Images of photoreceptors in living primate eyes using adaptive optics two-photon ophthalmoscopy

合集下载

摄影捕捉生活真的英语作文

摄影捕捉生活真的英语作文

Photography is a powerful medium that allows us to capture the essence of life in a single frame.It is an art form that transcends language and cultural barriers,providing a universal means of communication that can evoke emotions and tell stories without the need for words.The ability to freeze a moment in time is one of the most captivating aspects of photography.Whether its a candid shot of a loved one,a breathtaking landscape,or a poignant scene from everyday life,a photograph can capture the beauty,joy,and even the pain that life has to offer.It can preserve memories for future generations and provide a tangible connection to our past.One of the most significant benefits of photography is its ability to document the world around us.It can serve as a historical record,capturing the changes that occur over time and providing a visual narrative of our society.From wartorn landscapes to the evolution of fashion and technology,photography has the power to inform and educate,offering a unique perspective on the world we live in.Moreover,photography can be a means of selfexpression and creativity.It allows photographers to explore their own vision and interpret the world through their lens.This can lead to the creation of stunning images that challenge our perceptions and inspire us to see the world in a different light.However,photography is not just about capturing the beauty of the world it can also be a tool for social change.Many photographers use their skills to raise awareness about important issues,such as poverty,climate change,and human rights.By sharing their images with a wider audience,they can inspire action and promote positive change in the world.In conclusion,photography is a versatile and impactful medium that has the power to capture the reality of life.It can preserve memories,document history,express creativity, and inspire change.As we continue to explore the potential of this art form,we can appreciate the unique ways in which it allows us to see and understand the world around us.。

关于照片滤镜的作文英语

关于照片滤镜的作文英语

关于照片滤镜的作文英语Exploring the Artistry of Photo Filters。

In the era of digital photography, where every smartphone comes equipped with a plethora of photo-editing apps, the use of filters has become ubiquitous. From enhancing colors to adding vintage effects, photo filters offer a myriad of options to transform an ordinary image into a stunning piece of art. In this essay, we will delve into the world of photo filters, exploring their history, evolution, and impact on contemporary photography.Photo filters, in essence, are digital overlays applied to images to modify their appearance. They can alter various aspects of a photo, such as brightness, contrast, saturation, and hue, to achieve desired visual effects. The concept of filters dates back to the early days of photography when photographers used physical materials like colored glass or gelatin to manipulate light and add creative touches to their prints.However, with the advent of digital photography and image editing software, the process of applying filters has become much more accessible and versatile. Today, anyone with a smartphone can effortlessly transform their photos with just a few taps on a screen. This accessibility has democratized the art of photography, allowing amateurs and professionals alike to express their creativity without the need for expensive equipment or specialized skills.One of the most popular types of filters is the "Instagram filter." These filters, named after the social media platform that popularized them, emulate the look and feel of vintage cameras, Polaroid film, and other analog photography techniques. They evoke a sense of nostalgia and authenticity, appealing to users' desire for aesthetics reminiscent of bygone eras.Beyond Instagram filters, there are countless other filter presets available in various photo-editing apps and software. From subtle adjustments to dramatic transformations, these presets cater to a wide range ofartistic preferences. Some filters aim to enhance the natural beauty of a scene, while others push the boundaries of creativity with surreal effects and abstract compositions.Moreover, many photographers create custom filters tailored to their unique style and vision. These signature filters become synonymous with their creator's brand, distinguishing their work in a crowded digital landscape. By developing their own filters, photographers can maintain consistency across their portfolio and convey a cohesive visual identity to their audience.The evolution of photo filters mirrors the broader trends in visual culture and digital aesthetics. As social media platforms continue to influence our perception of beauty and authenticity, filters play a significant role in shaping the images we consume and share online. They not only enhance the visual appeal of photos but also serve as tools for self-expression and storytelling.However, like any tool, photo filters can also bemisused or overused, leading to artificial-looking images that lack authenticity. The quest for perfection through digital manipulation can sometimes detract from the genuine moments captured in a photograph. Therefore, it isessential for photographers to exercise restraint and use filters judiciously, ensuring that they enhance rather than detract from the emotional impact of their images.In conclusion, photo filters have revolutionized the way we perceive and create images in the digital age. From their humble beginnings as physical overlays to their ubiquitous presence in smartphone photography, filters have become indispensable tools for photographers and visual artists. By understanding the history, evolution, and impact of photo filters, we gain a deeper appreciation for their role in shaping contemporary photography and visual culture. As we continue to explore new possibilities in image editing and manipulation, let us remember the importance of creativity, authenticity, and storytelling in the art of photography.。

照片美学分析英语作文

照片美学分析英语作文

照片美学分析英语作文Photography is an art form that has evolved significantly over the years, and it has become an integral part of our everyday lives. The art of photography is not just about capturing a moment in time, but also about understanding the aesthetic principles that govern the creation of a visually compelling image. In this essay, we will explore the concept of photographic aesthetics and how it can be used to create stunning and impactful images.One of the fundamental elements of photographic aesthetics is composition. The way in which the various elements within the frame are arranged can have a significant impact on the overall impact of the image. The rule of thirds is a widely recognized compositional technique that involves dividing the frame into a grid of nine equal parts and placing the subject or focal point at the intersection of these lines. This creates a sense of balance and harmony within the image, drawing the viewer's eye to the most important elements.Another important aspect of photographic aesthetics is the use of light. The way in which light interacts with the subject and the environment can create a range of visual effects, from dramatic shadows to soft and ethereal lighting. Photographers who are skilledin the use of light can create images that evoke a particular mood or emotion, whether it's the warm glow of a sunset or the stark contrast of a high-contrast black and white image.Color is also an important consideration in photographic aesthetics. The choice of color palette can have a significant impact on the overall tone and mood of an image. Some photographers may opt for a more vibrant and saturated color scheme, while others may prefer a more muted and subdued palette. The use of color can also be used to create a sense of balance and harmony within the frame, as well as to draw the viewer's attention to specific elements.Another important aspect of photographic aesthetics is the use of negative space. Negative space refers to the areas within the frame that are not occupied by the subject or main elements of the image. Skillful use of negative space can create a sense of balance and visual interest, as well as draw the viewer's attention to the most important elements of the image.Perspective is also an important consideration in photographic aesthetics. The way in which the photographer chooses to position the camera can have a significant impact on the way in which the subject is perceived. For example, shooting from a low angle can create a sense of power and dominance, while shooting from a high angle can create a sense of vulnerability or smallness.Finally, the choice of lens and camera settings can also play a role in the overall aesthetic of an image. Different lenses can create different effects, such as a wide-angle lens that creates a sense of depth and drama, or a telephoto lens that compresses the image and creates a more intimate and isolated feel.In conclusion, photographic aesthetics is a complex and multifaceted field that requires a deep understanding of the various elements that contribute to the creation of a visually compelling image. Whetherit's the use of composition, light, color, negative space, perspective, or camera settings, the skilled photographer can create images that not only capture a moment in time, but also convey a sense of emotion and beauty. By mastering the principles of photographic aesthetics, photographers can create images that truly stand out and leave a lasting impression on the viewer.。

摄影记录美好景的英语作文

摄影记录美好景的英语作文

Photography is an art form that captures moments in time,allowing us to preserve memories and share the beauty of the world around us.It has become an integral part of our lives,with the advancement of technology making it more accessible to everyone. Heres an essay on the importance and joy of capturing beautiful scenes through photography.The Power of Capturing MomentsPhotography is more than just a hobby its a way of life for many.It allows us to freeze time and capture the essence of a moment that would otherwise be fleeting.Whether its a breathtaking landscape,a candid family moment,or the vibrant colors of a city skyline at sunset,photography enables us to immortalize these scenes in a tangible form.The Art of ObservationTo capture beautiful scenes,one must develop an eye for detail and an appreciation for the subtleties of light and composition.Photographers often find beauty in the mundane, turning ordinary scenes into extraordinary images.This art of observation not only enhances the photographers skill but also enriches their perspective on life. Technological AdvancementsThe evolution of photography has been remarkable,from the early days of film to the digital age we live in today.With smartphones equipped with highquality cameras, anyone can be a photographer.This democratization of photography has led to a surge in creativity,as people from all walks of life share their unique viewpoints with the world. The Role of PostProcessingWhile capturing the scene is the first step,the magic often happens in postprocessing. With software like Adobe Lightroom and Photoshop,photographers can enhance their images,adjusting colors,contrast,and composition to bring out the best in their photos. This digital darkroom allows for a level of creativity and precision that was once only possible in a physical darkroom.The Impact of Photography on SocietyPhotography has a profound impact on society.It can raise awareness about social issues, document historical events,and inspire people through the beauty of nature.Its a powerful tool for storytelling,allowing photographers to convey messages and evokeemotions that words alone cannot.The Joy of SharingOne of the most rewarding aspects of photography is sharing your work with others. Whether its through social media,exhibitions,or print,seeing your images appreciated by others is a fulfilling experience.Its a way to connect with people,share experiences, and inspire others to see the world through your lens.The Continuous Learning JourneyPhotography is a field that offers endless opportunities for learning and growth.From mastering new techniques to exploring different genres,photographers are always pushing their boundaries and striving for improvement.This continuous journey of learning keeps the passion for photography alive and ensures that each new image is better than the last.ConclusionIn conclusion,photography is a powerful medium that allows us to capture and share the beauty of the world.Its an art form that requires patience,skill,and a keen eye,but the rewards are well worth the effort.As we continue to document our lives and the world around us,photography remains a timeless and treasured way to preserve memories and express creativity.。

