上海的英文导游词

上海的英文导游词
导游词的宗旨是通过对旅游景观绘声绘色地讲解、指点、评说，帮助旅游者欣赏景观，以达到游览的最佳效果。

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上海玉佛寺英文导游词
Ladies and gentlemen, today we are going to visit a famous Buddhist
temple---the Jade Buddha Temple. Before visiting the temple, I’d like to say
a few words about the religious situation in Shanghai. Our constitution stipulates that every Chinese citizen is ensured the freedom of religious belief. There are four major religions in practice in Shanghai, namely, Buddhism, Taoism, Islam, and Christianity, which is sub-divided into the Catholic Church and the Protestant Church. When it comes to Buddhist temples
in China, they are usually classified into three sects, i.e. temples for meditation, for preaching and for practicing Buddhist disciplines. The Jade Buddha Temple is a temple for meditation, and is well-known both at home and abroad.
The temple was first built during the reign of Emperor Guangxu of Qing Dynasty, when a monk named Hui Gen went on a pilgrimage to Burma and brought back five jade statues of Sakyamuni. On his way back to Mount Putuo via Shanghai, he left two jade statues here, one in sitting posture and the other, reclining. He had a temple specially built as a shrine for these two statues
in 1882. later the temple was partly destroyed by fire and in 1928 a new
temple was completed on the present site.
Just opposite the temple gate, there stands a giant screen wall. Various designs, such as dragon, phoenix, elephant, crane and peony are carved on it.
In Chinese legend, all these things are considered the symbols of fortune, wealth, longevity and auspiciousness. Chinese people used to set up a wall in front of the house so as to keep the evils away.
Now ladies and gentlemen, please turn around. Here we can see the temple gate. It is also called the Sanmen Gate, or say, the Gate of Three Extrications. The door in the middle is called the Door of Emptiness, to its right is the Door of Non-phenomenon, and to its left, the Door of Non-Action. Sanmen Gate is also called the Mountain Gate because most famous temples in China are found deep in mountains. But the Sanmen gate does not open except on the first and the fifteenth of every lunar month. Now this way to the entrance.
Ladies and gentlemen, the first hall is the Heavenly King Hall. We will use the rear door, please follow me.
in the Heavenly King Hall next to the southern entrance
Here we can find the statue of a fat and smiling monk with bared belly. He is Bodhisattva Maitreya. His smile is so contagious that you will smile with him and forget all your worries. So he is also called the Laughing Buddha. According to Buddhist scripture, he is now practicing Buddhism in the Tusita Heaven. After 4000 years, which is equal to 5.67 billion years on the earth, he will become successor to Sakyamuni under a Long Hua Tree in Hualin Garden. Hence another name the Future Buddha. But this statue we see here is not the real image of Bodhisattva Maitreya, it is just his incarnation.. it is said that During the Five Dynasties Period, 1000 years ago, there lived in Fenhua in Zhejiang Province a monk named Qi Ci, who always carried a wooden staff with a cloth sack on his shoulder. He often went around towns and in streets to beg alms. Therefore he became known as “the Cloth Sack Monk”. He always smiled and laughed, looking as happy as ever. When he was dying, he left the message saying that he was the incarnation of Bodhisattva Maitreya. So his image is enshrined in the Buddhist Temple as the incarnation of Bodhisattva Maitreya.
on the eastern side of the Heavenly King Hall
On the two sides of the hall are enshrined four statues. They are so-called Four Heavenly Kings. In the Buddhist legend, there is in the center of the world a highest mountain called Mount Sumeru. Halfway on it is a mountain called Mount Ghandara with four peaks. On each peak lives a Heavenly King protecting the Buddhist heaven. The first one is the Southern King---King of Developing Merits. His duty is to educate all living creatures and develop king-heartedness. He is holding a sword in his hand which can emit a ray to chop off the enemies’ heads. The one next to hi m is the Eastern King---King of Protection for Buddhism. He is holding in his hand a pipa, which is somewhat like a guitar. With this pipa, he offers music to the Buddha. Meanwhile this pipa is a magic weapon. It can send out a musical rhythm to defeat the enemy by tormenting brain and causing him to lose combatability. Now ladies and gentlemen, please come over to this side.
