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了不起的盖茨比第七章英语单词知乎

了不起的盖茨比第七章英语单词知乎

了不起的盖茨比第七章英语单词知乎以下是《了不起的盖茨比》第七章中出现的一些单词及其用法解释:1. Debauch: (verb) to corrupt morally or by intemperance or sensuality.Example: The wild party in Gatsby's mansion was filled with debauchery and excess.2. Sotto voce: (adverb) in a low voice, or in an undertone.Example: Jordan spoke to Nick sotto voce, revealing a secret that nobody else could hear.3. Affront: (verb) to insult intentionally.Example: Tom felt affronted when Gatsby openly declared his love for Daisy.4. Elude: (verb) to evade or escape from, as by daring, cleverness, or skill.Example: Despite all efforts, the truth about Gatsby's past eluded everyone.5. Nebulous: (adjective) hazy, vague, indistinct, or confused.Example: Gatsby's actual identity remained nebulous to many of his party guests.6. Meretricious: (adjective) alluring by a show of flashy or vulgar attractions, but often without real value.Example: Daisy was not impressed by the meretricious displays of wealth at Gatsby's parties.7. Contemptuous: (adjective) showing or expressing contempt or disdain; scornful.Example: Tom looked at Gatsby with a contemptuous expression, as he considered him a social climber.8. Ineffable: (adjective) incapable of being expressed or described in words; inexpressible.Example: Daisy experienced an ineffable sense of longing when Gatsby took her for a drive in his fancy car.9. Ramification: (noun) a consequence or implication; a branching out.Example: The ramification of Gatsby's obsession with Daisy was the destruction of his own life.10. Libertine: (noun) a person who is morally or sexually unrestrained, especially a dissolute man.Example: Gatsby was often seen as a libertine, indulging in extravagant parties and relationships.11. Sluggish: (adjective) displaying slow or lazy movements or responses.Example: The sluggish summer heat made everyone at the party feel lethargic and unmotivated.12. Pander: (verb) to cater to the lower tastes or base desires of others.Example: Gatsby's extravagant parties were seen by some as an attempt to pander to the desires of the wealthy elite.13. Incarnation: (noun) a particular physical form or state; a concrete or actual form of a quality or concept.Example: Gatsby believed that he could recreate himself into an incarnation of the man Daisy truly desired.14. Inexplicable: (adjective) unable to be explained or accounted for.Example: Daisy's sudden attraction towards Gatsby seemed inexplicable to many, considering their past.15. Insidious: (adjective) proceeding in a gradual, subtle way, but with harmful effects.Example: Tom warned Daisy about Gatsby's insidious intentions, accusing him of trying to steal her away.16. Supercilious: (adjective) behaving or looking as though one thinks they are superior to others; arrogant.Example: Tom's supercilious attitude towards Gatsby was evident in his condescending mannerisms.17. Saunter: (verb) to walk in a slow, relaxed, and confident manner.Example: Gatsby sauntered across the lawn towards Daisy, trying to appear nonchalant.18. Harrowed: (adjective) distressed or disturbed.Example: Gatsby's harrowed expression revealed the emotional turmoil he was experiencing.19. Truculent: (adjective) eager or quick to argue or fight; aggressively defiant.Example: Tom showed his truculent nature when he confronted Gatsby about his relationship with Daisy.20. Portentous: (adjective) of or like a portent; foreboding; full of unspecified meaning.Example: The dark clouds and thunderous sky seemed portentous, as if something significant was about to happen.21. Gaudiness: (noun) the quality of being tastelessly showy or overly ornate.Example: Despite the gaudiness of Gatsby's mansion, the guests were drawn to its opulence.22. Indiscernible: (adjective) impossible to see or clearly distinguish.Example: In the chaos of the party, individual voices became indiscernible and blended into a cacophony.23. Intermittent: (adjective) occurring at irregular intervals; not continuous or steady.Example: The intermittent rain throughout the night dampened the enthusiasm of the party guests.24. Stratum: (noun) a layer or a series of layers of rock in the ground.Example: Gatsby tried to climb the social stratum, hoping to be accepted by the upper class.25. Harlequin: (noun) a character in traditional pantomime; a buffoon.Example: Gatsby's harlequin smile hid the sadness and longing he felt for Daisy.26. Disconcerting: (adjective) causing one to feel unsettled or disturbed.Example: Daisy's disconcerting confession about her true feelings left Gatsby feeling disoriented and hurt.请注意,以上的双语例句是根据所给的单词和上下文进行编写的,但并非《了不起的盖茨比》中的原文。

Midnight Visitor

Midnight Visitor
3. 尽管对于本次间谍活动他倍感失望和受挫,但 是他低声地鼓励自己。(an adverbial clause by as)
WB T L E
Midnight Visitor Comprehensive Reading
Translation
4. 这部喜剧如此神秘和浪漫,看完几天后 还能够感受到当时的那种兴奋。( so…that)
WB T L E
Unit 4 Midnight Visitor
Midnight Visitor Lead-in Activity
some famous secret service/intelligence agencies
MI6 (Military Intelligence 6) 英国陆军情报六局 简称军情六局 1909 Oxford & Cambridge
WB T L E
Midnight Visitor Lead-in Activity
You're expected to answer the following qustions after watching the video.
What is the most likely job for this man?
Setting: a French hotel room Protagonists: Ausable, Fowler, Max and a waiter
WB T L E
Midnight Visitor Comprehensive Reading
Structure of the text
Part 1
CIA (Central Intelligence Administration) 美国中央情报局 1947 president Truman

惠普彩色激光打印机 Pro M454 和惠普彩色激光多功能一体机 Pro M479 维修手册说明书

惠普彩色激光打印机 Pro M454 和惠普彩色激光多功能一体机 Pro M479 维修手册说明书

Table -1 Revision history Revision number 1
Revision date 6/2019
Revision notes HP LaserJet Pro M454 HP LaserJet Pro MFP M479 Repair manual initial release
Additional service and support for HP internal personnel HP internal personnel, go to one of the following Web-based Interactive Search Engine (WISE) sites: Americas (AMS) – https:///wise/home/ams-enWISE - English – https:///wise/home/ams-esWISE - Spanish – https:///wise/home/ams-ptWISE - Portuguese – https:///wise/home/ams-frWISE - French Asia Pacific / Japan (APJ) ○ https:///wise/home/apj-enWISE - English ○ https:///wise/home/apj-jaWISE - Japanese ○ https:///wise/home/apj-koWISE - Korean ○ https:///wise/home/apj-zh-HansWISE - Chinese (simplified)
Find information about the following topics ● Service manuals ● Service advisories ● Up-to-date control panel message (CPMD) troubleshooting ● Install and configure ● Printer specifications ● Solutions for printer issues and emerging issues ● Remove and replace part instructions and videos ● Warranty and regulatory information

了不起的盖茨比-CHAPTER TWO

了不起的盖茨比-CHAPTER TWO

PART 2
Characters introduction
Tom
Nick
Mrs.Wilson(Myrtle) Mr.Wilson McKees Catherine
The dog vendor
spousal relationship
McKees
Tom:
and his determination to have my company bordered on violence. 他硬要我陪他的做法近乎暴力行为 "Go and buy ten more dogs with it.” 给你钱。拿去再买十只狗。 “Daisy! Daisy! Daisy!” shouted Mrs. Wilson. “I’ll say it whenever I want to! Daisy! Dai——” Making a short deft movement, Tom Buchanan broke her nose with his open hand. "黛西!黛西!黛西!"威尔逊太太大喊大叫,"我什么时候想 叫就叫!黛西!黛……" 汤姆· 布坎农动作敏捷,伸出手一巴掌打破了威尔逊太太的鼻 子。
pride violence conceit self-righteousness but rational
Mrs.Wilson(Myrtle):
Mrs. Wilson gathered up her dog and her other purchases, and went haughtily in. 威尔逊太太向四周扫视一番,俨然一副皇后回宫的神气, 一面捧起小狗和其他买来的东西,趾高气扬地走了进去。 “I married him because I thought he was a gentleman,” she said finally. “I thought he knew something about breeding, but he wasn’t fit to lick my shoe.” "我嫁给了他,是因为我以为他是个上等人,"她最后说, "我以为他还有点教养,不料他连舔我的鞋都不配。"

The Da Vinci

The Da Vinci

MOVIE:The Da Vinci Code
The movie “the Da Vinci Code” in May 2006, the global synchronous movies (全球同步上映). Including starring (主演)Tom Hanks 、Jean Reno and so on. The film into the Louvre(卢浮宫) to shoot,has obtained(取得、 Louvre shoot has obtained 获得) good public praise (好口碑) and box office (票房).
The Da Vinci Code
Dan Brown
Author introduction
• Dan Brown,a famous
American writer ,graduated from university of Amherst,he used to be an English teacher .The 1996 years to start writing . He has introduced “the digital castle “(数字城堡), ”the hoax”(骗 局), “angels and demons” (天使与魔鬼), “the Da Vinci code”(达·芬奇密码) four novels。
Jean Reno
原题: 原题:Léon(法语),美国上映片名:The Professional (法语),美国上映片名:
《这个杀手不太冷》 这个杀手不太冷》
ห้องสมุดไป่ตู้
The Louvre
Venus
Mona Lisa

拉链门事件英文

拉链门事件英文

拉链门事件对政治信任的影响与启示
对政治信任的影响
• 拉链门事件导致美国民众对政治家的信任度下降 • 如:克林顿的支持率下降,民众对政治家的道德问题持 不同看法
对政治信任的启示
• 政治家需要建立良好的政治信任,以维护政治形象和公 信力 • 政治家需要加强与民众的沟通,以增进民众对政治的理 解和支持
THANK YOU FOR WATCHING
拉链门事件中当事人的心理状态
克林顿的心理状态
• 克林顿在事件中表现出较强的应变能力,试图平息事态 • 如:在拉链门事件中,克林顿多次公开道歉,试图挽回 形象
莱温斯基的心理状况
• 莱温斯基在事件中表现出一定的心理问题 • 如:担心自己的隐私被曝光,以及在媒体面前的压力
拉链门事件中公众的心理反应
美国民众对克林顿的道德问题持不同看法
1999年2月,参议院对弹劾条款进行表决,克林顿未被定 罪• 参议院以45票反对、55票赞成的结果,未能通过对克林顿的弹劾
• 克林顿完成了完整的总统任期
拉链门事件对克林顿政治生涯的影响
• 克林顿在拉链门事件后,虽然未被定罪,但形象受损 • 如:在2000年总统选举中,克林顿未能连任
04
拉链门事件背后的心理分析
03
拉链门事件发展过程
拉链门事件初期的曝光与回应
1998年1月,拉链门事件曝光
• 《华盛顿邮报》报道了克林顿与莱温斯基的亲密关系 • 克林顿在电视上首次回应,表示他与莱温斯基的接触是“不恰当的”,但否认有 性关系
1998年8月,克林顿在电视上否认与莱温斯基有性关系
• 克林顿在电视上公开否认与莱温斯基有性关系,称他们之间的接触是“完全合适的” • 莱温斯基在电视上首次回应,表示她与克林顿的接触是“真诚的”