介绍照片的人物位置英语作文

介绍照片的人物位置英语作文

介绍照片的人物位置英语作文This photograph captures a memorable moment in the lives of several individuals, each occupying a distinct position within the frame. The scene is set in a park, with a scenic backdrop of lush greenery and a serene lake.At the center of the photograph stands a young girl, the focal point of this image. She is dressed in a bright yellow dress, her hair tied in a ponytail, and a smile that lights up her entire face. Her hands are clasped together, as if in anticipation or excitement, and she is looking straight ahead, her gaze fixed on something beyond the camera's lens.To the left of the girl stands a tall man, presumably her father. He is dressed in casual attire, with a warm smile on his face. His arm is extended, as if he is offering support or comfort to the girl. The bond between them is evident in their shared gaze and the tenderness of his posture.On the right side of the frame, a woman is seated on a bench, her legs crossed and her arms folded. She is wearing a stylish dress and a pair of sunglasses, giving her a relaxed and fashionable appearance. Her expression is one of contentment,as if she is enjoying the peaceful scenery and the company of those around her.In the background, several other people are visible, walking or sitting in the park, adding to the sense of a busy but serene afternoon. The photographer has captured not only the individuals but also the atmosphere of the moment, creating a vivid and memorable image.Overall, this photograph tells a story of family, friendship, and the joy of being together in a beautiful setting. The characters' positions within the frame reflect their relationships and roles, while their expressions and poses add depth and emotion to the scene.。

活在滤镜时代的现代人

活在滤镜时代的现代人

活在滤镜时代的现代人作者:来源:《时代英语·高三》2019年第05期Before we upload a photo of ourselves to social media,chances are that we’ll use an app to smooth our skin, make our eyes look bigger, and give us longer eyelashes and fuller lips.With a couple of taps on our mobile phone,we’re able to get a quick fix and present the “best” version of ourselves to the world.However, the problem is, when we simply edit our imperfections away,we’re also changing the way we look at ourselves.Last year,researchers from the US’ Boston University School of Medicine published the article Selfies—Living in the Era of Filtered Photographs. The article analyzed photo editing apps’ bad impacts on people’s self-esteem and their potential to cause appearance anxieties.The researchers also warned that such apps are blurring the lines between reality and fantasy. “These apps allow one to change his or her appearance in minutes and follow an unrealistic standard of beauty,” the article reads.In the past,people may have compared their looks to those of celebrities. But for today’s young people,beauty standards are most likely set by what they see on social media. “From birth, they are born into an age of social platforms where their feelings of self-worth can be based purely on the number of likes and followers that they have, which is linked to how good they look,” British cosmetic doctor Tijion Esho told The Independent.This is why many young people suffer an identity crisis when it comes to how they look. “Now you’ve got this daily comparison of your real self to this intentional or unintentional fake self that you present on social media,” Renee Engeln, a professor of psychology at Northwestern University in the US, told the HuffPost website.Engeln further pointed out that when people spend too much time making such comparisons; they may become “beauty sick” and find it difficult to accept what they actually look like. “Because between you and the world is a mirror,it’s a mirror that travels with you everywhere. You can’t seem to put it down,” she told The Washington Post.So when we look in a real mirror,we shouldn’t think to ourselves,“Do I look as good as myself in the filtered photos?” Instead, we should think,“I feel good; I have my health.”在社交媒体上晒照之前,或许我们都会用一款应用来一键磨皮,放大双眼,加长睫毛以及丰满唇形。

图像分析英语作文

图像分析英语作文

图像分析英语作文The image shows a group of people gathered around a table, engaged in a lively discussion. The atmosphere seems to be quite positive, with everyone gesturing and leaning in towards each other.One person appears to be the center of attention, as they are the one speaking and the others are focused on them. Their body language suggests confidence and enthusiasm, and they seem to be making a persuasive argument.The expressions on the faces of the other people are varied, ranging from intense concentration to amusement. It seems like a dynamic and engaging conversation is taking place, with different opinions being shared and debated.The setting appears to be a casual and informal one, perhaps a social gathering or a meeting in a relaxed environment. The people are dressed casually, and there aredrinks and snacks on the table, indicating that this is a social or informal setting.The overall impression conveyed by the image is one of lively and engaging conversation, with people actively participating and expressing their thoughts and opinions. It seems like a positive and stimulating environment, where ideas are being exchanged and debated in a respectful and enthusiastic manner.。

他伤心了照片作文英语

他伤心了照片作文英语

In the realm of photography, a single image can capture a moment in time, preserving it for eternity. It is a powerful medium that can evoke a myriad of emotions in those who view it. The story of He Was Sad is a poignant example of how a photograph can encapsulate the depth of human emotion.The photograph in question was taken by an amateur photographer during a local festival. It was a bustling scene, filled with laughter, music, and the vibrant colors of traditional attire. Amidst the joyous atmosphere, however, one figure stood outa young man, his face etched with sorrow. His eyes, filled with a profound sadness, seemed to look beyond the festivities, as if searching for something that was lost.The photographer, moved by the contrast between the mans expression and the lively backdrop, decided to capture this moment. The resulting image was a stark reminder of the coexistence of happiness and sorrow in our lives. It was a testament to the fact that even in the midst of celebration, there can be a deep sense of loss or longing.The young man in the photo was later identified as a local resident who had recently lost his father. His father had been a beloved figure in the community, and the festival was a time when memories of him were particularly strong. The photograph became a symbol of the mans grief, a silent scream in a sea of joy.The photograph quickly gained attention on social media, with many people sharing their own stories of loss and how the image resonated withthem. It sparked a conversation about the importance of acknowledging and expressing emotions, even in the midst of communal celebrations.The photographer, who had initially intended to capture the festive spirit, was surprised by the impact of the image. They were moved by the outpouring of empathy and support from the public. It was a reminder of the power of photography to connect people and to bring attention to the often unspoken aspects of the human experience.The story of He Was Sad also highlights the role of the photographer as a storyteller. By choosing to focus on the young mans sorrow, the photographer was able to tell a story that went beyond the surfacelevel joy of the festival. They captured a moment of raw emotion, one that many people could relate to on a deeply personal level.In the world of photography, images can be both a celebration of life and a reflection of its complexities. The photograph of the young man at the festival serves as a reminder that behind every smiling face, there may be a story of pain or struggle. It encourages us to look beyond the surface, to see the full spectrum of human emotion that exists in every moment.In conclusion, the photograph He Was Sad is a powerful example of the emotional impact that a single image can have. It demonstrates the ability of photography to capture the essence of a moment and to evoke a deep sense of empathy in those who view it. As we continue to explore the world through the lens of a camera, we are reminded of the importance ofcapturing not just the joy, but also the sorrow, that is inherent in the human experience.。

有关照片的英语作文开头

有关照片的英语作文开头

有关照片的英语作文开头Title: The Power of Photography。

Introduction:Photography, with its ability to capture moments frozen in time, holds a profound significance in our lives. From preserving memories to conveying emotions, the impact of a single photograph can be immense. In this essay, we delve into the multifaceted nature of photography, exploring its historical significance, its role in society today, and the personal connections it fosters.Historical Context:The journey of photography dates back to the early 19th century when the first permanent photograph was produced by Joseph Nicéphore Niépce in 1826. Since then, photography has evolved from cumbersome and time-consuming processes to the instantaneous digital marvels of today. Throughouthistory, photographs have served as invaluable records of pivotal moments, shaping our understanding of the past. Whether documenting wars, revolutions, or everyday life, photographs provide a visual narrative that transcends time and language barriers.Social Influence:In the age of social media, photography has become more accessible than ever before. Platforms like Instagram and Facebook have transformed the way we share our lives, with millions of images uploaded daily. However, this inundation of imagery has also sparked debates about authenticity and the curated nature of online personas. Despite these challenges, photography remains a powerful tool for social change, shedding light on pressing issues and amplifying marginalized voices.Emotional Connection:Beyond its societal impact, photography holds immense personal significance for individuals around the world. Asingle photograph has the power to evoke a myriad of emotions, transporting us back to cherished memories or prompting introspection. Whether it's a family portrait, a breathtaking landscape, or a candid moment captured in time, photographs serve as tangible reminders of our experiences and relationships.Artistic Expression:Photography is not merely a means of documentation but also a form of artistic expression. Photographers use composition, lighting, and perspective to createcaptivating images that transcend reality. From the surreal landscapes of Ansel Adams to the intimate portraits ofAnnie Leibovitz, each photographer brings their uniquevision to the medium, enriching our understanding of the world around us.Conclusion:In conclusion, photography is a dynamic and influential art form that continues to shape our perception of theworld. Whether through its historical documentation, social commentary, emotional resonance, or artistic innovation, photography has the power to captivate, inspire, and provoke thought. As we navigate an increasingly visual society, let us recognize the profound impact of photography and the stories it tells.。

