英文电影配音 乱世佳人
电影《乱世佳人》 经典台词赏析
奥哈拉先生：你嫁给谁又有什么关系呢？只要他是南方人，并且和你合 得来。等我死了，我会把塔拉庄园留给你的。 斯佳丽：我不要塔拉庄园。农场又没什么用…… 奥哈拉先生：凯蒂·斯佳丽·奥哈拉，你是说，塔拉……这片土地对你没什 么用处？知道吗？土地是世界上惟一值得劳作、值得战斗、值得为它 而死的东西，因为它是惟一永存的。 斯佳丽：哦，爸爸，你说话的样子像个爱尔兰人。 奥哈拉先生：作为一名爱尔兰人，我很自豪。难道你忘记了，姑娘，你 也有一半是爱尔兰血统。对于那些身体中即使只流着一滴爱尔兰血液 的人来说，他们居住的土地就是他们的母亲
谢 谢！
影片的最后没有定论， 或许，也是在这儿片土地上，思嘉或许会和艾思礼 在一起， 也或许会和瑞得 ，因为他们俩在性格上是一类人 ，生活在一起会很 适合。 瑞德最后不也向往艾思礼和媚兰宽和理性，还有那片他说的优美平和的 世界吗 ？ 最后，红色土地，思嘉那种精神 ，才是最需要的， 没有它，一切都只不过 是幻想，永远是幻想！这种精神在思嘉身上 ，她无疑成为被塑造的首要人物 。 美好的梦谁都会有， 但现实却需要这种力量与精神去实现它！ 小说蕴涵了很多东西的 ，爱情故事是吸引人的 ，对爱情也有一些启迪。 更 深层的还有一些精神的东西，人类是斗争的 、变化的 、思考的动物，也正是有 了斗争、有了变化、有了思考，人类才在顽强不息中繁衍、生存！
电影《乱世佳人》
经典台词赏析
10新闻 陈应勇
影片介绍
《乱世佳人》（GONE WITH THE WIND）是好莱坞影史上最值得骄傲的一 部旷世巨片，影片放映时间长达4小时， 观者如潮。其魅力贯穿整个20世纪，因此 有好莱坞“第一巨片”之称。影片当年耗 资400多万美元，历时三年半完成，其间 数换导演，银幕上出现了60多位主要演员 和9000多名配角演员。在1939年的第12 届奥斯卡奖中一举夺得八项金像奖，轰动 美国影坛。这部耗资巨大，场景豪华，战 争场面宏大逼真的历史巨片，以它令人称 道的艺术成就成为美国电影史上一部经典 作品，令人百看不厌。
乱世佳人简介及经典台词翻译-英文解读
ASHLEY: How could I help loving you? You have all the passion for life that I lack. But that kind of love isn‘t enough to make a successful marriage for two people who are as different as we are. SCARLETT: Why don‘t you say it, you coward? You‘re afraid to marry me. You‘d rather live with that silly little fool who can‘t open her mouth except to say "yes", "no",and raise a houseful of mealy-mouthed brats just like her! 翻译：希礼：我怎么能够不爱你？你拥有我所缺少的生活的热情。但是这样的爱并 不足以让我们两个如此不同的人有一个成功的婚姻。
The film received ten Academy Awards (eight competitive, two honorary), a record that stood for 20 years until Ben-Hur surpassed it in 1960. In the American Film Institute's inaugural Top 100 Best American Films of All Time list of 1998, it was ranked fourth, and in 1989 was selected to be preserved by the National Film Registry. The film was the longest American sound film made up to that time – 3 hours 44 minutes, plus a 15-minute intermission – and was among the first of the major films shot in color (Technicolor), winning the first Academy Award for Best Cinematography in the category for color films. It became the highest-grossing film of all-time shortly after its release, holding the position until 1966. After adjusting for inflation, it has still earned more than any other film in box office history.
英文电影
乱世佳人《乱世佳人》是根据小说家玛格丽特·米切尔的小说《飘》改编的一部美国电影。
由维克多·弗莱明、乔治·库克、山姆·伍德导演。
克拉克·盖博、费雯·丽、托马斯·米切尔、海蒂·麦克丹尼尔斯、奥利维娅·德哈维兰等人主演。
评分9.2导演维克多·弗莱明主演克拉克·盖博/ 费雯·丽/ 奥丽维亚·德哈维兰影片讲述美国南北战争期间郝思嘉与白瑞德的爱情故事。
郝思嘉一直爱着艾希礼却得不到他，在战争爆发那一天，她遇到了白瑞德。
两个人历经磨难，白瑞德一直对她不离不弃，但直到他最终离开，郝思嘉才发现自己其实爱的是白瑞德。
简介1861年美国南北战争爆发的前夕，塔拉庄园的千金小姐斯嘉丽（费雯·丽饰）爱上了另一庄园主的儿子艾希礼（莱斯利·霍华德饰），但艾希礼却选择了温柔善良的梅兰妮（奥莉薇·黛·哈佛兰饰）。
斯嘉丽赌气嫁给梅兰妮的弟弟查尔斯。
南北战争爆发后，查尔斯上前线并战死。
斯嘉丽成了寡妇，但她内心却一直热恋着艾希礼。
斯嘉丽和风度翩翩的商人白瑞德（克拉克·盖博饰）相识，但拒绝了他的追求。
目睹战乱带来的惨状，任性的斯嘉丽成熟了不少。
不少人家惊惶地开始逃离家园，但正巧梅兰妮要生孩子，斯嘉丽只好留下来照顾她。
战后斯嘉丽在绝望中去找白瑞德借钱，偶遇本来要迎娶她妹妹的暴发户弗兰克。
为了保住家园，她勾引弗兰克跟她结婚。
弗兰克和艾希礼加入了反政府的秘密组织，在一次集会时遭北方军包围，弗兰克中弹死亡，艾希礼负伤逃亡，在白瑞德帮助下回到梅兰妮身边。
斯嘉丽再次成为寡妇，此时，白瑞德前来向她求婚，她终于与一直爱她的搞私运军火和粮食致富的白瑞德结了婚。
一年后，女儿邦妮出生，白瑞德把全部感情投注到邦妮身上，他跟斯嘉丽的感情却因她忘不了艾希礼而破裂。
斯嘉丽再次怀孕，但在和白瑞德的争吵中滚下楼梯流产。
英文电影经典对白
英文电影精彩对白It is only in the mysterious equations of love that any logic or reasons can be found. 只有在这种神秘的爱情方程中，才能找到逻辑或原由来。
You need to believe that someting extraordinary is possible......你需要去相信，生命中有些特别的东西，是可能存在的……Maybe the part that knows the waking fron the dream maybe isn t here(brain)maybe it s here( heart) .可能从梦幻中醒来的部分，不是在脑海里，而是在心上。
——《A Beautiful Mind美丽心灵》In memory, love lives forever.My darling I’m waiting for you.爱在记忆里永生，亲爱的，我在这里等你。
New lovers are nervous and tender, but smash everything- for the heart is an organ of fire.初恋的人们心存紧张并满怀柔情，但却可以抵御一切——只因为心如烈火！Betrayals in war are childlike compared with our betrayals during peace.战火硝烟中的背叛与我们在太平盛世中的背叛相较而言，就天真单纯得多了！——《The English Patient英国病人》Sometimes your whole life boils down to one insane move.人一生中出人头地的机会不多，一旦有了一定要抓住机会！If you wish to survive you need to cultivate a strong mental attitude.如果你想活着，你需要培养一种坚强的精神态度。
Gone with The Wind(乱世佳人)经典电影对白双语阅读
Gone with The Windnd is the only thing in the world worth working for， worth fighting for， worth dying for. Because it‘s the only thing that lasts.（土地是世界上唯一值得你去为之工作，为之战斗，为之牺牲的东西，因为它是唯一永恒的东西）2.I wish I could be more like you.（我要像你一样就好了）3.Whatever comes，I‘ll love you， just as I do now. Until I die.（无论发生什么事，我都会像现在一样爱你，直到永远）4.I think it‘s hard winning a war with words.（我认为纸上谈兵没什么作用）5.Sir，you‘re no gentleman. And you miss are no lady.（先生，你可真不是个君子，小姐，你也不是什么淑女）6.I never give anything without expecting something in return. I always get paid.（我做任何事不过是为了有所回报，我总要得到报酬）7.In spite of you and me and the whole silly world going to pieces around us， I love you.（哪怕是世界末日我都会爱着你）8.I love you more than I‘ve ever loved any woman. And I’ve waited longer for you than I‘ve waited for any woman. 此句只可意会不可言传9.If I have to lie， steal， cheat or kill， as God as my witness，I‘ll never be hungry again！（即使让我撒谎，去偷，去骗，去杀人，上帝作证，我再也不要挨饿了）10.Now I find myself in a world which for me is worse than death. A world in which there is no place for me.（现在我发现自己活在一个比死还要痛苦的世界，一个无我容身之处的世界）11.You‘re throwing away happiness with both hands. And reaching out for something that will never make you happy.（你把自己的幸福拱手相让，去追求一些根本不会让你幸福的东西）12.Home. I‘ll go home. And I’ll think of some way to get him back. After all， tomorrow is another day.（家，我要回家。
乱世佳人简介和经典台词翻译_英文
Mr.O'Hara: What difference does it make whom you marry? So long as he's a Southerner and thinks like you. And when I'm gone, I leave Tara to you. Scarlett: I don't want Tare, plantations don't mean anything when... Mr.O'Hara: Do you mean to tell me, Katie Scarlett O'hara that Tara...that land doesn't mean anything to you? Why, land's the only thing in he world worth working for, worth fighting for, worth dying for, because it's the only thing that lasts. Scarlett: Oh, Pa. You talk like an Irishman. Mr.O'Hara: It's proud I am that I'm Irish, and don't you be forgetting, Missy, that you're half-Irish, too. And, to anyone with a drop of Irish blood in them...why, the land they live on is like their mother. Oh, but there, there. Now, you're just a child. It'll come to you, this love of the land. There's no getting away from it if you're Irish.
