The Sun Also Rises太阳照常升起
Ernest_Hemingway海明威
• • • •
Novels：
– – – – – – – – – – – – (1925) The Torrents of Spring 春天的激流 春潮 (1926) The Sun Also Rises 太阳照样升起 (1929) A Farewell to Arms 永别了，武器 (1937) To Have and Have Not 富有与贫穷 (1940) For Whom the Bell Tolls 丧钟为谁而鸣 战地钟声 (1950) Across the River and Into the Trees 过河入林 (1952) The Old Man and the Sea 老人与海 (1962) Adventures of a Young Man 天涯游子泪 (1970) Islands in the Stream (Hemingway) 海流中的岛屿 (1999) True at First Light 曙光示真 (2005) Under Kilimanjaro 初秋阳光 (1986) The Garden of Eden
2. S tyle
• • • • • Deceptively simple（看似简单的） Understatement（轻描淡写） and omission （简洁） Repetition（重复性） Focus on facts（遵照事实） Few adjectives or adverbs, few conventional emotive language, few authorial（作家的） comments • Simple ,short ,conventional words and sentences • Concise, vivid（简明扼要，栩栩如生）
The Sun Also Rises
尼采悲剧理论视角探讨太阳照常升起及其现实意义
太阳照常升起
海明威于1926年创作的小说，这本小说是“迷惘”的一代 的代表作。小说描写第一次世界大战后一批青年流落欧洲 的生活情境。 男主人公杰克巴恩斯是美国记者，战争中因受伤而失去性 爱能力，杰克与勃瑞特相爱，但无法结合。战争给他们带 来生理上和心理上的创伤，他们对生活感到迷惘，厌倦和 颓丧。小说还描写了一个美国作家罗伯特科恩，他自以为 富有英雄气概，对生活抱有幻想；他追求勃瑞特，但勃瑞 特和她的朋友都不喜欢他，觉得他的生活观是陈旧的，虚 妄的。作品表现了战后年轻一代的幻灭感和失望情绪。
巴黎：从此视角来看巴黎的意义。
片段赏析
After the coffee and a fine we got the bill, chalked up the same as ever on a slate, that was doubtless one of the quaint features, paid it, shook hands, and went out. "you never come here anymore, Monsieur Barnes," Madame lecomte said. "Too many compatriots" "Come at lunch-time. It is not crowded them." "Good. I'll be down soon." " You are an expatriate. You're lost touch with the soil. You get precious. Fake european standards had ruined you. You drink yourself to death......" "It sounds like a swell life," I said, "Where do I life?"
the sun always rises谚语 -回复
the sun always rises谚语-回复1. The sun always rises, no matter how dark the night may be. 天亮就是晴天，不管夜有多黑暗。
2. Each day brings a new beginning, like the sun that always rises. 每一天都是新的开始，就像太阳总是升起一样。
3. The sun will rise again tomorrow, bringing hope and warmth. 太阳明天会再次升起，带来希望和温暖。
4. No matter what hardships we face, the sun will always rise to give us strength. 不管我们面临什么困难，太阳总会升起给予我们力量。
5. Just like the sun always rises, we should never lose hope in tough times. 就像太阳总是升起一样，我们在艰难时刻永不放弃希望。
6. The sun rising in the morning signifies a new chance to make things right. 早晨升起的太阳象征着重新做事情的机会。
7. No matter how long the night may seem, the sun will always rise with a new day. 不管黑夜有多长，太阳总会随着新的一天升起。
8. Just as the sun rises every morning, we must rise and face each day with determination. 就像太阳每天早上升起一样，我们必须坚定地面对每一天。
9. The sun always rises, bringing light to chase away darkness. 太阳总是升起，带来光明驱散黑暗。
海明威英文介绍PPT
Life
Ernest Hemingway was born on 21st July 1899 in Oak park, Chicago. Father: A successful physician, love fishing and hunting. Mother: Music teacher
Ernest
Hemingway (July 21,1899- July 2,1961)was an American writer and journalist. He was part of the 1920s expatriate(移居国外) community in Paris, and one of the veterans(退伍军人) of the World War Ⅰ, later known as “the Lost Generation”. He receives the Pulitzer prize in 1953 for The Old Man and the Sea, and the Nobel Prize in literature in 1954.Thank you!!!
The Old Man and the Sea
For
84 days the old Cuban fisherman Santiago does not catch a fish but he does not feel discouraged. He goes far into the sea and hooks a giant marlin. He manages to kill the fish and tie it to his boat, only to find that on the way home he has to fight a desperate struggle with some dangerous giant sharks, which eat up the marlin, leaving only a skeleton. The old man brings it home and dreams, almost dead with exhaustion.
《太阳照常升起》The Sun Also Rises
Travels in this novel
• • • • 1. The travel to Paris (Expariates' Travel) 2. The travel to Burguete (Nature) 3. The travel to Pamplona (Culture) 4. Jack's travel to San Sebastiá n
1. The travel to Paris (Expatriates' Travel)
• “这一代人之所以迷惘，首先是因为他们是无根之 木，在外地上学，几乎和任何地区或传统失却联 系。这一代人之所以迷惘，是因为他们所受的训 练是为了应付另一种生活，而不是战后的那种生 活，是因为战争使他们只能适应旅行和带刺激性 的生活。这一代人之所以迷惘，是因为他们试图 过流放的生活。这一代人之所以迷惘，是因为他 们不接受旧的行为准则，并因为他们对社会和作 家在社会中的地位形成了一种错误的看法。这— 代人属于从既定的社会准则向尚未产生的社会准 则过渡的时期。” （Malcolm Cowley《流放者的 归来》）
3. Interactions between Different Cultures
• Travelers and local people will gaze at each other. • E.g.: Jake and Romero.
• They represent different cultures. Jack likes Romero’s corrida performance because it can demonstrate masculinity and he can gain consolation from watching it. As for Romero, he is very interested in foreign culture, the contact between the 2 people gives benefit to each other.
The-Sun-Also-Rises-太阳照常升起-book-report
( a borken man)
(Heroin,
a divorcée Lady
living in Paris )
Romero
( a manador, Spainish)
• Section 1:
plot summary
One night, Jake plays tennis with his college friend Robert Cohn, picks up a prostitute, and runs into Brett in a nightclub. And Cohn has crush on Ashley immidiately.
• Section 3
In the aftermath of the fiesta. Sober again, they leave Pamplona; Bill returns to Paris, Mike stays in Bayonne, and Jake goes to San Sebastián in northeastern Spain.
American author and journalist • Writing style:
Economical and understated style A strong influence on 20th-century fiction • Rewards: The Nobel Prize in Literature in 1954 and many other rewards. • Joining the Ameracan army during World war I and the Spanish Civil War.
