CopyrightcXCVIIISonderforschungsbereich438,Munchen,Augsburg.Allrightsreserved.
版权意识英文作文
版权意识英文作文Title: Cultivating Copyright Awareness in the Digital Age。
In today's digital landscape, where information is readily accessible and easily shared, the concept of copyright awareness holds significant importance. Copyright, as a legal concept, grants creators exclusive rights totheir original works, ensuring that they receiverecognition and compensation for their intellectual efforts. However, in the era of social media and online content sharing, the lines between sharing and infringement canoften become blurred. Therefore, fostering copyright awareness is crucial to respect intellectual propertyrights and promote creativity and innovation. 。
Firstly, understanding the basics of copyright law is essential. Copyright law grants creators the exclusiverights to reproduce, distribute, perform, and display their works. These rights apply to various forms of creativeexpression, including literary, artistic, musical, and dramatic works. By acknowledging these rights, individuals can better comprehend what actions constitute copyright infringement and avoid unintentional violations.Moreover, promoting respect for copyright encourages a culture of creativity and innovation. When creators know that their work is protected by copyright law, they feel more incentivized to produce original content. This, in turn, enriches cultural diversity and fosters a vibrant creative community. Conversely, widespread copyright infringement can deter creators from sharing their work, leading to a decline in artistic output and stifling cultural progress.In addition to understanding copyright law, adopting ethical practices regarding the use of copyrighted material is vital. Proper attribution and obtaining permission before using someone else's work demonstrate respect for the creator's rights. Furthermore, supporting platforms and initiatives that prioritize copyright protection, such as content licensing services and anti-piracy campaigns, helpsuphold the integrity of intellectual property rights.Educational institutions play a significant role in promoting copyright awareness among students and educators. Integrating copyright education into curricula canfamiliarize individuals with the principles of intellectual property rights from a young age. This education should encompass not only the legal aspects of copyright but also ethical considerations surrounding creative work in the digital age. By instilling these values early on, future generations can develop a greater appreciation for the importance of respecting copyright.In the digital era, technological advancements poseboth challenges and opportunities for copyright enforcement. While digital platforms have facilitated the widespread distribution of creative works, they have also made iteasier for copyrighted material to be unlawfully reproduced and shared. Therefore, leveraging technology to protect copyright is imperative. Measures such as digital rights management systems and content recognition algorithms can help identify and prevent copyright infringement online.Furthermore, international cooperation is essential in addressing copyright infringement, as digital content knows no geographical boundaries. By establishing international treaties and agreements, countries can collaborate to enforce copyright laws and combat cross-border piracy effectively. Additionally, promoting cultural exchange and understanding can reduce the demand for pirated content by providing legal access to diverse cultural works.In conclusion, cultivating copyright awareness is essential in the digital age to uphold the rights of creators, promote creativity and innovation, and foster a culture of respect for intellectual property. By understanding copyright law, practicing ethical use of copyrighted material, integrating copyright education into curricula, leveraging technology for enforcement, and fostering international cooperation, we can collectively work towards a more copyright-conscious society. Only through such efforts can we ensure that the fruits of human creativity are protected and celebrated for generations to come.。
Ich schenk dir die Welt
Ich schenk dir die Welt - Die PrinzenIch schenk dir die Welt,den Mond die Sterne - 我要把这个世界,月亮和星星都送给你Hol die Sonne fur dich her - 还要为你摘下太阳Ich schaufle Sand in der Sahara und ich schwimmfur dich durchs Meer, - 我睡在撒哈拉的沙滩上,为了你都可以游过大海Ich werd niemals aufhörn,dich zu lieben - 我永远不会停止爱你Auch in tausend Jahren nicht - 千年都不变Und selbst wenn du abhaust, wenn du fortgehst, - 即使你离开我,把我忘记Will ich, dass du weißt, Ich will nur dich 我都将让你知道我会想你Wie ein Schiff im schweren Wasser - 假如在危险的水面上有一艘船Kurz vor der Meuterei - 突然翻倒Und einem Kurs, der nicht ganz klar ist,Knapp an jedem Sturm vorbei - 这是很明显的事,它遭受了风暴Du bist an fremdes Land gegangen - 你去了国外Und willst nicht mehr nach Haus - 不经常在家Ich bleib allein an Bord und treibe Auf die offne See hinaus - 我一个人留在海边,望着远处Ich schenk dir die Welt... - 我将把全世界送给你..Irgendwann hast du begonnen, -不管你什么时候离开Deinen eignen Film zu drehn, - 都会寄照片回来Ich hab die Augen zu gemacht, - 我一把眼睛闭上Das wollte ich nicht sehen - 就什么都看不见Ich weiß nicht, ob du zuruckkommst, -我不知道,你会回来吗?Doch eins ist mir jetzt klar - 现在我明白了Dass das, was ich fur dich empfinde - 我对你的感觉Noch niemals größer war - 没有比它更强烈的了Ich schenk dir die Welt... - 我将把全世界送给你So bitte ich dich noch einmal, - 我再次请求你Stick mit mir in See - 和我一起去海边Lass uns die Segel setzen - 在小帆船上Roter Teppich auf der Gangway - 在经过的路上铺上地毯Entdeck mit mir ein Meer, - 和我一起发现一片海洋Das noch keiner kennt - 没有其他人知道的海洋Selbst, wenn wir zusammen untergehn - 当我们一起出发时Will ich, dass uns keiner trennt - 我希望我们不再分离Ich schenk dir die Welt... - 我将把全世界送给你Ich liebe dich immer noch so sehr我仍然如此爱你du schließt dich in mein herz ein 你将自己锁进我心里schleichst dich immer tiefer rein 悄悄地在我心里越走越深ich weiß nich mehr was ich will 我失去对自己意志的控制du bestimmst mein gefühl 只有你控制着我的感觉hast dich mit mir verbündet 你将我们连在了一起mir versprochen nie zu gehn 许诺过永远不离开我du hast mich angezündet 你点燃了我的热情jetzt lässt du mich in flammen stehn 却让我独自燃烧ich lieb dich immer noch so sehr 我仍然如此爱你lieb dich immer noch viel mehr 仍然如此深爱你deine blicke verführen mich, unsre seelen berühren sich 你的眼神诱惑了我,让我们的灵魂彼此触摸ich lieb dich immer noch so sehr 我仍然如此爱你tränenschwer, mein kopf is leer 我泪流满面,心中空白,weil kein sinn mehr ist, wo du nich bist 因为没有你,一切都没有意义ich renne hunderttausend meilen 围着你我狂奔十万英里im kreis der sich um dich drehtder schmerz den wir nich teilen tut 2x so weh 我们所不能分担的痛楚让我双倍疼痛ich such dich auf allen wegen 在每一条路上我寻找着你du wirst immer in mir sein你将永在我心du bist der große regen 你是倾盆大雨du bist das um was ich wein 我因你而哭泣ich lieb dich immer noch so sehr 我仍然如此爱你lieb dich immer noch viel mehr 仍然如此深爱你deine blicke verführen mich, unsre seelen berühren sich 你的眼神诱惑了我,让我们的灵魂彼此触摸ich lieb dich immer noch so sehr 我仍然如此爱你tränenschwer mein kopf is leer 我泪流满面,心中空白,weil kein sinn mehr ist, wo du nich bist因为没有你,一切都没有意义du bist der größte regen 你是一场暴雨das, um was ich wein’ 我因你而哭泣ich lieb dich immer noch so sehr 我仍然如此爱你lieb dich immer noch viel mehr 仍然如此深爱你deine blicke verführen mich, unsre seelen berühren sich 你的眼神诱惑了我,让我们的灵魂彼此触摸ich lieb dich immer noch so sehr 我仍然如此爱你tränenschwer mein kopf is leer 我泪流满面,心中空白weil kein sinn mehr ist, wo du nich bist因为没有你,一切都没有意义jedes kleine teil von mir 我的每个细胞liebt jedes kleine teil von dir 都爱着你的每个细胞fällt es dir mich zu ersetzen auch so schwer别人代替了我你会很难过吗。
法语歌曲歌词汇总
法语歌曲歌词汇总C’est pas de l’amour?a ressemble à la Toscane douce et belle de VinciLes sages et beaux paysages font les hommes sages aussi?a ressemble à des image, aux saisons tièdes, aux beaux joursAu silence après l'orages, au doux toucher du veloursC'est un peu comme ces musiques qu'on entend sans écouterCes choses qui n'existent jamais tant que le manque qu'elles ont laissé?a ressemble à ces grands-routes, sans virages, sans détourLa dolce vita sans douteMais en tout cas, c'est pas d'l'amour?a ressemble à la sagesse, à ces paix qu'on signe un jourJuste au prix de nos jeunesse, sans trompette ni tambourC'est plein de baisers caresses, plein de mots sucrés d'enfants Attestations de tendresse, rituel rassurantHarmonie, intelligence et raison ou sérénitéComplice connivence, autant de mots pour exprimer tout ce que c'est C'est un peu tout ?a tour à tourMais en tout cas, c'est pas d'l'amourSans un peur et sans solitude, le bonheur à ce qu'on dit Y a bien des vies sans Beethoven et sans avis Pourquoi pas des vies sans criMais qu'on soit contre au qu'on soit pourEt en tout cas, c'est pas d'l'amourC’est ta chanceIl faudra que tu sois douceEt solitaire aussiIl te faudra gagner pouce à pouceLes oublis de la vieOh, tu seras jamais la reine du balVers qui se tournent les yeux éblouisPour que tu sois belle, il faudra que tu le deviennes Puisque tu n'es pas née jolieIl faudra que tu apprennesA perdre, à encaisserTout ce que le sort ne t'a pas donnéTu le prendras toi-mêmeOh, rien ne sera jamais facileIl y aura des moments mauditsOui, mais chaque victoire ne sera que la tienneEt toi seule en sauras le prixC'est ta chance, le cadeau de