20部经典英文电影对白
20部经典英文电影对白1.《乱世佳人》Tomorrow is another day.2.《泰坦尼克号》Jack: "You must do me this honor... promise me you will survive... that you will never give up... no matter what happens... no matter how hopeless... promise me now, and never let go of that promise.3.《007系列》"Bond. James Bond."4.《阿甘正传》Momma always said: "Life is like a box of chocolates, Forrest. You never know what you're gonna get."Mother: It's my time. It's just my time. Oh, now, don't you be afraid sweetheart. Death is just a part of life, something we're all destined to do. I didn't know it. But I was destined to be your momma. I did the best I could.Jenny: Are you stupid or somethingForrest: Momma says that stupid is as stupid does.5.《终结者》"I'll be back!"6.《英国病人》We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we have hidden in like this wretched cave. I want all this marked on my body. We are the real countries, not the boundaries drawn on maps with names of powerful men. I know you will come and carry me out into the palace of winds, that's all I've wanted- to walk in such a place with you, with friends, on the earth without maps.7.《空军一号》“My family first”8.《罗马假日》I have to leave you now. I'm going to that corner there,and turn. You stay in car and drive away. Promise not to watch me go beyond the corner. Just drive away and leave me as I leave you.Well, life isn't always what one likes, isn't it9.《绿野仙踪》"There's no place like home."10.《卡萨布兰卡》Of all the gin joints in all the towns in all the world，she walks into mine.11.《我不是天使》It’s not the men in your life that counts，it’s the life in your men.12.《地狱的天使》Would you be shocked if I changed into something more comfortable13.《鸭子汤》I could dance with you’till the cows come second thoughts，I’d rather dance with the cows’ till you came home.14.《安娜·克里斯蒂》Gimme a visky with ale on the side——and don’t be stinchy，baby.15.《美梦成真》The end ，is only the beginning.16.《 Phenomenon》“ Will you love me for the rest of my life”“ No，I'll love you for the rest of mine.”17.《日出之前》If there's any kind of magic in this world， it must be in the attempt of understanding someone or sharing something。
电影片段(中英文)
1.Special Love非常爱情Roman Holiday（罗马假日）I have very faith in it...as I have faith in relationship between people.对此我充满信心，就像我对人与人之间的关系一样充满信心。
Chasing Amy（爱，上了瘾）I know you think of me just a friend, and crossing that line is the furthest thing from an opion you'd ever consider.我知道你只把我当朋友看待，你也从未想过要超越这一层。
Gone with the Wind（乱世佳人）You're throwing away happiness with both hands. And reaching out for something that will never make you happy.你把自己的幸福拱手相让，去追求一些根本不会让你幸福的东西。
Sleepless in Seattle （西雅图不眠夜）Work hard! Work will save you. Work is the only thing that will see you through this.努力工作吧！工作能拯救你。
埋头苦干可令你忘记痛楚。
Message in a Bottle（瓶中信）My life began when I found you and I thought it had ended when I failed to save you.我的生命，因为遇到你而开始，因为无法挽留你而终结。
2.Dream may come true梦想照进现实Harry Potter and the Sorcerer's stone（哈利·波特与魔法石）When we are in the face of dareness and death, we fear that is unknow, in addition, no other.当我们在面对黑暗和死亡的时候，我们害怕的只是未知，除此之外，没有别的。
经典英文电影中经典对白
经典英文电影经典对白1、《Gone with the wind乱世佳人》(1)Home. I'll go home. And I'll think of some way to get him back. After all, tomorrow is another day.家,我要回家.我要想办法让他回来.不管怎样,明天又是全新的一天。
(2)We become the most familiar strangers.我们变成了世上最熟悉的陌生人。
(3)Later,respectively,wander and suffer sorrow.今后各自曲折，各自悲哀(4)Land is the only thing in the world worth working for, worth fighti ng for, worth dying for. Because it’s the only thing that lasts.(Gone with The Wind)土地是世界上唯一值得你去为之工作, 为之战斗, 为之牺牲的东西,因为它是唯一永恒的东西。
(5)I wish I could be more like you.我要像你一样就好了。
(6)Whatever comes, I'll love you, just as I do now. Until I die.无论发生什么事,我都会像现在一样爱你,直到永远(7)I think it's hard winning a war with words.我认为纸上谈兵没什么作用。
(8)Sir, you're no gentleman. And you miss are no lady.先生,你可真不是个君子,小姐,你也不是什么淑女。
(9)I never give anything without expecting something in return. I always get paid. 我做任何事不过是为了有所回报,我总要得到报酬。
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(乱世佳人)Gone_with_the_Wind_英文介绍及赏析
ARGARET ITCHELL WAS BORNlawyer and the president of the Atlanta Historical Society, and her mother was a suffragette (a woman in support of extending the right to vote, especially to women) and an advoc ate of women’s rights in general. Mitchell grew up listening to stories about Atlanta during the Civil War, stories often told by people who had lived through the war. Mitchell attended Smith College, a women’s college in Northampton, Massachusetts. In 1919, she returned to Atlanta and began to live a lifestyle considered wild by the standards of the 1920s. After a disastrous first marriage, Mitchell began a career as a journalist and married an advertising executive named John Robert Marsh. In 1926, encouraged by her husband, Mitchell began to write the novel that would become Gone with the Wind. She went through nine complete drafts of the thousand-page work, setting an epic romance against the Civil War background she knew so well. In the first ei ght drafts, the protagonist was called Prissy Hamilton, not Scarlett O’Hara (as the character was renamed in the final draft).Gone with the Wind differs from most Civil War novels by glorifying the South and demonizing the North. Other popular novels about the Civil War, such as Stephen Crane’s The Red Badge of Courage, are told from a Northern perspective and tend to exalt the North’s values. Mitchell’s novel is unique also for its portrayal of a strong-willed, independent woman, Scarlett O’Hara, who shares many characteristics with Mitchell herself. Mitchell frequently defied convention, divorcing her first husband and pursuing a career in journalism despite the disapproval of society.Gone with the Wind was published in 1936, ten years after Mitchell began writing it. A smash success upon publication, Gone with the Wind became—and remains even now—one of the best-selling novels of all time. It received the 1937 Pulitzer Prize. In the late 1930s a film version of the novel was planned, and David O. S elznick’s nationwide search for an actress to play Scarlett O’Hara captivated the nation’s attention. The resulting film starred Vivien Leigh and Clark Gable as Scarlett O’Hara and Rhett Butler, and it quickly became one of the most popular motion pictures of all time.Mitchell was less than thrilled by the sweeping popularity of her work. She found the spotlight uncomfortable and grew exhausted and ill. Gone with the Wind is her only novel, though she continued to write nonfiction. Mitchell volunteered extensively during World War II and seemed to regain her strength. In 1949 a car struck and killed Mitchell while she was crossing Peachtree Street in Atlanta.Many critics question the literary merit and outdated racial stances of Gone with the Wind. Some consider the novel fluffy, partly because women of Mitchell’s time rarely received credit for serious literary fiction and partly because the novel features a romance along with its historical plot. Both blacks and whites have harshly criticized Mitchell’s sympathetic depiction of slavery and the Ku Klux Klan and her racist depiction of blacks. The novel is most valuable ifread with an understanding of three historical contexts: our own, Mitchell’s, and Scarlett’s.Plot OverviewI T IS THE SPRING OF 1861.Scarlett O’Hara, a pretty Southern belle, lives on Tara, a large plantation in Georgia. She concerns herself only with her numerous suitors and her desire to marry Ashley Wilkes. One day she hears that Ashley is engaged to Melanie Hamilton, his frail, plain cousin from Atlanta. At a barbecue at the Wilkes plantation the next day, Scarlett confesses her feelings to Ashley. He tells her that he does love her but that he is marrying Melanie because she is similar to him, whereas he and Scarlett are very different. Scarlett slaps Ashley and he leaves the room. Suddenly Scarlett realizes that she is not alone. Rhett Butler, a scandalous but dashing adventurer, has been watching the whole scene, and he compliments Scarlett on being unladylike.The Civil War begins. Charles Hamilton, Melanie’s timid, dull brother, proposes to Scarlett. She spitefully agrees to marry him, hoping to hurt Ashley. Over the course of two months, Scarlett and Charles marry, Charles joins the army and dies of the measles, and Scarlett learns that she is pregnant. After Scarlett gives birth to a son, Wade, she becomes bored and unhappy. She makes a long trip to Atlanta to stay with Melanie and Melanie’s aun t, Pittypat. The busy city agrees with Scarlett’s temperament, and she begins to see a great deal of Rhett. Rhett infuriates Scarlett with his bluntness and mockery, but he also encourages her to flout the severely restrictive social requirements for mourning Southern widows. As the war progresses, food and clothing run scarce in Atlanta. Scarlett and Melanie fear for Ashley’s safety. After the bloody battle of Gettysburg, Ashley is captured and sent to prison, and the Yankee army begins bearing down on Atlanta. Scarlett desperately wants to return home to Tara, but she has promised Ashley she will stay with the pregnant Melanie, who could give birth at any time.On the night the Yankees capture Atlanta and set it afire, Melanie gives birth to her son, Beau. Rhett helps Scarlett and Melanie escape the Yankees, escorting them through the burning streets of the city, but he abandons them outside Atlanta so he can join the Confederate Army. Scarlett drives the cart all night and day through a dangerous forest full of deserters and soldiers, at last reaching Tara. She arrives to find that her mother, Ellen, is dead; her father, Gerald, has lost his mind; and the Yankee army has looted the plantation, leaving no food or cotton. Scavenging for subsistence, a furious Scarlett vows never to go hungry again.Scarlett takes charge of rebuilding Tara. She murders a Yankee thief and puts out a fire set by a spiteful Yankee soldier. At last the war ends, word comes that Ashley is free and on his way home, and a stream of returning soldiers begins pouring through Tara. One such soldier, a one-legged homeless Confederate named Will Benteen, stays on and helps Scarlett with the plantation. One day, Will brings terrible news: Jonas Wilkerson, a former employee at Tara and current government official, has raised the taxes on Tara, hoping to drive theO’Haras out so that he mig ht buy the plantation. Distraught, Scarlett hurries toAtlanta to seduce Rhett Butler so that he will give her the three hundred dollars she needs for taxes. Rhett has emerged from the war a fabulously wealthy man, dripping with earnings from his blockade-running operation and from food speculation. However, Rhett is in a Yankee jail and cannot help Scarlett. Scarlett sees her sister’s beau, Frank Kennedy, who now owns a general store, and forges a plan. Determined to save Tara, she betrays her sister and marries Frank, pays the taxes on Tara, and devotes herself to making Frank’s business more profitable.After Rhett blackmails his way out of prison, he lends Scarlett enough moneyto buy a sawmill. To the displeasure of Atlanta society, Scarlett becomes a shrewd businesswoman. Gerald dies, and Scarlett returns