我想用这个照片作文英语

我想用这个照片作文英语

我想用这个照片作文英语当然,我很乐意帮你写一篇关于这张照片的英语作文。

如果你能提供照片,那将更有帮助,这样我就可以更好地描述其中的细节。

然而,如果你希望在文章中保持隐私,我会尽量在不暴露prompt的情况下写作。

(文章开始)。

The photograph presents a captivating scene, rich with nuanced details that invite contemplation and reflection.At first glance, the viewer is drawn to the central figure, whose posture and expression convey a sense ofcontemplation or perhaps even introspection. 。

The setting of the image appears to be outdoors, amidst nature's serene embrace. The lush greenery in the background suggests a tranquil environment, offering astark contrast to the potential complexity of emotions exhibited by the individual in focus. 。

The lighting in the photograph is soft, casting gentle shadows that add depth to the composition. It creates a mood of quietude and lends a certain timelessness to the scene, as if the moment captured is suspended in a perpetual state of calm.The attire of the central figure is worth noting as well. They are dressed casually, yet there is an air of elegance and refinement in their demeanor. This juxtaposition hints at a blend of simplicity and sophistication, mirroring the duality of human nature itself.As one's gaze lingers on the image, other elements begin to emerge. A faint smile playing at the corners of the individual's lips suggests a hint of contentment or perhaps a quiet understanding of the world around them. 。

明星写真艺术照英语作文

明星写真艺术照英语作文

明星写真艺术照英语作文Celebrity portraiture is a unique blend of art and celebrity culture. It captures not only the essence of a star but also the glamour and allure that they exude. In this essay, wewill explore the significance of celebrity portraits in the world of photography and their impact on society.Firstly, celebrity portraits serve as a visual representation of the public persona that stars carefully craft. Theseimages are often carefully curated to reflect the image that the celebrity wishes to project to their fans and the public. They are a testament to the power of visual storytelling and the ability of a single image to convey a complex narrative.Secondly, the art of celebrity photography has evolved significantly with the advent of digital technology. Modern photographers have a vast array of tools at their disposal, from high-resolution cameras to advanced editing software, which allows them to create stunning and innovative portraits. This technological advancement has led to a surge increativity and experimentation within the field.Moreover, celebrity portraits often play a crucial role inthe marketing and promotion of a star's work. A well-executed portrait can generate significant buzz and anticipation foran upcoming film, album, or project. They are a vital part of the media strategy for any celebrity or their management team.However, the world of celebrity portraiture is not withoutits controversies. Issues such as photoshopping and the unrealistic beauty standards that these images can perpetuate have been widely criticized. There is an ongoing debate about the ethical considerations of this form of photography and the need for more diverse and inclusive representations of beauty.In conclusion, celebrity portraits are a significant aspect of contemporary culture. They offer a glimpse into the lives of the rich and famous, while also serving as a canvas for artistic expression. As the world of photography continues to evolve, so too will the art of celebrity portraiture,offering new opportunities for creativity and reflection on the role of images in shaping our perceptions of the stars we admire.。

你发的照片请别删英语作文

你发的照片请别删英语作文

你发的照片请别删英语作文Title: A Captivating Journey Through the Lens: The Power of Photographs。

Introduction:Photography is a universal language that transcends barriers and connects people from different cultures and backgrounds. It has the remarkable ability to capture moments, evoke emotions, and tell stories without the need for words. In this essay, we will explore the profound impact of photographs, emphasizing the importance of preserving these visual narratives for future generations.Body:1. The Art of Storytelling:Photographs have the unique ability to tell stories in a way that words cannot. They freeze a moment in time,capturing emotions, expressions, and details that might otherwise be forgotten. Each photograph has a story to tell, and it is up to the viewer to interpret and appreciate the narrative behind it. By preserving these images, we ensure that these stories are not lost and can be shared withfuture generations.2. Historical Documentation:Photographs serve as valuable historical documents, providing a visual record of significant events, cultural practices, and societal changes. They enable us to revisit the past, offering insights into the lives of people who came before us. Without photographs, our understanding of history would be limited to written accounts, leaving out the visual context that adds depth and authenticity to our knowledge.3. Emotional Connection:Photographs have the power to evoke strong emotions and create a sense of connection with the subjects capturedwithin them. Whether it is a portrait, a landscape, or a candid shot, photographs have the ability to elicit empathy, joy, sadness, or even anger. They allow us to connect with people and places that we may never have the opportunity to encounter in person, fostering a sense of shared humanity.4. Cultural Preservation:Photographs play a crucial role in preserving cultural heritage. They capture traditions, customs, and ritualsthat might otherwise fade away with time. Through photographs, we can gain a deeper understanding and appreciation of diverse cultures, fostering respect and promoting cultural preservation. Preserving these images ensures that future generations can learn about and celebrate the rich tapestry of human culture.5. Reflection and Self-Discovery:Photographs not only capture external moments but also provide an opportunity for self-reflection and self-discovery. By examining photographs of ourselves and thosearound us, we gain insights into our own identities, relationships, and personal journeys. They serve as mirrors, allowing us to see ourselves from different perspectivesand encouraging introspection.6. Advocacy and Social Change:Photographs have long been used as a powerful tool for advocacy and social change. Iconic images such as "Tank Man" during the Tiananmen Square protests or "The Napalm Girl" during the Vietnam War have captured the attention of the world, raising awareness and inspiring action. Photographs can shed light on social injustices, humanrights violations, and environmental issues, compelling viewers to take a stand and work towards positive change.Conclusion:Photographs are more than just images; they are windows into the past, bridges between cultures, and catalysts for change. Preserving these visual narratives is essential for maintaining our collective memory, fostering empathy, andinspiring future generations. By appreciating the power of photographs, we can ensure that these captivating stories continue to be told, transcending language barriers and connecting us all.。

图像分析英语作文高中

图像分析英语作文高中

图像分析英语作文高中Image Analysis: The Power of Visuals。

The image captures a moment frozen in time, a sunset over a quiet beach. It's so peaceful, you can almost hear the waves lapping against the shore. The colors are breathtaking, a mix of oranges, reds, and purples that seem to dance across the sky.But wait, there's something else in the picture. A tiny figure stands alone on the beach, facing the sunset. It's almost like the person is embracing the beauty of nature, letting go of all worries and just being. It makes me think about how important it is to take time for ourselves, to find moments of peace in our hectic lives.Now, let's talk about the technical aspects. The photographer has done a great job with the framing. The horizon is perfectly aligned, and the figure in the foreground adds a sense of scale and depth to the image.The lighting is also spot on, with the sun setting behind the person, creating a soft glow that enhances the beauty of the scene.And here's something interesting. The image makes me feel a sense of nostalgia, even though I've never been to that beach. It reminds me of summer vacations with my family, those carefree days when we would just sit on the beach and watch the sunset。

把照片拍下来的英语作文

把照片拍下来的英语作文

把照片拍下来的英语作文In the modern era, photography has become more than just a hobby; it's a way to capture the essence of life. The ability to freeze a moment in time and preserve it as a memory is a powerful tool that everyone can utilize. This essay willdelve into the importance of photography, the impact it hason our lives, and the skills required to take a good photograph.Firstly, photography allows us to document our lives in a way that words often cannot. A single photograph can tell a story, evoke emotions, and transport us back to a specific time and place. It's a form of expression that transcends language barriers, allowing people from all over the world to connect through images.The impact of photography on our lives is profound. It helpsus to remember important events, such as birthdays, weddings, and graduations. It also allows us to capture the beauty ofthe world around us, from the grandeur of a mountainlandscape to the simple charm of a blooming flower. Moreover, photography can be a means of self-expression, allowing photographers to share their perspective and creativity with others.However, taking a good photograph is not as simple aspointing and shooting. It requires a certain level of skill and understanding of the technical aspects of photography.Understanding the basics of lighting, composition, and focus is crucial. Lighting can make or break a photograph, with natural light often being the most flattering. Composition involves arranging the elements within the frame in avisually appealing way, which can be achieved through the use of the rule of thirds or leading lines. Focus is also key, ensuring that the subject of the photograph is sharp and clear.In addition to technical skills, a good photographer also needs to have a keen eye for detail and a sense of timing. This involves being able to anticipate the perfect moment to capture a scene or the right expression on a person's face.It also requires patience, as sometimes the best photographs are the result of waiting for the right conditions.Furthermore, the advent of digital photography and smartphones has made it easier than ever for anyone to take high-quality photographs. With the plethora of editing tools and apps available, even beginners can enhance their images and create professional-looking results.In conclusion, photography is a powerful medium that allows us to capture and share our experiences with the world. It's an art form that combines technical skill with creativity and emotion. Whether you're a professional photographer or simply someone who enjoys taking pictures, the ability to take a good photograph is a valuable skill that can enrich our lives and help us to see the world in a new light.。

