名著的英文读后感

名著的英文读后感
第一篇：名著英文读后感
名著英文读后感
thisyearsummervacation,ireadtheamericanwell-knownwriterhemingway'snovel"theoldmanandthesea".iextremelyadm ireinthenoveltheseniorfisherman'swill,heletmeunderstandoneper soncertainlymusthaverelentlespirit,onlythencouldobtainsuccess fully.
thenoveldescriptionisoneyearnearsixtyyearsofageseniorfish erman,whenalonegoestoseainonefishing,fishedonebigfish,actuall ydidnotpull.theseniorfishermansocializedseveraldaysafterthefi sh,onlythendiscoveredthiswasthebigmarlinwhichonesurpassedtheo neselffishingboatseveralfold,althoughknewperfectlywellverydif ficulttowin,butstilldidnotgiveup.afterwardsandfurtherbecausei nthebigmarlinwoundfishfishysmellbroughtinseveralcrowdsofshark fishsnatchesthefood,buttheoldpersonstilldidnothopelikethistog iveup,finallyhighlightedencirclestightly,returnedtothebigfish beltthefishingport,letsotherfishermennotadmirealready.
wheniread"theseniorfishermanthink:heretotheseacoastreally wastoonear,perhapscouldhaveabiggerfishinafartherplace..."when
,iextremelyadmirethisseniorfisherman,becausehebynowalreadypro jectedonsomefish,buthehadnotsettledtothepresentsituation,butw asapproachesthebiggergoaladvance.againhasalookus,usuallymeets oneslightlyisdifficult,weallcomplainincessantly.wewillbethemo therlandfuture,willbesupposedtolikethisoldpersonsamemindlofty aspiration,willevenbetterpursueevenbetter,thebiggergoal.
wheniread"thebigmarlinstartfasttogatherroundtheyoungfishi ngboathover,twinedthecableonthemast,theoldpersonrighthandlift eduphighthesteelfork,leaptthewatersurf-
aceinittheflash,didutmostthrowstoitsheart,onewailendedthebigf ish'slife,itwasstaticstaticfloatsonthewatersurf-ace..."when,myheartalsolikedtogetherthebigstonefalls.iextreme lyadmireoldpersonthatkinddonotdread,therelentlespirit,althoug hknowsthematchstrengthisverystrong,buthenotslightlyflinches,b utiswelcomesdifficultlyabove.justbecausehadthiskindofspirit,t heseniorfishermanonlythenachievedthislifeanddeathcontestsucce ss.wealsomuststudyseniorfisherman'sspiritinlife,handlesthemat terdoesnotfearthedifficulty,onlythencanobtainsuccessfully.
wasreadingthebigfish'ssmellofbloodissmelledbyonecrowdofsh arkfish,struggledswimssnatchesthefood,oldperson'slefthandhapp
entointheconvulsions,heonlycouldusetherighthand,withwoodensti ck，themouthandsoonallwasallowedtousefortheweaponself-defensewhichattacked,andfinallyexpelledthiscrowdofsharkfish.b utthebigfish'smeatwasalreadyeatenonemost,buttheoldpersonalsoc harminglycriticizedoneselfthelefthand"thisworktimeactuallywas resting"time,ialsowassubduedbytheoldpersonoptimisticspirit.in thelife,somelossesareinevitable,weshouldtreatbytheoptimisticm anner,cannotbecalculating.
finally,thenovelseesbyoneyouththeseniorfishermanfullyhas1 8footlongbigmarlininthemeasure,oncemoredescribedthisfish'shug eness,explainedseniorfishermanovercomesthedifficultywasbig,no n-wasmorecommonthan.
thenoveleulogizedthespiritwhichtheseniorfishermanfearhard anddangerousdiligentlydidnotstruggle,wealsoshouldlikehissuch, couldnotsatisfythepresentsituation,shouldpositivelytoabove,do anymatterallisrelentless,meetsdifficultlymustwelcomedifficult lyabove,couldgiveuphalfwayinnoway.onlyhasthis,weonlythencanob tainabiggersucceandthevictory.
第二篇：无聊集读后感-名著读后感英文读后感
无聊集这个题目曾经叫我沉思了很久。

