancient EgyptB. Whether Egyptians or Mesopotamians were the first to invent glassC. Differences between Egyptian glass and other kinds of glassD. Reasons why ancient Egyptians imported glass from other countries2.What is the importance of the archaeological evidence recently found in Egypt?A. It supports the theory that ancient Egyptians imported glass from Mesopotamia.B. It proves that ancient Egyptians made glass objects prior to the Bronze Age.C. It provides the first evidence that glassmaking in the Bronze Age required two different stages.D. It shows that ancient Egyptians were producing raw glass.3.The professor describes a process for making glass disks. Summarize the process by putting the steps in the correct order. [Click on a sentence. Then drag it to the space where it belongs. The last one is done for you.]A.Glass-like material is ground up and dyed blue or red.B.Powdered material is heated at very high temperatures.C.Crushed quartz and plant ash are heated at low temperatures.D.Containers are broken to remove glass disks.4.Based on the lecture, what are two kinds of glass objects that were valued in ancient Egypt and Mesopotamia? [Click on 2 answers.]A. BeadsB. Cooking utensilsC. ContainersD. Windows5.According to the professor, what are two reasons why ancient Egyptians exported glass? [Click on 2 answers.]A. To build relationships with foreign leadersB. To hold cooking oil that was sold in other countriesC. To get bronze tools from other countriesD. To acquire colors of glass not made in Egypt6.Why does the professor say this:Robert: Ok. Am……Am I missing something? They are making glass but they are not making glass?Professor: I said they were making glass objects, right?A. To emphasize that glass objects were only made in ancient EgyptB. To find out what the student does not understandC. To indicate that there was no contradiction in her previous statementD. To correct what she said in her previous statement答案A D CABD AC AD C译文旁白:请听一个古代历史课上的讲座片段。
托福听力tpo66section1 对话讲座原文+题目+答案+译文
托福听力tpo66section1对话讲座原文+题目+答案+译文Conversation1 (1)原文 (1)题目 (3)答案 (4)译文 (4)Lecture1 (6)原文 (6)题目 (9)译文 (11)Conversation1原文Student:How was that conference last weekend?Professor Miles.Professor:Great.I heard some really terrific presentations,refreshing topics too. About all these,you don't usually hear too much about.Student:why not?Professor:Oh,it's a funny thing about academia.It thinks scholars would do research about every topic imaginable.But actually,some authors,some genres aren't respective very much.So not very much is written them...gothic literature,detective novels.Student:But that's what the conference was about?Professor:Yeah,pretty much.It was kind of subversive,I guess.But there's a whole wealth of knowledge out there just waiting to be explored.I find that really exciting.Student:Sure.Professor:Yeah.Anyway,you wanted to ask me about the final paper?Student:Yeah,which I see now ties into the theme of that conference,since we're supposed to write about a book from one of those lesser genres.I was wondering what about science fiction?Professor:Sure.Though it's a genre that's actually getting more and more respect within academia.There was even a talk at the conference about Jack Vance.Student:He wrote planet of adventure,right?Professor:Yeah.He's a well-researched respected science fiction writer.If you're interested in science fiction,you could look them up.That leads you to lots of other authors and lots of possibilities for your paper.Student:Great.I'm relieved you think that,that's a good genre to study.I'll find a book that interests me and do the paper on that.It seems like most people assume that science fiction is kind of like,I don't know,junk literature.Professor:Yes,a lot of people do.Student:Yeah,but I've read somethings and I think that some of it is really well written and it takes so much imagination to write SCI-Fi.Professor:Well,careful,though,there is a difference between science fiction and Scifi.Student:What do you mean?Professor:SCI fi,that's what you tend to see in films.It has all the spaceships and robots,and it focuses on exotic technology you know factor like special effects,at the expense of a well written story.I think a lot of people don't realize this and tend not to make a distinction.Student:Okay.Professor:But true science fiction is much more intellectual than that. The story is very important,and even though it might take place in an imaginary world,it might have exotic gadgets.The focus is on the plot.Science fiction creates metaphors about our world.And well what it means to be human.It's meant to getpeople to think about real things like history and human behavior.That's worthy of your time,but not SCI fi.Student:Great.Well.Can I let you know next week which book I want write about?Professor:Sure.题目1.Why does the man go to see the professor?A.To find out what the assignment is for the final paperB.To discuss a conference that the professor attendedC.To get a topic area approved for a class assignmentD.To find out the difference between science fiction and sci-fi2.What was unusual about the conference that the professor attended?A.It included presentations by many scholars who were not well known to the professor.B.It included presentations by students.C.It focused on authors who are respected by most scholars.D.It focused mostly on less popular literary genres.3.Why does the professor mention Jack Vance?[Click on2answers.]A.To encourage the man to write a paper about Planet of AdventureB.To support her point that some authors should be researched moreC.To indicate a way for the man to begin looking for a suitable topicD.To demonstrate that science fiction is gaining attention from scholars4.What is the man’s attitude toward science fiction?A.He is confident that it will become more respected.B.He disagrees with a commonly held opinion about it.C.He understands why it is not well respected.D.He is impressed that it includes exotic technology.5.According to the professor,what is a key difference between sci-fi and science fiction?A.Sci-fi is intellectually more challenging than most science fiction.B.Science fiction stories are often made into films.C.Science fiction places more importance on plot than sci-fi does.D.Science fiction makes little use of exotic technology.答案C D CD B C译文1.学生:上周末的会议如何,Miles教授?2.教授:很好,我听到了很多非常精彩的演讲,以及令人耳目一新的话题,而且这些话题平时都没机会听到。
托福听力tpo69section1-对话讲座原文+题目+答案+译文
托福听力tpo69section1对话讲座原文+题目+答案+译文Conversation1 (2)原文 (2)题目 (4)答案 (7)译文 (7)Lecture1 (9)原文 (9)题目 (13)答案 (15)译文 (15)Conversation1原文Student:Hi I'm Robert West,we had an appointment. University administrator:You hear about your graduation form right?I'm about to print it out.Student:Oh good,thanks,I was kind of wondering what it is all about,I mean,I’ve completed more than enough courses work to graduate.University administrator:All this is strictly routine,of course you have to finish your course work.But this form is just the administrative checklist.It's our way of making sure you don't have any unfinished university business,like unpaid tuition bills or lab fees that’s sort of thing.Student:Well,I do have an outstanding student loan,but I was told that I don't have to start paying that off yet,not until I get a job,I do have a job interview tomorrow.University administrator:well,good luck with it,but not your loan,it's not an issue here.Let’s see,the only problem I see is um,what’s this fine for…uh,an overdue CD that you borrowfrom the music library.Student:Really?I…I checked it out,like three months ago,but wasn’t really for me.University administrator:Oh,you checked it out for a friend?Student:No,for a faculty member actually.We need that music for a play we produced.Uh,professor Williams was our director and I was in the show.Anyway,he’d asked me to borrow the recording from the library.University administrator:Okay,but that still doesn't explain why you didn't return it.Student:Well,he ended up with it.He says he’d return it.And I just assumed that was that.Because I never heard anything from the library.University administrator:That’s all,you used it and you know this.Student:Yeah,Oh,but I did recently move to a new apartment, maybe they did send something.University administrator:Okay,well this should’ve been done in a time in manner.But as they say better late than never,if you return the CD now,you get away with just a late time,which is a lot less than the fee to replace it.Student:Yeah,but it's totally not my fault,so now I have to track down the CD to avoid having to pay this replacement fee. University administrator:Well,yes.I mean it sounds like there was some kind of a mix-up,but the burden is still on you to settle your library account.You know it,it might be that their records are wrong,so first I suggest you go there make sure and then you might have to go talk to professor Williams. Student:Oh,I guess I have no choice.University administrator:Don't worry too much,these things always get sorted out.Student:Yeah,you’re right.It's no big thing,I should be more worried about my job,interview,then about this. University administrator:And when it’s all worked out,come back here for your paper work.题目.Why does the student go to see the woman?A.To make sure he has completed enough course work to graduateB.To find out when his student loan must be paid backC.To pick up an administrative formD.To complain about a library fine2.What is the student's problem?A.He forgot to return some library books.B.He cannot start paying off his student loan yet.C.He paid his graduation fee too late.D.He owes money to the music library.3.Who is Professor Williams?A.The head of the libraryB.The director of a play the student was inC.The student's music professorD.The person who arranged a job interview for the student4.What is the most likely reason the student did not receive the notice from the library?A.He recently moved.B.He has been out of town.C.The library just mailed it the day before.D.The library sent it to Professor Williams.5.What can be inferred about the student when he says this: University administrator:Well,yes.I mean it sounds like there was some kind of a mix-up,but the burden is still on you to settle your library account.You know it,it might be that their records are wrong,so first I suggest you go there make sure and then you might have to go talk to professor Williams. Student:Oh,I guess I have no choice.A.He is not sure how to respond to the woman.B.He feels he has been treated unfairly.C.He wonders if there is another solution.D.He does not think the woman's suggestions will work.答案C D B A B译文1.学生:嗨!我是Robert West,我们之前有约。
TOEFL老托福听力PartC原文精选5篇
TOEFL老托福听力PartC原文精选5篇老托福听力PartC原文1At last month's meeting you asked me to draw up a report about the possibility of keeping the student center open twenty-four hours a day.在上个月的会议上你们要求我起草一个报告,关于保持学生中心每天24小时开放的可能性。
I decided that the best way to assess the need for expanded hours was to talk to the people who were still in the student center at closing time.我判断评估增加小时数的需求的最好方法是与在关闭时间依然在学生中心里面的人谈谈。
First, over the course of the two weeks, I interviewed more than fifty students as they left the student center at its regular closing time of twelve midnight.首先,在过去两周的进程中,我面谈了超过五十名同学,当他们在通常的午夜12点的关闭时间离开学生中心时。
About eighty percent of them said they would prefer that the center stay open later.他们中的大约百分之八十说,他们更喜欢中心保持开放更晚些。
Of the three main uses of the center—eating in the snack bar, recreation in the game room or watching TV, and studying by far the most popular late night activity is—and this may surprise you—studying.中心的三大用途——在快餐部吃东西,在娱乐室消遣或看电视,以及学习,目前为止最普遍的深夜活动是——这也许会让你们很惊讶——学习。
托福听力tpo64 section1 对话讲座原文+题目+答案+译文
托福听力tpo64section1对话讲座原文+题目+答案+译文Conversation1 (1)原文 (1)题目 (3)答案 (5)译文 (5)Lecture1 (7)原文 (7)题目 (9)答案 (11)译文 (11)Lecture2 (13)原文 (13)题目 (15)答案 (17)译文 (17)Conversation1原文Listen to a conversation between a student and a philosophy professor.Male Professor:Hi,Melissa,you're rough draft for your paper is looking very promising so far.Female Student:Thanks.I still have some reading to do.Post-modernism is pretty challenging.so...Male Professor:well,you're off to a good start.So anything else about the class or post-modernism since we have a few minutes before my next appointment?Female Student:Well,actually in class,you talked about a French philosopher.Uh, Lyotard.You said he didn't believe in stories or something like that,that stories were invalid.Male Professor:Okay.I think I see,uh,first of all,you understand what he um, remember what Lyotard said about the uh.the grand narrative?Female Student:Not really.Male Professor:Okay,have a seat.Female Student:All right.Male Professor:It's not quite the same way you're thinking of narratives,not stories. Lyotard,meant narrative as in a way of understanding the world.Female Student:Um.I uh.Male Professor:How can I explain this uh,grand narrative...It's...It's like an idea that that helps people make sense of history.Like when you picture the early middle ages in Europe,but what do you think?Female Student:Okay,like,um,there weren't a lot of cultural achievements then, lots of wars,but not a lot of important art or books or anything,like it was the Dark Ages.Male Professor:All right that that's a simple explanation of a time in history,right? Something that tends to be accepted or understood by most people.That makes it a grand narrative.Here's a more recent one.Scientific progress.Female Student:Ah,ha.Male Professor:People look at important inventions throughout history,light bulbs, cars,computers.And we generally believe that there's an underlying universal truth, that modern technology makes the world better.It's been the belief for so long that people accept it as being true.We don't even think of it much.We just accept that modern technology has that effect.Female Student:Well.it does make our lives better.Male Professor:All right.This is where Lyotard comes in.He believed we have to be careful about accepting ideas like that.He said these beliefs really oversimplify things and that we should think more critically.Are there times when technology would not be considered progressive where it doesn't bring improvement?Female Student:Oh.I don't know,uh,pollution,but I…Male Professor:No,no,that's good.It would be hard to say pollution was a form of improving the world.Female Student:But isn't pollution just a side effect of...?Oh!So it kind of goes against the grand narrative about technology.It complicates things.Male Professor:Yeah.And that's a basic idea behind post-modernism,that we should be skeptical of grand narratives,because there's a good chance they are not completely true.Female Student:You mean?Male Professor:Well,not to say there's no truth in grand narratives.Of course.It's just that nothing is as simple and straightforward as it seems.We should look critically at the things we assume.Female Student:Okay.I....I think I get it.Thanks.题目1.What are the speakers mainly discussing?A.A paper the woman is writing about a philosopherB.A disagreement between two philosophers about a termC.The interpretation of a term used in a philosopher’s workD.The professor’s opinion about a philosopher2.Why does the professor ask the woman about the early Middle Ages?A.To elicit an example of a grand narrativeB.To make a point about changes in technologyC.To encourage her to compare two grand narrativesD.To present an example that contradicts Lyotard’s idea3.What points does the professor make about scientific progress?[Click on2 answers.]A.Historically,people have believed that it improves the world.B.According to Lyotard,it has caused more harm than good.C.It is part of a grand narrative that has changed over time.D.According to Lyotard,its benefits should be questioned.4.Why does the woman mention pollution?A.To demonstrate the problem with Lyotard’s claimB.To ask how important it is in Lyotard’s argumentC.To illustrate the negative effects of technologyD.To introduce another grand narrative5.What does the professor mean when he says this:We don't even think of it much.We just accept that modern technology has that effect.Female Student:Well.it does make our lives better.Male Professor:All right.This is where Lyotard comes in.A.He is going to change the topic of the conversation.B.He is going to challenge the woman’s belief.C.He wants to clarify the time period in question.D.He wants to correct a statement he made earlier.答案C A AD C B译文1.听一个学生和哲学教授之间的对话。
托福听力原文
