The Shawshank Redemption 文档
The Shawshank Redemption肖申克的救赎选读
《肖申克的救赎》(The Shawshank Redemption)
It finally does, dying away like a siren until all that's left
is the shallow gasping and panting of post-coitus. We hear
FADE TO BLACK: 1ST TITLE UP
5 INT -- COURTROOM -- DAY (1946) 5
THE JURY listens like a gallery of mannequins on display, pale-faced and stupefied.
D.A. (O.S.)
ANDY
I went to a few bars first. Later, I decided to drive to Mr. Quentin's
home and confront them. They weren't there...so I parked my car
in the turnout...and waited.
ANDY
It was very bitter. She said she was glad I knew, that she hated all the sneaking around. She said she wanted a divorce in Reno.
D.A.
What was your response?
He can hear them fucking from here.
He raises a bottle of bourbon and knocks it back. The radio
肖申克的救赎英文介绍(The_Shawshank_Redemption)
Red,who was sentenced to life imprisonment because of murder in 1927 and was dying to parole(假释) but to fail.As time went by,he has become the authority figures(权威人物) in the Shawshank prison.As long as you have the money to pay, he was able to get whatever you want.
When red was released on parole, he found the gift which Andy left him, and overcome the psychological crisis(心理危机) after the parole to find Andy. The two friends finally meet...
Tommy,a thief, knew the truth of Andy's wife and her lover's death .The excited Andy found the warden and hoped his help. But the warden killed Tommy secretly.He wanted Andy to stay in prison for his account.
《丽塔·海华丝和肖申克的救赎》的存在主义分析(实用)文档
《丽塔·海华丝和肖申克的救赎》的存在主义分析(文档可以直接使用,也可根据实际需要修改使用,可编辑欢迎下载)摘要论文首次尝试从存在主义角度研究美国作家史蒂芬·金(Stephen King)的中篇小说《丽塔·海华丝和肖申克的救赎》(Rita Hayworth and Shawshank Redemption)。
这部小说写成于一九八二年。
此书一经问世,就赢得广大读者。
一九九四年,根据这篇小说改编的电影《肖申克的救赎》(The Shawshank Redemption)获得七项奥斯卡提名,但随后成为无冕之王。
小说的主题为人物生存环境的荒谬、焦虑感的产生以及不断选择。
作为颇具影响力而又意义深远的哲学思潮,存在主义认为人类生活在荒谬之中,焦虑是人类生活的一部分,存在先于本质。
小说的主题和存在主义的主旨有契合之处。
因此,本文试图从存在主义视角分析《丽塔》。
论文共分五部分,由引言、三章正文以及结论组成。
引言部分简要介绍作家、作品、存在主义理论、国内外研究现状以及论文结构,点明作品的主题是人类生存状态的荒谬、无处不在的焦虑和不断的选择,这些与存在主义的理论观点不无相似之处。
因此,本文从存在主义的视角分析《丽塔》。
第一章探讨《丽塔》中主要人物生存环境的荒谬以及他们面对荒谬的不同态度。
阿尔伯特·加缪认为:世界是荒谬的。
荒谬感存在于人类和世界两者关系之中。
在肖申克监狱,荒谬更为显而易见。
身体上的自杀、宗教上的自杀以及积极反抗是对待荒谬的三种不同态度。
第二章探讨主要人物的生存焦虑、道德焦虑以及精神焦虑。
身处荒谬的世界,焦虑感无法避免。
本章逐一分析主要人物对命运和死亡、内疚和谴责以及空虚和无意义的焦虑。
第三章探讨主要人物的选择。
伟大的存在主义者让·保罗·萨特提出:“存在先于本质”,表明人类通过不断选择塑造自己的本质。
“是懦夫把自己变成懦夫,是英雄把自己变成英雄”是萨特理论的最好阐释。
如何介绍电影英文作文
如何介绍电影英文作文The movie I want to introduce is called "The Shawshank Redemption". It's a drama film directed by Frank Darabont and released in 1994. The story is about a banker namedAndy Dufresne, who is sentenced to life in Shawshank State Penitentiary for the murder of his wife and her lover, despite his claims of innocence.The film is based on a novella by Stephen King and has become a cult classic over the years. It's known for its powerful performances, especially by Tim Robbins as Andyand Morgan Freeman as his fellow inmate Red. The movie is also praised for its gripping storyline and emotional depth.One of the most memorable aspects of "The Shawshank Redemption" is its portrayal of the resilience of the human spirit in the face of adversity. The characters in the film endure unimaginable hardships, yet they never lose hope or their sense of dignity. This theme of hope and redemption resonates with audiences around the world.The cinematography in "The Shawshank Redemption" is also worth mentioning. The film captures the stark, oppressive atmosphere of the prison, while alsohighlighting moments of beauty and humanity. The use of light and shadow is particularly striking, adding to the overall mood and tone of the movie.In addition to its emotional impact, "The Shawshank Redemption" also offers thought-provoking commentary on the criminal justice system and the nature of freedom. The film raises important questions about the treatment of prisoners and the concept of rehabilitation, making it a relevant and timely work.Overall, "The Shawshank Redemption" is a timeless and powerful film that continues to resonate with audiences.Its universal themes, compelling performances, and masterful storytelling make it a must-see for any movie lover.。
肖申克的救赎
扮演
Brooks Hatlen 肖申克监狱图书馆 管理员,一个被监 狱所体制者!
