英国文学术语
英国文学九大重要术语
1、Epic史诗:A long verse narrative on a serious subject, told in a formal and elevated style, and centered on a heroic or quasi-divine figure on whose actions depends the fate of a tribe, a nation, or the human race. 一种关于严肃主题的长诗叙事,以正式和高尚的风格讲述,以英雄或准神性人物为中心,其行为取决于一个部落、一个民族或人类的命运。
Traditional epics:were written versions of what had originally been oral poems about a tribal or national hero during a warlike age. e.g. 传统史诗:关于战争年代部落或民族英雄的口头诗的书面版本①The Greek The lliad, The Odysseyo希腊神话,伊利亚特和奥德赛②The Anglo-Saxon Beowulf 8th.c.盎格鲁-撒克逊贝奥武夫8号Literary epics:were composed by individual poetic craftsmen in deliberate imitation of the traditional form. e.g. 文学史诗:由个体诗意工匠精心模仿传统形式创作而成①Milton:Paradise Lost (1667) 弥尔顿:《失乐园》2、Romance浪漫:1、Romance浪漫:a type of narrative that developed in 12th century France, spread to the literature of other countries and displaced the earlier epic and heroic forms. 在12世纪的法国发展起来的一种叙事形式,传播到其他国家的文学中,取代了早期的史诗和英雄形式。
英国文学专业术语翻译
英国文学专业术语翻译01. Humanism (人文主义) 02.Renaissance(文艺复兴)03. Metaphysical poetry (玄学派诗歌) 04. Classism (古典主义)05. Enlightenment (启蒙运动) 06. Neoclassicism (新古典主义)07. The Graveyard School (墓地派诗歌) 08. Romanticism (浪漫主义)09. Byronic Hero (拜伦式英雄) 10. Critical Realism (批判现实主义)11. Aesthetic ism(美学主义)13. Modernism (现代主义)14. Stream of consciousness (意识流) (or interior monologue)18. the Age of Realism (现实主义时期)20. Naturalism (自然主义) 21. Local Colorist (乡土文学)22. Imagism (意象主义) 23. The Lost Generation (迷惘的一代)25. The Beat Generation (垮掉的一代) 27. Surrealism (超现实主义)28. Metaphysical poets (玄学派诗人)29. New Criticism (新批评主义)31. Hemingway Code Hero (海明威式英雄32. Impressionism (印象主义)33. Post modernity (后现代主义) 38. Realism (现实主义)39. Meditative Poetry (冥想派诗歌)01. Allegory (寓言) 2. Alliteration (头韵)03. Ballad (民谣) 04. epic (史诗)06. Romance (传奇) 05. Lay (短叙事诗)07. Alexandrine (亚历山大诗行) 08. Blank V erse (无韵诗或素体广义地说09. Comedy (喜剧) 10. Essay (随笔)12. History Plays (历史剧) 13. Masquesc or Masks (假面剧)14. Morality plays (道德剧) 15.Sonnet (十四行诗)16. Spenserian Stanza (斯宾塞诗节) 17. Stanza (诗节)18. Three Unities (三一原则) 19. Tragedy (悲剧)21.Metar (格律24. Soliloquy (独白)25.Narrative Poem (叙述诗) 27. Beowulf (贝奥武甫)29. Cavalier poets (骑士派诗人) 30. Elegy (挽歌)31. Restoration Comedy (复辟时期喜剧) 32. Action (情节33. Adventure novel (探险小说) 34. Archaism (古语)35. Atmosphere (基调)37. Epigram (警句)39. The Heroic Couplet (英雄对偶句) 40. Satire (讽刺)41. Sentimentalism (感伤主义文学) 43.Denouement (戏剧结局)42. Aside (旁白) 44. parable (寓言)45. Genre (流派) 46. Irony (反讽)47. Lyric (抒情诗) 48. Mock Epic (诙谐史诗)49. Ode (颂歌) 51. Pastoral (田园诗)52.Terza Rima (三行诗) 53. Ottava Rima (八行诗)54. Canto (诗章) ke Poets (湖畔诗人)57. Imagery (比喻) 58. Dramatic monologue (戏剧独白)59. Pre-Raphaelites (先拉菲尔派) 60. Psychological novel (心理小说)61.Point of V iew (叙述角度) 62. plot (情节)63. Allusion (典故)64. Protagonist and Antagonist (正面人物与反面人物)65. Flashback (倒叙) P133 66. Narration67. Ambiguity69. Symbolism (象征主义)72. Existentialism (存在主义) 73. Anti-hero (反面人物)74 . Round Character (丰满的人物) 75. Flat character (平淡的人物)76. Oedipus complex (俄狄浦斯情结/ 蛮母厌父情结)77.omniscience (无所不知的)78. Poetry (诗歌) 79. Rhyme (押韵)80. Iambic pentameter (五音步诗) 81. Rhyme royal82. Shakespearean sonnet (莎士比亚十四行诗) 83. Italian or petranrchan sonnet(意大利十四行诗)85. Poetic license (诗的破格) 86. Epiphany (主显节)87. Psychological penetration (心理透视) 88. Legend (传说)89. Myth (神话) 90. Pessimism (悲观主义)91. Jacobean age (英王詹姆斯一世时期) 92. Tragicomedy (悲喜剧)93. Comedy of manners (风俗喜剧) 94. Gothic novel (哥特式小说)95. Historical novel (历史小说) 96.Unitarianism (上帝一位论)99. Consonance (和音) 100. Free V erse (自由体诗歌)02. Theme (主题) 06. Theatre of the Absurd (荒谬剧)13. Magic realism (魔幻现实主义) 14. Analogy (类比)15. Anapest (抑抑扬格) 16. Antagonist (次要人物)17. Antithesis (对立) 18. Aphorism (格言) 20. Argument (论据) 21. Autobiography (自传) 23. Biography (传记) 26. Character (人物)27. Characterization (性格描绘) 28. Climax (高潮)29. Conflict (冲突) 30. Connotation (隐含意义)31. Couplet (对偶) 32. Dactyl (扬抑抑格)33. Denotation (意义) T 34. Denouement (结局)35. Description (叙述) 36. Diction (措词)37. Dissonance (不协和音) 38. Emblematic image (象征比喻)A verbal picture or figure with a long tradition of moral or religious meaning attached to it.44. Exposition (解释说明) 45. Fable (寓言)46. Figurative language (比喻语言) 47. Figure of speech (修辞特征)48. Foil (衬托) 49. Foot (脚注) 50. Hyperbole (夸张). 51. Iamb (抑扬格) 59. Metaphor (暗喻) 63. Motivation (动机)64. Multiple Point of View (多视角) 65. Narrator (叙述者)67. Nonfiction (写实文学) 68. Novel (小说)69. Octave (八行体诗) 70. Onomatopoeia (拟声法构词)71. Oxymoron (矛盾修辞法) 72. Paradox (自相矛盾)73. Parallelism (平行) 74. Pathos (哀婉) 75. Persuasion (说服) 76. Pictorialism (图像) 77. Pre-Romanticism (先浪漫主义) 78. Protagonist (正面人物)79. Psalm (圣歌) 80. Psychological Realism (心理现实主义) 81. Pun (双关语) 82. Quatrain (四行诗)83.Quintain (五行诗) the five-line stanza. 84. Refrain (叠句)85. Rhythm (韵律) 86. Scansion (诗的韵律分析)87. Septet (七重唱)88. Sestet (六重唱) 89. Setting (背景)90. Short Story (短篇小说) 91. Simile (明喻)。
英国文学术语
英国文学术语汇编Part I01. Humanism (人文主义)Humanism is the essence of the Renaissance. It emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance (文艺复兴)The word “Renaissance” means “rebirth”, it meant the reintroduction into Western Europe of the full cultural heri tage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.03. Metaphysical poetry (玄学派诗歌)Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classicism (古典主义)Classicism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment (启蒙运动)Enlightenment movement was a progressive philosophical and artistic movement which flourished in France and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in England were those great writers like Alexander pope, Jonathan Swift. etc.06. Neoclassicism (新古典主义)1>In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School (墓园派诗歌)1>The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life, past and present, with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism (浪漫主义)An artistic and intellectual movement originating in Europe in the late 18th century which emphasis on the individual…s expression of emotion and imagination, departure from the attitudes and forms of classicism.1> it was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.2>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience.3> the English romantic period is an age of poetry, which prevailed in England from 1798 to 1837. The major romanticpoets include Wordsworth, Byron, and Shelley.09. Byronic Hero (拜伦式英雄)1>Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron‟s chief contribution to english literature is his creation of the “Byronic Hero”.10. Critical Realism (批判现实主义)Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Modernism (现代主义)1. Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. Fresh ways of looking at man‟s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.12. the Age of Realism (现实主义时期)1).Realism was a reaction against Romanticism and paved the way to Modernism;2).During this period a new generation of writers, dissatisfied with the Romantic ideas in the older generation, came up with a new inspiration. This new attitude was characterized by a great interest in the realities of life. It aimed at the interpretation of the realities of any aspect of life, free from subjective prejudice, idealism, or romantic color. Instead of thinking about the my steries of life and death and heroic individualism, people‟s attention was now directed to the interesting features of everyday existence, to what was brutal or sordid, and to the open portrayal of class struggle;3) so writers began to describe the integrity of human characters reacting under various circumstances and picture the pioneers of the far west, the new immigrants and the struggles of the working class;13. Naturalism (自然主义)1>Naturalism is a literary movement related to and sometimes described as an extreme form of realism but which may be more appropriately considered as a parallel to philosophic Naturalism.2>as a more deliberate kind of realism Naturalism usually involves a view of human beings as passive victims of natural forces and social environment. In Naturalism a more documentary-like approach is in evidence, with a great stress on how environment and heredity shape people.3>As a literary movement, Naturalism was initiated in France.4> Naturalist fiction aspired to a sociological objectivity, offering detailed and fully researched investigations into unexplored concerns of modern society.14. Metaphysical poets (玄学派诗人)It is the name given to a diverse group of 17th century English poets whose work is notable for its ingenious use of intellectual and theological concepts in surprising conceits, strange paradoxes and far-fetched imagery. The leading Metaphysical poets was John Donne, whose colloquial, argumentative abruptness of rhythm and tone distinguishes his style from the conventions of Elizabethan love lyrics.15. Feminism(女权主义)Feminism incorporates both a doctrine of equal rights for women and an ideology of social transformation aiming to create a world for women beyond simple social equality.2>in general, femini sm is ideology of women‟s liberation basedon the belief that women suffer injustice because of their sex. Under this broad umbrella various feminisms offer differing analyses of the causes, or agents, of female oppression.3> definitions of feminism by feminists tend to be shaped by their training, ideology or race. So, for example, Marxist and socialist feminists stress the interaction within feminism of class with gender and focus on social distinctions between men and women. Black feminists argue much more for an integrated analysis which can unlock the multiple systems of oppression.Part II1. Alexandrine (亚历山大诗行)1>The name is derived from the fact that certain 12th and 13th century French poems on Alexander the Great were written in this meter.2>It is an iambic line of six feet, which is the French heroic verse.2. Allegory (寓言)1>Allegory is a story told to explain or teach something. Especially a long and complicated story with an underlying meaning different from the surface meaning of the story itself.2>allegorical novels use extended metaphors to convey moral meanings or attack certain social evils. Characters in these novels often stand for different values such as virtue and vice.3>Bunyan‟s Pilgrim’s Progress and Melville‟s Moby Dick are such examples.3. Ballad (民谣)1>Ballad is a story in poetic from to be sung or recited. 