ta naissanceY a tant d'envies, tant de rêves qui naissent d'une vraie souffrance Qui te lance et te soutientC'est ta chance, ton appétit, ton essenceLa blessure où tu viendras puiser la force et l'impertinenceQui t'avance un peu plus loinToi, t'es pas très catholiqueEt t'as une dr?le de peauChez toi, les fées soi-disant magiquesOnt loupé ton berceauOh, tu seras jamais notairePas de privilège héritéEt si t'as pas les papiers pour être fonctionnaireTout seul, apprends à fonctionnerC'est ta chance, ta force, ta dissonanceFaudra remplacer tous les "pas de chance" par de l'intelligenceC'est ta chance, pas le choixC'est ta chance, ta source, ta dissidenceToujours prouver deux fois plus que les autres assoupis d'evidence Ta puissance na?tra làC'est ta chance, le cadeau de ta naissanceY a tant d'envies, tant de rêves qui naissent d'une vraie souffrance Qui te lance et te soutientC'est ta chance, ton appétit, ton essenceLa blessure où ti viendras puiser la force et l'impertinenceQui t'avance un peu plus loinComme toiElle avait les yeux clairs et la robe en veloursA c?té de sa mère et la famille autourElle pose un peu distraite au doux soleilde la fin du jourLa photo n'est pas bonne mais l'on peut y voir Le bonheur en personne et la douceur d'un soir Elle aimait la musique, surtout Schumannet puis MozartComme toi..Comme toi..Comme toi que je regarde tout basComme toi qui dors en rêvant à quoiComme toi..Elle allait à l'école au village d'en basElle apprenait les livres, elle apprenait les lois Elle chantait les grenouillesEt les Princesse qui dorment au boisElle aimait sa poupée, elle aimait ses amis Surtout Ruth et Anna et surtout JérémieEt ils se marieraient un jour peut-être à VarsovieComme toi..Comme toi..Comme toi que je regarde tout basComme toi qui dors en rêvant à quoi Comme toi..Elle s'appelait Sarah elle n'avait pas huit ans Sa vie, c'était douceur, rêves et nuages blancs Mais d'autres gens en avaient décidé autrement Elle avait tes yeux clairs et elle avait ton age C'était une petite fille sans histoire et très sage Mais elle n'est pas née comme toi,ici et maintenantComme toi..Comme toi..Comme toi que je regarde tout basComme toi qui dors en rêvant à quoi Comme toi..Compte pas sur moiOublier d'où je viens, ma mémoire et les miens Non, non, non, non, nonEndosser pour faire bien les nouveaux lieux communs Non, non, non, non, nonPenser qu'on a moins tort quand on hurle plus fort Non, non, non, non, nonOh t'en trouveras des tas pour chanter ces choses-làAlors, compte pas trop sur moiCompte pas sur moiDes scandales en gros plan sur l'empire de mes sens Non, non, non, non, nonDes jurons, des slogans, toutes ces fausses insolences Non, non, non, non, nonDes looks, ces uniformes qui font marcher au pas Non, non, non, non, nonOh t'en trouveras des tas pour te faire ces plans-làAlors, compte pas trop sur moiCompte pas sur moiY'en a des bien plus gros, des bien plus "respectables" Moins ringards et rétros, des bien plus présentables Qui visiblement parlent à lapostéritéLoin de mon éphémère et ma futilitéDes grands, des créateurs, avec une majusculeLoin de tout quotidien, sans le moindre calcul !Les rockers engagés sont nos derniers des justesIls nous savent peut-être pendant qu'on s'amuseDe médailles en pseudo respectabilitéNon, non, non, non, nonMe baisser pour quelques caresses autorisées Non, non, non, non, nonQuand la partie sera finie, tirer les penaltiesNon, non, non, non, nonDes comme ?a, t'en trouverasJuré, t'en manqueras pasAlors compte pas trop sur moiCompte pas sur moiCompte pas sur moiCompte pas sur moiConfidentielJe voulais simplement te direQue ton visage et ton sourireResteront près de moi, sur mon chemin Te dire que c'était pour de vraiTout c'qu'on s'est dit, tout c'qu'on a fait Qu'c'était pas pour de faux, que c'était bien Faut surtout jamais regretterMême si ?a fait mal, c'est gagnéTous ces moments, tous ces mêmes matins J'vais pas te dire qu'faut pas pleurerY'a vraiment pas d'quoi s'en priverEt tout c'qu'on n'a pas loupé, le valait bien Peut-être on se retrouveraPeut-être que peut-être pasMais sache qu'ici bas, je suis làCa restera comme une lumièreQui m'tiendra chaud dans mes hiversUn petit feu de toi qui s'éteint pasLe coureurJe courais sur la plage abritée des alizésUne course avec les vagues, juste un vieux compte à réglerPieds nus comme couraient mes ancêtresJ'ai bien vu derrière ses lunettesUn type avec un chronomètreJe suis rentré au soir quand les vagues ont renoncéIl était déjà tard mais les parents m'attendaientY'avait l'homme bizarre à la table, ma mère une larme, un murmure Des dollars et leur signatureJ'ai pris le grand avion blanc du lundiQu'on regardait se perdre à l'infiniJ'suis arrivé dans le froid des villesChez les touristes et les automobilesLoin de mon ancienne vieOn m'a touché, mesuré comme on fait d'un chevalJ'ai couru sur un tapis, pissé dans un bocalSoufflé dans un masque de toutes mes forces, accéléré pleind'électrodes Pour aller jusqu'où j'avais trop malOn m'a mis un numéro sur le dosY'avait des gens qui criaient, des drapeauxOn courait toujours en rond, des clous aux deux pieds pour écorcher la terre Je la caressais naguèreJ'ai appris à perdre, à gagner sur les autres et le tempsA coups de révolver, de course en entra?nementLes caresses étranges de la foule, les podiumsEt les coups de coudeLes passions, le monde et l'argentMoi je courais sur ma plage abritée des alizésUne course avec les vagues, juste un vieux compte à réglerPuis le hasard a croisé ma vieJ'suis étranger partout aujourd'hui,Etait-ce un mal, un bien ?C'est ainsiDes vies?a fera un avocat, peut-être un notaireTradition de famille, du c?té du pèreS'il a des problèmes pour aller jusqu'en facIl ira quand même y a des boites à BacPériode rebelle entre quinze et dix huitIl dira des gros mots, il fumera du shitPassage à l'acte : une amie de sa mèreIl aimera les docksides et Mark KnopflerLa s?ur d'un voisin, flash, on s'aime, on se noceAuto, un enfant trois quart, roulez carrosseMa?tresses, plusieurs, pas de plaisir sans gèneDivorce, quarantaine, pour la même en plus jeuneDes vies, que des vies, pas les mieux, pas les piresDes bas, des hauts, des cris, des sanglots, des feux, des désirs Du temps qu'on aura cru saisirMais que restait-il à écrire ?Des vies où l'on aura eu peu, si peu à choisirIl sera chanteur de rap, joueur de basketBoxeur, sprinter, G.I. peut-êtreS'il n'a pas l'étincelle, mort ou dealerRien d'autre au menu de son quartier, sa s?urProbablement mère à quinze ans, classiqueT'échappes à la police, pas aux statistiquesAutre enfant de la rue, né de père inconnuQui de bien entendu, compris ? On continueDes vies, que des vies, pas les mieux, pas les piresDes bas, des hauts, des cris, des sanglots, des feux, des désirs Du temps qu'on aura cru saisirMais que restait-il à écrire ?Des vies où l'on aura eu peu, si peu à choisirDe vrais oublis de faux souvenirsDes coups de sa ng, de c?ur et souffrir et rire et plaisirDes parties qu'on aura cru jouer Lesquelles n'étaient pas programmées ? Des vies où l'on aura eu peu, si peu à écrire Du temps qu'on aura cru saisirMais que restait-il à écrire ?Des vies où l'on aura eu peu, si peu à choisir Dors bébé dorsDors, bébé, dorsBébé, dors, il pleut dehorsDors encoreIl n'est pas tard et le matinS'est perdu sur son cheminIl nous reste quelques heuresAvant que la nuit ne meureDors, mon amour, dorsMon amour, dors, il pleut dehorsDors encoreIl n'est pas tout à fait demainRien ne presse ce matinIl nous reste quelques heuresDe quiétude et de tièdeurEt moi, j'écoute les bruits de vos silencesDans notre ?lot de chaleur et de confianceQuand le soleil sera là, vosu aprtirezParce que c'est comme ?aAutre part, autres combatsD'autres que je n'connais pasEt je guettai vos pasDors, bébé, dorsBébé, dors, il pleut dehorsDors encoreC'est tout juste l'aube et demain paresse un peu ce matin Et moi, pendant que je veilleJe surveille vos sommeilsSi vosu saviez comme vos sommeils Veillent sur mes trop longues veilles文档内容到此结束,欢迎大家下载、修改、丰富并分享给更多有需要的人。
Cannondale 单车维护及使用指南说明书