• Bankground
海明威《太阳照常升起》
Main article
Indian Camp"(1926)
The Sun Also Rises (1926) A Farewell to Arms (1929)
The Short Happy Life of Francis Macomber"(1935)
For Whom the Bell Tolls (1940) The Old Man and the Sea (1951) A Moveable Feast (1964, posthumous) True at First Light (1999)
• 海明威在这里创作了他的第一部长篇小说《太阳照常升 起》。
Café de la Paix
80多年前的一天，漂洋过海的海明威以“每一天都是 一个新的日子”的心情找到这家被绿色的“圣诞树”包围 的咖啡店。他要了一杯冒着热气的咖啡，但不知这杯咖啡 能否温暖那寒冷的心灵，也不知是否是那杯炭烧的咖啡香 味，在第二天太阳升起的时刻，海明威又来到这家咖啡店， 还是昨天的那个角落，还是昨天的那个座位，还是像昨天 那样要了一杯冒着热气的咖啡……之后的6个星期间，抑或 更多的日子，他总在太阳升起的时刻，要了一杯冒着热气 的咖啡，继而与那一群迷惘、苦闷的青年人相会。那个座 位印上了“海明威之椅”。
他要了一杯冒着热气的咖啡但丌知这杯咖啡能否温暖那寒冷的心灵也丌知是否是那杯炭烧的咖啡香味在第二天太阳升起的时刻海明威又来到这家咖啡店还是昨天的那个角落还是昨天的那个座位还是像昨天那样要了一杯冒着热气的咖啡
The Sun Also Rises
—Ernest Hemingway
Biography
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American writer and journalist. He was part of the 1920s expatriate community in Paris, and one of the veterans of World War I， later known as "the Lost Generation.“
裕兴新概念英语第三册笔记 第二课 单词学习与课文讲解
裕兴新概念英语第三册笔记第二课单词学习与课文讲解老猴子咬菜根学习交流equal ['i:kwəl] v./adj. 与...相等adj. be equal toeg. Wealth is not equal to happiness. 财富不等同于幸福。
EEOC: Equal Employment Opportunities Commission 平等就业机会委员会(A US government organization whose aim is to make sure that people are not prevented from getting jobs because of their race, religion, age, sex etc, and to make sure that all workers are treated fairly and equally.)[中国学生易犯的错误]vt. 及物动词equal to (“to” is unnecessary) (作动词时equal后面不能接to) vicar ['vikə] 英国教区的小牧师(of the Church of England)rector ['rektə] 小牧师(of the Catholic Church)Catholic ['kæθəlɪk, 'kæθlɪk] adj. 天主教的priest [pri:st] n.(基督教和罗马天主教的)神父, 牧师curate ['kjuərit] 副牧师curate's egg 有好有坏eg. The book is something of a curate's egg. 这本书好坏参半。
bishop ['biʃəp] 主教(chess) 象：圆棋子为教士帽形archbishop [ɑ:tʃ'bɪʃəp] 红衣大主教Pope (Roman Catholic) 罗马教皇eg. Is the Pope (a) Catholic? (a humorous way to say sth is clearly true and certain) 非常明显是正确的。
海明威生平简介
父母对他的影响
Ernest's mother taught all her children music and creativity and took them to concerts, art galleries and operas. Ernest's father taught his children to love nature. To build fires, to cook in the open, how to use an axe, how to tie wet and dry flies, how to make bullets, how to prepare birds and small animals for mounting.
三十年代
1933年秋天，海明威随一队狩猎的旅行队 到过肯尼亚的蒙巴萨、奈洛比及马查科斯， 再到达坦桑尼亚，并在赛伦盖提 （Serengeti）、曼雅拉湖（Lake Manyara）四周和现在塔兰吉雷国家公园 （Tarangire National Park）所在地的西 及南部打猎，猎物大多为象、狮子、老虎 等陆栖的大型动物。
英美文学鉴赏
传奇海明威
Ernest Hemingway
目录
1. 简介 2. 个人生平 3. 婚姻 4. 人物代表作品 5. 奖项及荣誉
A brief introduction
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. He was part of the 1920s expatriate community in Paris, as well as the veterans of World War One later known as "the Lost Generation“. He received the Pulitzer Prize in 1953 for The Old Man and the Sea, and the Nobel Prize in Literature in 1954.
The Sun Also Rises Analysis 《太阳照常升起》文学解析
THE SUN ALSO RISES AnalysisErnest HemingwayThemesThemes are the fundamental and often universal ideas explored in a literary work.The Aimlessness of the Lost GenerationWorld War I undercut traditional notions of morality, faith, and justice. No longer able to rely on the traditional beliefs that gave life meaning, the men and women who experienced the war became psychologically and morally lost, and they wandered aimlessly in a world that appeared meaningless. Jake, Brett, and their acquaintances give dramatic life to this situation. Because they no longer believe in anything, their lives are empty. They fill their time with inconsequential and escapist activities, such as drinking, dancing, and debauchery.It is important to note that Hemingway never explicitly states that Jake and his friends’ lives are aimless, or that this aimlessness is a result of the war. Instead, he implies these ideas through his portrayal of the characters’ emotional and mental lives. These stand in stark contrast to the characters’ surface actions. Jake and his friends’ constant carousing does not make them happy. Very often, their merrymaking is joyless and driven by alcohol. At best, it allows them not to think about their inner lives or about the war. Although they spend nearly all of their time partying in one way or another, they remain sorrowful or unfulfilled. Hence, their drinking and dancing is just a futile distraction, a purposeless activity characteristic of a wandering, aimless life.Male InsecurityWorld War I forced a radical reevaluation of what it meant to be masculine. The prewar ideal of the brave, stoic soldier had little relevance in the context of brutal trench warfare that characterized the war. Soldiers were forced to sit huddled together as the enemy bombarded them. Survival depended far more upon luck than upon bravery. Traditional notions of what it meant to be a man were thus undermined by the realities of the war. Jake embodies these cultural changes. The war renders his manhood (that is, his penis) useless because of injury. He carries the burden of feeling that he is “less of a man” than he was before. He cannot escape a nagging sense of inadequacy, which is only compounded by Brett’s refusal to enter into a relationship with him.While Jake’s condition is the most explicit example of weakened masculinity in the novel, it is certainly not the only one. All of the veterans feel insecure in their manhood. Again, Hemingway does not state this fact directly, but rather shows it in the way Jake and his veteran friends react to Cohn. They target Cohn in particular for abuse when they see him engaging in “unmanly” behavior such as following Brett around. They cope with their fears of being weak and unmasculine by criticizing the weakness they see in him. Hemingway further presents this theme in his portrayal of Brett. In many ways, she is more “manly” than the men in the book. She refers to herself as a “chap,” she has a short, masculine haircut and a masculine name, and she is strong and independent. Thus, she embodies traditionally masculine characteristics, while Jake, Mike, and Bill are to varying degrees uncertain of their masculinity.The Destructiveness of SexSex is a powerful and destructive force in The Sun Also Rises. Sexual jealousy, for example, leads Cohn to violate his code of ethics and attack Jake, Mike, and Romero. Furthermore, the desire for sex prevents Brett from entering into a relationship with Jake, although she loves him. Hence, sex undermines both Cohn’s honor and Jake and Brett’s love. Brett is closely