2>.ballads were passed down from generation to generation.3>Coleridge‟s The Rime of the Ancient Mariner is a 19th century English ballad.4. Blank Verse (无韵诗)Blank verse is unrhymed poetry. Typically in iambic pentameter, and as such, the dominant verse form of English dramatic and narrative poetry since the mid-16th century.5. Climax (高潮)The point of greatest intensity, interest, or suspense in a s tory‟s turning poin t. The action leading to the climax and the simultaneous increase of tension in the plot are known as the rising action. All action after the climax is referred to as the falling action, or resolution. The term crisis is sometimes used interchangeably with climax.6. Canto (诗章)1>Canto is a section of division of an epic or narrative poem comparable to a chapter in a novel.2>the most famous cantos in literature are those that make up Dante‟s Divine comedy, a 14th century epic.7. Comedy (喜剧)Comedy is a light form of drama that aims primarily to amuse and that ends happily. Since it strives to provoke smile and laughter, both wit and humor are utilized. In general, the comic effect arises from recognition of some incongruity of speech, action, or character revelation, with intricate plot.8.Conceit (奇特比喻)1>Conceit is a far-fetched simile or metaphor, a literary conceit occurs when the speaker compares two highly dissimilar things.2>conceit is extensively employed in John Donne‟s poetry.9. Elegy (挽歌)Elegy has typically been used to refer to reflective poems that lament the loss of something or someone, and characterized by their metrical form.10. Epic (史诗)1>Epic, in poetry, refers to a long work dealing with the actions of goods and heroes.2>Epic poems are not merely entertaining stories of legendary or or historical heroes; they summarize and express the nature or ideals of an entire nation at a significant or crucial period of its history.3>Beowulf is the greatest national Epic of the Anglo-Saxons.11. Epigram (警句)A short, witty, pointed statement often in the form of a poem.12. Epistolary novel (书信体小说)It‟s a novel told through the medium of letters written by one or more of the characters. Originating with SamuelRichardson‟s Pamela, or, Virtue Rewarded (1740), the story of a servant girl‟s victorious struggle against her master‟s attempts to seduce her, it was one of the earliest forms of novel to be developed and remained one of the most popular up to the 19th century. The epistolary novel‟s reliance on subjective points of view makes it the forerunner of the modern psychological novel.13. Foot (音步) It is a rhythmic unit, a specific combination of stressed and unstressed syllables.14. Gothic novel (哥特式小说)Gothic novel is a type of romance very popular late in the 18th century and at the beginning of the 19th century. Gothic novel emphasizes things which are grotesque, violent, mysterious, supernatural, desolate and horrifying.15. Heroic Couplet (英雄对偶句/英雄双行体)The Heroic Couplet means a pair of lines of a type once common in English poetry, in other words, it means iambic pentameter rhymed in two lines.16. Iamb (抑扬格) It is the most commonly used foot in English poetry, in which an unstressed syllable comes first, followed by a stressed syllable.17. Iambic pentameter (五音步诗)Iambic pentameter is the most common english meter, in which each foot contains an unaccented syllable and an accented syllable.ke Poets (湖畔诗人)In English literature Lake Poets refer to such romantic poets as William Wordsworth, Coleridge and Southey who lived in the Lake District. They came to be known as the lake school or Lakers.19. Lyric (抒情诗)1>Lyric is a short poem wherein the poet expresses an emotion or illustrates some life principle.2>Lyric often concerns love. 3>the elegy, ode and sonnet are all forms of the lyric.20. Morality plays (道德剧)A kind of medieval and early Renaissance drama that presents the conflict between the good and evil through allegorical characters. The characters tend to be personified abstractions of vices and virtues, which can be named as Mercy. Conscience,etc. unlike a mystery or a miracle play, morality play does not necessarily use Biblical or strictly religious material because it takes place internally and psychologically in every human being.21. Metaphor (暗喻)A figure of speech that makes a comparison between two things that are basically dissimilar. Unlike simile, a metaphor does not use a connective word such as like, as, or resembles in making the comparison.22. Miracle play (奇迹剧)A popular religious drama of medieval England. Miracle plays were based on stories of the saints or on sacred history.23. Motif (主题)A recurring feature (such as a name, an image, or a phrase) in a work of literature. A motif generally contributes in some way to the theme of a short story, novel, poem, or play. At times, motif is used to refer to some commonly used plot or character type in literature.24. Motivation (动机)The reasons, either stated or implied, for a character‟s behavior. To make a story believable, a writer must provide characters with motivation sufficient to explain what they do. Characters may be motivated by outside events, or they may be motivated by inner needs or fears.25. Multiple Point of View (多视角)It is one of the literary techniques William Faulkner used, which shows within the same story how the characters reacted differently to the same person or the same situation. The use of this technique gave the story a circular form wherein one event was the center, with various points of view radiating from it. The multiple points of view technique makes the reader recognize the difficulty of arriving at a true judgment.26. Novel (小说)A book-length fictional prose narrative, having may characters and often a complex plot.27. Ode (颂歌)Ode is a dignified and elaborately structured lyric poem of some length, praising and glorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally.2> John Keats wrote great Odes, his Ode on a Grecian Urn is a case in point.28. Oedipus Complex (俄狄浦斯情结/ 弑父恋母情结)Oedipus complex is a term coined by Sigmund Freud to designate a son‟s subconscious feeling of love toward his mother and jealousy and hatred toward his father.2>wrence‟s Sons and lovers is a case in point.29.Omniscience (无所不知的) Point of ViewThe narrator is capable of knowing, seeing and telling all the actions of the character. And the narrator feels free to make comments on the meaning of actions.2> it is characterized by freedom in shifting from the exterior world to the inner selves of a number of characters and by a freedom in movement both in time and space.30. Paradox (自相矛盾)A statement that reveals a kind of truth, although it seems at first to be self-contradictory and untrue.31. Protagonist and Antagonist (正面人物与反面人物)In literary work protagonist refers to the hero or central character who is often hindered by some opposing force either human or animal. Antagonist is a person or force opposing the protagonist in a narrative; a rival of the hero or heroine.32. Psalm (圣歌) A song or lyric poem in praise of God.33. Pun (双关语)The use of a word or phrase to suggest two or more meaning at the same time. Puns are generally humorous.34. Pastoral (田园诗)A literary work dealing with and often celebrating a rural world and a way of life lived close to nature. It usually idealized shepherds‟ lives in order to create an image of peaceful and uncorrupted existence. Typically, pastoral liturgy depicts beautiful scenery, carefree shepherds, seductive nymphs, and rural songs and dances. A good example of pastoral poetic conventions occurs in Marlowe‟s The Passionate Shepherd to His Love.35. Psychological novel (心理小说)Psychological novel refers to a kind of novel that dwells on a complex Psychological development and presents much of the narration through the inner workings of the character‟s mind.36.Point of View (叙述角度)Point of view can be divided by the narrator‟s relationship with the character, represented by the grammatical person: the first-person narrative, the third-person narrative, and omniscient narrator.37. plot (情节)Plot refers to the structure of a story, 2> the plot of a literary work includes the rising action, the climax, the falling action and the resolution. It has a protagonist who is opposed by an antagonist, creating what is called conflict.38. Rhyme (押韵)Rhyme is the