中国纪实摄影的美学特点探究.doc

合集下载
  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

中国纪实摄影的美学特点探究
2020年4月
中国纪实摄影的美学特点探究本文关键词:美学,探究,中国,纪实,摄影
中国纪实摄影的美学特点探究本文简介:本篇论文目录导航:【题目】中国纪实摄影的美学特点探究【导言】我国纪实摄影审美性分析导言【1.1】摄影的起源【1.2】纪实摄影的发展:从西方到中国【2.1】人文关怀的觉醒【2.2】向土地与人回归【第三章】纪实摄影的批判:城市边缘的人【第四章】纪实摄影的流动:当代景观与人
中国纪实摄影的美学特点探究本文内容:
本篇论文目录导航:【题目】中国纪实摄影的美学特点探究【导言】我国纪实摄影审美性分析导言【1.1】摄影的起源【1.2】纪实摄影的发展:从西方到中国【2.1】人文关怀的觉醒【2.2】向土地与人回归【第三章】纪实摄影的批判:城市边缘的人【第四章】纪实摄影的流动:当代景观与人【结语/】中国当代纪实摄影的发展研究结语与中文摘要作为一种重要的视觉文化方式,纪实摄影自西方传入中国以来的一百七十年间,始终影响和传达着中国人的现代性文化经
验。

可是相较于西方成熟的纪实摄影话语,中国纪实摄影在体系性话语建构方面却较为欠缺。

论文主要论述纪实摄影于中国的发展流变,在各时期的分析中探讨中国纪实摄影的审美性特征。

以美学角度、文化研究、政治解读、社会学等方式建构出中国纪实摄影审美性特征的总体框架,并力图揭示纪实摄影在中国的美学价值,以此来总结分析中国纪实摄影在当下社会中的现实意义。

全文一共分为四个章节,第二、三章为重点章节。

第一章:介绍纪实摄影于欧洲的起源,历经变迁在欧洲及美国的成熟发展,并在进入中国之后的早期发展特征。

第二章:重点分析纪实摄影在宏大的叙事形态下,经历了中国社会转折期而转向了人文性的思考视阈中。

第三章:中国纪实摄影由人文性的美学特征走向了批判性的巅峰时期,通过记录弱势群体和边缘状态人群以批判中国现代性问题。

第四章:在进入中国当代新世纪的头十年,观念摄影与纪实摄影相融合,以景观摄影与私摄影为例,探讨了新时代中国当代纪实摄影的发展状貌。

关键词:纪实摄影典型性人文性批判性观念Abstract Since introduced into China one hundred and seventy years ago,documentary photography,as an important visual culture form,always affects and conveys Chinese modernity culturalexperience. But compared with the mature western discourse of documentary photography,
Chinadocumentary photography is relatively deficient in systematic discourse construction.This paper mainly discusses the development of documentary photography in China, findingout the aesthetic characteristic of Chinese documentary photography in the analysis of differentperiods.With methods of the aesthetics, cultural studies, sociology and political interpretation, thispaper constructs a framework of the aesthetic features of Chinese documentary photography andtries to reveal the aesthetic value of documentary photography in China, so as to analysis andsummary the practical significance of Chinese documentary photography in the contemporarysociety.This article is divided into four chapters, the second and the third chapter are theemphasis.The first chapter introduced documentary photography's origin and change in Europe,the mature development in USA, and the development after introduced into China.The secondchapter focuses on the analysis of the change of documentary photography in China. In the grandnarrative form, experienced the China social turning period, documentary photography turned tothe humanistic thinking perspective.The third chapter: Criticizing the Chinese modernity problemby recording the vulnerable groups and edge
condition ,Chinese documentary photographyturned from humanism aesthetic feature to the peak period of criticism.The fourth chapter: in thefirst ten years of the new century, conceptual photography integrated with documentaryphotography. Taking landscape photography and private photography as example, this chapterdiscusses the theoretical thinking of Chinese new century documentary photography.Key Words: Documentary photography; Typicality ;Humanity; Critical; Concept目录中文摘要Abstract导言一、研究背景二、选题目的和意义三、研究现状四、研究内容第一章纪实摄影溯源第一节摄影的起源第二节纪实摄影的发展:从西方到中国第二章纪实的自觉:从宏大叙事中走出来的人第一节人文关怀的觉醒第二节向土地与人回归第三章纪实的批判:城市边缘的人第一节现代城市文化下的纪实摄影第二节边缘化纪实第四章纪实的流动:当代景观与人第一节纪实观念的流变第二节景观摄影:空间纪实第三节私摄影:身体纪实结语致谢。

相关文档
最新文档