to Tara for the funeral. There, she persuades Ashley and Melanie to move to Atlanta and accept a share in her lumber business. Shortly thereafter, Scarlett gives birth to Frank’s child, Ella Lorena.A free black man and his white male companion attack Scarlett on her way home from the sawmill one day. That night, the Ku Klux Klan avenges the attack on Scarlett, and Frank ends up dead. Rhett proposes to Scarlett and she quickly accepts. After a long, luxurious honeymoon in New Orleans, Scarlett and Rhett return to Atlanta, where Scarlett builds a garish mansion and socializes with wealthy Yankees. Scarlett becomes pregnant again and has another child, Bonnie Blue Butler. Rhett dotes on the girl and begins a successful campaign to win back the good graces of the prominent Atlanta citizens in order to keep Bonnie from being an outcast like Scarlett.Scarlett and Rhett’s marriage begins happily, but Rhett becomes increasingly bitter and indifferent toward her. Scarlett’s feelings for Ashley have diminished into a warm, sympathetic friendship, but Ashley’s jea lous sister, India, finds them in a friendly embrace and spreads the rumor that they are having an affair. To Scarlett’s surprise, Melanie takes Scarlett’s side and refuses to believe the rumors.After Bonnie is killed in a horse-riding accident, Rhett nearly loses his mind, and his marriage with Scarlett worsens. Not long after the funeral, Melanie has a miscarriage and falls very ill. Distraught, Scarlett hurries to see her. Melanie makes Scarlett promise to look after Ashley and Beau. Scarlett realizes that she loves and depends on Melanie and that Ashley has been only a fantasy for her. She concludes that she truly loves Rhett. After Melanie dies, Scarlett hurries to tell Rhett of her revelation. Rhett, however, says that he has lost his love for Scarlett, and he leaves her. Grief-stricken and alone, Scarlett makes up her mind to go back to Tara to recover her strength in the comforting arms of her childhood nurse and slave, Mammy, and to think of a way to win Rhett back. Character ListScarlett O’Hara - The novel’s protagonist. Scarlett is a pretty, coquettish Southern belle who grows up on the Georgia plantation of Tara in the years before the Civil War. Selfish, shrewd, and vain, Scarlett inherits the strong will of her father, Gerald, but also desires to please her well-bred, genteel mother, Ellen. When hardships plague Scarlett, she shoulders the troubles of her family andfriends. Scarlett’s simultaneous desire for the Southern gentleman Ashley andthe opportunistic New Southerner Rhett Butler parallels the South’s struggle to cling to tradition and still survive in the new era.Scarlett O’Hara (In-Depth Analysis)Rhett Butler - Scarlett’s third husband, and a dashing, dangerous adventurer and scoundrel. Expelled from West Point and disowned by his prominent Charleston family, Rhett becomes an opportunistic blockade-runner during the war, emerging as one of the only rich Southern men in Atlanta after the war. Rhett proves himself a loving father and, at times, a caring husband. Though he loves Scarlett, his pride prevents him from showing her his love, and it even leads him to brutality. Candid, humorous, and contemptuous of silly social codes, Rhett exposes hypocrisy wherever he goes. He represents postwar society, a pragmatic, fast-paced world in which the strong thrive and the weak perish.Rhett Butler (In-Depth Analysis)Ashley Wilkes - The handsome, chivalrous, and honorable heir to the Twelve Oaks plantation near Tara. Ashley bewitches Scarlett through most of the novel. After the war, Ashley becomes resigned and sad, and he regrets not marrying Scarlett. Committed to his honor and Southern tradition, he cannot adjust to the postwar South. Ashley represents the values and nostalgia of the Old South.Ashley Wilkes (In-Depth Analysis)Melanie Hamilton Wilkes - The frail, good-hearted wife of Ashley Wilkes. Melanie provokes Scarlett’s jealous hatred throughout most of the novel. After the two women suffer together through the Civil War, however, a strong bond forms between them. Eventually, Scarlett understands that Melanie’s unflagging love and support has been a source of strength for her. Like Ashley, Melanie embodies the values of the Old South, but in contrast to Ashley’s futile dreaming, Melanie faces the world with quiet but powerful inner strength.Gerald O’Hara - Scarlett’s father. Gerald is a passionately loyal Confederate who immigrated to America from Ireland as a young man. His strong will, tendency to drink, and selfishness echo in Sca rlett’s nature. Scarlett also inherits Gerald’s love for the South and for his plantation, Tara.Ellen O’Hara - Scarlett’s mother, and a descendent of the aristocratic Robillard family. Ellen marries Gerald and devotes herself to running Tara after her father forbids her love affair with Philippe, her cousin. Refined and compassionate, strong and firm, Ellen serves as an impossible ideal for the willful Scarlett. Even after Ellen’s death, Scarlett struggles with the competing desires to please her mother and please herselfMammy - Scarlett’s childhood nurse. Mammy is an old, heavyset slave who was also nurse to Scarlett’s mother, Ellen. Loyal and well-versed in Southern etiquette, Mammy keeps Scarlett in line. After Ellen’s death, Mammy becomesfor Scarlett one of the only living reminders of the Old South.Frank Kennedy - Scarlett’s weak-willed but kind second husband. Frank is described as an ―old maid in britches.‖ Scarlett steals him away from her sister Suellen so that he will pay the taxes necessary to save Tara.Charles Hamilton - Melanie’s brother and Scarlett’s first husband. Charles is a timid and bland boy for whom Scarlett feels no love. Charles’s death early in the war confines Scarlett to the role of widow. Scarlett finds the social expectations surrounding widowhood—that she wear a black veil, for example, and refrain from laughter and pleasure—overly restrictive.Aunt Pittypat Hamilton - Melanie and Charles Hamilton’s aunt. Aunt Pittypat is a flighty old maid who faints from shock several times a day. Scarlett lives with Aunt Pittypat for much of her stay in Atlanta.Bonnie Blue Butler - Scarlett’s third and last child. Bonnie is the daughter of Rhett Butler. Spoiled and strong-willed like her mother, Bonnie elicits utter devotion from Rhett and eventually replaces Scarlett as the center of Rhett’s attention.Suellen O’Hara - Scarlett’s younger sister. Suellen is a selfish, petty girl who marries Will Benteen after Scarlett steals Frank from her.Carreen O’Hara - Scarlett’s youngest sister. Carreen is a good-natured girl who turns to religion after the war and joins a convent.India Wilkes - Ashley’s cold and jealous sister. India never forgives Scarlett for stealing Stuart Tarleton from her during their youth. At one point India catches Scarlett embracing Ashley and gossips about the sight, causing a great debate among all of Atlanta society.Big Sam - The gigantic slave and foreman of the field hands at Tara. Big Sam saves Scarlett from her attacker in Shantytown.Pork - Gerald O’Hara’s first slave. Pork is loyal and devoted to the O’Haras. Prissy - The daughter of Dilcey, a slave at Twelve Oaks. Prissy is a foolish, lazy young slave prone to telling lies. The late discovery of Prissy’s lie that she knows how to assist at childb irth compels Scarlett to deliver Melanie’s baby herself, which is one of Scarlett’s first significant acts of self-sufficiency.Emmie Slattery - A young woman whose poor white family lives in the swamp bottom near Tara. Emmie is considered ―white trash,‖and Scarlett’s class-conscious, genteel society dislikes Emmie, as does the narrator.Jonas Wilkerson - The Yankee overseer of Tara whom Gerald fires for impregnating Emmie Slattery. Jonas works for the Freedmen’s Bureau after the war and marries Emmie. He raises taxes on Tara to try to force out the O’Haras, prompting Scarlett’s marriage to Frank Kennedy.Belle Watling - An Atlanta prostitute with whom Rhett Butler has along-term affair. She wins the gratitude of the Atlanta Ku Klux Klan by providing them with an alibi for a murder.Will Benteen - A one-legged Confederate soldier who becomes a fixture at Tara after the war despite his lack of family or wealth. Will makes Tara a marginally profitable farm. His competence allows Scarlett to move to Atlanta and leave him in charge.Wade Hampton Hamilton - Scarlett’s oldest child. The son of Charles Hamilton, Wade inherits his father’s timid and bland disposition.Ella Lorena Kennedy - Scarlett’s second child. Ella Lorena is the ugly, silly daughter of Frank Kennedy.Analysis of Major CharactersScarlett O’HaraThe protagonist of Gone with the Wind, Scarlett is a dark-haired, green-eyed Georgia belle who struggles through the hardships of the Civil War and Reconstruction. Scarlett exhibits more of her fat her’s hard-headedness than her mother’s refined Southern manners. Although initially she tries to behave prettily, her instincts rise up against social restrictions. Determination defines Scarlett and drives her to achieve everything she desires by any means necessary. This determination first manifests itself in her narcissistic and sometimes backstabbing efforts to excite the admiration of every young man in the neighborhood. Later, under threat of starvation and even death, she is determined to survive and does so by picking cotton, running her entire plantation, forging a successful business, and even killing a man.Scarlett also aims to win Ashley Wilkes, and her failure to do so guides the plot of the novel. Ashley’s marriage to Melanie Hamilton and re jection of Scarlett drive nearly all of Scarlett’s important subsequent decisions. Scarlett marries Charles Hamilton to hurt Ashley, stays by Melanie’s side through the war because she promises Ashley she will, and loses her true love, Rhett Butler, because of her persistent desire to win Ashley. Scarlett possesses remarkable talent for business and leadership. She recovers her father’s plantation, Tara, after the war leaves it decimated, and she achieves great success with her sawmill in Atlanta. Despite her sharp intelligence, however, she has almost no ability to understand the motivations and feelings of herself or others. Scarlett lives her life rationally: she decides what constitutes success, finds the most effective means to succeed, and does not consider concepts like honor and kindness. She often professes to see no other choices than the ones she makes.Scarlett’s development precisely mirrors the development of the South. She changes from spoiled teenager to hard-working widow to wealthy opportunist, reflecting the South’s change from leisure society to besieged nation to compromised survivor. Scarlett embodies both Old and New South. She clings to Ashley, who symbolizes the idealized lost world of chivalry and manners, but she adapts wonderfully to the harsh and opportunistic world of the New South, ultimately clinging to dangerous Rhett, who, like Scarlett, symbolizes the combination of old and new.Rhett ButlerDark, dashing, and scandalous, Rhett Butler brings excitement to Scarlett’s life and