哈苏幻灯机 Hasselblad PCP-80 说明书
YAMAHA PW80 维修手册 2004说明书
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使用说明书-Hasselblad
注意
• 上述充电时间适用于在25℃下为电量完全耗尽的电池充电。根据使用和环 境条件的不同，充电可能需要更长时间。
CS
8
通过连接到电脑进行充电
通过使用微型USB连接线将相机连接到电脑，可以给电池充电。
注意 • 通过电脑充电时，请注意下列各项：
Memory Stick PRO-HG Duo C Memory Stick Micro (M2) D SD存储卡
SDHC存储卡 SDXC存储卡 E microSD存储卡 microSDHC存储卡 micro SDXC存储卡
对于静止影像
对于动态影像
(仅限Mark2)
(仅限Mark2) (级别4或更快) (级别4或更快) (级别4或更快) (级别4或更快) (级别4或更快) (级别4或更快)
1 按ON/OFF （电源）按钮。 第一次接通相机电源时，会显示日期和时间设置。 • 开启电源并进入可正常操作状态的过程需要消耗一些时间。
2 确认在屏幕上已选择[确定]，然后按控制盘上的 。 3 按照屏幕上的指示选择所需地理位置，然后按 。 4 设定[夏时制:]、日期和[日期格式:]，然后按 。
• 午夜会显示为12:00 AM，而中午则显示为12:00 PM。
• 在本手册中，表中的产品统称如下：
A: “Memory Stick XC Duo” media B: “Memory Stick PRO Duo” media C: “Memory Stick Micro” media D: SD卡 E: microSD存储卡
注意 • 在相机中使用“Memory Stick Micro”或microSD存储卡时，请务必使用合
ZEISS IKON Contaflex-B 摄影机操作手册说明书
®
Instruction manual
Contaflex ~B
For your own pleasure and enjoyment
in this fine photogrophic instrument, we urge you to read these instructions thoroughly and practice ha!ldling your new camera before loading your first film. Fold out the inner flaps so that as you read you can easily see each control and each reference number. Practice every operation until you are familiar with it so that later on you can operate the camera without difficulty. Consult your photo-
19 ZEISS JESSAR f/2.8,50 mm interchangeable lens
20 Film speed scale (ASA) 21 Film speed setting mark 22 Filter corrector
Reference numbers 23-39 refer to the illustration on th e rear cover flap.
removed when using the interchangeable film back) 27 Setting lever for delayed-action release (V) a nd X
哈苏503cx cxi 中文说明书
This manual has been scanned and made available electronically byMischa Koning - and may not be sold or resold without prior written agreement by MischaKoning.Hasselblad GuideHow to use the Hasselblad 500C, 500EL, 1600F, 1000F, Super Wide and Super Wide CThird EditionBy. W.D. EmanuelThe Focal PressLondon and New YorkThe Hasselblad GuideThe Hasselblad Guide These web-pages have been scanned and converted from the original "Focal Press" publication "The Hasselblad Guide", Third Edition, July 1969. Cameras covered are the Hasselblad 1600F, 1000F, 500C, 500EL, Super-Wide and Super.Wide C. Consequently it does not cover the later models such as the 200/2000F series and the later 500-Series Models. There may be reference to "current" and "discontinued" models. Obviously all Hasselblad cameras described are now long discontinued, but for ease of editing if nothing else, all the original text has been retained.The original book was divided into two sections, effectively an overview and a "green pages" section covering specific models in more detail. I've not bothered with a green background to these pages, but hopefully I will have included links where appropriate to the relevant text.Table of ContentsIntroduction 4System5HasselbladThe7EvolutionHasselbladThe Hasselblad Picture Size 7Hasselblad9theHandlingThe interchangeable film magazine 13Loading the Rollfilm Magazine 15Using 220 Film 1920FiltersandFilmsBlack-and-white Film 20Colour Film 22Filters for Black-and-White Film 23Filters for Colour Film 27Exposure 27Time Exposures 30Using an Exposure Meter 30Shutter Speed and Movement 3335climatesWorkinghotinHasselbladthe35withFlashlenses38interchangableTheTHE HASSELBLAD : MODEL BY MODEL40[ The Green Section ]The Hasselblad 500C 41The Hasselblad 500EL 45The Hasselblad 1600F and 1000F 48The Hasselblad Super Wide C and Super Wide 51Hasselblad Lenses and Finders 55Interchangeable Finder and Focusing Attachments 59Close-up Equipment 61Miscellaneous Accessoiries 65tables)72(andFiguresandFactsCompact Complete Correct - The Camera GuideThis is a Camera Guide. It deals with one make of camera, but it is not boosting it. The Camera Guide is a Focal Press publication. It is not sponsored or censored by manufacturers, or dependent on them in any way. The Camera Guide is as scrupulous in fully describing the camera and advising on its use as the very best type of manufacturer's book of instructions. It is, however, more critical than they could be. No Camera Guide will attempt to camouflage the limitations of a camera or make efforts to sell an endless chain of accessories. It is straightforward, practical and devoted to the questions of how to take the best photographs with a particular camera, rather than to praise of it. The Camera Guide is compiled by an authos who has had long experience in handling the equipment in question. it represents at the same time the gist of all available literature collected by the Focal Press Circle of Photographers and filtered through their considered judgment.Any information regarding cCameras additional to or correcting that publiched in this book will be gratefully received by the publishers, who experts are also willing to answer individual postal enquiries without charge. Letters should be addressed to The Focal Press, 31 Fitzroy Square, London, W.I, and for replies a stamped and addressed envelope must be enclosed.First Edition : October 1962Second Edition : February 1966Third Edition : July 196912s. 6d. net / 63pTHE HASSELBLAD SYSTEMThe Hasselblad single-lens reflex camera is one of the very few models I this type designed for 2¼ x 2¼ in. size pictures on standard 120 roll film. It is extremely versatile in its application through a system of interchangable film backs for different picture sizes and types of film. Its interchangeable focusing hood permits both waist-level and eye-level reflex focusing. The interchangeable lens system offers wide-angle normal and tele views.Basically an instrument for all general photographic work, it can be adapted through a wide range of accessories for any specialized field, such as press, portrait, fashion, nature, advertising, architecture, industry, medicine, photocopying, macrophotography and photormicrography.Despite its versatility, the Hasselblad is essentially simple to handle, even in the hands of the average amateur photographer. The body houses the reflex mirror with ground glass screen, and a simple auxiliary shutter which acts also as capping device for the film while aperture and shutter are open for viewing and focusing. On the front of the body is the bayonet lens mount flange, accepting a range of interchangeable leases (each with its own shutter), and the release button with lock for long time exposures.The rear of the body takes interchangeable film magazines which click into position with a special locking catch.The top incorporates the ground glass reflex screen with a Fresnel-type field lens. Above this is a groove accepting a folding finder hood with built-in magnifier for critical focusing. This is interchangeable with a hooded focusing magnifier or an eye~level pentaprism. The base of the body incorporates a plate designed as a quick change tripod attachment slide and features both Continental and international tripod bushes.One side wall of the body has a shoe for fitting a sports finder, flash contact for the auxiliary shutter, and flash cable bearer. The other side carries the film transport knob which also sets the shutter and which is interchangeable against a trash with built-in exposure meter or quick transport crank. This side also incorporates a quick-release button for the camera back, and shutter position signal. On either side of the camera body is a carrying tamp holder.The detachable film magazine incorporates its raw, automatic film counter and film-type indicator. Inside the shell it houses a removable film holder with pressure Plate unit. A removable sheath closes the fit,, aperture lighttight. There are three types of magazine, one for 12 exposures 2¼ x 2¼ in. (6 x 6 end.), one for 16 exposures 1 5/8 x 2¼ in. (4 X 6.5 cm.), and one for 16 exposures 1 5/8 x 1 5/8 (4 x 4 cm.) on a standard roll of 120 film. Several magazines may be used with one camera for different types or speeds of film or different picture sizes.Built-in safety devices prevent accidental exposures while the magazine sheath is in position, no also lock the shorter release after the last frame ill the magazine has been exposed. For single exposures a sheet adapter can be used.Ten interchangeable lenses, are available for the Hasselblad with focal lengths ranging from 40 to 500 Each lens has a bayonet filter mount and its own built-in Synchro Compur shutter, which is changed with the lens. The shutter carries an exposure value scale, a manual and spring-loaded automatic pre-selector iris system, and an automatic depth of field indicator. The speeds range from 1 to 1/500 sec. and B, with XM flash synchronization and self timer.A driving shaft couples the shutter to the camera body and links up with a similar shaft on the camera body itself. Turning the film transport tensions the shutter, opens the diaphragm and opens the shutter blades for focusing and viewing. At the same time the auxiliary shutter in the back of the camera body is closed. On pressing the release, the shatter blades close, the diaphragm closes down to the preselected opening, the auxiliary shutter opens, the mirror flies up and the shutter blades open for the exposure.The standard lens is the 80-mm. (3 1/8-in.) Zeiss Planar f2.8, seven-element, four component symmetrical anastigmat which combines a wide aperture with excellent correction of the various abberations. It has an angle of view of 52 degrees and a focusing range of 3 ft. to infinity.A wide range of accessories adapts the Hasselblad camera to almost any specialized field of photography. These include, for close-up work, Proxar lenses, extension bellows, a transparency copy holder, microscope adapter, micro shutter and lens mount adapter for attaching special lenses. A sheet film adapter with single sheet filmholder and film cutter are available to permit the use of sensitive materials other than roll film. A magnifying hood, eye-level pentaprism prism sports finder and sports frame barter provide alternative focusing and viewing methods. The rapid winding crank, film transport knob with exposure meter, quick tripod coupling, quick focusing handle, camera grip etc., increase the speed or convenience of operation.The Hasselblad Super Wide is an extreme wide-angle camera. It can be considered as a lens permanently fixed to a shallow non-reflex body, using the normal Hasselblad roll or sheet film backs. The lens is a 38-mm. (1½ in.) Zeiss Biogon f4.5, an outstanding eight-element, wide-angle anastigmat with a 90 degree angle of view. It focuses from 12 in. to infinity. This is bulb into a Synchro-Compur shutter. The body carries a rapid winding crank, quick coupling tripod base, and release button mounted on top. A ground glass adapter back, grooved to accept the magnifying hood, is available for composing, precision focusing. photo-copying and close-up shots. A brilliant optical finder is provided for hand-held shots.The Hasselblad SystemThe Hasselblad is part of a comprehensive camera system, built up on the unit principle. The basic components are the camera body, the film cassettes and the alternative body of the Super Wide (shown in black). These are used with a number of interchangable units, covering on the one hand alterrnative lenses complete with shutter units (right), and on the other alternative finder units for waist-level and eye-level viewing (top) as well as roll film magazines