130459.PDF InhalttEChnISChE EInZElhEItEn (2)Geometrie (3)Spezifikation (3)Drehmoment (3)Hinterer Stossdämpfer (4)Stossdämpferverbindungsgelenk (5)Stossdämpferverbindung / Sattelstrebenlager .............6-7 Hauptdrehpunkt/Ausfallenden ........................................8-9 ERSatZtEIlE .................................................10-11 WaRtUnGSPlan (12)Ihr Cannondale-HändlerUm sicherzustellen, dass Ihr Fahrrad korrekt gewartet und repariert wird und dass die entsprechenden Garantien erhalten bleiben, sollten Sie alle Wartungs- und Reparaturarbeiten ausschließlich von Ihrem autorisierten Cannondale-Händler durchführen lassen.Über diesen NachtragDie Nachträge zum Cannondale-Handbuch beinhalten wichtige modellspezifische Sicherheits-, Wartungs- und technische Informationen. Sie dienen nicht als Ersatz für Ihr Cannondale-Handbuch. Dieser Nachtrag ist möglicherweise nur einer von mehreren zu Ihrem Rad. Prüfen Sie bitte, ob Ihnen alle Nachträge vorliegen, lesen und befolgen Sie bitte alle.Für den Fall, dass Sie ein Handbuch oder einen Nachtrag benötigen oder eine Frage zu Ihrem Fahrrad haben, so nehmen Sie bitte gleich Kontakt mit Ihrem Cannondale-Händler auf oder rufen unter einer der Nummern, die auf der Rückseite der Anleitung stehen, an.Von unserer Website können Sie alle Cannondale-Handbücher bzw. Nachträge im Adobe Acrobat PDF-Format herunterladen:/.Bitte beachten Sie, dass die Spezifikationenund Informationen in diesem Handbuch zur Produktverbesserung geändert werden können. Die neuesten Produktdaten finden Sie unter /.In diesem Benutzerhandbuch werden besonders wichtige Informationen wie folgt dargestellt:tEChnISChE EInZElhEItEn130459.PDF SpezifikationFederweg100 mmSteuerrohr 1.5 inKettenlinie50 mmBreite des Tretlagergehäuses68 mm, englisch (BSA)Durchmesser Sattelstütze31.6 mmUmwerfer Vorne34.9 mmAbstand des Ausfallendes135 mmMaximale Reifenbreite 29 X 2.35 InMaximale Gabellänge der Gabel530 mmMindesteinschubtiefe Sattelstütze110 mmDrehmomentBitte achten Sie zu Ihrer eigenen Sicherheit und für die Haltbarkeit und Leistung Ihres Fahrrades beim Anziehen von Schrauben, Muttern, Bolzen etc. auf das korrekte Drehmoment. Bitte achten Sie darauf, dass Ihr Händler alle Schrauben mit einem Drehmomentschlüssel richtig anzieht. Wenn Sie sich entscheiden, Schrauben etc. selbst anzuziehen, dann verwenden Sie immer einen guten Drehmomentschlüssel!Hinterer StossdämpferEinrichten1. Stellen Sie den Luftdruck entsprechend Ihrem Körpergewicht ein. Befolgen Sie die Anleitung des Stoßdämpferherstellers, wenn Sie den Stoßdämpfer unter Druck setzen.2. Schieben Sie den O-Ring an den Stoßdämpferabstreifer.3. Setzen Sie sich in normaler Fahrposition mit den Händen auf dem Lenker und den Füßen auf den Pedalen auf das Fahrrad, so dass Ihr Gewicht den hinteren Stoßdämpfer zusammendrückt.4. Messen Sie den SAG. Stellen Sie den Luftdruck im Stoßdämpfer so ein, dass Sie den richtigen SAG-Messwert erhalten. Fügen Sie Luft hinzu, um den SAG zu verringern.Lassen Sie Luft heraus, um den SAG zu erhöhen.Empfohlener Sag 25% - 10mm10mmSTOSSDÄMPFERBOLZEN12 Nm, 106 In Lbs Loctite™ 242 (blue)STOSSDÄMPFERVER-BINDUNGSGELENKH I NT E R E R S T O SS D ÄM P F E R ABSTREIFERSTOSSDÄMPFERVERBINDUNG5 Nm,44 In Lbs Loctite™ 242 (blue)O-RINGSCHWENKACHSENBOLZEN5 Nm,44 In LbsLoctite™ 242 (blue)SAGFESTIGUNGLAGERBREITE DES VORDEREN STOSSDÄMPFERS 22.2 ± 0.05 mm LAGERBREITE DES HINTEREN STOSSDÄMPFERS 22.2 ± 0.05 mmDÄMPFEBOLZENDURCHMESSER.8.1 ± 0.05 mm130459.PDFKIT DIMENSIONFRAME SIZE SM MDLGXL J KP113/STD 101 mm X X XKP113/SM 82 mm X XKP074/KIT, LOCTITE 638, 10 MLStossdämpferverbindungsgelenkStossdämpferverbindung / SattelstrebenlagerWartungDie Lager sind gedichtete Industrielager underfordern keine regelmäßige Schmierung. Anders als Festsitzlager, die in ihre Position gedrückt werden, werden diese eingeschobenen Lager mit dem anaeroben Kleber Loctite® 638™ befestigt. Bitte befolgen Sie die Anweisungen sorgfältig, da die Stärke der resultierenden Verbindung zwischen den Teilen von der Oberflächenvorbereitung und der Härtungszeit beeinflusst werden kann.InspektionDer Zustand der Lager sollte alle 25 Stunden, oder wenn die Sattelstrebe ein seitliches Spiel entwickelt, überprüft werden. Der Lagerzustand kann ohne Entfernen der Lager vom Teil überprüft werden. Trennen Sie dazu die Sattelstrebe an der Schwinge und an der Stoßdämpferverbindung, indem Sie die Schwenkachsen und Distanzscheiben entfernen. Drehen Sie bei freigelegtem Lager den Innenring jedes Lagers mit den Fingerspitzen. Der Innenring sollte sich reibungslos und ohne Spiel drehen. DasLager selbst sollte vollständig und fest in der Tiefe der Lagerbohrung sitzen. Lose, aber unbeschädigte Lager können mithilfe der auf der nächsten Seite beschriebenen Techniken erneut eingebaut werden. Beschädigte Lager sollten entfernt und durch neue ersetzt werden.EntfernenDie Lager werden in die Lagerbohrung sowohl der Sattelstrebe als auch der Stoßdämpferverbindung eingeschoben. Sie werden nicht hineingepresst.Die Lager werden mit Loctite 638 eingebaut, das die Lager am Teil befestigt. Wenn das Lager schwierig zu entfernen ist, müssen Sie es möglicherweise leicht anwärmen, um die Loctite-Verbindung zu lösen. Suchen Sie einen Stift mit der Fläche des Lagers und drücken Sie ihn heraus. Entfernen Sie nach dem Ausbauen des Lagers die Loctite-Rückstände mit einer kleinen Drahtbürste.Eine Anleitung zu Loctite finden Sie unter: /tds5/docs/638-EN.PDF- Loctite® 638™, 10 ML Flasche- LAGER, MGE 6LAGERSATTELSTREBELAGERDECKSCHEIBENSTOSSDÄMPFER- VERBINDUNGKP073/KP074/130459.PDFEinbauDer folgende Vorgang sollte nur von einemprofessionellen Fahrradmechaniker durchgeführt werden.Eine Anleitung zu Loctite finden Sie unter: /tds5/docs/638-EN.PDF1. Entfernen Sie das alte Loctite von der Lagerbohrung und wischen Sie die Lagerbohrung mit Alkohol ab.2. Verwenden Sie einen Lappen, um eine großzügige Schicht Loctite® 638™ auf die gesamte Fläche der Lagebohrung aufzutragen. abbildung 13. Reinigen Sie den äußeren Lagerlaufring mit einem sauberen, mit Alkohol getränkten Tuch.4. Verwenden Sie einen Lappen, um eine großzügige Schicht Loctite® 638™ auf den äußeren Lagerlaufring aufzutragen. abbildung 25. Stecken Sie das Lager in die Bohrung und drücken Sie es fest, bis es an der Kante der Unterseite der Bohrung sitzt.abbildung 36. Wischen Sie überschüssiges Loctite™ ab.WICHTIG: Das Lager muss an dieser Kante sitzen, bis das Loctite ausgehärtet ist. Lassen Sie dasLoctite vollständig aushärten, bevor Sie die Montage fortsetzen.Lassen Sie das Loctite mindestens 6 Stunden lang aushärten.Lassen Sie bis zum Fahren 24 Stunden verstreichen.abbildung 1abbildung 2abbildung 3KP048/ - REAR DER. HGR.1.1 Nm (9.7 InLbs)Loctite 242 (blue)S I T Z S T R E B E5 Nm,44 In Lbs Loctite™ 242 (blue)SCHWINGENHAUPT-LAGERMUTTER12 Nm, 106 In Lbs Loctite™ 242 (blue)KF61902/ - LAGERSCHWINGEN-HAUPTACHSEKleine AbdeckungLagerabdeckungGlatte Seite nach Innen.Glatte Seite nach außen.SCHWINGEN AUSFALLENDEHauptdrehpunktDropoutsReinigen Sie das Rahmenloch und das Gelenk vor der Installation und tragen Sie etwas Schmiermittel auf.130459.PDF Sattelstützen Mindesteinschubtiefe(XL Rahmen)Die Sattelstütze muss bei XL-Rahmengrössen mindestens 110 mm eingeschoben sein. Weitere InformationenERSatZtEIlE130459.PDFKP170/BLKKP170/REDKF103/KP126/KP054/123456711Position der Seriennummer am Rahmen(Strichcode-Etikett mit 7 Zeichen)Verwenden Sie diese Seriennummer für die Garantieregistrierungund die Wiederbeschaffung bei Diebstahl. Weitere Informationenzur Garantieregistrierung finden Sie im Benutzerhandbuch IhresCannondale-Fahrrads.WaRtUnGSPlanIn der folgenden Tabelle sind nur weitergehende Wartungsinformationen aufgelistet. Bitte konsultieren Sie Ihre Cannondale Fahrrad-Bedienungsanleitung bezüglich weiterer Informationen über die grundlegende Wartung Ihres Fahrrads. Sprechen Sie mit Ihrem Cannondale-Händler, um ein individuelles und umfassendes Wartungsprogramm für Ihren Fahrstil, die eingebauten Komponenten und Ihre Fahrgewohnheiten zu erstellen. Befolgen Sie die Wartungsempfehlungen der Komponentenhersteller- diese werden von den entsprechenden Herstellern der Teile Ihres Fahrrads, die nicht von Cannondale sind, herausgegeben.12。
美国知识产权短语按拼音整理
A按图施工duplicated the plans按照标的物确定联邦法院管辖权federal subject matter jurisdiction暗示性的suggestive暗指implications《安娜法》Statute of AnnaB版权的基本原则copyright basics版权的客体the subject matter of copyright版权手续-----登记和标记copyright formalities---registration and notice版权之保护基础foundations of copyright protection半导体芯片保护法Semiconductor Chip Protection Act半导体芯片保护法Semiconductor Chip Protection Act包括comprising包装trade dress保险表格和契据insurance forms and instruments保障专利的宪法性权力a Constitutional patent power保证保守秘密be pledged to confidentiality备用注册contingent registration被告明知侵权knowing infringement by a defendant被许可人licensees本身per se本质性、关键性、或费用essentialness keyness spentness比后构思者更勤勉即可Only more diligent than one other person who conceives later 标记mark标记象征,表明事实可能存在的情况indicia标准touchstone表演performance表演权performance rights表演者performer剥夺a taking驳回reject驳回rejection驳回专利申请the striking of an application补偿remedies补充证据subsidiary evidence不被允许的欺诈性an impermissible fraudulent quality不当,无正当理由unwarranted不动产real property不可享有版权的作品noncopyrightable works不可争议性incontestability不可争议性抗辩incontestability defenses不良行为undesirable conduct不能续展的non-renewable不确定性uncertainty不使用nonuse不使用non-use不言自明的axiomatic不正当竞争unfair competition不能授予未知适用领域的专利hold otherwise would be to grant a patent on an unknown range of applications不道德的或诽谤性标志、国家象征在世名人的姓名immortal or scandalous marks,national symbols,or names of living figures不容争议性,指商标注册人如果从注册之日起连续5年在商业上使用该商标于其商品或服务上,并在继续使用,他对该商标使用权即属不容争议incontestability部分权利partial rightsC财产利益a property interest财产权a property right采用capture参照其所追求的目标by reference to the purpose sought查看版权作品的机会和实质相似access and substantial similarity产品的通用名称generic产品或方法products or processes产生accrue撤销cancellation撤销条款the cancellation provision陈旧的形象stock figures成文法the statute成文法典codified成文法上的版权statutory copyright惩戒性或惩罚性损害赔偿exemplary ir punitive damages程序代码the code of a program冲动性购买“impulse”buying抽象的财产概念abstract concept of property抽象的原理abstract