虽然无聊的人并不一定写得好诗，但自古留得好诗的人却都无聊，那些庙堂上做栋梁的做橼子的有用之材，到底也逃不过一句“屈平词赋悬日月，楚王台榭空山丘”，如果能这么看这么想，无聊倒也不坏。

中国的文艺评论一向不太正常，第一，作为被评论者，对＂公平评价＂的期望过高，这是作者群的自身素养问题；第二，对于评论者来说，是作为附庸还是权威，这个定位一直没有解决，如果评论人不能处于一种独立、超然的地位，真正意义上的文艺评论也就不会出现；第三，由于商业社会带来的炒作风气，使文艺评论更处于两难境地。

如果不是古体诗词已经被摈于主流文艺之外(这是很可悲的)，恐怕笔者也没有机会在此平心静气地写下这篇文字。

引起我注意老流氓的起因，是缘于他的一篇译作：蒲白的<<隐居赞>>，这篇英文诗也是我所喜欢的。

诗译得不错，用五古体，最突出之处，是在千百篇花里胡哨的网诗间显得那样平白，平白得叫人看不懂，而现在品得动五古的人确实也少。

由此，我觉得这个人的品味不错，不是光看着字面读诗的人。

后来事实证明，我的眼光还是有的。

叫我看走眼了的是老流氓的年龄，这里有一首叫<<次韵答静闲子>>的七律：
意气初回朔漠外，片帆还寄大江东；神州风景时时异，禹甸笙歌处处同；恨倘能消全仗酒，言无可立况于功；兴亡莫说前朝事，独立残阳怅晚风。

首联起得雄健幽远；颌联句式看来非常工稳，其实是很险的，如果一首七律在颌联就对应得这么稳，整篇很容易死板，关键在句尾的＂异＂和＂同＂这两字字意相反，反而与其内容扣得贴切，嘲讽之意尽出；如果说颌联表达了作者的满肚子不合时宜，那么到了颈联，所有的苍凉、沉痛，则全在这句法非常顿挫的十四字间表达得淋漓尽致！难怪当我后来知道老流氓的真实年龄时，是多么的惊讶！那应该是一个中年人的感受呢！
善于思、乐于思，在另一首七律中也体现得极好，最佳者尾联：<<沉思>>
百千思绪结蛛丝，独坐沈吟不自持。

寂寂中宵疑我在，冥冥万物付谁知。

故园望断徒惆怅，荒漠栖馀只惘迷。

天地无言花自落，冰轮终古出江湄。

老流氓自称不善写词，而据我仅见过的两首，其实是不错的，比现在网上许多志得意满之辈强。

既然作者没有把填过的词选进这个集子，必定有他的理由。

在广泛吸收的前提下，把脑力集中使用在一个专门领域内，是明智的。

诗词俱能、诸体皆备，是当今网上评定才子的一条基本标准，如果这条标准真正成立，落选了也不必难过，因为
大部分古代一流诗家都是要陪着落选的，莫非时代真进步到了诗词已经超越前人的地步？
老流氓的七绝见得不多，这集子里的三首有两首很好：
一、<<李商隐>>
襟抱平生知未开，独从蜡泪认寒灰；可怜香草美人意，却作章台走马猜。

这令人想起黄庭坚的两句：＂安知忠臣痛至骨，世上但赏琼琚词＂(书磨崖碑后)，以李义山，如果仅仅是朦胧浪漫的情诗，断不会高于柳三变，而今人对诗的理解，又有多少高明过一方花手绢的？
题《蜻蜓小憩图》
不向美人头上立，偏从湖海浪中浮；点破碧波三万顷，老荷尖上暂悠悠。