用滤镜拍照的作文英语

用滤镜拍照的作文英语

用滤镜拍照的作文英语Title: Capturing Moments: The Art of Photography with Filters。

In today's digital age, photography has become an integral part of our lives. With the advent of smartphones equipped with high-quality cameras and various editing tools, capturing moments has never been easier. One of the most popular features in modern photography is the use of filters. These filters not only add artistic flair to our photos but also allow us to express our creativity in unique ways.First and foremost, filters enable us to enhance the mood and atmosphere of our photographs. Whether it's adding warmth to a sunset scene or intensifying the colors of a landscape, filters provide us with the ability to evoke emotions and tell stories through our images. For example, a vintage filter can transport viewers back in time, while a black and white filter can evoke a sense of nostalgia andtimelessness.Moreover, filters allow us to correct imperfections and enhance the overall quality of our photos. With just a few taps, we can adjust the brightness, contrast, andsaturation to achieve the desired look. This level ofcontrol empowers photographers to unleash their creativity and produce stunning visuals that stand out from the crowd.Furthermore, filters serve as a tool for self-expression. Each filter has its own unique characteristics, allowing photographers to imbue their photos with their personal style and vision. Whether it's a bold and vibrant filter or a soft and ethereal one, our choice of filter reflects our individual tastes and preferences. In this way, filters not only enhance our photos but also serve as a medium for self-expression and artistic exploration.However, it's important to use filters judiciously and not rely on them as a crutch. While filters can enhance the aesthetic appeal of our photos, they should complement the underlying composition and subject matter rather thanovershadowing them. Additionally, overusing filters can result in artificial-looking images that lack authenticity. As photographers, it's crucial to strike a balance between using filters to enhance our photos and preserving the integrity of the original scene.In conclusion, filters have revolutionized the way we approach photography in the digital age. From enhancing mood and atmosphere to correcting imperfections and expressing our creativity, filters play a crucial role in the art of photography. By mastering the use of filters, photographers can elevate their images to new heights and create captivating visuals that resonate with viewers on a deeper level. So next time you pick up your camera or smartphone, don't hesitate to experiment with filters and unleash your inner artist.。

图像的修辞英文作文

图像的修辞英文作文

图像的修辞英文作文1. The image is a vibrant explosion of colors, each hue competing for attention and yet harmonizing in a mesmerizing dance of contrasts.2. The picture is a window into a world of chaos and order, where the jagged lines and smooth curves coexist in a delicate balance of tension and harmony.3. The image captures a moment frozen in time, a snapshot of life's fleeting beauty and raw emotion, as if the world has paused to take a breath and reflect on its own existence.4. The picture is a symphony of light and shadow, where the play of darkness and brightness creates a dynamic interplay of depth and dimension.5. The image is a canvas of textures, from the rough and rugged to the soft and smooth, each surface telling astory of resilience and vulnerability.6. The picture is a maze of patterns and shapes, an intricate tapestry of geometry and asymmetry that invites the viewer to lose themselves in its labyrinthine complexity.7. The image is a mirror reflecting the human experience, with its highs and lows, its struggles and triumphs, its moments of despair and hope.8. The picture is a celebration of nature's wonders, a snapshot of the earth's boundless beauty and untamed spirit, reminding us of our place in the grand scheme of things.。

如今,才知道什么是照片的灵魂作文

如今,才知道什么是照片的灵魂作文

如今,才知道什么是照片的灵魂作文英文回答:What is the soul of a photo? It is a question that I have recently come to understand. A photo is not just a mere image captured by a camera, but rather a moment frozen in time that holds a deeper meaning. The soul of a photo lies in its ability to evoke emotions, tell stories, and capture the essence of a person or a place.When we look at a photo, it has the power to transport us back to a specific moment in our lives. It can bring back memories of joy, sadness, love, or even nostalgia. For example, I have a photo of myself and my friends taken during a summer vacation. Whenever I look at it, I am instantly reminded of the carefree days we spent together, laughing and enjoying each other's company. The photo captures the happiness and bond we shared, and it brings a smile to my face every time.A photo also has the ability to tell stories. It can capture a single moment that holds a thousand words. Take for instance a photo of a child playing in the rain. Without any words, the photo tells a story of innocence, joy, and freedom. It speaks to the universal experience of childhood and reminds us of the simple pleasures in life. This is the soul of a photo its ability to convey a narrative without the need for words.Furthermore, a photo can capture the essence of a person or a place. It can reveal the true nature of a subject and provide a glimpse into their soul. For example, a portrait photo can capture the emotions, personality, and character of a person. It can show their vulnerability, strength, or resilience. Similarly, a landscape photo can capture the beauty and spirit of a place. It can transport us to faraway lands and make us feel connected to the world around us.中文回答:什么是照片的灵魂?这是我最近才明白的问题。

关于生活滤镜的作文英语

关于生活滤镜的作文英语

关于生活滤镜的作文英语Title: The Filter of Life。

Life is akin to a photograph, capturing moments both grand and mundane, each imbued with its own hue, tint, and shade. Yet, much like a skilled photographer can manipulate a picture with filters, we often perceive our lives through a certain lens, filtering reality in ways that shape our experiences and interpretations. These "life filters" can profoundly influence how we perceive the world around us, affecting our emotions, decisions, and overall well-being.One prevalent life filter is the optimism filter, where individuals view life through a lens of hope and positivity. With this filter, challenges become opportunities, setbacks become learning experiences, and even the darkest moments hold a glimmer of light. Optimism serves as a powerful catalyst for resilience, enabling individuals to perseverein the face of adversity and maintain a sense of hope for the future.Conversely, the pessimism filter casts a shadow over even the brightest of days. Those who see life through this lens often dwell on negativity, focusing on what could go wrong rather than what could go right. While a certain degree of caution can be prudent, excessive pessimism can lead to a self-fulfilling prophecy, perpetuating a cycle of disappointment and despair.Another common life filter is the gratitude filter, which fosters appreciation for the blessings, big and small, that enrich our lives. With this filter, individuals cultivate a mindset of abundance rather than scarcity, finding joy in the simple pleasures and expressinggratitude for the abundance that surrounds them. Research has shown that practicing gratitude can lead to greater happiness, improved relationships, and enhanced overallwell-being.On the flip side, the entitlement filter breeds a sense of entitlement, where individuals believe they deserve special treatment or privileges without putting in thenecessary effort or gratitude. This filter can lead to feelings of resentment, entitlement, and dissatisfaction, as individuals constantly compare their own circumstances to those of others and feel resentful when their expectations are not met.The comparison filter, fueled by the pervasive influence of social media, prompts individuals to measure their own lives against the carefully curated highlight reels of others. This filter can foster feelings of inadequacy, jealousy, and low self-esteem, as individuals constantly compare their own behind-the-scenes reality to the polished images presented by others. Learning to filter out the noise of comparison and focus on our own journey is essential for cultivating a sense of self-worth and contentment.The resilience filter enables individuals to bounce back from adversity with strength and grace, viewing challenges as opportunities for growth rather than insurmountable obstacles. This filter empowers individuals to embrace change, adapt to new circumstances, and emergestronger on the other side. Cultivating resilience requires a mindset shift, recognizing that setbacks are not failures but rather stepping stones on the path to success.In contrast, the victimhood filter fosters a sense of powerlessness and self-pity, where individuals perceive themselves as perpetual victims of circumstance. Thisfilter can trap individuals in a cycle of blame and resentment, preventing them from taking responsibility for their own lives and creating positive change. Breaking free from the victimhood filter requires a willingness to confront challenges head-on, take ownership of one's choices, and cultivate a mindset of empowerment.Ultimately, the filters through which we view life shape our perceptions, attitudes, and actions in profound ways. By becoming aware of these filters and actively choosing those that serve us best, we can unlock greater resilience, gratitude, and optimism in our journey through life. Just as a skilled photographer adjusts their lens to capture the perfect shot, so too can we adjust our lifefilters to see the beauty, opportunity, and possibility that surrounds us every day.。