principle抽象原理的应用the application of an abstract principle出版权publication rights出卖vend出售vending出租、租借、出借rental,lease,or lending初步审查examination初步推定a prima facie presumption初卖原则the “first sale”doctrine初审程序an original proceeding处于同等地位on an equal footing传播组织transmitting organizations串通的或图谋的collusive or contrived创造性inventive characteristics创作作品works of authorship“创造性的灵光一闪”条件“flash of creative genius”requirement纯粹的化学公式mere chemical formulas慈善目的charitable purposes此指商标the device此指专利法the stature次级标准subtests从事商业经营之人commercial parties从整体上进行检验,而不是分割的to be examined in their entirety,and not dissected除非后发明人首先将构思付诸实践,否则不能对先发明人提出异议 A junior inventor can never challenge a senior inventor unless the junior inventor reducesto practice first.D达成一致(合意)be in agreement大概相似approximate similarity大量的、大批的in gross大致相似rough similarity大众传媒mass media单方性质ex parte nature等同equivalent等同替代equivalent substitutions抵触审查程序interference proceeding抵触审查程序interference proceedings地理标志geographic marks地区法院district court地位平等的对造当事人an arm’s length adversary第二含义及描述secondary meaning and descriptiveness典型的侵权行为paradigmatic act of infringement独创方法an ingenious way独创性originality独立创作的作品work of independent creation独立战争Revolution独特的、奇异的arbitrary or fanciful独特性distinctiveness独占权,专有权exclusive rights独占性版权保护monopolistic copyright protection杜撰的或奇异的coined or fanciful多数票决majority vote对已有注册商标的检索a search of existing registration对知识的垄断a “monopoly of knowledge”对权力要求的解释——不同,字面和等同claim interpretation——differentiation,literality,and equivalenceF发明构思与专利申请ideas v. applications发明专利和引进型专利inventive and importation patents发行dissemination法定的statutory法定检验标准the statutory test法定例外statutory exception法定期限the statutory period法定使用费the statutory fee法定限制statutory bar法定限制statutory bars法定限制的立法目的the policies of statutory bar法定许可statutory license法定许可statutory license法官的附带意见dictum法律补救方法relief法律常识hornbook law法律的保护机制the statutory scheme法律玄学the metaphysics of the law法庭forum反淡化anti-dilution反对anti反复试验、试错trail and error反垄断法及政府法规antitrust government regulation反面证明proving a negative反商标淡化anti-dilution反向工程reverse engineer方法process方法的专利性检验标准test for patentablility of a process仿造duplicating放弃abandoned放弃abandonment放弃parts with非法复制或非法盗用illicit copying or unlawful appropriation非排他性许可non-exclusively非显而易见性nonobviousness非显而易见性nonobviousness非显而易见性nonobviousness非主要产品nonstaple非专业的观察者lay observer费用项目items of cost否定发明规则negative rules of invention服务商标service服务商标service marks符合条件的eligible辅簿注册the supplemental register附属于appurtenant复审reexamination复审re-examine复杂性complexity复制品reproduction复制权、演绎作品权、发行权、表演权、展览权the reproduction right,the derivative work right,the distribution right,the performance right,and the display rightG该技术领域内的技术人员those skilled in the art改编adaptations感知已久的long felt根据个案采取补救措施fashion a remedy tailored to the individual case更加刚性的宪法性约束more rigid Constitutional constraints工会labor union公布注册publication公开,披露disclosure公开表演public performance公开传播或广为知悉publicly disseminated or accessible公开获得publicly available公开使用public use公开性和有限公布publicity and limited disclosures公平,正义equity公平原则和法律规律principles of equity as well as of statutory law公认的技术领域a well-established field公有领域public domain功能上的限制the functional bar功能性的functional共同发明joint invention共同控制common control共同努力aggregate effort共同使用concurrent use共同使用concurrent use构思本身ideas per se构思的应用the application of an idea鼓励尽快公布发明的专利政策the patent policy favoring speedy disclosure固定在有形介质上fixation in a tangible medium故意欺骗行为intentionally deceptive conduct雇佣作品work for hire关税及专利权上诉法院the Court of Customs and Patent Appeal管制police归属于vested国外在先公开foreign anticipation过渡transition过失negligence过于宽泛overbreadthH海关服务局customs service罕见病药物法Orphan drug act合法诉因legitimate complaint合法所有者lawful owner of合理的使用费a reasonable royalty for the use合理评论fair comment合理使用fair use合理使用fair users/use合理使用与平行使用fair and collateral use黑市商品“black market”goods横财a windfall衡平法上的禁止翻供或者疏忽懈怠equitable estoppel or laches衡平法上的救济equitable relief衡平法上的救济措施equitable remedies衡平法上有效的equitable衡平方法a balancing process后发明人junior inventor后注册人junior registrant化学方法chemical process换发专利证书与复审reissue and re-examination皇家特权royal privilege灰市商品gray market goods毁谤disparage混合法hybrid混淆,讹误或欺骗confusion,mistake,or deceit混淆confusion混淆的可能性likelihood of confusionJ机构establishments机器machine积极或持续的active or continuous基本事实,起因,动机,计算方法fundamental truths,original causes,motives,methods of calculation集体商标collective marks集体商标collective marks集体贸易(服务)商标和集体成员资格商标collective trade(or service)marks and collective membership marks计算accounting计算机程序、唱片和戏剧人物computer programs,phonorecords,and dramatic personalities计算机程序the program计帐方法accounting system记账系统systems of bookkeeping假冒palming off间接证据secondary evidence间接证据secondary considerations间接证据规则circumstantial evidence rule检索search建筑设计图architectural plans将一项有争议的准许发回remand a dubious交易理论bargain theory“交易”或契约论the “bargain”or contract theory教派、学派sects接触contact仅有单方当事人ex parte尽其所知和所能to the best of his knowledge and belief进行,推行prosecuting禁令救济injunctive relief禁令救济injunctive relief禁令救济injunctive relief禁止“窃取”他人的专利prohibit the “stealing”of another’s patents禁止enjoining禁止反悔file wrapper estoppel禁止滥用权利理论a theory of misappropriation禁止虚伪欺骗的描述“deceptively misdescriptive”bar禁止重复授权the double-patenting禁止对旧事物的新功能授予专利原则the prohibiting patents on newly discovered properties of old elements 经济利益pecuniary interest经济利益the economic well-being竞争优势a competitive edge救济措施relief救济措施remedies局长Commissioner局长the Commissioner具备特定行业专业知识人员those knowledgeable in the particular art具有普通智力的人the ordinary intelligent man具有唯一功能的外观设计an exclusively functional designe具有原创性的表达original expression具备描述性/显著性的商标in the descriptive/distinctive continuum决定专利的实用性qualitative utility绝对等同absolute identityK抗辩/指控defensive/offensive可能性likelihood可取得专利的,可授予专利的patentable可实施的公开性文件an“enabling disclosure”可授予专利的patentable可享有版权的作品copyrightable woks可意识到的或者被注意到be so intentional or noticed客观标准objective tests客观标准objective standard口头表达形式oral presentations口头公开oral publicationL类似的或者相同的similar or identical类似于analogous理解和实施articulation and implementation利害关系人privy利益分配apportions these interests利用,实施exploit利用exploitation连续两年two consecutive years联邦法院管辖权(指不同州的公民之间或州公民与外侨之间所发生的诉讼管辖权)diversity 联邦公告federal publication联邦管辖权federal jurisdiction联邦巡回法院Federal Circuit联邦优先原则the doctrine of federal pre-emption联邦注册federal registration联系nexus《联邦条例》(美国1781年至1789年的第一部宪法)Articles of Confederation临时禁令preliminary relief零售retail垄断monopolization《垄断法》,又称《专卖条约》the Statute of Monopolies录音sound recordings录音制品制作者producer录音作品sound recordings律师费attorney’s fees律师费attorneys’feesM买卖sale卖断be sold outright冒犯性offensive美国食品及药物管理局FDA美国专利与商标局the Patent and Trademark Office美术作品works of fine arts《美国法典》United State Code美国版权作品新技术应用委员会the National Commission on New Technological Uses of Copyrighted Words(CONTU)描述,阐明describe描述性商标descriptive marks名录、汇编物directories,compilations明确的因素well-defined factors明知,故意scienter明知、故意scienter目标代码the object codeN尼泊尔公约实施法The Berne Convention Implementation Act年版权法Copyright Art of 1976 1976P旁证,间接证据circumstantial evidence批发wholesale批准通知notice of allowance剽窃pirate剽窃plagiarism平行进口parallel imports普通法common law普通法上的版权common law copyright普通技术工匠journeyman mechanic普通设计人员ordinary designer普通消费者the average consumer“普通观察者”检验方法the “ordinary observer”test《飘》Gone With The WindQ期满expiration欺骗消费者consumer fraud欺诈动机deceptive intent奇异性curiosity启动异议程序的资格standing起诉书和答辩状a complaint and answer起诉资格standing to sue“弃用”条款“deadwood”provision前提premise强制许可a compulsory license强制许可compulsory license强制许可compulsory licensing强制许可使用费the compulsory fee巧合coincidence侵犯trespassing侵权infringement侵权的实质性检验标准substantiality test of infringement侵权法tort law侵权抗辩——滥用专利权infringement defenses——misuse侵权诉讼charge of infringement侵权诉讼infringement action侵权诉讼infringement actions侵权所获利润profits侵权行为tortious conduct勤勉diligence清偿liquidation区别购买者理论“discriminating purchase”theory区域优先使用理论the doctrine of regional priority曲作者composers取证方法evidentiary device全部产权all title to全部销售额gross全体出庭法官(在美国,指巡回上诉法庭通常对一个重大案件的审理可扩大法庭审判官的人数,又称(sitting en banc)en banc权力要求不同原则the doctrine of claim differentiation权利分配allocation权利要求the claim权利要求书claims确定ascertain确权判决declaratory judgement确有部分消费者a recognizable number of consumersR人工浓缩或提纯的自然产品concentrated or purified products ofnature人物和顺序characters and sequence认证Seal of Approval“如何使用”原则the “how-to-use”doctrineS善意good-faith善意的后使用人good faith junior users善意或不知情good faith or ignorance善意使用bona fide use商标保护及部分保护的丧失loss of trademark protection and partial protection商标淡化dilution商标的客体subject matter商标的使用trademark practice商标的影响力strength of the mark商标法the trademark statute商标局Trademark Office商标局公告the Official Gazette of the Office商标权扩展的可能性likelihood of expansion商标权扩展理论doctrine of expanded rights商标权扩展理论expansion of trademark doctrine商标审理与申诉委员会the Trademark Trial and Appeal Board(TTAB)商标诉讼实用主义pragmatics of trademark litigation商标主簿注册the Principal Register商品或服务的相似性similarity of goods or services商业道德business ethice商业方法business methods商业方法business methods商业利益集团mercantile interests商业秘密trade secrets商业秘密法secret law商业上的成功commercial success商业上利用commercial exploitation商业中的首次使用first use in commerce商誉goodwill商品识别机制以及市场优势手段 a mechanism for providing identification as well as a technique for