相当潇洒的自许小品，这在老流氓那种沉郁顿挫的诗风中，很少见，可能是作者性格的另一方面不经意的流露罢。

另外一首<<马诗>>，虽然立意不错，但意浅词陋，不应该是老流氓应有的水平。

来看看另外的三首五言：
<<苏东坡与青城山研讨会即兴>>
好鸟鸣深树，幽居集众贤；豁眸惊挺拔，洗耳爱潺湲；浊酒欣同饮，清诗喜共研；他年息尘事，来卧白云边；
<<海>>
出没金乌所，风涛自古今；乘桴思隐士，衔石想冤禽；涨落三山动，乾坤四极沉；木华有佳赋，犹作大潮音。

<<芳草>>
茸茸接空碧，寂寂动人愁；万古青如此，三生梦未休；芳馨寄前哲，摧折任时流；更有岁时荐，清高孰与俦。

“涨落三山动，乾坤四极沉”夺魄之句，而“万古青如此，三生梦未休”更见丰神。

以我来猜，老流氓的师乘有两处主要脉络：一是杜甫，二是古诗十九到建安一路。

立意高古、绵里藏针，明显与宋后的风气有别。

而以景象宏远、绝少盘空硬语的语态来看，如果老流氓能在难度更大的五言上多下工夫(这种体裁好象更适合他)，假以时日，必有大成。

古典诗词的语态掌握得已有相当火候。

老流氓在格律方面懂得比许多人多得多，但他这方面的优势我不愿意多说，他的才能也不应该止于一个格律专家的。

感觉上老流氓似乎还有更好的东西没有选进来。

我并不相信有先进的文学体裁，任何文学体裁之所以会走向衰微，是因为这种体裁不再有反映时代风貌的作品出现，所以也自然失去了代表时代的资格。

艺术的存在价值，在于它是一个时代的镜像，而不是一个镜架子。

而今天如何使旧体诗词重返主流文化，首先要面
对活生生的社会而不是一具具古尸，这是无可避免的。

但今人写旧体，比前人更难，旧文化已经跟我们隔了一道一百年的濠堑，要掌握和运用旧学，似乎还是＂卜卜斋＂(私塾)那种训练方式比现在的大学文科有效得多。

今人写旧体，首先基本格律必须精严，这应该有一个共识，否则这种体裁没有存在的前提。

在这个前提下，有两种方法，一是直接以时语入诗，象聂绀穹先生那样；二是旧瓶装新酒，以古语状今时风物，这也不失为一个权宜之计，在保留古语态的美感和反映时代二者间作出妥协，这后一种似乎更容易为大家接受。

而要负起这个责任者，有两样是不能或缺的：第一：追古之心，跨过宋后那一丛丛病梅，向汉唐气派看齐；第二，观今之目，摆脱古中国农业社会的审美氛围，感受时代特征。

这种人在气格、修养、感受力都达到一定高度才行。

这一方面，以发展的眼光看，除老流氓实在不作第二人想，因为他有这个潜质，如果不是以那种选网上才子的可笑标准来衡量，他实在比许多人全面和扎实得多了，虽然他现在还未曾定型，也幸亏还未曾定型。

在学问上、心态上，老流氓有早熟的一面。

但毕竟是少年人，往往压不下负才使气的天性。

看上一年间选入的诗，大部分是聊天室的唱和之作，当然这样练练笔交流一下也不错，但毕竟真正的好诗，是
独立洪荒、交感苍穹时唱出的心音，就这个诗集看，也尚未有惊人的篇章。