画像英文素材作文

画像英文素材作文

画像英文素材作文1. The image shows a beautiful sunset over the ocean. The colors are vibrant and the sky is filled with shades of orange, pink, and purple. It's a breathtaking sight that instantly transports you to a place of tranquility and peace.2. In the picture, a group of friends is sitting arounda campfire, roasting marshmallows and sharing stories. The warm glow of the fire creates a cozy atmosphere, and you can almost feel the crackling of the wood and the heat on your skin. It's a scene that captures the essence of friendship and the joy of simple pleasures.3. The image depicts a bustling city street, with people rushing by and cars honking their horns. The bright lights and towering buildings create a sense of energy and excitement. It's a snapshot of urban life, where everything moves at a fast pace and there's always something happening around every corner.4. The picture shows a peaceful garden, with colorful flowers in full bloom and a gentle breeze rustling through the leaves. It's a place where you can escape from the noise and chaos of everyday life, and just be in the present moment. The tranquility of the scene is almost palpable, and it's a reminder to slow down and appreciate the beauty of nature.5. In the image, a young child is playing in a field of tall grass, with the sun shining down on their face. Their laughter and joy are infectious, and you can't help but smile as you look at the picture. It's a reminder of the innocence and wonder of childhood, and the importance of finding joy in the simplest of things.6. The picture shows a group of protesters marching in the streets, holding up signs and chanting slogans. The determination and passion on their faces is evident, as they fight for what they believe in. It's a powerful image that represents the strength of collective action and the desire for change.7. In the image, a chef is meticulously plating a dish, carefully arranging each ingredient with precision and artistry. The colors and textures of the food are visually stunning, and you can almost taste the flavors just by looking at the picture. It's a reminder of the creativity and skill that goes into the culinary arts, and thepleasure that good food can bring.8. The picture shows a group of athletes competing in a race, their muscles straining and sweat dripping down their faces. The determination and focus in their eyes is intense, as they push their bodies to the limit. It's a testament to the power of perseverance and the thrill of pushing oneself to achieve greatness.9. In the image, a couple is dancing in a dimly lit room, their bodies moving in perfect harmony to the music. The passion and connection between them is palpable, andyou can almost feel the electricity in the air. It's a celebration of love and the joy of being in the arms of someone you care about.10. The picture shows a lone figure standing on a mountaintop, with a vast expanse of wilderness stretching out before them. The sense of awe and wonder is overwhelming, as they take in the beauty of the natural world. It's a reminder of the vastness of the universe and our place within it.。

图片介绍的英语作文初一

图片介绍的英语作文初一

In this essay, I will describe a picture that I find particularly captivating. The image is a representation of a serene landscape, which I believe holds a deeper meaning and can be a source of inspiration for many.The picture is set in a tranquil countryside, where the sun is just beginning to rise. The sky is painted with hues of orange and pink, casting a warm glow over the scene. The suns rays gently illuminate the horizon, creating a breathtaking view that seems to stretch on forever.In the foreground, there is a small, quaint cottage nestled among the lush greenery. The cottage is surrounded by a beautiful garden, filled with a variety of colorful flowers and plants. The garden is welltended, with a sense of care and love that is evident in every detail.A winding path leads from the cottage towards a nearby river, which flows gently through the landscape. The river is crystal clear, reflecting the colors of the sky and the surrounding nature. The sound of the flowing water creates a soothing melody that adds to the overall peacefulness of the scene.In the distance, rolling hills and mountains can be seen, their peaks shrouded in a soft mist. The mountains serve as a majestic backdrop to the entire scene, adding a sense of grandeur and awe to the picture.The overall composition of the picture is harmonious and balanced, with each element complementing the others. The colors are vibrant yet soothing, creating a sense of calm and tranquility. The picture invites the viewer to take a moment to appreciate the beauty of nature and the simple pleasures of life.This picture serves as a reminder to slow down and enjoy the present moment. It encourages us to appreciate the beauty that surrounds us and to find joy in the simple things in life. The image is a testament to the power of nature to inspire and uplift our spirits, and it is a reminder that sometimes, the most beautiful moments can be found in the quietest of places.In conclusion, the picture I have described is a stunning representation of a peaceful countryside scene. It captures the essence of tranquility and beauty, inviting the viewer to take a moment to appreciate the world around them. The image is a source of inspiration and a reminder to cherish the simple pleasures of life.。