托福听力原文Conversation 1:Passage 1Man: Hi. Are you Paula?$ Woman: Jim?$ Man: Hi. Nice to meet you.$ Woman: Glad to meet you.$ Man: So, you need some tutoring in English?$ Woman: Yeah. I'm taking English composition, and I'm not doing very well on my essays.$ Man: Right. Um, well, first let's see if we can figure out a time to meet . . . that we're both free.$ Woman: Okay.$ Man: How about Mondays? Maybe in the morning? I don't have any classes until eleven on Mondays.$ Woman: That would work, but I was hoping we could, you know, meet more than once a week.$ Man: Oh. Well, Tuesdays are out. I've got classes and, uh, I work at the library part time on Tuesdays and Thursdays. Bu t I could get together on Wednesdays.$ Woman: In the morning?$ Man: Probably nine-thirty would be best. That way we'd have an hour to work before I'd have to get ready for my eleven o'clock.$ Woman: So that would be two hours a week then?$ Man: I could do that.$ Woman: Oh, but, would that be extra? You know, 2. would I need to pay you for the extra session连续授课时间?$ Man: No. Um, just so you meet me here at the LearningCenter, and we both sign in, then I'll get paid. Tutoring is free, to you, I mean. The school pays me. But we both have to show up.3 If you don't show up and sign in for a session, then I don't get paid. So . . .$ Woman: Oh, don't worry about that. I really need the help.I won't miss any sessions unless I'm sick or something.$ Man: Okay then. So you want me to help you with your essays?$ Woman: Right. I could bring you some that have, you know, comments on them. I'm getting C's and . . .$ Man: Well, that's not too bad. Once I see some of your writing, we should be able to pull that up (名次提前)to a B.$ Woman: You think so?$ Man: Sure. But I need to explain something. Some of my students in the past . . . they expected me to write their essays for them. But that's not what a tutor is supposed to do.4. My job is to help you be a better writer.$ Woman: Oh, I understand that. But you'll read my essays, right?$ Man: Oh yeah. No problem. We'll read them together, and I'll makesuggestions.$ Woman: Great. I think part of the problem is I just don't understand the teacher's comments. $ Maybe you can help me figure them out.$ Man: Sure. Who's the teacher?$ Woman: Simpson.$ Man: 5. No problem. I've tutored a couple of her students, so I know more or less where she's coming from. Okay, then. I guess we'll meet here on Monday.$ Woman: I'll be here. Nine-thirty you said.$ Man: Just sign in when you get here.Passage 2Professor:6. Okay, today we’re going to discuss the four major types of drainage patterns(排水系统).7. I trust you’ve already read the chapter so you’ll recall that a drainage pat tern is the arrangement of channels that carry water in an area. And these patterns can be very distinctive since they’re determined by the climate, the topography(地形学,地形测量学), and the composition of the rock that underlies the formations. So, consequently, we can see that a drainage pattern is really a good visual summary of the characteristics of a particular region, both geologically and climactically. In other words, when we look at drainage patterns, wecan draw conclusions about the structural formation and relief of the land as well as the climate.Now all drainage systems are composed of an interconnected network of streams, and, when we view them together, they form distinctive patterns. Although there are at least seven identifiable kinds of drainage patterns, for our purposes, we’re going to limit our study to the four major types. Probably the most familiar pat te rn is the dendritic (树枝状的) drainage pattern.8. This is a stream that looks like the branches of a tree. Here’s an example of a dendritic pattern. As you can see, it’s similar to many systems in nature. In addition to the structure of a tree, it also resembles the human circulation system. This is a very efficient drainage system because the overall length of any one branch is fairly short, and there are many branches, so thatallows the water to flow quickly and efficiently from the source or sources.$ O kay, let’s look at the next example.$ This drainage pattern is referred to as a radial(辐射状的) pattern. Notice how the streams flow from a central point. This is usually a high mountain, or a volcano. 9. It kind of looks like the spokes(辐条;) that radiate out from the hub(中心) of a wheel. When we see a radial pattern, we know that the area has experienced uplift and that the direction of the drainage is down the slopes of a relatively isolated centralpoint.$ Going back to the dendritic for a moment. The pattern is determined by the direction of the slope of the land, but it, uh, the streams flow in more or less the same direction, and . . . so it’s unlike the radial that had multiple directions of flow from the highest point.$ Now this pattern is very different from either the dendritic or the radial. $ This is called a rectangular (长方形的; 矩形的) pattern, and I think you can see why. Just look at all of those right-angle (直角) turns. The rectangle pattern is typical of a landscape that’s been formed by fractured joints and faults. And because this broken rock is eroded more easily than unbroken rock, stream beds are carved along the jointed bedrock.10 Finally we have the trellis (格架) pattern. And here in this example, you can see quite clearly how the tributaries (支流的)of an almost parallel structure drain into valleys and . . . and form the appearance of a garden trellis. This pattern forms in areas where there are alternating bands of variable resistance, and by that I mean that the bands of rock that are very strong and resistant to erosion alternate with bands of rock that are weakand easily eroded. This often happens when a horizontal(水平的), plain folds and outcroppings (出露地表) appear.$ So, as I said, as a whole, these patterns are dictated by the structure and relief of the land.$ The kinds of rocks on which the streams are developed, the structuralpattern of the folds(褶层), uh, faults, and . . . uplift will usually determine a drainage system. However, I should also mention that drainage patterns can occasionally appear to be, well, out of sync with the landscape. And this can happen when a stream flows over older structures that have been uncovered by erosion or . . . or when a stream keeps its original drainage system when rocks are uplifted. So when that happens, the pattern appears to be c ontrary to the expected course of the stream. 11. But I’m interested in your understanding the basic drainage systems. So I don’t plan to trick you with test questions about exceptional patterns, but I expect you to know that exceptions to the patterns can occur when geological events influence them.Passage 3Professor:$ Drawing is a very basic a rt form. It’s appealing because it can be used to make a very quick record of the ideas that an artist may be envisioning(imaginative), so, a drawing can serve as a visual aid for the artist to remember a certain moment of inspiration and maybe use it for a more detailed work later on. Okay, usually such sketches allow the artist to visualize the proportions and the shapes without much attention to details so these images can be used by painters, architects, sculptors—any artist really. And large renderings, sketches of parts of the whole . . . thesecan be helpful in the creative process when a . . . a huge image might be more difficult to conceive of in its entirety. Or, a sketch of just one face in a crowd can allow the artist to . . . focus on creating just that part of the image.So, in many artists’ studios, countless drawings are strewn about as the final painting or sculpture takes form. And this gives us insight into the creative process, as well the opportunity to see changes from the images at the beginning in the images of the finished work. It’s rare, in fact, for an artist to use permanent materials to begin a piece of art. And some painters, for example, even sketch onto the surface of the canvas before applying the pigments. 13. 14. Now, architects are especially prone to(be likely to)sketches because, of course, their buildings are so large that an image in smaller scale is necessary to the imagination and implementation of such projects. So, uh, these studies become the basis for future works. And again, this is very interesting as a record of the creative process. Okay so far? 1412. Okay, drawing has several other functions besides as a temporary reference. For centuries, artists have used drawing as a traditional method of education. By copying the great works, especially of the Old Masters, aspiring artists could learn a lot about proportion, how to capture light and shadow and . . . and so forth. In fact, some artists who later achieve recognition, still continue to use this practice to hone their skills or . . . or simply to pay homage to another artist, as is often the case whena work of art originally created in another medium like a sculpture . . . when it’s recreated in the form of a drawing. Many examples of drawings of Michelangelo’s sculptures were re-created by well-known artists. One that comes to mind is the Study of Michelangelo’s Bound Slave by Edgar Degas. Theoriginal by Michelangelo was a marble sculpture that was, oh, about seven feet in height, but the small drawing was made in a sketchpad. In any case, the study is also considered a masterpiece, on a small scale, of course.12. So . . . what additional purposes m ight be served by the medium of drawing?Well, let’s remember that photography is a relatively new art form, so prior to the use of photographs to record historical events, a quick drawing by an artist was about the only way to preserve a real-time visual account of an important moment. Although a more permanent visual impression might be rendered later, it would be based on memory and not on the artist’s actual observation. 15. Probably the most often cited example of a sketch t hat preserved a n historical record would be the small drawing of Marie Antoinette(玛丽安彤奈特) as she was taken to the guillotine(断头台) in a cart through the streets of Paris. Jacques-Louis David sketched this famous drawing on a piece of paper about the size of the palm of his hand. And the artist, the artist reporter, is still important even in modern times, when photography isn’t possible, for e xample, when judges won’t permit cameras in the courtroom.17. Ok ay, to review, we’ve talked abou t three functions for drawing—as a visual aid for the artist to complete a future work, as a method of educ ation f or aspiring artists or eve n practiced artists, and as a way to report an event. But the sketchbook has . . . other possibilities. $ Sometimes a drawing is the final execution of the art. Picasso produced hundreds of drawings in, well, every conceivable medium, but especially in pencil and crayon. I find it very interesting that Picasso did so much of this kind of work . . . drawing, I mean, in his last years. Some critics have argued thathe was just laughing at the art world, which was willing to pay outrageous sums for anything with his name on it, and clearly, a drawing can be executed in a short period of time. But others, other critics, 16. they feel as I do that Pi casso was drawing because it was so basic, and because it was so spontaneous and so much fun. And also, think about how difficult it really is to produce a quick drawing with a few lines and, uh, no opportunity to . . . to recreate the original, either by painting it out or remodeling the clay or changing the building materials, or . . . or any of the other methods for revision of a finished artistic work that artists have at their disposal. So, what I’m saying is that drawing when it’s elevated to a finished piece, it must be done with confidence and it must show a high degree of creativity and mastery of the art form. In a way, it harkens back to the beginnings of art itself, when some unknown artist must have stuck a finger in the earth to draw animage or . . . maybe he picked up a stone and made a drawing on the wall of a cave.Okay, so, as a first assignment, I want you to make a couple of sketches yourself. I’m not going to grade them. This isn’t a studio art class. I just want you to use a few basic strokes to capture an image. You can do the first one in pencil, crayon, ink, chalk, or even charcoal . . . whatever you like. Then, I want you to sketch the same image in a different medium. So, if you do a face in pencil, I want you to do the same face but in chalk or crayon. Bring them to class next week and we’ll continue our discussion of drawing, but we’ll talk more about the ma terials artists use to produce drawings, and, uh, we’ll refer to your sketches as examples.Passage 4Student: Thanks for seeing me, Professor Williams.Professor: Glad to, Alice. What do you have on your mind?Student:18. Well, I got a little mixed up when I started to go over my notes from the last class, so I had a few questions.Professor: Shoot.Student: Okay. I understand the three basic sources of personnel for multinational companies.That’s fairly self-explanatory.Professor: Host country, home country, and third country.Student: Right. But then you started talking about staffing patterns that . . . let me see . . . okay . . 19.. you said, “staffing pa tterns may vary depending on the length of time that t he multinational company has been operating,” and you gave some examples, but I got confused and now I can’t read my notes.Professor: Okay. Well, one pattern is to rely on home country managers to staff the key positions when the company opens, but gradually moving more host country nationals into upper management as the company grows.Student: So, for example, if a French company opened a factory in Canada, then French management would gradually replace themselves with Canadian managers. Is that what you mean?Professor: Right. I think I used that very example in class. So do you want to try to explain the second pattern to me?Student: Sure. 20.I think it’s the one where home country nationals are put in charge of the company if it’s located in a developed country, but in a developing country, t hen home country nationals manage the company sort of indefinitely.Professor: Right again. 20. And an example of that wouldbe . . . Student: . . . maybe using German management for a Swiss company in Germany, but, uh, they might send Swiss management to provideleadership for a Swiss company in . . . in . . .Professor: How about Zimbabwe?Student: This is one of the confusing parts.Zimbabwe has a very old and highly developed culture, so…Professor: . . . but it’s still defined as a developing country because of the economic base—which is being developed now.Student: Oh, okay.21. I guess that makes sense. Then the example of the American company with British management . . . when the company is in India . . . tha t would be a third-country pattern. Professor: Yes. In fact, this pattern is fairly prevalent among multinational companies in the United States.Many Scottish or English ma nagers have been hired for top management positions at United States subsidiaries in the former British colonies-India, Jamaica, the West Indies, some parts of Africa . . .Student: Okay. So I’ve got all the examples right now.$ Professor: Anything else?$ Student: Just one thing. There were some typical patterns for certain countries.$ Professor: Like the last example.$ Student: No. This came later in the lecture. Something about Japan and Europe.$ Professor: Oh. Right. I probably said that both Japanese multinationalcompanies and European companies tend to assign senior-level home country managers to 22. overseas locations for their entire careers, whereas multinational companies in the UnitedStates view overseas assignments as temporary, so they may actually find themselves reporting to a senior-level manager from the host country who has more experience.$ Student: So, for example, a Japanese company in the United States would most probably have senior-level Japanese managers with mid-level managers maybe from the United States. But in Japan, the senior-level Japanese managers at an American company would probably have mid-level American managers reporting to them?$ Professor: Well, generalities are always a little tricky, but for the most part, that would be a typical scenario. Because living as a permanent expatriate is a career move in Japan, but a temporary strategy in the United States.$ Student: Okay. That’s interesting.$ Professor: And important for you to know as a business major with an interest in international business.$ You’re still on that track, aren’t you?$ Student: I sure am. But, you know, I wasn’t thinking in terms of living abroad for my entire career.$ That really is a huge commitment, and something to ask about going in.Anyway, like you say, most American companies view overseas assignments as temporary. That’s more what I have in mind, for m yself, I mean.Passage 5 astronomy 天文学Professor:$ Okay, let’s get started. Um, as you know today I promised to take you on a walk through the sola r system, so let’s start here with the central object of our solar system—the Sun. As you can see, the Sun is about five inches in diameter an d that’sabout the size of a large grapefruit(柚子), which is exactly what I’ve used to represent it here in our model. So, I’m going to take two steps and that will bring me to the planet closest to the Sun. That would be Mercury(水星). Two more steps to Venus (金星). And one step from Venus to Earth. Let’s continue walking three steps from Earth to Mars(火星). And that’s as far as I can go here in the classroom, but we can visualize the rest of the journey.24. Don’t bother writing this down. Just stay with me on this. So, to go from Mars to Jupiter(木星), we’d have to walk a little over half the length of a football field, so that would put us about at the library here on campus, and then to get from Jupiter to Saturn(土星), we’d have to walk another 75 yards, so by then we’d be at Harmon Hall. From Saturn to Uranus(天王星), we’d have to walk again as far as we’d gone in our journey from the Sun to Saturn, and so we’d probably be at the Student Union. From Uranus to Neptune(海王星)we’d have to walk the same distance again, which would take us all the way to the graduate dormitory towers. From Neptune to Pluto (冥王星), another 125 yards. So, we’d en d up about one third of a mile from this classroom at the entrance to the campus.