The Drover's Wife小说原文

The Drover's Wife小说原文

The Drover's WifeThe two-roomed house is built of round timber, slabs, and stringy-bark, and floored with split slabs. A big bark kitchen standing at one end is larger than the house itself, veranda included.Bush all around - bush with no horizon, for the country is flat. No ranges in the distance. The bush consists of stunted, rotten native apple-trees. No undergrowth. Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek. Nineteen miles to the nearest sign of civilisation - a shanty on the main road.The drover, an ex-squatter, is away with sheep. His wife and children are left here alone.Four ragged, dried-up-looking children are playing about the house. Suddenly one of them yells: "Snake! Mother, here's a snake!"The gaunt, sun-browned bushwoman dashes from the kitchen, snatches her baby from the ground, holds it on her left hip, and reaches for a stick."Where is it?""Here! Gone in the wood-heap;" yells the eldest boy - a sharp-faced urchin of eleven. "Stop there, mother! I'll have him. Stand back! I'll have the beggar!""Tommy, come here, or you'll be bit. Come here at once when I tell you, you little wretch!"The youngster comes reluctantly, carrying a stick bigger than himself. Then he yells, triumphantly:"There it goes -under the house!" and darts away with club uplifted. At the same time the big, black, yellow-eyed dog-of-all-breeds, who has shown the wildest interest in the proceedings, breaks his chain and rushes after that snake. He is a moment late, however, and his nose reaches the crack in the slabs just as the end of its tail disappears. Almost at the same moment the boy's club comes down and skins the aforesaid nose. Alligator takes small notice of this, and proceeds to undermine the building; but he is subdued after a struggle and chained up. They cannot afford to lose him.1 >Page 2 of 9The drover's wife makes the children stand together near the dog-house while she watches for the snake. She gets two small dishes of milk and sets them down near the wall to tempt it to come out; but an hour goes by and it does not show itself.It is near sunset, and a thunderstorm is coming. The children must be brought inside. She will not take them into the house, for she knows the snake is there, and may at any moment come up through a crack in the rough slab floor; so she carries several armfuls of firewood into the kitchen, and then takes the children there. The kitchen has no floor - or, rather, an earthen one - called a "ground floor" in this part of the bush. There is a large, roughly-made table in the centre of the place. She brings the children in, and makes them get on this table. They are two boys and two girls -mere babies. She gives some supper, and then, before it gets dark, she goes into house, and snatches up some pillows and bedclothes - expecting to see or lay or hand on the snake any minute. She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.She has an eye on the corner, and a green sapling club laid in readiness on thedresser by her side; also her sewing basket and a copy of the Young Ladies' Journal. She has brought the dog into the room.Tommy turns in, under protest, but says he'll lie awake all night and smash that blinded snake.His mother asks him how many times she has told not to swear.He has his club with him under the bedclothes, and Jacky protests:"Mummy! Tommy's skinnin' me alive wif his club. Make him take it out."Tommy: "Shet up you little ---! D'yer want to be bit with the snake?"Jacky shuts up."If yer bit," says Tommy, after a pause, "you'll swell up, an smell, an' turn red an' green an' blue all over till yer bust. Won't he mother?""Now then, don't frighten the child. Go to sleep," she says.The two younger children go to sleep, and now and then Jacky complains of being "skeezed." More room is made for him. Presently Tommy says: "Mother! Listen to them (adjective) little possums. I'd like to screw their blanky necks."And Jacky protests drowsily."But they don't hurt us, the little blanks!"Mother: "There, I told you you'd teach Jacky to swear." But the remark makesher smile. Jacky goes to sleep.Presently Tommy asks:"Mother! Do you think they'll ever extricate the (adjective) kangaroo?""Lord! How am I to know, child? Go to sleep.""Will you wake me if the snake comes out?""Yes. Go to sleep."Near midnight. The children are all asleep and she sits there still, sewing and reading by turns. From time to time she glances round the floor and wall-plate, and, whenever she hears a noise, she reaches for the stick. The thunderstorm comes on, and the wind, rushing through the cracks in the slab wall, threatens to blow out her candle. She places it on a sheltered part of the dresser and fixes up a newspaper to protect it. At every flash of lightning, the cracks between the slabs gleam like polished silver. The thunder rolls, and the rain comes down in torrents.Alligator lies at full length on the floor, with his eyes turned towards the partition. She knows by this that the snake is there. There are large cracks in that wall opening under the floor of the dwelling-house.< 3 >Page 4 of 9She is not a coward, but recent events have shaken her nerves. A little son of her brother-in-law was lately bitten by a snake, and died. Besides, she has not heard from her husband for six months, and is anxious about him.He was a drover, and started squatting here when they were married. The drought of 18--ruined him. He had to sacrifice the remnant of his flock and go droving again. He intends to move his family into the nearest town when he comes back, and, in the meantime, his brother, who keeps a shanty on the main road, comes over about once a month with provisions. The wife has still a couple of cows, one horse, and a few sheep. The brother-in-law kills one of the latter occasionally, gives her what she needs of it, and takes the rest in return for other provisions.She is used to being left alone. She once lived like this for eighteen months. As a girl she built the usual castles in the air; but all her girlish hopes and aspirations have long been dead. She finds all the excitement and recreation she needs in the Young Ladies' Journal, and Heaven help her! Takes a pleasure in the fashion plates.Her husband is an Australian, and so is she. He is careless, but a good enough husband. If he had the means he would take her to the city and keep her there like a princess. They are used to being apart, or at least she is. "No use fretting," she says. He may forget sometimes that he is married; but if he has a good cheque when he comes back he will give most of it to her. When he had money he took her to the city several times - hired a railway sleeping compartment, and put up at the best hotels. He also bought her a buggy, but they had to sacrifice that along with the rest.The last two children were born in the bush -one while her husband was bringing a drunken doctor, by force, to attend to her. She was alone on this occasion, and very weak. She had been ill with fever. She prayed to God to send her assistance. God sent Black Mary - the "whitest" gin in all the land. Or, at least, God sent King Jimmy first, and he sent Black Mary. He put his black face round the door post, took in the situation at a glance, and said cheerfully: "All right, missus -I bring my old woman, she down along a creek."One of the children died while she was here alone. She rode nineteen miles forassistance, carrying the dead child.It must be near one or two o'clock. The fire is burning low. Alligator lies with his head resting on his paws, and watches the wall. He is not a very beautiful dog, and the light shows numerous old wounds where the hair will not grow. He is afraid of nothing on the face of the earth or under it. He will tackle a bullock as readily as he will tackle a flea. He hates all other dogs - except kangaroo-dogs - and has a marked dislike to friends or relations of the family. They seldom call, however. He sometimes makes friends with strangers. He hates snakes and has killed many, but he will be bitten some day and die; most snake-dogs end that way.Now and then the bushwoman lays down her work and watches, and listens, and thinks. She thinks of things in her own life, for there is little else to think about.The rain will make the grass grow, and this reminds her how she fought a bush-fire once while her husband was away. The grass was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband's trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his "mummy." The fire would have mastered her but for four excited bushmen who arrived in the nick of time. It was a mixed-up affair all round; when she went to take up the baby he screamed and struggled convulsively, thinking it was a "blackman;" and Alligator, trusting more to the child's sense than his own instinct, charged furiously, and (being old and slightly deaf) did not in his excitement at first recognize his mistress's voice, but continued to hang on to the moleskins until choked off by Tommy with a saddle-strap. The dog's sorrow for his blunder, and his anxiety to let it be known that it was all a mistake, was as evident as his ragged tail and a twelve-inch grin could make it. It was a glorious time for the boys; a day to look back to, and talk about, and laugh over for many years.< 5 >Page 6 of 9She thinks how she fought a flood during her husband's absence. She stood for hours in the drenching downpour, and dug an overflow gutter to save the dame across the creek. But she could not save it. There are things that a bushwoman cannot do. Next morning the dam was broken, and her heart was nearly broken too, for she thought how her husband would feel when he came home and saw the result of years of labour swept away. She cried then.She also fought the pleuro-pneumonia - dosed and bled the few remaining cattle, and wept again when her two best cows died.Again, she fought a mad bullock that besieged the house for a day. She made bullets and fired at him through cracks in the slabs with an old shot-gun. He was dead in the morning. She skinned him and got seventeen-and-sixpence for the hide.She also fights the crows and eagles that have designs on her chickens. He plan of campaign is very original. The children cry "Crows, mother!" and she rushes out and aims a broomstick at the birds as though it were a gun, and says "Bung!" The crows leave in a hurry; they are cunning, but a woman's cunning is greater.Occasionally a bushman in the horrors, or a villainous-looking sundowner, comes and nearly scares the life out of her. She generally tells the suspicious-looking stranger that her husband and two sons are at work below the dam, or over at the yard, for he always cunningly inquires for the boss.Only last week a gallows-faced swagman - having satisfied himself that there were no men on the place -threw his swag down on the veranda, and demanded tucker. She gave him something to eat; then he expressed the intention of staying forthe night. It was sundown then. She got a batten from the sofa, loosened the dog, and confronted the stranger, holding the batten in one hand and the dog's collar with the other. "Now you go!" she said. He looked at her and at the dog, said "All right, mum," in a cringing tone and left. She was a determined-looking woman, and Alligator's yellow eyes glared unpleasantly -besides, the dog's chawing-up apparatus greatly resembled that of the reptile he was named after.She has few pleasures to think of as she sits here alone by the fire, on guard against a snake. All days are much the same for her; but on Sunday afternoon she dresses herself, tidies the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her. She does this every Sunday. She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city. There is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees - that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail -and farther.But this bushwoman is used to the loneliness of it. As a girl-wife she hated it, but now she would feel strange away from it.She is glad when her husband returns, but she does not gush or make a fuss about it. She gets him something good to eat, and tidies up the children.She seems contented with her lot. She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the development of the "womanly" or sentimental side of nature.It must be nearing morning now; but the clock is in the dwelling-house. Hercandle is nearly done; she forgot that she was out of candles. Some more wood must be got to keep the fire up, and so she shuts the dog inside and hurries around to the woodheap. The rain has cleared off. She seizes a stick, pulls it out, and - crash! The whole pile collapses.Yesterday she bargained with a stray blackfellow to bring her some wood, and while he was at work she went in search of a missing cow. She was absent an hour or so, and the native black made good use of his time. On her return she was so astonished to see a good heap of wood by the chimney, and she gave him an extra fig of tobacco, and praised him for not being lazy. He thanked her, and left with head erect and chest well out. He was the last of his tribe and a King; but he had built that wood-heap hollow.< 7 >Page 8 of 9She is hurt now, and tears spring to her eyes as she sits down again by the table. She takes up a handkerchief to wipe the tears away, but pokes her eyes with her bare fingers instead. The handkerchief is full of holes, and she finds that she has put here thumb through one, and her forefinger through another.This makes her laugh, to the surprise of the dog. She has a keen, very keen, sense of the ridiculous; and some time or other she will amuse bushmen with the story.She has been amused before like that. One day she sat down "to have a good cry," as she said - and the old cat rubbed against her dress and "cried too." Then she had to laugh.It must be near daylight now. The room is very close and hot because of the fire. Alligator still watches the wall from time to time. Suddenly he becomes greatlyinterested; he draws himself a few inches nearer the partition, and a thrill runs though his body. The hair on the back of neck begins to bristle, and the battle-light is in his yellow eyes. She knows what this means, and lays her hand on the stick. The lower end of one of the partition slabs has a large crack on both sides. An evil pair of small, bright bead-like eyes glisten at one of these holes. The snake - a black one - comes slowly out, about a foot, and moves its head up and down. The dog lies still, and the woman sits as one fascinated. The snake comes out a foot further. She lifts her stick, and the reptile, as though suddenly aware of danger, sticks his head in through the crack on the other side of the slab, and hurries to get his tail round after him. Alligator springs, and his jaws come together with a snap. He misses, for his nose is large, and the snake's body close down on the angle formed by the slabs and the floor. He snaps again as the tail comes round. He has the snake now, and tugs it out eighteen inches. Thud, thud. Alligator gives another pull and he has the snake out - a black brute, five feet long. The head rises to dart about, but the dog has the enemy close to the neck. He is a big, heavy dog, but quick as a terrier. He shakes the snake as though he felt the original curse in common with mankind. The eldest boy wakes up, seizes his stick, and tries to get out of bed, but his mother forces him back with a grip of iron. Thud, thud - the snake's back is broken in several places. Thud, thud - it's head is crushed, and Alligator's nose skinned again.She lifts the mangled reptile on the point of her stick, carries it to the fire, and throws it in; then piles on the wood and watches the snake burn. The boy and the dog watch too. She lays her hand on the dog's head, and all the fierce, angry light dies out of his yellow eyes. The younger children are quieted, and presently go to sleep. The dirty-legged boy stands for a moment in his shirt, watching the fire. Presently he looks up at her, sees the tears in her eyes, and, throwing his arms around her neck exclaims:"Mother, I won't never go drovin' blarst me if I do!"And she hugs him to her worn-out breast and kisses him; and they sit thustogether while the sickly daylight breaks over the bush.。