相关主题
  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

Biomedical Optics Express« Show journal navigationImages of photoreceptors in living primate eyes usingadaptive optics two-photon ophthalmoscopyJennifer J. Hunter, Benjamin Masella, Alfredo Dubra, Robin Sharma, Lu Yin, William H. Merigan, Grazyna Palczewska, Krzysztof Palczewski, and David R. Williams »View Author AffiliationsBiomedical Optics Express, Vol. 2, Issue 1, pp. 139-148 (2011)/10.1364/BOE.2.000139View Full Text ArticleAcrobat PDF (1193 KB)•Full Text•Article Info•References (31)•Cited By (19)•Figures (5)•MetricsAbstractIn vivo two-photon imaging through the pupil of the primate eye has the potential to become a useful tool for functional imaging of the retina. Two-photon excited fluorescence images of the macaque cone mosaic were obtained using a fluorescence adaptive optics scanning laser ophthalmoscope,overcoming the challenges of a low numerical aperture, imperfect optics of the eye, high required light levels, and eye motion. Although the specificfluorophores are as yet unknown, strong in vivo intrinsic fluorescence allowed images of the cone mosaic. Imaging intact ex vivo retina revealed thatthe strongest two-photon excited fluorescence signal comes from the cone inner segments. The fluorescence response increased following lightstimulation, which could provide a functional measure of the effects of light on photoreceptors.© 2010 OSA1. IntroductionHuman vision following light absorption by the retina is dependent on an initial phototransduction cascade that generates photocurrentand the subsequent regeneration of photopigments []. Much of our understanding of both these processes comes from in vitro workand animal models. Investigation of these pathways has been severely limited by difficulties in observing them in living eyes. However,it is valuable to study these processes in vivo in part because defects in these pathways can lead to irreversible blindness []. Thoughthe kinetics of rod and cone photopigments have been extensively investigated for more than 50 years, functional measurements ofother relevant molecules have not been possible. Here, we describe a new imaging method that marries adaptive optics and two-photon fluorescence imaging to demonstrate light dependent changes in individual photoreceptors inside the living primate eye. Thistechnique could allow noninvasive monitoring of photoreceptor function in normal and diseased eyes.The poor optical quality of the mammalian eye and its rapid involuntary ocular motion generally precludes imaging at cellularresolution, but recent advances in high-resolution imaging with a fluorescence adaptive optics scanning laser ophthalmoscope(FAOSLO) coupled with novel image registration methods can overcome this difficulty [–]. Adaptive optics allows high-resolutionimaging with the largest numerical aperture that can be obtained with a dilated pupil. Fluorescence imaging produces high contrastimages of otherwise invisible structures. Although there are many different intrinsically-fluorescent molecules in the retina, manycannot be accessed in the living eye by single-photon fluorescence imaging. Excitation spectra for several molecules involved inphotoreceptor function [] fall below 400 nm, where the eye’s optics prevent light from reaching the retina []. We capitalized on two-photon excited fluorescence by using a near infrared excitation wavelength to excite otherwise inaccessible fluorophores and producethe intrinsic contrast for imaging retinal structure. Two-photon fluorescence provides intrinsic axial resolution by preferentially excitingfluorophores near the focal plane. In addition, two-photon imaging will permit separation of functional imaging of retinal neurons fromthe intense visual stimulation that is produced by current single-photon imaging [,].2. Methods2.1. Fluorescence adaptive optics scanning laser ophthalmoscope (FAOSLO)12356734High-resolution images of the retina were obtained with a fluorescence adaptive optics scanning laser ophthalmoscope (FAOSLO). This second generation instrument (Fig. 1 Schematic of the FAOSLO system. Changes in the vertical plane are outlined by the dashed lines. Inset: A plot of thetransmission spectrum for two-photon emission collection into the detector. DM, deformable mirror; HS, horizontal scanner; LD,laser diode; PMT, photomultiplier tube; SLD, superluminescent diode; VS, vertical scanner; WFS, wavefront sensor.) is similar to the first generation FAOSLO previously described in detail []. For reflectance imaging, a 790 nm (ΔFWHM 17 nm)superluminescent diode (Broadlighter, Superlum Ireland, Carrigtwohill, Co. Cork, Ireland) was used. The source for wavefront sensingwas a 904 nm laser diode. For two-photon excitation at 730 nm, the source was a Ti-sapphire laser (Mai Tai, Newport Spectra-Physics, Santa Clara, CA, USA) equipped with second-order dispersion compensation (DeepSee, Newport Spectra-Physics, SantaClara, CA, USA). This source had an 80 MHz repetition rate and a pulse width less than 70 fs in air. During calibration, a waterchamber equal in length to the axial length of a macaque eye with a sample of fluorescein beads was used to determine the optimumsetting (peak at 21.64 ± 0.13 standard error of the mean) for dispersion compensation. Light reflected from the retina retraced thesystem’s optical path and was collected through a confocal pinhole by a photomultiplier tube (H7422-50, Hamamatsu, Japan). Tomaximize efficiency for two-photon imaging, emitted fluorescence from the eye was collected without being descanned. This requiredthat the eye’s pupil be imaged onto a second photomultiplier tube (H7422-40, Hamamatsu, Japan) after being reflected off a dichroic(FF665-Di02, Semrock, Rochester, NY, USA). The emitted fluorescene passed through two identical emission filters (E550sp-2p,Chroma, Bellows Falls, VT, USA) to prevent bleed-through from the imaging sources. Both reflectance and fluorescence images werereconstructed based on the known positions of the scanners at a given point in time. All images were acquired at 25Hz with 256 graylevels (8-bit depth).Adaptive optics was employed to overcome the poor optical quality of the primate eye and create a near diffraction-limited spot on theretina. A Hartmann-Shack wavefront sensor (lenslet array with a pitch of 203 μm and a focal length of 7.8 mm, having 30 lensletsacross a 7.2 mm diameter pupil as imaged into the eye’s pupil) was used to measure optical aberrations of the eye, which then werecorrected with a deformable mirror (Hi-Speed dm97, ALPAO, Biviers, France). Magnification from the eye to the lenslet array was 0.87.The adaptive optics correction was operated at 10 Hz and ran in closed-loop during image acquisition.To compensate for the low fluorescence emission in a standard two-photon microscope, light at each pixel is integrated for a longperiod of time, but this is not possible in the living eye because of continual motion. Instead, up to 16,500 individual fluorescenceframes (12 minute acquisition) were registered and added together to produce the final image. Dual-image capture and registration(custom software, DeMotion []), in which the motion trace of a simultaneously obtained high signal-to-noise ratio (SNR) reflectanceimage is used to register a low SNR fluorescence video, was needed [–]. In addition, to compensate for the longitudinal chromaticaberration of the eye, the reflectance and two-photon excited fluorescence inputs were pre-adjusted to be focused on the same planewithin the eye.2.2. FAOSLO imaging procedureIn vivo macaque (macaca mulatta) retinas were imaged during sessions lasting up to 6 hours. Primates were prepared for imagingaccording to procedures previously described in detail []. Primates were anaesthetized with an intramuscular injection of ketamine,diazepam and glycopyrrolate, then intubated and kept in deep stage III, plane 3 anaesthesia with isofluorane. Mydriasis andFig. 138354cycloplegia were induced with 1-2 drops each of 2.5% phenylephrine hydrochloride and 1% tropicamide. During imaging the eye washeld open with a lid speculum and a rigid gas permeable contact lens was placed over the cornea to maintain corneal health andoptical quality. The macaque’s head post was attached to a gimbal mount designed to rotate about the eye’s pupil and a translationstage provided minor pupil adjustments. Multiple locations across the macula could be imaged by adjusting the gimbal mount. Two-photon imaging was performed repeatedly at a given location under variable conditions. Variables included the plane of focus, incidentexcitation power and dispersion compensation. Image acquisition at 6 locations began just prior to onset of the excitation laser,allowing fluorescence changes in response to the bleaching excitation light to be measured.In addition to FAOSLO imaging, fundus photography and fluorescein angiography were performed before and after initial FAOSLOimaging sessions to monitor retinal health and check for signs of light damage. The axial length of each eye was determined as theaverage of 10 A-scan ultrasound measurements (Quality Diagnostic Ultrasound, Storz/Teknar) and was used to convert the angularscale of the image to a linear scale on the retina according to the LeGrand eye model []. Retinal eccentricity was based on thedistance from the foveal center for each imaged location when overlaid on a fundus photo. All animal procedures were approved bythe University Committee on Animal Resources at the University of Rochester.2.3. Statistical analysesStatistical analyses were performed using PASW Statistics 18.0.2 (SPSS Inc., Chicago IL, USA). When comparing two data sets,Pearson correlation coefficients were calculated and paired t-tests were performed. A one-way t-test was used to compare a mean to aconstant value. In addition, a one-way analysis of variance (ANOVA) was used to test the relationship between cone spacing andretinal eccentricity. Differences were deemed significant when p ≤ 0.05.2.4. Ex vivo two-photon imaging of macaque retinaImmediately after a macaque (macaca fascicularis) was euthanized with anesthetic (Sleepaway, Fort Dodge Animal Health, FortDodge, IA, USA), the eyes were enucleated and maintained in carbogenated (95% O 2 and 5% CO 2) Ames' medium (Sigma, St. Louis,MO, USA), containing sodium bicarbonate (1.9 g/L) and glucose (0.8 g/L), and kept on ice. Except for a short period (approximately 10minutes), when the tissue was moved to the imaging facility, the Ames’ medium was continuously bubbled with carbogen. At roomtemperature and under dim red light, a small piece of the central retina with RPE and choroid attached was dissected and flattenedonto a membrane filter with the ganglion cells facing up.The retinal preparation in Ames’ medium was imaged at room temperature by using a two-photon microscope (Olympus FluoView1000 AOM-MPM system, Center Valley, PA, USA) at 100x, with an objective