影片剧情简介
故事发生在1947年,银行家安迪因为妻子有婚外 情(extra-marital affairs),酒醉后误被指控用枪杀死 了妻子和她的情人,安迪被判无期徒刑(life imprisonment),这意味着他将在肖申克监狱中渡过 余生。 瑞德1927年因谋杀罪被判无期徒刑,数次假释 (parole)都未获成功。他现在已经成为肖申克监狱中 的‚权威人物‛,只要你付得起钱,他几乎能搞到任 何你想要的东西。 当有新囚犯来的时候,大家就赌谁会在第一个 夜晚哭泣。瑞德认为弱不禁风、书生气(bookish)十 足的安迪一定会哭,结果安迪的沉默使他输掉了两包 烟,但也使瑞德对他另眼相看(look at him with new views)。
好长时间以来,安迪几乎不和任何人接触, 在大家相互报怨的同时,他在院子里很悠闲地 散步,就象在公园里一样。一个月后,安迪请 瑞德帮他搞的第一件东西是一把石锤(rock hammer),想雕刻一些小东西以消磨时光,并 说自己想办法逃过狱方的例行检查。之后,安 迪又搞了一幅丽塔· 海华丝(Rita Hayworth)的 巨幅海报贴在了牢房的墙上。 一次,安迪和另几个犯人外出劳动,他无 意间听到监狱官在讲有关税务的事。安迪说他 有办法可以使监狱官合法地免去这一大笔税金, 做为交换,他为共同工作的犯人朋友每人争得 了3瓶啤酒。喝着啤酒,瑞德猜测说安迪只是 借用这个偷闲享受自己以前自由的感觉。
三、影片思想性分析
3.第三个词“救赎”(Redemption),影片凸显了个人 和群体的灵魂拯救。 救赎,不只是Andy本身,从某种意义上说,他不但 拯救了自己,也拯救了他的狱友。 他对狱友的拯救,表现在一种灵魂上的拯救,因为他 一定程度上让他周围的人明白了追求自由和希望的 可贵。
肖申克的救赎.THE.SHAWSHANK.REDEMPTION
THE SHAWSHANK REDEMPTIONbyFrank DarabontBased upon the storyRita Hayworth and Shawshank Redemptionby Stephen King1 INT -- CABIN -- NIGHT (1946)A dark, empty room.The door bursts open. A MAN and WOMAN enter, drunk andgiggling, horny as hell. No sooner is the door shut thanthey're all over each other, ripping at clothes, pawing atflesh, mouths locked together.He gropes for a lamp, tries to turn it on, knocks it overinstead. Hell with it. He's got more urgent things to do, likegetting her blouse open and his hands on her breasts. Shearches, moaning, fumbling with his fly. He slams her againstthe wall, ripping her skirt. We hear fabric tear.He enters her right then and there, roughly, up against thewall. She cries out, hitting her head against the wall but notcaring, grinding against him, clawing his back, shivering withthe sensations running through her. He carries her across theroom with her legs wrapped around him. They fall onto the bed.CAMERA PULLS BACK, exiting through the window, travelingsmoothly outside... 2 EXT -- CABIN -- NIGHT (1946) 2...to reveal the bungalow, remote in a wooded area, thelovers' cries spilling into the night......and we drift down a wooded path, the sounds of ruttingpassion growing fainter, mingling now with the night sounds ofcrickets and hoot owls......and we begin to hear FAINT MUSIC in the woods, tinny andincongruous, and still we keep PULLING BACK until......a car is revealed. A 1946 Plymouth. Parked in a clearing.3 INT -- PLYMOUTH -- NIGHT (1946) 3ANDY DUFRESNE, mid-20's, wire rim glasses, three-piece suit.Under normal circumstances a respectable, solid citizen; hardlydangerous, perhaps even meek. But these circumstances are farfrom normal. He is disheveled, unshaven, and very drunk. Acigarette smolders in his mouth. His eyes, flinty and hard, areriveted to the bungalow up the path.He can hear them fucking from here.He raises a bottle of bourbon and knocks it back. The radioplays softly, painfully romantic, taunting him:You stepped out of a dream...You are too wonderful...To be what you seem...He opens the glove compartment, pulls out anobject wrappedin a rag. He lays it in his lap and unwraps it carefully ---- revealing a .38 revolver. Oily, black, evil.He grabs a box of bullets. Spills them everywhere, all overthe seats and floor. Clumsy. He picks bullets off his lap,loading them into the gun, one by one, methodical and grim.Six in the chamber. His gaze goes back to the bungalow.He shuts off the radio. Abrupt silence, except for the distantlovers' moans. He takes another shot of bourbon courage, thenopens the door and steps from the car.4 EXT -- PLYMOUTH -- NIGHT (1946) 4His wingtip shoes crunch on gravel. Loose bullets scatter tothe ground. The bourbon bottle drops and shatters.He starts up the path, unsteady on his feet. The closer hegets, the louder the lovemaking becomes. Louder and morefrenzied. The lovers are reaching a climax, their sounds ofpassion degenerating into rhythmic gasps and grunts.WOMAN (O.S.)Oh god...oh god...oh god...Andy lurches to a stop, listening. The woman cries out inorgasm. The sound slams into Andy's brain like an icepick. Heshuts his eyes tightly, wishing the sound would stop. It finally does, dying away like a siren until all that's leftis the shallow gasping and panting ofpost-coitus. We hearlanguorous laughter, moans of satisfaction.WOMAN (O.S.)Oh god...that's sooo good...you'rethe best...the best I ever had...Andy just stands and listens, devastated. He doesn't look likemuch of a killer now; he's just a sad little man on a dirtpath in the woods, tears streaming down his face, a loaded gunheld loosely at his side. A pathetic figure, really. FADE TO BLACK: 1ST TITLE UP5 INT -- COURTROOM -- DAY (1946) 5THE JURY listens like a gallery of mannequins on display,pale-faced and stupefied.D.A. (O.S.)Mr. Dufresne, describe theconfrontation you had with yourwife the night she was murdered.ANDY DUFRESNEis on the witness stand, hands folded, suit and tie pressed,hair meticulously combed. He speaks in soft, measured tones:ANDYIt was very bitter. She said shewas glad I knew, that she hated allthe sneaking around. She said shewanted a divorce in Reno.D.A.What was your response?ANDYI told her I would not grant one.D.A.(refers to his notes)I'll see you in Hell before I seeyou in Reno. Those were the words you used, Mr. Dufresne, accordingto the testimony of your neighbors.ANDYIf they say so. I really don't remember. I was upset.FADE TO BLACK: 2ND TITLE UPD.A.What happened after you and your wife argued?ANDYShe packed a bag and went to stay with Mr. Quentin.D.A.Glenn Quentin. The golf pro at the Falmouth Hills Country Club. The man you had recently discovered was her lover.(Andy nods)Did you follow her?ANDYI went to a few bars first. Later,I decided to drive to Mr. Quentin's home and confront them. They weren't there...so I parked my carin the turnout...and waited.D.A.With what intention?ANDYI'm not sure. I was confused. Drunk. I think mostly I wanted to scare them.D.A.You had a gun with you?ANDYYes. I did.FADE TO BLACK: 3RD TITLE UPD.A.When they arrived, you went upto the house and murdered them?ANDYNo. I was sobering up. I realizedshe wasn't worth it. I decided tolet her have her quickie divorce.D.A.Quickie divorce indeed. A .38caliber divorce, wrapped in a handtowel to muffle the shots,isn't that what you mean? And then you shot her lover!ANDYI did not. I got back in the carand drove home to sleep it off. Along the way, I stopped and threw my gun into the Royal River. I feelI've been very clear on this point.D.A.Yes, you have. Where I get hazy, though, is the part where the cleaning woman shows up the next morning and finds your wife and her lover in bed, riddled with .38caliber bullets. Does that strikeyou as a fantastic coincidence, Mr. Dufresne, or is it just me?ANDY(softly)Yes. It does.D.A.I'm sorry, Mr. Dufresne, I don'tthink the jury heard that.ANDYYes. It does.D.A.Does what?ANDYStrike me as a fantastic coincidence.D.A.On that, sir, we are in accord...FADE TO BLACK! 