encourages her impulse to change and succeed. Thrown out of both West Point and his aristocratic Charleston family for dishonorable behavior, Rhett, like Scarlett, goes after what he wants and refuses to take ‘no’ for an answer. He earns his fortune throug h professional gambling, wartime blockade-running, and food speculation, behavior that earns him the contempt and even hatred of what he terms the Old Guard—the old Southern aristocracy. Rhett sees through hypocrisy and self-delusion, horrifying people by cutting down their egos and illusions with agility and pleasure.Whereas Ashley cannot face reality and change, Rhett thrives on both. Because of his opportunism, Rhett symbolizes the New South. However, as the novel progresses, we see that Rhett does care about the Old South. At two critical points in the novel, Rhett abandons Scarlett to commit himself to the Old South. First, he leaves Scarlett in hostile territory and joins the Confederate army. Second, at the end of the novel he leaves Scarlett and goes in search of remnants of the Old South. This sentimentality complicates Rhett’s character and reveals that he is partially motivated by emotion. Ultimately, Rhett symbolizes pragmatism, the practical acceptance of the reality that the South must face in order to survive in a changed world. He understands that the U.S. government has overhauled the Southern economy and that the old way of life is gone forever. He adapts to the situation masterfully, but he does not fully abandon the idealized Southern past. Rhett falls in love with Scarlett, but, despite their eventual marriage, their relationship never succeeds because of Scarlett’s obsession with Ashley and Rhett’s reluctance to express his feelings. Because Rhett knows that Scarlett scorns men she can win easily, Rhett refuses to show her she was won him. He mocks her, argues with her, and eventually resorts to cruelty and indifference in order to win her. But his fondness for her is evident in his support of her, as he encourages her to shun social customs and gives her money to start her own business.Ashley WilkesBlond, dreamy, and honorable, Ashley Wilkes is the foil to Rhett’s dark, realistic opportunism. Ashley courts Scarlett but marries Melanie Hamilton, thus setting in motion Scarlett’s centra l conflict. Ashley is the perfect prewar Southern gentleman: he excels at hunting and riding, takes pleasure in the arts, and comes from an excellent family. Scarlett’s idealization of Ashley slowly fades as time goes on, and she finally sees that the Ashley she loves is not a real man but a man embellished and adorned by her imagination. Ashley admits to his love for Scarlett, but as a gentleman he ignores this love in order to marry Melanie, the more socially appropriate match for him. He excels at battle despite his doubts about the Southern cause. As the novel progresses, though, Ashley displays signs of weakness and incompetence. After the war he is worthless on the plantation and cannot adjust to the new world. Whereas Rhett and Scarlett survive by sacrificing their commitment to tradition, Ashley cannot or will not allow himself to thrive in a changed society. He sinks even lower as he sacrifices his honor—the only thing he still values in himself—by accepting charity from Scarlett in the form of a share in her mill and by kissing her twice.Ashley represents the Old South and Southern nostalgia for the prewar days. He epitomizes the old lifestyle and cannot function in the New South that emerges during and after the war. Scarlett clings to him like many Southerners cling to dreams of their old lives, but her eventual recognition of Ashley’s weakness and incompetence enables her to see that dreaming of a lost world makes one weak.Themes, Motifs & SymbolsThemesThemes are the fundamental and often universal ideas explored in a literary work.The Transformation of Southern CultureGone with the Wind is both a romance and a meditation on the changes that swept the American South in the 1860s. The novel begins in 1861, in the days before the Civil War, and ends in 1871, after the Democrats regain power in Georgia. The South changes completely during the intervening years, and Mitchell’s novel illustrates the struggles of the Southern people who live through the Civil War era.The novel opens in prewar Georgia, where tradition, chivalry, and pride thrive. As the Civil War begins, the setting shifts to Atlanta, where the war causes the breakdown of traditional gender roles and power structures. When the South loses the war and the slaves are freed, putting a stop to the Southern way of life, the internal conflict intensifies. White men fear black men, Southerners hate profiteering or domineering Northerners, and impoverished aristocrats resent the newly rich. Mitchell’s main characters embody the conflicting impulses of the South. Ashley stands for the Old South; nostalgic and unable to change, he weakens and fades. Rhett, on the other hand, opportunistic and realistic, thrives by planting one foot in the Old South and one foot in the New, sometimes even defending the Yankees.Overcoming Adversity with WillpowerScarlett manages to overcome adversity through brute strength of will. She emerges as a feminist heroine because she relies on herself alone and survives the Civil War and Reconstruction unaided. She rebuilds Tara after the Yankee invasion and works her way up in the new political order, taking care of helpless family members and friends along the way. Mitchell suggests that overcoming adversity sometimes requires ruthlessness. Scarlett becomes a cruel businesswoman and a domineering wife, willingly coarsening herself in order to succeed. Other characters succeed by exercising willpower, among them Old Miss Fontaine, who watched Indians scalp her entire family as a child and then gritted her teeth and worked to raise her own family and run a plantation. Rhett Butler also wills his way to success, although he covers up his bullheaded willpower with a layer of ease and carelessness.The Importance of LandIn Chapter II, Gerald tells Scarlett that ―[l]and is the only thing in the world that amounts to anything.‖ At critical junctures Scarlett usually remembers that land, specifically Tara, is the only thing that matters to her. When Scarlett escapes to Tara from Atlanta during the war, she lies sick and weak in the garden at neighboring Twelve Oaks and the earth feels ―soft and comfortable as a pillow‖ against her cheek. After feeling the comfort of the land, she resolves to look forward and continue the struggle with newfound vigor. Scarlett prizes land even over love. When Ashley rejects Scarlett’s proposed affair, he gives her a clump of Tara’s dirt and reminds her that she loves Tara more than she loves him. Feeling the dirt in her hand, Scarlett realizes that Ashley is right. At the end of the novel, when all else is lost, Scarlett thinks of Tara and finds strength and comfort in its enduring presence.MotifsMotifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.Female Intelligence and CapabilityDespite the severe gender inequality of their time, women in Gone with the Wind show strength and intelligence that equals or bests the strength and intelligence of men. Scarlett is cunning, and manipulates men with ease. She runs Tara when her father falls ill, and eventually realizes that she has a better head for business than most men. She becomes a very successful mill owner, running every aspect of the business and putting her weak, incompetent husband to shame. Melanie, although she is a subdued figure, exhibits increasing strength as the novel progresses, and she eventually emerges as the novel’s strongest female character. She provides much of Scarlett’s strength, although Scarlett realizes this only at the end of the novel. Melanie also protects Ashley from the world he cannot face. Despite her humble means, she single-handedly facilitates the restoration of Atlanta society. Old Miss Fontaine and Ellen also demonstrate strength and intelligence. Both women act as head of the family, and the narrator describes Ellen as the true mind and strength behind Tara.Alcohol AbuseAlcohol abuse occurs throughout the novel, as Gerald, Scarlett, and Rhett all rely heavily on drinking. Characters use alcohol to cope with stress, but when they abuse alcohol, disaster ensues. Drinking is partly responsible for Gerald’s death: he rides his horse while drunk, misses a jump, and is thrown to his death. Mitchell suggests that Scarlett cheapens herself unnecessarily by drinking. Gerald disapproves of her drinking, which begins only after she escapes Atlanta, because ladies never drink liquor in polite Southern society. Scarlett continues to drink at Tara whenever she feels overworked or troubled, and she brings her habit to Atlanta when she moves back. Rhet t’s drinking reveals his insecurity, a disaster for Rhett since he is obsessed with mastery and self-sufficiency. Rhett begins to drink heavily as his relationship with Scarlett deteriorates, and he drinks even more when their daughter, Bonnie, dies.ProstitutionProstitution threatens and embarrasses the characters, but it alsointrigues them. Scarlett first sees a prostitute in Atlanta and is instantly fascinated. The woman she sees is Belle Watling, and the fascination she feels persists throughout the novel. Belle is an exaggerated version of Scarlett, which perhaps explains Scarlett’s interest in her. Both women ignore social mandates, manipulate and seduce men, and trade sex for money. Scarlett offers to prostitute herself to Rhett in order to get money for taxes, putting herself in Belle’s moral camp. If Scarlett can be read as a high-class prostitute, Belle can be read as alow-class aristocrat. Belle has the ideal aristocrat’s impulse to help the needy; she saves Atlanta’s Ku Klux Klan members fr om prosecution by providing an alibi for them. Mitchell depicts Belle as human and generous and perhaps morally superior to the ruthless Scarlett she resembles.Symbols。
Gone with the wind剧情及其人物详介
•乱世佳人乱世佳人Gone with the Wind(1939)原著：《飘》（玛格丽特·米切尔著）电影：《乱世佳人》（GONE WITH THE WIND）导演：维克多·弗莱明主演：费雯·丽、克拉克·盖博、李斯利·霍华德、奥莉薇·黛·哈佛兰类型：剧情爱情战争上映：1939年01月15日地区：美国时长：238 分钟颜色：彩色对白：英语出品：米高梅公司剧情简介《乱世佳人》（GONE WITH THE WIND）是好莱坞影史上最值得骄傲的一部旷世巨片，影片放映时间长达4小时，观者如潮。
其魅力贯穿整个20世纪，因此有好莱坞“第一巨片”之称。
影片当年耗资400多万美元，历时三年半完成，其间数换导演，银幕上出现了60多位主要演员和9000多名配角演员。
在1939年的第12届奥斯卡奖中一举夺得八项金像奖，轰动美国影坛。
这部耗资巨大，场景豪华，战争场面宏大逼真的历史巨片，以它令人称道的艺术成就成为美国电影史上一部经典作品，令人百看不厌。
1861年南北战争爆发的前夕，塔拉庄园的千金小姐斯佳丽爱上了另一庄园主的儿子阿希礼，但阿希礼却选择了查尔斯的表妹——温柔善良的玫兰妮为终身伴侣。
斯佳丽出于妒恨，抢先嫁给了玫兰妮的哥哥查尔斯。
不久，美国南北战争爆发了。
阿希礼和查尔斯作为征兵上了前线。
查尔斯很快就在战争中死去了。
斯佳丽成了寡妇，但她内心却一直热恋着阿希礼。
一天，在一次举行义卖的舞会上，斯佳丽和风度翩翩的商人瑞特相识。
瑞特开始追求斯佳丽，但遭到她的拒绝。
斯佳丽一心只想着去追求阿希礼，结果也遭到拒绝。
在战争中，美国南方军遭到失败，亚特兰大城里挤满了伤兵。
斯佳丽和妹妹玫兰妮自愿加入护士行列照顾伤兵。
目睹战乱带来的惨状，任性的斯佳丽成熟了不少。
这时，从前线传来消息，北方军快打过来了，不少人家惊惶地开始逃离家园，而斯佳丽的母亲和两个妹妹也患病了，斯佳丽十分想要回去塔拉庄园，回到敬爱的母亲身边。
电影乱世佳人(Gone with The Wind)经典台词