repetition of sounds at the ends of words. End rhyme occurs when rhyming words appear at the ends of lines. Internal rhyme occurs when rhyming words fall within a line.39. Rhythm (韵律)It is one of the three basic elements of traditional poetry. It is the arrangement of stressed and unstressed syllables into a pattern. Rhythm often gives a poem a distinct musical quality. Poets also use rhythm to echo meaning.40. Setting (背景)The time and place in which the events in a short story, novel, play or narrative poem occur. Setting can give us information, vital to plot and theme. Often, setting and character will reveal each other.41. Short Story (短篇小说)A short story is a brief prose fiction, usually one that can be read in a single setting. It generally contains the six major elements of fiction—characterization, setting, theme, plot, point of view, and style.42. Simile (明喻)(a figure of speech) A comparison make between two things through the use of a specific word of comparison, such aslike, as than, or resembles. The comparison must be between two essentially unlike things.43. Satire (讽刺)1>Satire means a kind of writing that holds up to ridicule or contempt the weakness and wrongdoings of individuals, groups, institutions, or humanity in general.2> the aim of satirists is to set a moral standard for society, and they attempt to persuade the reader to see th eir point of view through the force of laughter.3> Swift‟s Gulliver‟s Travels is a great satire of the English society from different aspects.44. Soliloquy (独白)1>Soliloquy, in drama, means a moment when a character is alone and speaks his or her thoughts aloud.2>the line “to be, or not to be, that is the question”, which begins the famous soliloquy from Shakespeare‟s Hamlet.45.Sonnet (十四行诗)It is a lyric poem of 14 lines with a formal or recited and characterized by its presentation of a dramatic or exciting episode in simple narrative form.2>it is one of the most conventional and influential forms of poetry in Europe.3>Shakespeare‟s sonnets are well-known.Shakespearean sonnet (莎士比亚十四行诗)Shakespearean sonnet consists of three quatrains and a couplet (rhyming abab cdcd efef gg).Italian or Petrarchan sonnet(意大利十四行诗)Italian or Petrarchan sonnet is composed of an octave and s sestet (rhyming abbaabba cdecde).46. Spenserian Stanza (斯宾塞诗节)Spenserian Stanza is the creation of Edmund Spenser.2>it refers to a stanza of nine lines, with the first eight lines in iambic pentameter(五音步抑扬格) and the last line in iambic hexameter(六音步抑扬格),rhyming ababbcbcc. 3> Spenser‟s The Faerie Queen was written in this kind of stanza.47. Stanza (诗节)Stanza is a group of lines of poetry, usually four or more, arranged according to a fixed plan.2>the stanza is the unit of structure in a poem and poets do not vary the unit within a poem.48. Symbolism (象征主义)Symbolism works under the surface to tie the story‟s external action to the theme. It was often produced through allegory, giving the literal event and its allegorical counterpart a one-to-one correspondence.49. Theme (主题)Theme means t he unifying point or general idea of a literary work.2>it provides an answer to such ques tion as “what is the work about”3>each literary work carries its own theme or themes.50. Theatre of the Absurd (荒谬剧)1>The absurd is a kind of drama that explains an existential ideology and presents a view of the absurdity of the human condition by the abandoning of usual or rational devices and the use of nonrealistic form.2>the most original playwright of the theater of absurd is Samuel Beckett, who wrote about human beings living a meaningless life in a alien, decaying world.51. The Angry young men (愤怒的青年)In the mid-1950s and early 1960s, there appeared a group of young novelists and playwrights with lower-middle-class or working-class background, who were known as “The Angry young men”2> they demonstrated a particular disillusion over the depressing situation in Britain and launched a bitter protest against the outmoded social and political values in their society.3> Kinsley Amis is a leading figure of this group.52. University Wits (大学才子)University Wits refer to a group of scholars during the Elizabethan Age who graduated from either oxford or Cambridge. They came to London with the ambition to become professional writers. Some of them later became famous poets and playwrights. They were called” University Wits”。
英国文学最全名词解释
英国文学最全名词解释名词解释1、Alliteration(头韵) It refers to a repeated initial consonant to successive words and it is the most striking feature in its poetic form. In alliterative verse, certain accented words in a line begin with the same consonant sound. It usually have a caesura in the middle and two stresses (or accents) in each half. The number of unstressed syllables in the two halves may vary. Yet, the same consonant is repeated at the beginning of the accented syllables, either twice in the first half of the verse line and once in the second half, or vice versa. Or we can say there are generally 4 accents in a line, three of which show alliteration, and it is the initial sound of the third accented syllable that normally determiners the alliteration. Alliteration makes Anglo-Saxon poetry very musical in sound and acts almost the same part that rhyme plays in later poetry. English poets till today still love to use alliteratione.g. “True is the tale (caesura) I tell of my travels,/ Sing of my seafaring (caesura) sor rows and woes.2、Blank verse无韵诗,素体诗(不押韵的五音步诗行): also called unrhymed poetry, has been the dominant verse form of English drama and narrative poetry since the mid-sixteenth century. In 1540, from Italy, this verse form was brought into English literature by the poet Henry Howard (Earl of Surrey), who first used it in his translation of The Aeneid.Unrhymed lines of iambic pentameter. It is a very flexible English verse form which can attain rhetorical grandeur while echoing the natural rhythms of speech. It was first used by Henry Howard, Earl of Surrey, and soon became a popular form fornarrative and dramatic poetry.E.g. Paradise Lost by Milton3、Comedy of humours: The comedy of humours is a genre of dramatic comedy that focuses on a character or range of characters, each of whom exhibits two or more overriding traits or 'humours' that dominates their personality, desires and conduct. the English playwrights Ben Jonson and George Chapman popularized the genre in the closing years of the sixteenth century. In the later half of the seventeenth century, it was combined with the comedy of manners in Restoration comedy.In which the prevailing eccentricities and ruling passions of character are exposed to ridicule and satireE.g. Every Man in His HumourEvery Man out of His Humour4、Dramatic monologue:a kind of poem in which a single fictional or historical character other than the poet speaks to a silent ‘audience’of one or more persons. Such poems reveal not the poet‘s own thoughts; this distinguishes a dramatic monologue from a lyric,while the implied presence of an auditor distinguishes it from a soliloquy.E.g. My Last Duchess by Browning5、Epic (史诗)appeared in the the Anglo-Saxon Period It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition. A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated. Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple,but full of magnificence. Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf ( the pagan异教徒secular(非宗教的) poetry)Iliad 《伊利亚特》Odyssey《奥德赛》Paradise Lost 《失乐园》The Divine Comedy《神曲》6、Gothic Novels tales of macabre, fantastic and supernatural happenings, set in haunted castles, graveyards, ruins and wild landscapes and often with a weak or innocent heroine going through some horrible experiences. Derives its name from similarities to Medieval(中古的,中世纪) Gothic architecture.A thriller designed not only toterrify or frighten the audience, but to convey a sense of moral failure or spiritual darkness. The Gothic in England begins with The Castle of Otranto in 1760, by Horace Walpole, which emphasized the supernatural mixed with the grotesque in a medieval setting.E.g. Anne Radcliffe in Mysteries of UdolphoFrankenstein(1817) by Mary Shelley7、Heroic Couplet(英雄双韵体)Heroic couplet refers to the rhymed couplet in iambic pentameter Heroic couplets are lines of iambic pentameter that rhyme in pairs (aa, bb, cc). The Heroic Couplet: 1) It means a pair of lines of a type once common in English poetry, in other words, it means iambic pentameter rhymed in two lines. 2) The rhymeis masculine. 