and single sheet film cassettes (left). Further accessories include close-up gear such as the extension bellows and extension tubes, various other lense attachements to faciltate focusing, cable releases, etc.Hasselblad EvolutionTHE HASSELBLAD 1600F *, introduced in 1948, follows on the whole the description on pages 4-7 but has a focal plane shutter with speeds from 1 sec. to 1/1600 sec., built into the camera body. The lenses therefore are without shutters. The film transport knob is fixed. The standard lens is the 80-mm. Kodak Ektar f2.8 with manual pre-set iris. The camera base has no quick-mounting facility.THE HASSELBLAD 1000F * replaced the 1600F in 1952. It still has a focal plane shutter, but with speeds from 1 sec. to 1/1000 sec., and is generally improved in precision. Originally it came with the 80-mm. Kodak Ektarf2.8, later on with the 80-mm. Zeiss Tessar f2.8.THE HASSELBLAD 500C, introduced 1957, follows the description on pages 4-7.THE HASSELBLAD 500EL, introduced in 1965, is basically a 500C but has a built-in electric motor to advance the film and cock the shutter automatically for remote operation of the camera.THE HASSELBLAD SUPER WIDE *, introduced in 1954, is similar to the specification on page 7, but has a Compur shutter and film transport knob. The lens has a manual pre-set iris. The camera base has no quick-mounting facility.THE HASSELBLAD SUPER WIDE C superceded the Super Wide model in 1959 and is as described on page 7. In the course of the years, minor improvements were made within each model, which do not. however, affect manipulation. Models marked * are now discontinued.The Hasselblad Picture SizeThe 2¼ x 2¼ in. film is not a miniature size by modern standards. Contact prints made of these negatives are large enough to be appreciated as proofs, but enlargements are of course more effective. Whilst, however, the 24 x 36 mm. miniature negative needs a 12 times linear enlargement to yield a 12 x 15 in. exhibition print, the 2¼ x 2¼ in. negative produces the same size of print with only 6½ times enlargement. Thus the Hasselblad negative is not as a rule subjected to an extreme degree of enlarging.The Square ShapeThe Hasselblad negative has a square shape. The view of the lens is a circle and this circle is best utilized by the square - but this in itself is a purely technical consideration. Essential, however, from a practical point of view, is the fact that the square, representing the simplest geometrical pattern (next to the circle), lends itself easily to placing and framing almost any subject matter. With the square picture the camera hold is the same for every shot. Should the square shape prove unsatisfactory with a particular subject it is still possible to print only a portion of the negative, without sacrificing more of the subject than a rectangular picture shape would have done from the outset.HASSELBLAD EVOLUTIONThe Hasselblad camera evolved along two parallel lines. On the one hand there are the normal models, starting with the 1600F (first introduced in 1948) and followed by the 1000F in 1952. These cameras, with focal plane shutter, were replaced by the 500C in 1957 with underwent minor changes, in particular in the design of the standard waist-level hood. The 500EL, introduced in 1965, is a 500C with built-in electric motor.The Super Wide series started with the original Super Wide in 1954, which was superseded by a modified model C in 1959.HANDLING THE HASSELBLADIn order to simplify the description and handling of the Hasselblad camera without being confused by different features if individual model,, this Guide is divided into a general section hich applies to all Hasselblad models and a section of green pages to cover the individual requirements and differences in handling of each model.For convenience a symbolic reference system is also used in the general section. Wherever the sign # appears, further details will be found in the camera pages of the green section for each camera. The sign * refers to lens and ** to accessory details in the green section. The appropriate pages are marked accordingly in the bottom left- or right-hand corner.HoldingNaturally the camera should be held as steady as possible as the slightest camera shake, even if not seen in the negative, will become visible in the enlargement.There are various ways of holding the camera. The basic method is to carry the camera on its strap-which should be passed round the back' of the neck. Hold the camera in the left hand with the index finger of the left hand on the release button. The right hand remain, free far transporting the film, setting shutter speed, aperture and focus. Pulling the camera down against its strap will help considerably to steady it at the time of exposure.When the magnifying hood is used, press the eye against the eyepiece. Insert both hands from below through the carrying strap (adjust its length to suit); this provides additional steadying support.Virtually the same holding position can be adapted when using the camera at eye-level with either the sports frame finder or the pentaprism.To release the shutter, press the release button with the ball of the index finger. Use finger pressure only, and keep the band and its grip on the camera steady. The actual pressure should be slow and smooth, The slower the exposure time, the smoother must be the release.For slow exposures in the hand, it is advisable to rest the elbows or at least to lean the body against some support in order to avoid shaking. In this way, 1/15, 1/8 and even¼ see, can be risked without incurring camera shake.Such a support is also desirable for faster exposures, as various movements take place inside the camera after pressing the release button. A slightly unsteady hold may thus easily lead to blurred picturesThe use of a tripod or other solid support is necessary when taking time exposures and it is also recommended for speeds from 1/15 to 1 sec. It is useful even for normal instantaneous shots (1/30 to 1/125 sec.) where circumstances permit.CarryingTo he ready for quick action, it is best to carry the camera on its shoulder strap round the neck so that it lies on your chest, lens downwards. Lifting it up then takes a split second.For convenience and protection, carry the Hasselblad in its ever-ready case. It is then only necessary to open the flap to get the camera ready for use.The camera neck strap itself goes through the ever-ready case.Viewing and FocusingYou can view and focus only after the shutter has been wound. This operation brings down the mirror into its viewing position to reflect the image from the lens on to the ground glass screen. So you know that when the image is visible, the film is also advanced for the next shot (the film transport is coupled with the shutter tensioning mechanism).The image appeals in natural size, free from parallax.. A Fresnel-type field lens ensures even illumination right into the corners of the screen.The lens is used at full aperture for focusing. This shows up the difference between a perfectly sharp and slightly unsharp image to the greatest degree; at a smaller lens stop it is not so easy to adjust the lens exactly to its sharpest setting. Such critical focusing also leads to emphasis of the main subject by good definition - thereby separating it from its background. This is the first decisive step from the casual snapshot to a real picture. The focusing screen is the most efficient means of photographic collation. Unlike any other viewfinder it presents a two-dimensional, full-size preview of the photograph as it will look later. The man who cannot be taught to "see" photographically by the ground glass of a camera will never learn to do so.To open the hood, push its catch to the right. The hooding of the finder keeps stray light from the screen, and so makes the images appear brighter. To close the hood first fold down both sides, followed by the back and finally the front.Although you are likely to hold the camera reasonably level, make sure that vertical and horizontal lines of the picture run parallel to the cross engraved on the screen. You can tilt the camera intentionally, but see that the effect does not look like an accidental tilt.The picture on the screen appears upright, but reversed left to right. Movements are also reversed left to right; to follow moving subjects you therefore have to turn the camera against the apparent subject movement.Waist-level and Eye-level ViewingWith the camera held at chest or waist level for reflex viewing you see many popular subjects - children, animals, people sitting down- from a more natural viewpoint than when looking down from eye-level. More natural, that is, for the subject, for the camera gets down automatically to the subject level. Informal portraits, candid studies, can be got quietly and without fuss.For unobserved shots hold the camera at right-angles, with the lens pointing to the left or light instead of straight ahead. To take pictures over the heads of a crowd or to obtain a higher viewpoint, hold the camera above your head, viewing up into the reflex screen.The camera is used at eye-level with the pentaprism and the prism sports viewfinders, where the image appears upright and the right way round. These are therefore the finder units to choose when the cameras should be used at eye-level for viewing and focusing, particularly when following moving objects with the camera.The sports frame finder serves the same purpose as the pentaprism and prism sports finder, but does not permit reflex focusing at the same time. This is therefore primarily intended for sports, landscape, or other distant subjects, or for shots where you pre-focus on a subject that remains at the same distance from the camera.A separate frame viewfinder to, Sonnar 150 and 250 lenses snaps on the lens hoodFocusing TechniqueThe best way to arrive at critical definition is to turn the focusing mount of the lens slowly to and fro while observing the subject to be focused on the ground glass. As you turn the mount, the image becomes more and more sharp up to a certain point, beyond which it will again lose definition. At this "beyond" stage, turn the mount back again, narrowing down the degree of movement until you arrive at the point of best definition.The Hasselblad has a magnifier built into the focusing hood to determine the point of best definition. To bring it into action push the hood opening cath fully to the right. When closing the hood, fold the magnifier back first. The orthodox way of focusing with the ground glass screen may be adopted for taking photographs of subjects that are fairly stationary. A different method of focusing is required when taking subjects in motion. Set the lens to a distance at which the subject will be in a given moment, or focus at some spot which it actually has to pass and press the release button when the subject is reaching the prefocused point.With subjects liable to react self-consciously (e.g. children) set the lens to a suitable distance, and then approach the subject, exposing as soon as the screen image appears sharp.Alternatively, focus at some object which is at the same distance from the camera as the subject, but in a different direction. When you have found the range swing round to press the release button as soon as the subject slip, into the field of view of the