如果长久这样玩下去，那真是可惜加可惜了。

天将降大任于斯人也。

这样一篇读后感会不会使人心头太沉重？
第三篇：英文名著读后感
英文名著读后感
<百万英镑>读后感
marktwain'sshortstoryof"onemillionpounds"isaverygoodwork. thearticleonthe"moneyiseverything,""moneyisomnipotent,"theide aofasatire,toexposetheuglyfaceofcapitalistsociety.
"onemillionpounds"isaboutapoor,honestman,thatis,the***oft hisstoryhasreceivedapairofbrothers,thelettersenttohiminsideon emillionpounds.thebrothershadmadeabet,gambling,ifapoor,honest peoplewhocomeknockingonthedoorreceivedtheonemillionpounds,hew illbewhatkindofresults?brotherthathewouldstarvetodeathbecause hecouldnotprovethatthemoneywashisown,willbesubjecttootherpeop le'sdoubts,andeventhebanksdonotlethimsavemoney.hisyoungerbrot herthathewouldleadaverygood,andthereforetheyhavethebrothersof onemillionpoundswillbeloanedtocheckthepoorestpeople,andspent3 0daysabroad.didnotexpectthatduringthisperiodoftime,peoplehave
therarefortunesuddenlyrich,hastriedtocozyuptohim,fromthefreef ood,buyclothes,freeaccommodation,likeabeggar,liketopleasehim, andcontinuetoimprovehissocialstatusuntiltheexceptionofthehigh estoutdoorwangdukeon!notonlythat,healsohasbeenagoodwifeand30, 000poundsofbankinterest,andfinallyfromtwobrothersgotaverygood job.livedavery,veryhappylife.
seehere,iamsoenviousofthe"lucky"***,butatthesametimeiwoul dliketo:peoplereasontocurryfavorwithhim,notjustbecausewhenpeo plevaluemoneytooit?worshipofmoneyisshamefulandshouldnotbereap ingmore!moneyisnotomnipotent,theworldthanmoney,therearemanymo reimportantthings......
马克吐温著的短篇小说《百万英镑》是一部很好的作品。

文章对“金钱就是一切”“金钱是万能的”的想法进行了讽刺，揭穿了资本主义社会的丑恶面容。

《百万英镑》是讲一个贫穷、诚实的人，也就是这个故事的主人公收到了一对兄弟的信，信里面送给了他一百万英镑。

原来这对兄弟打了一个赌，赌假如一个贫穷、诚实的人收到天上掉下的一百万英镑，他会有怎样的结果？哥哥以为他会饿死，因为他无法证明这些钱是他自己的，会受到别人的怀疑，连银行都不会让他存钱。

弟弟则以为他会过得很好，于是他们兄弟俩将一百万英镑的支票借给了这个贫
穷的人，并出国呆了三十天。

没想到在这段时间内，人们对这位突然暴富的罕见富翁，竟拼命地拉拢他，从免费吃饭，买衣服，到免费住宿，一个个像乞丐一样讨好他，并不断提高他的社会地位，一直到了除王室外最高的公爵之上！期末总结不光如此，他还得到了一位好妻子和三万英镑的银行利息，最后还从两兄弟那儿得到了一份很好的工作。