电影乱世佳人(GonewithTheWind)经典台词1).Landistheonlythingintheworldworthworkingfor,worthfightingfor,worthdyingf or.Becauseit’stheonlythingthatlasts.(土地是世界上唯一值得你去为之工作,为之战斗,为之牺牲的东西,因为它是唯一永恒的东西)2).IwishIcouldbemorelikeyou.(我要像你一样就好了)4).Ithinkit’shardwinningawarwithwords.(我认为纸上谈兵没什么作用)5).Sir,you’renogentleman.Andyoumissarenolady.(先生,你可真不是个君子,小姐,你也不是什么淑女)6).Inevergiveanythingwithoutexpectingsomethinginreturn.Ialwaysgetpaid.(我做任何事不过是为了有所回报,我总要得到报酬)7).Inspiteofyouandmeandthewholesillyworldgoingtopiecesaroundus,Iloveyou.(哪怕是世界末日我都会爱着你)8).IloveyoumorethanI’veeverlovedanywoman.AndI’vewaitedlongerforyouthanI’v ewaitedforanywoman.此句只可意会不可言传9).IfIhavetolie,steal,cheatorkill,asGodasmywitness,I’llneverbe hungryagain!(即使让我撒谎,去偷,去骗,去杀人,上帝作证,我再也不要挨饿了)10).NowIfindmyselfinaworldwhichformeisworsethandeath.Aworldinwhichthereisn oplaceforme.(现在我发现自己活在一个比死还要痛苦的世界,一个无我容身之处的世界)11).You’rethrowingawayhappinesswithbothhands.Andreachingoutforsomething thatwillnevermakeyouhappy.(你把自己的幸福拱手相让,去追求一些根本不会让你幸福的东西)12).Home.I’llgohome.AndI’llthinkofsomewaytogethimback.Afterall,tomorrowisa notherday.(家,我要回家.我要想办法让他回来.不管怎样,明天又是全新的一天)1/ 1。
《乱世佳人》电影简介
影片开始于1861年美国南北战争爆发前夕，佐治亚州一个名叫塔拉（Tara）的庄园。
斯佳丽·奥哈拉（Scarlett O'Hara）是庄园主爱尔兰移民葛莱德·欧哈拉（Gerald O'Hara）和妻子埃伦（Ellen）的三个女儿里最年长的一个。
她爱上了阿什利·威尔克斯（Ashley Wilkes），而阿什利早就和表妹梅兰尼·汉密尔顿（MelanieHamilton）订婚，并定于次日在“十二橡树园”举行烧烤，同时宣布两人订婚。
在十二橡树园，她遇见了瑞德·巴特勒（RhettButler）。
在一场关于战争的讨论中，瑞德说南方没有机会战胜北方。
当斯佳丽和阿什利单独在一起的时候，她向阿什利表明了自己的爱慕。
阿什利承认斯佳丽很吸引人，但是梅兰尼更适合自己，斯佳丽给了阿什利一个耳光。
当她发现瑞德在边上偷听的时候对他说：“先生，你太不绅士了！”（“Sir,youarenogentleman!”）而瑞德予以反击：“而你，小姐，也太不淑女了！”（“And you, Miss, are no lady!”）当晚，战争爆发了，男人都纷纷入伍。
阿什利和梅兰尼结婚，而斯佳丽为了报复，也嫁给了梅兰尼的弟弟查尔斯（Charles）。
不久查尔斯因肺炎去世，她也成为寡妇。
斯佳丽的母亲为了让斯佳丽高兴，将她送到亚特兰大汉密尔顿的家里。
斯佳丽和梅兰尼参加了一个慈善舞会，在那里她和瑞德再次相遇。
瑞德已经成为一个英雄般的人物，斯佳丽当时还在服丧期间，她接受了瑞德的邀请，与之共舞。
在跳舞的时候，瑞德告诉斯佳丽他决心得到她，而斯佳丽说永无可能。
8个月后，南部军队大败，亚特兰大挤满了受伤的军人。
而同时梅兰尼早产，斯佳丽在一旁协助。
瑞德赶着马车出现，并将她们送出城，他将她们留在去塔拉的路上，自己则去参军。
在回家的路上，她发现十二橡园已经焚毁，塔拉庄园还在，她的母亲刚刚去世，而她的父亲由于过度悲伤而神经错乱。
英文名著 飘《乱世佳人》：第一部 第五章 中文对照
飘《乱世佳人》：第一部 第五章CHAPTER V IT WAS TEN O’CLOCK in the morning. The day was warm for April an d the golden sunlight streamed, brilliantly into Scarlett’s room through th e blue curtains of the wide windows. The cream-colored walls glowed wit h light and the depths of the mahogany furniture gleamed deep red like wi ne, while the floor glistened as if it were glass, except where the rag rugs covered it and they were spots of gay color. Already summer was in the air, the first hint of Georgia summer when the high tide of spring gives way reluctantly before a fiercer heat. A balmy, s oft warmth poured into the room, heavy with velvety smells, redolent of many blossoms, of newly fledged trees and of the moist, freshly turned re d earth. Through the window Scarlett could see the bright riot of the twin lanes of daffodils bordering the graveled driveway and the golden masses of yellow jessamine spreading flowery sprangles modestly to the earth li ke crinolines. The mockingbirds and the jays, engaged in their old feud fo r possession of the magnolia tree beneath her window, were bickering, the jays strident, acrimonious, the mockers sweet voiced and plaintive.Such a glowing morning usually called Scarlett to the window, to lean ar ms on the broad sill and drink in the scents and sounds of Tara. But, today she had no eye for sun or azure sky beyond a hasty thought, “Thank God, it isn’t raining.” On the bed lay the apple-green, watered-silk ball dress w ith its festoons of ecru lace, neatly packed in a large cardboard box. It was ready to be carried to Twelve Oaks to be donned before the dancing bega n, but Scarlett shrugged at the sight of it. If her plans were successful, she would not wear that dress tonight. Long before the ball began, she and A shley would be on their way to Jonesboro to be married. The troublesome question was—what dress should she wear to the barbecue? What dress would best set off her charms and make her most irresistible t o Ashley? Since eight o’clock she had been trying on and rejecting dresse s, and now she stood dejected and irritable in lace pantalets, linen corset c over and three billowing lace and linen petticoats. Discarded garments lay about her on the floor, the bed, the chairs, in bright heaps of color and str aying ribbons. The rose organdie with long pink sash was becoming, but she had worn it last summer when Melanie visited Twelve Oaks and she’d be sure to rem ember it. And might be catty enough to mention it. The black bombazine, with its puffed sleeves and princess lace collar, set off her white skin supe rbly, but it did make her look a trifle elderly. Scarlett peered anxiously in t he mirror at her sixteen-year-old face as if expecting to see wrinkles and sagging chin muscles. It would never do to appear sedate and elderly befor e Melanie’s sweet youthfulness. The lavender barred muslin was beautiful with those wide insets of lace and net about the hem, but it had never suit ed her type. It would suit Carreen’s delicate profile and wishy-washy expr ession perfectly, but Scarlett felt that it made her look like a schoolgirl. It would never do to appear schoolgirlish beside Melanie’s poised self. The green plaid taffeta, frothing with flounces and each flounce edged in gree n velvet ribbon, was most becoming, in fact her favorite dress, for it darke ned her eyes to emerald. But there was unmistakably a grease spot on the front of the basque. Of course, her brooch could be pinned over the spot, but perhaps Melanie had sharp eyes. There remained varicolored cotton d resses which Scarlett felt were not festive enough for the occasion, ball dr esses and the green sprigged muslin she had worn yesterday. But it was a n afternoon dress. It was not suitable for a barbecue, for it had only tiny p uffed sleeves and the neck was low enough for a dancing dress. But there was nothing else to do but wear it. After all she was not ashamed of her n eck and arms and bosom, even if it was not correct to show them in the m orning. As she stood before the mirror and twisted herself about to get a side view , she thought that there was absolutely nothing about her figure to cause h er shame. Her neck was short but rounded and her arms plump and entici ng. Her breasts, pushed high by her stays, were very nice breasts. She hadnever had to sew tiny rows of silk ruffles in the lining of her basques, as most sixteen-year-old girls did, to give their figures the desired curves an d fullness. She was glad she had inherited Ellen’s slender white hands and tiny feet, and she wished she had Ellen’s height, too, but her own height pleased her very well. What a pity legs could not be shown, she thought, pulling up her petticoats and regretfully viewing them, plump and neat un der pantalets. She had such nice legs. Even the girls at the Fayetteville Ac ademy had admitted as much. And as for her waist—there was no one in Fayetteville, Jonesboro or in three counties, for that matter, who had so s mall a waist. The thought of her waist brought her back to practical matters. The green muslin measured seventeen inches about the waist, and Mammy had lace d her for the eighteen-inch bombazine. Mammy would have to lace her ti ghter. She pushed open the door, listened and heard Mammy’s heavy trea d in the downstairs hall. She shouted for her impatiently, knowing she cou ld raise her voice with impunity, as Ellen was in the smokehouse, measuri ng out the day’s food to Cookie. “Some folks thinks as how Ah kin fly,” grumbled Mammy, shuffling up t he stairs. She entered puffing, with the expression of one who expects bat tle and welcomes it. In her large black hands was a tray upon which food smoked, two large yams covered with butter, a pile of buckwheat cakes dr ipping syrup, and a large slice of ham swimming in gravy. Catching sightof Mammy’s burden, Scarlett’s expression changed from one of minor irri tation to obstinate belligerency. In the excitement of trying on dresses she had forgotten Mammy’s ironclad rule that, before going to any party, the O’Hara girls must be crammed so full of food at home they would be una ble to eat any refreshments at the party. “It’s no use. I won’t eat it. You can just take it back to the kitchen.” Mammy set the tray on the table and squared herself, hands on hips. “Yas’m, you is! Ah ain’ figgerin’ on havin’ happen whut happen at dat las’ barbecue w’en Ah wuz too sick frum dem chittlins Ah et ter fetch you no tray befo’ you went. You is gwine eat eve’y bite of dis.” “I am not! Now, come here and lace me tighter because we are late alread y. I heard the carriage come round to the front of the house.” Mammy’s tone became wheedling. “Now, Miss Scarlett, you be good an’ come eat jes’a lil. Miss Carreen an’ Miss Suellen done eat all dey’n.” “They would,” said Scarlett contemptuously. “They haven’t any more spir it than a rabbit. But I won’t! I’m through with trays. I’m not forgetting the time I ate a whole tray and went to the Calverts’ and they had ice cream o ut of ice they’d brought all the way from Savannah, and I couldn’t eat but a spoonful. I’m going to have a good time today and eat as much as I ple ase.” At this defiant heresy, Mammy’s brow lowered with indignation. What ayoung miss could do and what she could not do were as different as black and white in Mammy’s mind; there was no middle ground of deportment between. Suellen and Carreen were clay in her powerful hands and harke ned respectfully to her warning. But it had always been a struggle to teach Scarlett that most of her natural impulses were unladylike. Mammy’s vict ories over Scarlett were hard-won and represented guile unknown to the white mind. “Ef you doan care ‘bout how folks talks ‘bout dis fambly, Ah does,” she r umbled. “Ah ain’ gwine stand by an’ have eve’ybody at de pahty sayin’ h ow you ain’ fotched up right. Ah has tole you an’ tole you dat you kin allu s tell a lady by dat she eat lak a bird. An’ Ah ain’ aimin’ ter have you go te r Mist’ Wilkes’ an’ eat lak a fe’el han’ an’ gobble lak a hawg.” “Mother is a lady and she eats,” countered Scarlett. “W’en you is mahied, you kin eat, too,” retorted Mammy. “Wen Miss Ell en yo’ age, she never et nuthin’ w’en she went out, an’ needer yo’ Aunt Pa uline nor yo’ Aunt Eulalie. An’ dey all done mahied. Young misses whut e ats heavy mos’ generly doan never ketch husbands.” “I don’t believe it. At that barbecue when you were sick and I didn’t eat b eforehand, Ashley Wilkes told me he liked to see a girl with a healthy app etite.” Mammy shook her head ominously. “Whut gempmums says an’ whut dey thinks is two diffunt things. An’ Ahain’ noticed Mist’ Ashley axing fer ter mahy you.” Scarlett scowled, started to speak sharply and then caught herself. Mamm y had her there and there was no argument. Seeing the obdurate look on S carlett’s face, Mammy picked up the tray and, with the bland guile of her race, changed her tactics. As she started for the door, she sighed. “Well’m, awright. Ah wuz tellin’ Cookie w’ile she wuz a-fixin’ dis tray, ‘ You kin sho tell a lady by whut she doan eat,’ an’ Ah say ter Cookie, ‘Ah ain’ seed no w’ite lady who et less’n Miss Melly Hamilton did las’ time s he wuz visitin’ Mist’ Ashley’—Ah means, visitin’ Miss India.” Scarlett shot a look of sharp suspicion at her, but Mammy’s broad face ca rried only a look of innocence and of regret that Scarlett was not the lady Melanie Hamilton was. “Put down that tray and come lace me tighter,” said Scarlett irritably. “An d I’ll try to eat a