finder.ShootingPractise the following operations first with the empty camera with its film magazine in position until you can do them practically automatically.1. Wind the film transport. This advances the film and film counter, tensions the shutter, opens theaperture (in C models) and brings down the mirror ready for the next exposure.2. Open reflex hood to focus for a preview of the picture you want to take.3. Set the exposure. Adjust the shutter for the right amount of light for the subject conditions (see page32).4. Select the aperture-speed combination you want to use; smaller apertures for greater depth of field(page 48) or faster speed to arrest movement (page 47).5. Determine the exact picture area and focus.6. Release the shutter gently.HOLDING AND CARRYINGFor eye-level shooting, the pentaprism (above left) fits on top of the camera in place of the waist-level hood. Hold the camera up to the eye, looking directly through the eyepiece at the back. With the sports finder (above right) turn the camera sideways so that the sports finder is on top in its shoe on the side of the camera (above right).The normal hold consists in supporting the camera round the neck with the carrying strap, and steadying it with the left hand. The left index finger is on the release button, while the right hand focusses the lens. The right hand also operates the winding knob after every exposure.Two special holds for unusual occasions. To shoot over the heads of a crowd, hold the camera upside down above your head and look up into the finder hood (above left). To get unobserved shots of people turn the camera round sideways (above right) so that the lens points past your left arm. You see what is going on by looking down into the finder, although you are facing at right angles to the shooting direction of the camera.When not actually shooting, let the camera hang on its carrying strap, lens downwards. The strap is held in position on clipping the fitting at the end of the strap over the strap button at each side of the camera body (inset).THE INTERCHANGEABLE FILM MAGAZINEOne of the most important features of the Hasselblad camera is the interchangeable film magazine. This is the film holder which is loaded and unloaded independently of the rest of the camera. The use of film magazines permits film changing at any time.Each magazine has a easing of stainless steel. The ends of the case are aluminium, polished and chrome plated to resist wear and scratching. The spool holder is aluminium alloy. The pressure plate is precision turned and has a black anodized surface.Magazine ModelsTHE STANDARD MAGAZINE is in two versions - the A12 and the 12. Both take 120 roll film, giving 12 pictures 2¼ x 2¼ in., with automatic stop after 12 exposures. The A12 also has automatic stop at the first frame and can be loaded faster.THE 16 MAGAZINE takes 16 pictures 1 5/8 x 2¼ in., still on size 120 roll film, but with the picture area masked down. This offers a certain film economy, especially when using colour film. The film counter on the magazine counts exposures up to No. 16. A ground glass screen mask is also supplied with the magazine, with markings to show the limits of the 1 5/8 x 1 5/8 in. super-slide size. This gives a guide to arranging a picture for subsequent trimming down to a miniature slide format for mounting in 2 x 2 in. slide holders.THE 16S MAGAZINE is similar to the 16 magazine, but the film aperture is masked down to 1 5/8 x 1 5/8 in. A ground glass screen mask is supplied with it. This magazine directly yields transparencies of the correct size for mounting in 2 x 2 in. slide frames.All these magazines may be used with the '220' film, see page 23.THE MAGAZINE 70 is designed to take up to 15 ft. of cassette-loaded 70-mm. film for up to seventy 2¼ x 2¼ in. negatives. The magazine is of similar design to the others with film plane markings, film signal, counter and film type indicator. It is intended for the professional, press and also amateur photographer who has to take large numbers of photographs at one sitting.70-mm. film is supplied in 100 and 300 ft. rolls from which cassettes can be loaded with any length up to 16 ft. Ready loaded cassettes ale also available.Fitting to, and Removal from, the CameraLet us start with the magazine attached to the camera.Before the magazine can be removed, the sheath has to be in place on the front of the magazine, protecting any film in it from being exposed to the light. As a safety feature, the magazine cannot be removed from the camera body until the sheath is completely inserted into the magazine. To insert the sheath slide it into the slot on top and push down fully. The bent-over part of the sheath (which acts as a finger hold) should always be towards the front of the magazine for easier loading.To remove the magazine, press the catch on the top to the right, let the magazine drop back, and lift it out from the two catches on the camera body.When a magazine is freshly loaded and the automatic counter set to No. 1, the signal on the light is white, indicating that an unexposed frame is in position in the magazine.Before you attach the magazine to the camera, the corresponding signal on the right-hand side of the body (behind and before the transport knob) should also be white, indicating that the film transport has been wound and the camera, too, is ready for exposure. If the signal on the camera is red, simply wind the transport knob before attaching the magazine.If the last frame still in the film aperture of the magazine is already exposed, the magazine signal is red. The camera signal then also has to be red before you attach the magazine. If the camera signal should be white, simply release the shutter to make the signs colours match. This boils down to the rule that both signals have to indicate the same colour (either red or white) before the magazine is attached.To attach the magazine to the camera, lower its front edge into the two hooks at the rear base of the camera, and push the magazine against the camera body while pressing its locking catch to the right. Once the magazine makes full contact with the camera body, move the catch to the left. After pulling out the sheath, the camera is ready to use.Loading the Rollfilm Magazine1. Remove the spool holder. First release the catch in the centre of the left-hand side (opposite to the sideof the signal) and turn it anti-clockwise. Pull out the spool holder.2. Prepare the spool holder by turning the spool holder catch clockwise to open the film clamp and openup both spool holder arms.3. Load the film. Insert the empty take-up spool into the holder with the milled knob. Place the full filmspool into the opposite holder. Remove the seal and pull out approximately 4 in. of paper, the black side of the paper facing you. (The spool must be inserted so that the backing paper comes off fromunderneath.) Keep the thumb pressed against the spool to prevent the film from unwinding itself. Draw the free paper across the front of the pressure plate but under the film clamp. Hold the paper in position by turning the spool holder catch anti-clockwise. Now fix the paper end into the slot of the take-upspool. Take up the slack by turning the milled knob protruding from the take-up spool chamber.4. Insert the loaded spool holder into the magazine shell (make sure that its sheath is in position), and turnthe release catch clockwise. This has the double action of locking the spool holder in position andreleasing the clamped-down paper.5. Set the first exposure. Open the film window cover in the back of the magazine and turn the windingknob until No. 1 appears in the rear window. The winding key is the key in the right-hand side of themagazine, i.e. the same side as the signal window and the film counter window. Now turn the filmwinder anti-clockwise as far as it will go. Always keep the film window cover closed - except whengetting the magazine ready for the first exposure.This causes No. 1 to appear in the automatic film counter window on the winder side of the magazine.Always set the counter window to No. 1 immediately; if this is overlooked you will get uneven spacing between the individual negatives and possibly lose the last exposure.。
哈苏903swc 903SWC. 没有像这样的相机说明书
This has made the Hasselblad 903SWC a favorite of leading industrial and architectural photographers. And an excellent and often used general purpose camera for such things as photojournalism, landscape, aerial photography and reproduction work.
The Hasselblad system for Wide-angle photography also includes a 30 mm 1ish-eye" lens and a 40 mm Wide-angle lens, as well as a Mutar Shift Converter for perspective control.
range - from 0.3 m to infinity. And virtually no distortion - vertical and horizontal lines are straight, even along the edges of a giant print. The depth of field is staggering, from 0.65 m to infinity at fl22.
GREAT FLEXIBILITY.
Switching magazine from color film to black-and-white, or from transparency to color negative, is simple and fast. You can take a Polaroid in the middle of a roll to check exposure and composition. And just as easily you can change from 6x6 to 6x4.5, and from 12 to 70 pictures per magazine in seconds.
哈苏 HTS 1.5 倾斜移位适配器 产品手册说明书
The revolutionary HTS 1.5 is a tilt and shift adapter that can provide a pivotal step-up for many Hasselblad photographers. Designed for the HCD24mm, HCD28mm, HC35mm, HC50mm, HC80mm and the HC100mm lenses it, in effect, adds six different “tilt and shift lenses” to the range. With the extension tubes, H13, H26 or H52, the HTS 1.5 can also be used for close-up work. Especially in combination with the Macro Adapter that improves the close range performance with the HC 50-II lens.This simple device solves not only technical challenges, but also provides exciting opportunities for creative solutions as well. The combination of well-known optical principles combined with the latest in digital image control, provides a powerful p ackage that will expand photographic expression tonew levels.“Shift” is the moving of a lens, up and down or to the sides, from its central position while retaining its perpendicular orientation to the film plane. Simply put, the adapter expands the diameter of the projected image circle at the film plane. This allows for much greater freedom in “placing” the image area within the now much broader circle before vignetting takes effect. And most importantly, all this happens without moving the orientation of the camera in relation to the subject. So if verticals, for example, are acceptable in the viewfinder, they will remain so whatever the amount of shift to include the “hidden” parts of the image. Simple but ingenious.