过着非常非常幸福的生活。

看到这儿，我很羡慕这位如此“幸运”的主人公，但同时我又想：人们之所以讨好他，不就是因为当时人们太看重金钱了吗？拜金主义是可耻的，不劳而获更不应该！金钱不是万能的，世界上还有很多比金钱更重要的东西……
双城记英文读后感
afterreading"ataleoftwocities"
"ataleoftwocities"isoneofdickens'smostimportantrepresenta tiveworks.thenovelprofoundlyexposedthesocietycontradictionbef orethefrenchrevolution,intenselyattacksthearistocraticsocialc lassisdissoluteandcruel,andsincerelysympathizeswiththedepress edclasses.thenovelalsodescribedmanymagnificentsceneslikethere voltpeopleattackedbastilleandsoon,whichdisplayedpeople'sgreat strength.
thenovelhasportrayedmanydifferentpeople.doctormanetteisho nestandkindbutsuffersthepersecutionactually，lucieisbeautifulandgentle，charlesisgracefulandnoble，lorryisuprightandhonest，sydneyissemblanceofindifferent,innermostfeelingsofwarm,unconv entionalbutalsoimmolationlessandlofty，missprossisstraightforwardandloyal，evremondebrothersarecruelandsinister......thecomplexhatredish ardtosolve,thecruelrevengehasmademorehatreds,lovesrebirthinth ehelledge,buttakethelifeastheprice.
asanoutstandingwriter,indickens'swork,thelanguageskillise ssential.eachkindofrhetorictechnique,liketheanalogy,theexagge ration,thecontrast,thehumorous,andthetauntarehandledskillfull y,andtheartistryoftheworkisalsodeliveredthepeak."ataleoftwoci ties"hasitsdifferencewiththegeneralhistoricalnovel,itscharact erandthemainplotareallfictionalizes.withthebroadrealbackgroun dofthefrenchrevolution,theauthortakethefictionalcharacterdoct ormanette'sexperienceasthemainclue,interweavestheunjustcharge ,loveandrevengethreeindependencesbutalsoincidentcross-correlationstoriestogether,theplotiscriss-
crossed,andtheclueiscomplex.theauthoruseinsertnarrates,foresh adowing,upholsteryandsomanytechniques,causesthestructureinteg rityandstrictness,theplotwindinganxiousandrichoftheatricalnat ure,itdisplayedtheremarkableartisticskill.thestyle"ataleoftwo cities"issolemnityandmelancholy,fillsindignantion,butlacksthe humoroftheearlyworks.
老人与海读后感
thenoveldescriptionisoneyearnearsixtyyearsofageseniorfish erman,whenalonegoestoseainonefishing,fishedonebigfish,actuall ydidnotpull.theseniorfishermansocializedseveraldaysafterthefi sh,onlythendiscoveredthiswasthebigmarlinwhichonesurpassedtheo neimmolationfishingboatseveralfold,althoughknewperfectlywellv erydifficulttowin,butstilldidnotgiveup.afterwardsandfurtherbe causeinthebigmarlinwoundfishfishysmellbroughtinseveralcrowdso fsharkfishsnatchesthefood,buttheoldpersonstilldidnothopeliket histogiveup,finallyhighlightedencirclestightly,returnedtotheb igfishbeltthefishingport,letsotherfishermennotadmirealready.
wheniread"theseniorfishermanthink:heretotheseacoastreally wastoonear,perhapscouldhaveabiggerfishinafartherplace..."when ,iextremelyadmirethisseniorfisherman,becausehebynowalreadypro
jectedonsomefish,buthehadnotsettledtothepresentsituation,butw asapproachesthebiggergoaladvance.againhasalookus,usuallymeets oneslightlyisdifficult,weallcomplainincessantly.wewillbethemo therlandfuture,willbesupposedtolikethisoldpersonsamemindlofty aspiration,willevenbetterpursueevenbetter,thebiggergoal.
英语读后感《悲惨世界》
"lesmiserables"(1862)isrepresentativeworksofvictorhugo,as oneofthemostfamousnovelsinthefrenchliterature.