3) Use of the heroic couplet was first pioneered by Geoffrey Chaucer.E.g. Cooper's Hillby by John Denham(德纳姆)8、Iambic pentameter: a verse lines of feet of the iambic rhythmIambic(adjective of iambus): a metrical foot consisting of one unstressed syllable followed by a stressed one. (cf. Trochaic/trochee: a metrical foot consisting of one stressedsyllable followed by an unstressed one)Pentameter: a verse line of 5 feet.E.g. sonnet 18 by Shakespeare9、Ode:a poem intended or adapted to be sung in the ancient time, but a rhymed lyric poem often of an address in the modern times, with dignified and exalted or simple and familiar subjects. a long lyric poem, serious and dignified in subject, tone and style, sometimes with an elaborate stanzaic structure, often written to commemorate or celebrate an event or individual. Representative poets: Percy Bysshe Shelley, John Keats Representative:Ode to Psyche, Ode to a Nightingale10、Romance: a medieval tale based on legend, chivalric love and adventures, or a prose narrative treating imaginary characters involved heroic, adventurous, or mysterious events remote in time and place. It became a popular form of literature. The plots of romance tend to be complex, with uprising and even magical actions common.e.g. The Tempest by Shakespeare11、Sonnet:a poem consisting of 14 lines of 10 syllables each in English (11 syllables in Italian and12 syllables in French)The English sonnet: a sonnet of 14 iambic pentameter lines divided into an octave and sestet rhyming abba abba cde cde (or other rhymes in the sestet)The Shakespearian sonnet: a sonnet of 14 iambic pentameter lines divided into a 12-line unit followed by a 2-line conclusion rhyming abab cdcd efef ggE.g. sonnet 18 by Shakespeare12、Three unities (三一律): referring to the rules set by Aristotle for tragedy which are observedin Greek tragedies and Neoclassic drama, that is a tragedy must have one single action which takes place within one day and in one place. It required that the events of a play not exceeda single day (time), be confined to a single location or to several locations within a small area (pla ce), and not have subplots (action). It is term given by Aristotle and strictly adhered in 17th Franc e and then over Europe.e.g. Cid by Pierre Corneille13、Topographical poetry: a local poetry focusing on the presentation of landscapes and praising particular parks, estates and gardens. The emergence of this kind of poetry of which can be traced to the 1730s and was defined by Dr Johnson as “local poe try, of which the fundamental object is some particular landscape.e.g. The Seasons by James Thomson14、Graveyard Poets: This group of poets mainly comprises Thomas Parnell, Edward Young, Robert Blair and Thomas Gray. They wrote melancholy poems, often with the poet meditating on human mortality problems at night or in a graveyard. Gray is the most representative and successful among them and his poem Elegy written in a Country Church-yard is partly responsible for this group to be named graveyard poets.15、Metaphysical Poetry: Metaphysical poetry is defined as poetry dating from the 17th century in Britain that has an abstract and ethereal style. Such poetry used a variety of form and structures, but employed similar styles. The term was first coined by John Dryden in 1693 when he described a poem by John Donne as affecting “the metaphysical.” It was later popularized by Samuel Johnson in 1781.e.g. The flea by John Donne16、Allegory A tale in verse or prose in which characters, actions, orsettings represent abstract ideas or moral qualities. An allegory is astory with two meanings, a literal meaning and a symbolic meaning.Allegory is generally treated as a figure of rhetoric, but an allegory does nor have to be expressed in language: it may be addressed to teh eye, and is often found in realistic painting, sculpture or some other form of mimetic, or represent are.The etylmological meaning of the word is broader than the common use of the word. Though it is similar to other rhetorical comparisons. An allegory is sustained lnger and more fully in its details than a metaphor, and appeals to imagination, while an analogy appeals to reason or logical. The fable or parable is a short allegory with one definite moral.E.g. The Pilgrim's Progress by John Bunyan。
英国文学史名词解释
英国文学史名词解释1、Romanticism:浪漫主义An artistic and intellectual movement originating in Europe in the late 18th century and characterized by a heightened interest in nature, emphasis on the individual's expression of emotion and imagination, departure from the attitudes and forms of classicism.English literary romanticism is from the publication of Wordsworth and Coleridge’s Lyrical Ballads in 1798 to the death of Sir Walter Scott in 1832.2、Byronic hero: 拜伦式英雄an idealized but flawed character exemplified in the life and writings of Byron:*an exile流亡者, an outcast流浪者or an outlaw 歹徒*being cynical愤世嫉俗的, rebellious反抗的, lonely*against government, religion or moral values singly逐一地*being passionate热情的, energetic积极的, talented多才的3、ottava rima :Italian stanza form established by Boccaccio,An eight-line stanza of poetry in iambic pentameter (a five-foot line in which each foot consists of an unaccented syllable followed by an accented syllable), following the abababcc rhyme scheme.4、Critical realism:批判现实主义English critical realism of the 19th century flourished in the forties and in the early fifties. The critical realists described with much vividness and artistic skill the chief traits of the English society and criticized the capitalist system from a democratic viewpoint. The representative realists of the time were Charles Dickens, William Thackeray, the Bronte sisters, Mrs. Gaskell, etc.The critical realists not only gave a satirical portrayal of the bourgeoisie and all the ruling class, but also showed profound sympathy for the common people.5、Dramatic monologue:戏剧独白a kind of poem in which a single fictional or historical character other than the poet speaks to a silent ‘audience’of one or mor e persons. Such poems reveal not the poet ‘s own thoughts; this distinguishes a dramatic monologue from a lyric,while the implied presence of an auditor distinguishes it from a soliloquy. Major examples of this form in English are Tennyson,Browning and T. S. Eliot.6、Aestheticism:美学主义the doctrine that regards beauty as an end in itself, and attempts to preserve the arts from subordination to moral, didactic, or political purposes. The term is often used synonymously with the Aesthetic Movement, a literary and artistic tendency of the late 19th century which may be understood as a further phase of Romanticism in reaction against vulgar bourgeois values of practical efficiency and morality.7、Naturalism:自然主义A literary movement taking place from the 1880s to 1940s that used detailed realism to suggest that social conditions,heredity遗传and environment had inescapable force in shaping human character.8、Modernism:现代主义A general term applied to the wide range of experimental and avant-garde trends in literature of the early 20th century. It takes the irrational philosophy and the theory ofpsycho-analysis as its theoretical base. It is a reaction against realism. It rejects rationalism which is the theoretical base ofrealism; by advocating a free experimentation on new forms and new techniques in literary creation, it casts away almost all the traditional elements in literature such as story, plot, character, chronological narration etc. , which are essential to realism.9、Imagism:意象派A literary movement started by British and American poets early in the 20th century that advocated the use of short lyrics, free verse, common speech patterns, and clear concrete images. Greatly under the influence of Symbolism, and was initially led by Ezra Pound.10、Stream of Consciousness:意识流One of the modern literary techniques, which is used to depict the mental and emotional reactions of characters to external events, rather than plot, story themselves. It adopts the psycho-analytic approach in literary creation to explore the existence of sub-conscious and un-conscious elements in the mind. And it neglects totally “fetters of grammar, syntax, and logic”。
英国文学名词解释大全(整理版)
名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king •Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。
英国文学的一些名词解释
英国文学的一些名词解释英国文学是世界文学宝库中的明珠,众多文学名著诞生于这片土地上。
提到英国文学,我们不仅仅要了解其中众多名著的作者和故事情节,我们还需要掌握一些专业术语和概念。
在本文中,我将为大家解释一些与英国文学相关的名词,帮助读者更好地理解英国文学的精髓。
一、浪漫主义浪漫主义是18世纪末到19世纪初兴起的一种文学运动,它强调个人感受、想象力和超凡脱俗的体验。
浪漫主义充满了激情和对自然、人类内心世界的热爱。
在英国文学史上,浪漫主义给予了众多优秀的作品,如《弗兰肯斯坦》、《唐吉诃德》等。
二、维多利亚时代维多利亚时代是指1837年至1901年英国女王维多利亚统治下的时期。
这个时代是英国工业革命达到巅峰的时期,但也是社会动荡和不平等的时期。
维多利亚时代的文学作品通常描写社会阶级落差、人性的复杂以及对女性地位的思考。
其中最著名的代表作品包括《雾都孤儿》、《呼啸山庄》等。
三、现代主义现代主义是20世纪初兴起的一种文学运动,它试图打破传统的叙事形式,挑战读者的理解和想象力。
现代主义作品通常以碎片化的结构、内心独白和流露出的不确定性为特点。
英国文学史上的现代主义代表作品有《尤利西斯》、《荒原》等。
四、战后文学战后文学是指第二次世界大战结束后,英国文学的新兴潮流。
在这一时期,英国文学持续呈现多样性和实验性。
战后文学关注社会变革、性别政治以及民族认同,并通过多种不同的写作风格和技巧来探索个体心理和文化理解。
该时期的代表作品包括《动物农场》、《1984》等。
五、北方现实主义北方现实主义是19世纪中叶至20世纪初期在英国出现的文学派别,它对于社会的现象和底层人民的生存状况进行了深刻而真实的描写。
北方现实主义作品通常关注社会困境和阶级冲突,以真实主义的手法展现人物的命运和社会环境的影响。
代表作品有《红与黑》、《战争与和平》等。
六、文学奖项文学奖项是评选和表彰优秀文学作品和作者的机构或组织举办的活动,也是文学界的重要盛事。
英国文学名词解释大全(整理版)
名词解释1.Epic(史诗)(appeared in the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey 《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king •Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be 命中注定sung or recited 背诵in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet 押韵的对句of iambic pentameter抑扬格五音步; a verse form in epic poetry, with lines of ten syllables 音节and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。
英国文学术语_Terms