$ Okay. That’s interesting, but now I want you to think about the orbits of the planets in those locations. Clearly, the first four planets could orbit fairly comfortably in this room, but to include the others, we’d have to occupy an area of more than six-tenths of a mile, which is all the way from College Avenue to Campus Drive. Remember that for this scale, the Sun is five inches, and most of the planets are smaller than the lead on a sharpened pencil. Okay, with that in mind, I want you to think about space. Sure, there are some moons around a few planets, and ascattering of asteroids and comets, but really, there isn’t a lot out there in such a vast area. It’s, well, it’s pretty empty. And that’s what I really want to demonstrate with this exercise.Now, it would really be even more impressive if you could actually make that walk, and actually you can, if you visit Washington, D.C., where a scale model is set up on the National Mall, starting at the National Air and Space Museum and ending up at the Arts and Industries Museum. I did that a couple of years ago, and it was, well amazing. Even though Iknew the distances intellectually, there’s nothing like the experience. Has anybody else done that walk?$ Student 1:$ I have. And you’re right. It’s an eye-opener. It took me about twenty minutes to go from the Sun to Pluto because I stopped to read the information at each planet, but when I made the return trip, it was about ten minutes.$ Professor: Did you take pictures?$ Student 1: I didn’t. But, you know, I don’t think it would ha ve captured it anyway.25. Professor:$ I think you’re right. What impressed me about doing it was to see what was not there. I mean, how much space was between the bodies in the solar system. And a photograph wouldn’t have shown that.So back to our model. Here’s another tho ught for you. The scale for our model is 1 to 10 billion. Now, let’s suppose that we want to go to the nearest star system, the neighbor to our solar system. That would be the Alpha Centauri system, which is a little less than four and a half light years a way. Okay. Let’s walk it on our model. Here we are on the East Coast of the United States.So if we want to make it all the way to Alpha Centauri, we have to hike all the way to the West Coast, roughly a distance of 2,700 miles. And that’s just the closest one.$ To make a model of the Milky Way Galaxy would require a completely different scale because . . . because the surface of the Earth wouldn’t be large enough to accommodate a model at the scale of 1 to 10 billion. Now, let’s stop here for a minute because I just want to be sure that we’re all together on the terms solar system and galaxy. 26. Remember that our solar system is a single star, the Sun, with various bodies orbiting around it—nine planets and their moons, and asteroids, comets, meteors. But the galaxy has a lot of star systems—probably 100 billion of them.Okay? This is important because you can be off by almost 100 billion if you get confused by these terms. Not a good idea. Okay, then, even if we could figure out a different scale that would let us make a model of the Milky Way Galaxy, even then, it would be challenging to make 100 billion stars, which is what you’d have to do to complete the model. How many would that be exactly? Well, just try to count all the grains of sand on all the beaches on Earth. That would be about 100 billion. But of course, you couldn’t even count them in your lifetime, could you? I f you’d started counting in 1000 B.C.E. you’d be finishing just about now, with the counting, I mean. But of course, that assumes tha t you wouldn’t sleep or take any breaks.27. So, what am I hoping for from this lecture? What do you think I want you to remember?$ Student 2: Well, for one thing, the e normous distances . . .$ Student 3: . . . and the vast emptiness in space.$ Professor:$ That’s good. I hope that you’ll also begin to appreciatethe fact that the Earth isn’t the center of the universe.$ Our planet, although it’s very beautiful and unique, it’s still just one planet, orbiting around just one star in just one galaxy.Passage 6Professor:$ Okay, we know from our earlier study of Freud that29. defense mechanisms protect us from bringing painful thoughts o r feelings to the surface of our consciousness. We do this because our minds simply can’t tolerate these thoughts. So, defense mechanisms help us to express these painful thoughts or feelings in another way, while we repress the real problem. The function of defense mechanisms is to keep from being overwhelmed. Of course, the avoidance of problems can result in additional emotional issue s. And there’s a huge distinction between repression and suppression. Anybody want to explain the difference? $ Student 1:$ I’ll try it. 30. I think repression is an unconscious response to serious events or images but suppression is more conscious and deals with something unpleasant but not usually, well, terrible experiences.$ Professor:$ I couldn’t have said it better. Now remember that the thoughts or feelings that we’re trying to repress may include, just to mention a few, anger, depression, competition, uh . . . fear, envy, hate, and so on.$ For instance, let’s suppose that you’re very angry with your professor.31. N ot me, of cou rse. I’m referring to another professor. So, you’re very angry because he’s treated you unfairly insome way that . . . that could cause you to lose your scholarship. Maybe he failed you on an examination that didn’t really cover the material that he’d gone over in class, and an F grade in the course is going to be unacceptable to your sponsors. So, this wou ld be very painful, as I’m sure you’d agree. And I’d say it would qualify as a serious event.$ So let’s take a look a t several different types of defense mechanisms that you might employ to repress the feelings of disappointment, rage perhaps, and . . . a nd even violence that you’d feel toward the professor. Most of them are named so the mechanism is fairly obvious and one of the most common mechanisms is denial, which is . . .$ Student 2: If I want to deny something, I’ll just say I’m not angry with the professor.$ Professor:$ Exactly. You may even extend the denial to include the sponsors, and you could tell your friends that they’d never revoke your scholarship. And。
托福听力tpo67section1 对话讲座原文+题目+答案+译文
托福听力tpo67section1对话讲座原文+题目+答案+译文Conversation1 (2)原文 (2)题目 (4)答案 (6)译文 (6)Lecture1 (8)原文 (8)题目 (10)答案 (12)译文 (13)Lecture2 (14)原文 (14)题目 (16)答案 (18)译文 (19)Conversation1原文Student:Hi.I know it's Friday afternoon and all,but this is kind of an emergency.Supervisor:Oh,what kind of emergency?Exactly?Student:Well,I mean,there's no danger or anything.It's like a personal emergency. It's about my apartment.Supervisor:Well,I really only deal with dormitories.The apartment facilities, supervisors,offices,next door room,208ask for Jim.Student:I just came from there.They sent me to you.It's a problem with my stove.Supervisor:And they sent you here.All right.Now,what's the problem?Student:My stove isn't working at all.It won't even turn on.Supervisor:It's electric?Student:Yes.Supervisor:Okay,our electrician is out today,his daughter is getting married tomorrow.So realistically he probably won't get to it until Monday afternoon. Perhaps Tuesday.Student:Really,we have to go without a stove for a whole weekend,possibly more?Supervisor:Yes,as you pointed out,this is not a dire emergency,so it's going to be handled under the normal maintenance schedule,which is Monday through Friday. And I know for a fact that Monday is already pretty tight,the electrician will have a lot to catch up on.So when I say possibly Tuesday,I'm just trying to be realistic.Student:But I really rely on that stove.I don't have any kind of on campus dining arrangement or contract.Supervisor:Well,I understand,but…Student:And it's not even the whole problem.I'm expecting a bunch of people to show up tomorrow night.I'm going to be hosting a meeting of the editorial staff of the school paper.And a dinner was scheduled.Supervisor:Now I see which you meant by a personal emergency,but all I can really do is put in a work request.I'm sorry.Student:I just got finished shopping for all the food for the meeting.Ah.I guess,I'll just have to call it off.Supervisor:Why would you cancel the meeting?Student:Well,I mean,I could do it next week.Supervisor:Couldn't you like use a neighbour or something?Student:I don't think so.I mean,the only neighbors I really know,well enough to ask the guys next door,if you saw the state of that kitchen,you'd understand.I'm not sure I could find the stove under all the mess.Supervisor:I see.Well,we could try to set you up in one of our conference rooms in the Johnson building.Student:Really?I thought that student groups couldn't book the rooms in Johnson.Supervisor:Well,normally they can't.However,given your situation,I can try to put in a word with some people and see if we can make an exception here.There is also a full kitchen in the Johnson building,so you'd be covered there.Student:Okay.Yes.That definitely would work.Um.Do you have any idea when you know if you can make this happen or not?Because I'll need to let people know.Supervisor:Yeah,I understand people need to know what's going on.Um.Let me get back to you in an hour or so on this.Can you leave me your phone number?Student:Sure.Thanks.题目1.Why does the woman go to see the facilities supervisor?A.To find out where there is a stove that she can useB.To complain about her treatment in another facilities officeC.To ask if a meeting can be moved to another locationD.To schedule repairs for a broken appliance2.Why does the woman believe that her problem is a serious one?[Click on2 answers.]A.She does not have an on-campus option for meals.B.She is concerned that the stove could be dangerous.C.She knows that other students have had similar problems.D.She was relying on using the stove for an upcoming event.3.What will the woman probably do next?A.Request an emergency repair for her stoveB.Prepare a meal that does not need to be cookedC.Move her event to a different locationD.Reschedule her event to the following week4.What does the woman imply about her next-door neighbors?A.Their kitchen is too dirty for her to use.B.Their stove is not functioning properly.C.They do not let other people use their stove.D.They will be using their kitchen this weekend.5.What can be inferred about the supervisor when he says this:Student:I just got finished shopping for all the food for the meeting.Ah.I guess,I'll just have to call it off.Supervisor:Why would you cancel the meeting?Student:Well,I mean,I could do it next week.A.He feels sorry for the woman.B.He believes that the woman's plan of action is not necessary.C.He wants to know the reason for the woman's decision.D.He wants the woman to confirm her plan.答案D AD C A B译文1.学生:嗨。
托福听力tpo68全套对话讲座原文+题目+答案+译文
托福听力tpo68全套对话讲座原文+题目+答案+译文Section 1 (2)Conversation1 (2)原文 (2)题目 (5)答案 (7)译文 (8)Lecture1 (10)原文 (10)题目 (13)答案 (16)译文 (17)Lecture2 (19)原文 (19)题目 (24)答案 (27)译文 (27)Section 2 (30)Conversation2 (30)原文 (30)题目 (33)答案 (36)译文 (36)Lecture3 (39)原文 (39)题目 (43)答案 (46)译文 (46)Section 1Conversation1原文Student: Hi i'm i'm, i'm, Randy Beecham. I really need to speak with professor Clark right away. Could you get me into see her?Assistant: Well, she is conducting oral exams right now, I can't interrupt her. The exams began at 8:00 this morning and are scheduled to go on all day.Student: But I was supposed to take my oral at 9 this morning, and well I don't know what happened, my alarm clock didn't go off for some reason and I overslept.Assistant: Oh dear!Student: I know it's like, really embarrassing, when I open my eyes and saw with already 9:30 I just got here as fast as I could.Assistant: Well,since you didn’t show up your schedule time. The professor would probably consider it an unauthorized absence. I’m afraid that it will translate into an automatic failing grade for that portion of the exam.Student: Oh no, and I was so prepared, I stayed up all night studying. Is there any way I can maybe reschedule it?Assistant: I don't know what to tell you Randy. As I said professor Clark will be examining students to four o'clock today and all day tomorrow, then it’s the weekend.Student: What about like, first thing Monday morning?Assistant: No, Monday is not possible, exam week ends tomorrow when the dean, it's the dean who says the university’s rules on these matters, you know, not the professors. The dean is very strict about granting extensions except under extraordinary circumstances.Student: Um, so, I guess the defect of alarm clock wouldn’t account as extraordinary, huh.Assistant: I'm afraid we’re talking something more on the order of illness or if you had an unavoidable conflict, like an exam in another class schedule for the same time. But you know, since exam week isn't over yet, it probably would be worthwhile trying to speak with professor Clark, she might be able to find a solution.Student: You now, the oral part of the exams only an half hour long, do you think she’d be willing to stay later this afternoon or coming a little early tomorrow ?Assistant: I'm sure should do her best. But I can't speak for her of course.Student: But I can't just stick around all day waiting for her. Do you think she will be breaking for a lunch.Assistant: Well, I hope so for her sake, let me check her schedule again. Well, she's got student’s schedules to noon, then she has one hour break before the afternoon exams schedule begins. So yes, she apparently does plan to break for lunch.Student: Noon, ha.Assistant: That's what it says.Student: Okay, why don't I come back at noon then, but if you happen to see her in the meantime, would you please say I was here and that I'm really sorry I was late for my exam.Assistant: Of course, good luck!题目1.What problem does the student have?A. He is unsure about the material he needs to study for an exam.B. He missed the deadline for submitting a paper.C. He does not know when the exam period starts.D. He needs to reschedule an exam.2.What reason does the student give for missing an appointment with his professor?A. His alarm clock did not work properly.B. He was confused about the time of the appointment.C. He felt ill when he woke up that day.D. He had an exam in another class.3.Why does the woman mention the dean?A. To indicate that the dean will probably accept the student’s excuseB. To point out that the professor is not able to extend the exam periodC. To explain that extensions are not granted under any circumstancesD. To indicate that the student needs to report to the dean4.Why do the speakers think that the professor might be able to help the student?[Click on 2 answers.]A. The exam period has not ended.B. The professor may excuse the student from taking the exam.C. The professor may grant an extension of the exam.D. The oral exam takes only half an hour.5.What does the woman imply when she says this:Student: But I can't just stick around all day waiting for her. Do you think she will be breaking for a lunch.Assistant: Well, I hope so for her sake.A. The professor usually breaks for lunch during exams.B. The students enjoy eating lunch with the professor.C. The professor will get tired unless she takes a break.D. The exams will end early in the afternoon.答案D A B AD C译文1.学生:嗨!我是Randy Beecham,我真的需要和Clark教授马上谈一下。
托福听力tpo39 全套对话讲座原文+题目+答案+译文
托福听力tpo39全套对话讲座原文+题目+答案+译文Section1 (2)Conversation1 (2)原文 (2)题目 (4)答案 (5)译文 (5)Lecture1 (7)原文 (7)题目 (9)答案 (11)译文 (11)Lecture2 (13)原文 (13)题目 (16)答案 (17)译文 (18)Section2 (20)Conversation2 (20)原文 (20)题目 (22)答案 (23)译文 (23)Lecture3 (25)原文 (25)题目 (27)答案 (29)译文 (29)Lecture4 (30)原文 (30)题目 (33)答案 (34)译文 (35)Section1Conversation1原文NARRATOR:Listen to a conversation between a student and a theater professor.MALE STUDENT:Hi,Professor Jones.FEMALE PROFESSOR:Hey,didn't I see you at the performance of Crimes of the Heart last night?MALE STUDENT:Yeah…actually my roommate had a small part in it.FEMALE PROFESSOR:Really?I was impressed with the performance—there sure are some talented people here!What did you think?MALE STUDENT:You know,Beth Henley's an OK playwright;she's written some decent stuff,but it was a little too traditional,a little too ordinary…especially considering the research I’m doing.FEMALE PROFESSOR:Oh,what’s that?MALE STUDENT:On the Polish theater director Jerzy Grotowski.FEMALE PROFESSOR:Grotowski,yeah,that's a little out of the mainstream…pretty experimental.MALE STUDENT:That’s what I wanted to talk to you about.I had a question about our essay and presentation.FEMALE PROFESSOR:OK…MALE STUDENT:Yeah,some of these ideas,uh,Grotowski's ideas,are really hard to understand—they're very abstract,philosophical—and,well,I thought the class would get more out of it if I acted out some of it to demonstrate.FEMALE PROFESSOR:Interesting idea…and what happens to the essay?MALE STUDENT:Well,I'll do the best I can with that,but supplement it with the performance—you know,bring it to life.FEMALE PROFESSOR:All right,but what exactly are we talking about here?Grotowski, as I'm sure you know,had several phases in his career.MALE STUDENT:Right.Well,I’m mainly interested in his idea from the late1960s…Poor theater,you know,a reaction against a lot of props,lights,fancy costumes,and all that…so,it’d be good for the classroom.I wouldn’t need anything special.FEMALE PROFESSOR:Yes.I’m sure a lot of your classmates are unfamiliar with Grotowski—this would be good for them.MALE STUDENT:Right,and this leads…I think there's overlap between his Poor theater phase and another phase of his,when he was concerned with the relationship between performers and the audience.I also want to read more and write about that.FEMALE PROFESSOR:You know,I saw a performance several years ago…it really threw me for a loop.You know,you're used to just watching a play,sitting back…but this performance,borrowing Grotowski's principles,was really confrontational—a little uncomfortable.The actors looked right in our eyes,even moved us around, involved us in the action.MALE STUDENT:Yeah,I hope I can do the same when I perform for the class.I'm a bit worried,since the acting is so physical,that there's so much physical preparation involved.FEMALE PROFESSOR:Well,some actors spend their whole lives working on this…so don't expect to get very far in a few weeks…but I'm sure you can bring a couple of points across.And,if you need some extra class time,let me know.MALE STUDENT:No,I think I can fit it into the regular time for the presentation.FEMALE PROFESSOR:OK.I think this'll provide for some good discussion about these ideas,and other aspects of the audience and their relationship to theatricalproductions.题目1.What are the speakers mainly discussing?A.A play by Grotowski that was discussed in class.B.A proposal that the student has for an assignment.C.A play that is currently being performed at the university.D.The main phases in Grotowski's career as a director.2.What does the student imply when he talks about the play he recently attended?A.He attended the play because he is writing an essay on it.B.He wished the play were more experimental.C.He thought his roommate showed great talent.D.He was not familiar with the author of the play.3.What are two characteristics of Grotowski's theater that the speakers mention?[Click on2answers.]A.The minimal equipment on the stage in his productions.B.The single stories that his plays are based on.C.The elaborate costumes the actors wear in his plays.D.The actions of the performers in his plays.4.Why does the professor mention a play she attended several years ago?A.To compare it to the play she saw the previous evening.B.To suggest that Grotowski's principles do not necessarily lead to effective theater.C.To show how different it was from Poor theater.D.To provide an example of one of the ideas the student wants to research.5.What does the professor imply about the acting the student wants to do?A.Audiences are no longer surprised by that type of acting.B.The acting requires less physical preparation than he thinks.C.He will not be able to master that style of acting easily.D.He should spend less time acting for the class and more time on class discussion.答案B B AD D C译文旁白:请听一段学生和戏剧学教授之间的对话。