对马克吐温的评价英文

对马克吐温的评价英文

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文档下载后可定制修改,请根据实际需要进行调整和使用,谢谢!并且,本店铺为大家提供各种类型的经典资料,如办公资料、职场资料、生活资料、学习资料、课堂资料、阅读资料、知识资料、党建资料、教育资料、其他资料等等,想了解不同资料格式和写法,敬请关注!Download tips: This document is carefully compiled by this editor. I hope that after you download it, it can help you solve practical problems. The document can be customized and modified after downloading, please adjust and use it according to actual needs, thank you!And, this store provides various types of classic materials for everyone, such as office materials, workplace materials, lifestyle materials, learning materials, classroom materials, reading materials, knowledge materials, party building materials, educational materials, other materials, etc. If you want to learn about different data formats and writing methods, please pay attention!对马克吐温的评价英文名人的故事伴随着我们成长。

tickets please!(译文)

tickets please!(译文)

Tickets, Please!请给我票!D. H. Lawrence劳伦斯1919There is in the Midlands a single-line system of tramcars which boldly leaves the county town and plunges off into the black, industrial countryside, up hill and down dale, through the long, ugly villages of workmen's houses, over canals and railways, past churches perched high and nobly over the smoke and shadows, through dark, grimy, cold little market-places, tilting away in a rush past cinemas and shops down to the hollow where the collieries are, then up again, past a little rural church under the ash-trees, on in a rush to the terminus, the last little ugly place of industry, the cold little town that shivers on the edge of the wild, gloomy country beyond. There the blue and creamy coloured tramcar seems to pause and purr with curious satisfaction. But in a few minutes—the clock on the turret of the Co-operative Wholesale Society's shops gives the time—away itstarts once more on the adventure. Again there are the reckless swoops downhill, bouncing the loops; again the chilly wait in the hill-top market-place: again the breathless slithering round the precipitous drop under the church: again the patient halts at the loops, waiting for the outcoming car: so on and on, for two long hours, till at last the city looms beyond, the fat gasworks, the narrow factories draw near, we are in the sordid streets of the great town, once more we sidle to a standstill at our terminus, abashed by the great crimson and cream-coloured city cars, but still jerky, jaunty, somewhat daredevil, green as a jaunty sprig of parsley out of a black colliery garden.在中部地区,有一个单一的有轨电车系统,它大胆地离开县城,进入黑色的工业乡村,上山下谷,穿过长长的、丑陋的工人住宅村庄,穿过运河和铁路,穿过高高耸立的教堂,穿过烟雾和阴影,穿过黑暗、肮脏和阴暗,寒冷的小市场,从电影院和商店蜂拥而至,来到煤矿所在的山谷,然后再向上,经过灰树下的一座小乡村教堂,奔向终点站,工业的最后一个丑陋的小地方,一个寒冷的小镇,在远处荒凉、阴暗的乡村边缘颤抖。

The call of the wild

The call of the wild

The Call of the Wild
• The Call of the Wild is a novel by American author Jack London published in 1903. The story takes place in the Yukon at the time of the 19th-century Klondike Gold Rush when strong sled dogs were in high demand. A dog named Buck is the central character, who at the beginning of the story is domesticated, but when he is snatched from a ranch in California and sold into the brutal life of an Alaskan sled dog he reverts to more atavistic traits. Buck is forced to adjust and survive the cruel treatment, fight to dominate other dogs, and survive in a harsh climate. Eventually he sheds the veneer of civilization, relies on primordial instincts and the lessons he has learned, to become a leader in the wild. • London lived for most of a year in the Yukon and gained from that experience material for the book. The story was serialized in the Saturday Evening Post in the summer of 1903 and released a month later in book form. The great popularity and success of the story made a reputation for London, with much of the story's appeal based on the simplicity with which he presented the themes in an almost mythical manner.

frankenstein英文版

frankenstein英文版

frankenstein英文版《Frankenstein》是一部由英国作家玛丽·雪莱(Mary Shelley)创作的经典小说。

这部小说于1818年首次出版,是一部著名的哥特式文学作品。

下面是《Frankenstein》的英文版简介。

Title: Frankenstein.Author: Mary Shelley.Publication Year: 1818。

Introduction:Frankenstein, written by Mary Shelley, is a Gothic novel that explores the themes of science, ambition, and the consequences of playing God. The story follows Victor Frankenstein, a young scientist who becomes obsessed with the idea of creating life. He successfully brings a creature to life, but is horrified by its monstrous appearance and abandons it. The creature, rejected bysociety, seeks revenge on its creator, leading to a tragic series of events.Summary:The novel begins with Captain Robert Walton's letters to his sister, detailing his journey to the North Pole. During his expedition, Walton encounters Victor Frankenstein, who shares his life story. Victor reveals his childhood, education, and his fascination with science, which ultimately leads him to create the creature.Victor's experiment is a success, but he is immediately repulsed by the creature's appearance and flees. The creature, left alone and rejected, struggles to find acceptance in society. It learns to read and speak, becoming increasingly intelligent and self-aware. The creature eventually confronts Victor, demanding that he create a companion for him, promising to leave society forever if his request is fulfilled.Victor initially agrees, but after contemplating thepotential consequences, he destroys the second creature before completing it. The enraged creature vows revenge and begins to kill those close to Victor. The two engage in a deadly pursuit across Europe, leading to the deaths of Victor's loved ones.In the end, Victor dies from exhaustion and illness, but not before expressing remorse for his actions. The creature, devastated by its creator's death, mourns over Victor's body and vows to end its own life. The novel concludes with Captain Walton's final letters, reflecting on the moral lessons learned from Victor's tragic tale.Themes:1. Ambition and the pursuit of knowledge: The novel explores the dangers of unchecked ambition and the consequences of pushing the boundaries of science.2. Nature versus nurture: The creature's actions raise questions about the influence of society and upbringing on an individual's behavior.3. Isolation and loneliness: Both Victor and the creature experience profound loneliness and isolation, highlighting the human need for companionship and acceptance.4. Responsibility and accountability: Victor grapples with the moral and ethical implications of his creation, raising questions about the responsibility of scientists and the consequences of their actions.Impact and Legacy:Frankenstein has had a significant impact on literature and popular culture. It is considered one of the earliest examples of science fiction and has inspired numerous adaptations in film, theater, and other forms of media. The novel's exploration of ethical and moral dilemmas continues to resonate with readers, making it a timeless and thought-provoking work.总结:《Frankenstein》是玛丽·雪莱创作的一部哥特式小说,探讨了科学、野心以及玩弄上帝力量的后果等主题。

unit1alandofdiversityperiod1warmingup课件

unit1alandofdiversityperiod1warmingup课件

2. Which stands for the USA?
A.
B.
National
Emblem (国徽)
C.
D.
3. Which city is the capital of the USA?
A. New York. B. Washington D.C.
C. Los Angeles. D. California.
C.
D.
14. Who is American?
A.
B.
Brazilian
British
Ronaldinho David Beckham
C.
French D.
Sophie Marceau Thomas Hanks
15. Put the following holidays into the correct order.
Answer: ocean on the east coast: Atlantic Ocean ocean on the west coast: Pacific Ocean country to the north of USA: Canada country to the south of USA: Mexico California: Southwestern USA
6. Which state is the largest one in the US?
A. New York.
B. Alaska.
C. California.
D. Florida.
7. _______ has the largest population in the
USA.
A. California
A.

当代商务英语综合教程1 Unit 16 The Midnight Visitor

当代商务英语综合教程1 Unit 16  The Midnight Visitor

raise the devil with the management this time; I am angry,” he said
grimly.“This is the second time in a month that somebody has gotten
into my room off that confounded balcony!” Fowler's eyes went to the
14
Text A The Midnight Visitor
Passage
19
“What will you do now, Max?” Ausable asked. “If I do not answer
the door, they will enter anyway. The door is unlocked. And they will not
Passage
3
“You are disappointed,” Ausable said wheezily over his shoulder.
“You were told that I was a secret agent, a spy, dealing in espionage and
danger. You thought I would have mysterious figures in the night, the crack
What is that? Who is at the door?”
17
Fowler jumped at the sudden knocking at the door. Ausable just
smiled, “That will be the police,” he said. “I thought that such an