4TH TITLE UPD.A.You claim you threw your gun intothe Royal River before the murderstook place. That's rather convenient.ANDYIt's the truth.D.A.You recall Lt. Mincher's testimony?He and his men dragged that riverfor three days and nary a gun was found. So no comparison can be made between your gun and the bulletstaken from the bloodstained corpsesof the victims. That's also rather convenient, isn't it, Mr. Dufresne?ANDY(faint, bitter smile)Since I am innocent of this crime,sir, I find it decidedly inconvenientthe gun was never found.FADE TO BLACK: STH TITLE UP6 INT -- COURTROOM -- DAY (1946) 6 The D.A. holds the jury spellbound with his closing summation:D.A.Ladies and gentlemen, you've heardall the evidence, you know all thefacts. We have the accused at thescene of the crime. We have footprints. Tire tracks. Bulletsscattered on the ground which bearhis fingerprints. A broken bourbon bottle, likewise with fingerprints.Most of all, we have a beautifulyoung woman and her lover lyingdead in each other's arms. They had sinned. But was their crime sogreat as to merit a death sentence?He gestures to Andy sitting quietly with his ATTORNEY.D.A.I suspect Mr. Dufresne's answer tothat would be yes. I furthersuspect he carried out thatsentence on the night of September21st, this year of our Lord, 1946,by pumping four bullets into hiswife and another four into Glenn Quentin. And while you think aboutthat, think about this...He picks up a revolver, spins the cylinder before their eyeslike a carnival barker spinning a wheel of fortune.D.A.A revolver holds six bullets, noteight. I submit to you this was nota hot-blooded crime of passion!That could at least be understood,if not condoned. No, this wasrevenge of a much more brutal andcold-blooded nature. Consider! Fourbullets per victim! Not six shotsfired, but eight! That means hefired the gun empty...and thenstopped to reload so he could shooteach of them again! An extra bulletper lover...right in the head.(a few JURORS shiver)I'm done talking. You people areall decent, God-fearing Christianfolk. You know what to do.FADE TO BLACK: 6TH TITLE UP7 INT -- JURY ROOM -- DAY (1946) 7CAMERA TRACKS down a long table, moving from one JUROR to thenext. These decent, God-fearing Christians are chowing down ona nice fried chicken dinner provided them by the county,smacking greasy lips and gnawing cobbettes of corn.VOICE (O.S.)Guilty. Guilty. Guilty. Guilty...We find the FOREMAN at the head of the table, sorting votes.FADE TO BLACK: 7TH TITLE UP8 INT -- COURTROOM -- DAY (1946) 8Andy stands before the dias. THE JUDGE peers down, framed by acarved frieze of blind Lady Justice on the wall.JUDGEYou strike me as a particularly icyand remorseless man, Mr. Dufresne.It chills my blood just to look atyou. By the power vested in me bythe State of Maine, I hereby orderyou to serve two life sentences,back to back, one for each of your victims. So be it.He raps his gavel as weCRASH TO BLACK: LAST TITLE UP.9 AN IRON-BARRED DOOR 9slides open with an enormous CLANG. A stark room waits beyond.CAMERA PUSHES through. SEVEN HUMORLESS MEN sit side by side ata long table. An empty chair faces them. We are now in:INT -- SHAWSHANK HEARINGS ROOM -- DAY (1947)RED enters, removes his cap and waits by the chair.MAN #1Sit.Red sits, tries not to slouch. The chair is uncomfortable.MAN #2We see by your file you've servedtwenty years of a life sentence.MAN #3You feel you've been rehabilitated?REDYes, sir. Absolutely. I've learnedmy lesson. I can honestly say I'm achanged man. I'm no longer a dangerto society. That's the God's honesttruth. No doubt about it.The men just stare at him. One stifles a yawn.CLOSEUP -- PAROLE FORMA big rubber stamp slams down: "REJECTED"in red ink.10 EXT -- EXERCISE YARD -- SHAWSHANK PRISON -- DUSK (1947) 10High stone walls topped with snaky concertina wire, set off atintervals by looming guard towers. Over a hundred CONS arein the yard. Playing catch, shooting craps, jawing at eachother, making deals. Exercise period.RED emerges into fading daylight, slouches low-key through theactivity, worn cap on his head, exchanging hellos and doingminor business. He's an important man here.RED (V.O.)There's a con like me in every prisonin America, I guess. I'm the guy whocan get it for you. Cigarettes, abag of reefer if you're partial, abottle of brandy to celebrate yourkid's high school graduation. Damnnear anything, within reason.He slips somebody a pack of smokes, smooth sleight-of-hand.RED (V.O.)Yes sir, I'm a regular Sears &Roebuck.TWO SHORT SIREN BLASTS issue from the main tower, drawingeverybody's attention to the loading dock. The outer gateswings open...revealing a gray prison bus outside.RED (V.O.)So when Andy Dufresne came to me in 1949 and asked me to smuggle Rita Hayworth into the prison for him, Itold him no problem. And it wasn't.CONFresh fish! Fresh fish today!Red is joined by HEYWOOD, SKEET, FLOYD, JIGGER, ERNIE, SNOOZE.Most cons crowd to the fence to gawk and jeer, but Red and hisgroup mount the bleachers and settle in comfortably.11 INT -- PRISON BUS -- DUSK (1947) 11Andy sits in back, wearing steel collar and chains.RED (V.O.)Andy came to Shawshank Prison inearly 1947 for murdering his wifeand the fella she was bangin'.The bus lurches forward, RUMBLES through the gates. Andy gazesaround, swallowed by prison walls.RED (V.O.)On the outside, he'd been vice-president of a large Portland bank.Good work for a man as young as hewas, when you consider howconservative banks were back then.TOWER GUARDAll clear!GUARDS approach the bus with carbines. The door jerks open.The new fish disembark, chained together single-file, blinkingsourly at their surroundings. Andy stumbles against the MAN infront of him, almost drags him down.BYRON HADLEY, captain of the guard, slams his baton intoAndy's back. Andy goes to his knees, gasping in pain. JEERSand SHOUTS from the spectators.HADLEYOn your feet before I fuck you upso bad you never walk again.13 ON THE BLEACHERS 13REDThere they are, boys. The HumanCharm Bracelet.HEYWOODNever seen such a sorry-lookin'heap of