托福TPO14听力原文
TPO 14 听力原文Conversation 1Narrator:Listen to a conversation between a student and the librarian employee.Student:Hi, I am looking for this book---the American judicial system. And I can’t seem to findit anywhere. I need to read a chapter for my political science class.Librarian:Let me check in the computer. Um… doesn’t seem to be checked out and it’s not onreserve. You’ve checked the shelves I assume.Student:Yeah, I even checked other shelves and tables next to where the book should be.Librarian:Well, it’s still here in the library. So people must be using it. You know this seems tobe a very popular book tonight. We show six copies. None are checked out. And, yetyou didn’t even find one copy on the shelves. Is it a big class?Student:Maybe about Seventy Five?Librarian:Well, you should ask your professor to put some of the copies on reserve. You knowabout the ‘Reserve system’, right?Student:I know that you have to read reserve books in the library and that you have timelimits. But I didn’t know that I could ask a professor to put a book on the reserve. Imean I thought the professors make that kind of decisions at the beginning of the semester.Librarian:Oh… they can put books on reserve at anytime during the semester.Student:You know reserving book seems a bit unfair. What if someone who is not in the classwants to use the book?Librarian:That’s why I said some copies.Student:Ah, well, I’ll certainly talk to my professor about it tomorrow. But what I am gonna dotonight?Librarian:I guess you could walk around the Poli-Sci ----- ‘Political Science’ section and look atthe books waiting to be re-shelved.Student:There are do seem to be more than normal.Librarian:We are a little short of staff right now. Someone qui t recently, so things aren’t gettingre-shelved as quickly as usual. I don’t think they’ve hired replacement yet, so, yeah,the un-shelved books can get a bit out of hand.Student:This may sound a bit weird. But I’ve been thinking about getting a job. Um… I’venever worked at the library before, But…..Librarian:That’s not a requirement. The job might still be open. At the beginning of the semester we were swamped with applications, but I guess everyone who wants thejob has one by now.Student:What can you tell me about the job?Librarian:Well, we work between six and ten hours a week, so it’s a reasonable amount.Usually we can pick the hours we want to work. But since you’d be starting so late inthe semester, I’m not sure how that would work for you. And… Oh… we get paid thenormal university rates for student employees.Student:So who do I talk to?Librarian:I guess you talk to Dr. Jenkins, the head librarian. She does the hiring.TPO 14 Lecture 1 PsychologyNarrator:Listen to part of a lecture in a psychology classProfessor:We’ve said that the term “Cognition” refers to mental states like: knowing and believing, and to mental processes that we use to arrive at those states. So forexample, reasoning is a cognitive process, so it’s perc eption. We use information thatwe perceive through our senses to help us make decisions to arrive at beliefs and soon. And then there are memory and imagination which relate to the knowledge of things that happen in the past and may happen in the future. So perceiving,remembering, imagining are all internal mental processes that lead to knowing or believing. Yet, each of these processes has limitations, and can lead us to hold mistaken believes or make false predictions. Take memory for example, maybe youhave heard of studies in which people hear a list of related words. Ah…, let`s say a listof different kinds of fruit. After hearing this list, they are presented with several additional words. In this case, we`ll say the additional words were “blanket” and “cheery”. Neither of these words was on the original list, and, well, people will claimcorrectly that “blanket” was not on the original list, they’ll also claim incorrectly thatthe word “cheery” was on the list. Most people are convinced they heard the word “cheery” on the original list. Why do they make such a simple mistake? Well, we think because the words on the list were so closely related, the brain stored only thegist of what they heard. For example, that all the items on the list were types of thefruit. When we tap our memory, our brains often fill in details and quite often thesedetails are actually false. We also see this “fill-in” phenomenon with perception.Perception is the faculty that allows us to process information in the present as we take it via our senses. Again, studies have shown that people will fill in informationthat they thought they perceived even when they didn`t. For example, experimentshave been done where a person hears a sentence, but it is missing the word, that lo gically completes it. They’ll claim to hear that word even though it was never said.So if I were to say…er…the sunrise is in the…and then fill to complete the sentence,people will often claim to have heard the word “east”.In cognitive psychology, we hav e a phrase for this kind of inaccurate “filling in of details”--- it’s called: A Blind Spot. The term originally refers to the place in our eyeswhere the optic nerve connects the back of the eye to the brain. There are no photoreceptors in the area where the nerve connects to the eye. So that particular area ofthe eye is incapable of detecting images. It produces “A Blind Spot” in our field vision.We are unaware of it, because the brain fills in what it thinks belongs in its image, sothe picture always appears complete to us. But the term “blind spot” has also takenon a more general meaning--- it refers to people being unaware of a bias that may affect their judgment about the subject. And the same “blind-spot phenomenon”that affects memory and perception also affects imagination. Imagination is a facultythat some people use to anticipate future events in their lives. But the ease with which we imagine details can lead to unrealistic expectations and can bias our decisions.So…er…Peter, suppose I ask you to image a lunch salad, no problem, right? But I betyou imagine specific ingredients. Did yours have tomatoes, Onion, Lettuce? mine did?Our brains fill in all sorts of details that might not be part of other people’s image of asalad, which could lead to disappointment for us. If the next time we order a salad ina restaurant, we have our imagined salad in mind, that’s not necessarily what we’llget on our plate. The problem is not that we imagine things, but that we assume what we’ve imagined is accu rate. We should be aware that our imagination has thisbuilt-in feature, the blind spot, which makes our predictions fall short of reality.TPO 14 Lecture 2 BiologyNarrator:Listen to part of a lecture in a biology class.Professor:Almost all animals have some way of regulating their body temperature; otherwisethey wouldn’t survive extreme hot or cold conditions---sweating, panting, swimmingto cooler or warmer water; ducking into somewhere cool like a burrow or a hole under a rock; these are just a few. And that’s body is colder or warmer than the surrounding environment, because it’s a microclimate.A microclimate is a group of climate conditions that affect the localized area, weatherfeatures like temperature, wind, moisture and so on. And when I say localized, I mean really localized, because microclimates can be, as the name suggests, pretty small, even less than a square meter. And microclimates are affected by hugenumber of other variables. Obviously weather conditions in the surrounding areas are a factor. But other aspects of the location like, um… the elevation of the land, theplant life nearby, and so on, have a substantial effect on microclimates. And of coursethe human development in the area, eh, a road will affect a nearby microclimate. It’salso interesting to know that microclimates thither or near each other can have verydifferent conditions. In the forest for example, there can be a number of verydifferent microclimates close to each other, because of all the variables I justmentioned.Student:So how does a hole in the ground, a burrow, stay cool in a hot climate?Professor:Well, since cold air sinks, and these spots are shaded, they are usually much coolerthan the surrounding area. And these spots are so important because many animalsrely on microclimates to regulate their body temperature. Hmm, for instance, there isa species of squirrel, in the Western part of the United States that can get really hotwhen they were out foraging for food. So they need a way to cool down. So what’dthey do? They go back to their own burrow. Once they get there, their bodytemperatures decrease very, very quickly. The trip to the burrow prevents thesquirrel from getting too hot.Student:But squirrels are mammals, right? I thought mammals regulate their temperature internally.Professor:Mammals do have the ability to regulate their body temperature, but not all can do itto the same degree, or even the same way. Like when you walk outside on a hot day,you perspire, and your body cools itself down, a classic example of how mammal regulates its own body temperature. But one challenge that squirrels face, well manysmall mammals do, is that because of their size, sweating would make them lose toomuch moisture. They dehydrate. But on the other hand, their small size allows themto fit into very tiny spaces. So for small mammals, microclimates can make a big difference. They rely on microclimates for survival.Student:So cold blood animals, like reptiles, they can’t control their own body temperature,so I can image the effect of microclimate would have on them.Professor:Yes, many reptile insects rely on microclimates to control their body temperature. Alot of reptiles use burrows or stay under rocks to cool down. Of course with reptiles,it’s a balancing act. Staying in the heat for too long can lead to problems, but stayingin the cold can do the same. So reptiles have to be really precise about where they spend their time, even how they position their bodies. And when I say the y’reprecise, I mean it--- some snakes will search out a place under rocks of a specific thickness, because too thin a rock doesn’t keep them cool enough, and too thick a rock will cause them to get too cold. That level of precision is critical to the snake formaintaining its body temperature. And even microscopic organisms rely onmicroclimates for survival.Think about this, decomposing leaves create heat that warms the soil; the warm soilin turn affects the growth, the conditions of organisms there. And those organisms then affect the rate of decomposition of the leaves. So a microclimate can besomething so small and so easily to disturbed that even a tiny change can have a bigimpact. If someone on a hike knocks a couple of rocks over, they could be unwittinglydestroying a microclimate that an animal or organism relies on.TPO 14 Conversation 2Narrator:Listen to a conversation between a student and his faculty adviserAdvisor:Hi ,Steven I schedule this appointment, cause it has been a while since we touch this.Student:I know I have been really busy--- a friend of my works on a school a paper. Heasksme if I would like to try to reporting so I did and I really love it.Advisor:Hey…that's sounds great!Student:Yeah… the first article I wrote it was profile of the chemistry professor---the one whose name teacher the year. My article ran on the front page. When I saw my name, I mean my byline in print, I was hooked. Now I know this is what I want to do--- be a reporter.Advisor:Isn't it great to discover something that you really enjoy? And I read that the articletoo? It was very good.Student:To be honest, the articles got a lot of editing. In fact I barely recognized a couple ofparagraphs. But the editor explained why the changes were made. I learned a lot andmy second article didn't meet nearly many changes.Advisor:Sound like you got a real neck for this.Student:Yeah… anyway, I am glad you schedule this meeting because I want to change mymajor to journalism now.Advisor:Um,the university doesn't offer major in journalism.Student:Oh no…Advisor:But….Student:I… I mean… should I transfer to another school, or major in English?Advisor:Er… wait a minute. Let me explain why the major isn’t offered. Editors at t he newspaper… editors… um… I mean when you apply for a reporting job, editors lookat the two things--- they want to see clips, you know, some of your published articles,though also want to try out, though give you an assignment like… covering a price ofconferences some other event, then see if you can craft the story about it, accurately,on dead line.Student:So they don't even to look at my major?Advisor:It is not that they don't look at it… it is… well, having a degree in something otherthan journalism should actually work to your advantage.Student:How?Advisor:Most journalism specialized these days. They only write about science or business ortechnology for example. Is there a type of reporting you think you may like to specialize then?Student:Well… I think it can be really cool to cover the Supreme Court. I mean… theirdecisionaffects so many people.Advisor:That is really a goal worth striving for. So, why not continue major in political science?And as elective, you could take some Pre-Law classes like Constitution Law, and asfor you work on the student newspaper paper, maybe they let you cover some localcourt cases--- once that the student and professor here would want to read about.Student:Do you know of any?Advisor:I do. Actually, there is case involving this computer software program that one of ourprofessors wrote. The district courts decide in if the university entitle to any of ourprofessors' profits?Student:Wah…. I will definitely follow upon that!TPO 14 Lecture 3 AstronomyNarrator:Listen to part of a lecture in an astronomy class.Professor:OK, last time we talked about ancient agricultural civilizations that observed the starsand then used those observations to keep track of the seasons. But today I want to talk about the importance of stars for early seafarers, about how the fixed patterns of stars were used as navigational aids.OK, you’ve all heard about the Vikings and their impressive navigation skills, but theseafaring people of the pacific islands, the Polynesians and the Micronesians,werequite possibly the world’s greatest navigators. Long before the development of, uh,advanced navigational tools in Europe, pacific islanders were travelling from NewZealand to Hawaii and back again, using nothing but the stars as their navigationalinstruments.Um, the key to the pacific islanders’ success was probably their location near the equator. What that meant was that the sky could be partitioned, divided up, much more symmetrically than it could farther away from the equator. Unlike the Vikings,early observers of the stars in Polynesia or really anywhere along the equator wouldfeel that they were at the very center of things, with the skies to the north and the skies to the south behaving identically, they could see stars going straight up in theeast and straight down in the west. So it was easier to discern the order in the sky than farther north or farther south, where everything would seem more chaotic.Take the case of the Gilbert Islands, they are part of Polynesia, and lie very close tothe equator. And the people there were able to divide the sky into symmetrical boxes,according to the main directions, north, east, south and west. And they couldprecisely describe the location of a star by indicating its position in one of those imaginary boxes. And they realized that you had to know the stars in order tonavigate. In fact there was only one word for both in the Gilbert