of 1.05 NA (Olympus, Center Valley, PA, USA) for up to 3hours. The Ames’ medium was not bubbled with carbogen during imaging. The microscope was set-up to mimic in vivo excitation andemission spectra. Image stacks in whole-mount views covering the depth of the photoreceptor layer were acquired in both the originalpre-bleached state, having been exposed only to dim red light, and then the post-bleached state, after a 2 minute exposure to blue(488 nm) light. The x, y and z pixel sizes of the image stacks were 0.124 μm, 0.124 μm and 0.25 μm, respectively. The time to acquirea single pixel was 2 μs with Kalman 3 line averaging.3. Results3.1. In vivo two-photon images of the photoreceptor mosaicTo our knowledge, this is the first demonstration of two-photon excited fluorescence imaging of a living primate eye. In vivo two-photonexcited fluorescence images of macaque retina revealed a regular array of spots (9Fig. 2aFig. 2 Images of the cone mosaic in the living primate retina. At 2.5° superior, (a) the two-photon image and (b) the reflectanceimage show good correspondence. The cross correlation coefficient between these images is 0.9. In magnified sections (c) of thelarger images, denoted by white rectangles in (a) and (b), the correspondence between individual cones can be observed (whitearrows). Black arrows indicate a cone that was not reflecting light but shows a strong fluorescence signal. The images in (c) werelow pass filtered to remove frequencies above the diffraction-limit, thereby improving cone visibility. Scale bars, 50 μm. Thequadratic nature of the emitted fluorescence as a function of incident excitation power is shown (d). Error bars represent thestandard error of the mean gray level among individual frames.) that correspond to the locations of cone photoreceptors imaged simultaneously by reflected near infrared light (). Emissionfrom two-photon excited fluorescence, rather than single photon fluorescence, was confirmed by several criteria: (1) the emitted powerwas a quadratic function of the excitation power (i.e. the mean power series exponent did not differ significantly from 2 by 1-way t-test;n = 8; α = 0.05; p = 0.06) (), (2) dispersion compensation increased fluorescence emission, and (3) the emission wavelengthswere shorter than the excitation wavelength. Two-photon signals were weak; a single two-photon excited fluorescence frame had0.0002 – 0.0007 photons per pixel. The processed images, obtained by summing 16,500 frames, had a mean value of approximately12 photons per pixel. The two-photon fluorescence emission originated from the cone photoreceptors because, with rare exceptions,each bright spot in the two-photon images () had a corresponding spot at the same location in the reflectance images of thecone mosaic. Moreover, this correspondence held at every eccentricity we studied (Fig. 2b Fig. 2d Fig. 2a-c Fig. 3a-cFig. 3 Mean cone spacing with eccentricity verifies that two-photon fluorescence originates from the cone mosaic. Shown are two-photon images of the cone mosaic in the living primate at three eccentricities in superior retina, (a) 5.5°, (b) 9.1° and (c) 13°. Scalebars, 50 μm. Cone spacing, as determined in Fourier space, is shown as a function of eccentricity (d) from two-photon (●) andreflectance (Δ) images. Error bars represent the width of the secondary peak in the Fourier spectra.). In some cases, cones that were not waveguiding light in the reflectance image, and hence may have been considered missing, werevisible in the fluorescence image, indicating that they were probably viable cells (). According to a paired t-test, the spacing ofthe cones and the spacing of the two-photon imaging spots, each determined from the Fourier spectra of the images, were notsignificantly different (n = 7; α = 0.05; p = 0.40) and both increased with eccentricity in a manner unique to the cone mosaic among cellclasses in the primate retina (). Although there is evidence for some fluorescence from rods, they were not clearly identifiable.3.2. Ex vivo two-photon images of the photoreceptor mosaicTo determine the origin of the two-photon fluorescence signal, two-photon imaging was performed on ex vivo macaque retina with theretinal pigment epithelium (RPE) and choroid attached. Two-photon excited fluorescence was observed through all retinal layers, fromthe ganglion cells to the RPE, consistent with previous studies [–]. The mosaic of rods and cones was most clearly distinguishedin the post-bleached state (Fig. 2c Fig. 3d 1016Fig. 4bFig. 4 Two-photon fluorescence of photoreceptors in macaque macular region imaged ex vivo . Whole mount view of thephotoreceptor inner segment mosaic showing large cones interspersed among the much smaller rods in (a) pre-bleached and (b)post-bleached states. These slices were collapsed across a 2.5 μm depth. (c) Digitally reconstructed transverse view of an‘average’ cone, computed by averaging the data cropped from 18 identical voxels centered on 18 individual cones, in the post-bleached state showing the bright inner segment (IS) and a much dimmer outer segment (OS). Scale bar, 5 μm.). In the pre-bleached state, the edges of photoreceptors appeared indistinct (). Relative to the pre-bleached state, bleachingincreased the overall intensity of fluorescence more than two-fold. As shown in the transverse view of an ‘average’ cone (), thestrongest fluorescence signal was localized to the cone inner segments in both the pre- and post-bleached states. Based on these exvivo observations, we infer that the in vivo two-photon fluorescence images of the cone mosaic also emanate from fluorophoreslocated within the inner segments.3.3. In vivo functional measurementsIn the living macaque eye, we observed that fluorescence emission increased in response to photoreceptor bleaching, as measured bythe mean gray level of each two-photon fluorescence frame (Fig. 4a Fig. 4c Fig. 5Fig. 5 Fluorescence emission response during photoreceptor bleaching. The results for three different retinal locations are shown.Data points are the means of 2 s time intervals and error bars represent the standard error of the means. Lines represent the bestfits to the unbinned data.). This is consistent with ex vivo observations. Because of differences in cone density and vasculature, the magnitude of the increasein fluorescence varies with location from 1.3 to 2 times. The time constants for a 1/e increase ranged from 7 s to 32 s, longer thanexpected for cone bleaching (2 s). The measured changes in fluorescence can indicate increases in imaged fluorophore concentration.4. DiscussionThese results demonstrate that it is possible to image cellular structures in the living primate eye with two-photon fluorescence. Thespecific fluorophore(s) that were excited remain(s) to be determined. Fluorophores previously imaged in ex vivo photoreceptors haveincluded mitochondrial flavin adenine dinucleotide (FAD) [,], reduced pyridine nucleotides involved in cellular metabolism (NADHand NADPH, collectively referred to as NAD(P)H) [,,], A2-PE [] and all-trans -retinol [,,,]. Because A2-PE and all-trans -retinol are products of the visual cycle that are predominately located in outer segments, substantial amounts would not beexpected in cone inner segments. Fluorophores in cone inner segments can also include 11-cis -retinol [] or compounds yet to beidentified.Because of the low number of emitted fluorescent photons, it is not currently possible to experimentally identify in vivo fluorophoresusing the FAOSLO. NAD(P)H and retinol have similar two-photon excitation cross-sections []. At 730 nm, the wavelength used forfluorescence excitation, the two-photon cross-section of FAD is almost double that of NAD(P)H, but follows a similar action spectrumuntil it peaks again near 900 nm []. Although the emission peaks [,,] are slightly separated, NAD(P)H, FAD and retinol are alleasily detected by the broad emission collection in the FAOSLO. Given their spectral properties, emission from other fluorophores,such as A2-PE [] or lipofuscin [], is unlikely to be collected in significant quantities.In vivo two-photon imaging was achieved without observable retinal damage as assessed from 1 day to a year later by fundusphotography and fluorescein angiography. Moreover, the same location could be imaged on separate occasions with no detectablechange in the appearance of the fluorescence or reflectance images. If this method were to be used in humans, the light levelsrequired would have to comply with the current American National Standard for the Safe Use of Lasers [] which provides guidancefor calculating maximum permissible exposures (MPEs) for ocular light incorporating about an order of magnitude of safety. MPEcalculations for a scanning laser ophthalmoscope have been described in detail elsewhere [,]. For the FAOSLO, with imagingconditions described herein, the MPE is 665 μW for a 12 minute exposure (the acquisition time for generating a single two-photonimage). Successful in vivo two-photon imaging was achieved by using 3 to 3.5 mW of excitation power incident on the cornea, over 4.5times the 12 minute ANSI MPE, but less than the damage threshold expected from experimental data for continuous wave illumination[], a suitable comparison for thermal damage. With improvements in light efficiency, safe two-photon imaging of the living humaneye appears to be feasible.In vivo imaging can provide insight into the molecular changes that occur during the phototransduction cascade and subsequent visualpigment regeneration. Improved understanding of the processes of vision in living healthy and diseased retina can help advance1516613151661315171819206192016212242324therapies for successful aging, as well as improve the diagnosis and treatment of some retinal pathologies []. Intrinsic signals havebeen investigated in vivo at low spatial resolution with a fundus camera [,] and at the cellular scale with OCT [], an AOSLO []and an AO flood-illuminated camera []. In response to visible light stimuli, positive and negative changes in near-infrared reflectancehave been observed, the origins of which are not completely understood. The observed intrinsic signals have been attributed tochanges in vascular blood flow [] and/or photoreceptor changes such as, membrane hyperpolarisation [,,], cell swelling[,,], and changes in refractive index or scattering properties []. These are indirect measures of the effects of chemicalchanges occurring in response to photoreceptor activation. Two-photon imaging of the living eye at a cellular scale has the potential todirectly measure the changes in concentrations of fluorescent molecules involved in visual excitation. Using two-photon imaging in anisolated frog rod, Chen and colleagues [] demonstrated an increase in the two-photon excited fluorescence signal following exposureto visible light. Spectroscopic measurements identified the fluorophores as NAD(P)H in the rod inner segments