little afterwards. If I ate now I couldn’t lace tight enough .” Cloaking her triumph, Mammy set down the tray. “Whut mah lamb gwine wear?” “That,” answered Scarlett, pointing at the fluffy mass of green flowered muslin. Instantly Mammy was in arms. “No, you ain’. It ain’ fittin’ fer mawnin’. You kain show yo’ buzzum befo’ three o’clock an’ dat dress ain’ got no neck an’ no sleeves. An’ you’ll git freckled sho as you born, an’ Ah ain’ figgerin’ on you gittin’ freckled afferall de buttermilk Ah been puttin’ on you all dis winter, bleachin’ dem frec kles you got at Savannah settin’ on de beach. Ah sho gwine speak ter yo’ Ma ‘bout you.” “If you say one word to her before I’m dressed I won’t eat a bite,’ said Sc arlett coolly. “Mother won’t have time to send me back to change once I’ m dressed.” Mammy sighed resignedly, beholding herself outguessed. Between the tw o evils, it was better to have Scarlett wear an afternoon dress at a morning barbecue than to have her gobble like a hog. “Hole onter sumpin’ an’ suck in yo’ breaf,” she commanded. Scarlett obeyed, bracing herself and catching firm hold of one of the bedp osts. Mammy pulled and jerked vigorously and, as the tiny circumference of whalebone-girdled waist grew smaller, a proud, fond look came into h er eyes. “Ain’ nobody got a wais’ lak mah lamb,” she said approvingly. “Eve’y ti me Ah pulls Miss Suellen littler dan twenty inches, she up an’ faint.” “Pooh!” gasped Scarlett, speaking with difficulty. “I never fainted in my l ife.” “Well, ‘twouldn’ do no hahm ef you wuz ter faint now an’ den,” advised Mammy. “You is so brash sometimes, Miss Scarlett. Ah been aimin’ ter te ll you, it jes’ doan look good de way you ‘doan faint ‘bout snakes an’ mo uses an’ sech. Ah doan mean round home but w’en you is out in comp’ny.An’ Ah has tole you an’—” “Oh, hurry! Don’t talk so much. I’ll catch a husband. See if I don’t, even i f I don’t scream and faint. Goodness, but my stays are tight! Put on the dr ess.” Mammy carefully dropped the twelve yards of green sprigged muslin ove r the mountainous petticoats and hooked up the back of the tight, low-cut basque. “You keep yo’ shawl on yo’ shoulders w’en you is in de sun, an’ doan you go takin’ off yo’ hat w’en you is wahm,” she commanded. “Elsewise you be comin’ home lookin’ brown lak Ole Miz Slattery. Now, you come eat, honey, but doan eat too fas’. No use havin’ it come right back up agin.” Scarlett obediently sat down before the tray, wondering if she would be a ble to get any food into her stomach and still have room to breathe. Mam my plucked a large towel from the washstand and carefully tied it around Scarlett’s neck, spreading the white folds over her lap. Scarlett began on t he ham, because she liked ham, and forced it down. “I wish to Heaven I was married,” she said resentfully as she attacked the yams with loathing. ‘Tin tired of everlastingly being unnatural and never doing anything I want to do. I’m tired of acting like I don’t eat more than a bird, and walking when I want to run and saying I feel faint after a walt z, when I could dance for two days and never get tired. I’m tired of sayin g, ‘How wonderful you are!’ to fool men who haven’t got one-half the sense I’ve got, and I’m tired of pretending I don’t know anything, so men c an tell me things and feel important while they’re doing it ... I can’t eat an other bite.” “Try a hot cake,” said Mammy inexorably. “Why is it a girl has to be so silly to catch a husband?” “Ah specs it’s kase gempmums doan know whut dey wants. Dey jes’ kno ws whut dey thinks dey wants. An’ givin’ dem whut dey thinks dey wants saves a pile of mizry an’ bein’ a ole maid. An’ dey thinks dey wants mous y lil gals wid bird’s tastes an’ no sense at all. It doan make a gempmum fe el lak mahyin’ a lady ef he suspicions she got mo’ sense dan he has.” “Don’t you suppose men get surprised after they’re married to find that th eir wives do have sense?” “Well, it’s too late den. Dey’s already mahied. ‘Sides, gempmums specs d ey wives ter have sense.” “Some day I’m going to do and say everything I want to do and say, and i f people don’t like it I don’t care.” “No, you ain’,” said Mammy grimly. “Not while Ah got breaf. You eat de m cakes. Sop dem in de gravy, honey.” “I don’t think Yankee girls have to act like such fools. When we were at S aratoga last year, I noticed plenty of them acting like they had right good sense and in front of men, too.” Mammy snorted.“Yankee gals! Yas’m, Ah guess dey speaks dey minds awright, but Ah ain ’ noticed many of dem gittin’ proposed ter at Saratoga.”“But Yankees must get married,” argued Scarlett. “They don’t just grow. They must get married and have children. There’s too many of them.” “Men mahys dem fer dey money,” said Mammy firmly.Scarlett sopped the wheat cake in the gravy and put it in her mouth. Perha ps there was something to what Mammy said. There must be something i n it, for Ellen said the same things, in different and more delicate words. I n fact, the mothers of all her girl friends impressed on their daughters the necessity of being helpless, clinging, doe-eyed creatures. Really, it took a lot of sense to cultivate and hold such a pose. Perhaps she had been too br ash. Occasionally she- had argued with Ashley and frankly aired her opini ons. Perhaps this and her healthy enjoyment of walking and riding had tur ned him from her to the frail Melanie. Perhaps if she changed her tactics — But she felt that if Ashley succumbed to premeditated feminine tricks, she could never respect him as she now did. Any man who was fool enou gh to fall for a simper, a faint and an “Oh, how wonderful you are!” wasn ’t worth having. But they all seemed to like it.If she had used the wrong tactics with Ashley in the past—well, that was t he past and done with. Today she would use different ones, the right ones. She wanted him and she had only a few hours in which to get him. If fain ting, or pretending to faint, would do the trick, then she would faint. If simpering, coquetry or empty-headedness would attract him, she would gla dly play the flirt and be more empty-headed than even Cathleen Calvert. And if bolder measures were necessary, she would take them. Today was the day!There was no one to tell Scarlett that her own personality, frighteningly vi tal though it was, was more attractive than any masquerade she might ado pt. Had she been, told, she would have been pleased but unbelieving. And the civilization of which she was a part would have been unbelieving too, for at no time, before or since, had so low a premium been placed on fem inine naturalness.As the carriage bore her down the red road toward the Wilkes plantation, Scarlett had a feeling of guilty pleasure that neither her mother nor Mam my was with the party. There would be no one at the barbecue who, by de licately lifted brows or out-thrust underlip, could interfere with her plan o f action. Of course, Suellen would be certain to tell tales tomorrow, but if an went as Scarlett hoped, the excitement of the family over her engagem ent to Ashley or her elopement would more than overbalance their displea sure. Yes, she was very glad Ellen had been forced to stay at home. Gerald, primed with brandy, had given Jonas Wilkerson his dismissal that morning and Ellen had remained at Tara to go over the accounts of the pl antation before he took his departure. Scarlett had kissed her mother good -by in the little office where she sat before the tall secretary with its paper-stuffed pigeonholes. Jonas Wilkerson, hat in hand, stood beside her, his s allow tight-skinned face hardly concealing the fury of hate that possessed him at being so unceremoniously turned out of the best overseer’s job in t he County. And all because of a bit of minor philandering. He had told Ge rald over and over that Emmie Slattery’s baby might have been fathered b y any one of a dozen men as easily as himself—an idea in which Gerald c oncurred—but that had not altered his case so far as Ellen was concerned. Jonas hated all Southerners. He hated their cool courtesy to him and their contempt for his social status, so inadequately covered by their courtesy. He hated Ellen O’Hara above anyone else, for she was the epitome of all t hat he hated in Southerners.Mammy, as head woman of the plantation, had remained to help Ellen, an d it was Dilcey who rode on the driver’s seat beside Toby, the girls’ danci ng dresses in a long box across her lap. Gerald rode beside the carriage on his big hunter, warm with brandy and pleased with himself for having go tten through with the unpleasant business of Wilkerson so speedily. He ha d shoved the responsibility onto Ellen, and her disappointment at missing the barbecue and the gathering of her friends did not enter his mind; for it was a fine spring day and his fields were beautiful and the birds were sin ging and he felt too young and frolicsome to think of anyone else. Occasi onally he burst out with “Peg in a Low-backed Car” and other Irish ditties or the more lugubrious lament for Robert Emmet, “She is far from the land where her young hero sleeps.”He was happy, pleasantly excited over the prospect of spending the day s houting about the Yankees and the war, and proud of his three pretty daug hters in their bright spreading hoop skirts beneath foolish little lace paras ols. He gave no thought to his conversation of the day before with Scarlet t, for it had completely slipped his mind. He only thought that she was pre tty and a great credit to him and that, today, her eyes were as green as the hills of Ireland. The last thought made him think better of himself, for it h ad a certain poetic ring to it, and so he favored the girls with a loud and sl ightly off-key rendition of “The Wearin’o’ the Green.”Scarlett, looking at him with the affectionate contempt that mothers feel f or small swaggering sons, knew that he would be very drunk by sundown. Coming home in the dark, he would try, as usual, to jump every fence bet ween Twelve Oaks and Tara and, she hoped, by the mercy of Providence and the good sense of his horse, would escape breaking his neck. He woul d disdain the bridge and swim his horse through the river and come home roaring, to be put to bed on the sofa in the office by Pork who always wai ted up with a lamp in the front hall on such occasions.He would ruin his new gray broadcloth suit, which would cause him to s wear horribly in the morning and tell Ellen at great length how his horse f ell off the bridge in the darkness—a palpable lie which would fool no one but which would be accepted by all and make him feel very clever.Pa is a sweet, selfish, irresponsible darling, Scarlett thought, with a surge of affection for him. She felt so excited and happy this morning that she i ncluded the whole world, as well as Gerald, in her affection. She was pret ty and she knew it; she would have Ashley for her own before the day wa s over; the sun was warm and tender and the glory of the Georgia spring was spread before her eyes. Along the roadside the blackberry brambles were concealing with softest green the savage red gulches cut by the wint er’s rains, and the bare granite boulders pushing up through the red earth were being draped with sprangles of Cherokee roses and compassed abou t by wild violets of palest purple hue. Upon the wooded hills above the ri ver, the dogwood blossoms lay glistening and white, as if snow still linger ed among the greenery. The flowering crab trees were bursting their buds and rioting from delicate white to deepest pink and, beneath the trees whe re the sunshine dappled the pine straw, the wild honeysuckle made a varic olored carpet of scarlet and orange and rose. There was a faint wild fragra nce of sweet shrub on the breeze and the world smelted good enough to e at.