Islands, when youwanted to the star expert, you ask for a navigator.Um, islanders from all over the pacific learned to use the stars for navigation, and they passed this knowledge down from generation to generation. Some of them utilized stone structures called stone canoes, ah, and these canoes were on land, ofcourse, and you can still see them on some islands today. They were positioned as ifthey were heading in the direction of the points on the sea horizon where certain stars would appear and disappear during the night, and, um, young would-benavigators set by the stones at night and turned in different directions to memorizethe constellations they saw, so they could recognize them and navigate… by them later on when they went out to sea.One important way the Polynesians had for orienting themselves was by using zenithstars. A zenith star was a really bright star that would pass directly overhead atparticular latitude…at a particular distance from the equator, often at a latitude associate with some particular pacific island. So the Polynesians could estimate theirlatitude just by looking straight up, by observing whether a certain zenith star passeddirectly overhead at night, they’d know if they have rates the same latitude as a particular island they were trying to get to. Um, another technique used by the Po lynesians was to look for a star pair, that’s two stars that rise at the same time, orset at the same time, and navigators could use these pairs of stars as reference points,because they rise or set together only at specific latitudes. So navigators might seeone star pair setting together. And, uh…would know how far north or south of the equator they were. And if they kept on going, and the next night they saw the pairsof stars setting separately, then they would know that they were at a different degreeof latitude. So looking at rising and setting star pairs is a good technique. Um…actually it makes more sense with setting stars; they can be watched instead of tryingto guess when they’ll rise.Uh, OK, I think all this shows that navigating doesn’t re ally require fancy navigationalinstruments; the peoples of the pacific islands had such expert knowledge ofastronomy as well as navigation that they were able to navigate over vast stretches ofOpen Ocean. Uh, it's even possible that Polynesian navigators had already sailed tothe Americas, centuries before Columbus.TPO 14 Lecture 4 ArcheologyNarrator:Listen to part of the lecture in the archaeology classProfessor:When we think of large monumental structures built by early societies and Egyptianpyramid probably comes to mind. But there are some even earlier structures in theBritish Isles also worth discussing, and besides the well-known circle of massivestones of Stonehenge which don’t get me wrong is remarkable enough, well, otherimpressive Neolithic structures are found there too. Oh, yes, we are talking about theNeolithic period here, also called new Stone Age, which was the time before stonetools began to be replaced by tools made by bronze and other metals.It was about 5000 years ago, even before the first Egyptian pyramid that some of amazing Neolithic monuments---tombs, were racketed at the very size around ironedGreat Britain and costal islands nearby.I am referring particular to structures that in some cases, look like ordinary naturalhills. But we definitely build by humans, well-organized communities of human’s toenclose a chamber or room within stone walls and sometimes with a high, cleverlydesigned sealing of overlapping stones. These structures are called Passage Graves,because in the chamber, sometime several chambers in fact, could only be entered from the outside through a narrow passage way.Michael:Excuse me, professor, but you said Passage Graves. Was this just monument to honorthe dead buried there or were they designed to be used somehow by the living?Professor:Ah, yes! Good question, Michael. Besides being built as tombs, some of these Passage Graves were definitely what we might call Astronomical Calendars, with chambers they flooded with some light on the certain special days of the year, witchmust see miraculous and inspired good dealer of they really just wonder. Butresearch indicates that not just light but also the physics of sound help to enhance this religious experience.Michael:How so?Professor:Well, first the echoes. When religious leaders started chanting with echoes bouncedoff the stonewalls over and over again, it must seem like a whole chorus of other voices, spirits of God maybe join in. But even more intriguing is what physicistscalledStanding Waves. Basically, the phenomenon of Standing Waves occurs when soundwaves of the same frequency reflect off the walls and meet from opposite directions.So, the volume seems to alternate between very loud and very soft. You can stand quite near a man singing in loud voice and hardly hear him. Yet step little further away and voice is almost defining. As you move around chamber, the volume of thesound goes way up and way down, depending on where you are and these standingwaves. And often the acoustic makes it hard to identify where sounds are coming from. It is powerful voices that are speaking to you or chanting from inside your ownhead. This had to engender powerful sense of all Neolithic worshipers.And another bit of physics I played here is something called Resonance. I know physics, but well I imagine you have all below near of top empty bottles and heardsounds it makes. And you probably notice that depending on its size--- each emptybottle plays one particular music note. Or it is the physics might put it, each bottle resonates at a particular frequency. Well, that’s true of these chambers too. If you make a constant noise inside the chamber, maybe by steadily beating drum at certainrate, a particular frequency of sound will resonate. We will ring out intensely,depending on the size of chamber. In some of large chambers though, theseintensified sound may be too deep for us to hear, we can feel it. We are mysteriouslyagitated by a….but it is not a sound our ears can hear. The psychologic al effects of allthese extraordinary sounds can be profound, especially when they seem sodisconnected from human doing drumming or chanting. And there can be observablephysical effects on people too. In fact, the sounds can cause headaches, feelings ofdizziness, increase heartache, that sort of thing, you see.Anyway, what is we experience inside one of these Passage Graves clearly could befar more intense than everyday reality outside which made them very special places.But back to your question, Michael, as to whether these Graves were designed to beused by the living. Well, certainly, we have got to ask economical or calendarfunction. That seems pretty obvious, and I wanna go into more detail on that now.。
托福听力tpo45 lecture1、2、3、4 原文+题目+答案+译文
托福听力tpo45 lecture1、2、3、4 原文+题目+答案+译文Lecture1 (2)原文 (2)题目 (4)答案 (6)译文 (6)Lecture2 (7)原文 (7)题目 (10)答案 (12)译文 (12)Lecture3 (15)原文 (15)题目 (17)答案 (19)译文 (19)Lecture4 (21)原文 (21)题目 (24)答案 (26)译文 (26)托福听力tpo45 lecture1、2、3、4 原文+题目+答案+译文Lecture1原文NARRATOR: Listen to part of a lecture in an art history class.MALE PROFESSOR: As I was saying, the Renaissance period—which started in the fourteen hundreds in Europe—the Renaissance was still a pretty religious period. And that's reflected in the artwork of that time.But artists were starting to experiment with a more secular point of view as well—a tendency to also use the natural world as the subject matter for their art.And there were different ways that these natural themes were explored. For instance, many artists would paint portraits, while others—although this was more common in northern Europe—would make landscapes the subject of their works.But today I'd like to consider an influential Italian Renaissance artist, Leon Battista Alberti, who took a slightly different approach.Leon Battista Alberti was a painter, sculptor, architect, musician, poet—very wide-ranging interests—like daVinci or Michelangelo, the sort of guy for whom the term “Renaissance man” was in fact created.Alberti believed that the most important approach for a painter was to capture a story or narrative. Now, as I've indicated, this narrative could be either religious or secular, depending on what the work of art was for. If the work was to be placed in a church then obviously it'd have a religious theme, whereas if it was for someone's home then it could deal with a different subject matter. The exact narrative didn't really matter, so long as it was one that captivated the audience—that held the viewer's attention.So what is actually needed to tell a story?Well, Alberti needed characters, right? Human figures.And he wanted to represent them as realistically as possible to capture the viewer's attention. One way he achieved this was to make use of what's known as the contrapposto pose.A contrapposto pose basically entails showing a slight twist in the body. The shoulders and hips are usually bent in different directions. In other words, if the left shoulder is bent so that it's slightly higher than the right shoulder, then the hips will be bent so that the left side will be slightly lower than the right side. Similarly, in sculptures, most of the weight seems to be on one foot, which also results in this slanted position—making it seem like the figure is about to walk or move. This adds to the realistic aspect of the figure.But there are actually a lot of things that could go wrong in the attempt to create such a pose. You could make a figure’s arms bigger than its legs, or the head too small for the body. Messing up the proportions can leave a figure looking cartoon-like and unnatural. But Alberti had a solution: He encouraged artists to visualize a figure's bones and structure. This would give the artist an idea of the proportions of the figure. From there, Alberti suggested the artist imagine attaching the tendons and muscles, then covering those with flesh and skin.Now, although this method may seem complicated, artists since antiquity have used anatomical observations to try to get the proportions of the human figure as accurate as possible—though obviously not to the degree that Alberti was recommending.Now, in addition to characters, the setting is extremely important, especially when attempting to tell a story realistically. Renaissance artists essentially needed to create a three-dimensional scene on a two-dimensional surface. They accomplished this by the use of perspective—a relatively new idea for artists at the time. In particular, the type of perspective that Alberti advocated was called linear one-point perspective. In fact, Alberti was one of the artists who developed the geometry behind linear one-point perspective.Linear perspective basically consists of drawing straight lines that extend from the forefront of the painting into the background—lines that seem to be parallel to each other, but which actually converge on a single point in the horizon, called the vanishing point. By drawing figures and objects smaller and smaller as the lines get closer together, the artist is able to create depth in a painting. This gives the illusion of a third dimension and makes the work of art more realistic.题目1.What is the lecture mainly about?A. Reasons for the transition from religious to secular themes in Renaissance artB. The disproportionate influence of Italian artists during the Renaissance periodC. Techniques used during the Renaissance to produce realistic works of artD. A comparison of themes in paintings and sculptures during the Renaissance2.What is the professor's opinion of Leon Battista Alberti as an artist?A. Alberti's interests were too diverse for him to succeed in any one field.B. Alberti was ineffective in imposing his own theories on other artists.C. Alberti was a much more skilled artist than da Vinci or Michelangelo.D. Alberti represents the Renaissance ideal of wide-ranging achievement.3.According to the professor, what did Alberti consider to be the most important aspect of a Renaissance painting?A. That it convey an appealing narrativeB. That its figures be posed symmetricallyC. That its theme not be religiousD. That its characters be positioned within a landscape4.Why did some artists begin to use the contrapposto pose?A. To create a cartoon-like effectB. To help viewers identify the main figure in a work of artC. To show the relative sizes of human figuresD. To make human figures appear more natural5.Why does the professor discuss tendons and muscles?A. To emphasize that Alberti's study of anatomy led to his interest in artB. To show the emphasis Alberti placed on using physically fit modelsC. To illustrate the difficulty of maintaining a contrapposto pose in real lifeD. To explain one of Alberti's methods for creating accurate proportions6.Why was the development of linear one-point perspective important to Renaissance artists?A. It helped painters to place figures more symmetrically within their paintings.B. It allowed painters to create an illusion of three dimensions.C. It enabled artists to paint large landscapes for the first time.D. It encouraged artists to take an interest in geometry.答案C D A D D B译文旁白:听一篇艺术史学科讲座。
托福听力tpo67section2 对话讲座原文+题目+答案+译文
托福听力tpo67section2对话讲座原文+题目+答案+译文Conversation2 (2)原文 (2)题目 (5)答案 (7)译文 (8)Lecture3 (10)原文 (11)题目 (14)答案 (17)译文 (17)Conversation2原文Professor:So,John,what's on your mind?Student:Oh,well,it's nothing specific.You see,I am.I guess.Well,you see,the thing is,I'm graduating this semester and...Professor:Right,congratulations.What then…Student:Well,that's just it.So I was wondering if you,I don't know, maybe you had some ideas.Professor:Oh.Well,I don't know,maybe if you told me more about...Student:Well actually,if I may,I mean,you must be.I mean,you're an English major too right.Professor:Aha.Student:So well,you were once in my position.So how did you deal with it?Professor:Right?Um,well,after college,I really wasn't sure what I wanted to do.So I took a year off,and that was the first thing I did.And then I started masters in English literature,and eventually I realized Iwanted to be a professor.So in other words,I kind of continue what I had been studying in college and ultimately decided I wanted to stay with it.But well you know that was me.So I don't know why don't you tell me more about what's going through your head these days.Student:Okay.Well,um well,I guess,like,I'm pretty sure I wanna travel, but I also need to make some money.Professor:Okay?Student:Because I'd like to be able to go back to school eventually,but I can't afford it right now.Professor:But eventually...Student:Yeah,I was thinking a teaching degree,maybe or uh maybe journalism.Professor:Okay?That's a bit more concrete.Okay.By the way,where did you like to travel?Student:Africa,Latin America,uh,Japan。
托福听力tpo40 全套对话讲座原文+题目+答案+译文
托福听力tpo40 全套对话讲座原文+题目+答案+译文Section 1 (2)Conversation1 (2)原文 (2)题目 (5)答案 (7)译文 (7)Lecture1 (9)原文 (9)题目 (12)答案 (15)译文 (15)Lecture2 (17)原文 (17)题目 (21)答案 (23)译文 (23)Section 2 (26)Conversation2 (26)原文 (26)题目 (28)答案 (30)译文 (30)Lecture3 (32)原文 (32)题目 (36)答案 (39)译文 (39)Lecture4 (42)原文 (42)题目 (45)答案 (48)译文 (48)Section 1Conversation1原文NARRATOR: Listen to a conversation between a student and a business professor.MALE STUDENT: Thanks for seeing me, Professor Jackson.FEMALE PROFESSOR: Sure, Tom. What can I do for you?MALE STUDENT: I'm gonna do my term project on service design, uh, what you see as a customer …the physical layout of the building, the parking lot. And I thought I'd focus on various kinds of eateries …restaurants, coffee shops, cafeterias, so I'd also analyze where you order your food, where you eat, and so on.FEMALE PROFESSOR: Wait, I thought you were going to come up with a hypothetical business plan for an amusement park? Isn’t that what you e-mailed me last week?I could've sworn …. Oh! I'm thinking of a Tom from another class.Tom Benson. Sorry, sorry.MALE STUDENT: No problem. I did e-mail you my idea too, though …. FEMALE PROFESSOR: Oh, that's right. I remember now. Restaurants …yeah …MALE STUDENT: So, here's my question. I read something about service standard that kinda confused me. What’s the difference between service design and service standard?FEMALE PROFESSOR: Service standard refers to what a company …employees …are ideally supposed to do in order for everything to operate smoothly. The protocols to be followed.MALE STUDENT: Oh, OK.FEMALE PROFESSOR: Um, so backing up…Service design is…uh, think of the cafeteria here on campus. There are several food counters, right? All with big, clear signs to help you find what you're looking for—soups, salads, desserts—so you know exactly where to go to get what you need. And when you're finished picking up your food, where do you go?MALE STUDENT: To the cash registers.FEMALE PROFESSOR: And where are they?MALE STUDENT: Um, right before you get to the seating area.FEMALE PROFESSOR: Exactly. A place that you would logically move to next.MALE STUDENT: You know, not every place is like that. This past weekend was my friend's birthday, and I went to a bakery in town, to pick up a cake for her party. And the layout of the place was weird: People were allin each other's way, standing in the wrong lines to pay, to place orders…. Oh! And another thing? I heard this bakery makes really good apple pie, so I wanted to buy a slice of it, too.FEMALE PROFESSOR: OK.MALE STUDENT: There was a little label that said “apple pie,” where it's supposed to be, but there wasn’t any left.FEMALE PROFESSOR: And that's what's called a service gap. Maybe there wasn't enough training for the employees, or maybe they just ran out of pie that day. But something's wrong with the process, and the service standard wasn’t being met.MALE STUDENT: OK, I think I get it. Anyway, since part of the requirements for the term project is to visit an actual place of business, do you think I could use our cafeteria? They seem to have a lot of the things I'm looking for.FEMALE PROFESSOR: Well, campus businesses like the cafeteria or bookstore don't quite follow the kinds of service models we're studying in class. You should go to some other, local establishment, I'd say.MALE STUDENT: I see.FEMALE PROFESSOR: But just call the manager ahead of time so they aren't surprised.题目1.Why does the student go to see the professor?A. To find out all the requirements for a projectB. To discuss a service gap at a restaurantC. To get help understanding concepts relevant to his projectD. To get help with designing a business plan2.Why does the professor mention a student in another class?A. To describe an interesting topic for a projectB. To explain the cause of her initial confusionC. To point out that she has not received e-mails from all her students yetD. To indicate that she has several students doing projects about restaurants3.Why does the professor talk about the cafeteria on campus?A. To give an example of an effective service designB. To illustrate how service standards can inform service designC. To help the man understand a service problemD. To illustrate the concept of a service gap4.What do the speakers imply about the bakery the student went to recently? [Click on 2 answers.]A. The apple pie he bought there was not as good as it usually is.B. The bakery's service design was inefficient.C. The bakery needs additional employees to fix a service gap.D. The bakery did not meet a service standard.5.What does the professor say the student should do for his project?A. Compare an on-campus service model with an off-campus oneB. Interview the service manager and employees at the cafeteriaC. Recommend service improvements at the cafeteria and the bookstoreD. Analyze the service design of a nearby restaurant答案C B A BD D译文旁白:下面听一段学生和商务课教授间的对话。
