中西方建筑文化差异 中英文版
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The third difference is the mysterious religious content of the western architecture and harmonic realism in China. The westerners believe in god and have a kind of extraordinary devotion to religion. However, the Chinese people believe that their fates will be in their own hands.
Architecture is not only the precipitation of human civilization, but also the carrier of human civilization. It reveals the ideological concept, religious feelings and aesthetic interests of all peoples in all regions to us with its distinctive language expressions. Therefore, Chinese and the west with different regions, history and culture also have different architectural philosophy. Meanwhile, the Chinese people and westerners also have quite differences on aesthetic standards, character and temperament. All these impact the local arts of architectural design.
在此探讨一下东西方的建筑根源上的一些差异。在这里，以希腊为西方的 代表。
Building materials, reflected the different between Chinese and western material culture and philosophy of the differences.
The first difference
首先我们来讨论一下希腊建筑的感性化。古 希腊建筑追求造型艺术，每个建筑就如一个 雕塑品。他们追求和谐，并认为人体是世界 上最和谐最美的形体。人体美在他们的建筑 上得到了很好的体现，如代表男体的多立克 柱式刚毅雄伟，代表女体的爱奥尼柱式柔和 端丽。
Firstly, we discuss the perceptional architecture in Greece. The ancient Greek architecture pursued plastic arts, and each building seemed to be a sculpture. They pursued harmony and considered that human body was the most harmonious and beautiful shape in the world. The physical beauty is well reflected in their architectures. For instance, the Doric order represented male model is resolute and magnificent. The Ionic order represented female model is gentle and graceful. As shown in graphs:
The second difference is on history and culture between Chinese and western architecture is the spirit of democracy in the west and autocratic and hierarchical thinking in China.
Only in Chinese ancient buildings (including neighbouring Japan, Korea and other regions) is the wood to do the main frame houses, belong to timberwork system, thus is known as "wood history".
The first difference is that the architectures in Greek are perceptual and perfectly seek for plastic arts and formal beauty. However, the Chinese architecture is greatly influenced by ethic thoughts.
Chinese and the west with different regions, history and culture also have different architectural philosophy. Meanwhile, the Chinese people and westerners also have quite differences on aesthetic standards, character and temperament. All these impact the local arts of architectural design.
The Differences in History and Culture between Chinese and Western Architecture
建筑是人类文明的沉淀， 也是人类文明的载体。 它以其独特的语言方式 向人们倾述着各地区、 各民族的思想观念、宗 教情感、审美情趣等等。 所以地域和历史文化截 然不同的中西方也有着 不同的建筑理念。同时 中西方的人审美观念、 性格气质也有着相当的 差异，这些都在无形地 影响着当地的建筑设计 艺术。
地域和历史文化截然不同的中西方也有着不同的建筑理念。同时中西方的 人审美观念、性格气质也有着相当的差异，这些都在无形地影响着当地的 建筑设计艺术。
Therefore, at first, we specially discussed some differences on the root of the architecture between the east and the west. Herein, I take Greece as the western representative.因此，特地
这多立克式的是高浮雕，甚至圆雕，强调体积， 爱奥尼式的是薄浮雕，强调线条。
这两种柱式，确实可以说是分别典型的概括了 男性和女性的体态与性格，不仅是像维特鲁威ห้องสมุดไป่ตู้说 的那样简单地模仿男体和女体的比例。
The first difference
。 Next, we explored the spirit of ethics in Chinese architecture. Contrary to the tendency of pursuing formal beauty, attractive appearance and sculpture in Greece, the Chinese people don’t pursue the external beauty but consider that the architecture is the place of living, thinking and cultivating moral, and should focus on ethics. 接下来探讨中国建筑的伦理精神。与希腊人追求形式美、造 型美、雕塑感的倾向相反，中国人不求外在形式的美感，而 是认为建筑是生活、思考、养德的地方，应以伦理为重点
The first difference
群体和谐的思想是中国建筑美学的特征，也正是中国建筑的独特理念。 因此中国建筑以向水平方向发展为主，极力削弱个体建筑的突出。这种 形式的布局，不是以单体建筑的造型取胜，而是以群体的对称、呼应、 错落有序形成整体气势。 中国人有着令人惊讶的对建筑群体的驾驭能力。 The thought of group harmony is the characteristics of Chinese architectural aesthetics, but also the unique ideas of Chinese architecture. Therefore, Chinese architecture is mainly in horizontal development, as to weaken the highlight of the individual architecture greatly. This kind of layout became dominant depending on the overall momentum of the symmetry, concert and good order among groups instead of the modeling of individual architecture.Chinese people have surprising control ability to the architectural groups.
多立克柱式是古典建筑的三种柱式中出 现最早的一种（公元前7世纪），（另外 2种柱式是爱奥尼柱式和科林斯柱式）， 它们都源于古希腊。 特点是比较粗大雄
壮，没有柱础，柱身有20条凹槽，柱头 没有装饰，多立克柱又被称为男性柱。
来显示刚劲和力量。 最早的高度与直径之比为6：1，后来改 至7：1。著名的雅典卫城（Athen Acropolis）的帕提农神庙（Parthenon） 即采用的是多立克柱式。
Judging from the building materials, in modern architecture not produced before, all the world has developed mature construction system, including belong to eastern architecture of Indian architecture inside, basically, are for major construction materials to bricky build, belongs to the brick structure system. Such as the pyramids in Egypt, ancient Greek temple, Roman chichen itza, the ShuShuiDao, in Europe in the middle ages, the church... All are built with stone material, notting have is not the "stone" in the history of historical left testimony.
The layout of architectural space, reflect the different characteristics between Chinese and western system culture, the difference.