associated with the negative consequences of sex. She is a liberated woman, having sex with multiple men and feeling no compulsion to commit to any of them. Her carefree sexuality makes Jake and Mike miserable and drives Cohn to acts of violence. In Brett, Hemingway may be expressing his own anxieties about strong, sexually independent women. MotifsMotifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.The Failure of CommunicationThe conversations among Jake and his friends are rarely direct or honest. They hide true feelings behind a mask of civility. Although the legacy of the war torments them all, they are unable to communicate this torment. They can talk about the war only in an excessively humorous or painfully trite fashion. An example of the latter occurs when Georgette and Jake have dinner, and Jake narrates that they would probably have gone on to agree that the war “would have been better avoided” i f they were not fortunately interrupted. The moments of honest, genuine communication generally arise only when the characters are feeling their worst. Consequently, only very dark feelings are expressed. When Brett torments Jake especially harshly, for instance, he expresses his unhappiness with her and their situation. Similarly, whenMike is hopelessly drunk, he tells Cohn how much his presence disgusts him. Expressions of true affection, on the other hand, are limited almost exclusively to Jake and Bill’s fishing trip. Excessive DrinkingNearly all of Jake’s friends are alcoholics. Wherever they happen to be, they drink, usually to excess. Often, their drinking provides a way of escaping reality. Drunkenness allows Jake and his acquaintances to endure lives severely lacking in affection and purpose. Hemingway clearly portrays the drawbacks to this excessive drinking. Alcohol frequently brings out the worst in the characters, particularly Mike. He shows himself to be a nasty, violent man when he is intoxicated. More subtly, Hemingway also implies that drunkenness only worsens the mental and emotional turmoil that plagues Jake and his friends. Being drunk allows them to avoid confronting their problems by providing them with a way to avoid thinking about them. However, drinking is not exclusively portrayed in a negative light. In the context of Jake and Bill’s fishing trip, for instance, it can be a relaxing, friendship-building, even healthy activity.False FriendshipsFalse friendships relate closely to failed communication. Many of the friendships in the novel have no basis in affection. For instance, Jake meets a bicycle team manager, and the two have a drink together. They enjoy a friendly conversation and make plans to meet the next morning. Jake, however, sleeps through their meeting, having no regard for the fact that he will never see the man again. Jake and Cohn demonstrate another, still darker type of false friendship. Although Cohn genuinely likes Jake, Jake must often mask outright antagonism toward Cohn, an antagonism that increases dramatically along with Jake’s unspoken jealousy of Cohn over his affair with Brett. At one point, he even claims to hate Cohn. This inability to form genuineconnections with oth er people is an aspect of the aimless wandering that characterizes Jake’s existence. Jake and his friends wander socially as well as geographically. Ironically, Hemingway suggests that in the context of war it was easier to form connections with other people. In peacetime it proves far more difficult for these characters to do so.SymbolsSymbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.BullfightingThe bullfighting episodes in The Sun Also Rises are rich in symbolic possibilities. The multiple possible interpretations of these passages speak to the depth and complexity of the text. For example, nearly every episode involving bulls or bullfighting parallels an episode that either has occurred, or will soon occur, among Jake and his friends. The killing of the steer by the bull at the start of the fiesta, for instance, may prefigure Mike’s assault on Cohn. Alternatively, we can read this incident as prefiguring Brett’s destruction of Cohn and his values. Furth ermore, the bullfighting episodes nearly always function from two symbolic viewpoints: Jake’s perspective and the perspective of postwar society. For instance, we can interpret the figure of Belmonte from the point of view of Jake and his friends. Just as Cohn, Mike, and Jake all once commanded Brett’s affection, so too did Belmonte once command the affection of the crowd, which now discards him for Romero. In a larger context, Belmonte can symbolize the entire Lost Generation, whose moment seems to have passed. On still another level, Hemingway uses bullfighting to develop the theme of the destructiveness of sex. The language Hemingway employs to describe Romero’s bullfighting is almost always sexual, and his killing of the bull takes the form of aseduction. This symbolic equation of sex and violence further links sexuality to danger and destruction. It is important to note that the distinctions between these interpretations are not hard and fast. Rather, levels of meaning in The Sun Also Rises flow together and complement one another.。
海明威《太阳照常升起》解析
—Ernest Hemingway
小教122 29 周雪媛
Background of the Novel
地点： 法国巴黎,和平咖啡馆 /Café de la Paix
时间： 1926年
•
本书是海明威的第一部长篇小说，体现了“迷惘的一代”文学的基 本特征，实际上是这个流派的宣言，塑造了“迷惘的一代”的典型。 小说描写的是第一次世界大战以后一群流落巴黎的英、美青年的 生活和思想情绪。主人公杰克.巴恩斯的形象带有作者自传的成分， 体现了海明威本人的某些经历和他战后初年的世界观以及性格上的 许多特点。他是个美国青年，在第一次世界大战中负了重伤，战后 旅居法国，为美国的一家报馆当驻欧记者。他在生活中没有目标和 理想，被一种毁灭感所吞食。他热恋着勃莱特.阿施利夫人，但负伤 造成的残疾使他对性爱可望而不可即，不能与自己所钟情的女人结 合。他嗜酒如命，企图在酒精的麻醉中忘却精神的痛苦，但是这也 无济于事。巴恩斯的朋友比尔对他说：“你是一名流亡者。你已经和 土地失去了联系。你变得矫揉造作。冒牌的欧洲道德观念把你毁了。 你嗜酒如命。你头脑里摆脱不了性的问题。你不务实事，整天消磨 在高谈阔论之中。你是一名流亡者，明白吗？你在各家咖啡馆来回 转游。” 这是海明威的第一部长篇小说，作者藉此成为“迷惘的一代”的代
《太阳照常升起》中的新女性勃莱特· 阿施利 战后，男人们对男性至尊与男性权威 的自信已经丧失，取而代之的是一种斯多 葛派（stoic）的态度，这实际上是对内心 脆弱的一种补偿。
个人感悟
对上帝低头，对自己的选择认输，这无损真汉子的光荣。但是任由别人 插手自己的命运，这就不可忍受。 这句话是不是感觉很有力量？但是，世界（强权）比你有力量! “人为刀 俎 我为鱼肉”，当我们相信世界给我们的价值观并为之战斗，到头来发 现不过是他们之间的尔虞我诈，我们不过是工具罢了，所以呢，我们怎 么办？《太阳照常升起》里的杰克、比尔、勃莱特，原有的价值观和信 仰轰然倒塌，新的观念又没有建立。于是只有祈求于酒色，音乐，斗牛 等等刺激的事物。 小说结尾勃莱特依偎着杰克说:“唉，杰克，我们要是能在一起该多好。” 杰克回答说：“是啊，这么想想不也很好吗？” 嗯，没有了性，但是 平淡的爱和无尽的执着加之似浓似淡的忧伤，还是那样美好的。
Ernest Hemingway海明威简介
标题 文本
6
Hemingway (center) with Dutch film maker Joris Ivens, and Ludwig Renn (German writer). Spanish Civil War
标题 文本
Ernest and Mary Hemingway are buried in the town cemetery in Ketchum, Idaho.