and all-trans -retinol inthe outer segments. They also obtained similar results with isolated mouse retina. Here, we have shown, in vivo and in an ex vivopreparation, an increase in two-photon fluorescence signal from cone inner segments in response to light exposures that would resultin cone bleaching.When enabled by a high-resolution adaptive optics scanning laser ophthalmoscope, two-photon imaging provides functionalmeasurements at the cellular scale in the living eye. The nature of current functional measurements is still under investigation. Theincreased fluorescence may represent the creation of new fluorescent molecules or an increase in the concentration of existingfluorescent molecules either directly by the two-photon excitation light or by its stimulation of a visual response. The capability to imagechanges in cellular metabolism (if imaging FAD or NAD(P)H) or the influx and conversion of 11-cis -retinol in cone inner segments inresponse to visual stimuli is of interest, not only in young and aging healthy eyes, but also in eyes with retinal pathology. If the two-photon imaging signal emanates from NAD(P)H or FAD, mitochondrial dysfunction, such as that originating from Leber’s hereditaryoptic neuropathy [] or NARP (neurogenic muscle weakness, ataxia, retinitis pigmentosa) [], the technique can display differentfluorescence changes over time when compared to normal healthy eyes. Altered responses to light may also be observed withdiseases of the visual cycle, including Leber’s congenital amaurosis and Stargardt disease []. Two-photon fluorescence imagingcapabilities could be highly useful for monitoring the efficacy of proposed therapies.5. ConclusionsWith the use of an adaptive optics scanning laser ophthalmoscope with dual imaging capabilities, the many challenges for in vivo two-photon fluorescence imaging were overcome to produce the first two-photon fluorescence images of the living primate retina. Imageswere obtained with light levels that did not produce observable retinal damage. Although the specific fluorophore is as yet unknown, astrong in vivo fluorescence signal originates from cone inner segments producing images of the cone mosaic and providing functionalmeasurements of an early stage in the visual process. Future applications of two-photon fluorescence imaging in the primate eye mayalso include the use of extrinsic fluorophores.AcknowledgmentsFor their assistance with this research, we thank Kamran Ahmad, John Moonan, Jennifer Norris, Lee Anne Schery and Robert Wolfe.Ex vivo two-photon imaging was performed at the Multiphoton Core Facility at the University of Rochester Medical Center with theassistance of Karl Kasischke, Gheorghe Salahura and Anita Sun. We appreciate financial support from the following sources:Polgenix, Inc.; National Institute for Health, Bethesda, Maryland Grants P30-EY001319, R01-EY004367, BRP-EY014375, T32-EY007125, R01-EY009339, R24-EY021126, R43-EY020715. This work made use of STC shared experimental facilities supported bythe NSF under Agreement No. AST-9876783, Research to Prevent Blindness. Alfredo Dubra-Suarez, Ph.D., holds a Career Award atthe Scientific Interface from the Burroughs Welcome Fund; Klaus Tschira Foundation Heidelberg, Germany; European Life ScientistOrganization; TECH 09-004 State of Ohio Department of Development; Third Frontier Commission. DeMotion image registrationsoftware was developed by Alfredo Dubra and Zach Harvey with funding from Research to Prevent Blindness and the NationalInstitute of Health, Bethesda, Maryland through the grants BRP-EY014375 and 5 K23 EY016700. Adaptive optics control software wasdeveloped by Alfredo Dubra and Kamran Ahmad.References and Links1. T. D. Lamb and E. N. Pugh Jr., “Dark adaptation and the retinoid cycle of vision,” Prog. Retin. Eye Res. 23(3), 307–380 (2004). [CrossRef][PubMed]2. G. H. Travis, M. Golczak, A. R. Moise, and K. Palczewski, “Diseases caused by defects in the visual cycle: retinoids as potentialtherapeutic agents,” Annu. Rev. Pharmacol. Toxicol. 47(1), 469–512 (2007). [CrossRef][PubMed]3. D. C. Gray, W. Merigan, J. I. Wolfing, B. P. Gee, J. Porter, A. Dubra, T. H. Twietmeyer, K. Ahamd, R. Tumbar, F. Reinholz, and D. R.Williams, “In vivo fluorescence imaging of primate retinal ganglion cells and retinal pigment epithelial cells,” Opt. Express 14(16),7144–7158 (2006). [CrossRef][PubMed]4. J. I. Morgan, J. J. Hunter, B. Masella, R. Wolfe, D. C. Gray, W. H. Merigan, F. C. Delori, and D. R. Williams, “Light-induced retinal changesobserved with high-resolution autofluorescence imaging of the retinal pigment epithelium,” Invest. Ophthalmol. Vis. Sci. 49(8), 3715–3729 (2008). [CrossRef][PubMed]5. J. I. Morgan, A. Dubra, R. Wolfe, W. H. Merigan, and D. R. Williams, “In vivo autofluorescence imaging of the human and macaque retinalpigment epithelial cell mosaic,” Invest. Ophthalmol. Vis. Sci. 50(3), 1350–1359 (2008). [CrossRef][PubMed]2252627282925262829262829296303126. C. Chen, E. Tsina, M. C. Cornwall, R. K. Crouch, S. Vijayaraghavan, and Y. Koutalos, “Reduction of all-trans retinal to all-trans retinol inthe outer segments of frog and mouse rod photoreceptors,” Biophys. J. 88(3), 2278–2287 (2005). [CrossRef][PubMed]7. J. Dillon, L. Zheng, J. C. Merriam, and E. R. Gaillard, “Transmission spectra of light to the mammalian retina,” Photochem. Photobiol. 71(2), 225–229 (2000). [CrossRef][PubMed]8. A. Dubra and Z. Harvey, “Registration of 2D images from fast scanning ophthalmic instruments” presented at WBIR 2010—Workshop onBiomedical Image Registration, July 11–13 2010, Lübeck, Germany.9. G. Wyszecki, and W. S. Stiles, Color Science: Concepts and Methods, Quantitative Data and Formulae (John Wiley & Sons, Inc., 1982).10. Y. Imanishi, M. L. Batten, D. W. Piston, W. Baehr, and K. Palczewski, “Noninvasive two-photon imaging reveals retinyl ester storagestructures in the eye,” J. Cell Biol. 164(3), 373–383 (2004). [CrossRef][PubMed]11. M. Han, A. Bindewald-Wittich, F. G. Holz, G. Giese, M. H. Niemz, S. Snyder, H. Sun, J. Yu, M. Agopov, O. La Schiazza, and J. F. Bille,“Two-photon excited autofluorescence imaging of human retinal pigment epithelial cells,” J. Biomed. Opt. 11(1), 010501 (2006).[CrossRef][PubMed]12. A. Bindewald-Wittich, M. Han, S. Schmitz-Valckenberg, S. R. Snyder, G. Giese, J. F. Bille, and F. G. Holz, “Two-photon-excitedfluorescence imaging of human RPE cells with a femtosecond Ti:sapphire laser,” Invest. Ophthalmol. Vis. Sci. 47(10), 4553–4557 (2006). [CrossRef][PubMed]13. M. Han, G. Giese, S. Schmitz-Valckenberg, A. Bindewald-Wittich, F. G. Holz, J. Yu, J. F. Bille, and M. H. Niemz, “Age-related structuralabnormalities in the human retina-choroid complex revealed by two-photon excited autofluorescence imaging,” J. Biomed. Opt. 12(2), 024012 (2007). [CrossRef][PubMed]14. O. La Schiazza and J. F. Bille, “High-speed two-photon excited autofluorescence imaging of ex vivo human retinal pigment epithelial cellstoward age-related macular degeneration diagnostic,” J. Biomed. Opt. 13(6), 064008 (2008). [CrossRef][PubMed]15. E. J. Gualda, J. M. Bueno, and P. Artal, “Wavefront optimized nonlinear microscopy of ex vivo human retinas,” J. Biomed. Opt. 15(2),026007 (2010). [CrossRef][PubMed]16. L. Zhao, J. Qu, and H. Niu, “Identification of endogenous fluorophores in the photoreceptors using autofluorescence spectroscopy,” inOptics in Health Care and Biomedical Optics III, X. Li, Q. Luo, and Y. Gu, eds. (SPIE, 2007).17. R. C. Sears and M. W. Kaplan, “Axial diffusion of retinol in isolated frog rod outer segments following substantial bleaches of visualpigment,” Vision Res. 29(11), 1485–1492 (1989). [CrossRef][PubMed]18. J. S. Wang and V. J. Kefalov, “An alternative pathway mediates the mouse and human cone visual cycle,” Curr. Biol. 19(19), 1665–1669(2009). [CrossRef][PubMed]19. W. R. Zipfel, R. M. Williams, R. Christie, A. Y. Nikitin, B. T. Hyman, and W. W. Webb, “Live tissue intrinsic emission microscopy usingmultiphoton-excited native fluorescence and second harmonic generation,” Proc. Natl. Acad. Sci. U.S.A. 100(12), 7075–7080 (2003).[CrossRef][PubMed]20. S. Huang, A. A. Heikal, and W. W. Webb, “Two-photon fluorescence spectroscopy and microscopy of NAD(P)H and flavoprotein,”Biophys. J. 82(5), 2811–2825 (2002). [CrossRef][PubMed]21. F. C. Delori, C. K. Dorey, G. Staurenghi, O. Arend, D. G. Goger, and J. J. Weiter, “In vivo fluorescence of the ocular fundus exhibits retinalpigment epithelium lipofuscin characteristics,” Invest. Ophthalmol. Vis. Sci. 36(3), 718–729 (1995). [PubMed]22. American National Standards Institute, American National Standard for Safe Use of Lasers (American National Standards Institute, LaserInstitute of America, 2007).23. F. C. Delori, R. H. Webb, and D. H. SlineyF. C. DeloriR. H. WebbD. H. SlineyAmerican National Standards Institute, “Maximumpermissible exposures for ocular safety (ANSI 2000), with emphasis on ophthalmic devices,” J. Opt. Soc. Am. A 24(5), 1250–1265 (2007). [CrossRef][PubMed]24. W. T. Ham Jr, H. A. Mueller, J. J. Ruffolo Jr, and A. M. Clarke, “Sensitivity of the retina to radiation damage as a function of wavelength,”Photochem. Photobiol. 29(4), 735–743 (1979). [CrossRef][PubMed]25. D. Ts’o, J. Schallek, Y. Kwon, R. Kardon, M. Abramoff, and P. Soliz, “Noninvasive functional imaging of the retina reveals outer retinal andhemodynamic intrinsic optical signal origins,” Jpn. J. Ophthalmol. 53(4), 334–344 (2009). [CrossRef][PubMed]26. K. Tsunoda, G. Hanazono, K. Inomata, Y. Kazato, W. Suzuki, and M. Tanifuji, “Origins of retinal intrinsic signals: a series of experimentson retinas of macaque monkeys,” Jpn. J. Ophthalmol. 53(4), 297–314 (2009). [CrossRef][PubMed]27. V. J. Srinivasan, Y. Chen, J. S. Duker, and J. G. Fujimoto, “In vivo functional imaging of intrinsic scattering changes in the human retinawith high-speed ultrahigh resolution OCT,” Opt. Express 17(5), 3861–3877 (2009). [CrossRef][PubMed]28. K. Grieve and A. Roorda, “Intrinsic signals from human cone photoreceptors,” Invest. Ophthalmol. Vis. Sci. 49(2), 713–719 (2008).[CrossRef][PubMed]29. R. S. Jonnal, J. Rha, Y. Zhang, B. Cense, W. Gao, and D. T. Miller, “In vivo functional imaging of human cone photoreceptors,” Opt.Express 15(24), 16141–16160 (2007). [CrossRef]30. P. Y. Man, D. M. Turnbull, and P. F. Chinnery, “Leber hereditary optic neuropathy,” J. Med. Genet. 39(3), 162–169 (2002). [CrossRef][PubMed]31. I. J. Holt, A. E. Harding, R. K. Petty, and J. A. Morgan-Hughes, “A new mitochondrial disease associated with mitochondrial DNAheteroplasmy,” Am. J. Hum. Genet. 46(3), 428–433 (1990). [PubMed]OCIS Codes(010.1080) Atmospheric and oceanic optics : Active or adaptive optics(330.4460) Vision, color, and visual optics : Ophthalmic optics and devices(330.5310) Vision, color, and visual optics : Vision - photoreceptors(330.7327) Vision, color, and visual optics : Visual optics, ophthalmic instrumentationToC Category:Ophthalmology Applications。

相关文档
最新文档