Epic(叙事诗): example: BeowulfAlliteration(头韵): Beowulf is an example.Romance(浪漫史):Prevailing form of medieval lit., 2 verse or prose, 3 adventures of knights, 4 devotion to a lady 5 devotion to the church and king, expose vices praise virtues 6 example: Sir Gawain and the Green KnightHeroic couple t(英雄偶句诗): It was introduced by Chaucer from France to English, fully developed in The Canterbury Tales. Heroic couplet was characterized by rhymed lines in the iambic pentameter.Allegory(寓言): a story or visual image with a second distinct meaning partially hidden behind its literal or visible meaning. The principal technique of allegory is personification, whereby abstract qualities are given human shape.Popular Ballad(民谣): Ballads flourished in Scotland from the 15th century onward. It is a folk song or oral literary piece, usu. telling a local story or legend with vivid dialogue, in an impersonal tone. Ballads are normally composed in quatrains with alternating four-stress and three-stress lines, with the second and fourth lines rhyming.The Renaissance(文艺复兴): 1 Generally, it refers to the period between the 14th and mid-17th centuries..2 the rediscovery of ancient Roman and Greek Culture, It was the revival of painting, sculpture and literature.Oxford Reformers, the religious reformers at Oxford University, together with scholars and humanists introduced the Bible and classics that were popularized. 3 The literary giants at that time were Shakespeare, Spenser, Jonson, Sidney, Marlowe, Bacon and Donne. 4 The Renaissance marks a transition from the medieval(中世纪)to the modern world. It was, in essence, an attempt of the humanist thinkers and scholars to get rid of the feudalist ideas(封建思想); recover the purity of the early church from the corruption of the Roman Catholic Church; and to introduce new ideas in the interest of the rising bourgeoisie.Humanism: Humanism is the essence(本质)of the Renaissance. The best representatives of the English humanists are Thomas More, Christopher Marlowe and William Shakespeare.Reformation(宗教改革): The Medieval religious Reformation came from the Continent. A German Protestant(新教徒), Martin Luther (1483-1546) initiated the Reformation.The Petrarchan Sonnet(彼得拉克的十四行诗): Originally invented in Italy, it was introduced to England by Sir Thomas Wyatt(怀亚特)in the 16th century. It is built in 2 parts. The first part is known as “Octave” ,consisting of 8 lines , and the last six lines are “sestet”. Milton uses this but avoids the break in the middle and employs the rhyme cdcdcd in the last 6 lines.The Shakespearean sonnet: It was first used by the Earl Surrey. It consists of three quatrains of four lines each and a final independent couplet. Its rhyme scheme is abab cdcd efef gg.University Wits: They were a professional set of pre-Shakespearean dramatists. They were called so because nearly all of them were educated at Oxford or Cambridge University. “Wit” was the synonym for “scholar”. Their dramatic writings laid the foundation for William Shakespeare.The writers belonging to this group are: John Lyly, Robert Greene; George Peele; Thomas Lodge; Thomas Lodge; Thomas Nashe; Thomas Kyd; and Christopher Marlowe, who was the central man.Blank verse: Surrey introduced blank verse into English poetry in his translations. Blank verse was characterized by unrhymed lines in the iambic pentameter. (In contrast with heroic couplet which is rhymed.)18th centuryEssayFrancis Bacon, late in the sixteenth century, inaugurated the English use of the term in his own Essays; most of them are short discussions such as "Of Truth"; "Of Adversity", "Of Marriage and the Single Life" (formal essays). Alexander Pope (蒲柏) adopted the term for his expository compositions in verse, the Essay on Criticism and the Essay on Man, but the verse essay has had few important exponents after the eighteenth century. In the early eighteenth century Joseph Addison and Sir Richard Steel’s Tatler and Spectator, with their many successors, gave to the essay written in prose its standard modern vehicle, the literary periodical (informal essays) (earlier essays had been published in books).Aestheticism(唯美主义)(art for art's sake)A term applied to the point of view that art is self-sufficient(自负的). It need serve no ulterior purpose, and should not be judged by moral, political or other nonaesthetic standards. Aestheticism in England was influenced greatly by Pre-Raphaelites, Ruskin, and Pater and French symbolist poets. Oscar Wilde was one of its major representatives.It appeared in the late Victorian period. The predecessor of it was the Pre-Raphaelists, who were opposed to the materialism and commercialism and wanted to go back to the medieval age. The movement was influenced by the French symbolists, who used symbols to present an ideal world of which the real world is but a shadow. The first important figure of the movement was Walter Pater, who suggests that the sole duty of an aesthete is to develop his aesthetic sensibility, enjoy all possible varieties of artistic and sensuous experience, and “burns always with a hard gemlike flame. This movement covered a wide range of poets, writers and artists, varying in their attitudes towards life and art.ModernismA movement of experiment in new techniques in writing. Modernist fiction represented atrend drifting away from the tradition of the 19th century realism. It put emphasis on the description ogoometimes it is called modern psychological fiction. Lawrence is a typical representative of it.。
英国文学术语
7 the Victorian age (1832-1901)•Realism:A mode of writing that gives the impression of recording or “reflecting”faithfully an actual way of life .Dramatic monologue: a piece of spoken verse that offers great insight into the feelings of the speakers.A type of lyric poetry written in a form of a speech of an individual character to his or her auditors (listeners)Bildgungsroman(coming-of –age novel 成长小说): a term coined in literary criticism, which purportedly defines a genre of the novel which focuses on the psychological and moral growth of the protagonist from youth to adulthood, and in which character change is thus extremely important.8. 20th centuryModernism: . A general term applied to the wide range of experimental and avant-garde trends in literature and other arts of the early 2oth century, including Symbolism, Futurism, Expressionism, Imagism, Dada, and Surrealism. It is characterized chiefly by a rejection of 19th century traditions, eg, a rejection of traditional metres.disengaged from bourgeois valuesadopting complex and difficult new forms and stylesStream of consciousness:The continuous flow of perceptions, thoughts, feelings, and memories in the human mind, or a literary method of representing such a blending of mental processes in fictional characters, usu. in an unpunctuated or disjointed form of interior monologue Symbolism:Symbolism is the writing technique of using symbols. It’s a literary movement that arose in France in the last half of the 19th century and that greatly influenced many English writers, particularly poets, of the20th century. It enables poets to compress a very complex idea or set of ideas into on e image or even one word. It’s one of the most powerful devices that poets employ in creation.象征主义:使用象征来写作的一种技巧。
英国文学名词解释
英国文学名词解释英国文学是指在英国境内产生的文学作品,包括散文、诗歌、戏剧等多种文学形式。
以下是一些与英国文学相关的名词解释:1. 莎士比亚戏剧(Shakespearean Drama):指威廉·莎士比亚所创作的戏剧作品,包括《哈姆雷特》、《罗密欧与朱丽叶》等。
2. 简·奥斯汀小说(Jane Austen Novels):指英国女作家简·奥斯汀所写的一系列小说,主要描写中上层社会的生活,包括《傲慢与偏见》、《理智与情感》等。
3. 浪漫主义(Romanticism):指18世纪末至19世纪初的一种文艺运动,强调情感、个人主义和自然之美,代表作家有威廉·华兹华斯、塞缪尔·柯勒律治等。
4. 维多利亚时期文学(Victorian Literature):指19世纪中后期的英国文学,以女王维多利亚统治时期为背景,作品内容反映了社会变革和道德观念的转变,代表作家有查尔斯·狄更斯、乔治·艾略特等。
5. 符号主义(Symbolism):指19世纪末20世纪初的一种文学流派,强调象征和隐喻的运用,代表作家有奥斯卡·王尔德、D·H·劳伦斯等。
6. 现代主义(Modernism):指20世纪初的一种思潮和文学流派,以对现代社会的批判和对传统形式的挑战为特点,代表作家有弗吉尼亚·伍尔夫、詹姆斯·乔伊斯等。
7. 女性主义文学(Feminist Literature):指关注女性经验和性别平等的文学作品,代表作家有弗吉尼亚·伍尔夫、玛格丽特·阿特伍德等。
8. 后现代主义(Postmodernism):指二战后出现的一种思潮和文学流派,强调对现实的怀疑和对语言的游戏性,代表作家有萨缪尔·贝克特、艾里奥·卡尔维诺等。
9. 科幻文学(Science Fiction):指描写未来社会和科技发展的文学作品,代表作家有霍华德·菲利普斯·洛夫克拉夫特、艾萨克·阿西莫夫等。
(完整word版)英国文学 名词解释
1.(1) Modernism (现代主义)A movement of experiment in new techniques in writing. Modernist fic tion represented a trend drifting away from the tradition of the 19th century realism。
It put emphasis on the description ogoometimes it is called modern psychological fiction. Lawrence is a typical representative of itRealism(现实主义)Realism was a loosely used term meaning truth to the observed facts of life (especially when they are gloomy)。
Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity。
Realism现实主义: An elastic and ambiguous term with two meanings。
(1) First, it refers generally to any artistic or literary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world。
英国文学术语解释
Romanticism(浪漫主义)The term refers to the literary and artistic movements of the late 18th and early 19th century. Romanticism rejected the earlier philosophy of the Enlightenment, which stressed that logic and reason were the best response humans had in the face of cruelty, stupidity, superstition, and barbarism. Instead ,the Romantics asserted that reliance upon emotion and natural passions provided a valid and powerful means of knowing and a reliable guide to ethics and living.The Romantic movement typically asserts the unique nature of the individual, the privileged status of imagination and fancy, the value of spontaneity over “artifice”and “convention”, the human need for emotional outlets, the rejection of civilized corruption, and a desire to return to natural primitivism and escape the spiritual destruction of urban life Their writings are often set in rural, or Gothic settings and they show an obsessive concern with “innocent”characters----children, young lovers, and animals. The major Romantic poets included William Blake, William Wordsworth, John Keats , Percy Bysshe Shelley, and Lord Gordon Byron.指18世纪末,19世纪初发生的文学和艺术运动。