了不起的盖茨比第七章英语单词知乎

了不起的盖茨比第七章英语单词知乎

了不起的盖茨比第七章英语单词知乎全文共3篇示例,供读者参考篇1The Vocabulary of Chapter 7 in The Great Gatsby by F. Scott FitzgeraldWhat's up, guys? It's your boi here with another round of vocab from the literary classic The Great Gatsby. This time we're diving into Chapter 7, so get ready for some wild times!Let's kick things off with "feign" (v.). In the chapter, Tom feigns drunkenness to provoke a reaction from the others. To feign means to pretend or put on an act. Like when your buddy feigns interest in that boring history lecture just to impress the cute girl in the front row. We've all been there, am I right?Next up is "reproach" (n.). Gatsby reproaches Tom for his unpardonable behavior, meaning he expresses criticism or censure. When your mom gives you that look of reproach after you failed another math test, you know you're in trouble!Get ready for some fancy vocabulary with "obsequious" (adj.). The butler shows an obsequious manner, so he's extremely respectful and compliant, almost to an excessive degree. Kindalike how we all act obsequious around our crushes, trying so hard to impress them. Smooth moves, my friends.Ooh, here's a good one: "little-tarnished" (adj.). Daisy's voice is described as "little-tarnished" by the dust of living. In other words, her voice has lost some of its shine or luster due to the challenges of life. Like when your brand new sneakers get a little tarnished after a few months of wear and tear. But hey, that's just character, right?Moving on to "indefensibly" (adv.). Tom's behavior is described as indefensibly, meaning it cannot be justified or excused. Like when you indefensibly ditch your study group to go party, and then bomb the final exam. Oops!Now, let's talk "disconcert" (v.). Gatsby's words disconcert Daisy, meaning they confuse or unsettle her. You know that feeling when your professor asks you a question in class, and you're just utterly disconcerted? Yeah, been there, done that.Ooh, here's a juicy one: "contralto" (n.). Daisy's voice is described as a contralto, which is the lowest female voice range. Think of those rich, sultry singers who just ooze confidence and charisma. Contralto voices are like vocal catnip for music lovers everywhere.Get ready for some high-level vocab with "sumptuous" (adj.). The rooms in Gatsby's mansion are described as sumptuous, meaning they're extremely luxurious and opulent. Kinda like how we all dream of living in a sumptuous penthouse suite with a killer view and a private jacuzzi. A guy can dream, right?Alright, let's keep it moving with "ineffable" (adj.). Daisy's voice is described as having an "ineffable charm," meaning its appeal or attractiveness is too great to be described or expressed in words. Like when you try to explain to your friends why you're so smitten with your latest crush, but the charm is just ineffable, you know?Last but not least, we've got "imputation" (n.). Gatsby makes an imputation on Tom's character, meaning he implies or suggests something negative about Tom's integrity or principles. Kinda like when your lab partner makes an imputation about your work ethic after you slacked off on that group project. Ouch, that stings!Well, there you have it, folks – a rundown of some of the most interesting and challenging vocabulary from Chapter 7 of The Great Gatsby. I hope this helps you not only understand the text better but also expand your own linguistic repertoire. Because let's be real, having a killer vocab is like having a secretweapon in your back pocket. It'll help you slay those essays, impress your professors, and maybe even catch the eye of that special someone. Just saying.Anyway, that's all for now. Stay classy, my friends, and keep those vocab skills sharp!篇2Title: The Vocabulary of Chapter 7 in The Great Gatsby ExploredChapter 7 of The Great Gatsby is an intense and pivotal chapter, filled with drama, conflict, and profound realizations. As a student deeply engaged with this literary masterpiece, I found the vocabulary used in this chapter to be particularly impactful and worth exploring in depth.One word that immediately caught my attention was "inexplicable" (adj.), used when Nick describes Gatsby's inexplicable conviction that Daisy would leave Tom for him. This word conveys a sense of mystery and perplexity, reflecting the enigmatic nature of Gatsby's unwavering belief in his romantic vision.The word "colossal" (adj.) is used to describe the magnitude of Gatsby's dreams and aspirations. It paints a picture ofsomething massive, grandiose, and awe-inspiring – a fitting description for the larger-than-life ambitions that drive Gatsby's pursuit of Daisy.When Gatsby's world comes crashing down, Nick describes it as a "grotesque" (adj.) situation, emphasizing the distorted and unnatural nature of the events unfolding. This word carries a sense of ugliness and distortion, perfectly capturing the jarring reality that contrasts with Gatsby's idealized dreams.As tensions escalate, Nick observes Tom's "supercilious" (adj.) manner, suggesting an air of arrogant superiority and disdain. This word effectively conveys Tom's haughty and condescending attitude, which serves as a catalyst for the brewing conflict.In a poignant moment, Nick remarks on Gatsby's "gorgeous" (adj.) imagination, celebrating the beauty and vividness of his romantic vision. This word not only highlights the allure of Gatsby's dreams but also underscores the contrast between his idealized world and the harsh realities he faces.When Gatsby's illusions are shattered, Nick describes him as being "stunned" (adj.), conveying a state of utter disbelief and shock. This word effectively captures the profound impact of Gatsby's disillusionment, as his carefully constructed dreams crumble around him.As the chapter reaches its climax, Nick notes the "desolate" (adj.) yards surrounding the scene, painting a picture of utter desolation and abandonment. This word reinforces the sense of isolation and emptiness that pervades the aftermath of the tragic events.Another powerful word used is "appalling" (adj.), employed when Nick condemns the careless behavior of Tom and Daisy. This word conveys a sense of shock, horror, and ethical outrage, underscoring the gravity of their actions and the moral implications they carry.Throughout the chapter, Nick's narration is punctuated by the word "incredulous" (adj.), describing his disbelief at the unfolding events. This word effectively captures the sense of astonishment and incredulity that permeates Nick's perspective as he witnesses the dramatic and unexpected turn of events.Finally, the word "immolate" (v.) is used when Nick describes Gatsby's dreams being immolated, evoking a sense of complete destruction and sacrifice. This powerful word not only emphasizes the finality of Gatsby's shattered illusions but also suggests a sense of ritual and martyrdom, elevating his romantic pursuit to a tragic and heroic level.These carefully chosen words by F. Scott Fitzgerald not only enrich the narrative but also serve to convey the depth of emotions, the complexity of characters, and the profound themes explored in this pivotal chapter. As a student, analyzing the vocabulary has deepened my appreciation for the author's masterful command of language and has heightened my understanding of the novel's resonant messages.篇3Title: Mind-Blowing Vocab from The Great Gatsby Chapter 7Yo wassup fam! It's your boy here dropping some serious knowledge about the fire vocab from Chapter 7 of the classic novel The Great Gatsby by F. Scott Fitzgerald. This chapter is an absolute linguistic goldmine, so strap yourselves in for a wild ride through some of the most lit words and phrases.Let's start with "reverberated" – this bad boy describes how the sound of taxi horns kept echoing off the walls, making mad noise pollution. It just reverberates in your brain, you know? Then we've got "stentorian" which means loud and powerful, like how that annoying guy at parties always tries to be the center of attention with his stentorian voice. Cringe.Moving on, "rareties" refers to rare and valuable things, like those limited edition kicks you waited months in line to cop. The "oblivious" seascape is how the ocean view is just chilling, not paying any attention to the drama going down. It's oblivious to the tea being spilled left and right, you feel me?Then we get hit with some deep words like "colossal" and "impending." Colossal means massively huge, like the finale battle in Avengers: Endgame was just colossal. And impending is something that's about to happen, that you can see coming from a mile away. Like when you know you're about to get roasted by your boys for stuttering in front of your crush. The humiliation is impending."Apprehensive" is a great word for feeling anxious and worried, especially about the future. I'm sure we all get apprehensive af thinking about our next calc test, am I right? "Grotesque" means something is ugly or distorted in an unnatural way. Like those grotesque faced water bottle lip fillers, sis needs to chill on that.I can't forget to shoutout "reproachful" which is when you're making someone feel guilty or remorseful for their actions. Your mom's reproachful look when you failed another class is just too much. Moving on to "disconcerted" which captures beingknocked off balance emotionally, like how I felt disconcerted after my boy snitched about my secret glo-up routine. Not cool bro.Okay, one of my absolute favorites is "ineffable" which refers to something being indescribable or too great to be expressed in words. Like the ineffable feeling of pure bliss when your Uber Eats finally arrives after a hollow two hour wait. Ineffable satisfaction.This next one is a wild flex - "preternatural" means something is beyond what is normal or natural. Like when you see someone's preternatural ability to sleep through their 8am lectures every single day without fail. Sh*t's not normal fam.I could go on and on, but I'll leave you with one last juicy vocab gem: "pathological" means related to or showing evidence of a mental or psychological disorder. Like your friend's pathological need to take a pic for the 'Gram every time y'all go out. Get some help sis, that ain't healthy.So there you have it people, a taste of the exotic af vocab flavors that Chapter 7 has to offer. If you haven't already read this book for your English class, I highly recommend you do. The writing may be from ages ago, but the wordplay is as current as Drake's latest album. Catch y'all on the flip!。

The Drover27s Wife小说原文

The Drover27s Wife小说原文

The Drover's WifeThe two-roomed house is built of round timber, slabs, and stringy-bark, and floored with split slabs. A big bark kitchen standing at one end is larger than the house itself, veranda included.Bush all around - bush with no horizon, for the country is flat. No ranges in the distance. The bush consists of stunted, rotten native apple-trees. No undergrowth. Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek. Nineteen miles to the nearest sign of civilisation - a shanty on the main road.The drover, an ex-squatter, is away with sheep. His wife and children are left here alone.Four ragged, dried-up-looking children are playing about the house. Suddenly one of them yells: "Snake! Mother, here's a snake!"The gaunt, sun-browned bushwoman dashes from the kitchen, snatches her baby from the ground, holds it on her left hip, and reaches for a stick."Where is it?""Here! Gone in the wood-heap;" yells the eldest boy - a sharp-faced urchin of eleven. "Stop there, mother! I'll have him. Stand back! I'll have the beggar!""Tommy, come here, or you'll be bit. Come here at once when I tell you, you little wretch!"The youngster comes reluctantly, carrying a stick bigger than himself. Then he yells, triumphantly:"There it goes - under the house!" and darts away with club uplifted. At the same time the big, black, yellow-eyed dog-of-all-breeds, who has shown the wildest interest in the proceedings, breaks his chain and rushes after that snake. He is a moment late, however, and his nose reaches the crack in the slabs just as the end of its tail disappears. Almost at the same moment the boy's club comes down and skins the aforesaid nose. Alligator takes small notice of this, and proceeds to undermine the building; but he is subdued after a struggle and chained up. They cannot afford to lose him.1 >Page 2 of 9The drover's wife makes the children stand together near the dog-house while she watches for the snake. She gets two small dishes of milk and sets them down near the wall to tempt it to come out; but an hour goes by and it does not show itself.It is near sunset, and a thunderstorm is coming. The children must be brought inside. She will not take them into the house, for she knows the snake is there, and may at any moment come up through a crack in the rough slab floor; so she carries several armfuls of firewood into the kitchen, and then takes the children there. The kitchen has no floor - or, rather, an earthen one - called a "ground floor" in this part of the bush. There is a large, roughly-made table in the centre of the place.She brings the children in, and makes them get on this table. They are two boys and two girls - mere babies. She gives some supper, and then, before it gets dark, she goes into house, and snatches up some pillows and bedclothes - expecting to see or lay or hand on the snake any