providing a marketing advantage少量、一点点modicum申请Application申请优先权application priority申请优先权application priority申请专利file申请专利patent身份、资格standing身份、资格standing审查程序the screening process审查员examiner生产、使用、销售make,use,or sell胜诉方the prevailing party“胜诉可能性”标准the standard of “likelihood of success on the merits”石版画lithographs实际的实用性substantial utility实际上的可互换性practical interchangeability实施exploitation实施work实施working实施发明的要求a working requirement实体法the substantive law实验性例外the experimentation exception实益utility实用-----非实用二分法utilitarian-nonutilitarian dichotomy实用物品utilitarian objects实用性utility实用专利a utility patent实用专利utility patents实用作品utilitarian works实质等同a substantial equivalent实质等同原则the principle of substantial identity实质等同原则the principle of substantial identity实质相似substantially similar实质相同substantially identical实质性的和有意识的在先公开substantial and realized anticipation使(在法律上)无资格的,这里指丧失专利性disabling使免除(责任)exempted使用Use使用费royalty使用意向intent-to-use“使用意向”条款“intent-to-use”provision使所属领域的普通技术人员能够重现发明enable a person having ordinary skill in the appropriate art to duplicate the invention世(俗)人、外行人laypersons市场弊端marketplace evils市场特征及其相似性character and similarity of markets市场现状market reality事实调查factual inquiry事实放弃actual abandonment事实上Factually事实信息factual information事项,特征a count试验性使用experimental是结构具有创造性,而不是其内容structure,rather than its content,that is inventive是能够公开的enabling disclosure首创性专利a pioneer parent首次销售穷竭first sale “exhausts”受法律保护的利益the interests protected受让人assignees授权、转让delegate授权authorization授予Grants授予issued数据库repositories数学方法mathematical method数学公式(或算法)mathematical formulas(or “algorithms”)数学算法mathematical algorithm数学证明mathematical manifestation说明书a specification说明书specification说明书和权利要求书the specifications and claims司法裁决judicial decree司法管辖范围the judicial arena司法怀疑理论judicial skepticism司法解释judicial construction司法判断、裁量judicial fiat司法审查judicial review私人出庭检察官(指可出庭为每个公民实施公共权利的个人检察官)private attorney general 思维步骤mental step思想-----表达二分法the idea-expression dichotomy诉讼费用costs诉因cause of action诉争的litigated随意的arbitrary损害赔偿damages损害赔偿damages所有权转移transfer of ownership12个月的宽限期a grace period of 12 monthsT特别是inter alia特定技术的历史history of the art特定实用性a specific utility特殊规则ad hoc rules特殊情况exceptional case特许经营权协议franchising arrangement提出抗辩interpose the defense通用药品generic drugs同时注册concurrent registration偷窃purloined推测的实用性speculative utility推定的实用性presumed utility推定放弃或法定放弃constructive or legal abandonment推定使用constructive use推定通知constructive notice推定通知原则the doctrine of constructive notice推断现有技术理论a doctrine of constructive prior art推论inferenceW外观设计专利design patent外观设计专利design patents外观设计专利design patents外观设计专利及植物专利Design and plant patents王权、君主特权royal prerogative危及jeopardize危险jeopardy违反contravenes违反violation违宪unconstitutional维护vindicate委婉的说法euphemism未经授权的使用人unauthorized user未透露发明的秘密without divulging the secrets of the invention文字上重叠literal overlap文学作品/音乐作品、戏剧作品、舞蹈作品、图形作品、音像作品、录音作品literary works, musical works, dramatic works, choreographic works, graphic works, audiovisual works, and sound recordings无保证许可naked licensing无辜侵权innocent infringement无过错侵权innocent infringement无过错侵权人innocent infringer无任何效力has no effect at all无效的invalid无形的intangible无形性amorphous character无性繁殖植物asexually reproducing plant无需dispenses with无选择余地a Hobson’s choice无意识的或者偶然的unconscious or accidental无意识侵权unconscious infringement侮辱contempt舞蹈choreography舞谱choreographic notation物理现象physical phenomenon物质的组合a composition of matter物质的组合compositions of matterX戏剧、电影plays, motion pictures戏剧人物dramatic character先发明人a senior inventor先例效力precedential先注册人senior registrant显著性distinctiveness现有出版物中的参考文献references to prior publications现有技术prior art现有技术prior state of the art现有技术和参考文献的完整结合the total combination of prior art and references 现有专利Prior patents限于一定范围内或秘密使用limited or restricted限制bars限制circumscribed限制解释a restrictive interpretation相当于be tantamount to相关的pertinent相关公司related companies相关商品原则“related goods”doctrine相关性relatedness相互抵触的权利要求conflicting claims象征性交易token transactions象征性使用token use消费者的相似性the similarity of consumers消费者的信任consumer loyalty消费者期望consumer expectations销售渠道channels of trade肖像likeness新的生命形式new life forms新技术new technology新颖、实用的改进new and useful improvement新颖性、装饰性和非显而易见性novelty,ornamentality,and nonobviousness 新颖性novelty新颖性novelty行会,互助会guild行会guild行业trade修订revisions修复与再造repair and reconstruction修复与再造两分法repair-reconstruction dichotomy修正amend需求needs许可协议license agreement序言preamble续展renew选择、选定adoption巡回法院circuits协和作用synergism“形式”或“风格”“form”or”style”先构思者常享有专利保护的优先权the first to conceive generally has priority to patent protection行政法上的用尽救济原则(指司法复审原则,要求原告只有用尽所有行政救济措施办法后,法院才不得拒绝复审行政机构的决定的请求)the exhaustion of remedies doctrine of administrative lawY哑剧pantomime衍生物derivative掩膜作品mask works演绎derivations演绎作品derivative works一相关裁决a correlative holding已公布published以地域为界on a geographic basis以类似的方式in a similar fashion以有形形式固定作品fixation of the work into tangible form以这么被普遍接受的方法in such a black-letter way以最佳方式in its best mode义务obligation艺术作品artistic creation异常的或奇异的效果unusual or surprising result异议Challenge意想不到的效果unexpected results一种具有新颖性、实用性以及非显而易见性的方法或产品 a new ,useful ,and nonobvious process or product异议程序、抵触申请程序、撤销程序及再同时注册程序opposition proceedings,interference proceedings,cancellation proceedings,de novo concurrent registration proceedings译文、编排、改编成戏剧、小说、电影、录音制品、删节本、缩写本translations,arrangements,dramatizations,fictionalizations,films,recordings,abridgments,condensat ions引进型专利importation patent隐藏concealment印刷出版、公开使用、销售printed publication,public use,sale印刷品printed-matter英美普通商标法the Anglo-American common law of trademark营利目的for profit影响力strength of优先权priority优先权悖论Priority paradox优先使用priority of appropriation优先适用权pre-emption优先于pre-empt优先权取决于决于三个因素:构思时间、付诸实现的时间、在寻求专利保护和发明物的有效性过程中的应有注意Priority depends upon three factors:the time of conception,the time of reduction to practice,and the use of due diligence in pursuing both patent protection and perfection of the discovery。
企鹅古典系列Penguin Classics
英国企鹅出版集团(现在属于朗文集团的一个分支)这个月刚刚迎来了它70周岁生日。
与有着五个世纪历史的剑桥和牛津出版社相比,年轻的企鹅或许为英国的知识分子的精神生活贡献了更多。
1964年企鹅经典丛书的主编E.V. Rieu退休时,自豪地宣称他主编的一系列丛书——以最畅销的《奥德赛》为代表——是“20世纪最有影响的教育资源”。
平装书革命:一个念头改变世界1935年对于英国乃至世界出版史而言,是一个具有划时代意义的年份。
在1935年以前,如果你没有足够的钱或图书馆的借书卡,想要读到一本好书是件很不容易的事。
彼时英国,阅读主要是有闲的贵族的习惯,因此书籍通常是精装且价钱昂贵,普罗大众莫敢问津。
而少量的平装书几乎就是内容粗制滥造的标志。
1935年,时任Bodley Head出版社老板的艾伦·莱恩(Allenlane)因业务关系,陪同著名侦探小说家阿加沙·克里斯蒂来海边小镇Exeter参观访问。
在等回程火车的时候,他想买几本书在车上解闷。
不想附近的书报摊除了杂志就是维多利亚时代的旧小说,根本没有别的读物。
莱恩目睹如此现状,由此生出一个念头:何不将优秀的现当代文学作品,以前所未有的平装书形式出版,让所有买不起精装书的人都能读到呢?一个念头改变整个世界,“企鹅”的神话由此开篇。
艾伦·莱恩并不是平装书的发明者,但他却第一个看到了平装书的无限潜力———大众的阅读市场。
他将原本不成气候的平装书本出版汇成一个品牌,以最专业的态度进行精心的包装、设计、宣传推广……第一套企鹅丛书出版印刷就体现了文学作品精粹与新式艺术设计的完美结合,有别于雍容奢华的精装书籍,这些独特、时髦的“造物”出自籍籍无名的小印刷厂,用胶水和纸张简单装订而成———每本只卖6便士3先令。
6便士3先令在当时正好能买一包香烟,而与一包烟同样廉价的平装书,却成为普罗人群的一个知识入口:那个原本被贵族阶层占有乃至垄断的当代小说、必读经典、推理探案、严肃历史和纯诗歌的阅读世界,通过这个被设计和码放得整整齐齐的入口,面对劳动阶层敞开。
版权问题怎么解决英文作文
版权问题怎么解决英文作文1. Copyright issues can be resolved by obtaining permission from the original creator of the work. This means reaching out to them directly and asking for their approval to use their content.2. Another way to address copyright problems is by using works that are in the public domain. These are works that are no longer protected by copyright and can be used freely by anyone.3. Fair use is a legal doctrine that allows for the limited use of copyrighted material without permission from the copyright holder. This can be a helpful tool in resolving copyright issues.4. Creating original content is another solution to copyright problems. By generating your own unique material, you can avoid any issues related to using copyrighted work without permission.5. In some cases, it may be necessary to license copyrighted material for use. This involves paying a fee to the copyright holder in exchange for the right to use their work.6. Seeking legal advice is always a good idea when dealing with copyright problems. A lawyer can help navigate the complexities of copyright law and ensure that you are following the appropriate guidelines.。
关于版权的英语作文