英国文学文学术语
Literary terms(文学术语)(一)中古时期(1)民谣(ballad):以诗的形式被歌唱和传诵,并代代相传。
如《罗宾汉》,《老水手之行》。
(2)史诗(epic):叙述神与英雄行为的叙事长诗。
如《贝奥武夫》,《失乐园》《复乐园》《力士参孙》,荷马《伊利亚特》《奥德赛》,中世纪但丁的《神曲》。
(3)罗曼史∕骑士文学(romance):中世纪的一种流行文学形式,用来歌颂骑士的冒险精神和英雄行为,骑士精神(如勇敢、慷慨、忠诚、善良)是其精神。
(4)押头韵(alliteration):一行诗中的某些词的首个发音的重复或重现。
如:“I have stood still and stopped the sound of feet”.(二)文艺复兴时期(1)文艺复兴(Renaissance):Renaissance一词意为“重生”,指对西欧的希腊和罗马文化的复兴,其核心是人文主义,带有14、15世纪特点的态度和情感被渗入人文主义和宗教改革中。
英国文艺复兴的主流是伊利莎白时期的戏剧,莎士比亚是戏剧家的代表。
(2)人文主义(humanism):是文艺复兴的核心,强调的是人类的尊严和现实生活的重要性,人文主义者认为人是宇宙的中心,他们不仅有权享受生活的美好,还有能力自我完善和创造奇迹。
(3)斯宾塞诗节(Spenserian stanza):由埃德蒙•斯宾塞创造的,指每个诗节有9行诗句,前8行每行都是10个音节(五音步抑扬格),第9行为12个音节(六音步抑扬格),押韵为ababbcbcc,如《仙后》。
(4)奇特的比喻(conceit):是一种牵强的明喻或暗喻,即把两个不相似的事物进行比较,这种手法多被约翰•多恩的诗歌采用。
(5)玄学派诗歌(metaphysical poetry):指17世纪受多恩影响的作家所写的作品,多采用奇特的比喻手法。
玄学派诗人试图打破传统的伊利莎白时期的爱情诗歌的形式,其措词较伊利莎白和新古典主义时期更为简洁,与平民语言的用词和韵律相符,且其意象也源自现实生活。
英国文学中涉及到的一些术语
1.Romance: It is a popular term in the medieval England. It is concerned with knights, chivalry and courtly love.2.Alliteration: A repetition of the initial sounds of several words in a line on group3.Ballad: It is also known as the folk ballad. It is a song, transmitted orally and passed from generation to generation. Robin Hood is a famous ballad.4.Couplet: A pair of rhymed lines that are equal in length.5.Heroic couplet:refers to lines of iambic pentameter which rhyme in pairs: aa, bb, cc, and so on. The adjective “heroic” was applied in the later seventeenth century because of the frequent use of such couplets in heroic poems and dramas. This verse form was introduced into English poetry by Geoffrey Chaucer. From the age of John Dryden through that of Samuel Johnson, the heroic couplet was the predominant English measure for all the poetic kinds; some poets, including Alexander Pope, used it almost to the exclusion of other meters.6.Humanism: It is the essence of Renaissance. It emphasizes the dignity of human beings and the importance of the present life. Man was the center of the universe7.Spenserian stanza: Created by Edmund Spencer. It refers to a stanza of nine lines, with the first 8 lines in iambic pentameter and the last line in iambic hexameter, rhyming ababbcbcc. The Fearie Queene was a representative.8.Metaphysical poetry: 17th century writers under the influence of John Donne. The diction is simple. The imaginary is drawn from actual life.9.Sonnet: A lyric consisting of 14 lines, usually in iambic pentameter, restricted to a definite rhyme scheme. Shakespeare’s are well known.10.Blank Verse: Verse written in unrhymed iambic pentameter. It is the verse form used in some of the greatest English poetry, including that of Shakespeare and John Donne.11.Allegory: A story told to explain or teach something. It used extended metaphors to convey moral meanings. John Bunyan’s Pilgrim’s Progress.12.Soliloquy: A character is alone and speaks his or her thoughts loudly. Hamlet13.The Enlightenment Movement: Flourished in France and swept through Western Europe in the 18th century. Its purpose is to enlighten the whole world with the light of philosophical ideas. It celebrated reason or rationality, equality and science.14.Neoclassicism: The writers took the ancient Greek and Roman classical works as the literary models. Poetry was held to be an imitation on human life. They tried to control literary creation by some fixed rules. It is elegant in diction and structure. They stressed rules, reasons. Harmony, balance and an appeal to the intellect rather than emotion.15.Gothic Novel: It is story of terror and suspense, usually set in a gloomy old castle. Prominent features of Gothic fiction include terror (both psychological and physical), mystery, the supernatural, ghosts, haunted houses and Gothic architecture, castles, darkness, death, decay.16.Sentimentalism: A direct reaction against the cold, hard commercialism and rationalism. Dissatisfied with reason, they appeal to sentiment to the human heart, particularly pity and sympathy. Sentimentalism turns to the countryside for its material.17.Romanticism: It occurred in the middle 18th century. It strongly protests against neoclassism, which emphasized reason and order. The general features are: expressiveness, imagination, individual, worship of nature and freedom.18.Byronic hero: A proud, mysterious rebel figure of noble origin. With immense superiority in his passions and powers, the hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society.19.Critical realism: It occurred in the 1840s. The writers criticized the capitalist system from a democratic viewpoint. They are concerned about the fate of the common people and described what was faithful to reality. Charles Dickens.20.Dramatic monologue: A single speaker speaks to a silent audience. Such poems reveal not the poet’s own thoughts but the mind of the impersonated character. .21.Psychological novel: A kind of novel that dwells on a complex psychological development and presents much of the narration through the inner workings of the character’s mind.22.Naturalism: A post-Darwinism movement of the 19th century that tried to apply the laws of scientific determination of fiction. A person is controlled by environment and heredity. Most of the works are pessimistic and detachment from the story23.Modernism: Began in the late 19th century and flourished until 1950s. It takes the irrational philosophy and the theory of psycho-analysis as its theoretical base. The major themes are the distorted, alienated and ill relationships between men and men, men and society, man and himself. They are more concerned with the inner world of an individual. They move from the objective to the subjective. It also include: alienation, loss of identity, loneliness, meaningless life, absurdity of the world, dehumanization of the society. Frequent techniques: juxtaposition and multiple points of view.24.Steam of consciousness: It is used to depict the mental and emotional reactions of characters to external events, rather than the events themselves. It adopts the psycho-analytic approach to explore the existence of unconscious and unconscious elements in the mind. The action is presented in terms of images and attitudes within the mind of one or more figures, often to get at the psychic nature of the character.25.Bildungsroman: A novel of the youthful development of a hero or a heroine. It describes the process by which maturity is achieved through various steps.26.Feminist criticism: Occurred in the late 1960s. It is an attempt to describe and interpret women’s experience as depicted in various kinds of novel. It attacks male notions of value in literature and challenges the accepted male ideas about the nature of women. Thus, it questions prejudices and assumptions about women made male writers.27.Post-modernism: Refers to certain radically experimental works of literature and art after WWⅡ. Much of the works reveals and highlights the alienation of individuals the meaningless of human existence. They use new devices, forms.28.Post-structuralism: An attempt to subvert structuralism and to formulate new theories. It was initiated by deconstructors. Each word exists in a complex web of language and has a variety of denotation and connotation that no one meaning can be final, stable to substitution.。
英国文学名词解释
1.Romance: a long composition; in verse or in prose; describing the life and adventures of a noble hero; especially for the knight. The most popular theme employed was the legend of King Arthur and the round table knight.2.Ballad民谣: a story told in song; usually in four-line stanzas; with the second and fourth lines rhymed.3.Heroic Couplet英雄偶句诗: a couplet consisting of two rhymed lines of iambic pentameter; and written in an elevated style. 4.Renaissance: a revival or rebirth of the artistic and scientific revival which originated in Italy in the 14th century and gradually spread all over Europe. It has two features: a thirsting curiosity for the classical literature and keen interest in activities of humanity.5.Sonnet 14行诗: 14-line lyric poem; usually written in rhymed iambic pentameter.6.Blank verse无韵诗: poetry written in unrhymed iambic pentameter. 7.Enlightenment启蒙运动: a revival of interest in the old classical works; logic; order; restrained emotion and accuracy. 8.Neoclassicism新古典主义: the Enlightenment brought about a revival of interest in Greek and Roman works. This tendency is known as Neoclassicism.9.Sentimentalism感情主义: it was one of the important trends inEnglish literature of the later decades of the 18 century. It concentrated on the free expression of thoughts and emotions; and presented a new view of human nature which prized feeling over thinking; passion over reason.10.Romanticism: imagination; emotion and freedom are certainly the focal points of romanticism. The particular characteristics of the literature of romanticism include: subjectivity and an emphasis on individualism; freedom from rules; solitary life rather then life in society; the beliefs that imagination is superior to reason; and love of and worship of nature.11.Lake Poets: the English poets who lived in and drew inspiration from the Lake District at the beginning of the 19th century. 