minute. She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.She has an eye on the corner, and a green sapling club laid in readiness on the dresser by her side; also her sewing basket and a copy of the Young Ladies' Journal. She has brought the dog into the room.Tommy turns in, under protest, but says he'll lie awake all night and smash that blinded snake.His mother asks him how many times she has told not to swear.He has his club with him under the bedclothes, and Jacky protests:"Mummy! Tommy's skinnin' me alive wif his club. Make him take it out."Tommy: "Shet up you little ---! D'yer want to be bit with the snake?"Jacky shuts up."If yer bit," says Tommy, after a pause, "you'll swell up, an smell, an' turn red an' green an' blue all over till yer bust. Won't he mother?""Now then, don't frighten the child. Go to sleep," she says.The two younger children go to sleep, and now and then Jacky complains of being "skeezed." More room is made for him. Presently Tommy says: "Mother! Listen to them (adjective) little possums. I'd like to screw their blanky necks."And Jacky protests drowsily."But they don't hurt us, the little blanks!"Mother: "There, I told you you'd teach Jacky to swear." But the remark makes her smile. Jacky goes to sleep.Presently Tommy asks:"Mother! Do you think they'll ever extricate the (adjective) kangaroo?""Lord! How am I to know, child? Go to sleep.""Will you wake me if the snake comes out?""Yes. Go to sleep."Near midnight. The children are all asleep and she sits there still, sewing and reading by turns. From time to time she glances round the floor and wall-plate, and, whenever she hears a noise, she reaches for the stick. The thunderstorm comes on, and the wind, rushing through the cracks in the slab wall, threatens to blow out her candle. She places it on a sheltered part of the dresser and fixes up a newspaper to protect it. Atevery flash of lightning, the cracks between the slabs gleam like polished silver. The thunder rolls, and the rain comes down in torrents.Alligator lies at full length on the floor, with his eyes turned towards the partition. She knows by this that the snake is there. There are large cracks in that wall opening under the floor of the dwelling-house.< 3 >Page 4 of 9She is not a coward, but recent events have shaken her nerves. A little son of her brother-in-law was lately bitten by a snake, and died. Besides, she has not heard from her husband for six months, and is anxious about him.He was a drover, and started squatting here when they were married. The drought of 18-- ruined him. He had to sacrifice the remnant of his flock and go droving again. He intends to move his family into the nearest town when he comes back, and, in the meantime, his brother, who keeps a shanty on the main road, comes over about once a month with provisions. The wife has still a couple of cows, one horse, and a few sheep. The brother-in-law kills one of the latter occasionally, gives her what she needs of it, and takes the rest in return for other provisions.She is used to being left alone. She once lived like this for eighteen months. As a girl she built the usual castles in the air; but all her girlish hopes and aspirations have long been dead. She finds all the excitement and recreation she needs in the Young Ladies' Journal, and Heaven help her! Takes a pleasure in the fashion plates.Her husband is an Australian, and so is she. He is careless, but a good enough husband. If he had the means he would take her to the city and keep her there like a princess. They are used to being apart, or at least she is. "No use fretting," she says. He may forget sometimes that he is married; but if he has a good cheque when he comes back he will give most of it to her. When he had money he took her to the city several times - hired a railway sleeping compartment, and put up at the best hotels. He also bought her a buggy, but they had to sacrifice that along with the rest.The last two children were born in the bush - one while her husband was bringing a drunken doctor, by force, to attend to her. She was alone on this occasion, and very weak. She had been ill with fever. She prayed to God to send her assistance. God sent Black Mary - the "whitest" gin in all the land. Or, at least, God sent King Jimmy first, and he sent Black Mary. He put his black face round the door post, took in the situation at a glance, and said cheerfully: "All right, missus - I bring my old woman, she down along a creek."One of the children died while she was here alone. She rode nineteen miles for assistance, carrying the dead child.It must be near one or two o'clock. The fire is burning low. Alligator lies with his head resting on his paws, and watches the wall. He is not a very beautiful dog, and the light shows numerous old wounds where the hair will not grow. He is afraid of nothing on the face of the earth or under it. He will tackle a bullock as readily as he will tackle a flea. He hates all other dogs - except kangaroo-dogs - and has a marked disliketo friends or relations of the family. They seldom call, however. He sometimes makes friends with strangers. He hates snakes and has killed many, but he will be bitten some day and die; most snake-dogs end that way.Now and then the bushwoman lays down her work and watches, and listens, and thinks. She thinks of things in her own life, for there is little else to think about.The rain will make the grass grow, and this reminds her how she fought a bush-fire once while her husband was away. The grass was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband's trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his "mummy." The fire would have mastered her but for four excited bushmen who arrived in the nick of time. It was a mixed-up affair all round; when she went to take up the baby he screamed and struggled convulsively, thinking it was a "blackman;" and Alligator, trusting more to the child's sense than his own instinct, charged furiously, and (being old and slightly deaf) did not in his excitement at first recognize his mistress's voice, but continued to hang on to the moleskins until choked off by Tommy with a saddle-strap. The dog's sorrow for his blunder, and his anxiety to let it be known that it was all a mistake, was as evident as his ragged tail and a twelve-inch grin could make it. It was a glorious time for the boys; a day to look back to, and talk about, and laugh over for many years.< 5 >Page 6 of 9She thinks how she fought a flood during her husband's absence. She stood for hours in the drenching downpour, and dug an overflow gutter to save the dame across the creek. But she could not save it. There are things that a bushwoman cannot do. Next morning the dam was broken, and her heart was nearly broken too, for she thought how her husband would feel when he came home and saw the result of years of labour swept away. She cried then.She also fought the pleuro-pneumonia - dosed and bled the few remaining cattle, and wept again when her two best cows died.Again, she fought a mad bullock that besieged the house for a day. She made bullets and fired at him through cracks in the slabs with an old shot-gun. He was dead in the morning. She skinned him and got seventeen-and-sixpence for the hide.She also fights the crows and eagles that have designs on her chickens. He plan of campaign is very original. The children cry "Crows, mother!" and she rushes out and aims a broomstick at the birds as though it were a gun, and says "Bung!" The crows leave in a hurry; they are cunning, but a woman's cunning is greater.Occasionally a bushman in the horrors, or a villainous-looking sundowner, comes and nearly scares the life out of her. She generally tells the suspicious-looking stranger that her husband and two sons are at work below the dam, or over at the yard, for he always cunningly inquires for the boss.Only last week a gallows-faced swagman - having satisfied himself that there were no men on the place - threw his swag down on the veranda, and demanded tucker. She gave him something to eat; then he expressed the intention of staying for the night. It was sundown then. She got a batten from the sofa, loosened the dog, and confronted the stranger, holding the batten in one hand and the dog's collar with the other. "Now you go!" she said. He looked at her and at the dog, said "All right, mum," in a cringing tone and left. She was a determined-looking woman, and Alligator's yellow eyes glared unpleasantly - besides, the dog's chawing-up apparatus greatly resembled that of the reptile he was named after.She has few pleasures to think of as she sits here alone by the fire, on guard against a snake. All days are much the same for her; but on Sunday afternoon she dresses herself, tidies the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her. She does this every Sunday. She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city. There is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees - that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail - and farther.But this bushwoman is used to the loneliness of it. As a girl-wife she hated it, but now she would feel strange away from it.She is glad when her husband returns, but she does not gush or makea fuss about it. She gets him something good to eat, and tidies up the children.She seems contented with her lot. She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the development of the "womanly" or sentimental side of nature.It must be nearing morning now; but the clock is in the dwelling-house. Her candle is nearly done; she forgot that she was out of candles. Some more wood must be got to keep the fire up, and so she shuts the dog inside and hurries around to the woodheap. The rain has cleared off. She seizes a stick, pulls it out, and - crash! The whole pile collapses.Yesterday she bargained with a stray blackfellow to bring her some wood, and while he was at work she went in search of a missing cow. She was absent an hour or so, and the native black made good use of his time. On her return she was so astonished to see a good heap of wood by the chimney, and she gave him an extra fig of tobacco, and praised him for not being lazy. He thanked her, and left with head erect and chest well out. He was the last of his tribe and a King; but he had built that wood-heap hollow.< 7 >Page 8 of 9She is hurt now, and tears spring to her eyes as she sits down again by the table. She takes up a handkerchief to wipe the tears away, but pokes her eyes with her bare fingers instead. The handkerchief is full of holes, and she finds that she has put here thumb through one, and her forefinger through another.This makes her laugh, to the surprise of the dog. She has a keen, very keen, sense of the ridiculous; and some time or other she will amuse bushmen with the story.She has been amused before like that. One day she sat down "to have a good cry," as she said - and the old cat rubbed against her dress and "cried too." Then she had to laugh.It must be near daylight now. The room is very close and hot because of the fire. Alligator still watches the wall from time to time. Suddenly he becomes greatly interested; he draws himself a few inches nearer the partition, and a thrill runs though his body. The hair on the back of neck begins to bristle, and the battle-light is in his yellow eyes. She knows what this means, and lays her hand on the stick. The lower end of one of the partition slabs has a large crack on both sides. An evil pair of small, bright bead-like eyes glisten at one of these holes. The snake - a black one - comes slowly out, about a foot, and moves its head up and down. The dog lies still, and the woman sits as one fascinated. The snake comes out a foot further. She lifts her stick, and the reptile, as though suddenly aware of danger, sticks his head in through the crack on the other side of the slab, and hurries to get his tail round after him. Alligator springs, and his jaws come together with a snap. He misses, for his nose is large, and the snake's body close down on the angle formed by the slabs and the floor. He snaps again as the tail comes round. He has the snake now, and tugs it out eighteen inches. Thud, thud. Alligator gives another pull and he has the snake out - a black brute, five feet long. The head rises to dart about, but the dog has the enemy close to the neck. He is a big, heavy dog, but quick as a terrier. He shakes the snake as though he felt theoriginal curse in common with mankind. The eldest boy wakes up, seizes his stick, and tries to get out of bed, but his mother forces him back with a grip of iron. Thud, thud - the snake's back is broken in several places. Thud, thud - it's head is crushed, and Alligator's nose skinned again.She lifts the mangled reptile on the point of her stick, carries it to the fire, and throws it in; then piles on the wood and watches the snake burn. The boy and the dog watch too. She lays her hand on the dog's head, and all the fierce, angry light dies out of his yellow eyes. The younger children are quieted, and presently go to sleep. The dirty-legged boy stands for a moment in his shirt, watching the fire. Presently he looks up at her, sees the tears in her eyes, and, throwing his arms around her neck exclaims:"Mother, I won't never go drovin' blarst me if I do!"And she hugs him to her worn-out breast and kisses him; and they sit thus together while the sickly daylight breaks over the bush.。