老托福听力精选PartC原文5篇
老托福听力精选PartC原文5篇为了让大家更好的预备托福考试,我给大家整理老托福听力PartC原文,下面我就和大家共享,来观赏一下吧。
老托福听力PartC原文1Before I tell you about the interesting discovery related to Tyrannosaurus rex, I need to review something we studied last semester, the difference between what are commonly called cold-blooded and warm-blooded animals.在我告知你们和Tyrannosaurus(暴龙/霸王龙)rex(雷克斯霸王龙/雷克斯暴龙)有关的好玩发觉之前,我需要回顾一下我们上学期学过的内容,通常被称作冷血和温血动物之间的区分In warm-blooded animals, birds and mammals, for example, the body temperature normally stays within a narrow range, no matter what the outside temperature is.在温血动物中,举例来说,鸟类和哺乳动物,体温通常保持在一个小范围内,不管外面温度是多少。
As a result, a warm-blooded animal is usually active in both cold and hot weather because its body temperature can adjust to the temperature of its environment.结果,温血动物通常在冷热天气中都很活跃,由于它的体温能适应它的环境温度On the other hand, cold-blooded animals, such as most reptiles, amphibians, and insects, are unable to create enough heat internally to raise their temperature above the temperature of the environment.另一方面,冷血动物,比如大多数的爬行动物,两栖动物,和昆虫,不能产生足够的内在的热量来把它们的温度提升到环境温度之上。
老托福听力精选PartC原文
老托福听力精选PartC原文为了让大家更好的预备托福考试,我给大家整理老托福听力PartC原文,下面我就和大家共享,来观赏一下吧。
老托福听力PartC原文1Today were going to talk about shyness and discuss recent research on ways to help children learn to interact socially.今日我们将谈论一下羞怯,并且争论一下最近在关心孩子们学习社会交往。
Many people consider themselves shy.很多人认为他们自己大方。
In fact, forty percent of people who took part in our survey said they were shy.事实上,参与我们调查的百分之四十的人说他们自己大方。
That’s two out of every five people.这是五分之二的人。
And there are studies to indicate that the tendency toward shyness may be inherited.并且有讨论指出大方的倾向或许是遗传的。
But just because certain children are timid, doesnt mean they are doomed to be shy forever.但仅仅由于某些孩子是羞怯的,并不意味着他们注定了要永久大方。
There are things parents, teachers, and the children themselves can do to overcome this tendency and even to prevent it.有些事情家长,老师,以及孩子们自己能做,来克服这种倾向甚至能避开这事。
One researcher found that if parents gently push their shy children to try new things, they can help these children become less afraid and less inhibited.一个讨论员发觉父母们严厉的推动他们的大方孩子去尝试新事物,他们能关心那些孩子变得少些恐惊和少些羞怯。
托福听力tpo67 lecture1、2、3 原文+题目+答案+译文
托福听力tpo67 lecture1、2、3 原文+题目+答案+译文Lecture1 (2)原文 (2)题目 (5)答案 (7)译文 (8)Lecture2 (10)原文 (10)题目 (13)答案 (17)译文 (17)Lecture3 (19)原文 (19)题目 (23)答案 (26)译文 (26)Lecture1原文Professor: Now we've said that animal behavior patterns involve an interplay between an animal and its environment. In particular, behavior patterns can change as an animal becomes adapted to its environment. We can see the results of this in the way that animals have developed different types of feeding behavior. Animals are generally classified as a generalist feeders and specialist feeders. Now, um, these terms are used in a variety of ways. At times, they're used to refer to an animal's range of habitats. I've also seen them used to describe the number of foraging techniques that are used by an individual or species.Um, but for our purposes, we're going to use them to refer to the range of food items that are eaten by a species. So a generalist feeder is a species that eats a wide variety of foods during its lifetime. And a specialist is a species that feeds on a highly restricted number of foods. A good example of a generalist would be a rat. Rats are notorious for eating just about anything that's available, whether it's a plant or an animal. At the other end of the spectrum, we have the koala which eats only the leaves of eucalyptus trees.Okay, now there are advantages to each. For a generalist, If 1 type of food isn't around, it can feed on another that's more abundant. On theother hand, the advantage of being a specialist is that the animal is well adapted to its food. You could say that specialists are feeding masters, their consumption, even their digestive system is just so finely tuned. For instance, take the koala. The eucalyptus leaves that it feeds on, don't contain much protein. What's more, the leaves contain compounds that are poisonous to most species? But the koalas digestive system has adapted to handle this. It's liver deactivates, the poisonous compounds, and its digestive system is designed to extract the maximum amount of nutrients from the leaves.So it's not a question of which strategy is better. The real question is, what determines how selective animal species are in what they eat? Well, the answer may lie in a concept called optimal foraging. The idea is that natural selection favors animals whose feeding behavior has the lowest cost to benefit ratio. That is you want to get the best healthiest food you can. And you want to do it as quickly as possible. And as easily as possible.Now, in a natural environment, no animal forage in an absolutely optimal manner. But, well, I read some research on a little rat called the kangaroo rat, which lives in deserts in North America. The kangaroo rat is a generalist which eats plant matter like seeds and fruit. It lives in deep burrows which provide protection from the desert heat and from predators like hawks or snakes. And it goes foraging at night for food.For plant matter, under the protection of darkness, even though it's a generalist. If the only thing available is seed, if a choice of seeds is available to it, it picks up seeds that provide more energy than those it leaves behind. And it carries them back to its burrow. Once it's there, it might eat only the richest seeds from the ones that brought back. So it selects seeds outside in a way that lets it spend as little time as possible foraging in that risky environment, and then sorts out its food later when it's safely in its burrow.Oh, yes, Kenneth. You have a question?Male student: But what about the koala? It gets by uh, by being even more selective, you'd think you would be really risky to rely completely on eucalyptus leaves. Wouldn't it be better to diversify like the kangaroo rat, and eat, at least one or two other things?Professor: Well, what do you think the koala would say? What do I gain by being so selective? In terms of optimal foraging, it's clear that eucalyptus trees provide an abundant source of food. Other animals can't eat the leaves and think of how little energy the koala uses. It spends only about 3 hours each day eating to get the energy it needs. So being a specialist allows it to get the nutrients it needs with minimal expenditure of energy.题目1.What is the lecture mainly about?A. The reasons why some animals eat only plantsB. The advantages of two different feeding adaptationsC. The variety of foods that certain animals can eatD. The relationship between two animals that share a habitat2.What definition of the term “generalist” does the professor use in the lecture?A. An animal species that eats a wide variety of foodsB. An animal species that lives in a range of different habitatsC. An animal species that uses several techniques to forage for foodD. An animal species that forages at several different times of the day3.What points does the professor make about the koala’s specialist feeding habits? [Click on 2 answers.]A. It obtains all the food it needs in relatively little time.B. It requires large amounts of protein in its diet.C. It can eat leaves that are poisonous to other animals.D. It spends most of its time eating.4.What does the professor imply about the kangaroo rat?A. It will take more risks when foraging for high-energy food.B. It is one of the most selective feeders in North America.C. Its competitors often eat its food supply.D. It is selective when choosing what food it eats.5.How does the professor organize the information in the lecture?A. By contrasting an old theory with a new theoryB. By defining important terms and then giving examples of themC. By describing the similarities between two animalsD. By describing a problem and then suggesting some solutions6.Why does the professor say this:Male student: But what about the koala? It gets by uh, by being evenmore selective, you'd think you would be really risky to rely completely on eucalyptus leaves. Wouldn't it be better to diversify like the kangaroo rat, and eat, at least one or two other things?Professor: Well, what do you think the koala would say? What do I gain by being so selective? In terms of optimal foraging, it's clear that eucalyptus trees provide an abundant source of food. Other animals can't eat the leaves and think of how little energy the koala uses.A. To express agreement that the koala should eat a greater variety of foodB. To indicate that the koala’s behavior does not illustrate optimal foragingC. To remind the man of the characteristics of selective feedersD. To encourage the man to consider the koala’s feeding behavior differently答案B A ACD B D译文我们已经说过动物的行为模式涉及到动物和它的环境之间的相互作用。
托福听力tpo44 全套对话讲座原文+题目+答案+译文
托福听力tpo44全套对话讲座原文+题目+答案+译文Section1 (2)Conversation1 (2)原文 (2)题目 (4)答案 (5)译文 (6)Lecture1 (7)原文 (7)题目 (9)答案 (11)译文 (11)Lecture2 (13)原文 (13)题目 (16)答案 (18)译文 (18)Section2 (20)Conversation2 (20)原文 (20)题目 (22)答案 (23)译文 (23)Lecture3 (25)原文 (25)题目 (27)答案 (29)译文 (29)Lecture4 (31)原文 (31)题目 (33)答案 (35)译文 (36)Section1Conversation1原文NARRATOR:Listen to a conversation between a student and her sociology professor.MALE PROFESSOR:I'm glad you got my message and were able to make it,but where are the other members of your group,Tom and Jane?FEMALE STUDENT:They're actually at the library.They have a biology lab assignment that's due later this afternoon,so I'm here to represent the whole group.But,um,when we got your e-mail message—about being worried about our research project—we were a little confused.We thought you were excited about our idea for the project.MALE PROFESSOR:Well,I think it's a great research topic,but when I looked closely at your plan for accomplishing the research,I realized that your group was probably asking for some trouble.FEMALE STUDENT:What do you mean?I thought that you know,by monitoring students studying in the library,we could really,uh,get a good understanding of people’study habits and stuff.MALE PROFESSOR:The thing is,I think you might have a problem because of the Hawthorne effect.FEMALE STUDENT:The Hawthorne effect?MALE PROFESSOR:The Hawthorne effect is a technical term for when researchers. uh,more or less forget about a specific variable,the variable of the researchers themselves.Now,the students in the library,they're going to know that you’re observing them, right?So you have to consider the effect your very presence will have on the peopleyou’re observing.FEMALE STUDENT:But,so you think,I-I mean,it's not like our observations would be a secret.The students would know exactly what we'd be doing.I mean,we'd put up a sign right outside the library.MALE PROFESSOR:Yes,but that’s just it.When people know they're being watched, they act differently.Let me explain how the Hawthorne effect got its name and well, you'll get the idea.See,there was a manufacturing facility called the Hawthorne plant.And researchers conducted some experiments there to see what conditions made workers the most productive.FEMALE STUDENT:What sort of conditions?MALE PROFESSOR:Well,one thing they experimented with was the lights.Were workers more productive with bright lights or dim lights?Well,here’s the thing: Whatever the researchers did,the workers’productivity increased.When the lighting was improved,productivity went up.When the lighting was dimmed,productivity went up again.FEMALE STUDENT:That doesn't make a lot of sense.MALE PROFESSOR:Exactly.So initially,the experiment was considered a failure.But then the researchers realized that their own presence had affected the workers' productivity.The workers knew that the researchers were watching them,and with so much attention on them,the workers felt compelled to work harder.FEMALE STUDENT:Oh,I guess that really could be an issue with my group's research.MALE PROFESSOR:Yes.But I don't want to send you all back to square one,so how about you set up a meeting with your group members and discuss this.Then we can meet again and go over your ideas and I think that we should be able to figure out a way to get around the problem.题目1.Why does the student go to see the professor?A.To get his opinion about why a project she recently completed had unexpected results.B.To discuss how a topic covered in class is similar to her group's research topic.C.To ask him for suggestions to address a problem in her research.D.To discuss the professor's concern about her group's research project.2.In response to the professor's question,what does the woman say about Tom and Jane?A.They are working on an assignment for another class.B.They are already observing students for the research project.C.They are dealing with a technical issue at the library.D.They are making arrangements at the library for their research project.3.What had the group of students planned to research?A.The effect of noise on the productivity of library employees.B.The effect of changing the amount of light in the library.C.The study habits of students in the library.D.The effect that being observed while studying has on students.4.Why does the professor mention lighting?A.To explain why production costs gradually increased over the years at a manufacturing plantB.To give a reason for a decline in productivity at two manufacturing plantsC.To compare the working conditions at two manufacturing plantsD.To give an example of a working condition that was adjusted at a manufacturing plant5.Why does the student say this?Now,the students in the library…they're going to know that you’re observing them,right?So you have to consider the effect your very presence will have on the people you’re observing.FEMALE STUDENT:But,so you think,I mean,it's not like our observations would be a secret.The students would know exactly what we'd be doing.A.She is disappointed with the observations that the members of her group have made so far.B.She does not understand the point that the professor is making.C.She wants to determine a way for her group to make observations in secret.D.She is aware that her group’s presence might affect student behavior.答案D A C D B译文旁白:请听一段学生和她的社会学教授的对话。
托福听力tpo63 section1 对话讲座原文+题目+答案+译文