Non-novel
Death in the Afternoon 《死在午后》 1932 Green Hills of Africa 《非洲的青山》 1935 A Moveable Feast 《流动的盛宴》 1964 The Dangerous Summer 《危险的夏天》 1985
Short story
Ernest Hemingway
(1899-1961)
1201班 Shine 2015.5.12
Contents
1 2
Life experience
Main work
3 The Old Man and the Sea
4
Writing style
01
Life experience
＊Born and raised
Quotations from the Old Man and the Sea
Every day is a new day. It is better to be
lucky. But I would rather be exact. Then
when luck comes you are ready. 每一天都是一个新的日子.走运当然是好.不过我情愿 做到分毫不差.这样, 当运气来的时候,你已有所准备了。
《太阳照常升起》和美国“迷茫的一代”
1. IntroductionThe Lost Generation was coined by the writer-critic Gertrude Stein, who said to Ernest Hemingway that:“You are all a lost generation”.And then, Hemingway used it as an epigraph for his first novel The Sun Also Rises. This novel received an immediate success because it reflects the disillusionment of the lost generation. So the “Lost Generation” became the enduring term that had stayed associated with writers of the 1920s in the US.With the outbreak of World WarⅠ, many Americans held the romantic view of the war as a symbol of courage, heroism, and glory. Popular media had created a lot of fantasies about war. The young people were fascinated by the dream of heroism, so they went to the battlefield. But when they got there, they only found that the reality was far from their expectation. The war was so cruel and brutal, so they were disillusioned. They suffered lots of miseries and knew the Anti-war sentiment. The trauma of war led them to seek the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date(Yin and Liu 2007: 189). There are many literary artists involved in the groups known as the Lost Generation. Hemingway was the most representative author.In the previous researches, the experts researched the “Iceberg Theory” and “the consciousness of tragedy”of Hemingway and devoted the outstanding contribution, showing the reader a different Hemingway. This paper mainly concentrated on the theme of “The Lost Generation” in order to reveal a more vivid and active image of “The Lost Generation”. In this paper, we will discuss the main characters of the lost generation from the view of The Sun Also Rises. The paper is divided into five parts: the first part is introduction; the second part is a brief information related with The Lost Generation, the third part analyses the Lost Generation reflected in the novel, including brief introduction of the author and his book as well as the main characteristics of the Lost Generation; the fourth part is the connection among TheLost Generation, Hemingway and The Sun Also Rises, the last part conclude the paper.2. The Lost GenerationThe Sun Also Rises told a story, which reflected some clues of the life of Hemingway, who, as a member of the lost generation, lived an extravagant life after World WarⅠ.His life could be seen as a representative of the lost generation.2.1 BackgroundThe Lost Generation generally referred to the generation after the First World War and especially for those American writers who were born around 1900s and went on literary world after the First World War. When the World WarⅠbroke out, the American youth who was influenced by the slogan of patriotism and the spirit of adventure rushed into the battle. However after the experienced cruel fight and the torment of death and injuries, they found that this kind of war was just a meaningless massacre and recognized the preposterous and brutal of the reality. War destroyed the human civilization, destroying the morals and values based on the humanitarianism. They wanted to fulfill their own values, but they failed. The worst thing was that they lost their previous dreams and conviction. Depress ion spread quickly like plague（徐葆耕1990: 56）. They lost confident about future, missing the direction of life and was filled with the sense of loss and nihility. And their emotions full of hatred, so they tried hard to evade the reality and devoted themselves to the stimulus activities. They challenge to the morals and was immersed in the pessimistic and desperation. They became an unprecedented Lost Generation in American Society.2.2 The influence of The Lost Generation and the conflict between the traditional cultures2.2.1 The influence to the social lifeMany good, young men went to war and died, or returned home either physically or mentally wounded, and their faith in the moral guideposts that had earlier give them hope were no longer valid and they were “lost”. The Lost Generation seeking the bohemian lifestyle and rejecting the values of American materialism, they fled to France in the post World War Ⅰyears. Full of youthful idealism, these individuals sought the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date. During the 1920s, a group of writers known as “The Lost Generation”gained popularity. These young writers put off their military uniform, rushing into the literary world and created some wonderful works. The three best known writers among the Lost Generation are F.scott Fitzgerald, Ernest Hemingway and John Dospassos.2.2.2 The significant to American cultureThe Lost Generation is actually a group of American writers who were rebelling against what America had become by the 1900s. At this point in time, American had become a great place to “go into some area of business”. However, the Lost Generation writers felt that America was not such a success story because the country was devoid of a cosmopolitan culture, such as Paris and London. Here they expected to find literary freedom and a cosmopolitan way of life.A cosmopolitan culture is one which includes and values a variety of backgrounds and culture. In the 1920’s the White Anglo Saxon Protestant work ethic was the only culture that was considered valued by the majority of Americans. It was because of ethnics such as this which made the cosmopolitan culture of Paris so alluring. American Literature went through a profound change in the post WWⅠera. Up until this point American writers were still experienced to use the rigid Victorian style of the 19th century. The Lost Generation writers were above, or apart from, American society, not only in geographic terms, but also in their style of writing and subjects they chose to write about. Although they were unhappy with American culture, the writers were instrumental in changing their temporary emigration of American talent into cosmopolitan cities such as Paris, is significant to Americanculture in the following two parts: One, because it aided in the desire for a cosmopolitan