Lesson 9 The Bluest Eye【范本模板】

Lesson 9 The Bluest Eye【范本模板】

The Bluest Eye(Excerpts)by Toni MorrisonGuide to ReadingWhen we discuss contemporary American literature, it is impossible not to mention the name and works of Toni Morrison。

A Nobel Prize winner for literature, she has written up to now seven novels,making significant contributions to the depiction of African American experience. Unlike some African American writers who expose white racism against the blacks in a direct way,Morrison’s exploration tends to be introverted1, focusing on the relationships within the black community. Her novels often reveal how the dominant white culture has deprived the black people of their own cultural values and the destructive impact this cultural mutilation2has brought about among the black people。

Although most of her novels are apparently set in her home town in Ohio,they not only depict the black experience in that region,but tell 1个性内向的:人的特征为兴趣或是盘据脑海的只有自己或是自己的想法;害羞或是排斥; 含蓄的; 内倾的;不爱交际的; introvert vt.使(思想)内向; 使内省extroverted外倾的:对其他的人或环境如与自身相反的或之外的事物感兴趣的;喜群居的或外出的:2毁损;残缺;切断; mutilate毁伤;使残废Her arm was mutilated in the accident.她的胳膊在车祸中受了重伤。

对马克吐温的评价英文版

对马克吐温的评价英文版

对马克吐温的评价英文版马克·吐温是美国的幽默大师、小说家、作家,亦是著名演说家。

下面是小编为大家带来对马克吐温的评价英文版,相信对你会有帮助的。

对马克吐温的评价英文版篇一Like many excellent writers, the descendants of Mark Twain's evaluation is mixed. Can be divided into two categories of people to his evaluation. One is the reader, the other is the critic. As a reader, I would like to talk about my evaluation of him.First of all, I would like to say that I like his work very much. Mainly because his novels have witty humorous language. Every time I read his novel always makes me feel very relaxed and happy. At the same time, carefully taste his novel, I can understand a lot of truth. For example, after reading "Adventures of Tom Sawyer", I understand the work of the relationship between entertainment. And found a way to make work as fun as fun. Not only that, I also deeply experience the greed and hatred of the terrible and the importance of responsibility.Secondly, I am sometimes afraid to read his work. Because in his several short stories of the problems revealed too realistic, too cruel, and read will make people feel terror. For example, the story of a bad boy tells the story of a child who is recognized as a bad child eventually get a good quality of life, and a child is recognized as a good boy has experienced a tragic life story. This story is very real, because it is the real social ugly phenomenon of concentration and concentration. After reading this novel, I "good people have a good report," this sentence had questioned. Can be gradually discovered later, in fact, this novel is an ugly enrichment. In real life, these ugly phenomena will not appear atthe same time, this makes me feel better. In Mark Twain's short stories, there are many such novels, thought-provoking.In 1885, when Mark Twain's work "Adventures of Huckleberry Finn" published in the "Century Magazine", once caused the reader's abuse. At that time people think that their works have too many vulgar things. But I do not think so. This novel is a shrunken version of reality, it reflects the real life. And the existence of these phenomena in American life. Mark Twain is just a real show. I think this just can explain his honesty and cute.There are many critics point out that Mark Twain's humor is exaggerated vulgar humor, his works have corrupted the English style. But I think humor is to play the role of laughter, if not exaggerated, can be called humor?Moreover, I think the work of Mark Twain's performance is not vulgar vulgar content. But the reality of things. In every successful novel, it will reveal the reality of things. Such as the "La Traviata" in prostitutes revealed in the life and the "resurrection" revealed in the bureaucracy, numbness, money is a map and other phenomena. The critics of the time would mark Mark Twain's work at the vulgar level, I think only because they do not want to acknowledge these realities.Howells pointed out that Mark Twain differs from ordinary humorists in the sense that "jokes contain serious meanings, which is the way he takes the expression of politics and social comedy." I very much agree with this view.Throughout the short stories of Mark Twain, their humor is hidden behind the deep thinking.However, historically a critic named Van Wyck Brooks gave a complete rejection of Mark Twain's monograph, Mark Twain's Serious Test. In this book, Van Weeke Brooks pointed out that Mark Twain's writing after marriage was designed to cater to thearistocratic appetites and to make money for the purpose of writing. At the same time, Van Wyck Brooks also made the following diagnosis of Mark Twain:Mark Twain was a victim of a devastated soul, frustrated. Just like the countless cases provided by psychoanalysts, this alone is enough to explain his later years of frustration. He was hindered, split, and even violatedHis poet, the artist's nature shrinks into a cynic, the whole child into a spirit of the weak.This evaluation is obviously too radical, because from Mark Twain after the creation of the marriage, "Prince and the poor children" and other works can be seen, he is not as Van Weeke Brooks completely aristocratic appetites and creation.However, I have to admit, Mark Twain because of the impact of Western culture and the US money worship subtle influence, his works still have this tendency. From the "million pounds" in the hero's experience can be seen.He is still in the heart to retain the opportunity to rely on an opportunity to flourish the idea.At the same time, Mark Twain later creation of "What is human? "And" mysterious stranger "can also be seen in his frustration. As to why he was depressed, although I can not clear. But I believe that Mark Twain's frustration is not because, as Van Weeke Brooks said Mark Twain because of some of the events of the young and stifle the art of self, from curse of life. I think he will come to this conclusion, on the one hand by the United States early "gentle literature" effect; the other hand, because he did not really integrate into Mark Twain created novels to feel Mark Twainworld! He was not able to try to accept this emerging literature at the time.All in all, I think Mark Twain is a humorous, wise, sincere,lovely writer. And his unique humor plus reflection of the writing method is that ordinary people can not learn. As Bogil's na?ve reads: "Wisdom may be imitated, but innocence can not be imitated." Mark Twain's humor is a naive expression of his innocence that no one can imitate!对马克吐温的评价英文版篇二Mark Twain, the mirror of American, born in the small village of Florida, Missouri in 1835, and died in Hartford in 1910. His 75 years of suffering life has experienced the mostly part of history of American like industrial economic development, Civil War, gold rush and western expansion and so on.There is no doubt that Twain witnessed the rise and decline of country of America. The most important period of Twain’s life may begin at 1857. He became a cub pilot on a steamboat, that four and a half years in the steamboat marked the real beginning of his education. After decline of steamboat commerce, he left the river country to join the Civil War for two weeks. Then, he went west and succumbed to the epidemic of gold rush in Nevada. Eight months later, broke and discouraged, he accepted a job as reported with the Virginia City Territorial Enterprise. In the year of 1864, he boarded the stagecoach for San Francisco. One years later, his first famous work Celebrated Jumping Frog of Calaveras County was published. Then in 1876, the opportunity came for him to take a distinctly American to look at the world. Upon his return to states, the version of travels, The Innocents Abroad, became an instant best-seller. At the age of 36 Twain settled in Hartford. His best books, The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn, were published while he lived there.Although bitterness fed on the man, he was alwaysstruggling against difficulty in his whole life. And most important, he brought us lots of spiritual enlightenment in revelation.对马克吐温的评价英文版篇三In the heart of majority of Americans, Mark Twaining is a great writer that has to investigate spirit, patriotic passionate and romantic qualities and humorous style of writing, but in the my eyes, he is a person who becomes misanthropic of society, sarcastic asperity because of deeply being subjected to stroke of the life tragedy.Mark Twain from cradle to the grave in have more than 1/3 time the wave vestige whole the United States, then visit a world by the identity week of the writer and the speech house thereafter.Mark Twain Wen Yuan Ming to fill Mou Er?The boon of Lang He?Gram Si in the Lai door, his pen name draws from he does on board in the steam the man-hour hears of signal language.In the Mark Twain youth's ages, river valley in Mississippi is the geography center of the United States, also the transportation aorta that is American central part, a great deal of goods at here gather to spread.In 1857, youth's Mark Twaining was a steam a small navigator on board to step to go into river valley in Mississippi, this world.On this work post, he came in contact with various persons and saw a versatile world.All all theses, to the his later work creation deep influence.After civil war breaks out, Mark Twain and then left river valley in Mississippi, joined a southern nation allied visit shot of brigade.But that troops thinks that the square tries to avoid engaging with enemy's soldier.Mark Twained angry's ground to leave that troops.He arrives at the west again, is panned for gold hottemptation in the Nevada, join to arrive row or columns in it, but finally encountered failure but feel dispirited and discouraged.In bankrupt and disappointed remaining, he accepted for the Fu Ji Ni second city 《the territory development reports 》 is the reporter's work and from now on and then stepped on literary road.Mark?The knife that vomits to start to be small trying a cow, but Be forced to leave this city because of writing some sharp commentary articles, escape the Sa carat gold mine area that give valley in the door to temporary take shelter from the wind a head.He makes him be accepted in the west coast region to the pioneers there copying.In 1864 with 1865 it hand over of winter, Mark Twaining is at Anne the Ji Er Si mineral the area spend.Is boring medium, he recorded a description to hear on that day of a record of story-this record come to a decision him whole life the development direction of the business:"The section Er Man is used his to jump a frog-and stranger's wager USD 50-stranger didn't jump a frog, the section Er Man was given him the lane a -the stranger make use of to play the jumping of section frog belly cramming lead for this period of time, so, the jumping of section leapfrog doesn't get up, the frog of jumping of stranger has to to win."After mark?After vomiting rewriting of, this story ascends on the newspaper of the whole the United States and became widely known"the card pulls Wei to pull a Si county to well-knownly jump a frog".Go to this, Mark Twaining was the reputation of"Pacific Ocean unrestrained humorous master in the coast" to establish in the whole country.Two years after, he is from New York City and took steam ship in"Philadelphia" to Europe and holy land to carry on a sightseeingvoyage.Mark Twaining is a reporter of newspaper in California be appointed to together with make sight-seeing trip a regiment interview.He takes into Bi to some artists who are admired by person and the art delicacies thin, even also presume to take into by besmirching sexual language of expression to insult to the religious holy land.After returning to country, more and more newspaper start publishing his article, is subjected to whole Americanses' fancy.At the age of 36, Mark Twain to start settling in the Kang Nie Di space the state admire blessing virtuous town especially, all of his second to none works publish within that period of time.1876 his 《Tom?The Suo is second 》publication, soon become American stories for children of classic of make, almost like 《declaration of independence 》 became the United States school today inside of necessarily study originally.After, admire the gram become a be thought by many people to is host's Mr. in the book of the work of depiction American that succeeds most .Mark?The whole life that vomits all covers with in the shadow of tragedy, own close relatives one after another die.The person who laughs heartily the whole world by himself[herself] but satisfied tasted human life of sad.He the morals preachment in the earlier period work once wrapped humorous jacket of 1 F, the humor changed now mordacity of irony.He points out that the mankind should abandon religion imagination, depend on to depend on oneself but isn't god's strength to create a more fine world.But his last fantasized to arrive to seem to be also to fall through afterwards.Dictate autobiography in the old age in, express he extremely despairing mood, hope from the distress of material life of be set free.。

TheTragedyofPudd’nheadWilson

TheTragedyofPudd’nheadWilson

The Tragedy of Pudd’nhead Wilson2019-09-13马克·吐温(Mark Twain),原名塞缪尔·朗赫恩·克莱门斯(Samuel Langhorne Clemens),是美国著名⼩说家及幽默⼤师。

1835年11⽉30⽇,马克·吐温出⽣于美国密苏⾥州的佛罗⾥达。

四岁时,他随全家迁往密苏⾥州的汉尼拔,这个位于密西西⽐河畔的蓄奴⼩镇后来成为《汤姆·索亚历险记》(The Adventures of Tom Sawyer)和《哈克贝⾥·芬历险记》(Adventures of Huckleberry Finn)中圣·彼得堡的原型。

11岁时,马克·吐温的⽗亲去世,他便辍学开始⼯作,先后在印刷⼚当过学徒,在密西西⽐河上当过领航员,在内华达州当过矿⼯。

这些经历都为他以后的创作⽣涯提供了丰富的素材。

马克·吐温擅长使⽤⼝语化的表达,在语⾔和主题层⾯对美国⽂学独特性的确⽴起了开拓性的作⽤。

《傻⽠威尔逊的悲剧》(The Tragedy of Pudd’nhead Wilson)是马克·吐温的⼀部长篇⼩说,主要讲述了⼀个⽩⼈孩⼦和⼀个⿊⼈孩⼦被调包所引发的故事。

Excerpts1)Dawson’s Landing was a slaveholding town, with a rich, slave-worked grain and pork country back of it. The town was sleepy and comfortable and contented. It was fifty years old, and was growing slowly―very slowly, in fact, but still it was growing.The chief citizen was York Leicester Driscoll, about forty years old, judge of the county court. He was very proud of his old Virginian ancestry, and in his hospitalities and his rather formal and stately manners, he kept up its traditions. He was fine and just and generous. To be a gentleman―a gentleman without stain or blemish2)―was his only religion, and to it he was always faithful. He was respected, esteemed, and beloved by all of the community. He was well off, and was gradually adding to his store. He and his wife were very nearly happy, but not quite, for they had no children. The longing for the treasure of a child had grown stronger and stronger as the years slipped away, but the blessing never came―and was never to come.Percy Northumberland Driscoll, brother to the judge, and younger than he by five years, was a married man, and had had children around his hearthstone3); but they were attacked in detail by measles4), croup5), and scarlet fever,and this had given the doctor a chance with his effective antediluvian6) methods; so the cradles were empty. He was a prosperous man, with a good head for speculations, and his fortune was growing. On the first of February, 1830, two boy babes were born in his house; one to him, one to one of his slave girls, Roxana by name. Roxana was twenty years old. She was up and around the same day, with her hands full, for she was tending both babes.Mrs. Percy Driscoll died within the week. Roxy remained in charge of the children. She had her own way, for Mr. Driscoll soon absorbed himself in his speculations and left her to her own devices.In that same month of February, Dawson’s Landing gained a new citizen. This was Mr. David Wilson, a young fellow of Scotch parentage. He had wandered to this remote region from his birthplace in the interior of the State of New York, to seek his fortune. He was twenty-five years old, college bred, and had finished a post-college course in an Eastern law school a couple of years before.He was a homely, freckled, sandy-haired young fellow, with an intelligent blue eye that had frankness and comradeship in it and a covert twinkle of a pleasant sort. But for an unfortunate remark of his, he would no doubt have entered at once upon a successful career at Dawson’s Landing. But he made his fatal remark the first day he spent in the village, and it “gaged7)” him. He had just made the acquaintance of a group of citizens when an invisible dog began to yelp and snarl and howl and make himself very comprehensively disagreeable, whereupon young Wilson said, much as one who is thinking aloud:“I wish I owned half of that dog.”“Why?” somebody asked.“Because I would kill my half.”The group searched his face with curiosity, with anxiety even, but found no light there, no expression that they could read. They fell away from him as from something uncanny, and went into privacy to discuss him. One said:“’Pears to be a fool.”“’Pears?” said another. “Is, I reckon you better say.”“Said he wished he owned half of the dog, the idiot,” said a third. “What did he reckon would become of the other half if he killed his half? Do you reckon he thought it would live?”“Why, he must have thought it, unless he is the downrightest fool in the world; because if he hadn’t thought it, he would have wanted to own the whole dog, knowing that if he killed his half and the other half died, he would be responsible for that half just the same as if he had killed that half instead of his own. Don’t it look that way to you, gents?”“Yes, it does. If he owned one half of the general dog, it would be so; if he owned one end of the dog and another person owned the other end, it would be so, just the same; particularly in the first case, because if you kill one half of a general dog, there ain’t any man that can tell whose half it was; but if he owned one end of the dog, maybe he could kill his end of it and―”“No, he couldn’t either; he couldn’t and not be responsible if the other end died, which it would. In my opinion that man ain’t in his right mind.”“In my opinion he hain’t got any mind.”No. 3 said: “Well, he’s a lummox8), anyway.”“That’s what he is;” said No. 4. “He’s a labrick9)―just a Simon-pure10) labrick, if there was one.”“Yes, sir, he’s a dam11) fool. That’s the way I put him up,” said No. 5. “Anybody can think different that wants to, but those are my sentiments.”“I’m with you, gentlemen,” said No. 6. “Perfect jackass―yes, and it ain’t going too far to say he is a pudd’nhead. If he ain’t a pudd’nhead, I ain’t no judge, that’s all.”Mr. Wilson stood elected. The incident was told all over the town, and gravely discussed by everybody. Within a week he had lost his first name; Pudd’nhead took its place. In time he came to be liked, and well liked too; but by that time the nickname had got well stuck on, and it stayed. That first day’s verdict made him a fool, and he was not able to get it set aside, or even modified. The nickname soon ceased to carry any harsh or unfriendly feeling with it, but it held its place,and was to continue to hold its place for twenty long years.1. 英⽂节选部分选⾃⼩说的第⼀节,主要描述了威尔逊初到道森码头⼩镇时的情景,并交代了其“傻⽠”绰号的由来。

the interloper闯入者

the interloper闯入者

解读环境设置在小说中的艺术魅力------评萨基的短篇小说《闯入者》摘要:《闯入者》是英国著名短篇小说家萨基的代表作之一。

萨基的短篇小说结构严谨,构思巧妙,结尾经常出人意料,常常被人拿来与欧•亨利和多罗茜帕克作比较。

他擅长从英国上层社会和中产阶级生活中的简单无聊的日常琐事中取材,以机智、幽默、辛辣的笔调,以小见大,通过不落俗套的艺术构思,跌宕起伏的故事情节,出人意料的结局,和机智幽默的语言表现出不同凡响的艺术效果。

该小说中的环境设置具有明显的象征主义色彩。

本文通过对《闯入者》中具有浓厚象征色彩的背景设置,如故事发生的地理环境、历史时期,物理环境,背景转换及环境的讽刺意义等进行分析,揭示其背景设置在塑造人物形象及揭示小说深刻的哲理内涵和艺术韵味中所起的重要作用。