“I’ll remember how beautiful this day is till I die,” thought Scarlett. “Perh aps it will be my wedding day!”And she thought with a tingling in her heart how she and Ashley might ri de swiftly through this beauty of blossom and greenery this very afternoo n, or tonight by moonlight, toward Jonesboro and a preacher. Of course, she would have to be remarried by a priest from Atlanta, but that would be something for Ellen and Gerald to worry about. She quailed a little as she thought how white with mortification Ellen would be at hearing that her d aughter had eloped with another girl’s fiancé, but she knew Ellen would f orgive her when she saw her happiness. And Gerald would scold and baw l but, for all his remarks of yesterday about not wanting her to marry Ashl ey, he would be pleased beyond words at an alliance between his family a nd the Wilkes.“But that’ll be something to worry about after I’m married,” she thought, tossing the worry from her.It was impossible to feel anything but palpitating joy in this warm sun, in this spring, with the chimneys of Twelve Oaks just beginning to show on the hill across the river.“I’ll live there all my life and I’ll see fifty springs like this and maybe mo re, and I’ll tell my children and my grandchildren how beautiful this sprin g was, lovelier than any they’ll ever see.” She was so happy at this though t that she joined in the last chorus of “The Wearin’o’ the Green” and won Gerald’s shouted approval.“I don’t know why you’re so happy this morning,” said Suellen crossly, f or the thought still rankled in her mind that she would look far better in S carlett’s green silk dancing frock than its rightful owner would. And why was Scarlett always so selfish about lending her clothes and bonnets? Andwhy did Mother always back her up, declaring green was not Suellen’s c olor? “You know as well as I do that Ashley’s engagement is going to be announced tonight. Pa said so this morning. And I know you’ve been swe et on him for months.”“That’s all you know,” said Scarlett, putting out her tongue and refusing t o lose her good humor. How surprised Miss Sue would be by this time to morrow morning!“Susie, you know that’s not so,” protested Carreen, shocked. “It’s Brent t hat Scarlett cares about.”Scarlett turned smiling green eyes upon her younger sister, wondering ho w anyone could be so sweet. The whole family knew that Carreen’s thirte en-year-old heart was set upon Brent Tarleton, who never gave her a thou ght except as Scarlett’s baby sister. When Ellen was not present, the O’Ha ras teased her to tears about him.“Darling, I don’t care a thing about Brent,” declared Scarlett, happy enou gh to be generous. “And he doesn’t care a thing about me. Why, he’s wait ing for you to grow up!”Carreen’s round little face became pink, as pleasure struggled with incred ulity.“Oh, Scarlett, really?”“Scarlett, you know Mother said Carreen was too young to think about be aux yet, and there you go putting ideas in her head.”“Well, go and tattle and see if I care,” replied Scarlett. “You want to hold Sissy back, because you know she’s going to be prettier than you in a yea r or so.”“You’ll be keeping civil tongues in your heads this day, or I’ll be taking me crop to you,” warned Gerald. “Now whist! Is it wheels I’m hearing? T hat’ll be the Tarletons or the Fontaines.”As they neared the intersecting road that came down the thickly wooded h ill from Mimosa and Fairhill, the sound of hooves and carriage wheels be came plainer and clamorous feminine voices raised in pleasant dispute so unded from behind the screen of trees. Gerald, riding ahead, pulled up his hone and signed to Toby to stop the carriage where the two roads met. “‘Tis the Tarleton ladies,” he announced to his daughters, his florid face abeam, for excepting Ellen there was no lady in the County he liked more than the red-haired Mrs. Tarleton. “And‘tis herself at the reins. Ah, there ’s a woman with fine hands for a horse! Feather light and strong as rawhi de, and pretty enough to kiss for all that. More’s the pity none of you hav e such hands,” he added, casting fond but reproving glances at his girls. “With Carreen afraid of the poor beasts and Sue with hands tike sadirons w hen it comes to reins and you, Puss—”“Well, at any rate I’ve never been thrown,” cried Scarlett indignantly. “A nd Mrs. Tarleton takes a toss at every hunt.”“And breaks a collar bone like a man,” said Gerald. “No fainting, no fussing. Now, no more of it, for here she comes.”He stood up in his stirrups and took off his hat with a sweep, as the Tarlet on carriage, overflowing with girls in bright dresses and parasols and flutt ering veils, came into view, with Mrs. Tarleton on the box as Gerald had s aid. With her four daughters, their mammy and their ball dresses in long c ardboard boxes crowding the carriage, there was no room for the coachm an. And, besides, Beatrice Tarleton never willingly permitted anyone, blac k or white, to hold reins when her arms were out of slings. Frail, fine-bon ed, so white of skin that her flaming hair seemed to have drawn all the col or from her face into its vital burnished mass, she was nevertheless posses sed of exuberant health and untiring energy. She had borne eight children, as red of hair and as full of life as she, and had raised them most successf ully, so the County said, because she gave them all the loving neglect and the stem discipline she gave the colts she bred. “Curb them but don’t brea k their spirits,” was Mrs. Tarleton’s motto.She loved horses and talked horses constantly. She understood them and h andled them better than any man in the County. Colts overflowed the pad dock onto the front lawn, even as her eight children overflowed the rambl ing house on the hill, and colts and sons and daughters and hunting dogs t agged after her as she went about the plantation. She credited her horses, especially her red mare, Nellie, with human intelligence; and if the cares of the house kept her busy beyond the time when she expected to take herdaily ride, she put the sugar bowl in the hands of some small pickaninny and said: “Giv e Nellie a handful and tell her I’ll be out terrectly.” Except on rare occasions she always wore her riding habit, for whether sh e rode or not she always expected to ride and in that expectation put on he r habit upon arising. Each morning, rain or shine, Nellie was saddled and walked up and down in front of the house, waiting for the time when Mrs. Tarleton could spare an hour away from her duties. But Fairhill was a dif ficult plantation to manage and spare time hard to get, and more often tha n not Nellie walked up and down riderless hour after hour, while Beatrice Tarleton went through the day with the skirt of her habit absently looped over her arm and six inches of shining boot showing below it.Today, dressed in dull black silk over unfashionably narrow hoops, she sti ll looked as though in her habit, for the dress was as severely tailored as h er riding costume and the small black hat with Ha long black plume perch ed over one warm, twinkling, brown eye was a replica of the battered old hat she used for hunting.She waved her whip when she saw Gerald and drew her dancing pair of r ed horses to a halt, and the four girls in the back of the carriage leaned out and gave such vociferous cries of greeting that the team pranced in alarm . To a casual observer it would seem that years had passed since the Tarlet ons had seen the O’Haras, instead of only two days. But they were a socia ble family and liked their neighbors, especially the O’Hara girls. That is, t。
感动你我的经典英文电影对白
1．《阿甘正传》：Life is like a box of chocolate, you never know what you will go to get to me ,I'll never forget this !I wish I could have been there with you. Your were Jenny, I am not a smart man, but I know what is love. ---Forrest Gump. "Death is a part of life" ----阿甘母亲在临终前对儿子说的话。
"where is my jenny?"------FORREST GUMP 当阿甘喊出这句话，让我不能控制的掉下眼泪。
至今仍然忘不了。
在这个社会，谁能象阿甘一样去爱。
2．《乱世佳人》：Tara! Home! I‘ll go home, and I‘ll think of some way to get him back. After all, tomorrow is another day. ——《乱世佳人》3． silence hill《冷山》： Mary ,are you still there waiting for me? --silence hill 4．《Titanic》：《Titanic》中Jack死亡前的对白： Jack: Listen, Rose. You're going to get out of here. You're going to go on. You're going to make lots of babies, and you're going to watch them grow. You' re going to die and old, an old lady in her warm bed, not here, not this night, not like this. Do you understand me? Rose: I can't feel my body. Jack: Winning that ticket (for Titanic at a poker game) Rose, was the best thing that ever happened to me. It brought me to you, and I'm thankful (crying) you must (shivering) ...you must ... do me this honor. Promise me that you'll survive, that you won't give up, no matter what happens, no matter how hopeless. Promise me, now, Rose, and never let go of that promise, never let go. Rose: I'll never let go, Jack. I'll never let go, I promise. ---------《Titanic》5．《拯救大兵瑞恩》：当小分队找到瑞恩时，队长告诉了瑞恩他的哥哥们都死了。
乱世佳人(影评)
《乱世佳人》影评《乱世佳人》原名：Gone With The Wind. 通译《飘》，后来用于电影改名为《乱世佳人》。
这部电影源于美国作者玛格丽特出版的一部小说。
是有史以来最经典的爱情巨著之一。
《乱世佳人》加上费雯丽，盖博的精彩演出成为电影史上难以逾越的经典作品。
1939年，该小说的同名改编电影荣获第12届奥斯卡金像奖的八项奖项。
《乱世佳人》电影内容以战争和爱情为主要题材，用独特的女性视角描述美国内战。
影片不仅描述了战争对人们造成的灾难，损失和对和平的向往，同时也告诉我们应该怎样对待生活、对待爱情、对待困难和挫折，对人生深有启迪。
在电影角色方面，由著名女星费雯·丽扮演的斯佳丽，演绎着一个像猫一样的女人，刚强的、坚韧的、虚荣的、贪婪的、残忍的、自私的女人，女人的典范。
费雯丽在这些方面都演绎得淋漓尽致，形象和性格特点突出。
比如刚强、坚韧反面的画面：面对战争的废墟和硝烟、母亲和父亲的去世、生活的贫穷艰难还是女儿的夭折，在和她承受同样的痛苦和艰难的人们当中，她都是最先从痛苦和艰难中走出来的一个。
当斯佳丽面对着已是满目伤痕泰勒庄园时，她的坚韧和刚强令她这个家中的长女担起家长的重担。
在影片的末尾，她还坚定地告诉我们：Tomorrow is another day。
在电影的画面色彩方面，当时的影坛还是黑白片统治的时代，可是米高梅公司却舍得花重金拍摄了这部彩色片，使得我们在银幕上第一次感受到彩色的南北战争的壮阔画面。
以其恢弘的气势，亮丽的色彩，豪华的场景，以及宏大逼真的战争场面，给人以视觉上的极大享受。
可以说如果没有颜色，片中斯嘉丽出场时所穿的数十套各种款式的服装就显示不出惊艳的感觉，效果必将大打折扣。
整部影片的史诗气质在很大程度上也得益于彩色技术的运用。
在电影的背景音乐方面，在电影中你会听到一段十分熟悉的旋律：泰拉的主题音乐。
马克思斯坦纳创作的恢弘的交响音乐贯穿影片始终，在斯嘉丽无助迷茫的时候悄悄的从屏幕背后传来，增添了许多感染力。
电影乱世佳人的英文观后感