“Tilt” differs from shift in that the normal perpendicular orientation of the lens to the film plane is changed resulting in a change in the plane of focus. This means that at any given aperture/ focus setting, the depth of field in the subject will not remain as simply the space between two measured points from the camera as is normally the case, but increased or decreased. This amount is user controlled. Once again, simple but ingenious.By combining these two laws of physics, the doors of creative solutions are thrown wide open. The list of situations that could advantageously exploit tilt and shift is probably longer than it might first appear to be. For some professional photographers it could rapidly become an essential item for all work.But the story doesn’t end there. Large-format users have been using tilt and shift for many years, partly because they could, but partly because they had to. Some photographic solutions unfortunately, have also created problems, lens edge performance, for example, being one of them. The dilemma that arose forced photo g raphers to find a compromise, between the “illness” and the “cure”. Hasselblad has now eradicated this dilemma.With the introduction of Digital Lens Corrections where images processed in Phocus are automatically corrected regardless of HTS adapter setting (H cameras only), significant improvements strike the viewer immediately. All calculations and adjustments take place in the background monitored and governed by sensors in the adapter. The sharpness at the edge of the frame, despite the fact that the lens is pushed to its limits, remains stunning.On the creative front, it has long been standard practice for photo g raphers to break the rules in order to produce images that show something just a little different. Large-format users were well-acquainted with the imaginative possibilities that arose from making the “wrong” camera or lens movements. And now Hasselblad users can enjoy this stimulating freedom as well. Fascinating and captiva t ing images are easily conjured up and controlled with just a few slight movements. The combination of large sensors and razor sharp lenses – and now tilt and shift possibilities – Hasselblad has brought some of the creative aspect of former large-format world to the digital medium format.Take a look at this revolutionary accessory at your nearest H asselblad dealer. Try it yourself out to see how this new product could rapidly become an essential part of your photography toolkit. The powerful combination of tilt, shift and Digital Lens Corrections can bring new perspectives to your photographic vision and provide a marked change in both the technical and creative aspects of your work.Front viewRear viewCLOSE FOCUS RANGE DATALens Minimum distance Maximum image scale Coverage Exp.reductionHCD 4,8/24 mm0.42 m1:6.331 cm × 23 cm0 EVHCD 4/28 mm0.39 m1:4.723 cm × 17 cm0 EVHC 3,5/35 mm0.54 m1:6.230 cm × 23 cm0 EVHC 3,5/50 mm0.64 m1:5.728 cm × 21 cm0 EVHC 2,8/80 mm0.74 m1:4.221 cm × 15 cm0.3 EVHC 2,2/100 mm0.94 m1:4.622 × 17 cm0.5 EVCOMPATIBILITYThe HTS 1.5 adapter is compatible with all H System cameras. Support for digital image corrections only with Hasselblad CF card based digital capture products. The HTS 1.5 adapter is optimally designed for the following lenses:Lens Equivalent lens with the HTS 1.5Angle of view diag/hor/vertHCD 4,8/24 mm7,5/37 mm81°/68°/53°HCD 4/28 mm6,3/45 mm71°/59°/45°HC 3,5/35 mm5,6/55 mm59°/49°/37°HC 3,5/50 mm5,6/75 mm44°/35°/27°HC 2,8/80 mm4,5/128 mm27°/22°/16°HC 2,2/100 mm3,5/155 mm23°/18°/14°The HC 150, HC 150N, HC 210 and the HC 300 will fit onto the adapter but handling and performance can be compromized. THE HTS 1.5 IS NOT COMPATIBLE WITH:The H1,7X converterThe CF lens adapterHC 50-110HCD 35-90HC 120 and HC 120-IIAUTOFOCUS / FOCUS CONFIRMATION• H System Cameras: AF and focus confirmation are disabled when using the HTS on a H system camera.• X System cameras: AF and focus assist (focus peaking and zoom-in) can be used on all settings.COMPATIBLE LENSES, EXTENSION TUBES AND MACRO CONVERTER HCD24, HCD28, HC35, HC50-II, HC80 and HC100Extension tube 13mm, 26mm and 52mmMacro ConverterMOVEMENTSThe lens can be shifted 18 mm, either upwards or downwards, and it can be tilted 10 degrees up or down. Tilt and shift can be combineda ccording to the diagram.HTS settings are presented on camera grip LCD (H5D) or rear display (H6D) and are also embedded in the image file (H cameras only).H6DH5D and olderMOVEMENTS - ROTATIONThe HTS 1.5 adapter can be rotated 90 degrees to the left or right to enable free placement of sharpness plane and shift direction.HC80 + HTS 1.5 at f/11, 10 degrees tiltCamera positioned level. The roof of the building is outside the area projected onto the sensor (HC28 +HTS).The camera positioned level again with an upward lens shift of9 mm applied results in parallel verticals.The complete camera tilted upwards to include the top of the building results in converging vertical lines in the image.USING SHIFTFor perfect parallel vertical lines in the image, the camera needs to be p arallel to the subject. Tilting the wholec amera would produce con-verging parallel lines. But by shifting the lens parallel to the image plane, you can raise or lower the view without tilting the camera. If the subject is a building as in this example, the c amera should be placedlevel.USING TILTBy tilting the lens in relation to the image plane, youcan effectively tilt the plane of sharpness in the subject.Depending on your idea of the final image you can eitheruse tilt to enlarge the apparent depth of field or reduce it.Full imageHCD28 + HTS 1.5 at f/11No lens tilt produces some lack of sharpness in the foreground and background due toinsufficient depth of field.Lens tilted a few degrees to the right produces an image with perfect sharpness from theforeground to the background.Lens tilted a few degrees to the left produces an image with a shallow depth of field.STITCHINGThe HTS 1.5 lends itself extremely well to automatic stitching to create a panoramic image in super high quality. With most subjects it will be impossible to detect any dividing linebetween the separate images. The main reasons for this are: • The lens is shifted sideways and therefore does not produce any distortion of the subject•The automatic lens corrections for distortion and vignetting ensures perfect images that can easily be stitched togetherThe resulting image can be created in any high-endstitching software, e.g. the “Photomerge” function in Adobe Photoshop.PROCEDUREPlace the camera on a tripod and aim it at a subject. Then set the HTS 1.5 in the normal position with no tilt or shift. Rotate the HTS 1.5 with the controls facing up to allow for sideways shift. Make the first exposure in the mid position. Shift to both end positions and make an exposure in each position. Develop the three images with lens corrections turned on.Import the images into the stitching software and follow the instructions.In Adobe Photoshop, use the following procedure: • Open the three images• Go to menu: File > Automate > Photomerge • Click on Add open files and check Auto layout”• Click OK•In the preview that appears you can choose to modify the layout, but in most cases there will be no need for any manual interaction.•Finally click OK and the final stiched image will be processed.HCD28 and HTS 1.5 – The three images above have been merged into one image using Adobe Photoshop.Even at 100% it is practically impossible to see any stitch lines.200903 -H T S 1.5 - V 9 E N。
哈苏相机的使用方法…
哈苏相机的使用方法胶卷安装需要感光层对镜头方向（这句话听上去别扭，但是由于120胶卷是有防光纸，倒过来卷看上去有点别扭）！黑面朝上胶卷安装好以后，看到计数器为0，先上弦（前面一个摇把）！否则第一张就会空卷！然后摇后面那个卷片把手直到出现数字1（不摇到数字1出现，边上小孔没有呈现白色，快门是没法释放的），这时数字孔边上的小孔出现白色（快门释放后为红色，以提醒你需要上弦），抽出遮光板（这是给你换后盖时用的）才能释放快门，然后不需要再装上遮光板，连续拍摄（不要卷卷片把手！直接上弦），直到第12张拍完（快门释放完），这时不能再卷上弦把手（卷了快门也无法释放，显得快门被卡住，需要把后盖取下才能释放，所以第13张应该是不能拍）！这时需要用卷片把手把胶卷后面的防护纸都卷完（卷到手感空了为止），取出胶卷即可。
所以一旦多上了一次弦也不要惊慌，需要做的就是插上遮光板，取下后盖（不插上遮光板不能取下后盖），就可以释放快门，然后再安装胶卷开始第二卷的拍摄。
有些限制必须知道：装胶卷盒子的旋钮没对准会推不进！装好后需要对准才到位。
快门没有上弦镜头不能取下（反光板没有抬起）！甚至于不能装镜头（取下时），这时需要上一次弦，才能对准位置装上。
遮光板没有取出不能释放快门！没有上弦时，取景框内看不出任何东西，因为反光板没有抬起。
快门边上的小扳手也许是保险，太细不要动（经实验是控制后面帘布的，可以使帘布常开，由于位置没对准是会引起快门无法释放）！取景框里的放大镜机关在上面那个塑料件，往右侧推就可以释放放大镜。
后盖必须要装上遮光板才能取下，开关在顶上那个数字12的按钮（往右侧推）。
由于相机使用的是镜间快门，但是他有具有帘布来遮挡取景时的光线，所以当快门释放时听到帘布释放的声音比镜间快门声音响，而快门按钮按下后不抬起时帘布没有关闭，这样就会给人以快门还没有关闭的错觉（快门键边上那个小把手就是操控帘布是否常开）。
今天的哈苏系列有6种型号构成，机戒的C系列，电子的F系列，内置马达的E系列，超广角S系列，可移轴的A系列，真正可拍宽硬幕的Xpan135系列。
哈苏cvf-39数字后背使用说明书
Hasselblad Natural Color Solution Color management solutions have in the past imposed limitations on professional digital photographers, because of the forced choice of a specific color profile to suit the job: capturing various skin tones, metals, fabrics, flowers etc. To combat this, Hasselblad has developed a new, powerful color profile to be used with its Phocus imaging software. Working with the new Hasselblad RGB color profile enables you to produce outstanding, reliable out-of-the-box colors, with skin tones, special product gradations, and other difficult colors reproduced effectively. To implement our new unique colors we have developed a new Hasselblad raw file format called 3F RAW (3FR). The new 3F RAW file format is designed to ensure that images captured on Hasselblad digital products are
哈苏数码相机镜头程序说明书
Ultra-Focus and digital aPO Correctioninformation about the lens and exact capture conditions is fedultra-fine-tuning of the auto-focus mechanism, taking into account the design specifications of the lens and the optical specifications of the sensor. in this way the full HC lens program is enhanced to perform at a new level ofaberration and distortion is also added. “digital aPO Correction” (daC), is an aPO-chromatic cor-a combination of the various paramaters concerning each specific lens for each specific shot, ensuring that each image represents the best that your equip-We are confident that the image quality you achieve as a result of the daC functionality will make you – andwe are now expanding our lensdesigned 28mm lens that has been developed for the H3d. the design has been optimized for the actual 36x48mm area of the sensor to make it more compact and work in conjunction with daC as anfect the images from this extraordinary lens. the achievement is clear; daC increases the resolution ofa perfect pixel definition, the basis for the image rendering is optimized.the advantages of the central lens shutters of HC/HCd lenses adds flexibility by allowing flash to be employedspeeds up to 1/800s. thanks to the large format, the depth of field range is considerably shallower making it much easier to create a perfect interplay between sharpness and blur.H System cameras and lenses are designed and built for dura-bility and high quality performance, both for rough location work and for the demands of a studio photographer, something you notice the moment you hold the camera.H3d Camera bodyany shutter with X syncRollei electronic shutter with lenscontrolany view camera with Hasselblad H adapterFlash sync input cableH3dsensor unit (included)HVM viewfinderHV 90x viewfinderinstant film back HMi100Film back HM 16•32HCd 4/28 mm HC 3.5/35 mm HC 2.2/100 mm HC 4/210 mm HC 3.5/50 mm HC Macro 4/120 mm HC 4.5/300 mm HC 2.8/80 mm HC 3.2/150 mm HC 3.5-4.5/50-110 mm HC 1.7X converter。
埃森普 Stylus Pro 11880 打印引擎技术说明书
T591500
Ink cartridge shelf life
2 years from printed production Vivid Light Magenta ink cartridge
T591600
(recommended)
date or 6 months after open
Light Black ink cartridge
AdditiPlus service
Additional Two-year Epson Preferred Plus service
EPP1188B1 EPP1188B2
Media Handling Media input
Single roll-to-roll up to 64" wide Retractable Fabric-based Media Bin
C Print permanence based on accelerated testing of prints on specialty media, displayed indoors, under UV coated glass. Actual print stability will vary according to media, printed image, display conditions, light intensity, humidity and atmospheric conditions. Epson does not guarantee longevity of prints. For maximum print life, display all prints under glass or lamination or properly store them.
