湖南-南岳大庙英文导游词

湖南-南岳大庙英文导游辞
Good morning! Ladies and gentlemen:
Today we will go and visit the Nanyue Temple, Nanyue Temple is situated on th e northern tip of Nanyue Township and at the southern foot of Chidi Peak. In a lay out of nine rows, It is the largest and best-preserved ancient palatial architectural c omplex of south China. Magnificent and splendid with resplendent upturned eaves. I nside the east in parallel to eight Buddhist palaces on the west, It is indeed a won der in the history of religion that Taoism. Buddhism and Confucian culture can co-e xist within a single temple.
The exact time of the construction of Nanyue Temple is unknown. It existed ase arly as in the Qin and Han Dynastis. Originally Located on the summit of Zhurong Peak, The temple was later moved to the mountain foot to facilitate the religious a ctivities. The beginning of the Tang Dynasty witnessed the formal construction of th e Heavenly Lord Huo"s Temple" the "Heavenly Master Temple". So as to enshrine a nd worship the Gods of the five sacred mountains, During the Song Dynasty the im mortal of the Hengshan Mountain was revered as the "Heavenly Master Zhaosheng", as a result the temple was gradually expanded and enlarged. Since the Tang Dynas ty Nanyue Temple had beed subject to six fires and 16reconstructions all through t he Song. Yuan, Ming and Qing Dynasties. In the 8th year of Emperor Guangxu"s re ign in the Qing Dynasty (1882 A.D), the Imperial Court ordered the rbuilding of Na nyue Temple. Which had been ruined by lightning, The project was imitative. Copyi ng the styles of the Imperial Palace. And even to the present day it is still well pre served.
Fenced with red-brick walls.Nanyue Temple ccupies an area of some 70.000 squa re metres. From north to south lies in sequence nine rows and four courtyards-Ling xing Gate. Kuixing Tower. Chuan Gate. Pavilion of Imperial Study, Main Hall, Dwellin g Palace and the Northern Rear Exit. The whole architecture complex stretches acro ss on axis extending from south to north with its halls linked up together. The win
ding corridors and wing-rooms on both sides merge with each other. Accentuating t he magnificence of the stature of the principal part. On the east side of the main t emple there are eight Taoist palaces. Coordinating with eight Buddhist palaces on th e west side.
The first row is Lingxing Gate. Two gilded Chinese characters "Mountain Temple" are shining on the white marble at the top of the gate. The marble gate stands a s high as 20 metres with a width of 1.1 metres and is meant to imply that during the past dynasties all the religious activities were officiated by real knowledgeable p eople. The second row is kuixing Tower. The most perfectly preserved ancient stage in Human Province.with a breadth of 35metres and a length of 12. Its fa?ade faci ng the main palace, the stage is the place where people hold religious activities an d perform local operas during pilgrimage. Before the tower stands a pair of 2-metre tall stone Kylin (Chinese unicorn). With their furious eyes widely open. They are lik e two solemn looking sentinels guarding the tower.
The pebble path under the Kuixing Tower leads to the third row-Main Chuan Gate. East and West Gates. The gateway is made of gray bricks with an awesome depth and height of 15 metres. The courtyard within is filled with dense cypress trees and carpeted with green grass. The fourth row is the Pavilion of Imperial Study. Distin guished by its gilded tiles. Octagonal doubleeaved roofs and exquisitely-crafted arch es. Inside the pavilion there is a Bixi in the shape of a legendary animal like tortois e. Legend has it that Bixi is the ninth son of the dragon. The Bixi carries an imperi al stele on which the full text of On Rebuilding Nanyue Temple was carved in the 47th year of Kangxi"s reign(1780 A.D.) in the Qing dynasty.
The fifth row is Jiaying Gate. Named after the line from The Annals of Han-Book s of Rites and Joys: "This row is the place where local magistrates and monks welc omed ritual officials dispatched from the capital. After the Jiaying Gate the sixth ro w comes into view-Tower of Imperial Study. Which is the storehouse of the collecti on of imperial calligraphies .messages and inscribed boards concerning the past emp erors" ritual presentations to the mountain. Sweeet osmanthus ahead of the tower s ubmerges the building with its refreshing scent when it blossoms every autumn.