maggot shit in my life.JIGGERComin' from you, Heywood, you beingso pretty and all...FLOYDTakin' bets today, Red?RED(pulls notepad and pencil)Bear Catholic? Pope shit in the woods? Smokes or coin, bettor's choice.FLOYDSmokes. Put me down for two.REDHigh roller. Who's your horse?FLOYDThat gangly sack of shit, thirdfrom the front. He'll be the first.HEYWOODBullshit. I'll take that action.ERNIE Me too.Other hands go up. Red jots the names.HEYWOODYou're out some smokes, son. Takemy word.FLOYDYou're so smart, you call it.HEYWOODI say that chubby fat-ass...let'ssee...fifth from the front. Put medown for a quarter deck.REDThat's five cigarettes on Fat-Ass.Any takers?More hands go up. Andy and the others are paraded along,forced by their chains to take tiny baby steps, flinchingunder the barrage of jeers and shouts. The old-timers areshaking the fence, trying to make the newcomers shit theirpants. Some of the new fish shout back, but mostly they lookterrified. Especially Andy.RED (V.O.)I must admit I didn't think much ofAndy first time I laid eyes on him.He might'a been important on theoutside, but in here he was just alittle turd in prison grays. Lookedlike a stiff breeze could blow himover. That was my first impressionof the man.SKEETWhat say, Red?REDLittle fella on the end. Definitely.I stake half a pack. Any takers?SNOOZERich bet.REDC'mon, boys, who's gonna prove mewrong?(hands go up)Floyd, Skeet, Joe, Heywood. Four brave souls, ten smokes apiece. That's it, gentlemen, this window's closed.Red pockets his notepad. A VOICE comes over the P.A. speakers:VOICE (amplified)Return to your cellblocks forevening count.14 INT -- ADMITTING AREA -- DUSK (1947) 14The new fish are marched in. Guards unlock the shackles. Thechains drop away, rattling to the stone floor.HADLEYEyes front.WARDEN SAMUEL NORTON strolls forth, a colorless man in a graysuit and a church pin in his lapel. He looks like he couldpiss ice water. He appraises the newcomers with flinty eyes.NORTONThis is Mr. Hadley, captain of theguard. I am Mr. Norton, the warden.You are sinners and scum, that'swhy they sent you to me. Rulenumber one: no blaspheming. I'llnot have the Lord's name taken invain in my prison. The other rules you'll figure out as you go along.Any questions?CONWhen do we eat?Cued by Norton's glance, Hadley steps up to the con and screamsright in his face:HADLEYYOU EAT WHEN WE SAY YOU EAT! YOU PISS WHEN WE SAY YOU PISS! YOU SHIT WHEN WE SAY YOU SHIT! YOU SLEEP WHEN WE SAY YOU SLEEP! YOU MAGGOT- DICK MOTHERFUCKER!Hadley rams the tip of his club into the con's belly. Theman falls to his knees, gasping and clutching himself.Hadley takes his place at Norton's side again. Softly:NORTONAny other questions?(there are none)I believe in two things. Disciplineand the Bible. Here, you'll receiveboth.(holds up a Bible)Put your faith in the Lord. Yourass belongs to me. Welcome to Shawshank.HADLEYOff with them clothes! And I didn'tsay take all day doing it, did I?The men shed their clothes. Within seconds, all stand naked.HADLEYFirst man into the shower!Hadley shoves the FIRST CON into a steelcage open at thefront. TWO GUARDS open up with a fire hose. The con is slammedagainst the back of the cage, sputtering and hollering.Seconds later, the water is cut and the con yanked out.HADLEYDelouse that piece of shit! Nextman in!The con gets a huge scoop of white delousing powder thrown allover him. Gasping and coughing, blinking powder from his eyes,he gets shoved to a trustee's cage. The TRUSTEE slides a shortstack of items through the slot -- prison clothes and a Bible.All the men are processed quickly -- a blast of water, powder,clothes and a Bible...15 INT -- INFIRMARY -- NIGHT (1947) 15A naked CON steps before a DOCTOR and gets a cursory exam.A penlight is shined in his eyes, ears, nose, and throat.DOCTORBend over.The con does. A GUARD with a penlight in his teeth spreads hischeeks, peers up his ass, and nods. Andy is next up. He getsthe same treatment.16 INT -- PRISON CHAPEL -- NIGHT (1947) 16CAMERA TRACKS the naked newcomers shivering on hard wooden chairs, clothes on their laps, Bibles open.CHAPLAIN (O.S.)...maketh me to lie down in greenpastures. He leadeth me beside thestill waters. He restoreth my soul...17 INT -- CELLBLOCK FIVE -- NIGHT (1947) 17Three tiers to a side, concrete and steel, gray and imposing.Andy and the others are marched in, still naked, carryingtheir clothes and Bibles. The CONS in their cells greet themwith TAUNTS, JEERS, and LAUGHTER. One by one, the new men areshown to their cells and locked in with a CLANG OF STEEL.RED (V.O.)The first night's the toughest, nodoubt about it. They march you innaked as the day you're born, freshfrom a Bible reading, skin burningand half-blind from that delousingshit they throw on you...Red watches from his cell, arms slung over the crossbars,cigarette dangling from his fingers.RED (V.O.)...and when they put you in thatcell, when those bars slam home,that's when you know it's for real.Old life blown away in the blink ofan eye...a long cold season in hellstretching out ahead...nothingleft but all the time in the worldto think about it.Red listens to the CLANGING below. He watches Andy and a fewothers being brought up to the 2nd tier.RED (V.O.)Most new fish come close to madnessthe first night. Somebody alwaysbreaks down crying. Happens everytime. The only question is, who'sit gonna be?Andy is led past and given a cell at the end of the tier.RED (V.O.)It's as good a thing to bet on asany, I guess. I had my money onAndy Dufresne...18 INT -- ANDY'S CELL -- NIGHT (1947) 18The bars slam home. Andy is alone in his cell, clutching hisclothes. He gazes around at his new surroundings, taking itin. He slowly begins to dress himself...19 EXT -- SHAWSHANK PRISON -- NIGHT (1947) 19A malignant stone growth on the Maine landscape. The moonhangs low and baleful in a dead sky. The headlight of aPASSING TRAIN cuts through the night.20 INT -- RED'S CELL -- NIGHT (1947) 20Red lies on his bunk below us, tossing his baseball toward theceiling and catching it again. He pauses, listening. FOOTSTEPSapproach below, unhurried, echoing hollowly on stone.21 INT -- CELLBLOCK FIVE -- NIGHT (1947) 21LOW ANGLE. A CELLBLOCK GUARD strolls into frame.GUARDThat's lights out! Good night, ladies.The lights bump off in sequence. The guard exits, footstepsechoing away. Darkness now. Silence. CAMERA CRANES UP thetiers toward Red's cell.RED (V.O.)I remember my first night. Seems along time ago now.Red looms from the darkness, leans on the bars. Listens.Waits. From somewhere below comes faint, ghastly tittering.VOICES drift through the cellblock, taunting:VARIOUS VOICES (O.S.)Fishee fishee fisheeee...You'regonna like it here, new fish. Awhooole lot...Make you wish yourdaddies never dicked yourmommies...You takin' this down, newfish? Gonna be a quiz later.