关键词:萨基《闯入者》环境设置象征讽刺Hector Hugh Munro, better known by the pen name Saki was known as one of British best short-story writer, whose extraordinarily compact, wicked and witty short stories satirized Edwardian society and culture. Actually, the name "Saki" was borrowed from the cupbearer in Omar Khayyam's The Rubaiyat. Munro used it for political sketches contributed to the Westminster Gazette as early as 1896, later collected as Alice in Westminster. The stories and novels were published between that time and the outbreak of World War I, when he enlisted as a soldier. He died of wounds from a sniper's bullet while in a shell hole near Beaumont-Hamel. His short story is very popular among English readers, while in China, there is little study papers about Saki and his works. Although his short-story The Open Windows is very familiar for Chinese readers, but the name of Saki seems didn’t earn its due reputation. Nevertheless, his position in the English literature is impregnable as long as the sun shines. His short story, characterized by ingenious conception, rigorous structure, acrimonious tone and pungent satire contribute to his reputation as the master of short story in Europe. On the other hand, he was more than often compared with two famous American short story writers O·Henry and Dorothy Parker because of their similarities in the unpredictable endings of their short stories. He was influenced by Oscar Wilde, Lewis Carroll, and Kipling, and himself influenced A. A. Milne, Noël Coward, and P.G. Wodehouse.The Interlopers, Written during WWI and published in 1969 after his death, is a short story based on two men, Georg Znaeym and Ulrich von Gradwitz, whose families have fought over a forest in the eastern Karpathian Mountains for three generations. Ulrich's family legally owns the land, but Georg – feeling it rightfully belongs to him –hunts there anyway. One windy and snowy winter night, both Georg Znaeym and Ulrich von Gradwitz Ulrich, harbored bitter hatred, are hunting on the woodland over which they have disputed for more than three generations. Actually, both of them expect to meet the enemy and kill each other like a “game”--”as boys they had thirsted for one another’s blood, as men each other prayed that misfortune might fall on the other”. In that very moment that they want to take action, as an "act of God", a beechtree branch suddenly falls on each of them, trapping them both under a log. Gradually, they realize the futility of their quarrel and become friends to end the family feud. They call out for their men’s assistance, and after a brief period, Ulrich makes out eight or nine figures approaching over a hill. The story ends with Ulrich’s realization that the "interlopers" on the hill are actually wolves.The novel intelligently employs a series of symbolic settings, including geographical location, historical period, and physical environment to convey the theme of the story and through intelligent and ingenious setting shift to depict the characteristics of the characters and to imply the development of the plot. Particularly, at the end of the story, the irony in settings unveils the profound philosophical implications, which makes the story more thought provoking.As we all know, the setting of a short story is not simply the time and place in which it occurs. Elements of setting may include physical environment, geographical locations, culture background, historical period, and situational environment. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction. Careful description of these aspects of setting helps the reader gain a greater sense of the story and can connect to the story's central theme and greatly enhance the author's purpose. In many stories that we read, settings are not stated directly. The writer expects us to find clues and make inferences about where and when the story takes place and to find the underlying relations with the theme of the short story. Saki ‘use of setting is arguably the most effective element in The Interlopers. 1. Geographical LocationThe geographical location of The Interlopers is “the eastern spurs of the Karpathian Mountains”. Actually, Saki purposely trumps up "Karpathian” according to "Carpathian" as the place in which the story occurs for two reasons. Primarily, he intends to satirize the First World War .The Carpathian Mountains are a range of mountains forming an arc roughly 1,500 km long across Central and Eastern Europe, making them the second-longest mountain range in Europe .They provide the habitat for the largest European populations of brown bears, wolves, chamois and lynxes, with the highest concentration in Romania. As well as over one third of all European plant species. It is the epitome of the dark days when imperialists barbarously and ferociously carve up the world through violence. The story is written when Saki was serving on a warship in France. Therefore, the two main characters of the story -- Ulrich von Gradwitz and Georg Znaeym -- symbolizes the imperialists in the First World War mercilessly plundering the colonies and fighting because they did not split up the profit from obey equally. And the Karpathian is a symbol of the marauded colonies. As a result, Saki ingeniously employs the variation of Carpathian to satirize the First World War. Secondly, the author chooses Karpathian as the settings to fuzzify and globalize the story. If the time and space of the story is certain and specific, it is rather difficultfor the readers to connect the plot of the story with their own life and the sense of value. Therefore, Saki purposely use Karpathian rather than Carpathian specific place in the real world, as the setting the story taken place, because he wants to remind the readers that the story of The Interloper may occur around us at any time. In the sense, the readers can find the Karpathian around them which makes the plot of the story globalized and universalized.2. Historical PeriodAccording to the story and our knowledge about the author, we can imply that the history period of the story is during The Edwardian era which is a period of time covering the reign of King Edward VII, 1901 to 1910, and is sometimes extended beyond Edward's death to include years leading up to World War I. The era was marked by significant shifts in economy and politics of the society that had been largely excluded from wielding power in the past, such changes included rising interest in socialism, attention to the plight of the poor, and the status of women, including the issue of women's suffrage, together with increased economic opportunities as a result of rapid industrialization. However, the poor were still frowned upon and segregated and the government in this era was very strict with their laws. Many people believed that if they owned something, for example, land, that no one else should use that land without the owner's permission. In this way, it is not difficult for us to understand the basic conflict between the characters in the story.Also, the woodland can be seen as the source of conflict. In The Interlopers, for three generations, the family of Ulrich von Gradwitz and Georg Znaeym, driven by the frenzied hatred, have been disputed over a useless woodland .while just as Ulrich acknowledged that “it was not remarkable for the game it harbored or shooting it afforded, but it was the most jealously guarded of all its owner’s territorial possessions”, both of them regard each other as the “interlopers”. It indicates that any forms of conflict and hatred itself is pointless and even stupid, and it makes no difference to the matter when the reconciliation is only reached the day before the disaster indeed come down. In a sense, it also can be seen as the conflict origins of the First Word War. As we all know, the spark of the First World War is the assassination of Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, in Sarajevo on 28 June 1914. Ferdinand's death at the hands of the Black Hand, a Serbian nationalist secret society, set in train a mindlessly mechanical series of events that culminated in the world's first global war. If the youth can express his political opinion by other means, the First World War wouldn’t break out in an instant, and numerous innocent people wouldn’t have been involved in the dreadful and brutal war. Saki intends to tell us that the origin of any conflict itself may of no pragmatically significance to both party involved, instead, it is the inconsequential sparkle, flamed by vanity, absurdness, selfishness and jealousy, that eventually leads to the loss of millions of lives..3.Physical EnvironmentThe author presents a vivid picture of the physical environment of story through his meticulous and detailed description. The Interlopers takes place in a "dark forest," a "narrow strip of precipitous woodland that lay on its outskirt" which, ironically, is a waste land that of no real uses to both of them but is the source of their dispute and continuing feud. As with many short stories, no specific time is mentioned, but we do know that the author lived from 1870 to 1916 and that in the story night --- “awind-scourged winter night”---"the whistling and skirling of the wind and the restless beating of the branches for sight and sound of the marauders"--“little snow had fallen as yet”--is approaching. The bad weather and desolated environment adds additional mood and complications for the characters in The Interlopers. It also arouses the curiosity of the readers’ speculation to the destiny of the characters in the novel. The author uses plenty of subtle touches depicted a vivid picture of the physical environment, which is ingeniously in line with the development of the plot. In the story, it is a "wind-scourged winter night" that causes "unrest among the creatures that were wont to sleep through the dark hours." The "disturbing element in the forest" pushes Ulrich to wish "if only on this wild night, in this dark, lone spot, he might come across Georg Znaeym, man to man, with none to witness." The wildness of the winter wind accentuates the wildness felt by the character. Therefore, the characteristics of the protagonists in the story gradually emerge and become more obvious and distinct."Relief at being alive and exasperation at his captive plight brought a strange medley of pious thank-offerings and sharp curses to Ulrich’s lips."Are they your men?’he repeated impatiently as Ulrich did not answer.""Each had a rifle in his hand; each had hate in his heart, and murder uppermost in his mind.""’I don’t drink wine with an enemy.’"“So you’re not killed as you ought to be, but you’re caught, anyway,” he cried; “caught fast.”“Let's shout for help,” he said; “in this lull our voices may carry a little way.” “They won't carry far through the trees and undergrowth,” said Georg, “but we can try. Together then.”From these sentences we can see that Ulrich von Gradwitz is a stubborn, selfish man at first, but with further development in the story he becomes more open-minded. He is the one who is willing to becoming friends with Georg, his worst enemy. On the other hand, Georg Znaeym is hardheaded and self-centered like Ulrich. He is jealousof Ulrich because he has abundant land and hunting grounds. Eventually he becomes open to being friends with Ulrich.4. Setting ShiftAlthough the overall setting for The Interlopers remains the same, it shifts in the sense that it becomes more narrowed and focused. "A deed of Nature's own violence overwhelmed them both. A fierce shriek of the storm had been answered by a splitting crash over their heads, and ere they could leap aside a mass of falling beech tree had thundered down on them, “pinning both characters to the ground. The setting then reflects the characters' own relationship: "All around them lay a thick-strewn wreckage of splintered branches and broken twigs." The characters' immobility illustrates a more immediate setting as they lay side by side, nearly able to touch each other.5. Irony in SettingThe final use of setting in The Interlopers occurs shortly after Znaeym and Gradwitz become pinned by the fallen tree. After hailing curses down on each other, the two eventually realize that their feud over a useless bit of wild land is pointless. The cold, desolate, unfriendly, isolated winter weather has actually brought the two men closer together. The final irony is that in this wild setting, there are naturally wild creatures, and after finally ending their feud, Znaeym and Gradwitz were about to finally end this long quarrel between the two families and become friends instead, they got confronted by wolves, signifying that their lives ended on the night they decided to make peace with each other. This reminds me of the many times that I have had to work together with other people only at a moment when our fate hangs in the balance like they are going through right now. However, at that time, it cannot make any difference to rewrite our destiny. However, there is also another kind of irony at the end of the story, because it was revealed to us that the two men’s fate were determined not by their men as they thought would be, but instead on a bunch of interlopers, the wolves. This is an ironic event since there were two mentions of “no interlopers” in the dialogue between the two men, once when they were still enemies and once when they became friends, but in the end it was “the interlopers” who came first and supposedly ended their lives. At the beginning, Znaeym and Gradwitz are confident about their capability to control nature, for them, nature is only a plaything. However, it is exactly nature that overwhelms and destroys them.Reference:1.Saki, a life of Hector Hugh Munro: with six short stories never before collected. Hamish Hamilton, 19812. Saki, the Best of Saki, Penguin Books Limited (UK), 19943. H. P. Abbott, the Cambridge Introduction to Narrative. Beijing: Peking University Press, 2007.4. Yuan Xianjun, Approaching Fiction, Peking University Press, 2004.5. Yu jianhua, Short Story in English: A reading Course. Beijing Higher Education, 2010.6. Sandie Byrne. The unbearable Saki: the work of H.H Munro: Oxford: O xford University Press, 2007.7. James Joll, Gordon Martel, the Origins of the First World War, Pearson Longman, 2007.。