哈苏X2D 100C 数码相机数据表说明书
Camera Type Mirrorless Medium Format Digital Camera with autofocus, auto-exposure, interchangeable lenses Construction Machined aluminium. Tripod socket 1/4”Sensor Type Back-side illuminated (BSI) CMOS, 100 megapixels (11656 × 8742 pixels, pixel size 3.76μm) Sensor Dimensions43.8 × 32.9mmImage Size Stills: 3FR RAW: capture 206MB on averageFile Format Hasselblad 3FR RAW, full size JPEGDrive Mode Single and Continuous Drive, Self Timer, Interval Timer, Exposure BracketingColour Definition16-bit; dynamic range up to 15 stopsImage Stabilization5-axis 7-stop in-body image stabilization (IBIS)ISO Speed Range ISO Auto, 64, 100, 200, 400, 800, 1600, 3200, 6400, 12800, 25600Storage Options Built-in 1TB SSD. Extra CFexpress Type B card with a max storage capacity of 512GB supported.Recommended Memory Cards Sony CEB-G series CFexpress Type B memory cards (128GB)SanDisk Extreme Pro CFexpress Type B memory cards (128GB, 256GB, 512GB)Colour Management Hasselblad Natural Colour Solution (HNCS)Capture Rate 3.3fps in a 14-bit colour depthUser Interface Touch interface including swipe, scroll and pinch/spread to zoom. Camera grip with buttons and scroll wheels.Touch Display 3.6-inch TFT type, 24-bit full-colour, 2.36-million-dot. Touch functionality: full support. Tiltingangle: 40°, 70°Top Display 1.08-in TFT type, 18-bit full-colour, 158,400-dotElectronic Viewfinder (EVF)OLED, 5.76-million-dot. Viewing area: 100%. Magnification: approx. 1.00x with 65mm mediumformat lens at infinity, –1 m-1Histogram Feedback Yes, in Browse mode on touch display and in EVFIR Filter Mounted in front of sensorSoftware Phocus is compatible with computers with 8GB of RAM or more running on macOS 10.15 or later, or Windows 7 64-bit or later.Phocus Mobile 2 is compatible with iPad models with 3GB of RAM or more and with iPhone X or later models running iOS 15.0 or later.iOS Device Support iPad models with 3GB of RAM or more and iPhone X or later models running iOS 15.0 or later Platform Support macOS 10.15 or later, or Windows 7 64-bit or laterHost Connection Type USB 3.1 Gen2 Type-C connector (transfer speed up to 10Gbit/s)Operating Temperature-10° to 45° C (14° to 113° F)Operating Humidity No more than 85% without condensationWi-Fi802.11b/a/g/n/ac/ax, Wi-Fi with 2×2 MIMOSupported Lenses Hasselblad XCD lenses with built-in electronically controlled leaf shutter and aperture. Automatic or manual focusing with instant manual focus override. Lens shades can be mounted in reverse for transport.Compatible with all H System Lenses and some H System accessories using the XH Lens Adapter. Also compatible with V System and XPan Lenses using the XV or XPan Lens Adapter.* The fastest shutter speed varies depending on the lens in use. Refer to the datasheet of the corresponding lens.The specifications are subject to change without notice.ShutterElectronically controlled leaf shutter with speeds up to 1/4000s. Flash sync at all speeds. Optional electronic shutter Shutter Speed68 min to 1/4000s with XCD Lenses*. Up to 1/800s or 1/2000s with HC/HCD Lenses. Electronic shutter 68 min to 1/6000s.Flash Sync SpeedFlash can be used at all shutter speeds. Mechanical shutter only.Flash Control TTL centre weighted system. Compatible with Nikon System flashes. ISO range 64 to 25600. Flash output can be adjusted (-3 to +3 EV) for fill-in purposes independent of ambient light. Sync at all shutter speeds. Mechanical shutter only.Flash Compatibility In TTL-mode, the following Nikon Flash products can be used: SB-300, SB-500, SB-5000, SB-700, SB-900, SB-910. The following Profoto products can be used in TTL-mode: A1, B1 and B2 with Nikon interface.Focusing Autofocus single (AF-S) and manual focus (MF). Instant manual focus override. Automatic focusing using phase and contrast detection. Focus indicator or 100% zoom available in MF. Up to 294 Phase Detection Autofocus (PDAF) zones.Exposure Metering Spot, centre weighted, and centre spotPower Supply Rechargeable Li-ion battery (7.27VDC/3400mAh). Can be charged in-camera via the USB-C port on the camera body. Charging time is approx. two hours using the included 30W USB-C charger.Dimensions 148.5 × 106 × 74.5mmWeight895g (camera body with the battery); 790g (camera body only)。
哈苏镜头手册
哈苏镜头手册哈苏创始人，维克多哈苏布兰德（Victor Hasselblad）中片幅摄影的一个重大优势就是其拥有更大的记录载体，在出版等情况下拥有更好的表现；并且中片幅系统普遍都拥有一个庞大的完整的系统部件构成。
哈苏就是这样一家公司，其在中片幅摄影中的地位是人所共知的，并且在半个多世纪的发展了进步之后，哈苏拥有了目前相当齐全的部件、各种外设以及超过半个世纪的镜头群。
而这些可以交换的，相互兼容的系统正是受到无数摄影师青睐的重要因素之一。
目录-----------------1. 预备知识：哈苏的标识2. 常见问题3. 快速选择指南4. 1600F以及1000F配套镜头5. C版镜头6. C T*版镜头7. CF版镜头8. 哈苏501C配套镜头9. CB版镜头10. F版镜头11. FE(TCC)版镜头12. CFE版镜头13. ArcBody版镜头14. 特殊镜头和设备附录A: 滤镜系统B: 推荐资料1. 预备知识：哈苏的标识-------------------------其实无论镜头和机身的变化，哈苏的系统都是非常容易去理解的。
在哈苏超过半个世纪世纪的相机生产中，其最值得骄傲的就是其庞大的附件群，除了古老的1600F/1000F系统以外，所有机身、镜头、附件等几乎都可以实现完美的兼容。
哈苏系统中有两个明显的分支：1)镜间快门系统2)焦平面快门系统，并且有意思的是在焦平面系统中依旧可以使用镜间快门（最高只能支持到1/500s快门速度）来曝光或者焦平面快门来曝光，选择不同的曝光模式只需要进行简单的设置就行了。
其实从哈苏的1600F开始，判断相机最高快门速度就是型号，诸如1600F就是一架焦平面相机，其最高的快门速度达到1/1600s；而哈苏500C相机的最高快门速度则是配合(Synchro)-Compur镜间快门之后实现的1/500s。
1977年开始推出的哈苏2000FC相机则同样拥有最高1/2000s的焦平面速度。
哈苏说明书
哈苏500系列入门简单指南哈苏500系列是纯机械机器，只要操作得当，基本上是不会坏的，但如果不注意操作的顺序的话，可能会卡死，造成损伤。
1、必须要上了弦才能装、卸镜头。
如果镜头卸下后，弦释放了，重装上机身时可以用小硬币给镜头上弦再装回机身。
2、豆腐刀插上才能把背卸下，豆腐刀拔出才能按快门。
3、a12后背计数器满12张（a24后背计数器满24张，a16后背计数器满16张）时，是无法按快门的。
4、503cxi，503cw，500cm的过片把手是可以拆卸的，还可以装马达，而501cm和503cx是不能的。
5、500系列使用镜间快门，也就是说快门是在镜头上的，1秒到1/500秒全程闪光同步，同步线插孔在镜头上。
6、机身本身不提供闪灯的热靴，可以通过附加组件增加快门热靴。
或者通过手柄来增加热靴。
503cw机身提供了一个带ttl的快门接孔，可以和原厂的闪灯进行ttl闪光。
7、机身过片把手的另一侧有个增加附件的座，可以组装快门热靴、水平珠等等。
8、过片把手后放有一个反光板预升按纽。
9、上胶卷后，要用片盒上的过片把手过片，直至不能卷，这个时候计数器显示1，拍完后也要用这个过片卷完余量的胶卷。
先说这么多，请其他dx补充，有空再补一些图片。
[2006-06-08 17:37 补充如下] 10、哈苏机身和后背也都有生产编号，编号前面有2个英文字母，对应相应的生产年份。
哈苏编号序列为：v、h、p、i、c、t、u、r、e、s代表1、2、3、4、5、6、7、8、9、0。
例如机身的编号是re，其生产年份就应该是1989年。
11、快门释放后，反光板抬起，上弦后落下。
反光板预升的操作是：往上提那个反光板预升按钮。
[2006-06-12 10:38 补充如下] 12、由老哈苏提供的503cw中文说明书篇二：哈苏xpanⅱ说明书篇三：哈苏快速选择指南目录1. 预备知识：哈苏镜头标识符号2. faqs3. 快速选择指南4. 1600f和1000f型配套镜头5. c系列镜头6. c系列带t*镀膜镜头7. cf系列镜头8. 501c型机身专配c型标准镜头9. cb系列镜头10. f系列镜头11. fe (tcc)系列镜头12. cfe系列镜头13. arcbody型机身配套镜头14. 特殊镜头及附件附录a: 在焦平面快门机身上使用叶片式镜间快门镜头b: 如何使用c系列镜头上的绿色完整秒时刻度c: 滤镜d: 建议阅读e: 购买二手哈苏镜头注意事项1. 预备知识：哈苏镜头标识符号——————————尽管具有众多不同型号的机身和镜头，哈苏中片幅系统还算是易于掌握的。
80i说明书
M318C05.1.STC.1(1/2)显微镜ECLIPSE 80i说明书<显微术>言导感谢惠购尼康产品。
本说明书是对显微镜基本操作的说明，供尼康ECLIPSE 80i显微镜的用户使用。
.为了确保正确使用，请在操作产品之前仔细阅读本说明书。
• 未经尼康公司明确许可，不得翻印或转载本说明书的全部或部分内容。
• 本说明书的内容若有更改，恕不另行通知。
• 尽管我们已尽最大的努力确保本说明书的准确性，但是，仍有可能存在讹误或不一致的地方。
如果发现不清楚或不正确之处，请您就近与尼康公司的代表联系。
• 本说明书提供说明的部分产品可能不包含在您所购买的产品之中。
• 对于本产品的附件或配套使用的其它产品（超高压汞灯电源、高亮度光源等），请您务必阅读其相关说明书。
本说明书使用的警告/注意符号尽管尼康产品的设计提供了最高的安全性，但是，忽视安全注意事项或不当使用仍有可能导致人身伤害或财产损坏，还有可能使质保条款失效。
为了确保安全使用，在操作设备之前请仔细完整地阅读本说明书。
切勿丢弃本说明书。
请将其保管在产品近旁方便存取的位置，随时备考。
在本说明书中，安全提示下列符号标示。
为了产品的安全和正确使用，切记遵照标有这些符号的说明。
符号提示无视标有该符号的提示可能会导致死亡或严重伤害。
视标有该符号的提示可能会导致受伤或财产损坏。
警告注意导言本产品所使用符号的含义如果产品标有以下符号，表示在使用过程的任何时候都需注意。
在使用或调节标有符号的任何部件之前，请查询说明书并阅读相关的说明。
注意！生物危害在载物台上发现这一符号表示以下含义：• 警告：样品与产品的接触可能导致发生生物危害的危险。
• 为了防止生物危害的污染，避免直接用手触摸被污染部分。
• 按照您的实验室规定的标准程序净化被污染的部件。
注意防热ECLIPSE 80i灯箱上的这一符号表示以下含义：• 灯及其周围区域（包括灯箱）在照明期间或者照明关闭后不久温度会非常高。
哈苏使用手册-NASA宇航员版 Hasselblad-astronauts_manual
Camera Controls.............................................................................................. 2 Film Magazine Controls. ................................................................................... 2 Viewfinder Controls.......................................................................................... 3 The EL/M Power Supply. .................................................................................. 4 Releasing the Camera. ..................................................................................... 4 Remote Operation............................................................................................ 5 Camera Steadiness.......................................................................................... 5 Operating Modes..................