(somebody LAUGHS)Sshhh. Keep it down. The screws'll hear...Fishee fishee fisheeee...RED (V.O.)The boys always go fishin' withfirst-timers...and they don't quittill they reel someone in.The VOICES keep on, sly and creepy in the dark...22 INT -- VARIOUS CELLS -- NIGHT (1947) 22thru thru 252g ...while the new cons go quietly crazy in their cells. One manpaces like a caged animal...another sitsgnawing his cuticlesbloody...a third is weeping silently...a fourth is dry-heavinginto the toilet...26 INT -- RED'S CELL -- NIGHT (1947) 26Red waits at the bars. Smoking. Listening. He cranes his head,peers down toward Andy's cell. Nothing. Not a peep.HEYWOOD (O.S.)Fat-Ass...oh, Faaaat-Ass. Talk tome, boy. I know you're in there. Ican hear you breathin'. Now don'tyou listen to these nitwits, hear?27 INT -- FAT-ASS' CELL -- NIGHT (1947) 27 Fat-Ass is crying, trying not to hyperventilate.HEYWOOD (O.S.)This ain't such a bad place. I'llintroduce you around, make you feelright at home. I know some big ol'bull queers who'd love to make your acquaintance...especially that bigwhite mushy butt of yours...And that's it. Fat-Ass lets out a LOUD WAIL of despair:FAT-ASSOH GOD! I DON'T BELONG HERE! I WANNA GO HOME!28 INT -- HEYWOOD'S CELL -- NIGHT (1947) 28HEYWOODAND IT'S FAT-ASS BY A NOSE.'29 INT -- CELLBLOCK -- NIGHT (1947) 29 The place goes nuts. Fat-Ass throws himself screaming againstthe bars. The entire block starts CHANTING:VOICESFresh fish...fresh fish...freshfish...fresh fish...FAT-ASSI WANNA GO HOME! I WANT MY MOTHER.'VOICE (O.S.)I had your mother! She wasn't thatgreat!The lights bump on. GUARDS pour in, led by Hadley himself.HADLEYWhat the Christ is this happy shit?VOICE (O.S.)He took the Lord's name in vain!I'm tellin' the warden!HADLEY(to the unseen wit)You'll be tellin' him with my batonup your ass!Hadley arrives at Fat-Ass' cell, bellowing through the bars:HADLEYWhat's your malfunction you fatfuckin' barrel of monkey-spunk?FAT-ASSPLEASE! THIS AIN'T RIGHT! I AIN'T SUPPOSED TO BE HERE! NOT ME!HADLEYI ain't gonna count to three! Noteven to one! Now shut the fuck up'fore I sing you a lullabye!Fat-Ass keeps blubbering and wailing. Totalfreak-out. Hadleydraws his baton, gestures to his men. Open it.A GUARD unlocks the cell. Hadley pullsFat-Ass out and startsbeating him with the baton, brutally raining blows. Fat-Assfalls, tries to crawl.The place goes dead silent. All we hear now is the dullTHWACK-THWACK-THWACK of the baton. Fat-ass passes out. Hadleygets in a few more licks and finally stops.HADLEYGet this tub of shit down to theinfirmary.(peers around)If I hear so much as a mouse fartin here the rest of the night, byGod and Sonny Jesus, you'll allvisit the infirmary. Every lastmotherfucker here.The guards wrestle Fat-Ass onto a stretcher and carry him off.FOOTSTEPS echo away. Lights off. Darkness again. Silence.30 INT -- RED'S CELL -- NIGHT (1947) 30Red stares through the bars at the main floor below, eyesriveted to the small puddle of blood whereFat-Ass went down.RED (V.O.)His first night in the joint, AndyDufresne cost me two packs ofcigarettes. He never made a sound...31 INT -- CELLBLOCK FIVE -- MORNING (1947) 31LOUD BUZZER. The master locks are thrown -- KA-THUMP! The consstep from their cells, lining the tiers. The GUARDS hollertheir head-counts to the HEAD BULL, who jots on a clipboard.Red peers at Andy, checking him out. Andy stands in line,collar buttoned, hair combed.32 INT -- MESS HALL -- MORNING (1947) 32Andy goes through the breakfast line, gets a scoop of glop onhis tray. WE PAN ANDY through the noise and confusion...anddiscover BOGS DIAMOND and ROOSTER MacBRIDE watching Andy goby. Bogs sizes Andy up with a salacious gleam in his eye,mutters something to Rooster. Rooster laughs.Andy finds a table occupied by Red and his regulars, choosesa spot at the end where nobody is sitting. Ignoring theirstares, he picks up his spoon -- and pauses, seeing somethingin his food. He carefully fishes it out with his fingers.It's a squirming maggot. Andy grimaces, unsure what to do withit. BROOKS HATLEN is sitting closest to Andy. At age 65, he'sa senior citizen, a long-standing resident.BROOKSYou gonna eat that?ANDYHadn't planned on it.BROOKSYou mind?Andy passes the maggot to Brooks. Brooksexamines it, rollingit between his fingertips like a man checking out a finecigar. Andy is riveted with apprehension.BROOKSMmm. Nice and ripe.Andy can't bear to watch. Brooks opens up his sweater andfeeds the maggot to a baby crow nestled in an inside pocket.Andy breathes a sigh of relief.BROOKSJake says thanks. Fell out of hisnest over by the plate shop. I'mlookin' after him till he's oldenough to fly.Andy nods, proceeds to eat. Carefully. Heywood approaches.JIGGEROh, Christ, here he comes.HEYWOODMornin', boys. It's a fine mornin'.You know why it's fine?Heywood plops his tray down, sits. The men start pulling outcigarettes and handing them down.HEYWOODThat's right, send 'em all down. Iwanna see 'em lined up in a row,pretty as a chorus line.An impressive pile forms. Heywood bends down and inhalesdeeply, smelling the aroma. Rapture.FLOYDSmell my ass... HEYWOODGee, Red. Terrible shame, yourhorse comin' in last and all.Hell, I sure do love that horse ofmine. I believe I owe that boy abig sloppy kiss when I see him.REDGive him some'a your cigarettesinstead, cheap bastard.HEYWOODSay Tyrell, you pull infirmary dutythis week? How's that winnin' horseof mine, anyway?TYRELLDead.(the men fall silent)Hadley busted his head pretty good.Doc already went home for thenight. Poor bastard lay there tillthis morning. By then...He shakes his head, turns back to his food. The silencemounts. Heywood glances around. Men resume eating. Softly:ANDYWhat was his name?HEYWOODWhat? What'd you say?ANDYI was wondering if anyone knew hisname.HEYWOODWhat the fuck you care, new fish?(resumes eating)Doesn't matter what his fuckin'name was. He's dead.33 INT -- PRISON LAUNDRY -- DAY (1947)。
the Shawshank Redemption
Hope is a good thing, maybe the best of things, and no good thing ever dies. 希望是美好的事物,也许是世上最美 好的事物.美好的事物从不消逝.