Copyright is a critical legal concept that protects the rights of creators over their original works.It is a form of intellectual property that grants the creator exclusive rights to reproduce,distribute,display,perform,or make derivative works based on the original creation.Understanding the nuances of copyright law is essential for anyone involved in the creation,distribution,or use of original works.The Importance of CopyrightCopyright is essential for encouraging creativity and innovation.It provides creators with the assurance that their work will be protected from unauthorized use,allowing them to reap the benefits of their intellectual labor.This protection is not limited to financial gains but also extends to the moral rights of the creators,such as the right to be recognized as the author of the work and the right to object to any distortion,mutilation, or other modification of the work that would be prejudicial to the authors honor or reputation.The Scope of Copyright ProtectionCopyright protection extends to a wide range of works,including literary,musical, artistic,and dramatic works.It also covers performances,sound recordings,films, broadcasts,and computer programs.However,copyright does not protect ideas,concepts, styles,or methods of operation,which are considered too abstract to be protected.It is the expression of these ideas that is protected,not the ideas themselves.Copyright DurationThe duration of copyright protection varies by jurisdiction but is generally for the life of the author plus a certain number of years often50or70years after the authors death.For works made for hire or anonymous works,the duration is usually a fixed term,such as95 years from the date of publication or120years from the date of creation,whichever is shorter.Fair Use and Exceptions to CopyrightWhile copyright law provides strong protection for creators,it also recognizes the need for balance.Certain exceptions and limitations,such as fair use in the United States or fair dealing in the United Kingdom,allow for the use of copyrighted material without permission in specific circumstances.These exceptions are typically applied in cases involving education,research,commentary,news reporting,or parody,among others.Enforcement of CopyrightEnforcement of copyright is a complex process that involves both legal and technical measures.Creators can register their works with a copyright office,which provides a public record and can serve as evidence in a legal dispute.Additionally,digital rights management DRM technologies are used to control access to copyrighted works, although they are often controversial due to their potential to restrict legitimate uses.The Role of Copyright in the Digital AgeThe advent of the internet and digital technologies has significantly impacted copyright law.The ease of copying and sharing digital content has led to widespread piracy and unauthorized use of copyrighted material.This has prompted the development of new legal frameworks and technologies to protect copyright in the digital age,such as the Digital Millennium Copyright Act DMCA in the United States,which addresses online copyright infringement.ConclusionCopyright is a fundamental aspect of the creative industry,ensuring that creators are rewarded for their efforts and can continue to produce new works.However,it is also a complex and evolving area of law that must balance the rights of creators with the publics interest in accessing and using creative works.As technology continues to advance,the challenges and opportunities presented by copyright will continue to shape the way we create,share,and enjoy content.。
copyright的英文作文
copyright的英文作文Copyright is a legal concept that gives the creator of an original work exclusive rights to its use and distribution, usually for a limited time, with theintention of enabling the creator to receive compensationfor their intellectual effort.Copyright protection applies to a wide range of creative, intellectual, or artistic forms, or "works". These include literary works, music, paintings, photographs, software, and architectural designs.The copyright owner has the exclusive right toreproduce the work, prepare derivative works, distribute copies, and perform or display the work publicly. Others must obtain permission from the copyright owner to use the work in these ways.Copyright infringement occurs when someone violates the exclusive rights of the copyright owner without permission.This can include unauthorized reproduction, distribution,or public performance of the copyrighted work.In some cases, the use of copyrighted material may be allowed under the doctrine of "fair use". This allows for limited use of copyrighted material without permission for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.Copyright law varies by country, and international agreements such as the Berne Convention for the Protectionof Literary and Artistic Works and the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS)help to establish common standards for copyright protection.。
知识产权意识英语作文
知识产权意识英语作文Title: The Importance of Intellectual Property Awareness。
In today's globalized and technologically driven world, intellectual property (IP) plays a crucial role infostering innovation, protecting creativity, and driving economic growth. Intellectual property rights (IPRs) encompass a wide range of intangible assets, including patents, trademarks, copyrights, and trade secrets. Cultivating awareness and understanding of intellectual property among individuals and organizations is paramount to safeguarding innovation and fostering a conducive environment for creativity to flourish.Firstly, intellectual property rights provide legal protection to innovators and creators, encouraging them to invest time, effort, and resources into developing new ideas and inventions. Patents, for instance, grant inventors exclusive rights to their inventions for alimited period, incentivizing them to disclose their innovations to the public in exchange for the right to exclude others from using, making, or selling their inventions without permission. This protection fosters a culture of innovation by ensuring that innovators can reap the rewards of their ingenuity, thereby fueling further research and development.Moreover, trademarks play a vital role in protecting brands and fostering consumer trust. A trademark serves as a unique identifier that distinguishes products or services of one entity from those of others, helping consumers make informed purchasing decisions. By registering trademarks, businesses can prevent others from using similar marks that could potentially confuse consumers or dilute the brand's reputation. Consequently, trademarks incentivize businesses to maintain high standards of quality and customer satisfaction, thereby promoting healthy competition and innovation in the marketplace.Furthermore, copyrights safeguard original works of authorship, such as literary, artistic, and musicalcreations. By granting creators exclusive rights to reproduce, distribute, and publicly perform their works, copyrights provide an economic incentive for authors, artists, and musicians to create and share their works with the world. Copyright protection not only rewards creators for their creativity but also encourages the dissemination of knowledge, culture, and entertainment, enriching society as a whole.In addition to patents, trademarks, and copyrights, trade secrets also form an essential component of intellectual property rights. Trade secrets encompass confidential information, such as formulas, algorithms, and processes, which provide businesses with a competitive advantage in the marketplace. Unlike patents, which require disclosure to the public, trade secrets rely on confidentiality to maintain their value. Therefore, safeguarding trade secrets through non-disclosure agreements and other measures is essential for preserving competitive advantage and fostering innovation.Despite the undeniable importance of intellectualproperty rights, challenges such as infringement, piracy, and counterfeiting persist in today's digital age. The ease of copying and disseminating digital content over the internet has exacerbated these challenges, posing significant threats to the rights and interests of creators and innovators. As such, raising awareness about the value of intellectual property and the consequences of infringement is crucial for combating piracy and promoting respect for intellectual property rights.Educational initiatives, public awareness campaigns, and enforcement efforts are essential components of a comprehensive strategy to promote intellectual property awareness and enforcement. By educating individuals, businesses, and policymakers about the benefits of intellectual property protection and the risks of infringement, society can foster a culture of respect for creativity, innovation, and entrepreneurship. Furthermore, collaboration between governments, businesses, and civil society organizations is essential for developing effective policies and enforcement mechanisms to combat intellectual property infringement and piracy.In conclusion, intellectual property awareness is vital for fostering innovation, protecting creativity, anddriving economic growth in today's knowledge-based economy. By recognizing the value of intellectual property rights and respecting the rights of creators and innovators, individuals and organizations can contribute to the creation of a more innovative, competitive, and prosperous society.。
物种起源英文书封面
物种起源英文书封面The book cover for the Origin of Species by Charles Darwin is an iconic representation of the groundbreaking work that changed the way we understand the natural world. Its simple yet striking design features the title in bold, capital letters, set against a plain background. The imagery of a tree on the cover, with its branches and roots intertwined, symbolizes the interconnectedness of all living things and the concept of evolution.物种起源的书封面由查尔斯·达尔文创作,是一部标志性的代表作品,它改变了我们对自然世界的理解。
封面的设计简单而引人注目,标题以粗体大写字母显示在纯色背景上。
封面上的树的形象,其树枝和根系交织在一起,象征着所有生物的相互关联和进化的概念。