12.Byronic Heroes拜伦式英雄: a variant of the Romantic heroes as a type of character enthusiasm; persistence; pursuing freedom; named after the English Romantic Poet Gordon Byron. 13.Aestheticism唯美主义: an art movement supporting the emphasis of aesthetic values more than socio-political themes for literature; fine art; music and other arts.14.Stream-of-Consciousness: it is a literary technique that presents the thoughts and feelings of a character as they occur without any clarification by the author. It is a narrative mode. 15.Dramatic Monologue戏剧独白16.Iambic Pentameter抑扬格五音步: a poetic line consisting of five verse feet; with each foot an unstressed syllable followed by a stressed syllable; that is; with each foot an iamb.17.Epic史诗: a long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated.18.Elegy挽歌: a poem of mourning; usually over the death of an individual; may also be a lament over the passing of life and beauty or a meditation of the nature of death; a type of lyric poem. 19.Spenserian Stanza斯宾塞诗体: a nine-line stanza made up of 8 lines of iambic pentameter ending with an Alexandrine. Its thyme scheme is ababbcbcc. This stanza was common to travel literature.1.杰弗里乔叟:the Father of English Poetry; The Canterbury Tales 埃特伯雷故事集24stories2.Thomas More: Utopia乌托邦- the communication between more and the traveler which just came back from Utopia.3.: the first English Essayist; Essays随笔集- Of Studies; Of Truth philosophical and literary works4. Poet's poet; The Fairy Queen仙后to Queen Elizabeth I四大悲剧:1奥瑟罗叙述摩尔人贵族瑟罗由于听信手下旗官伊阿古的谗言;被嫉妒所压倒;掐死了无辜妻子苔丝狄蒙娜;随后自己也悔恨自杀..奥瑟罗是个襟怀坦白、英勇豪爽的战士;苔丝德蒙娜天真痴情;毅然爱上了他;不顾家庭的反对和社会的歧视;同他结了婚..但是;他们的爱情虽然战胜了种族歧视;却没有逃脱伊阿古的阴谋陷害..伊阿古假装忠诚;心地奸诈;由于升不上副将;就对奥瑟罗怀恨在心;千方百计害死奥瑟罗夫妇;最后自己也得不到好下场..通过这个形象;莎士比亚对原始积累时期新兴资产阶级中的极端利已主义进行了深刻的揭露和批判..2李尔王描写一个专制独裁的昏君;由于刚愎自用;遭受到一场悲惨的结局..悲剧的目的同样在于揭露原始积累时期的利已主义;批判对于权势、财富的贪欲..悲剧还反映了当时广大农民流离失所的英国现实..在第三幕第四场里;李尔被两个女儿驱逐出门以后;跑到暴风雨的荒野;诅咒女儿忘恩负义..在雷电交加中;李尔对穷苦的人们喊道:“衣不蔽体的不幸的人们;无论你们在什么地方;都得忍受着这样无情的暴风雨的袭击;你们的头上没有片瓦遮身;你们的腹中饥肠雷动;你们的衣服千疮百孔;怎么抵挡得了这样的气候呢”这里;莎士比亚通过李尔的口表达了他对无家可归的农民的同情;同时也是对当代现实的揭露..但是;紧接着上面那段话之后;李尔说道:“安享荣华的人们呵;睁开你们的眼睛来;到外面来体味一下穷人所忍受的苦;分一些你们享用不了的福泽给他们;让上天知道你们不是全无心肝的人吧这种求助于剥削阶级发善心以解决社会矛盾的想法;正是一种调和阶级矛盾的人道主义思想..3麦克白野心家麦克白将军从战场上立功凯旋;由于野心的驱使和妻子的怂恿;利用国王邓肯到自己家中作客的机会;弑君而自立;最后;这个血腥的篡位者被邓肯的儿子和贵族麦克德夫所战败而死去..他的妻子也因精神分裂而死..这出悲剧深刻地揭示出个人野心对人所起的腐蚀作用;是莎士比亚心理描写的杰作..4哈姆莱特1601是莎士比亚戏剧创作的最高成就;写的是丹麦王子哈姆莱特为父复仇的故事..悲剧的情节是这样的:丹麦王子哈姆莱特;在德国威登堡大学接受人文主义教育..因为父王突然死去;怀着沉痛的心情回到祖国;不久;母后又同新王——他的叔父结婚;使他更加难堪..新王声言老王是在花园里被毒蛇咬死的;王子正在疑惑时;老王的鬼魂向他显现;告诉他“毒蛇”就是新王;并嘱咐他为父复仇..哈姆莱特认为他这复仇不只是他个人的问题;而是整个社会、国家的问题..他说自己有重整乾坤;挽狂澜于既倒的责任..他考虑问题的各个方面;又怕泄漏心事;又怕鬼魂是假</PGN0315.TXT/PGN>的;怕落入坏人的圈套;心烦意乱;忧郁不欢;只好装疯卖傻..同时;他叔父也怀疑他得知隐秘;派人到处侦察他的行动和心事..甚至利用他的两个老同学和他的情人去侦察他..他趁戏班子进宫演出的机会;改编一出阴谋杀兄的旧戏文贡札古之死叫戏班子演出;来试探叔父..戏未演完;叔父做贼心虚;坐立不住;仓皇退席..这样;更证明叔父的罪行属实..叔父觉得事情不妙;隐私可能已被发觉..宫内大臣波洛涅斯献计;让母后叫儿子到私房谈话;自己躲在帷幕后边偷听;王子发现幕后有人;以为是叔父;便一剑把他刺死..从此;奸王使用借刀杀人法;派他去英国;并让监视他去的两个同学带去密信一封;要英王在王子上岸时就杀掉他;但被哈姆莱特察觉半路上掉换了密信;反而叫英王杀掉了两个密使;他自己却跳上海盗船;脱险回来..回来后知道情人奥菲莉娅因父死、爱人远离而发疯落水溺死..奸王利用波洛涅斯的儿子雷欧提斯为父复仇的机会;密谋在比剑中用毒剑、毒酒来置哈姆莱特于死地..结果;哈、雷二人都中了毒剑;王后饮了毒酒;奸王也被刺死..王子临死遗嘱好友霍拉旭传播他的心愿.. C:鉴赏与品评:莎士比亚的悲剧主要是理想与现实的矛盾和理想的破灭..如哈剧中安排三条复仇线索;以王子复仇为主线;另两条线索穿插糅合其间..李剧中也有两条平行交错的线索..其次;人物形象鲜明;作者善于深入刻画人物的内心世界;使其性格更丰满深刻..如哈姆雷特的着名独白;富有哲理性..麦克白杀人后精神崩溃的过程更是刻画得细腻真切..此外;作者还善于渲染气氛;营造悲剧性的氛围;烘托人物的心理活动..如麦剧中夜与血的形象贯穿始终;阴森恐怖..李剧中暴雨荒原一场;激烈哀愤喜剧:A Midsummer Night's Dream仲夏夜之梦;The Merchant of Venice 威尼斯商人;As You Like It皆大欢喜;Twelfth Night第十二夜悲喜剧:Romeo and Juliet罗密欧与朱丽叶5. Paradise Lost失乐园a revolt against God's authority; Paradise Regained复乐园how Christ overcame Santa ——stories were taken from Bible6.John Bunyan: the son of Renaissance; Pilgrim's Progress天路历程imagination; shadowing; realistic religious allegory7.George Gordon Byron: vigorous; strong and beautiful; Childe Harold's Pilgrimage恰尔德哈罗尔德游记spenserian stanza; fights for liberty; Don Juan唐璜a broad critical picture of European life; When We Two Parted昔日依依别;She Walks in Beauty她走在美的光影中;The Isles of Greece哀希腊8.: Ode to the West Wind西风颂-赞颂西风;希望与其紧密相连; Prometheus Unbound解放了的普罗米修斯the victory for man's struggle against tyranny and oppression9.Jane Austen: wit; dry humour; subtle irony;realistic; Pride and Prejudice傲慢与偏见Elizabeth and Darcy;Sense and Sensibility理智与情感;Emma爱玛10.: critical realist writer; humour; wit; happy endings; A Tale of Two Cities双城记London & Paris; where there is oppression; there is revolution; David Copperfield大卫科波菲尔;Oliver Twist雾都孤儿;Hard Time艰难时世;Great Expectations远大前程; Dombey and Son董贝父子;Pickwick Papers匹克威克外传11.我已故的公爵夫人 7.The Bronte Sisters: :简·爱是一个心地纯洁、善于思考的女性;她生活在社会底层;受尽磨难..但她有倔强的性格和勇于追求平等幸福的精神..小说以浓郁抒情的笔法和深刻细腻的心理描写;引人入胜地展示了男女主人公曲折起伏的爱情经历;歌颂了摆脱一切旧习俗和偏见..扎根于相互理解、相互尊重的基础之上的深挚爱情;具有强烈的震撼心灵的艺术力量..其最为成功之处在于塑造了一个敢于反抗;敢于争取自由和平等地位的妇女形象.. Emily: Wuthering Heights呼啸山庄:描写吉卜赛弃儿希斯克利夫被山庄老主人收养后;因受辱和恋爱不遂;外出致富;回来后对与其女友凯瑟琳结婚的地主林顿及其子女进行报复的故事..。
英国文学重要的名词解释
英国文学重要的名词解释英国文学是世界文学宝库中的一颗明珠,自古以来,它给我们带来了许多杰出的作品和经典的人物形象。
本文旨在解释英国文学中的一些重要名词,帮助读者更好地了解这个丰富多彩的领域。
1. 文艺复兴(Renaissance)文艺复兴是英国文学历史上的一个重要时期,大约从16世纪初到17世纪中叶。
这个时期,英国人开启了一场"重建古典精神"的运动,受到希腊罗马古典文化的启发。
著名的文艺复兴作家包括莎士比亚、培根和斯宾塞。
他们的作品反映了人类情感、思想和道德,并对后世产生了深远的影响。
2. 浑然一体(Organic Unity)浑然一体是英国文学中的一个重要概念,指的是作品的整体结构和主题之间的紧密联系。
这个概念最早由浪漫主义时期的作家塞缪尔·泰勒·柯勒律治提出,并被广泛运用于文学评论中。
浑然一体使得作品成为一个有机的整体,每个部分都相互依存,共同构成了作品的精髓。
3. 寓言(Fable)寓言是一种通过虚构的故事来传达道德教训或智慧的文学形式。
英国文学中最著名的寓言作家之一是伊索。
寓言通常通过人物化的动物或非人类事物来呈现故事情节,让读者通过故事中的冲突和解决方式去思考并得出教训。
4. 古典主义(Classicism)古典主义是英国文学中的一个重要流派,主要受到希腊罗马古典艺术的影响。
古典主义强调理性、秩序和对称,追求完美和纯粹的艺术形式。
著名的古典主义作家包括亚历山大·蒲柏、乔恩·德赛和约翰·米尔顿。
5. 民间传说(Folklore)民间传说是英国文学中丰富多样的一部分,它包括神话、传说、谚语、童话故事等。
这些传统的口头文学作品常常通过讲故事的方式传递历史、道德和文化的价值观。
著名的民间传说角色有亚瑟王和罗宾汉等。
他们的形象经过历代改编和传承,成为英国文学中不朽的经典。
6. 女性主义(Feminism)女性主义在英国文学中有着重要的地位,它关注女性在社会中的地位和权益,并试图改变现有的性别关系。
英国文学简史术语解释总结(英文)
1.Beowulf: national epic of the English people; Denmark story; alliteration, metaphorsand understatements.2. Romance (名词解释)a story of adventure--fictitious, frequently marvelous or supernatural--in verse or prose.3,Ballad民谣(名词解释)Popular Ballads 大众民谣:a story hold in 4-line stanzas with second and fourth line rhymed(笔记) Ballads are anonymous narrative songs that have been preserved by oral transmission(书上). 4,4,Heroic couplet (名词解释)heroic couplet 英雄双韵体:a verse unit consisting of two rhymed(押韵) lines in iambic pentameter(五步抑扬格)5 . Renaissance(名词解释)Renaissance: the activity, spirit, or time of the great revival of art, literature, and learning in Europe beginning in the 14th century and extending to the 17th century, marking the transition from the medieval to the modern world.555humanism 人文主义:admire human beauty and human achievement556The Enlightenment was an expression of struggle of the then progressive class of bourgeoisie against feudalism6,. Sonnet(名词解释)The sonnet is a poem in 14 lines with one or the other rhyme schme,a form much in vogue in Renaissance Europe, expecially in Italy ,France and England.7,Blank verse(名词解释): written in unrhymed iambic pentameter.8,Spenserian Stanza(名词解释)Stanza form developed by Edmund Spenser and almost certainly influenced by rhyme royal and ottava rima. Spenser's stanza has nine lines and is rhymed a-b-a-b-b-c-b-c-c. The first eight lines of the stanza are in iambic pentameter and the last line in iambic hexameter. He used this form in his epic poem The Faerie Queene. John Keats, a great admirer of Spenser, used this stanza in his poem The Eve of St. Agnes.,9Enlightenment (1650-1800)(名词解释)A revival of interest in the old classical works, order, logic, restrained emotion(抑制情感) and accuracyIndividualism--emphasized the importance of the individual and his inborn rights Rationalism-- the conviction that with the power of reason, humans could arrive at truth and improve the world.Relativism-- was the concept that different cultures, beliefs, ideas, and value systems had equal merit.Gothic novel(哥特式小说):mystery, horror, castles(from middle part to the end of century)10,Classicism(名词解释)In the arts, historical tradition or aesthetic attitudes based on the art of Greece and Rome in antiquity. In the context of the tradition, Classicism refers either to the art produced in antiquity or to later art inspired by that of antiquity; Neoclassicism always refers to the art produced later but inspired by antiquity.11 Sentimentalism(名词解释)Sentimentalism 感伤主义 no belief 没有信仰The representatives of sentimentalism continued to struggle against feudalism but they vaguely sensed at the same time the contradictions of bourgeois progress that brought with it enslavement and ruin to the people.12Graveyard School / Poets: A term applied to eighteenth-century poets who wrote meditative poems, usually set in a graveyard, on the theme of human mortality, in moods which range from elegiac pensiveness to profound gloom.13 Romanticism14 Lake Poets(名词解释)The Lake Poets all lived in the Lake District of England at the turn of the nineteenth century.15 Aestheticism唯美主义(名词解释)The Aesthetic Movement is a loosely defined movement in literature, fine art, the decorative arts, and interior design in later nineteenth-century Britain. It represents the same tendencies that symbolism or decadence stood for in France and may be considered the British branch of the same movement. It belongs to the anti-Victorian reaction and had post-Romantic roots, and as such anticipates modernism. It took place in the late Victorian period from around 1868 to 1901, and is generally considered to have ended with the trial of Oscar Wilde.16 Stream-of-consciousness(名词解释)The “stream of consciousness” is a psychological term indicating “the flux of conscious and subconscious thoughts and impressions moving in the mind at any given time independently of the person’s will”.。