there's something places, in the world that are not made up of stones, there's something inside, that they cannot get to, that they can not touch. that's yours, 影片中安迪有这样一句话:“forget that there are … place … in the world that are not made up of stone, there is something … inside … that they can not get to … that is hope ”(不要忘了,这个 世界穿透一切高墙的东西,它就在我们的 内心深处,他们无法达到,也接触不到, 那就是希望)。
I guess it comes down to a simple choice: get busy living or get busy dying. 人生可以归结为一种简单的选择:汲汲 而生,汲汲而死。 Some birds aren't meant to be caged, that's all. Their feathers are just too子里的, 因为它们的每一片羽毛都闪耀着自由 的光辉。
Institutionalized
通过正途获得人生的犯人出狱后因为各种各样的原因 又会重新遇到挑战。但因为时间的流逝和服刑的经历 往往使人丢掉了希望,丢掉了本该具有的那份勇气。 片中的“老布”和“阿瑞”都是韶华已逝的人,过错 和失足,当然更有冤狱使他们没能象正常人那样享受 美丽的人生。以致于不知道如何适应变化,监狱的 “体制化”生活给他们的内心留下了无法摆脱的阴影, 所以善良的老布只有通过自杀来解脱。所以我们看到 影片中安迪为什么要扩办图书馆,让狱友们读书?又 为什么冒着会被关禁闭的惩罚还要放《费加罗的婚礼》 让大家听?原因只有一个:无论我们曾经怎样的沉沦 和不羁,怎样的失去生活,但千万不要放弃理想,放 弃那份希望。只有充满希望,人生从而变得有意义, 从而丰富多彩。
肖申克的救赎英语介绍
肖申克的救赎英语介绍The Shawshank Redemption, directed by Frank Darabont, is a critically acclaimed film that was released in 1994. It is based on the novella of the same name by Stephen King. The movie tells the story of Andy Dufresne, a banker who is wrongfully convicted of murdering his wife and her lover and is sentenced to life in Shawshank State Penitentiary.The film is set in the 1940s and follows Andy's journey as he navigates the harsh realities of prison life. Despite facing violence, corruption, and injustice, Andy manages to maintain his integrity and resilience. He forms an unlikely friendship with Red, a long-time inmate, who becomes his confidant and mentor.One of the central themes of the movie is the power of hope and the indomitable human spirit. Andy refuses to let his circumstances define him and spends his time in prison finding innovative ways to improve the lives of his fellow inmates. He establishes a prison library, educates himself and others, and even helps the corrupt warden with his financial affairs.Through his actions, Andy symbolizes the possibility of redemption and the triumph of the human spirit. The film also explores the concept of institutionalization and thepsychological effects of long-term incarceration on individuals. It delves into the dehumanization of prisoners and the struggle to maintain one's identity within the confines of the prison walls.The performances in The Shawshank Redemption are top-notch, with Tim Robbins delivering a stellar portrayal of Andy Dufresne and Morgan Freeman providing a nuanced and captivating performance as Red. The chemistry between the two leads is palpable, and their friendship forms the emotional core of the film.The Shawshank Redemption received seven Academy Award nominations, including Best Picture, and although it did not win any, it has since gained a cult following and is widely regarded as one of the greatest films of all time. Its powerful storytelling, memorable characters, and thought-provoking themes continue to resonate with audiences worldwide.In conclusion, The Shawshank Redemption is an exceptional film that explores themes of hope, friendship, and the indomitable human spirit. It is a timeless tale of resilience and redemption that continues to captivate viewers with its powerful storytelling and superb performances.。
肖申克的救赎英语作文推荐
肖申克的救赎英语作文推荐"The Shawshank Redemption" is a timeless tale of hope, friendship, and the indomitable human spirit. Directed by Frank Darabont and based on Stephen King's novella "Rita Hayworth and Shawshank Redemption," the film delves into the life of Andy Dufresne, a banker who is falsely accused of murder and sentenced to life in Shawshank State Penitentiary.The narrative unfolds as Andy forms an unlikely bond with fellow inmate Ellis "Red" Redding, masterfully portrayed by Morgan Freeman. Their friendship becomes a beacon of hope amidst the despair of prison life. Tim Robbins delivers a powerful performance as Andy, a man who refuses to let his circumstances define him.The film is a testament to the power of hope and the resilience of the human will. It showcases the transformative impact of friendship and the importance of maintaining one's dignity in the face of adversity. The cinematography is stunning, with each frame meticulously crafted to convey the oppressive atmosphere of Shawshank and the contrasting beauty of the world outside its walls.One of the most memorable aspects of "The Shawshank Redemption" is Thomas Newman's score, which adds depth and emotion to the narrative. The film's themes of redemption and the possibility of change resonate deeply with audiences, making it a favorite among film enthusiasts."The Shawshank Redemption" is not just a movie; it's an experience that reminds us that even in the darkest of times, there is always a light at the end of the tunnel. It is a story that encourages viewers to hold onto hope and to never give up, no matter how dire the situation may seem.In conclusion, "The Shawshank Redemption" is a cinematic masterpiece that deserves a place in every film lover's collection. Its compelling characters, powerful storytelling, and profound messages make it a movie that can be watched over and over again, each time revealing new layers of meaning and inspiration.。
影评英语作文高一肖克申的救赎
影评英语作文高一肖克申的救赎The Redemption of ShawshankThe Shawshank Redemption is a timeless masterpiece that has captivated audiences for decades. Directed by Frank Darabont and released in 1994, the film tells the story of Andy Dufresne, a man wrongfully convicted of murder, and his journey to find redemption and freedom within the confines of the Shawshank prison.At the heart of the film is the powerful theme of hope in the face of adversity. Andy, played masterfully by Tim Robbins, is a soft-spoken and intelligent man who refuses to succumb to the harsh realities of prison life. Despite the seemingly insurmountable challenges he faces, Andy maintains a steadfast belief in the power of hope and the possibility of redemption.One of the most striking aspects of the film is the way it explores the complexities of the human experience. The characters, each with their own unique struggles and perspectives, are richly drawn and deeply relatable. The relationship between Andy and his friend, Red, played by Morgan Freeman, is particularly poignant, as they navigate the treacherous waters of prison life and find solace in each other'scompanionship.The film's exploration of themes such as justice, corruption, and the human spirit is both thought-provoking and emotionally resonant. The way it delves into the darker aspects of the prison system, while also offering glimpses of hope and redemption, is a testament to the filmmakers' storytelling prowess.One of the most memorable moments in the film is when Andy, after years of painstaking work, finally manages to expose the corruption within the prison system. This scene, which culminates in a powerful and cathartic sequence, is a testament to the resilience of the human spirit and the transformative power of hope.Throughout the film, the audience is drawn into the world of Shawshank, immersed in the sights, sounds, and emotions of the characters. The attention to detail, the stunning cinematography, and the haunting score all contribute to the film's atmospheric and immersive quality.But perhaps the most enduring aspect of The Shawshank Redemption is its ability to inspire and uplift. The film's message of hope, perseverance, and the triumph of the human spirit resonates deeply with audiences, leaving a lasting impression that transcends the boundaries of time and culture.In conclusion, The Shawshank Redemption is a cinematic masterpiece that deserves its place among the greatest films of all time. Its powerful storytelling, nuanced characters, and timeless themes make it a must-see for anyone who appreciates the power of cinema to move, inspire, and transform.。
关于电影肖申克的救赎的英语作文