on the western side of the Heavenly King Hall
The first one on this side is the Northern King---King of Virtue. He is so called because of his virtue. He is holding a parasol-shaped stela in his hand. The parasol can be opened into a canopy in Buddhist processions. It is at the same time a magic umbrella. Once it is opened in the battle field, the sky
turns dark and a wind-storm rises, defeating the enemy with a dizzy spell and then it closes up capturing all the enemies. Next to him is the Western King--
-King of Far Sight. He observes the world with his penetrating eyes. He is holding a dragon-shaped silk rope. The rope is actually a net, with which he converts people to Buddhism just like catching fish with a net. This dragon
also has a magic power. It can spurt water from its mouth and drown the enemy
in floods.
in the Heavenly King Hall next to the rear door
The Statue facing the rear door is Bodhisattva Skanda. He is always
dressed in armour with a worrior’s club in his hand. Originally he was one of the eight heavenly generals under the Southern King of Developing Merits.
Later he has been enshrined here because of his bravery. He is also a god of message, a fleet-foot runner, so when visitors come to the temple, he will immediately report to the Buddha in the Grand Hall.
Now ladies and gentlemen, that’s all for the Heavenly King Hall. Please follow me and look out the threshold and the steps.
Now we can see a giant tripod in the courtyard. It is actually a giant incense burner. It was donated by some Buddhist laymen who believed that by donating something the Buddha they can help purify the souls of their dead relatives from sins and relieve them from purgatory.
Now this is the main hall, known as the Grand Hall or Grand Hall of the Great Sage. It is the main structure in every Buddhist temple, where the
statue of Sakyamuni, the founder of Buddhism is enshrined.
in the Grand Hall
Ladies and gentlemen, in the middle of the hall is the statue of Sakyamuni, the founder of Buddhism. On his right is Medicine Buddha and on his left is Amitabha Buddha. Each is seated on a lotus blossom and has a back halo.
S akyamuni’s original name was Siddhartha Gautama. He was a contemporary of Confucius. He was born to a warrior’s family in the Himalayan foothill in ancient India, or say, in present-day Nepal. He spent his youth in great luxury. But he renounced the human world at the age of 29 in search of an
ultimate solution to the problems of human sufferings. After six years of spiritual discipline he got enlightened at the age of 35. he spent the remaining 45 years of his life teaching his religion and establishing a community for monks to continue his work. He was entitled “Sakyamuni”, which means “the great sage of the Sakya Clan”. He died at the age of 80.
On his chest there is a sign that resembles a swastika but it has nothing to do with Hitler’s fascism becau se it is in an inverted order. It is
actually a religious talisman used in ancient orient, symbolizing the concentration of happiness and auspiciousness.
The Medicine Buddha is responsible for the Eastern Bright World. Since he can relieve people of all pains and sufferings, he is called the Medicine Buddha. He is holding a wheel, which signifies the unremitting effort of converting people to Buddhism just like turning a wheel.
Amitabha Buddha is in charge of the Western Paradise. He is holding a golden lotus blossom stand with which he extradites Buddhist believers to the Western Pure Land, therefore he is also called the Buddha of Guidance.
In front of the Medicine Buddha is a hollow wooden fish. It is actually an instrument used by the monks to accompany the chanting of their prayers. But do you happen to know why it is in the pattern of a fish? Now let me tell you about it. The monks think that fish is the most diligent animal in the world because it never closes its eyes, therefore the image of the fish is used to advise people that they should practice Buddhism as diligently as the fish.
On both sides of the hall stand 20 Heavenly Gods, all protectors of Buddhist laws. They all bend slightly as if they are listening attentively to Sakyamu ni’s preaching.
The first one on the right side is Brahma, the chief god of Brahmanism in ancient India. It was believed in ancient India that all living creatures in the world, including gods and men, were created by him and he was thus honored as the Great Creator. Next to him is Yamaraja, the God of Hell, who is in charge of the nether world.