The choice of a tree as a central image is significant, as it reflects Darwin's idea of the "tree of life," which he used to illustrate the evolutionary relationships between different species. This powerful visual metaphor not only captures the essence of Darwin's theory, but also serves as a reminder of the interconnectedness of all life on Earth. The cover art effectively conveys the underlying principles ofthe book, making it instantly recognizable to anyone familiar with Darwin's work.选择树作为封面的中心形象是重要的,因为它反映了达尔文关于“生命之树”的理念,他用它来说明不同物种之间的进化关系。
版权问题英语作文
版权问题英语作文Title: The Complexity of Copyright Issues in theDigital Era。
In the ever-evolving digital landscape, copyright issues have become increasingly complex and multifaceted. The advent of the internet and digital technologies has revolutionized the way we consume, create, and distribute content, giving rise to a myriad of challenges for copyright holders and content creators alike.At the core of copyright law lies the concept of protecting the original work of an author or creator. This protection ensures that the creator's intellectual property is not misused or exploited without their consent. However, in the digital world, where content can be easily copied, modified, and shared, enforcing copyright becomes a challenging task.One of the most significant challenges is the issue ofpiracy. With the proliferation of illegal downloading and streaming sites, copyrighted content is often made available to the public without the permission of the copyright holder. This not only deprives the creator of potential revenue but also undermines the entire creative ecosystem. To combat piracy, copyright holders have resorted to various measures, including legal action against infringers and the use of technological solutions such as digital rights management (DRM) systems.Another challenge is the blurred lines between copyright infringement and fair use. Fair use is。
知识产权英语作文
知识产权英语作文Intellectual property rights are like the fortress of a creative mind, guarding the treasures of innovation from the pirates of imitation. In today's digital age,protecting these rights is paramount. Without it, ideas lose their value, and creators lose their incentive.But let's not kid ourselves; enforcing these rights is like playing a never-ending game of whack-a-mole. For every pirate site shut down, ten more pop up in its place. It's a game of cat and mouse, with the mouse getting more cunning by the day.Imagine a world without intellectual property rights.It would be a free-for-all, where the concept of ownership is as fleeting as a summer breeze. Artists, inventors, and innovators would become mere shadows of themselves, unable to reap the fruits of their labor.Yet, despite the challenges, there's hope on thehorizon. Technology, the very thing that enables piracy, also provides solutions. Blockchain, for instance, offers a decentralized ledger that could revolutionize copyright protection. It's like putting a lock on every idea, ensuring that only those with the key can access it.But let's not forget the human factor. Laws and technology can only do so much. Ultimately, it's up to us, the consumers, to uphold intellectual property rights. Every time we choose to pay for content instead of downloading it illegally, we're taking a stand for creativity.In the end, intellectual property rights are not just about protecting ideas; they're about preserving the very essence of human ingenuity. So let's raise our voices in support of those who dare to dream, for without them, our world would be a much duller place.。
保护版权英文作文
保护版权英文作文1. Copyright protection is essential for creators to safeguard their original works from unauthorized use or reproduction.2. It gives creators the exclusive right to control the use of their work, whether it's a piece of music, a book, a movie, or a piece of art.3. Without copyright protection, creators would have little incentive to continue producing new and original works, as they would not be able to profit from their creations.4. Copyright infringement occurs when someone uses a copyrighted work without the permission of the creator, which is a violation of the creator's rights.5. In today's digital age, it's easier than ever for copyrighted works to be illegally copied and distributed,making copyright protection more important than ever.6. Copyright laws vary from country to country, but they generally provide creators with the exclusive right to reproduce, distribute, and display their work.7. It's important for individuals and businesses to respect copyright laws and obtain the necessary permissions before using someone else's copyrighted work.8. Copyright protection not only benefits creators, but also contributes to the overall cultural and artistic development by encouraging the creation and dissemination of new works.9. In conclusion, copyright protection is crucial for creators to protect their original works and ensure that they can continue to create and innovate without fear of unauthorized use or reproduction.。
copyrightacknowledgements
Copyright AcknowledgementsAll selections in this publication are reprinted by permission of their copyrightholders or from the public domain. Except for those in the public domain,no part of the selections may be reproduced without prior permissionof the copyright holders as listed below.pp. 5–10: From Plato, Republic, translated by C.D.C. Reeve. Copyright © 2004 by Hackett Publishing Company, Inc. Reprinted by permission of Hackett Publishing Company,Inc. All rights reserved.pp. 11–48: From David C. Lindberg, The Beginnings of Western Science: The European Scientific Tradition in Philosophical, Religious, and Institutional Context, Prehistoryto A.D. 1450 (Second Edition). Published by The University of Chicago Press.Copyright ©1992, 2007 by The University of Chicago. All rights reserved.pp. 49–62: From I. Bernard Cohen, The Birth of a New Physics: Revised and Updated.Copyright ©1985 by I. Bernard Cohen. Copyright © 1960 by Educational ServicesIncorporated. Used by permission of W. W. Norton & Company, Inc.pp. 63–70: From Isaac Newton,The Principia: Mathematical Principles of Natural Philosophy. Copyright © 1999 by University of California Press. Reproduced withpermission of University of California Press via Copyright Clearance Center.pp. 73–96: From Charles Darwin, On the Origin of Species by Means of Natural Selection (First Edition) (1859). Reproduced from the public domain.pp. 97–142: From James D. Watson and with Andrew Berry, DNA: The Secret of Life.Copyright © 2003 by DNA Show LLC. Used by permission of Alfred A. Knopf,a division of Random House, Inc.pp. 143–158: From Rachel Carson, Silent Spring: 40th Anniversary EditionCopyright © 1962 by Rachel L. Carson.Copyright © renewed 1990 by Roger Christie.This selection originally appeared in SILENT SPRING: 40th Anniversary Edition byRachel Carson.This edition of “pages 65 to pages 83 from SILENT SPRING: 40th AnniversaryEdition by Rachel Carson” is published by Office of University General Education,The Chinese University of Hong Kong.iiiPublished by arrangement with Frances Collin, Trustee u-w-o Rachel Carson through Bardon-Chinese Media Agency.ALL RIGHTS RESERVED.pp. 161–178: From Henri Poincaré, The Value of Science: Essential Writings of Henri Poincaré (2001). Published by Modern Library, reproduced from the public domain. pp. 179–194: From Eric Kandel, In Search of Memory: The Emergence of a New Science of Mind. Copyright © 2006 by Eric R. Kandel. Used by permission of W.W. Norton & Company, Inc.pp. 195–218: From Joseph Needham and Colin A. Ronan, The Shorter Science and Civilisation in China: An Abridgement of Joseph Needham’s Original Text, V ol. 1 (1978). © Cambridge University Press, reproduced with permission.pp. 219–244: Nathan Sivin, “Why the Scientific Revolution Did Not Take Place in China—or Didn’t It?”, originally published in Chinese Science, 1982, 5: 45–66, revised 2005.8.24, used by permission of the author.pp.245–252:文言文節錄自沈括,《新校正夢溪筆談》(1975),由中華書局(香港)有限公司授權翻印。
2024版权许可协议书(精选版本)英文版