关于电影肖申克的救赎的英语作文The Shawshank Redemption is a timeless classic that has captured the hearts of audiences worldwide since its release in 1994. Directed by Frank Darabont and based on a novella by Stephen King, the film tells the story of Andy Dufresne, a banker who is wrongly convicted of the murder of his wife and her lover and sentenced to life in Shawshank State Penitentiary.One of the most striking aspects of The Shawshank Redemption is its exploration of the themes of hope, friendship, and redemption. Throughout the film, Andy never loses hope in the face of adversity and continues to fight for his freedom, ultimately escaping from Shawshank and finding his redemption on a sunny beach in Zihuatanejo. This message of perseverance and resilience has resonated with audiences of all ages and backgrounds, making the film a beloved classic that continues to be celebrated to this day.Another key element of The Shawshank Redemption is its portrayal of the power of friendship and the importance of human connection. Andy forms a close bond with his fellow inmate Red, played brilliantly by Morgan Freeman, and the two men support and uplift each other throughout their time at Shawshank. Their friendship is a testament to the idea that evenin the darkest of times, human connection can provide solace and strength.The film also explores the concept of redemption, as Andy and Red both seek to find meaning and purpose in their lives despite the challenges they face. Through their actions and choices, they demonstrate that it is never too late to seek forgiveness, make amends, and strive for a better future.In addition to its powerful themes, The Shawshank Redemption is also notable for its outstanding performances and masterful direction. Tim Robbins delivers a nuanced and compelling performance as Andy, capturing the character's intelligence, integrity, and quiet strength. Morgan Freeman is equally impressive as Red, infusing the character with wisdom, warmth, and humor. Frank Darabont's direction is flawless, creating a film that is visually stunning, emotionally resonant, and thematically rich.Overall, The Shawshank Redemption is a masterpiece of cinema that continues to captivate and inspire audiences around the world. Its timeless themes, unforgettable performances, and expert storytelling make it a film that will always hold a special place in the hearts of moviegoers. Whether you are a fan ofdrama, romance, or simply great storytelling, The Shawshank Redemption is a film that should not be missed.。
THE SHAWSHANK REDEMPTION
THE SHAWSHANKREDEMPTIONMy Introduction for the film ndy Dufresne, a young banker, was convicted of murdering his wife and her lover, based on strong circumstantial evidence, and as a result, he was sentenced to consecutive(连续的) life sentence at the shawshank —a prison just like a hell in the world, where he was expected to spend his rest of life.In the shawshank, Andy was quickly befriended by Red, afellow inmate serving a life sentence who has failed to gainparole for several times, who is the most respectable in theprison, having secret connections on the outside. In the end, itturned out that Red played an indispensible role in Andy ’sprison breaking. In the following years, Andy asked Red for arock hammer so as to maintain his rock collection hobby andfor a poster of his idol —a sexy beauty, for his grey wall, whichturned out to be the critical foreshadow.During manual labor, Andy served as financial counselor for thecaptain and a number of guards of the prison and even thenearby prisons. Owning to the solid foundation in finance, hewas so competent that he solved financial problems —taxevasion, for those greedy men, and then won their trust. Stepby step, Andy earned his freedom for himself, also for hisprison mates. From a brief respite to the iced beer, to the song--Le Nozze di Figaro <费加罗婚礼>, and to the library. Andy, well on the road to freedom, led his mates to make progress in gaining freedom. He, however, suffered a lot in such a process with innumerable hardship, for instance, solitary confinement. Shortly after the last time when Andy was finally released from solitary, he informed Red of his dream to live in a Mexican-Pacific coastal town, and invited him to get together after successfully achieving parole after 40 years of his sentence. The next day, Andy was astonishingly found nowhere. The fact was that he, in a rainy night, fled from the shawshank through the tunnel which he had secretly dug with the rock hammer over the last two decades and which was covered perfectly by the poster of sexy beauties. Regaining his freedom, Andy used his false identity to withdraw all of the prison captain ’s money from the bank, which he planned in advance, and in this way, he became rich again, having an access for his costal town once in dream.Eventually, Red was released and came across Andy on the beach, reunited.Lines1. I guess it comes down to a simple choice: get busy living or get busy dying.A2.Fear can hold you prisoner. Hope can set you free. A strong man can save himself. A great man cananother. “强者自救,圣者渡人”3.These walls are kind of funny like that. First you hate them, then you get used to them. Enough timepassed, get so you depend on them. That’s institutionalized.4.Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!My viewThough the introduction is made by myself, it is meaningless if I have no my own peculiar opinion and reflection. So, I shall share my understanding, or rather, personal feelings.From my perspective, the shawshank redemption is an excellent and magical film that leaves you deeply impressed when you first see it, that empowers you when you are in low spirits, feeling couldn’t move forward, that will better your life if you often recall and chew its plots, lines and most importantly, its spirits.When it comes to impressive plots, I lose in thought when the librarian who was set free committed suicide due to the lack of adaptation to the ordinary life and the lack of sense of belonging to the world with fresh air. Apparently, he depended on the jail, just as the line expresses, “These walls are kind of funny like that. First you hate them, and then you get used to them. Enough time passed, get so you depend on them. That’s institutionalized.”Actually, we, social animal, live, or rather, get stuck in sorts of norms, policies and routines, reasonable or unreasonable. Most of us continuously complain about them or become mind-numbing as time passes by. If they all disappeared, we will undoubtedly feel lost and don’t know how to continue our life. What a tragedy! In my mind, we should keep clear-headed, voice our own views,escape from immutable and frozen life and form ourworld outlook step by step. We are the owner ofourselves, not the slaves of dull routines, because thefuture is in our hands.When it comes to soul-stirring plots, I am thrilled whenAndy, in a dark and rainy night, crept through thenarrow passage that he had secretly dug for almosttwenty years, and then roared his desire for freedomunder the sky, proclaiming his success in prison breaking. The sky was gloomy and it was raining then, but I could see, or rather, feel the brightness coming from Andy’s deep soul.Thanks to Andy’s hope, faith, perseverance and courage, he succeeded in winning freedom and obtained an access to his ideal beach and endless blue sky. He is the owner of himself, although his flesh had been controlled in the hell.The film reminds us to bear our dreams deep in mind, to keep positive, to try every effort to break the wall in the front and move forward, and most importantly, to hold out the purity of soul, for instance, the kindness, the constant pursuing and appreciation for beauty in life, no matter who we are, how old we are, where we are and how hard the future seems to be. That’s the way to self-redemption.。
[肖申克的救赎].The.Shawshank.Redemption.1994.BDRip.X264-TLF.eng
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That means that he fired
the gun empty...
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A broken bourbon bottle,
likewise with fingerprints.
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And most of all...
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into the Royal River.
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I've been very clear on this point.
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I get hazy where the cleaning woman
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And she said that she wanted
a divorce in Reno.
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- What was your response?
- I told her I would not grant one.
shows up the following morning...