culture to be established and to exist in American. Two because when American culture became more defined, European and other countries began to recognize a distinction Democratic American Culture.3. The reflection of The Lost Generation in The Sun Also Rises3.1 A brief introduction to the authorHemingway is one of the best known American authors in the 20th century. His talent in novel writing was widely admired at his time and now his works, especially his short stories are very popular among readers. Hemingway, one of the six children in the family, was born on July 12, 1899, Illinois. In the 1914, the First World War broke out, after working briefly as reporter, he volunteered for Red Cross ambulance service and went overseas. He then transferred to duty at the Italian front; it was just there that he was serious wounded in the explosion of a mortar shell. It was in 1918, after over ten times of operation, the doctor has taken 237 pieces of shrapnel just from his left leg (苏成全2003: 69).After the First World War, Hemingway was suffered tortured by the nightmares about the war and he got insomnia frequently. Besides, Hemingway was injured many times in the Second World War, and after the war he encountered some misfortunes. For several years Hemingway suffered from physical ailments and emotional breakdown, which is widely believed to be the cause of his final suicide.Reviewing the whole life of Hemingway, his war experience brought him great torment in his physical and mental aspect. He created his works with his experience to reflect the torment that American people had in that age:In his fiction the nihilistic vision of sterility, failure, and death is modified byhis affirmative assertion of the possibility of living with style and courage.Therefore, he often dealt with war and its effect on people, with contests suchas hunting and bullfighting that demand stamina and courage, and with thequestion how to live with pain.（汪冷2003: 269）3.2 A brief introduction to the The Sun Also RisesIn this novel, a young American man Jack Barnes was injured during the World WarⅠ,which led him not to live with his dearest woman Brett Ashley in a normal life. The most importing thing was that his lover had a nature of romantic, longing for freedom and enjoyed the life. Jack was deeply in love with Brett. They knew each other for a long time but the reality not allowed them to live together. Jack, Brett and other friends went to Pamplona in Spain to join the Bullfighting Festival in order to pursue the mental stimulation. Brett refused Robert Cohn’ admire instead of falling love with a nineteen-year-old torero. However, after getting along with each other for a long times, the amour relationship was ended because of the gap of age. Brett came back to Jack at last though both of them knew that they could not get together forever. But both of them found a good entrance for themselves.3.3 The main character’s features in this novelJack— lost but not be defeatedThe novel was narrated in the first person by Jack Barnes who obviously was a shadow of Hemingway. They all experienced the First World War, suffering the physically and mentally wounded and lost in the social life after the war. Jack was on behalf the Lost Generation in real life. In the novel, Jack was on the “iceberg” with emptiness and lost, benumbing himself with alcohol to escape the realism. However, Jack is different with the other “Lost Generation”in this novel, instead, he did not escaped blindly. In some extent, he was seeking the prewar’ manliness and he was not completeness given up his philosophy and values. This point is similar with Hemingway. Jack could be defeated but not be overthrew. Jack’ life was resembled with his contemporary, and they were all casualties of the war. But the difference was that Jack did not let his confusion and maze in emption eroded in the extent of that contemporary. He was swayed in whether assimilate with others or preserve himself with serious hurts. Comparing with the corrupt people, in Jack’inner heart he still wanted to grasp something and he was struggling. He wanted to reserve theself-restraint of life:Perhaps, as you went along you did learn something. I did not care what itwas all about. All I wanted to know was how to live in it. Maybe if you foundout hoe to live in it you learned from what it was all about. (Howard 1985:65)Hemingway portrayed Jack as an extremely tragedy hero. The dissipated outside world and impuissant body and soul caused by war beat Jack again and again, but he never failed to struggle and strive. Jack’tolerance, honesty, patience and intellectuality proved that he took the same status with others as a hero.Cohn— strong on the surface but recreance insideAnother character Robert Cohn had never experienced the war and he still stuck the prewar’traditional values, which was excluded by jack and others. He was on behalf the traditional Romanticism. In the novel, he had a strong physique and was a boxing champion in collage. Besides, he had an easy manner which was traditionally regarded as real men. However, he was recreance inside and always was controlled by women. His traditional values excluded himself from the social life and lost direction, which was a behinder. After human suffered from a horrible war, the men mettles was a spiritual strength for Hemingway to resist the absurd world. It was satirized that Jack’s strong physique and gentle were an opposite of Hemingway’men. The pursuing love, dream and self-dignity of Cohn was not relevant with Hemingway’s. His words, relief and values were divorced from reality and could not catch up with the step of the age. Cohn was portrayed as inexperienced and decadents, chivalry, representing large quantities of American youth who were not mature in mental. Cohn didn’t understand that there was no romantic love on the ruins of the western civilization. The previous morals, ethics, loves and life pursuing were destroyed by the cruel war. He thought the faithful amour could counter everything, but at last he just gained the weeping tears and company’ contemptuous.Modern woman Brett— a combination of paradoxThe female character Brett had double personalities. Her unconventional and unrestrained life was a new image of women after war. At the same time, she stillremained some traditional values. This point could be proved from her refusing Romero, because she didn’t want to ruin the young torero. When Brett first appeared, she gave people an impression of fashion. The sexy clothes and her hair was