thenovelbasicplotisranarangpitifullifehistory.heoriginall yisonepoorfamilybackgroundworker,becausetheincomeinsufficient familymembergetsby,byonetimestolethebreadisarrestedisputinpri son.passed19yearsfirmprisonandthebitterservicelife.thepunishm entcompletelyafteralsohasthelarcenybehavior,butbenevolentbish opinthericethesorrowfulinfluence,thetransformationisoneshedon eimmolationmannerperson.heusesanaliasismadland,worksastheentr epreneur,andispushedformayor.butsoonandfurtherbecauseexposedt hestatusisarrestedisputinprison,afterescapesrescuesthedecease dfemaleworkerfantin'sdaughtercosettematchfromonebastardhandsp ecial,wenttoparis.afterwardsagainunceasinglyencounteredpolice
'spursuit.theranarangentirelifefillsisimprisonedthepainwhicht hebitterserviceanddriftsaboutdestitute,thisisthenovelmainclue.
"lesmiserables"istheworkwhichonerealismandtheromanticismu nifies,theverymanychaptersglittertherealismglory,suchas,in183
2paris'sstreetbarricadewarallwroteisquitereal.buttheromantici smtechniquequitewasalsoobviousintheplotarrangement,writesthem anyextraordinaryevents.ifranarangletsliedownisliftedinthecoff inthemonastery,herescuesfromthestreetbarricademarilius,alliss trange,molds,environmentdescription,symbolicandcontrasttechni queaspectandsoonutilizationinthecharacterimage,alsomanifestst heromanticismthecharacteristic.
苔丝读后感
tessofthed'urbevilles
长篇小说《德伯家的苔丝》(读后感)是英国著名小说家和诗人托马斯·哈代（1840－1928）的代表作.
yesterday,ireadthenovelcalled"tessofthed'urbevilles".writ tenbyafamousenglishwriterthomashardy.
thenoveltellsastoryaboutaprettyandgoodgirlcalledtess,whol ivedinavillageinmarlott.tohersadness,whenshewasseventeen,shew
asnolongerapureanduntouchedgirl.shegavebirthtoababy,whichdidn 'tlivelong.sotesschangedfromapuregirltoagrown—up.
becauseshewastheeldestofthe7childreninthefamily,shefounda jobtosupportthewholefamilyinadairy.theresheknewangelandmarrie dhim.butunluckily.whenangelknewhersadstory,heleftherandwentto terwhensheknewang elhadretumedhomeandfoundoutthatshewaslivingwiththemanwhohadgi venthedamagetoherbefore,tesscouldn'tacceptthefactandkilledthe manwhowaslivingwithher.
thensheescapedandspenttogetherwithangelthreedaysandnights .thepolicefoundthemonthemorningofthefourthday.afewdayslater,t esswasexecuted.
havingreadthisnovel,iliketheheroineverymuchbecauseofherpu rity,warmness,nobilityandthespiritofdevotion,shedaredtofighta gainsttheevil,bravelyseekandsturgglefortherightsoflove.
thomashardywasfamousforthepoeticalnovels."tessofthed'urbe villes"isoneofthiskind.thenovelissofreshthatitisnearlylikeapo em.fornearlyacentury,ithasbeenpopularwiththepeoplealloverthew orld.
第四篇：2014年中学生英文名著读后感大赛
2014年中学生英文名著读后感大赛
获奖名单
浏阳市2014年中学生英文名著读后感大赛评奖结果业已揭晓，现将获奖名单公布如下：
一等奖获奖者名单：
王金玲林锌钢易义辉罗金玲陈颖周莉肖钰婷徐惠寻迎春寻鑫萍徐莉娜李娜雨肖洒卢争艳黄宇豪周诗情聂晗宋英姿邱阳邓慧颖吴光雨李婕妤马逸萍王佳妮肖久红马琳陆瑶罗倩张祎芃刘高翔唐安然李毛李娅妮陈柔嘉周琼洁童明欧阳志成杨国威张子甜朱明亮李曙琦颜芬袁乙靓刘畅袁巧徐嘉南余美娟
二等奖获奖者名单：
谢慧英凌嘉靓杨沅江郑雪娇孙旺汤颖超胡蓉傅雨薇陈星星周超兰张灿红杨露谭帅豪寻杉杉徐阳静汤龙艳苏绥芝李安利刘琪娄水芝谢鑫丽赖园清刘镇李颖睿罗玲舒浪王甜甜廖凯谭可琦邱艳易岳璇、王睿琳晏涛、李闵莎钟广慧孙立晴卢丹黄莹徐妍颖罗纯林卓宇陈荔珏李雨佳万礼宋可玉张帅彭泽华陈茜李志杰杨国威赖熊弢过天瑶邹苗谭畅黄慧婷张新宇
优秀辅导教师名单：
邓艳波李爱明李春英张波吴昕谢龙华易伟华周润松朱小阳罗江红刘娅阳陈方红李辉刘苏罗智王如珍杨其英杨庆平张婧郑媛媛朱志芳傅
晓艳陈伟珍吴智文朱素平徐慧中周巍卢义华廖向红汤凤玲付艳霞邱国平熊华英张曦
浏阳市教育科学研究所
浏阳市中小学外语教学专业委员会
2014年12月
第五篇：英文名著读后感——《巴黎圣姆院》
notredamedeparis