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1. Allusion: A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to. An allusion may be drawn from history, geography, literature, or religion. In Act One of Macbeth, Ross praises Macbeth‟s valor and skill in battle by referring to him as “Bellona‟s bridegroom.” In Roman mythology Bellona was the goddess of war.1. Epic: A long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated. Many epics were drawn from an oral tradition and were transmitted by song and recitation before they were written down. Two of the most famous epics of Western civilization are Homer‟s Iliad and Odyssey. The great epic of the Middle Ages is the Divine Comedy by the Italian poet Dante.The two mostfamous Englishepics are theAnglo-SaxonBeowulf and JohnMilton‟s ParadiseLost, which employssome of theconventions of theclassical epic.1.Irony: A contrastor an incongruitybetween what isstated and what isreally meant, orbetween what isexpected to happenand what actuallyhappens. Threekinds of irony are (1)verbal irony, inwhich a writer orspeaker says onething and meanssomething entirelydifferent; (2)dramatic irony, inwhich a reader or anaudience perceivessomething that acharacter in thestory or play doesnot know; (3) ironyof situation, inwhich the writershows a discrepancybetween theexpected results ofsome action orsituation and itsactual results.1. Sonnet: Afourteen-line lyricpoem, usuallywritten in rhymediambic pentameter.A sonnet generallyexpresses a singletheme or idea.Sonnets vary instructure and rhymescheme, but aregenerally of twotypes: the Italian orPetrarchan sonnetand the English orShakespeareansonnet.2. ‘Art For Art’sSake’:The basicposition ofaestheticism.According to thisdoctrine, art is itsown excuse forbeing that its valuesare aesthetic and notmoral, political,social, or utilitarian.Oscar Wilde, theauthor of ThePicture of DorianGray, was a writerand spokesman forthe school.3.Ballad: A storytold in verse andusually meant to besung. In manycountries, the folkballad was one ofthe earliest forms ofliterature. Folkballads have noknown authors.They weretransmitted orallyfrom generation togeneration and werenot set down inwriting untilcenturies after theywere first sung.4. Blank Verse:Verse written inunrhymed iambicpentameter. Blankverse is the verseform used in someof the greatestEnglish poetry,including that ofWilliamShakespeare andJohn Milton.5.Classicism: Amovement ortendency in art,literature, or musicthat reflects theprinciplesmanifested in the artof ancient Greeceand Rome.Classicismemphasizes thetraditional and theuniversal, and placesvalue on reason,clarity, balance, andorder. Classicism,with its concern forreason and universalthemes, istraditionallyopposed toRomanticism, whichis concerned withemotions andpersonal themes.6. English CriticalRealism: English critical realism of the 19th century flourished in the forties and in the early fifties. The critical realists described with much vividness and artistic skill the chief traits of the English society and criticized the capitalist system from a democratic viewpoint. The greatest English realist of the time was Charles Dickens.7. The Enlightenment: A philosophical and intellectual movement of the 18th century, particularly in France but effectively over much of Europe and America. The Enlightenment advocated reason or rationality, the scientific method, equality and human beings‟ ability to perfect themselves and their society. The movement brought about a revival of interest in the old classical works. 8. Euphuism:Euphuism takes itsname from themoralistic proseromance Euphueswritten by John Lilyin 1578. The style issententious, reliespersistently onsyntactical balanceand antithesis,reinforces thestructural parallelsby heavy andelaborate patterns ofalliteration andassonance, exploitsthe rhetoricalquestion, and isaddicted to longsimiles and learnedallusions which areoften drawn frommythology and thehabits of legendaryanimals.9.Humanism: Itrefers to a generalityoften used tooloosely, as HowardMumford Jones hasobserved for…humaneness‟ andfor …the humanities‟,that is, for studies inliterature and thearts. There was amovement ofenlightenmentchampioned byDesiderius Erasmusand others inreaction to medievalscholasticism. Incontemporaryliterature andthought, humanismis a kind of secularexistentialism.10.IambicPentameter: Apoetic lineconsisting of fiveverse feet (penta isfrom a Greek wordmeaning “five”),with each foot aniamb—that is, anunstressed syllablefollowed by astressed syllable.Iambic pentameteris the most commonverse line in Englishpoetry. Thefollowing lines fromParadise Lost arewritten in blankverse—unrhymediambic pentameter:11. LakeSchool/Lake Poet:Terms applied to thethree poets:Coleridge,Wordsworth, andSouthey, whoresided in theneighborhood of theEnglish Lakes.…Lake School‟ firstappears in this sensein the …EdinburghReview‟, August1817, which forseveral yearsadopted a verycontemptuousattitude toward thepoets. There was,properly, no …school‟in the sense of thethree all working forcommon objectives,but it is true thatColeridge andWordsworth hadcertain convictionsin common and onoccasion workedtogether.12. Modernism: Ageneral term appliedretrospectively tothe wide range ofexperimental andavant-garde trendsin literature of theearly 20th century,includingSymbolism,Futurism,Expressionism,Imagism, Victorism,Dada, andSurrealism, alongwith the innovationsof the unaffiliatedwriters.13. Naturalism: Anextreme form ofrealism. Naturalisticwriters usuallydepict the sordidside of life and showcharacters who areseverely, if nothopelessly, limitedby theirenvironment orheredity.14. Neoclassicism:A revival in the seventeenth and eighteenth centuries of classical standards of order, balance, and harmony in literature. John Dryden and Alexander Pope were major exponents of the neoclassical school.15. Oedipus Complex: A term of psychoanalysis which refers to a libidinal feeling that develops in a child, especially a male child, between the ages of three and six, for the parent of the opposite sex. This attachment is generally accompanied by hostile attitude towards the parent of the child‟s own sex. The Oedipus complex is usually repressed. In instances when it persists, it can work emotional havoc. 16. Onomatopoeia: The use of a word whose sound in some degree imitates or suggests its meaning. The names of some birds are onomatopoetic, imitating the cry ofthe bird named:cuckoo,whippoorwill, owl,crow, towhee,bobwhite. Someonomatopoeticwords are hiss,clang, rustle, andsnap. In these linesfrom The Rime ofthe Ancient Mariner,Coleridgereproduces thefearful sounds of theland of ice:17. Parallelism:The use of phrases,clauses, or sentencesthat are similar orcomplementary instructure or inmeaning.Parallelism is a formof repetition.Parallelism is usedextensively in Biblepsalms, where thethought of one lineis often repeatedwith some variationin the next line.18. Post—Modernism: A termreferring to certainradicallyexperimental worksof literature and artproduced afterWorld WarⅡ. Muchof post-modernistwriting reveals andhighlights thealienation ofindividuals and themeaninglessness ofhuman existence.Postmodernist breakaway from traditionsthroughexperimentationwith new literarydevices, forms, andstyles.19.Post—Structuralism: A term referringto the generalattempt to contestand subvertstructuralism and toformulate newtheories regardinginterpretation andmeaning. It wasinitiated particularlyby deconstructorsbut also associatedwith certain aspectsand practitioners ofpsychoanalytic,Marxist, cultural,feminist, and gendercriticism.20. Realism: Theattempt in literatureand art to representlife as it really is,withoutsentimentalizing oridealizing it.Realistic writingoften depicts theeveryday life andspeech of ordinarypeople. This has led,sometimes, to anemphasis on sordiddetails.21. Renaissance:The great floweringof art and letters,under the influenceof classical models,which began in Italyin the 15th century,culminating in theHigh Renaissance atthe end of thecentury andspreading tonorthern Europe inthe 16th and 17thcenturies. The word…Renaissance‟ means…rebirth‟. It iscommonly appliedto the movement orperiod marking thetransition from themedieval to themodern world inWestern Europe.22. Sentimentalism:The term is used intwo sensesimportant in thestudy of literature.The first isoverindulgence inemotion, especiallythe conscious effortto introduce emotionor order to analyzeor enjoy it and thefailure to restrain orevaluate emotionthrough the exerciseof the judgment.Thesecond is optimisticoveremphasis of thegoodness ofhumanity, representing a reaction against orthodox Calvinistic theology, which regarded human nature as depraved.23. Romanticism: A movement that flourished in literature, philosophy, music, and art in Western culture during most of the nineteenth century, beginning as a revolt against classicism. There have been many varieties of Romanticism in many different times and places. Many of the ideas of English Romanticism were first expressed by the poets William Words worth and Samuel Taylor Coleridge.。