情随笔转——线条艺术的情感魅力

天津美术学院

硕士学位论文

情随笔转——线条艺术的情感魅力

姓名：李子晶

申请学位级别：硕士

专业：美术学

指导教师：刘泉义

20090401

情随笔转

—线条艺术的情感魅力

【中文摘要】线条是绘画的基本元素，不论中西方，线条都是画家在艺术表现中的重要手段之一。在当代有些人忽视线条的精神性和情感性，画面中那些死板、平淡无味的线条感动不了自己更感动不了观者。有句话为：形为心之象。所以线条不仅表现物象，是其轮廓线，而且也要传达画家自己的主观情感。本文以情感为主线，以线条的情感在作品中的表现为主要依据，结合文字资料辅助论述。通过对情感本身以及线条自身形态的情感性表达的梳理，主要分析了线条的情感性在中国画当中的体现，从线条的书写性、艺术家修养、经历和所处时代、地域的关系等方面来全面分析线条在绘画中的情感表现及艺术特色。最后通过分析中西线条的造型观、美学观念和思维方式的差异来阐述线条的情感表达在不同国家绘画艺术中的运用。从而更清楚的理解绘画中各种线条的情感精神，解读其丰富的情感因素。

【关键词】线条；情感；中国画；心性；抒情达意

【关键词】线条；情感；中国画；心性；抒情达意

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ZiJing Li (A study of techniques of the fine brushwork figure painting)

Directed by QuanYi Liu

【Abstract】Lines, essential elements of the painting, are employed by both the Chinese and Western painters as the important means to express art. In the present age, some painters ignore the spirit and emotion of lines, and therefore, those rigid and dull lines in their works cannot move audiences as well as themselves. A saying has it that the image is the reflection of the heart. Hence, lines not only present images, as the outlines of which, but also convey subjective emotions of painters themselves. This thesis takes emotion as the main line and the manifestation of

lines’emotion in the works as the primary basis to provide the discussion with the assistance of written materials. Through organizing emotion itself and the emotional expression of lines’own patterns, the thesis mainly analyzes the embodiment of lines’emotion in traditional Chinese paintings; it offers a comprehensive analysis of the emotional manifestation and artistic features of lines in the painting from the aspects of the writting quality of lines, the relationship between the accomplishment and the experience of artists and times and regions they live in ,and so on; finally, by means of analysing differences between Chinese and Western lines from the perspectives of the formation, the art as well as the mode of thinking, it expounds the application of lines’emotional expression in the painting art of different countries, and thus gives a clearer understanding of various lines’emotional spirit in the painting and decodes the rich emotional factor of lines.

【key word】lines;emotion;the traditional Chinese painting; the disposition; expressing ideas and feelings.

【key word】lines;emotion;the traditional Chinese painting; the disposition; expressing ideas and feelings.

引 言

线是一种最简洁、最便利的绘画形式，是绘画最基本的造型手段之一，也是构成视觉艺术形象的一种基本的形式因素。从涂鸦的孩童到艺术大师都离不开线的运用。线条是绘画中人们认识和反映自然形态时最概括、最简明的表现形式。东西方最早的绘画都是用线来表现的，在绘画艺术多元化发展的今天，线条依然是绘画中最具表现力的因素。

线具有两大功能：一是作为造型的元素和手段，即“以线造型”；二是抒情达意，即“以线传情”，也就是说线充当了传达表现创作主体情感的媒介。自然界物质本身不存在线，人们经过思维、分析、提炼出“线”来作为表现物象形体、结构的符号。线的艺术价值，在于不仅恰当的表现出客观对象的本质特征，而且也能真实的表达出作者的思想、感情，是能将物象转换出意味并能直接体现情感的符号。这样的线，方能成为“有意味、有内涵的形式”。所以线条不只是轮廓线，而且是画家情感波动的记录，是画家反映在画面中的心境。