托福听力tpo63section1对话讲座原文+题目+答案+译文Conversation1 (1)原文 (1)题目 (3)答案 (4)译文 (4)Lecture1 (6)原文 (6)题目 (8)答案 (10)译文 (10)Conversation1原文Listen to a conversation between a student and a building manager.Student:Okay,Mr.Fisher,I've notified my resident adviser,taking down my decorations that were in the hallway,and I had some finds this semester,but that's been squared away.So...Manager:Already?The housing violations cleared.Okay,your paper works done.The only thing left is to make sure your keys are in my office by the end of the day when you're ready to go.Student:And by the end of the day,you mean?Manager:Well,we usually leave around four.Student:So if I'm not done by four..?Manager:You can always put them in the mailbox next to my office door.If it's closed,I just need to find the key is waiting in the apartment empty when I come to work tomorrow morning.Student:Thanks.They'll be there,and that apartment will be spotless.I promise.Manager:Well,don't go too crazy.We'll have a professional crew in there anyway. Just sweep and back him.You know.Student:We'll do!Thanks for being flexible about the time and all.Manager:No problem.Melissa,I don't mind giving tenants a break when I can, especially quiet one so I don't have to remind to turn their music down.Student:Thanks.You know,I wish I were gonna be around next semester so I could stay in my apartment.Manager:Congratulate.Student:I wish.I have an internship with an engineering firm.It's a requirement for my major.But this firm is in my hometown.So I'm gonna live with my parents for the semester.Save some money.You know,I'll be back finishing my classes in the fall.Manager:You know,it's a shame.You've got to go through all this and then turn around and do it all over again in a few months.But what can you do?The university needs any space that becomes available.Just be sure you put in your housing request early if you wanna get an apartment again.Student:Definitely,by the way,I have a couple boxes of books stored in the basement.Can I come back and pick them up in a few days?Maybe Thursday?Manager:Sure.I don't see what.Oh,but you won't have a key to the storage room anymore.Student:Oh,right.Manager:Well,come back whenever during working hours and I'll let you in but don't come with the weather is lousy.I heard we're in for some major snow on Thursday.Student:I won't come if it's bad out.Manager:Okay.I don't know which is tougher the days when it snows and we've got to clear the sidewalks and parking lots or the end of the school year when everybody is moving out on the same day?Student:Well,I'm certainly not gonna be moving stuff in the middle of a snow storm. I'm sure I can live without those boxes for a few more days.After all they've been sitting in that basement for months.Manager:Well,you let me know when.Student:Great,I’ll get back to you.Thanks.题目1.Why does the student meet with the man?A.To resolve a problem with her roomB.To find out more about university storage policiesC.To make arrangements to complete her moveD.To discuss her plans for next semester2.What does the man insist that the student must do?A.Thoroughly clean her apartmentB.Drop off her keys before morningC.Pick up her boxes before ThursdayD.Make next year's housing request early3.Why will the student not need campus housing next semester?A.She will be working temporarily in another town.B.She will graduate before the next semester starts.C.She plans to live in an apartment off campus.D.She plans to transfer to a different university.4.What does the man imply when he says this:Manager:You know,it's a shame.You've got to go through all this and then turn around and do it all over again in a few months.But what can you do?A.He is willing to help the student.B.He needs more information from the student.C.Rules have to be followed.D.Rules are sometimes confusing.答案C B A C译文1.请听一段学生和大楼管理员之间的对话。
托福听力tpo69 lecture1、2、3 原文+题目+答案+译文
托福听力tpo69 lecture1、2、3 原文+题目+答案+译文Lecture1 (2)原文 (2)题目 (5)答案 (8)译文 (8)Lecture2 (10)原文 (10)题目 (14)答案 (17)译文 (17)Lecture3 (20)原文 (20)题目 (23)答案 (26)译文 (26)Lecture1原文So, we've talked about the plates that form the earth crust and their movements and how in some places they're separating. Now, when this happens in the ocean along a middle ocean ridge, some important things can happen, in particular you can get a hydrothermal vent. This is a lot like a geyser except it’s on the ocean floor.A geyser of course is a kind of eruption from underground hot spring. Water that’s been heated up in Earth’s interior, when under pressure, can erupt, sending that water and steam, shooting upwards through crack in the earth. A hydrothermal vent is essentially this same thing, but the water is emitted out of cracks or, or fractures in the ocean floor. If Forms that don't depend on energy from the sun, but depend on chemical energy.But, the vents are also enormous significance for us. From a purely geological perspective, because the chemistry of the oceans is affected by them. To see how, let’s look at the process a little more closely. They typically occur in fields, so you might have an area with a dozen of them, but you need two things to get one of these fields, first, you got haveheat. And you’ve got have fissures in the ocean floor. So, in a vent field, you've got cracks in the ocean floor. And cold water at the bottom of the ocean, we are talking, maybe two degrees Celsius, goes down into them, as it goes underground, it heats up, because in these fields, there are magma chambers, only a few kilometers below the ocean floor.This hot molten rock heats the solid rock above it to as high as five hundred degrees Celsius. And this heated solid rock, then heats the ocean water that flows over it. Now remember, the high pressure of the deep sea, allows water to stay liquid at such a high temperature, so it can reach temperatures of, three or four hundred degrees Celsius.As the water heated, it rises up through other cracks and it shoots up back into the ocean, much like with geyser on land. Now, the important part, is what the water is carrying with it, as it emerges. The heated water draws minerals from solid rock. So, you get dissolved metals in the water, like iron and copper. When the water shoots up and re-enters the cold ocean, it quickly cools and these minerals precipitate out. They’re released and they are deposited into the ocean water, which affects its composition. And it also creates quite a site, these vents have a plume that looks like a smoke, likes smoke that’s coming up out of the vent in the earth.Remember some of the water coming out of the vents is over threehundred degree Celsius. When it’s this hot, it dissolves sulfur, iron and other metals in the rock and it interacts with. when these minerals precipitate out, the water forms of black plume, so these vents are called black smokers. It's the sulfur and metals precipitating out of the water that that's what causes black color.But there are also white smokers, these emit what looks like a white smoke. That's because their water is relatively cool, above one hundred to three hundred degrees. Still pretty warm, but, not warm enough to dissolve sulfur or iron. Instead, they draw off different minerals from rocks. Things like silica and they give off different color, whitish color, when those minerals precipitate out.But in both black and white smokers as the waters emitted in the plume, the mineral that precipitate out, eventually build up around the vent, forming large, tower, like structures or minerals, build up layer upon layer, we call these chimneys, just like a chimney on a house. Different minerals will tend to build up at different places on the chimneys. But, some of the minerals like silica, a form kind of cement, and they hold the whole structure together. So, they can grow quite large and quite quickly. If you can believe it there was one chimney that reached forty-seven meters, that’s like fourteen story It collapsed, but it’s actually now rebuilding.题目1.What does the professor mainly discuss?A. The process by which molten rock can enter the oceanB. The formation of hydrothermal ventsC. The differences between geysers and hydrothermal ventsD. The mineral composition of hydrothermal vent chimneys2.According to the professor, what is the main difference between geysers and hydrothermal vents?A. Where they occurB. What causes themC. The size of their plumesD. The temperature of the water they emit3.What aspect of hydrothermal vents is of most significance to the professor?A. Their role in supporting unusual life formsB. Their role in affecting the chemical composition of the oceansC. Their role in affecting the movement of ocean platesD. Their role in affecting the temperature of ocean water4.What conditions are needed for hydrothermal vents to form?[Click on2 answers.]A. Heated rock beneath the ocean floorB. Rocks on the ocean floor with high mineral contentC. Cracks in the ocean floorD. Strong ocean currents5.What are two differences between black smokers and whitesmokers?[Click on 2 answers.]A. Black smokers emit water at a higher temperature.B. Black smokers are more common than white smokers are.C. Black smokers are found in deeper ocean water.D. Black smokers release different types of minerals than white smokers release.6.What does the professor say about the chimney structures that grow around hydrothermal vents?A. They last only a few years.B. They are formed by a single mineral.C. They can grow very tall.D. Their growth rate depends on the temperature of the water emitted from the vent.答案B A B AC AD C译文我们之前讨论了构成地壳的板块及其运动,以及在某些地方它们如何分离。
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Conversation 1:Passage 1Man: Hi. Are you Paula?$ Woman: Jim?$ Man: Hi. Nice to meet you.$ Woman: Glad to meet you.$ Man: So, you need some tutoring in English?$ Woman: Yeah. I'm taking English composition, and I'm not doing very well on my essays.$ Man: Right. Um, well, first let's see if we can figure out a time to meet . . . that we're both free.$ Woman: Okay.$ Man: How about Mondays? Maybe in the morning? I don't have any classes until eleven on Mondays.$ Woman: That would work, but I was hoping we could, you know, meet more than once a week.$ Man: Oh. Well, Tuesdays are out. I've got classes and, uh, I work at the library part time on Tuesdays and Thursdays. Bu t I could get together on Wednesdays.$ Woman: In the morning?$ Man: Probably nine-thirty would be best. That way we'd have an hour to work before I'd have to get ready for my eleven o'clock.$ Woman: So that would be two hours a week then?$ Man: I could do that.$ Woman: Oh, but, would that be extra? You know, 2. would I need to pay you for the extra session连续授课时间?$ Man: No. Um, just so you meet me here at the Learning Center, and we both sign in, then I'll get paid. Tutoring is free, to you, I mean. The school pays me. But we both have to show up. 3 If you don't show up and sign in for a session, then I don't get paid. So . . .$ Woman: Oh, don't worry about that. I really need the help. I won't miss any sessions unless I'm sick or something.$ Man: Okay then. So you want me to help you with your essays?$ Woman: Right. I could bring you some that have, you know, comments on them. I'm getting C's and . . .$ Man: Well, that's not too bad. Once I see some of your writing, we should be able to pull that up (名次提前)to a B.$ Woman: You think so?$ Man: Sure. But I need to explain something. Some of my students in the past . . . they expected me to write their essays for them. But that's not what a tutor is supposed to do.4. My job is to help you be a better writer.$ Woman: Oh, I understand that. But you'll read my essays, right?$ Man: Oh yeah. No problem. We'll read them together, and I'll makesuggestions.$ Woman: Great. I think part of the problem is I just don't understand the teacher's comments. $ Maybe you can help me figure them out.$ Man: Sure. Who's the teacher?$ Woman: Simpson.$ Man: 5. No problem. I've tutored a couple of her students, so I know more or less where she's coming from. Okay, then. I guess we'll meet here on Monday.$ Woman: I'll be here. Nine-thirty you said.$ Man: Just sign in when you get here.Passage 2Professor:6. Okay, today we’re going to discuss the four major types of drainage patterns(排水系统).7. I trust you’ve already read the chapter so you’ll recall that a drainage pat tern is the arrangement of channels that carry water in an area. And these patterns can be very distinctive since they’re determined by the climate, the topography(地形学,地形测量学), and the composition of the rock that underlies the formations. So, consequently, we can see that a drainage pattern is really a good visual summary of the characteristics of a particular region, both geologically and climactically. In other words, when we look at drainage patterns, wecan draw conclusions about the structural formation and relief of the land as well as the climate.Now all drainage systems are composed of an interconnected network of streams, and, when we view them together, they form distinctive patterns. Although there are at least seven identifiable kinds of drainage patterns, for our purposes, we’re going to limit our study to the four major types. Probably the most familiar pat te rn is the dendritic (树枝状的) drainage pattern.8. This is a stream that looks like the branches of a tree. Here’s an example of a dendritic pattern. As you can see, it’s similar to many systems in nature. In addition to the structure of a tree, it also resembles the human circulation system. This is a very efficient drainage system because the overall length of any one branch is fairly short, and there are many branches, so that allows the water to flow quickly and efficiently from the source or sources.$ O kay, let’s look at the next example.$ This drainage pattern is referred to as a radial(辐射状的) pattern. Notice how the streams flow from a central point. This is usually a high mountain, or a volcano. 9. It kind of looks like the spokes(辐条;) that radiate out from the hub(中心) of a wheel. When we see a radial pattern, we know that the area has experienced uplift and that the direction of the drainage is down the slopes of a relatively isolated centralpoint.$ Going back to the dendritic for a moment. The pattern is determined by the direction of the slope of the land, but it, uh, the streams flow in more or less the same direction, and . . . so it’s unlike the radial that had multiple directions of flow from the highest point.$ Now this pattern is very different from either the dendritic or the radial. $ This is called a rectangular (长方形的; 矩形的) pattern, and I think you can see why. Just look at all of those right-angle (直角) turns. The rectangle pattern is typical of a landscape that’s been formed by fractured joints and faults. And because this broken rock is eroded more easily than unbroken rock, stream beds are carved along the jointed bedrock.10 Finally we have the trellis (格架) pattern. And here in this example, you can see quite clearly how the tributaries (支流的)of an almost parallel structure drain into valleys and . . . and form the appearance of a garden trellis. This pattern forms in areas where there are alternating bands of variable resistance, and by that I mean that the bands of rock that are very strong and resistant to erosion alternate with bands of rock that are weak and easily eroded. This often happens when a horizontal(水平的), plain folds and outcroppings (出露地表) appear.$ So, as I said, as a whole, these patterns are dictated by the structure and relief of the land.$ The kinds of rocks on which the streams are developed, the structuralpattern of the folds(褶层), uh, faults, and . . . uplift will usually determine a drainage system. However, I should also mention that drainage patterns can occasionally appear to be, well, out of sync with the landscape. And this can happen when a stream flows over older structures that have been uncovered by erosion or . . . or when a stream keeps its original drainage system when rocks are uplifted. So when that happens, the pattern appears to be contrary to the expected course of the stream. 11. But I’m interested in your understanding the basic drainage systems. So I don’t plan to trick you with test questions about exceptional patterns, but I expect you to know that exceptions to the patterns can occur when geological events influence them.Passage 3Professor:$ Drawing is a very basic a rt form. It’s appealing because it can be used to make a very quick record of the ideas that an artist may be envisioning(imaginative), so, a drawing can serve as a visual aid for the artist to remember a certain moment of inspiration and maybe use it for a more detailed work later on. Okay, usually such sketches allow the artist to visualize the proportions and the shapes without much attention to details so these images can be used by painters, architects, sculptors—any artist really. And large renderings, sketches of parts of the whole . . . thesecan be helpful in the creative process when a . . . a huge image might be more difficult to conceive of in its entirety. Or, a sketch of just one face in a crowd can allow the artist to . . . focus on creating just that part of the image.So, in many artists’ studios, countless drawings are strewn about as the final painting or sculpture takes form. And this gives us insight into the creative process, as well the opportunity to see changes from the images at the beginning in the images of the finished work. It’s rare, in fact, for an artist to use permanent materials to begin a piece of art. And some painters, for example, even sketch onto the surface of the canvas before applying the pigments. 13. 14. Now, architects are especially prone to(be likely to)sketches because, of course, their buildings are so large that an image in smaller scale is necessary to the imagination and implementation of such projects. So, uh, these studies become the basis for future works. And again, this is very interesting as a record of the creative process. Okay so far? 1412. Okay, drawing has several other functions besides as a temporary reference. For centuries, artists have used drawing as a traditional method of education. By copying the great works, especially of the Old Masters, aspiring artists could learn a lot about proportion, how to capture light and shadow and . . . and so forth. In fact, some artists who later achieve recognition, still continue to use this practice to hone their skills or . . . or simply to pay homage to another artist, as is often the case whena work of art originally created in another medium like a sculpture . . . when it’s recreated in the form of a drawing. Many examples of drawings of Michelangelo’s sculptures were re-created by well-known artists. One that comes to mind is the Study of Michelangelo’s Bound Slave by Edgar Degas. The original by Michelangelo was a marble sculpture that was, oh, about seven feet in height, but the small drawing was made in a sketchpad. In any case, the study is also considered a masterpiece, on a small scale, of course.12. So . . . what additional purposes m ight be served by the medium of drawing?Well, let’s remember that photography is a relatively new art form, so prior to the use of photographs to record historical events, a quick drawing by an artist was about the only way to preserve a real-time visual account of an important moment. Although a more permanent visual impression might be rendered later, it would be based on memory and not on the artist’s actual observation. 