The fourth one on this side is Goddess of Loving Children. There is an interesting story about her. It is said that before she became a goddess she was a wicked woman. She herself had many children, 500 in all, including 3 sons and 497 daughters. Her favorite child was her youngest son named Ai Nu, now standing by her side. As she always ate the children of other people,
Buddha decided to convert her. One day, he hid Ai Nu in a jar. When the woman found her child missing she looked for him everywhere but could not find him. Then Buddha came up to her and said, “If you are worried when your child is missing, what about other mothers whose children you have eaten?” From then on she began to discipline herself and finally became a goddess.
This is the Emperor of the Solar Palace, or say the Chinese Apolo, opposite him is the Chinese Diana, the emperor of the Lunar Palace. The last statue on this side is the Dragon King.
at the back of the Grand Hall
Ladies and gentlemen, behind the statue of Sakyamuni there is a giant mural sculpture. In the middle is the statue of Bodhisattva Guanyin. Guanyin was originally named Guanshiyin but later abbreviated into Guanyin because the character “shi” was one of the characters in the Tang Emperor Li Shimin’s name and was considered a forbidden name. Guanyin often takes the image of a goddess in order to convert women to Buddhism. Actually he can incarnate into 32 images to convert people from all walks of life and relieve people from all kinds of sufferings. Any living creature in trouble needs only to recite his name and he will respond to the cry and readily come to help riding on the head of a huge turtle. That’s why he is described as a Bodhisattva of Great Mercy. By her two sides are her two disciples, San Cai the boy and Long Nu the girl. Above Guanyin is a statue of Sakyamuni when he was doing ascetic practices in a forest. A monkey on the right is offering preaches to him and a deer on the left is giving him milk to drink.
Now a few words about San Cai, the boy and Long Nu, the girl. It is said that when San Cai was born, a number of treasures came with him, hence his name. By the way, “Can” in Chinese means “wealth”. He was later converted by Bodhisattva Manjusri, the Bodhisattva of Great Wisdom, and went on a pilgrimage to the south in search of teaching. He was going to call on 53 teachers and then met Guanyin, hoping to obtain the guidance to buddhahood. There are altogether 53 statues on the mural sculpture, excluding the 18 arhats. They were all sup posed to be San Cai’s teachers. He came to them one after the other. Guanyin was his 27th teacher. Long Nu, the daughter of Dragon King, was a genius. At the age of 8 she often attended lectures by Manjusri. Later she met the Buddha and attained buddhahood.
Below are 18 arhats, all disciples of Sakyamuni. According to Buddhist scripture, Sakyamuni asked them to stay permanently on the earth to help
convert people to Buddhism. Arhats have three characteristics, namely, they
can rid of all worries, they should be supported and offered by all people,
and they enter nirvana once for all and never incarnate again.
in the Hall of the Reclining Buddha
Ladies and Gentlemen: in the middle of the hall we can see a jade statue
of the reclining Buddha. This is Sakyamuni in his deathbed, or say, entering nirvana. We can see him looking slightly upward and reclining on his right arm. Some may ask why he looks so calm and carefree. It is said that in his entire life-time he had taught 500 disciples, therefore, he felt no worry because he firmly believed that his disciples would carry forward his principles and preach his doctrines to emancipate mankind. This statue, 96 cm long, is carved out of a single piece of jade. It was brought from Burma together with the
other statue in sitting posture. The carving was exquisitely done with
delicate features and a slender figure, it is considered a rare Buddhist relic, which contributes to Jade Buddha Temple’s reputation. Now ladies and gentlemen, over here we can see four pictures on the wall of the hall which describe the life story of Sakyamuni. The first one, “Tonsure”, describes Sakyamuni having his head tonsured and clothes changed into a monk’s robe when he came a monk at the age of 29; the second, “Enlightenment”, af ter six years ascetic practice he became enlightened and attained buddhahood at the
age of 35; the third, “Preaching”, Sakyamuni is preaching to his first five disciples; and the fourth, “Nirvana”, Sakyamuni entered nirvana at the age
of 80.
before entering the Jade Buddha Chamber
Ladies and gentlemen, we are going to visit the last main structure on the axis---the Jade Buddha Chamber. It is located on the second floor. Please do
not take pictures or video tape-recording in the chamber.