combed backward was almost the features of modern women. The new women in this period were not satisfied with the traditional rule — virtuous wife and kind mother. Instead, they tried to get away the range of activities, and rushed into a range of men’s activities to catch their attention. Brett was one of those women. She eschewed the tradition rule, rushing into men’s activities, having excessive drinking and flirted with men; she also joined the Basque’s revelry and went to Pamplona in Spain to join the Bullfighting Festival. In sexual love, she chose friends freely and changed one man to another, but she never promised her whole life to one man. Hemingway seems to tell us that as she is wit h Jake and Jake’s male friends, World War I seems to have played an essential part in the formation of Brett Ashley’s character(Chen 2005: 52). However, just as the other modern women who were in transition, she could not completely free herself from the ties and influence which she gained from the tradition feudal ethnical code. Therefore, the impelling of the modern tendency as well as the yoke of traditional values made Brett sank into a dilemma. Brett had double personalities and was a combination of paradox. Sometime her behavior and thought were a compromise of tradition and revolution. Not being repented but still tied by tradition made her more and more lost, restless and pain.Romero— The Lost Generation’s dreamAnother character Romero was a young torero. He was different with the other three characters. In the novel, Romero was not “lost” but dignity and confident. He had a fulfilled life and goal. Different with Cohn, he symbolized complete and undestroyed traditional values. Hemingway portrayed Romero as pure, graceful and complete. Romero was unique in this novel because he represented the system of ideal value that had never been destroyed by the war. Firstly, he was different with Jack and his friends. His job bullfight entrust him a meaningful life. On the contrary, Jack didn’t get the satisfaction from his journalist career and Cohn didn’t find the goal of life from writing. It was the difference among Romero, Jack and Cohn. In this novel,bullfighting was a part of Romero’s life and made his life more meaningful, which was the Lost Generation lost. Jack had said:” No one’s life was colorful as well as torero.”Romero’s bullfighting skills were more quick, efficient and easiness. Hemingway implied the undestroyed traditional values from the description of Romero’s bullfighting skills. Romero’s symbolization could not be replaced just because of his existed that made Jack, Cohn and Brett’s emptiness and lost more clearly. What’s more, it led reader know what they had lost, and in that time the reader could comprehend the root of their “lost”. Maybe Romero was considered as the only character that symbolized the hope and strength by Hemingway. Therefore Romero represented the pursuing of life and hope.4. The relationship among The Lost Generation, Hemingway and The Sun Also Rises4.1 The Lost Generation and Hemingway“The Lost Generation” literature was closely connected with Hemingway. It was a literature genre that appeared between Traditional Realism and Modern Realism. This kind of genre had no common principle and unified system, but these”Lost Generation”writers had same experiences and emotions, that was, they all experienced the war and had physically and mentally wounded. They witnessed the hypocritical and corrupt of the western civilization, puzzled by the dream, losing the direction and had no confidence to face the future. They pondered the meaning of life, the value of life but finally they could not be harmony with the society and found that life and reality were unreal and lost. In their works, they concentrated on people’misery experience, mental scar and depressed inside, which full of the emotion of pessimistic and distressed. In their literary techniques, they made every effort to breach the tradition, pursuing creativity and excessively used symbolic, ideology and other technique of Modern Realism. Ernest Hemingway was one of the most famous “The Lost Generation” writers.A large part of Hemingway’ success was due to the influence of world famous contemporary writers who befriended and advised him to write, such as SherwoodAnderson, William Bird. What’s more, Hemingway’s war experience was also greatly influenced his work, providing background material, settings, and themes for his writing. Most of Hemingway heroes were seriously wounded physically and psychologically in World Way One. They were injured in the back, in the knee, or even in the sexual organs. Their physical wounds result in their spiritual wounds. Having been damaged by the war, these characters were “Lost Generation”. A Farewell to Arms was based on some of his experience in World War One to show that the war was the root of the characters tragedy and the root of the whole “Lost Generation”. The Sun Also Rises described American youth’s lost and depressed after war to show the struggle of the characters and the struggle of the whole”Lost Generation”. Therefore, Hemingway used his works to reveal the wounds that the war brought them, showing reader more specific of The Lost Generation.4.2Hemingway and The Sun Also RisesThe Sun Also Rises was regarded as Hemingway’s most wholly satisfying book by most critics, for its narrative tone and his famous understated ironic prose style, Hemingway excelled in using short and precise dialogue to tell his story and made the people live and act, using it to enrich and develop characters from without, and using it strengthen the theme. Hemingway’s dialogue had four major functions: Firstly, Hemingway’dialogue is direct speech which is more lively andstraight. Secondly, Hemingway employs dialogue to showing the storyinstead of telling the story which makes the narrator stands aside and givesthe floor to other characters, Thirdly, Hemingway’s dialogue can acceleratethe narrative speed of the novel and make his story move with intensity. Atlast, Hemingway uses plenty of colloquial words in his dialogue, throughwhich obscures the distance between the narrator’s language style and theother character’s. (张薇2002: 57-61)Having discussed the narrative style in The Sun Also Rises, this paper may pay much attention on the role of the novel and Hemingway himself. In this novel, the background and experience of the main characters were similar with Hemingway.According to Hemingway’s families, they recalled that when Hemingway returned from