哈苏+Flextight 343+用户手册说明书
User's GuideFlextight343©2004Hasselblad A/S.All rights reserved.Flextight343User's Guide,Part No70030051,revision A.The information in this manual is furnished for informational use only,is subject to change without notice,and should not be construed as a commitment by Hasselblad A/S. Hasselblad A/S assumes no responsibility or liability for any errors or inaccuracies that may appear in this manual.Hasselblad A/S assumes no responsibility or liability for loss or damage incurred during or as a result of using Hasselblad software or products.Hasselblad,Imacon,FlexColor and Flextight are trademarks of Hasselblad A/S.Adobe and Adobe Photoshop are trademarks of Adobe Systems,Inc.Macintosh,Mac OS,FireWire and ColorSync are registered trademarks of Apple Computer,Inc.Printed in Denmark.Table of ContentsE n g l i s hHardware Reference -Flextight 3435Warnings and Restrictions 6System Requirements 6Front Panel7Back Panel &Connectors 8Cut-Away View9Setting up the Scanner10Environmental Requirements 10Electrical Requirements10Installation Procedure,FireWire Interface 11Operating the Scanner 13Resolutions14True Optical Resolutions 14The Light Tube16Orientation of the Light Tube 16Replacing the Light Tube17Cleaning the External Surface of the Scanner 19Disposal19Technical Specifications 20FCC Notice21CE -Declaration of Conformity22Hardware Reference -Flextight 343This manual provides important information about using your Flextight 343scanner.Topics include:•Important warnings and restrictions •System requirements•Diagrams of the front panel,rear panel,and internal structure of theFlextight 343scanner•Installation instructions •Environmental requirements •Electrical requirements •Operating instructions •Maintenance advice •Disposal instructions •Technical specifications•Declarations of FCC and CE regulation conformityE n g l i s hWarnings and Restrictions•Read all of the included documentation before attempting to installand use the scanner.•Do not touch the originals and/or the original holder while scanning.•Do not start scanning or previewing until an original holder with anoriginal has been mounted.•The original holder is only to be mounted or removed when the drumis in the load position.•When you turn on the scanner,the drum will roll to the load position,if it is not there already.Do not touch the scanner while the drum isrotating.•Do not place your fingers or any other object into the scanner while itis connected to power.•Before servicing or opening the scanner,the power supply must bedisconnected from the mains(unplugged).It is not sufficient simply topress the on/off button.•Install the scanner in a location where children can not get to it.Itcontains small openings and moving parts that can cause injury. System RequirementsBelow are the basic hardware requirements for the PC or Macintoshsystem to which the scanner is to be connected.For information about the processor,operating system,RAM andharddisk requirements please refer to the“Software Reference”manual,that comes with the FlexColor software.•Screen resolution of800x600pixels with true colors(24-bits).•Mouse or other pointing device.•FireWire interfaceFront PanelA Feed Table:place original holders here for scanning.The table can be folded up to keep dust from entering the scanner and to keep it out of the way.B Light Area:for viewing originals.The grid helps you to align the originals.CIndicator light:The indicator can light up in 3different colors indicating the following:Green (Power/Ready)-remains lit when ready to scan.Flasheswhen first installed to indicate that firmware must be loaded (it will be loaded automatically when you run FlexColor ).Yellow (Motor Drive)-when drum is repositioning.Red (Scanning)-when scanning.Do not touch the scanner while the indicator is red.If the light is flashing when not scanning,then an error has occurred -please contact your Flextight dealer for assistance.D Power Switch:press to turn the unit on/off.EOriginal Holder Clasp:all original holders slide into a slot here and are held in place by magnets.E n g l i s hBack Panel &ConnectorsA Power Cable Socket:plug the power cable into this socket.BFireWire Interface Sockets:plug a FireWire cable (max.6m)here and connect it to your computer.You can use the second plug to connect another device (hard disk,printer etc.)to the FireWire chain.Figure 2:Back panel features of Flextight 343A CCD Plate:this platform contains the light sensor.B Optics:focuses the image of the original on the CCD.C Drum:rotates the original into the scanner and steps it past the CCDline of focus.D Light Tube:illuminates the transparent originals.The tube alsoprovides the light for the feed table.E Original Holder:an original holder is shown mounted and with themagnetic top layer held open.E n g l i s hSetting up the ScannerEnvironmental RequirementsSet up the scanner in a location that fulfils the following requirements:•Keep the scanner away from sources of heat,such as direct sunlight ora radiator.Warm temperatures will degrade the quality of your scans-for best results,work in a cool environment.•The scanner must be operated away from sources of strongelectromagnetic interference.Although the scanner complies with allregulations governing electromagnetic immunity and Hasselblad hastaken every reasonable step to make the unit immune toelectromagnetic interference,it is still a precision electronic device sostrong radio waves can interfere with your scans.•The surface on which the scanner is placed must be stable and freefrom vibrations.If the scanner is shaken or moved while scanning,your results may be affected.•If the scanner has been in a colder environment(e.g.outside or instorage)just before you set it up in a warmer room,then wait abouttwo hours before using it-otherwise,condensation may form,whichwill prevent the scanner from operating correctly.•Avoid using the scanner in areas where there is a high level of dust.•To prevent dust from getting into the scanner,always close the feedtable when the scanner is not in use.Electrical RequirementsThe Flextight343power supply requires a mains voltage of between100and240V AC at a frequency of50to60Hz.This is within the normalwall-socket power standards of most countries.Do not attempt to useFlextight343with any power source outside the specified range.The scanner and all devices attached to the scanner(computer,monitor,and FireWire devices,etc.)must be grounded(e a three-pointelectrical connection).Note that the power supply may emit a low hissing sound whenplugged in but not connected to the scanner.This is normal and will notdamage the power supply or scanner.Installation Procedure,FireWire Interface1.Place the scanner on a table near your computer with the frontfacing away from you.Make sure that the location you choose meets all environmental -and electrical requirements as described on page 10.2.When using a FireWire interface connection,it is not necessary to switch of your computer and other connected units.Connect aFireWire cable from one of the FireWire connectors on your scanner (see “Back Panel &Connectors”on page 8)to either the computer's FireWire connector or to a free FireWire connector on any other FireWire device already connected to your computer.3.Connect the round connector from your power supply to the round power supply socket on the back of the scanner.4.IMPORTANT:Make sure that the wall socket you are planning to use meets the electrical requirements outlined earlier.Plug the Flextight 343power supply into a wall socket.Note that the power supply may emit a low buzzing sound when plugged in.This is normal and will not damage the power supply or scanner.5.Turn the scanner around so that the front is facing you.6.Your system is assembled.Turn on your computer and install the FlexColor image scanning software.E n g l i s hàOperating the Scanner(See Figure 4opposite).1.It is assumed that the scanner and FlexColor software have been properly installed.2.Pull the feed table (B)down to scan position.3.Press the power button (G)on the front of the scanner to switch it on.The indicator light (F)button will start flashing green,indicating that no firmware has been downloaded yet.It will be downloaded automatically later when you first run the FlexColor program.4.Turn on your computer and launch the FlexColor program.The indicator light (F)will stop flashing indicating that firmware has been downloaded to the scanner.5.Select the original holder (D)that matches your original.6.Place the original holder with the slotted tab facing into the scanner.The flexible magnetic layer (C)must face upwards and the holder must fit between the guides (A)on both sides of the feed table.7.Slide the holder gently into the original holder clasp (H)at the scanner entrance.It will slip about ½cm (1/4inch)into it.Do not press too hard.It slips in very easily and is held in place by a pair of magnets.To remove the holder,simply pull it gently backwards.8.Lift the magnetic layer (C)of the original holder and place youroriginal (E)with the emulsion side up.The original must completely fill the hole with no edges showing and with a minimum overlap of 2mm along each edge.Also,no edges of the original must extend past the outer edges of the e the grid in the light area (J)of the feed table (B)to help line up the image.9.Lay the top layer of the holder down flat over the original.The top layer (C)is magnetic,which will hold the original in place.10.Go to your computer and follow the directions given in theFlexColor software manual to take a preview,make settings,and take the final scan.E n g l i s hResolutionsTrue Optical ResolutionsThe table below shows the true optical resolutions (in ppi)available with each of the original holders.When scanning at one of the resolution settings listed,one pixel in the scanner’s image sensor corresponds exactly to one pixel in the final image.If you use a resolution setting other than those listed,then interpolation (resizing)must be applied.To avoid activating the resizer,select a zoom setting that gives one of the results listed in Table 1.When resizing is applied,the scans take longer and image quality is slightly reduced.The impact on the image quality will vary according to the amount of interpolation required and the contents of your original.Table 1:True Optical ResolutionsExample:For an output resolution of 300ppi,take the true resolution shown in Table 1,divide by 300and multiply by 100%.Enter the result in the Zoom field in the main FlexColor window.Note that when the Zoom field is set to an appropriate value for the selected original size (as shown in the table above),then the PPI pop-up menu shows an underline beneath each setting that will result in a scan taken with a true resolution (no interpolation).E n g l i s hTable 2:Zoom settings for true optical resolution at 300ppi outputThe Light TubeOrientation of the Light TubeFlextight343contains a light tube that illuminates your originals whilescanning.The light tube is fitted with a reflective sleeve,which must bealigned correctly inside the scanner.The sleeve helps direct the light toachieve maximum illumination of the original.When you replace thelight tube,you must make sure the sleeve is aligned correctly.Sometimes the sleeve is glued into place when the scanner is firstshipped from the factory,but when you replace a light tube,the sleevewill not be glued;it will be tight so that it can not slip freely,but you will be able to rotate it manually if you try.The correct orientation of thesleeve is shown in Figure5.Replacing the Light TubeIf your scans are suddenly coming out black (or all white if you arescanning negatives),then the light tube may be defective or misaligned.Follow procedure below to replace a tube:1.Get the appropriate replacement