in the Jade Buddha Chamber
Ladies and Gentlemen, the statue in front of us is the Jade Buddha in
sitting posture. Since Buddhism is a leading religion in China, there are a great number of statues of Sakyamuni all over the country, and most of them
are made out of stone, clay, or wood, but a jade statue of the Buddha of this size is rare. It is 1.92 meter in height and 1.34 meter in width. The jewels
on his head, arms and feet are all genuine ones. They were donated by Buddhist believers. The statue was carved out of a single piece of jade. It is soft in
luster, even in color, pure and flawless in texture and exquisite in workmanship. This statue reflects Sakyamuni’s getting enlightened. We can see that his left hand rests on his left knee showing his great determination of deep meditation while his right hand stretches out onto the ground indicating that he had devoted himself to the emancipation of all mankind and this could only be witnessed by the great earth. When monk Hui Gen found the jade in Burma, he had it excavated under the permission of the Burmese King and had the Tibetan artisans carve it into a Buddha Statue, so it is a crystallization of the friendship of different nations. This statue looks life-like, with gentle and soft features and is considered a precious relic of Buddhist art. This is the reason why the temple enjoys a high reputation.
In the cabinets on both sides are kept a complete set of Buddhist scripture, Da Zang Sutra, which was block-printed in 1870. this set of scripture covers S akyamuni’s teachings by moth, Buddhist doctrines, and Buddhist theories.
in the courtyard in front of the Abbot’s Room
This is the Abbot’s Room, where the abbot priest lives. It is also a sermon hall where the monks attend lectures by the abbot priest. On the middle wall is hung the portrait of Priest Dharma, honored as the founder of the Chan Sect in Chinese Buddhism.
上海豫园英文讲解导游词
Yuyuan Garden, located in the southern part of Shanghai, is a famous classic garden. The owner of the garden, Pan Yunduan, once a treasurer of Sichuan Province, had the garden built to please his parents in their old age. Hence the name of the garden “Yu”, which means “pleasing one’s parents”.
The construction started in 1559 but went on and off for lack of money and did not come to completion till 28 years later. Unfortunately, Pan’s father did not live to see the garden completed. What’s more, the Pans went down the drain and his descendents were eager to sell the garden. Some businessmen soon bought it at a low price and incorporated it into the City God Temple to become its “West Garden”, and later turned it into many trade guild offices. During the Opium War and the Taiping Revolution, foreign aggressors stationed their troops in the garden for more than once. So, the garden experienced repeated calamities in its history and lost much of its former grandeur. With the care of the people’s government since 1949, Yuyuan Garden has gone
through many renovations with the recent one carried out in 1987 to restore
its eastern part. And since 1982, it has been under the special protection of the State Council.
Yuyuan Garden is a residence garden and one of the best in southern China. Although a small one, with an area of only 2 hectares, it strikes visitors as quite large because of its zigzag layout. With pavilions, halls, chambers, towers, ponds and rockeries, it presents more than 40 vista points. At least 10,000 people visit the garden every day. No wonder people say “Those who have come to Shanghai but missed Yuyuan Garden and the City God Temple Bazaar cannot claim that they have been to the city.”
Before entering the garden, you will see a beautiful lotus pond. Across the pond is a bridge with a pavilion in the middle. The Mid-lake Pavilion was rebuilt in 1784 and converted into a teahouse 80 years ago. One of the best in Shanghai, the tea-house is a popular place for senior citizens, who enjoy chatting with each other over a cup of tea.
By the tea-house is a nine-zigzag bridge. The bridge is an indispensable part of a Chinese garden. It divides up the water space. A zigzag bridge slows down visitors’ pace so that they may enjoy the scenery more leisurely and it also enables them to have a different view whenever they make a turn. But why nine zigzags? It is because “nine” is the biggest digit before ten and is, therefore, a lucky number.
This is the Three Corn-ear Hall, the largest and tallest in the garden. Called the “Hall of Happiness and Longevity” at fir5st, it was a place where the host entertained his guests and held banquets. There are three plaques in the hall. The top plaque is “Mountains and Forests in the City”. It expresses Pan Yunduan’s love for landscape. As Shanghai lies in a flat country with no mountains or forests around, he had the garden built with plenty of trees and plants and rockeries, hoping to bring natural beauty into it. The middle plaque is “Lin Tai Jin Shi”. “Lin Tai” refers to the high terrace where the King of Zhou Dynasty offered sacrifices to his ancestors. The hall used to be a place for the gentry to explain and study the imperial edicts, so this plaque is used to suggest this function. The third plaque is “Three Corn-ear Hall”. After the hall was turned into an office for the rice and bean businessmen, the name was changed into “Three Corn-ear Hall”, reflecting the wishes of businessmen for a rich harvest. For the same reason, there are crops and fruits carved on the doors of the hall.