the war, he was really different. He didn’t want to work, didn’t want to go to college, he didn’t want to do anything and became a person without goal (刘剑锋2001: 80).In some point, Jack was an autobiography of Hemingway, and Brett was an English woman who had American temperament. Besides, the other characters in the novel were related with Hemingway. As we all know, Hemingway had experienced the First World War and behaved bravely, but he was physically wounded. Jack’s injury of sexual organ and journalist identity were true-to-life portrayal of Hemingway’s experiences. And similar with Jack, Hemingway’s love was frustrated by an American nurse who was fall in love with Hemingway but finally married with another person. It was obviously to see the depression of Hemingway. So he traveled to Europe, seeing the bullfighting, skiing, boxing, going fishing, drinking and writing. In that time Hemingway didn’t find the existence of value, direction and goal. He still insomnia the adventure of the war. Although the war brought them unrecovered wound, the war was one of their life experience and they could not forget it. War destroyed them but at the same time war built up them. During the war, they experienced the text of courage, friendship and locality. But in peaceful time, all of these were disappeared. So they felt life was boring and vacant. Hemingway’s experience was the foundation of Jack.As for Brett, her life and cloth were full of American style. Although she was wrote as an English, her desire for happiness, careless about sex and the struggle of unwilling to be degenerated had the basis of American reality and related with Hemingway’s experiences. The character of Brett was described based on a girlfriend of Hemingway who was beauty and sexy. She was popular among men and Hemingway was also addicted to her just like Brett to Jack, but finally they didn’t get together. The love stories in The Sun Also Rises are like a symphony of the Lost Generation. They show us the sourness, sweetness, bitterness, hotness of love, joys and sorrows of life and they also show us the love’s multiplicity and perplexity of the Lost Generation. Some of the plot of the novel was the author’s experience. So it led the novel more real and vivid.4.3 The Lost Generation and The Sun Also RisesThe Sun Also Rises reflected the traditional value and belief influenced by the war. They found that human was tiny, life was insignificant and the death was at the corner, so they lost, depressed and pessimistic. It was no doubt that the physically and mentally wounded was the reason that made the youth lost and pessimistic, but it just was objective reason and background. This novel didn’t emphasis the point, instead, the author pay much attention on the psychology after war. It was a process of pursuing and exploring. It was a soul’s soliloquy struggled in reality.The youth in that age suffered a lot, and Jack was a model. His life was full of conflict and contradistinction. The war was over and injuries had been caused, but how to face the reality was the main theme of the novel. In the novel, Jack and his friends chose to evade the contrast of the ideal, the vanishment of dream and the cruelty of reality. But were they really “lost”? No, they wanted to accuse of the hypocritical of the war; they had to tolerate the wounds but still fighting; they knew they had chance to pursue the ideal but they gave up. ”Lost”was an image. These characters actually knew what they wanted and what they pursued, just because the turbid world made them lost direction. But after they experienced the tortures, they found the entrance of the soul. Jack last said: “It’s OK to think like that”. He knew that time never stopped for their hurts, no one care about their sufferings and no one recall the past, so did history. Only they could rescue themselves. Hemingway had said that if you hadn’t experienced one thing, you couldn’t understand its real meaning. When Jack and his friends experienced these sufferings, they could find the direction. And found an entrance to the spirit and emotion.Ⅴ. ConclusionAs representative of The Lost Generation, Hemingway’s work reflected the influence of traditional values and belief after war. They had suffered physically and mentally wounded. So when they returned from the war, they felt the life was short and fragile and then they began to enjoy the life. All of these were a true-to-life portrayal of Hemingway’s pessimistic and lost in his thought, but Hemingway was not exactly nihilism and pessimism. He had his own belief and hope, wanting to show the truth to the reader and helped people to build up new belief and gained new hope.The Sun Also Rises revealed us a real life of The Lost Generation after war. The novel represented Hemingway and the whole Lost Generation’s conflict and contradiction. On the one hand, Hemingway lost his belief, losing the hope of life and addicted into the comforts, on the other hand, Hemingway desired to fight, challenging and never be defeated. Just as the characters in the novel, they were built up by the age and they also influenced the age. They found the spirit and emption entrance through their special life experience, standing up through the injuries that the history brought them and finally entered the new life and hope. It was regarded as the real meaning of “The Lost Generation”.BibliographyChen Suying. An Analysis of the social Significance of Hemingway’s women characters [J]. 广西梧州高等专科学校校报2005(2): 52.Howard, William. Modern Critical Views Ernest Hemingway[M]. Ed. Harold Bloom.New York: Chelsea House Publishers, 1985.Yin Jianbo, Liu Jia. The Lost Generation and its significance of American Culture [J].科教文汇2007(6): 189.刘剑锋. 论海明威与他的太阳照常升起[J]. 社科纵横2001(4): 80.苏成全. 海明威的传奇人生与迷茫的一代[J]. 陕西师范大学继续教育学院学报2003(3): 69.汪冷. 美国文学作品选读[M]. 上海: 上海交通大学出版社, 2003.徐葆耕. 西文文学——心灵的历史[M]. 北京:清华大学出版社, 1990.张薇. 叙述学视野中的海明威小说的对话艺术[J]. 外国文学研究2002(3): 57-61.。
海明威太阳照常升起英文版阅读
海明威的作品至今仍然是世界文学史上的经典之一，其中最著名的作品之一便是《太阳照常升起》（The Sun Also Rises）。
这部小说以第一次世界大战后的失落与迷茫为背景，描绘了一群美国作家和艺术家在欧洲的生活。
小说以其坦率的文字和对失望的深刻描绘而闻名，成为了美国文学的经典之作。
我们需要了解《太阳照常升起》这部小说的基本情节和主题。
故事发生在1920年代的欧洲，主要围绕着主人公杰克和他的朋友们展开。
他们身处在第一次世界大战后的失望和迷茫之中，在酒吧、咖啡馆中度日，试图通过饮酒和狂欢来逃避内心的空虚和困惑。
小说中充满了对生活的失望、对青春的追忆和对人性的浪漫主义呼唤。
其中，酒精的滥用、道德的沦丧、爱情的不幸等元素贯穿全书，使得读者对人性的种种困惑和矛盾有了更加深刻的认识。
我们可以从文学风格和语言运用方面来探讨海明威的《太阳照常升起》。
海明威一直以朴素、坦率的文风著称，他擅长运用简洁的叙述和干净利落的文字表达方式，将复杂的情感和情节描绘得淋漓尽致。
值得一提的是，海明威善于通过对话和行为来展现人物的性格和心理状态，使得人物形象更加鲜活生动。
小说中诸多对话中的台词也成为了经典，例如“太阳照常升起，而我们早已变了模样”等，这些台词揭示了书名的寓意，并且如影随形地贯穿在整个故事之中。
接下来，我们可以从哲学思考的角度对《太阳照常升起》进行全面评估。