light tube (ask your Flextight dealer or see specification in “Technical Specifications”on page 20).2.Turn off and unplug the scanner from the primary power supply.3.IMPORTANT:Let the light tube cool down for app.10minutes before proceeding.y the scanner down on its back,with the bottom facing you.5.Use a 2.5mm allen key to remove the screws located at each of the four corners of the bottom panel (see Figure 6),then remove the bottom panel.continues...E n g l i shpositions shown.The numbers indicate the order in which they should be tightened when panel is replaced.6.The light tube is clearly visible,as shown in Figure 7.Hold each end of the light tube between your thumb and index finger.Rotate the light tube until it comes free and pull it away from the scanner.Note that the light tube sockets allow the tube to be rotated all the way around,but they click into position at each quarter turn.The light tube is locked in place in all but one of these four positions,so you may need to try up to three positions before the light tube comes free.7.Install a new light tube following the reverse of the procedure you used when removing it.Make sure the sleeve is aligned correctly with the scanner as shown in Figure 5.Rotate the light tube and/or adjust the sleeve as necessary.8.Replace the bottom panel by holding it in place and tightening the screws in an opposite-diagonal sequence (e.g.top-left,bottom-right,top-right,bottom-left)as indicated in Figure 6.9.Turn on the scanner and check function of the new tube.Cleaning the External Surface of the ScannerIf the external surface of the scanner becomes dirty,then clean it with a damp cloth.Be careful not to get any moisture inside the scanner or on any of the connectors.Do not use alcohol or other solvents.DisposalIf you need to dispose of the scanner,it must be delivered to an authorized waste plant for electronics equipment.E n g l i s hTechnical SpecificationsPower Connector:Power ConsumptionMax.60W during operation Power Requirements100-240V AC,1.3A,50-60Hz Interface to ComputerFireWire (IEEE 1394)Front PanelOne multifunction switch (on/off switch)and status light Drum Force1kg (2.2lbs)Operating EnvironmentOperating Temperature:10-35°C (50-95°F)Recommended Working Temperature:10-25°C (50-77°F)Relative Humidity:20-80%RH (no condensation)Storage EnvironmentTemperature:0-50°C (32-122°F)Relative humidity:20-80%RH (no condensation)OriginalsTransparencies from 35mm to 60x180mm,<1mm thick Light TubeOSRAM L6W/25Universal White DimensionsHeight:400mm (15.7")Width:265mm (10.4")Depth:245mm (9.6")(feed table closed)370mm (14.6")(feed table in scan position)Weight7kg (15.5lbs)FCC NoticeThis equipment has been tested and found to comply with the limits for a Class A digital device,pursuant to Part 15of the FCC Rules.These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment.This equipment generates,uses,and can radiate radio frequency energy and,if not installed and used in accordance with the instruction manual,may cause harmful interference to radio communications.Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.User's Guide -Flextight 343E n g l i s hCE-Declaration of ConformityChristian PoulsenCEOSignatureUser's Guide-Flextight343。
PCP80 Hasselblad 6x6项目器说明说明书
Section 12ProjectorsHasselblad 6x6 . . . . . . . . . .500-501Rollei 6x6/35mm . . . . . . . .502-504Noblux 4x5 . . . . . . . . . . . . . . . . .504Mamiya 6x7 . . . . . . . . . . . . . . . . .505P C P 80500The lights dim, an expectant hush falls. The projector springs to life and an image of dazzling quality appears on the screen before a suddenly attentive audience.When the PCP80 is the projector, you can be assured of a quality presentation that lives up to the Hasselblad name. It is the only projector equipped with the same top-quality Zeiss optics used on Hasselblad cameras.And with projected images this sharp, all the nuances of the original slide will reach the screen — whether the presentation uses one projector or a battery of pro-jectors run by a professional A V producer switching between panorama displays and animated sequences.PCP80 Components■Perspective control:When a projector is pointed up or down towards a screen, the image may appear distorted. The PCP80's lens moves up and down, like that of a view camera, resulting in a square screen image from a square slide even when the camera is projecting at an angle.■Lens and condenser:Lenses have their own matched condenser lens, which is replaced whenever a lens is replaced; no light-absorbing heat absorption filter is necessary.■Automatic lamp replacement:When a projector bulb fails, a reserve bulb immediately clicks into place and a warning light on the control panel indicates the replacement, unnoticed by the audience,has been made. This can save the day when a bulb fails during an important presentation.■Unparalleled reliability:The PCP80 has separate, quiet motors for slide change, fan operation and focusing.The cooling system uses pressurized,filtered air to prevent any dust buildup from affecting performance of the mecha-nism or optic system. Two fuse circuits protect the electronics from power surges and monitors temperature with automatic heat damage turn-off, respectively.■Rotary slide magazine:The slide tray holds 80 transparencies and can be detached without re-setting.■Control systems:3 connector inputs for external control systems are available; a standard 6-pin socket, an 8 and 12-pin socket offer lamp control with our without the built-in TRIAC. Connectors for most otherprofessional control systems are available as accessories.Hasselblad PCP80 Projector Body (70101)With power cord, front protective cover and projector lamp. (Lens and rotary slide magazine must be purchased separately). Can be switched to 110/130 220/240 V 50-60 Hz.Item # HAPCP80.............................................................................................................................................................................................2,725.00Overnight Shipping AvailableH A S S E L B L A DP C P 80501PCP80 AccessoriesRemote Cable Control Unit (70507)For manual slide change and focusing.Cable length:13 ft. (4m).Item # HARCP......................................57.95Projector Rack, Basic Unit (70517)For twin projector setups. Weight: 21 lbs.(9.5kg).Item # HARP......................................539.95Supplementary Unit for Projector Rack (70518)Add-on unit to permit stacking. 13 lbs. (5.9kg).Item # HASURP.................................351.9521⁄4x 21⁄4˝(6x6cm)Registration Slide Mounts (70511)Slide mounts with special guide pins to sim-plify perfect image positioning in Rostrum cameras or in Hasselblad standard multi-vision programs. Box of 40 mounts.Item # HASM66P.................................57.9521⁄4x 15⁄8˝(6x4.5cm)Registration Slide Mounts (70512)Mounts as 70511 above, but with rectangu-lar image format. Box of 40.Item # HASM645P...............................57.95Alignment Slide (70520)For precise adjustment of projectors in a multi-projector set-up.Item # HAASP......................................34.95PCP80 Projector Case (70535)Sturdy plywood frame with aluminum and steel reinforcements. Foam plastic interior.Holds PCP80 projector body. Dimensions:20 x 17 x 11˝ (510 x 430 x 285mm) W.D.H.Weight: 18 lbs. (8kg).Item # HACP......................................299.95Front Lens Cap 75/150 (70526)Protects front lens element of the 75mm P-Distagon and 150mm P-Planar lenses.Replacement.Item # HALC75P....................................7.95Front Lens Cap 250 (51654)Protects front lens element of the 260mm P-Sonnar lens. Replacement.Item # HALC250P................................19.95PCP80 Dust Cover (70547)Soft dust cover protects projector when not in use.Item # HADCP.....................................44.95Power Cord (70539)American plug. Supplied with projector body. Length:8ft. (2.5m).Replacement.Item # HAPCP......................................18.95Air Filter (70541)Supplied with projector body.Replacement.Item # HAFAP......................................19.95Wiko EHJ Projector LampItem # HALEHJ......................................8.507-Pin AV Connector/Adapter AA (70525)Item # HACAP...................................149.95Zeiss P-Planar 3.5/150mm Projector Lens (70205)Standard lens, supplied with matching condenser lens and front lens cap 75/150 (70526).Item # HA15035P.......................................................................497.00Zeiss P-Sonnar 4/250mm Projector Lens (70210)For long projection distances. Supplied with matching condenser lens and front lens cap 93-100 (51654).Item # HA2504P......................................................................1,256.00Rotary Slide Magazine (70303)Holds 80 transparencies in 23⁄4x 23⁄4˝(7x7cm) mounts.Item # HATP.................................................................................84.95Zeiss P-Planar 3.5/75mm Projector Lens (70214)For short projection distances, especially back projection.Supplied with matching condenser lens and front lens cap 75/150(70526).Item # HA7535P......................................................................1,065.00PCP80 Components, continuedPCP80 Front Protective Cover (70532)Protects projector when no lens is attached. Replacement.Item # HALCP........................................................................................................................7.95502One of the main strengths of medium format photogra-phy is the ability to capture detail with extraordinary sharpness. RolleiVision Medium Format projector isbuilt not just to showcase medium format's sharpness, but to incorporate it into both serious amateur and professional multi-media presentations.The Rolleivision 66 Dual P brings all the advantages of medium format to the screen by providing a clear and true color repro-duction, even illumination and edge-to-edge sharp-ness.Educational institutions, businesses and home and semi-professional users often have to deal with a variety of picture and slide formats. In response, Rollei has come up with amulti-format projector that accepts 7 x 7 and 5 x 5cm slide mounts.This means that it can handle 6 x 6, 6 x 4.5, 4 x 4cm ad 24 x 36mm slides – the most commonly usedRolleivision 66 Dual PWe are on the web at: The Rolleivision 66 Dual P combines years of experience in the development and construction of top-quality pro-jectors, offering a new standard in 6 x 6 slide projection.Rolleivision 66 Dual P (010-785)With lamp, 30 slide tray, lamp extractor and AC cord. (Lens must be purchased separately.)Item # RO66DP.................................................................................................1399.95R O L L E I V I S I O N 66 D U A L PR O L L E I R O L E I V I S I O N66D U A L PPROJECTORS503AV-Xenotar 90mm f/3.5 (083528) For projection in normal sized rooms.Item # RO9035P66........829.95 S-Heidosmat150mm f/3.5 (083657) Standard lens. For projection in normal sized rooms.Item # RO15035P66......149.95 AV-Xenotar 150mm f/2.8 (083512) Standard lens. For projection in normal sized rooms.Item # RO15028P66......499.95 Heidosmat 180mm f/3.5 (079468) For projection in normal sized rooms.Item # RO18035P66......419.95AV-Xenotar 250mm f/4 (083653)For projection in large rooms.Item # RO2504P66........999.95AV-Xenotar 400mm f/4 (083655)For projection in extra largerooms.Item # RO4004P66.....1,499.95Vario-Heidosmat110-160mm f/3.5 (079464)Zoom lens. For projection innormal sized rooms.Item # RO11016035P6..499.95The following lenses arerecommended for 35mm:60mm f/2.8, 85mm f/2.8,90mm f/2.4, 150mm f/2.8,250mm f/4.3 and 70-120mm f/3.5.CM 77/30 Magazines (084059)For 120 slides. Stored in easy-to-stack plastic boxes that holdtwo magazines.Item # ROST66Q.............34.95CM 55/50 Magazines (434302)For 35mm slides.Item # ROST35................15.95Storage Chest for21⁄4(6cm) Slide Trays (084058)Item # ROCSST66............13.95Slide TrayExtension Platform (026750)Lets you add more trays foruninterrupted presentations.Item # ROEP66DP.........109.95Remote Controlfor RC66 with Timer (084965)Item # RORC66................77.50Infrared Remote Control (083524)Wireless 4-channel remote unit.Item # RORCIR66.........229.9533' (10m) Extension forWired Remote Control (079529)Item # ROECRC66...........69.95Rigid Carrying Case (083995)Item # ROC66................169.95Stacking Kit for2 66 Projectors (084062)Item # ROSK66................48.50■The first medium-format slide projector withdirect drive technology. Slide claw, magazinetransport and focusing are all controlled viathe projector’s microprocessor and operatecompletely independently of each other. Withits contact-free sensors and robust drivecabling, the system is designed for absolutereliability, vibrationless operation and a longservice life■Slide formats 6x6, 4.5x6, 4x4cm and24x36mm projected from two different mag-azines■Convenient slide pre-sorting via a brightly litviewing window in the top of the projectorcasing■Variable fade technology provides fade-insand fade-outs at any place in the magazinewith durations of 0.1, 3 and 6 seconds. Thisalso allows effective switches between CUTand SOFT■All functions can be conveniently controlledvia the detachable IR remote control unit.