15. Probably the most often cited example of a sketch t hat preserved a n historical record would be the small drawing of Marie Antoinette(玛丽安彤奈特) as she was taken to the guillotine(断头台) in a cart through the streets of Paris. Jacques-Louis David sketched this famous drawing on a piece of paper about the size of the palm of his hand. And the artist, the artist reporter, is still important even in modern times, when photography isn’t possible, for e xample, when judges won’t permit cameras in the courtroom.17. Ok ay, to review, we’ve talked abou t three functions for drawing—as a visual aid for the artist to complete a future work, as a method of educ ation f or aspiring artists or eve n practiced artists, and as a way to report an event. But the sketchbook has . . . other possibilities. $ Sometimes a drawing is the final execution of the art. Picasso produced hundreds of drawings in, well, every conceivable medium, but especially in pencil and crayon. I find it very interesting that Picasso did so much of this kind of work . . . drawing, I mean, in his last years. Some critics have argued that he was just laughing at the art world, which was willing to pay outrageous sums for anything with his name on it, and clearly, a drawing can be executed in a short period of time. But others, other critics, 16. they feel as I do that Pi casso was drawing because it was so basic, and because it was so spontaneous and so much fun. And also, think about how difficult it really is to produce a quick drawing with a few lines and, uh, no opportunity to . . . to recreate the original, either by painting it out or remodeling the clay or changing the building materials, or . . . or any of the other methods for revision of a finished artistic work that artists have at their disposal. So, what I’m saying is that drawing when it’s elevated to a finished piece, it must be done with confidence and it must show a high degree of creativity and mastery of the art form. In a way, it harkens back to the beginnings of art itself, when some unknown artist must have stuck a finger in the earth to draw animage or . . . maybe he picked up a stone and made a drawing on the wall of a cave.Okay, so, as a first assignment, I want you to make a couple of sketches yourself. I’m not going to grade them. This isn’t a studio art class. I just want you to use a few basic strokes to capture an image. You can do the first one in pencil, crayon, ink, chalk, or even charcoal . . . whatever you like. Then, I want you to sketch the same image in a different medium. So, if you do a face in pencil, I want you to do the same face but in chalk or crayon. Bring them to class next week and we’ll continue our discussion of drawing, but we’ll talk more about the ma terials artists use to produce drawings, and, uh, we’ll refer to your sketches as examples.Passage 4Student: Thanks for seeing me, Professor Williams.Professor: Glad to, Alice. What do you have on your mind?Student:18. Well, I got a little mixed up when I started to go over my notes from the last class, so I had a few questions.Professor: Shoot.Student: Okay. I understand the three basic sources of personnel for multinational companies.That’s fairly self-explanatory.Professor: Host country, home country, and third country.Student: Right. But then you started talking about staffing patterns that . . . let me see . . . okay . . 19.. you said, “staffing pa tterns may vary depending on the length of time that t he multinational company has been operating,” and you gave some examples, but I got confused and now I can’t read my notes.Professor: Okay. Well, one pattern is to rely on home country managers to staff the key positions when the company opens, but gradually moving more host country nationals into upper management as the company grows.Student: So, for example, if a French company opened a factory in Canada, then French management would gradually replace themselves with Canadian managers. Is that what you mean?Professor: Right. I think I used that very example in class. So do you want to try to explain the second pattern to me?Student: Sure. 20.I think it’s the one where home country nationals are put in charge of the company if it’s located in a developed country, but in a developing country, t hen home country nationals manage the company sort of indefinitely.Professor: Right again. 20. And an example of that would be . . . Student: . . . maybe using German management for a Swiss company in Germany, but, uh, they might send Swiss management to provideleadership for a Swiss company in . . . in . . .Professor: How about Zimbabwe?Student: This is one of the confusing parts.Zimbabwe has a very old and highly developed culture, so…Professor: . . . but it’s still defined as a developing country because of the economic base—which is being developed now.Student: Oh, okay.21. I guess that makes sense. Then the example of the American company with British management . . . when the company is in India . . . tha t would be a third-country pattern. Professor: Yes. In fact, this pattern is fairly prevalent among multinational companies in the United States.Many Scottish or English ma nagers have been hired for top management positions at United States subsidiaries in the former British colonies-India, Jamaica, the West Indies, some parts of Africa . . .Student: Okay. So I’ve got all the examples right now.$ Professor: Anything else?$ Student: Just one thing. There were some typical patterns for certain countries.$ Professor: Like the last example.$ Student: No. This came later in the lecture. Something about Japan and Europe.$ Professor: Oh. Right. I probably said that both Japanese multinationalcompanies and European companies tend to assign senior-level home country managers to 22. overseas locations for their entire careers, whereas multinational companies in the United States view overseas assignments as temporary, so they may actually find themselves reporting to a senior-level manager from the host country who has more experience.$ Student: So, for example, a Japanese company in the United States would most probably have senior-level Japanese managers with mid-level managers maybe from the United States. But in Japan, the senior-level Japanese managers at an American company would probably have mid-level American managers reporting to them?$ Professor: Well, generalities are always a little tricky, but for the most part, that would be a typical scenario. Because living as a permanent expatriate is a career move in Japan, but a temporary strategy in the United States.$ Student: Okay. That’s interesting.$ Professor: And important for you to know as a business major with an interest in international business.$ You’re still on that track, aren’t you?$ Student: I sure am. But, you know, I wasn’t thinking in terms of living abroad for my entire career.$ That really is a huge commitment, and something to ask about going in.Anyway, like you say, most American companies view overseas assignments as temporary. That’s more what I have in mind, for m yself, I mean.Passage 5 astronomy 天文学Professor:$ Okay, let’s get started. Um, as you know today I promised to take you on a walk through the sola r system, so let’s start here with the central object of our solar system—the Sun. As you can see, the Sun is about five inches in diameter an d that’s about the size of a large grapefruit(柚子), which is exactly what I’ve used to represent it here in our model. So, I’m going to take two steps and that will bring me to the planet closest to the Sun. That would be Mercury(水星). Two more steps to Venus(金星). And one step from Venus to Earth. Let’s continue walking three steps from Earth to Mars(火星). And that’s as far as I can go here in the classroom, but we can visualize the rest of the journey.24. Don’t bother writing this down. Just stay with me on this. So, to go from Mars to Jupiter(木星), we’d have to walk a little over half the length of a football field, so that would put us about at the library here on campus, and then to get from Jupiter to Saturn(土星), we’d have to walk another 75 yards, so by then we’d be at Harmon Hall. From Saturn to Uranus(天王星), we’d have to walk again as far as we’d gone in ourjourney from the Sun to Saturn, and so we’d probably be at the Student Union. From Uranus to Neptune(海王星)we’d have to walk the same distance again, which would take us all the way to the graduate dormitory towers. From Neptune to Pluto(冥王星), another 125 yards. So, we’d end up about one third of a mile from this classroom at the entrance to the campus.$ Okay. That’s interesting, but now I want you to think about the orbits of the planets in those locations. Clearly, the first four planets could orbit fairly comfortably in this room, but to include the others, we’d have to occupy an area of more than six-tenths of a mile, which is all the way from College Avenue to Campus Drive. Remember that for this scale, the Sun is five inches, and most of the planets are smaller than the lead on a sharpened pencil. Okay, with that in mind, I want you to think about space. Sure, there are some moons around a few planets, and a scattering of asteroids and comets, but really, there isn’t a lot out there in such a vast area. It’s, well, it’s pretty empty. And that’s what I really want to demonstrate with this exercise.Now, it would really be even more impressive if you could actually make that walk, and actually you can, if you visit Washington, D.C., where a scale model is set up on the National Mall, starting at the National Air and Space Museum and ending up at the Arts and Industries Museum. I did that a couple of years ago, and it was, well amazing. Even though Iknew the distances intellectually, there’s nothing like the experience. Has anybody else done that walk?$ Student 1:$ I have. And you’re right. It’s an eye-opener. It took me about twenty minutes to go from the Sun to Pluto because I stopped to read the information at each planet, but when I made the return trip, it was about ten minutes.$ Professor: Did you take pictures?$ Student 1: I didn’t. But, you know, I don’t think it would ha ve captured it anyway.25. Professor:$ I think you’re right. What impressed me about doing it was to see what was not there. I mean, how much space was between the bodies in the solar system. And a photograph wouldn’t have shown that.So back to our model. Here’s another tho ught for you. The scale for our model is 1 to 10 billion. Now, let’s suppose that we want to go to the nearest star system, the neighbor to our solar system. That would be the Alpha Centauri system, which is a little less than four and a half light years a way. Okay. Let’s walk it on our model. Here we are on the East Coast of the United States. So if we want to make it all the way to Alpha Centauri, we have to hike all the way to the West Coast, roughly a distance of 2,700 miles. And that’s just the closest one.$ To make a model of the Milky Way Galaxy would require a completely different scale because . . . because the surface of the Earth wouldn’t be large enough to accommodate a model at the scale of 1 to 10 billion. Now, let’s stop here for a minute because I just want to be sure that we’re all together on the terms solar system and galaxy. 26. Remember that our solar system is a single star, the Sun, with various bodies orbiting around it—nine planets and their moons, and asteroids, comets, meteors. But the galaxy has a lot of star systems—probably 100 billion of them.Okay? This is important because you can be off by almost 100 billion if you get confused by these terms. Not a good idea. Okay, then, even if we could figure out a different scale that would let us make a model of the Milky Way Galaxy, even then, it would be challenging to make 100 billion stars, which is what you’d have to do to complete the model. How many would that be exactly? Well, just try to count all the grains of sand on all the beaches on Earth. That would be about 100 billion. But of course, you couldn’t even count them in your lifetime, could you? If you’d started counting in 1000 B.C.E. you’d be finishing just about now, with the counting, I mean. But of course, that assumes tha t you wouldn’t sleep or take any breaks.27. So, what am I hoping for from this lecture? What do you think I want you to remember?$ Student 2: Well, for one thing, the e normous distances . . .$ Student 3: . . . and the vast emptiness in space.$ Professor:$ That’s good. I hope that you’ll also begin to appreciate the fact that the Earth isn’t the center of the universe.$ Our planet, although it’s very beautiful and unique, it’s still just one planet, orbiting around just one star in just one galaxy.Passage 6Professor:$ Okay, we know from our earlier study of Freud that29. defense mechanisms protect us from bringing painful thoughts o r feelings to the surface of our consciousness. We do this because our minds simply can’t tolerate these thoughts. So, defense mechanisms help us to express these painful thoughts or feelings in another way, while we repress the real problem. The function of defense mechanisms is to keep from being overwhelmed. Of course, the avoidance of problems can result in additional emotional issue s. And there’s a huge distinction between repression and suppression. Anybody want to explain the difference? $ Student 1:$ I’ll try it. 30. I think repression is an unconscious response to serious events or images but suppression is more conscious and deals with something unpleasant but not usually, well, terrible experiences.$ Professor:$ I couldn’t have said it better. Now remember that the thoughts or feelings that we’re trying to repress may include, just to mention a few, anger, depression, competition, uh . . . fear, envy, hate, and so on.$ For instance, let’s suppose that you’re very angry with your professor.31. N ot me, of cou rse. I’m referring to another professor. So, you’re very angry because he’s treated you unfairly in some way that . . . that could cause you to lose your scholarship. Maybe he failed you on an examination that didn’t really cover the material that he’d gone over in class, and an F grade in the course is going to be unacceptable to your sponsors. So, this wou ld be very painful, as I’m sure you’d agree. And I’d say it would qualify as a serious event.$ So let’s take a look at several different types of defense mechanisms that you might employ to repress the feelings of disappointment, rage perhaps, and . . . a nd even violence that you’d feel toward the professor. Most of them are named so the mechanism is fairly obvious and one of the most common mechanisms is denial, which is . . .$ Student 2: If I want to deny something, I’ll just say I’m not angry with the professor.$ Professor:$ Exactly. You may even extend the denial to include the sponsors, and you could tell your friends that they’d never revoke your scholarship. Andthis mechanism would allow you to deny the problem, even in the face of direct evidenc e to the contrary. Let’s say, a letter from the sponsor indicating that you won’t receive a scholarship for the next term. . . . Okay on that one? Okay. How about rationalization?$ Student 2: Well, in rationalization, you come up with some reasons why the professor might have given an unfair test.$ Professor: And how would you do that?$ Student 2: Well, you might defend him. You could say that he gave the test to encourage students to learn information on their own. Is that what you mean?$ Professor: Su re. Because you’d be rationalizing . . . providing a reason that justifies an otherwise mentally intolerable situation. Okay, another example of rationalizing is to excuse the sponsor for refusing to hear your side of the situation. You might say that sponsors are too busy to investigate why students are having problems in their classes. And you might do that while you deny your true feelings that sponsors really should be more open to hearing you out.$ Student 3: So when you deny something, I mean when you use denial, you’re refusing to acknowledge a situation, but . . . when you use rationalization, you’re excusing the behavior?$ Professor:$ Excellent summary. So, now let me give you another option. If you usea reaction formation as a defense mechanism, you’ll proclaim the opposite of your feelings. In this case, what would you say about the professor?$ Student 4: I’d say that I like the professor when, in fact, I hate him for destroy . . . depriving me of my opportunity.$ Professor:$ And you might insist that you have no hard feelings and even go so far as to tell your friends that he’s an excellent teacher. You see, a reaction formation turns the expression of your feelings into the opposite reaction, that is, on the surface.$ And that brings us to projection, which is a defense mechanism that tricks your mind into believing that someone else is guilty of the negative thought or feeling that you have.$ Student 1: Can you give us an example of that one?$ Professor:$ Okay. Feelings of hate for the professor might be expressed by telling classmates about another student who hates the professor, or, uh, . . . or even suggesting that the professor has strong feelings of hate for you but you really like the professor yourself. So you would project, um, . . . attribute your feelings . . . to someone else. Get it?$ Student 1: So if I hate someone, I’d believe that another person hates him or that he hates me.。