The seventh row is the Main Palace. Surrounded by towering old trees. Camphor
trees planted in the Song Dynasty and cypress in the Ming Dynasty compete with each other in setting off the beauty of the upturned double-roofs and the splendour of the palace. Adding tremendous awe to the Main Palac. As it stands 29.11 metre s, its girandeur rivals that of the Palace of supreme Harmony in the Forbidden City in Beijing. Inside the palace there are 72 stone pilliars, standing for the 72 peaks o n the Hengshan Mountain. The two huge pillars upholding the main roofs were cut out of a whole granite. Each weighing 14 tons.
Encircled by the balustrades are 144 relief sculptures carved out of white marble s. Based on Shanhai Jing . Pillars on the forefront overlap. Carved on them are 56 historical and legendary thles . On the square door were carved the Images. On th
e square door were carved the Images o
f the 24 filial Sons and the Images of the
18 Scholars. Here tourists can get a rough idea of the age-old Chinese Confucian and Taoist cultures. Clay statues-Heavenly King Zhaosheng and General Jin and Wu line up in the palace with their impressively dignified look, calling forth in tourists a feeling of profound respect.
The eighth row is the dwelling Palacewith double roofs and in perfect harmony with the whole mountain. This structure keeps up the architectural style of the Son g Dynasty and is decorated with coloured drawings and patterns whichare popular a mong palaces in the North. giving a sense of gorgeousness to this palace. The nint h row is the Northern Rear Exit. The end of the axial architecture, with Zhusheng P alace to the right and Chief God Palace to the left, At the back of the exit. A path leads farther into the mountain.
Nanyue Temple occupies a prominent position in the history of ancient Chinese a rchitecture. It carries the grandeur characterized by palaces in the North. And at th e same time it smacks of the loveliness featured by gardens in the South. The arch itectural arrangement of the temple is clearly demarcated and gently modulated. Str ongly indicating the ingenuity and originality of the craftsmen. Its ground and upper layouts are like an eternal musical movement with its own overture, main body an d coda. Demonstrating the excellence of ancient Chinese architecture.
Nanyue Temple carries a profound cultural connotation. It boasts a large number
of clay statues. Wood engravings and stone carvings, which are all closely linked u p with Chinese tradition and culture. Over 800 dragons of various sizes, which are t he symbol of the Chinese nation.can be found everwhere in the temple. The carvin gs on the roof wood and white marble balustrades are an encyclopedia of ancient h istory and mythology. There are fairy tales- "Pan Gu Creating the Universe." "Hou Y i Shooting the Suns", "Jing Wei Filling up the Ocean"¡-; real stories about some hist orical figures- "Su Wu Shepherding Sheep." "sleeping on sticks and Tasting the Gall bladder." "Da MO Crossing the Sea"¡- ; legends extolling filial piety- "Melting the Ice with Body Warmth to Catch Carps." "Weeping on the Bamboo until it Turns into s hoots"¡- Most of the carvings are the lgends about the earliest ancestors of Taoist i mmortals. As early as in the Qing and Ming Dynasties, clay status, wood engraving and stone carving were reputed as "the Three Wonders to the South of the Yangtz e River."
All through the dynasties Nanyue Temple has been a thriving place to hold religi ous activities both for the feudal imperial courts and the ordinary people. Every yea r the temple greets nearly 1.000.000 pilgrims. The offerings, presentation, titles and other customs are almost the same as they were thousands years ago. There are "bowing pilgrimage" in which the pilgrims bow with each step or with every three s teps , and "hunger pilgrimage" in which the pilgrims bow with each step or with ev ery three steps. "And hunger pilgrimage" in which the pilgrims refrain from food du ring their trip. More often. Pilgrims would set off in throngs. They wear gray clothe s with a red cloth attached to their chest reading "Hengshan Mountain Pilgrimage." Holding buring incenses in hand. Those pious pilgrims chant pilgriming theme" to pr ay for the peace of the nation and the wealth of people, making it a really spectac ular scene on the mountain.。