最喜欢的电影肖申克的救赎英语作文
最喜欢的电影肖申克的救赎英语作文The Shawshank Redemption is my all-time favorite movie. Directed by Frank Darabont and based on a novella by Stephen King, it was released in 1994 and has since become a classic among film buffs.The movie tells the story of Andy Dufresne, a banker who is wrongly convicted of murder and sentenced to life in Shawshank State Penitentiary. Despite the harsh conditions at the prison, Andy manages to maintain his inner strength and hope for a better future. He befriends fellow inmate Red, played by Morgan Freeman, and together they endure the struggles and injustices of prison life.What I love most about The Shawshank Redemption is its powerful message of hope and redemption. Andy's unwavering belief in himself and his refusal to give up in the face of adversity is truly inspiring. The bond between Andy and Red is also deeply moving, as they support and encourage each other through the toughest of times.The film's cinematography is also stunning, with beautiful shots of the prison and the surrounding landscape. The use of lighting and color to convey mood and emotion is masterful,creating a sense of both despair and hope throughout the movie.The performances in The Shawshank Redemption aretop-notch, with Tim Robbins delivering a standout performance as Andy and Morgan Freeman bringing depth and humanity to the character of Red. The supporting cast is equally strong, with memorable performances from the likes of Bob Gunton, Clancy Brown, and William Sadler.Overall, The Shawshank Redemption is a timeless classic that continues to resonate with audiences around the world. Its themes of friendship, resilience, and the power of the human spirit are timeless, and its message of hope in the face of adversity is one that will always be relevant. I have watched the movie countless times and it never fails to move me to tears. It is a film that I will always hold dear to my heart, and one that I believe will stand the test of time for generations to come.。
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The Shawshank Redemption is without a doubt one of the most brilliant movies I have ever seen. Similar to The Green Mile in many respects (and better than it in almost all of them), these two movies have shown us that Stephen King is a master not only of horror but also of prose that shakes the soul and moves the heart. The plot is average, but King did great things with it in his novella that are only furthered by the direction, and the acting is so top-rate it's almost scary.Tim Robbins plays Andy Dufrane, wrongly imprisoned for 20 years for the murder of his wife. The story focuses on Andy's relationship with "Red" Redding (Morgan Freeman, in probably his best role) and his attempts to escape from Shawshank. Bob Gunton is positively evil and frightening as Warden Norton, and there are great performances and cameos all around; the most prominent one being Gil Bellows (late as Billy of Ally McBeal) as Tommy, a fellow inmate of Andy's who suffers under the iron will of Norton.If you haven't seen this movie, GO AND RENT IT NOW. You will not be disappointed. It is positively the best movie of the '90's, and one of my Top 3 of all time. This movie is a spectacle to move the mind, soul, and heart.The Review of the Shawshank Redemption In my opinion,The Shawshank Redemption is without a doubt one of the most brilliant movies I have ever seen.This movie is about the life in prison and it is also an impressive story about prison break.The story of this film mainly goes like this: it takes place over a twenty-year period between 1947 and 1967. Andy Dufresne as the hero, a young banker from Portland, Maine, is wrongly convicted of murdering his wife and her lover, and sentenced to life imprisonment at Shawshank prison,with no hope of parole. The prison is a brutal place, and Andy is frequently beaten and sexually assaulted by a gang of homosexual inmates called "The Sisters". However, sinced he got into this prison,he just have been existing only in appearance, keeping his mind free fromthe monotonous walls around him.And there are also two things helping him to survive. One is his friendship with another convict, Red, who finds gainful use of his entrepreneurial spirit within the monotonous walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. The other is his financial expertise, which he puts to good use, becoming a tax and financial adviser to the prison guards and even the Warden himself and also this ability to do this results in the gaining of respect from his fellow inmates , but most of all from Ellis Redding. Ellis, commonly referred to as Red, Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. As a reward for these services, Andy is given a privileged job in the prison library and protection from molestation. To avenge their attacks on Andy, the leader of the "Sisters" is so badly beaten by the guards that he is crippled for life; Andy is not harased again. Andy, on the other hand, proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.Actually, I have watched this movie much times.Each time after I watch it I always have a different and deep-thoughtful idea.The marvelous cast of this film have dazzled me with some of the most convincing performances I witness in a film. With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of thefilm lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. The following are most impressing lines in this movie.They are“Some birds are not meant to be caged, their feathers are too bright”.“Get busy living, or get busy dying”.“Terrible thing, to live in fear”.“It was like some beautiful bird flapped into our drab little cage and made those walls dissolve away”.“You need it so you don't forget. Forget that there are places in the world that aren't made out of stone”.“Hope is a good thing, and good things can never die”.“If you say so, sense it”All of the above have vividly emphasized these two themes, which concern things the human spirit undoubtedly yearns for, and they seem so intricately woven into the plot that it easily draws its audience into its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. the director tells this story most masterfully, illustrating principles and inspiring the audience to think and leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.There is not only one miracle in the movie. Another miracle in this film is not only that Red is redeemed but that the world outside the prison isn't all warm and sandy and sunny and with excellent fishing. Some of it is rocky and uncertain. Fairytales don't get this far. They'd end as Red left the gates of the prison and the credits would say “and he lived happily ever after”. This is the only film I can currently think of where they show how to get to the living happily ever after bit from your redemption via the rocky and uncertain ground of bagging groceries at the local store. In other words, they're not going to cheat you and tell you everything's going to be all right.Maybe you are crucially want to know why this movie is the best ever made? I think the most important reason is that it is really simpleand it talks about all of us. It tells the story of how we all feel in times of desperately in dispair. The basic needs of all of us, for this movie its freedom, revenge, love and friendship.That is our emotional need in today’s world. Therefor I think that if any other movie which was wanted to be made popular and great as the Shawshank Redemption,they be made as a film consists of a simple element, human emotional needs.All in all, I think The Shawshank Redemption is really a good movie,which is good for our English learning and can help us get out of the dead circle of being hopeless and attain a good attitude to life.It is a also very good film and worthy for everybody to watch and the mostimportant lines of this movie is “Hope is a good thing , maybe the bestof things, No good thing ever dies”. It is really make us thinking deeply, and another one which was said by Red that there is one kind of birds that you could never keep him in the cage, because every feather of his body was covered by the brilliance of freedom. I think everyone should remember this , everyone of us are covered by some brilliance of our own, we should never give up no matter how difficult it is! And we shouldrem ember that “hope is a good thing,we should have hopes for all our lives.”满意回答2007-03-30 19:57Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for hisnotable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself,and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.By creating the film's firm foundation, the meticulously chiseled screenplay paved the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a film's score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the film's needs by employingNewman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to individualism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newman's score never once intrudes on your concentration or distracts from the film.With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attachedto the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.This film manages to redeem Hollywood in the eyes of peoplewho feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and production facilities. These artists show their capability to produce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.对于肖申克的救赎我原著和电影都看过不少遍了评述不敢说就谈谈感想首先要知道安迪是一个冷静的能独立思考并且富有创造力的人职业是银行家却对音乐小雕刻等一些艺术类有一定的造诣或者说是鉴赏能力可见他也是感情丰富热衷于生活的同时在自己的工作上也是出类拔萃这更证明了他的出色这里可以和影片以及原著后面的瑞德的话外音相贴切(我得经常同自己说,有些鸟儿是关不住的。