■If a lamp fails, the standby lamp takes overimmediately■The memo button on the remote control letsyou mark up to 16 slides to be shown againat the end of your presentation■The timer lets you pre-select from three screentimes (4, 8 and 12 seconds) for an automaticprojection run■The preprogrammable autoreverse function(for slide range 1-60) provides automaticmagazine reverse transport and continuousprojection■The projector has sockets for audio slide pre-sentations and dissolve projection. Its V-24 PCinterface allows integration in a multimediaenvironment■An integral autofocus system with an overridefunction delivers optimum on-screen sharp-ness in seconds■Interval lighting comes on automatically whenthe projector is in standby mode before thepresentation and after the magazine run■The projector recognizes empty magazinecompartments, and a sliding shutter excludesunwanted lightLenses Slide Trays Remote ControlsMiscellaneous AccessoriesR O L E I V I S I O N 66 D U A L P504AccessoriesDigital Dissolve Control Unit MD230 (064862)Leisure and pro users now have all the possibilities of sophisticated slide pro-jection using modern dissolve technology offered by this digital control. The MD230 offers dissolve durations from hard cut to 99 seconds; reversible,accelerated, slowed down and frozen dissolves; independent fade-ins and fade-outs on either projector; forward and reverse slide change; flashing effect at four speeds and three different intervals; variable lamp brightness from 0 to 100%; and written documentation of the program memory content via RS 232 serial interface.The unit also offers a 40-channel infrared remote to control all projection and remote functions in the direct mode from a distance of about 33ft.(10m). The MD230's memory has a capacity of up to 4 shows with as many as 600 commands each. Data can be deleted, modified or added to as needed.The MD230's tape control encodes all input commands and sync information as digital interference-proof signals–resulting in reliable picture/audio play-back and ease of operation. The dimensions are 8.5 x 11 x 2˝ (22 x 28 x 5cm)It weighs 1.5 lbs. (0.7kg).Item # ROMD230......................................................................................1149.95Standard Cable for MD-230 (098943)Item #ROCMD230..............37.95MD-230 Tape Recorder Cord for ITT (098944)Item #ROCITTMD230.......37.95MD-230 Tape Recorder Cord for Phillips (098967)Item #ROCPMD230...........37.95MD-230 Tape Recorder Cord for Uher (098968)Item #ROCUMD230...........37.95AC Cord for Rollei Projectors (083364)Item #ROACC.....................26.9524v/250w Halogen Lamp for 66 Projectors (085034)Item #ROL66Q....................19.95Lamp Extractorfor 66 Projectors (085060)Item # ROLE66.........11.9535mm Condenser (038530)Allows the use of 35mm slides with the Rolleivision 66 Dual P.Item # ROC35...........99.95Noblux 4x5 Projector (4001)110/220v with 280mm f/4 lens.Item # NOP45..............2997.50Noblar 360mm f/6.7 (4005)With interlaying adapter.Item # NO36067.................S.O.Noblar 420mm f/4 (4006)With interlaying adapter.Item # NO4204..............593.95Projector Case (8050)Item # NOCP.................449.95N O B L U X 4x 5Especially designed for the presentation of professional4x5 and panorama 6x12cm slides, the Noblux projector has a bright and sharp projected image with its inter-changeable Visolpan 280mm f/4 lens. A noise-reduced air cooler and heat-absorbtion filter protect your slides from overheating. These features allow the panorama and large format photographer to make the right presentation in the studio or at the client.All items are complete with all accessories as supplied by the manufacturerM A M I Y A P R O C A B I NPROJECTORS5056x7 format photographers can dazzle audiences withprojected images that show the life-like clarity andstunning detail of the larger medium format,thanks to the Mamiya Procabin 67Z MediumFormat Projector. Designed for the profes-sional who wants to dazzle editors and artdirectors, the 67Z will also be welcomed bylecturers who want to impress their audiences.The projector is compact, light and easilyportable. It accepts 85x85mm glass-mounted6x6 or 6x7cm transparencies in its drop-inslide holder. Conventional push-pull slidecarriers for 6x7, 6x6, 6x4.5cm and 35mm slidesare available as optional accessories. A filmstripcarrier for unmounted transparencies is also available.Procabin 67Z (601403)Item # CA67Z.........................................................................1,131.95Procabin 67Z w/200mm (601402)Same as above, but equipped with 200mm f/4.5 Cabin Projector lens.Item # CA67Z20045...............................................................1,399.00Procabin 67Z w/150mm (601401)Same as above, but equipped with 150mm f/3.5 Cabin Projector lens.Item # CA67Z15035...............................................................1,279.00150mm f/3.5 Cabin Projector Lens (601415)Item # CA15035..........................................................................209.95200mm f/4.5 Cabin Projector Lens (601416)Item # CA20045..........................................................................349.50 Procabin 67Z ProjectorsProcabin 67Z LensesTwin Slide Carrierfor 6x7cm (601421)Item # CATSC67...............89.95Twin Slide Carrierfor 6x6 and 6x4.5cm (601423)Item # CATSC66...............89.95120 FilmStrip Carrier (601427)Item # CAFSC120...........168.50300ws Lamp (601440)Item # CAL67Z..................27.95Procabin 67Z AccessoriesTwin Slide Carrier for 35mm (601425)Item # CATSC35...........................................................................89.95MamiyaProcabin67Z(601403)。
CIO-DAS80x产品说明书
ANALOG INPUTSA standard 37-pin 'D' type connector brings on board the analog signals of the CIO-DAS80x directly into an analog multiplexer. The multiplexer provides 8 channels of differential or single-ended input. For the CIO-DAS-801, CIO-DAS802, and CIO-DAS802-16 the choice ofsingle-ended or differential input is switch selectable on a channel-by-channel basis. The CIO-DAS800provides single-ended inputs only.A sample and hold circuit captures the signal that is converted by the A/D converter. The models with a 12-bit A/D converter provide a resolution of 1/4096 parts of full scale. The 16-bit models provide a resolution of 1/65,536 parts of full scale. The CIO-DAS801,CIO-DAS802 and CIO-DAS802-16also contain a programmable gain amplifier that allows the selection of different input ranges.Analog AccessoriesFor channel expansion beyond the base 8 channels, two external multiplexers are offered. The CIO-EXP16 and CIO-EXP32are sixteen and thirty-twochannel multiplexersrespectively. Besides offering additional channels, thesemultiplexers also providecold junction compensationfor use with thermocouple temperature sensors.SoftwareThe CIO-DAS800 series includes a complete test and calibration program. The program provides a step-by-step procedure forinstallingand configuring the card.It also creates a configuration file used by the optional Universal Library.The Universal Library is a setof I/O ibraries and drivers for those users creating their own custom programs.The Universal Library is compatible with most Windows based languages and supports the entire CIO family of boards.ߜ8 Analog Inputs ߜ7 Digital I/O ߜ3 Countersߜ256 Sample BufferThe CIO-DAS800 series boards are multifunction analog and digital I/O boards for IBM PC and compatible computers. The boards install into a standard 8- or 16-bit ISA slot of any IBM PC or compatible computer.The CIO-DAS800 is the next generation in the Popular DAS-08family. The CIO-DAS800 includes a number of enhancements over the traditional DAS-08 including higher sample rates, 256-sample FIFO,enhanced triggering and improved channel sequencer. The four different models in the family are shown in the table below.CIO-DAS800,$549, shown smaller than actual sizeCIO-DAS800 SeriesLow-Cost 8-Channel Multifunction Plug-In BoardCIO-DAS801, $649,shown smaller than actual size$549Basic Unitdriver works in conjunction withCIO-DAS802-16, $839, shown smaller than actual sizeMOST POPULARMODELS HIGHLIGHTED12-bit (CIO-DAS800MULTI-FUNCTION CARDSCANADA www.omega.ca Laval(Quebec)1-800-TC-OMEGA UNITEDKINGDOM Manchester,England0800-488-488GERMANY www.omega.deDeckenpfronn,Germany************FRANCE www.omega.fr 088-466-342BENELUX www.omega.nl 0800-099-33-44UNITED STATES 1-800-TC-OMEGA Stamford,CT.CZECH REPUBLIC www.omegaeng.cz Karviná,Czech Republic596-311-899TemperatureCalibrators, Connectors, General Test and Measurement Instruments, Handheld Instruments for Temperature Measurement, Ice Point References, Indicating Labels,Crayons, Cements and Lacquers, Infrared Temperature Measurement Instruments, Recorders, Relative Humidity Measurement Instruments, PT100 Probes, PT100 Elements,Temperature & Process Meters, Timers and Counters,Temperature and Process Controllers and Power Switching Devices, Thermistor Elements, Probes and Assemblies,Thermocouples, Thermowells and Head and WellAssemblies, Transmitters, Thermocouple Wire, RTD ProbesPressure,Strain and ForceDisplacement Transducers, Dynamic Measurement Force Sensors, Instrumentation for Pressure and StrainMeasurements, Load Cells, Pressure Gauges, PressureReference Section, Pressure Switches, Pressure Transducers,Proximity Transducers, Regulators, Pressure Transmitters,Strain Gauges, Torque Transducers, ValvespH and ConductivityConductivity Instrumentation,Dissolved OxygenInstrumentation,Environmental Instrumentation,pH Electrodes and Instruments,Water and Soil Analysis InstrumentationHeatersBand Heaters,Cartridge Heaters,Circulation Heaters,Comfort Heaters,Controllers,Meters and SwitchingDevices,Flexible Heaters,General Test and Measurement Instruments,Heater Hook-up Wire,Heating Cable Systems,Immersion Heaters,Process Air and Duct,Heaters,Radiant Heaters,Strip Heaters,Tubular HeatersFlow and LevelAir Velocity Indicators,Doppler Flowmeters,LevelMeasurement,Magnetic Flowmeters,Mass Flowmeters,Pitot Tubes,Pumps,Rotameters,Turbine and Paddle Wheel Flowmeters,Ultrasonic Flowmeters,Valves,Variable Area Flowmeters,Vortex Shedding FlowmetersData AcquisitionAuto-Dialers and Alarm Monitoring Systems,Communication Products and Converters,Data Acquisition and Analysis Software,Data LoggersPlug-in Cards,Signal Conditioners,USB,RS232,RS485and Parallel Port Data Acquisition Systems,Wireless Transmitters and Receivers。