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The Drover's Wife by Henry LawsonThe two-roomed house is built of round timber, slabs, and stringy-bark, and floored with split slabs. A big bark kitchen standing at one end is larger than the house itself, veranda included.Bush all around - bush with no horizon, for the country is flat. No ranges in the distance. The bush consists of stunted, rotten native apple-trees. No undergrowth. Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek. Nineteen miles to the nearest sign of civilisation - a shanty on the main road.The drover, an ex-squatter, is away with sheep. His wife and children are left here alone.Four ragged, dried-up-looking children are playing about the house. Suddenly one of them yells: "Snake! Mother, here's a snake!"The gaunt, sun-browned bushwoman dashes from the kitchen, snatches her baby from the ground, holds it on her left hip, and reaches for a stick."Where is it""Here! Gone in the wood-heap;" yells the eldest boy - a sharp-faced urchin of eleven. "Stop there, mother! I'll have him. Stand back! I'll have the beggar!""Tommy, come here, or you'll be bit. Come here at once when I tell you, you little wretch!"The youngster comes reluctantly, carrying a stick bigger than himself. Then he yells, triumphantly:"There it goes - under the house!" and darts away with club uplifted. At the same time the big, black, yellow-eyed dog-of-all-breeds, who has shown the wildest interest in the proceedings, breaks his chain and rushes after that snake. He is a moment late, however, and his nose reaches the crack in the slabs just as the end of its tail disappears. Almost at the same moment the boy's club comes down and skins the aforesaid nose. Alligator takes small notice of this, and proceeds to undermine the building; but he is subdued after a struggle and chained up. They cannot afford to lose him.The drover's wife makes the children stand together near the dog-house while she watches for the snake. She gets two small dishes of milk and sets them down near the wall to tempt it to come out; but an hour goes by and it does not show itself.It is near sunset, and a thunderstorm is coming. The children must be brought inside. She will not take them into the house, for she knows the snake is there, and may at any moment come up through a crack in the rough slab floor; so she carries several armfuls of firewood into the kitchen, and then takes the children there. The kitchen has no floor - or, rather, an earthen one - called a "ground floor" in this part of the bush. There is a large, roughly-made table in the centre of the place. She brings the children in, and makes them get on this table. They are two boys and two girls - mere babies. She gives some supper, and then, before it gets dark, she goes into house, and snatches up some pillows and bedclothes - expecting to see or lay or hand on the snake any minute. She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.She has an eye on the corner, and a green sapling club laid in readiness on the dresser by her side; also her sewing basket and a copy of the Young Ladies' Journal. She has brought the dog into the room.Tommy turns in, under protest, but says he'll lie awake all night and smash that blinded snake.His mother asks him how many times she has told not to swear.He has his club with him under the bedclothes, and Jacky protests:"Mummy! Tommy's skinnin' me alive wif his club. Make him take it out."Tommy: "Shet up you little ---! D'yer want to be bit with the snake"Jacky shuts up."If yer bit," says Tommy, after a pause, "you'll swell up, an smell, an' turn red an' green an' blue all over till yer bust. Won't he mother""Now then, don't frighten the child. Go to sleep," she says.The two younger children go to sleep, and now and then Jacky complains of being "skeezed." More room is made for him. Presently Tommy says: "Mother! Listen to them (adjective) little possums. I'd like to screw their blanky necks."And Jacky protests drowsily."But they don't hurt us, the little blanks!"Mother: "There, I told you you'd teach Jacky to swear." But the remark makes her smile. Jacky goes to sleep.Presently Tommy asks:"Mother! Do you think they'll ever extricate the (adjective) kangaroo""Lord! How am I to know, child Go to sleep.""Will you wake me if the snake comes out""Yes. Go to sleep."Near midnight. The children are all asleep and she sits there still, sewing and reading by turns. From time to time she glances round the floor and wall-plate, and, whenever she hears a noise, she reaches for the stick. The thunderstorm comes on, and the wind, rushing through the cracks in the slab wall, threatens to blow out her candle. She places it on a sheltered part of the dresser and fixes up a newspaper to protect it. At every flash of lightning, the cracks between the slabs gleam like polished silver. The thunder rolls, and the rain comes down in torrents.Alligator lies at full length on the floor, with his eyes turned towards the partition. She knows by this that the snake is there. There are large cracks in that wall opening under the floor of the dwelling-house.She is not a coward, but recent events have shaken her nerves.A little son of her brother-in-law was lately bitten by a snake, and died. Besides, she has not heard from her husband for six months, and is anxious about him.He was a drover, and started squatting here when they were married. The drought of 18-- ruined him. He had to sacrifice the remnant of his flock and go droving again. He intends to move his family into the nearest town when he comes back, and, in the meantime, his brother, who keeps a shanty on the main road, comes over about once a month with provisions. The wife has still a couple of cows, one horse, and a few sheep.The brother-in-law kills one of the latter occasionally, gives her what she needs of it, and takes the rest in return for other provisions.She is used to being left alone. She once lived like this for eighteen months. As a girl she built the usual castles in the air; but all her girlish hopes and aspirations have long been dead. She finds all the excitement and recreation she needs in the Young Ladies' Journal, and Heaven help her! Takes a pleasure in the fashion plates.Her husband is an Australian, and so is she. He is careless, but a good enough husband. If he had the means he would take her to the city and keep her there like a princess. They are used to being apart, or at least she is. "No use fretting," she says. He may forget sometimes that he is married; but if he has a good cheque when he comes back he will give most of it to her. When he had money he took her to the city several times - hired a railway sleeping compartment, and put up at the best hotels. He also bought her a buggy, but they had to sacrifice that along with the rest.The last two children were born in the bush - one while her husband was bringing a drunken doctor, by force, to attend to her. She was alone on this occasion, and very weak. She had been ill with fever. She prayed to God to send her assistance. God sent Black Mary - the "whitest" gin in all the land. Or, at least, God sent King Jimmy first, and he sent Black Mary. He put his black face round the door post, took in the situation at a glance, and said cheerfully: "All right, missus - I bring my old woman, she down along a creek."One of the children died while she was here alone. She rode nineteen miles for assistance, carrying the dead child.It must be near one or two o'clock. The fire is burning low. Alligator lies with his head resting on his paws, and watches the wall. He is not a very beautiful dog, and the light shows numerous old wounds where the hair will not grow. He is afraid of nothing on the face of the earth or under it. He will tackle a bullock as readily as he will tackle a flea. He hates all other dogs - except kangaroo-dogs - and has a marked dislike to friends or relations of the family. They seldom call, however. He sometimes makes friends with strangers. He hates snakes and has killed many, but he will be bitten some day and die; most snake-dogs end that way.Now and then the bushwoman lays down her work and watches, and listens, and thinks. She thinks of things in her own life, for there is little else to think about.The rain will make the grass grow, and this reminds her how she fought a bush-fire once while her husband was away. The grass was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband's trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his "mummy." The fire would have mastered her but for four excited bushmen who arrived in the nick of time. It was a mixed-up affair all round; when she went to take up the baby he screamed and struggled convulsively, thinking it was a "blackman;" and Alligator, trusting more to the child's sense than his own instinct, charged furiously, and (being old and slightly deaf) did not in his excitement at first recognize his mistress's voice, but continued to hangon to the moleskins until choked off by Tommy with a saddle-strap. The dog's sorrow for his blunder, and his anxiety to let it be known that it was all a mistake, was as evident as his ragged tail and a twelve-inch grin could make it. It was a glorious time for the boys; a day to look back to, and talk about, and laugh over for many years.She thinks how she fought a flood during her husband's absence. She stood for hours in the drenching downpour, and dug an overflow gutter to save the dame across the creek. But she could not save it. There are things that a bushwoman cannot do. Next morning the dam was broken, and her heart was nearly broken too, for she thought how her husband would feel when he came home and saw the result of years of labour swept away. She cried then.She also fought the pleuro-pneumonia - dosed and bled the few remaining cattle, and wept again when her two best cows died.Again, she fought a mad bullock that besieged the house for a day. She made bullets and fired at him through cracks in the slabs with an old shot-gun. He was dead in the morning. She skinned him and got seventeen-and-sixpence for the hide.She also fights the crows and eagles that have designs on her chickens. He plan of campaign is very original. The children cry "Crows, mother!" and she rushes out and aims a broomstick at the birds as though it were a gun, and says "Bung!" The crows leave in a hurry; they are cunning, but a woman's cunning is greater.Occasionally a bushman in the horrors, or avillainous-looking sundowner, comes and nearly scares the life out of her. She generally tells the suspicious-looking stranger that her husband andtwo sons are at work below the dam, or over at the yard, for he always cunningly inquires for the boss.Only last week a gallows-faced swagman - having satisfied himself that there were no men on the place - threw his swag down on the veranda, and demanded tucker. She gave him something to eat; then he expressed the intention of staying for the night. It was sundown then. She got a batten from the sofa, loosened the dog, and confronted the stranger, holding the batten in one hand and the dog's collar with the other. "Now you go!" she said. He looked at her and at the dog, said "All right, mum," in a cringing tone and left. She was a determined-looking woman, and Alligator's yellow eyes glared unpleasantly - besides, the dog's chawing-up apparatus greatly resembled that of the reptile he was named after.She has few pleasures to think of as she sits here alone by the fire, on guard against a snake. All days are much the same for her; but on Sunday afternoon she dresses herself, tidies the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her. She does this every Sunday. She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city. There is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees - that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail - and farther.But this bushwoman is used to the loneliness of it. As a girl-wife she hated it, but now she would feel strange away from it.She is glad when her husband returns, but she does not gush or make a fuss about it. She gets him something good to eat, and tidies up the children.She seems contented with her lot. She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the development of the "womanly" or sentimental side of nature.It must be nearing morning now; but the clock is in the dwelling-house. Her candle is nearly done; she forgot that she was out of candles. Some more wood must be got to keep the fire up, and so she shuts the dog inside and hurries around to the woodheap. The rain has cleared off. She seizes a stick, pulls it out, and - crash! The whole pile collapses.Yesterday she bargained with a stray blackfellow to bring her some wood, and while he was at work she went in search of a missing cow. She was absent an hour or so, and the native black made good use of his time. On her return she was so astonished to see a good heap of wood by the chimney, and she gave him an extra fig of tobacco, and praised him for not being lazy. He thanked her, and left with head erect and chest well out. He was the last of his tribe and a King; but he had built that wood-heap hollow.She is hurt now, and tears spring to her eyes as she sits down again by the table. She takes up a handkerchief to wipe the tears away, but pokes her eyes with her bare fingers instead. The handkerchief is full of holes, and she finds that she has put here thumb through one, and her forefinger through another.This makes her laugh, to the surprise of the dog. She has a keen, very keen, sense of the ridiculous; and some time or other she will amuse bushmen with the story.She has been amused before like that. One day she sat down "to have a good cry," as she said - and the old cat rubbed against her dress and "cried too." Then she had to laugh.It must be near daylight now. The room is very close and hot because of the fire. Alligator still watches the wall from time to time. Suddenly he becomes greatly interested; he draws himself a few inches nearer the partition, and a thrill runs though his body. The hair on the back of neck begins to bristle, and the battle-light is in his yellow eyes. She knows what this means, and lays her hand on the stick. The lower end of one of the partition slabs has a large crack on both sides. An evil pair of small, bright bead-like eyes glisten at one of these holes. The snake - a black one - comes slowly out, about a foot, and moves its head up and down. The dog lies still, and the woman sits as one fascinated. The snake comes out a foot further. She lifts her stick, and the reptile, as though suddenly aware of danger, sticks his head in through the crack on the other side of the slab, and hurries to get his tail round after him. Alligator springs, and his jaws come together with a snap. He misses, for his nose is large, and the snake's body close down on the angle formed by the slabs and the floor. He snaps again as the tail comes round. He has the snake now, and tugs it out eighteen inches. Thud, thud. Alligator gives another pull and he has the snake out - a black brute, five feet long. The head rises to dart about, but the dog has the enemy close to the neck. He is a big, heavy dog, but quick as a terrier. He shakes the snake as though he felt the original curse in common with mankind. Theeldest boy wakes up, seizes his stick, and tries to get out of bed, but his mother forces him back with a grip of iron. Thud, thud - the snake's back is broken in several places. Thud, thud - it's head is crushed, and Alligator's nose skinned again.She lifts the mangled reptile on the point of her stick, carries it to the fire, and throws it in; then piles on the wood and watches the snake burn. The boy and the dog watch too. She lays her hand on the dog's head, and all the fierce, angry light dies out of his yellow eyes. The younger children are quieted, and presently go to sleep. Thedirty-legged boy stands for a moment in his shirt, watching the fire. Presently he looks up at her, sees the tears in her eyes, and, throwing his arms around her neck exclaims:"Mother, I won't never go drovin' blarst me if I do!"And she hugs him to her worn-out breast and kisses him; and they sit thus together while the sickly daylight breaks over the bush.。

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