victorhugo（1802.2.26～1885.5.22)wastheleaderofromanticliteratureandtherepresentativ eofhumanismin19century.asthe"shakespeareoffrance",hewroteacon siderableamountofworks,suchaslesmiserable,cromwell,notre-damedeparis,etc.theseimmortalmasterpiecesestablishedhisfameas oneofthebrighteststarsinthehistoryofliterature.
quasimodo,anuglybutkindbell-
ringer,inoneaccidentalsituationbyvice-bishopklode-thetrustrolloadoptionistheadoptedson,growsafterletsitworksasn otredamecathedralstrikeagongagaintheperson.westgalnotmanyalth oughtheappearanceisextremelyuglymoreoverhasthemanykindsofdefo rmity,actuallythroughoutmaintainsonenobleness,chasteheart.tir edtocaptureesmeralda.quasimodofailedbecauseoftheunexpectedint
erventionofphoebus.sincethenesmeraldafellinlovewithphoebus.bu tshedidn'tknowthemanshelovedwasdissolute.outofenvytheevilarch deaconpersecutedesmeralda.
howeverquasimodowasmovedbythekindnessofesmeralda,andadore dthebeautifulgirl.hetriedhisbesttohelpesmeralda.rankedseoulsi sterisactuallythegirl'smother.afterlosingherdaughter,leftwith asmallembroideredshoes,lookingaroundeverycorner,indesperateci rcumstancesreligion,andintothelivingcoffin-
"rathole",whenthenuns.whensheseesthelittleshoes,shealsotookou thisamuletmountedonthesameinsideasmallembroideredshoe,somothe randdaughtermeet.teresacuttheprisonbar,lostpossessionofhisdau ghterfor16yearsintothe"rathole",motheranddaughterimmersedinth ejoyofreunionintheflesh.atthatmoment,vicarshoutedtothewardena ndguardssurroundedthe"rathole."maternallovethatrankedseoulhad thestrengthandwisdom;shedeceivedthemintobelievingthatgirlshav efled.butwhenthantohearthename,couldnothelpoutthewindow,expos edhimself.somotheranddaughterweretakentotheexecutionground,hi sdaughteronthegallows,hismotherdiedatthegallowsbelow.
intheendesmeraldawashangedbecauseofthepersecutionofclaude .overwhelmingwiththefeelingofdespair,quasimodopushdownclaudef
romthetopofnotre-
damedeparis,thenkilledhimselfbesidedeadesmeralda.
esmeraldawassobeautiful,sokind-
hearted.inmymind,shewastheperfectcombinationofbeautyandkindne ss.bothquasimodoandclaudeadoredesmeralda,butonewasan"angel",t heotherwasa"devil".asthearchdeaconofnotre-
damedeparis,claude,respectedbyothers,ledanasceticlife.itseeme dhewasakind,piouschristian.however,hewassanctimonious.theyear ningforsexenjoymentexposedhisselfishness,insidiousnessandevil tous.hehadanoutwardappearanceofangel,butdeepdownhewasadevil.o nthecontrary,quasimodowasdumb,deaf,hunchbacked,andasbroadashe wastall.obviouslyhewasasuglyasdevil.buthehadaheartofgold，andhislovewasselfishnessandpure.intheend,hecommittedsuicidefo rfrustratedlove.
inmyheart,quasimodowasanangel.
however，whatisbeauty?whatisugliness?throughthenovelhugotaughtmeaprofo undlesson:innerbeautyistherealbeauty.wecan'tjudgeapersonbyhis appearance.thebeautyofappearanceisjustskin-
deep.apersonwithuglyappearancehasaheartofgold,ishedeemedtobe"
名著的英文读后感
ugly"?absolutelynot!itistheinnerheartnottheappearancewhererea lbeautyexists.movedbythegoldheartofquasimodo,iwillsparenoeffo rttopursuetherealbeauty,toletmyheartgrowwiththemoistureofthet rue,thegoodandthebeautifulinlife.iamsurethattherealbeautycant hriveinmyheartsoonerorlater.
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