小说中所体现的对生活的失望和迷茫，以及对现实的批判，都反映了海明威对当时社会的深刻思考。
他试图通过小说呼吁人们要正视现实，勇敢面对内心的挣扎和矛盾，同时也反映了他对人性、生命意义和理想追求的思考。
这些哲学层面的思考使得《太阳照常升起》超越了一般的文学作品，成为了一部兼具文学意义和哲学深度的精品。
我想共享一下个人对《太阳照常升起》的理解和观点。
对于我来说，这部小说不仅是一部展现了作家的文学才华和对人性的深刻洞察力的作品，更是一部探讨人生哲学的巅峰之作。
通过杰克这个主人公的内心挣扎和对生活的反思，使得我对如何面对困境、如何理解人生的真谛有了更加深刻的认识。
解读《太阳照常升起》中的杰克·巴恩斯
绪论 (1)（一）研究背景 (1)（二）研究现状 (1)（三）研究意义 (2)一、杰克.巴恩斯的基督受难形象分析 (2)（一）基督受难原型概述 (2)（二）文学作品中的基督受难形象 (2)（三）杰克.巴恩斯的基督受难形象 (2)二、杰克.巴恩斯的拯救原型形象分析 (2)（一）拯救原型形象概述 (3)（二）文学作品中的拯救原型形象 (3)（三）杰克.巴恩斯的拯救原型形象分析 (3)结论 (5)参考文献 (6)《太阳照常升起》(The Sun Also Rises)是美国诺贝尔文学奖得_I几厄内斯特·海明威(Ernest Hemingway)的成名作。
长期以来，国内外学者围绕小说中的男主人公杰克·巴恩斯(Jake Barnes)展开了激烈争论。
一些学者认为他是“在破碎处站立起来”的硬汉、“准则英雄”，而另一些学者则将他视作为“迷惘一代的象征”，这些争论从不同侧面解读了杰克这一形象，本文就沿着这个思路，对主人公杰克·巴恩斯的形象进行解读。
关键词：太阳照常升起；杰克·巴恩斯；解读；原型Abstract"The sun also rises" (The Sun Also Rises) is America Nobel prize for literature to Ernest Hemingway (Ernest Hemingway) _I a few famous for. Long term since, domestic and foreign scholars in the novel the hero Jack Barnes (Jake Barnes) launched a heated debate. Some scholars believe that he is "in the broken place stand up" tough guy, "Code Hero", while others regarded him as a "symbol of a lost generation, these arguments the interpretation of the image of Jack from different aspects, this paper along the way, on the interpretation of the image of the heroine J Barnes jay.Keywords: the sun also rises; Jack Barnes; interpretation; prototype解读《太阳照常升起》中的杰克·巴恩斯绪论（一）研究背景《太阳照常升起》是美国诺贝尔奖获得者厄内斯特海明威是一个杰作，“二十最优秀的小说”（杰姆斯托马斯法瑞尔评价）。
浅谈《太阳依旧升起》的主题
中文题目：浅谈《太阳依旧升起》的主题英文题目：Major themes of The Sun Also Rises提纲：The Sun Also Rises is a 1926 novel written by American author Ernest Hemingwayabout a group of American and British expatriates（流浪者）who travel from Paris to the Festival of Fermín in Pamplona to watch the running of the bulls and the bullfights. An early and enduring （不朽的）modernist novel, it received mixed reviews upon publication. Hemingway biographer （自传作家）Jeffrey Meyers writes that it is "recognized as Hemingway's greatest work", and Hemingway scholar（学者）Linda Wagner-Martin calls it his most important novel. The novel was published in the US in October 1926 by the publishing house Scribner's. A year later, in 1927, the British publishing house Jonathan Cape published the novel in England with the title of Fiesta （喜庆日，嘉年华）. Since then it has been continuously in print.《太阳依旧升起》是美国作家米勒尔·海明威在1926年写的一部小说Hemingway began writing the novel on his birthday (21 July) in 1925, finishing the draft（草稿）manuscript（手写本）barely two months later in September. After setting aside the manuscript for a short period, he worked on revisions（修订）during the winter of 1926. The basis for the novel was Hemingway's 1925 trip to Spain. The setting（背景）was unique and memorable（值得记忆的）, showing the seedy（不愉快的）café life in Paris, and the excitement of the Pamplona （潘普洛纳）festival, with a middle section devoted to（用于）descriptions of a fishing trip in the Pyrenees（比利牛斯山脉）. Equally unique was Hemingway's spare writing style, combined with his restrained use of description to convey（表达）characterizations and action, which became known as the iceberg（冰山）theory（理论）.On the surface the novel is a love story between the protagonist（故事的主角）Jake Barnes—a man whose war wound has made him impotent—and the promiscuous divorcée Lady Brett Ashley. Brett's affair with Robert Cohn causes Jake to be upset and break off his friendship with Cohn; her seduction（诱惑）of the 19-year-old matador（斗牛士）Romero（罗梅）causes Jake to lose his good reputation（名声）among the Spaniards（西班牙人）in Pamplona. The novel is a roman à clef; the characters are based on real people and the action is based on real events. In the novel, Hemingway presents his notion（观点）that the "Lost Generation"（迷惘的一代）, considered to have been decadent（颓废的）, dissolute（放荡的）and irretrievably damaged by World War I, was resilient and strong.Additionally, Hemingway investigates the themes of love, death, renewal in nature, and the nature of masculinity.海明威的成名作是长篇小说《太阳依旧升起》。
太阳照常升起音乐赏析
《the sun also rises》电影音乐赏析摘要：被誉为鬼才导演的姜文，每一部影片都是相同类型电影里的佼佼者。
纵观姜文影片的配乐，也极具鲜明的个性色彩: 浪漫昂扬的男性气概，梦幻诗意的绚丽多姿，人性独特的深刻理解，声画错位的符号象征。
本文以《太阳照常升起》和《让子弹飞》中的电影配乐《the sun also rises》为例，试着分析用同一支曲子表现两个截然不同的人物的丰富情绪。
前一部以母题音乐重点突出了“疯妈”这一人物，细腻地刻画了文革背景下人与人之间被扭曲了的关系和情感，硬朗的音乐除了烘托诡异、变形的环境和气氛外，也突出了“疯妈”外柔内刚的性格特点。
后一部则以母题音乐主要刻画了“张麻子”这一人物，丰富了他的性格，让观众感受到除了骁勇善战、足智多谋之外，英雄也有孤单落寞、需要独自承受等许多情绪。
关键字：太阳照常升起让子弹飞姜文久石让一、简介电影是以电影技术为手段，以画面和声音为媒介，在银幕上运动的时间和空间里创造形象，再现和反映生活的一门艺术。
电影音乐在这个庞大的视听系统中有独立的艺术表现能力和审美效果，拓展了艺术表现空间。
电影音乐的创作必须符合电影的语法标准，随着电影情节的展开而适时存在，音乐的情绪与电影的情绪相互融合，达到强化冲突、渲染气氛及刻画人物的目的。
电影是音画艺术，音乐是揭示电影真谛的一种抽象语言，创作时必须根据电影艺术的总体构思，使音乐的听觉形象与画面的视觉形像相融合。
眼睛看到的只是半部电影，用耳朵聆听电影世界里的音乐，才会欣赏到一部完整的电影。
在电影中，音乐把电影镜头巧妙连接，加强蒙太奇的组接作用，把一些原本分散的镜头组合成完整的艺术体，这就是音乐的连贯作用。
由于一部电影的时间有限,音乐是不占空间的。
音乐把这些表面并无关联的镜头连接起来，使其成为一个整体，这是电影音乐独具特色的功能之一。
本文通过《the sun also rises》这首曲子分析一下音乐在电影里所起到的至关重要的作用。
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The Sun Also Rises
The Sun Also Rises is the first full-length novel of Hemingway, which was published in 1926.
“Trauma cannot be taken as an excuse for escapism”, this is the most impressed idea I got from this novel.
Definitely one of the heroine’s pursuers cannot be ignored, he is 科恩, for there is a brief biography about him in the opening chapter. He was born to a wealthy Jewish family, and graduated from Princeton University. He could be labeled as innocent, gentle and softhearted. It seems that there are no flies on him, but also no specialty. But he failed to get along well with people around, because he had not endured the suffering of the war.
Those who had taken part in the war and been injured, included the hero, looked down upon almost everything 科恩did. 科恩never gets drunk and regards bullfighting boring. He is not a thrill-seeking risk taker as others. In a word, he is a normal young man. But the war is like a river, distinguishes him from others at the other bank.
To tell the injured form the uninjured, the most essential point is that, nothing matters to the injured. They are so-called Lost Generation that they think only the stimulus is what they are chasing. The story can also epitomize the thing going on around me. I have some friends who come from a divorced family. Some of them abandon themselves to computer games, alcoholics and even loving affairs. I do understand that it really hurts when having to accept such a fact. But as a person who has had a similar experience, I sincerely hope that they won’t take their trauma as an excuse for escapism anymore.
To be alive is good. Though you lose everything, as long as you still have one life, you can start from scratch.。