China whatever building, from housing to the palace, almost is a pattern, similar to the "quad" mode. The beauty of Chinese architecture is a kind of "collective" beauty. For example; Beijing palace, the Ming tombs Ming temple, qufu
Architecture is not only the precipitation of human civilization, but also the carrier of human civilization. It reveals the ideological concept, religious feelings and aesthetic interests of all peoples in all regions to us with its distinctive language expressions. Therefore, Chinese and the west with different regions, history and culture also have different architectural philosophy. Meanwhile, the Chinese people and westerners also have quite differences on aesthetic standards, character and temperament. All these impact the local arts of architectural design.
在此探讨一下东西方的建筑根源上的一些差异。在这里，以希腊为西方的 代表。
Building materials, reflected the different between Chinese and western material culture and philosophy of the differences.
The first difference
首先我们来讨论一下希腊建筑的感性化。古 希腊建筑追求造型艺术，每个建筑就如一个 雕塑品。他们追求和谐，并认为人体是世界 上最和谐最美的形体。人体美在他们的建筑 上得到了很好的体现，如代表男体的多立克 柱式刚毅雄伟，代表女体的爱奥尼柱式柔和 端丽。
Firstly, we discuss the perceptional architecture in Greece. The ancient Greek architecture pursued plastic arts, and each building seemed to be a sculpture. They pursued harmony and considered that human body was the most harmonious and beautiful shape in the world. The physical beauty is well reflected in their architectures. For instance, the Doric order represented male model is resolute and magnificent. The Ionic order represented female model is gentle and graceful. As shown in graphs:
The second difference is on history and culture between Chinese and western architecture is the spirit of democracy in the west and autocratic and hierarchical thinking in China.
Only in Chinese ancient buildings (including neighbouring Japan, Korea and other regions) is the wood to do the main frame houses, belong to timberwork system, thus is known as "wood history".
The first difference is that the architectures in Greek are perceptual and perfectly seek for plastic arts and formal beauty. However, the Chinese architecture is greatly influenced by ethic thoughts.
Chinese and the west with different regions, history and culture also have different architectural philosophy. Meanwhile, the Chinese people and westerners also have quite differences on aesthetic standards, character and temperament. All these impact the local arts of architectural design.
The Differences in History and Culture between Chinese and Western Architecture
建筑是人类文明的沉淀， 也是人类文明的载体。 它以其独特的语言方式 向人们倾述着各地区、 各民族的思想观念、宗 教情感、审美情趣等等。 所以地域和历史文化截 然不同的中西方也有着 不同的建筑理念。同时 中西方的人审美观念、 性格气质也有着相当的 差异，这些都在无形地 影响着当地的建筑设计 艺术。
地域和历史文化截然不同的中西方也有着不同的建筑理念。同时中西方的 人审美观念、性格气质也有着相当的差异，这些都在无形地影响着当地的 建筑设计艺术。
Therefore, at first, we specially discussed some differences on the root of the architecture between the east and the west. Herein, I take Greece as the western representative.因此，特地
这多立克式的是高浮雕，甚至圆雕，强调体积， 爱奥尼式的是薄浮雕，强调线条。
这两种柱式，确实可以说是分别典型的概括了 男性和女性的体态与性格，不仅是像维特鲁威ห้องสมุดไป่ตู้说 的那样简单地模仿男体和女体的比例。
The first difference
。 Next, we explored the spirit of ethics in Chinese architecture. Contrary to the tendency of pursuing formal beauty, attractive appearance and sculpture in Greece, the Chinese people don’t pursue the external beauty but consider that the architecture is the place of living, thinking and cultivating moral, and should focus on ethics. 接下来探讨中国建筑的伦理精神。与希腊人追求形式美、造 型美、雕塑感的倾向相反，中国人不求外在形式的美感，而 是认为建筑是生活、思考、养德的地方，应以伦理为重点
The first difference
群体和谐的思想是中国建筑美学的特征，也正是中国建筑的独特理念。 因此中国建筑以向水平方向发展为主，极力削弱个体建筑的突出。这种 形式的布局，不是以单体建筑的造型取胜，而是以群体的对称、呼应、 错落有序形成整体气势。 中国人有着令人惊讶的对建筑群体的驾驭能力。 The thought of group harmony is the characteristics of Chinese architectural aesthetics, but also the unique ideas of Chinese architecture. Therefore, Chinese architecture is mainly in horizontal development, as to weaken the highlight of the individual architecture greatly. This kind of layout became dominant depending on the overall momentum of the symmetry, concert and good order among groups instead of the modeling of individual architecture.Chinese people have surprising control ability to the architectural groups.
多立克柱式是古典建筑的三种柱式中出 现最早的一种（公元前7世纪），（另外 2种柱式是爱奥尼柱式和科林斯柱式）， 它们都源于古希腊。 特点是比较粗大雄
壮，没有柱础，柱身有20条凹槽，柱头 没有装饰，多立克柱又被称为男性柱。
来显示刚劲和力量。 最早的高度与直径之比为6：1，后来改 至7：1。著名的雅典卫城（Athen Acropolis）的帕提农神庙（Parthenon） 即采用的是多立克柱式。
Judging from the building materials, in modern architecture not produced before, all the world has developed mature construction system, including belong to eastern architecture of Indian architecture inside, basically, are for major construction materials to bricky build, belongs to the brick structure system. Such as the pyramids in Egypt, ancient Greek temple, Roman chichen itza, the ShuShuiDao, in Europe in the middle ages, the church... All are built with stone material, notting have is not the "stone" in the history of historical left testimony.
The layout of architectural space, reflect the different characteristics between Chinese and western system culture, the difference.
China whatever building, from housing to the palace, almost is a pattern, similar to the "quad" mode. The beauty of Chinese architecture is a kind of "collective" beauty. For example; Beijing palace, the Ming tombs Ming temple, qufu