2024版权许可协议书(精选版本)英文版2024 Copyright License Agreement (Selected Version)This document serves as a legal agreement between the licensor and the licensee regarding the use of copyrighted materials in the year 2024. The agreement outlines the terms and conditions under which the licensee is granted the right to use the licensor's copyrighted works.Parties InvolvedThis agreement is entered into between the licensor, [Name of Licensor], and the licensee, [Name of Licensee], collectively referred to as the "Parties."Grant of LicenseThe licensor hereby grants the licensee a non-exclusive license to use the copyrighted materials specified in Exhibit A for the purposes outlined in this agreement. The licensee may only use the materials inthe manner specified and may not transfer or sublicense the rights granted herein.Duration of LicenseThe license granted under this agreement shall commence on [Start Date] and shall continue for a period of [Duration] unless terminated earlier in accordance with the terms of this agreement.PaymentIn consideration for the license granted herein, the licensee shall pay the licensor a licensing fee of [Amount] as specified in Exhibit B. The payment shall be made within [Number] days of the effective date of this agreement.Representations and WarrantiesThe licensor represents and warrants that they are the rightful owner of the copyrighted materials and have the authority to grant the license herein. The licensee represents and warrants that they will use the materials in compliance with all applicable laws and regulations.TerminationEither party may terminate this agreement upon written notice if the other party breaches any material term of this agreement and fails to cure such breach within [Number] days of receiving notice of the breach.Governing LawThis agreement shall be governed by and construed in accordance with the laws of [Jurisdiction]. Any disputes arising out of or in connection with this agreement shall be resolved through arbitration in accordance with the rules of [Arbitration Organization].Entire AgreementThis agreement constitutes the entire understanding between the parties with respect to the subject matter hereof and supersedes all prior agreements and understandings, whether written or oral.IN WITNESS WHEREOF, the parties have executed this agreement as of the date first above written.Licensor: __________________Licensee: __________________。
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版权英语作文In the current era of rapid technological advancement, copyright has become a hot topic of discussion. The digital age has revolutionized the way we create, share, and consume content. This essay will explore the concept of copyright,its importance, and the challenges it faces in the digital landscape.The Importance of CopyrightCopyright is a legal right that protects the original works of authors, artists, and creators. It grants them exclusive rights to reproduce, distribute, and display their creations. This legal framework is crucial for encouraging creativity and innovation, as it ensures that creators are rewarded for their efforts. Without copyright, there would be little incentive for individuals to invest time and resources into creating new works.The Digital Revolution and Copyright ChallengesThe advent of the internet has transformed the way weinteract with copyrighted material. Digital content can be easily copied, shared, and distributed, often without the creator's permission. This has led to widespread copyright infringement, which poses a significant threat to creators' rights and livelihoods.One of the primary challenges is the ease with which digital content can be reproduced and distributed. Traditional copyright enforcement methods are often ineffective in the digital realm. Additionally, the global nature of theinternet makes it difficult to enforce copyright laws across different jurisdictions.Technological Solutions to Copyright IssuesTo combat copyright infringement, various technological solutions have been developed. Digital Rights Management (DRM) systems are one such solution. These systems control accessto digital content, ensuring that it is only used byauthorized individuals. While DRM can be effective in preventing unauthorized use, it has also been criticized for limiting legitimate users' rights and for being too restrictive.Another approach is the use of blockchain technology, which can provide a transparent and immutable record of content ownership and usage. This could potentially revolutionize how copyright is managed and enforced in the digital age.The Role of Education and AwarenessEducation plays a vital role in addressing copyright issues. Many individuals are unaware of the legal implications of copyright infringement. By raising awareness about the importance of copyright and the consequences of infringement, we can foster a culture of respect for creators' rights.ConclusionCopyright is a fundamental aspect of our creative economy. While the digital age presents unique challenges to copyright enforcement, it also offers innovative solutions. As we move forward, it is imperative that we continue to adapt and develop new methods to protect the rights of creators and ensure that copyright remains a powerful tool for fostering creativity and innovation.。
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Editor : K.H. Ho mann (hoffmann@appl-math.tu-muenchen.de), Technische Universitat Munchen, D-80290 Munchen, Germany. For the Electronic Version see : http://www-lit.mathematik.tu-muenchen.de/reports/html/SFB/ Copyright c XCVIII Sonderforschungsbereich 438, Munchen, Augsburg. All rights reserved. Printed in Germany.
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Mathematische Modellierung, Simulation und Veri kation in materialorientierten Prozessen und intelligenten Systemen
Active Suspension Design For A Tractor By Optimal Control Methods
no suspension dampers, which seems to be contrary to the otherwise highly technical standard of modern tractors. The only vibration damping of the rear axle is by the de ection of the large tires of the rear wheels. However, with a perfectly adjusted front axle suspension, ride comfort and ride safety can be improved signi cantly. 15 To improve the ride comfort further and the overall sti ness to resist body forces { especially in the case of tractors with a heavy rear-mounted implement (a load or a work tool) { an active suspension system for the front axle could be used in principle in combination with an active control of the rotational motion of the implement (Figure 1). Actively controlled suspension systems have gained increasing interest in automotive engineering research during the last two decades. The superiority of active suspension systems to passive suspension systems has been shown. 9;21;22;24 In the case of a passive suspension system, the vibrational behavior of a vehicle for various excitations from road disturbances is given by the sti ness and the damping rates of the shock absorbers. In the case of an active suspension system, the sti ness and damping properties of the shock absorber can be controlled, e. g., by a hydraulic actuator. When optimal active suspension systems are addressed in literature, most often this problem is formulated as a linear-quadratic optimal control problem using a quarter car model consisting of two bodies, namely the chassis and a wheel. Regarding the steady-state LQR problem, the well-known Riccati-equation solution provides an optimal feedback-control law. 8 But, as it is shown later on, the steady-state solution is optimal for a limited class of road disturbances only. Optimal open-loop controls for arbitrary disturbances as well as for more general optimization criterions and subject to nonlinear di erential equations and general constraints can be computed with a direct transcription method. The direct collocation method DIRCOL 18;19 will be introduced and numerical solutions are compared to the LQR solution for a given initial value problem and di erent disturbances. For simulation, a planar tractor model 16 is used.
Active Suspension Design For A Tractor By Optimal Control Methods
B. Koslik1 , G. Rill2 , O. von Stryk1 , D. E. Zampieri3
1 Technische Universitat Munchen, Zentrum Mathematik, D-80290 Munchen, Germany. 2 Fachbereich Maschinenbau, Fachhochschule Regensburg, Prufeningerstr. 58, D93049 Regensburg, Germany. 3 Universidade Estadual de Campinas, UNICAMP{FEM{DMC, Caixa Postal 6122, 13081 { 970 Campinas SP, Brazil.
16. Rill, G. and D. E. Zampieri, `Verbesserung von Fahrkomfort und Fahrsicherheit von landwirtschaftlichen Traktoren', Z. angew. Math. Mech., 74 (4), T25{T27 (1994). 17. Stoer, J., R. Bulirsch, Introduction to Numerical Analysis, 2nd ed., SpringerVerlag, 1993. 18. von Stryk, O., Numerische Losung optimaler Steuerungsprobleme: Diskretisierung, Parameteroptimierung und Berechnung der adjungierten Variablen, Fortschritt-Berichte VDI, Reihe 8: Me -, Steuerungs- und Regelungstechnik, No. 441, VDI-Verlag, Dusseldorf, Germany, 1995. 19. von Stryk, O., User's Guide for DIRCOL: a direct collocation method for the numerical solution of optimal control problems (Version 1.2), Lehrstuhl fur Hohere Mathematik und Numerische Mathematik, Technische Universitat Munchen, 1997. 20. von Stryk, O. and R. Bulirsch, `Direct and indirect methods for trajectory optimization', Annals of Operations Research, 37, 357{373 (1992). 21. Thompson, A. G., `An Active Suspension with Optimal Linear State Feedback', Vehicle System Dynamics, 5, 187{203 (1976). 22. Thompson, A. G., `Optimal and suboptimal linear active suspensions for road vehicles', Vehicle System Dynamics, 13, 61{72 (1984). 23. White, D. A. and D. A. Sofge (eds.), Handbook of intelligent control: Neural, fuzzy, and adaptive approaches, Van Nostrand Reinhold, New York, 1992. 24. Wilson, D. A., R. S. Sharp and S. A. Hassan, `The Application of Linear Optimal Control Theory to the Design of Active Automotive Suspensions', Vehicle System Dynamics, 15, 105{118 (1986).