Yuyuan Garden boasts many lattice windows, which are found in the
corridors and on the walls. They were covered by papers or foils of shells 400 years ago before glass was introduced as construction material. Built with a mixture of clay, lime and alum, each of them presents a different design. On
the windows near the Three Corn-ear Hall are designs of pine, crane, and
linzhi herb, which symbolize fortune, wealth, longevity and happiness.
Behind the Three Corn-ear Hall stand the Yanshan Hall Hall for Viewing the Mountain built in 1866. Opposite the hall is a beautiful rockery. Designed by Zhang Nanyang, a famous landscape architect, it is a rarity in southern China. While sipping tea with your friends in the hall, as the owner did, you can enjoy the rockery in front. As is described by the words on the plaque in the hall “High Mountain Ridges”, the 12-merter-high rockery hill, dumped with
2,000 tons of rocks, is noted for its steep cliffs and hidden, winding paths.
It is no exaggeration to say that the rockery is the crystallization of the wisdom and creativeness of the working people as to move the rocks from 200-kilometer-away Wukang in Zhejiang Province alone was no easy job at all. What
is more amazing is that the rocks were stuck together by cooked glutinous rice mixed with alum and lime, for at that time cement was not available. Visitors feel as if they were on real mountain ridges once they ascend the rockery covered with trees and flowers and with streams flowing down the slopes into
the pond below. The pavilion on the hilltop, the highest point in Shanghai 400 years ago, commanded an excellent view of the Huangpu River by sails and masts, hence the name “Pavilion for Viewing the River”.
Above the Yangshan Hall is the “Rain Rolling Tower” with its named
derived from the Tang Dynasty poet Wang Bo’s poem. A verse of it reads “Dusk finds the pearl curtain rolling up the rain drifting from Western Hill.” It
is true that on the four sides of the hall there used to be pearl curtains, which gave off a kind of rain-like sound against the wind. While enjoying in
the hall the excellent views of the rockery and pond full of lotus blossoms
and goldfish, visitors seem to hear the sound of rain, thus feeling carried away by the poetic surrounding with mountains in the rain.
Behind the rockery is a wall topped with a dragon, called the reclining dragon. There are five dragon walls in the garden, dividing the garden into different scenic sections.
In Yuyuan Garden there are many brick carvings and clay sculptures, dating back to the Qing Dynasty, 300 years ago. Here is a clay sculpture called
“Plum Wives and Crane Sons”. The legend connected with the carving describes
Lin Heqing who loved plum and crane as if they were his wife and son. Hence the title. Though a great poet, Lin fell out of favor. Disappointed, he lived in seclusion in a country co9ttage on the Gushan Hill in Hangzhou. During the twenty years of his stay there, he did nothing but plant plum trees and raise a crane. Every year, when the plum bloomed, he simply stayed at home and enjoyed the plum blossoms. That was why he was able to write a number of beautiful poems in praise of plum trees, which have ever since been greatly admired and recited by people. His crane Wuno was also a great help to him. When, occasionally, his friends called on him and found him out, his crane would fly around. Seeing the crane, he got the message that would return home immediately to receive his guests. The death of its master mad the crane so sad that it stood in front of his tomb day after day, crying till it died. The crane was buried not far from Lin’s tomb. By the side of Wono’s tomb, a pavilion, the Crane Pavilion, was built in memory of this faithful and loyal wading bird. Perhaps, Mr. Pan Yunduan used this clay sculpture to express his idea that he and Mr. Lin Heqing had the same fate.
The brick carving on the right describes a warrior who came out first in the military examinations at three levels.