电影乱世佳人的英文观后感篇一：乱世佳人英文影评The film review of Pretty WomanThere are always some surprises in the life, at least, in the movie “Pretty Woman”. It is a completely fairy tale just like the continuation of the story of Cinderella. When I saw this movie first time, I noticed many details of the plots which attracted my attention to finish it and then had a strong passion to write a review of this movie. Then I will introduce the actors, plots and lines which impressed me and also guided me to fall into some reflections on realistic life and true love that I never ever thought.The director Garry Marshall figures such a few characters: Julia Roberts plays Vivian Ward, an attractive and smart hooker wanders on the Hollywood street with a heart of gold. She gives her character a great sense of humor although she was forced by the reality. Why she choose this profession? As a stop schooling girl who far away from home, she worked at a couple fast-food places, then parked cars at wrestling, but couldn’t make the rent. Too ashamed to go home, she chooses to be a hooker under the guide of Kit.Richard Gere plays Edward Lewis who is handsome, charming and shy. Unexpectedly, Edward Lewis is a millionaire who finally falls in love with Vivian----a hooker. His work is to buy companies that are in financial difficulty and takes them apart and sells the pieces for more than he paid for the whole. In the film, he tells Vivian, It's strictly business", "You and I are both such similar people. We both screw people for money." Hector Elizondo plays the formal, intolerant hotel manager. He regards Vivian as “niece” of Edward and helps her dress elegantly and trains her how to behave well at a fancy dinner. What a lovely man he is! Laura SanGiacomo plays Vivian's pal roommate Kit who behaves rudely and leads Vivian to become a hooker. As far as I am concerned, Laura San Giacomo is a real hooker who was compared with Vivian. It tells people hookers can be greatly different for their different attitudes towards life.The plot of this film is not very complicated. At the very beginning, Vivian meets trouble of supporting rent money, she asks help for Kit, her roommate who takes their common money for other use. But no result, so they continue their job along the Hollywood street to be walking girls.At that moment, there is a glamorous choice coming which Edward’s car stops besides the street and loses his way. Kit encourages Vivian to get close to the luxury car(Lotus Esprit) and the rich man in it. However, love story starts from here. Vivian gives the right direction to Beverly hills for Edward and show him Lotus’ good function for she has a good knowledge of luxury cars while Edward is not familiar with. This surprises Edward. On the way to hotel Regent Beverly Wilshire, they have a great time in the car, Vivian’s beauty and interesting talk attracts Edward. One of saying from Vivian “You know your foot’s as big as your arm from your elbow to your wrist?” made me to measure the length myself. Edward asked Vivian how much if she provides sex service and wandered “You make 100$ an hour and you got a safety pin holding your boot up? Obviously, such a rich man can not understand how hard life the poor girl’ life is! Just as Viviansaid “I never joke about money.” When they arrives, he doesn’t want she go and invites Vivian to his penthouse to go through all night and they make a deal that Vivian service for Edward for 6 days whenever he wants her before he leaves for New York. Then she can get3ooo$. Yes, 3000$ for 6 days. What a huge amount of money to Vivian----- a prostitute! She behaves well during these days. What makes all people surprise is that she does a totally change which no one regards Vivian as a hooker but a pretty elegant woman. Time goes flying, 6 days come to the end. Edward have to go back and arranges a house for Vivian. However, Vivian refuses the house and money he gives her and decides to go back her hometown to finish her high school. Because she has already fall in deep love with this man. She couldn’tMaybe all of us think the departure of them is the final result. And the good wish that Vivian once said on the balcony of the penthouse couldn’t achieve, she said “My mother used to lock me in the attic when I was bad, I pretend I was a princess trapped in a tower by a wicked queen. The knight on a white horse with these colours flying would come charging up and draw the sword and wave, and he would clime up the tower and rescue me.”This is her childhood dream, maybe in some degrees, this is most girls childhood dream. We eager for a right man come to our life and embrace the real happiness. Fortunately, this fairy tale really happened in the movie. Edward finds Vivian and calls “Princess Vivian” loudly when he climb the ladder of her room. They hug and kiss each other. We can imagine they have a happy ending. Also the end of the film is inspiring and impressed me most, “Welcome to Hollywood ,what’s your dream? This is Hollywood. Land o’dreams ,some dreams come true, some don’t. But keep on dream. Always time to dream, so keep on dreamin’.Dreams may sometimes fragile, there many realistic scenes and social relationships that makes me think a lot of life. One little girl can choose prostitute tosupport her life though there are so many other choices. The result is when she just want to buy a conservative cloth, she was drove away by the saleswoman. Anyone can treat her as kind of low person who can only provide sex service but no other use,no one respects her in his inner heart. From many experiences, she has such strong shame feelings and wants to make change. Maybe it’s not too late to do some change for she meets Edward. Nevertheless, how many people have such lucky just like Vivian in reality? Personally speaking, the film is just a fairy love tale. It makes us believe there is a kind of love can cross the obstacle of social status and background which rarely happens in real life. Whatever, it is a good wish in people’s heart, why not?篇二：《乱世佳人》英文版读后感she hate bitterly before arriving at her door request to look after andthemselves also have no excessive food, she still fulfil her ability the ground helped them, because she hopes to also have the north guy woman of a good heart afar to her just at homing a rice of husband eat.Such strong female, the but again is a such gentleness kind andconsiderate.She persists the ground to believe the rare gift of beauty of si and a's, evensomeone see with own eyes they hug together, also persisting the ground to believe them, protection si beauty.She knows perfectly well pain and sufferings that own body can't bear again to grow, but persist the ground to want to hope the gift to give birth to a child for the a again, end leave she loved the close relatives of the lifetime.Is really too great, looking at themeilanli, make me thought of much more Chinese ancient times females of, they are also such dociles, work hard in spite of criticism, assist husband and bring up children, then silent unknownly old go to and depart from this life.In the whole book, I is a rui for the person that like most especially.He is brave and persists, he can love the beauty of si so and deeply for more than ten years constant.He wants to protect the beauty of si , the doter si beauty, look after the beauty of si, let her everything feel happy, but the beauty of si refused.He says, again the time that eternal love also will dub out, but his love, drive beauty of si, drive rare gift of a , was dub out by the adherence that the si beauty is stupid of.His heart, die.When his daughter leaves him, his heart, return any further not to come.He says, he has always been to have no that patience shear the ground pants and sew and like, then tells the oneself this is similar to lately, just deceive yourself as well as others.Ground is ground, return and don't go to any further, even make allies, the top still stays the crack, is not originally any further that篇三：乱世佳人电影观后感随风而逝电影《乱世佳人》观后感电影版本：1939Gone with the Wind美国主演：克拉克·盖博，费雯·丽，奥丽维亚·德哈维兰古老的南方，这是一片骑士与棉花园之地，在这个世外桃源，英勇的行为已荡然无存，骑士与淑女已不复得见，主人与奴仆已消失无踪。
乱世佳人经典英文台词
乱世佳人经典英文台词我要像你一样就好了。
I wish I could be like you.土地是世界上唯一值得你去为之工作，为之战斗，为之牺牲的东西，因为它是唯一永恒的东西。
Land is the only thing in the world worth working for, worth fighting for, worth dying for. Because it's the only thing that lasts.但是有一件事我明确地知道，那就是我爱你，斯卡莉。
哪怕是世界末日，我还是爱你。
But there is one thing I do know, that is I love you, Carly. Even if it is the end of the world, I still love you.上帝给我作证!上帝给我作证!他们休想打垮我!我一定要度过难关，之后我绝不再忍饥挨饿，包括我的亲人!我不惜为此去撒谎、偷窃、欺骗或者杀人!上帝给我作证!我决不再忍饥挨饿!God give me a witness! God give me a witness! They can't beat me! I'mgoing to live through this, then I will never go hungry, including my family!I'm willing to lie, steal, cheat or kill! God give me a witness! I 'll neverbe hungry again!花瓶碎了，怎么补裂痕都在。
Vase broken, how to fill the cracks are in the.我不要一个人去南洋，我的梦想是和重阳一起去南洋!I don't want a person to Nanyang, my dream is to go to the Nanyang and chongyang!你把自己的幸福拱手相让，去追求一些根本不会让你幸福的东西。
乱世佳人经典台词英文
乱世佳人经典台词英文本文是关于乱世佳人经典台词英文，仅供参考，希望对您有所帮助，感谢阅读。
1、有时候走错了一步，就会离原来的路越来越远。
Sometimes take a wrong step, will be farther and farther away from the original road.2、即使让我撒谎，去偷，去骗，去杀人，上帝作证，我再也不要挨饿了。
If I have to lie, steal, cheat or kill, as God as my witness, I'll never be hungry again.3、上天没给你想要的，不是你不配，而是你值得拥有更好的。
God doesn't give you what you want, not because you don't deserve it, but because you deserve better.4、家，我要回家，我要想办法让他回来，不管怎样，明天又是全新的一天。
Home, I want to go home, I have to think of a way to get him back, no matter what, tomorrow is a new day.5、我从来不是那样的人，不能耐心地拾起一些碎片，把它们黏合在一起，然后对自己说这个修补好了的东西跟新的完全一样。
一样东西破碎了就是破碎了——我宁愿记住它最好时的模样，而不想把它修补好，然后终生看着那些破碎了的地方。
I have not that man can't patiently pick up some debris, and put bonding them together, then say to oneself the repair things exactly the same with the new. The same thing is broken and broken - I would rather remember it when it is best, but don't want to fix it, and then look at the broken places all the time.6、现在我发现自己活在一个比死还要痛苦的世界，一个无我容身之处的世界。
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S: Ashley!
Ashley, let me go to the depot with you.
A: Oh, Scarlett.
I’d rather remember you as you are now…not shivering at the depot.
S: All right.
Oh Ashley, I’ve got a present for you, too.
A: Why, Scarlett, it’s beautiful. Tie it on me, my dear.
S: While Melly was making your new tunic, I made this to go with it.
A: You made it yourself?
Well, then I shall value it all the more.
S: You know there’s nothing I wouldn’t do for you.
A: There is something you can do for me.
S: What is it?
A: Will you look after Melanie for me?
She’s so frail and gentle and she loves you so much.
You see, if I were killed and she…
S: Oh you mustn’t say that! It’s bad luck! Say a prayer quickly.
A: You say one for me.
We shall need all our prayers now the end is coming.
S: The end?
A: The end of the war. And the end of our world, Scarlett.
S: But Ashley, you don’t think the Yankees are beating us?
A: Oh Scarlett, my men are barefooted now… and the snow in Virginia is deep.
When I see them… and I see the Yankees coming and coming, always more and more…Well. When the end does come I shall be far away.
It’ll be a comfort to me to know that she has you. You will promise, won’t you?
S: Yes.
Is that all, Ashley?
A: All except- goodbye.
S: Oh Ashley! I can’t let you go!
A: You must be brave… (No~ ) You must!
How else can I bear going?
Oh Scarlett, you are so fine and strong and beautiful.
Not just your sweet face, my dear… but YOU.
S: Oh Ashley, kiss me! Kiss me goodbye!
(キス仕事中)
A: No, Scarlett!
S: Oh, Ashley, I love you. I’ve always loved you.
I never loved anyone else. I only married Charles just to hurt you.
Oh, Ashley, tell me you love me. I’ll live on it the rest of my life.
A: Goodbye.
S:…
When the war is over, Ashley…When the war is over!。