At the entrance to the corridor are two iron lions. Cast in the Yuan Dynasty, they are nearly 700 years old. Iron lions are very rare in China as most of them are made of wood or stone. Regarded as the king of animals, lion signified “dignity” and “majesty”. Such lions, usually put in front of palaces or courts, were meant to show the owner’s prowess. It is very easy to tell the sex of the two lions. The rule is that the female one is always put to the left while the male one stands on the right. What is more, the female lion fondles a baby, while the male plays with a ball. There is an old saying in China, “The lion’s cub has to learn how to rough it.” The mother lion makes it a point to give the baby a hard time so that it will be trained into a brave animal. From the way the lion keeps it under her paws, we know that it is the female.
These two lions were originally found in Anyang County, Henan Province. They were shipped to Tokyo and did not return to China until the victory of the Anti-Japanese War in 1945. However, they were put among scraps under the KMT’s regime, which did not care about the historical relics. They were recovered after 1949 and moved to this garden.
We are now walking through the corridor. A corridor provides the link between buildings in ancient gardens. Appearing in different forms---straight
or zigzag, high or low, hill-climbing or water-hugging, a corridor is a visitor’s guideline. It divides up the space and combines the views. With every step the visitor takes following a corridor, the view changes. A technique in building court gardens is to create paralleled views. That is to say the pavilions, halls, chambers, and towers should match each other. Here is a case in point. Standing on the Rain Rolling Tower and looking on the right, visitors seems to see a landscape painting dominated by the rockery resembling a real mountain. When visitors on top of the rockery cast their eyes to their left, they will be struck by a genre painting centered on towers and chambers with pavilions, bridges, and ponds tucked away as the background.
The rock in the middle of the corridor looks like a young lady. It serves to block the scenery behind. It is another technique in Chinese garden building.
The plaque above says “Gradually Entering the Wonderland”. It means that you should slowly follow the winding corridor in order to really appreciate the beautiful views ahead.
You can now see another brick carving on your left. The old man holding a walking stick is the God of Longevity. He is distinguished by an abnormally large, protruding forehead, which is deeply lined and crowned with snow-white hair. He is a legendary figure said to be in charge of the life span of mankind. Above the God of Longevity is the Goddess of Mercy.
This is Happy Fish Waterside Pavilion. Surrounded by water on three sides, it is a good place for enjoying goldfish swimming happily in the pond. The pavilion often reminds visitors of the dialogue between two ancient philosophers, Zhuang Zi and Hui Zi. Once they came to a pond like this, Zhuang Zi said, “The fish must be very happy.” Hui Zi asked him, “How do you know they they are happy since you are not fish?” The former answered, “How do you know that I do not know they are happy since you are not me?” Visitors do find themselves in a happy frame of mind when they hear the sound of flowing water and see the goldfish swimming freely in the limpid water of the pond.
This small area itself is a garden as it is completely with the basic elements called for by a Chinese garden: plant, water, building, and rock. The pond, partitioned in the middle by a crenellated wall with the water flowing through an arched opening at the foot of the wall, looking deeper and longer than itself. This is what we call creating the maximum space out of a small area. If your eyes follow the stream beyond the arch, you will see in the
water the reflection of people and scenery on the other side of the wall. This is the technique of “scenery borrowing”. It means using the scenery “borrowed” from outside the wall as the setoff to enrich the views inside
and make the two become one.
There is a 300-year old wisteria at the corner. It is said the tree once withered but came into bloom again. Some people regard wisteria as a symbol of welcoming guests. When summer sets in, the tree is laden with white,
butterfly-like flowers, which give off refreshing fragrance.
This is the Double Corridor partitioned by a wall with open windows. When you look through the windows, you will see different views like traditional Chinese paintings in frames. This is another technique in Chinese garden building called “scenery framing”. One side of the corridor presents you
with chambers, towers and a houseboat, which are all static. The other side provides you with the views of water, trees and flowers, which are all in motion. As you walk along, the pictures are changing like pictures.
At the end of the corridor is the Chamber of Ten Thousand Flowers. It is
so called because there used to be fresh flowers here all the year round. Designs of plants and flowers are carved on the doors and windows.
Particularly eye-catching are the designs on clay sculptures of the orchid,
the bamboo, the chrysanthemum, and the plum at the four corners of the chamber, representing spring, summer, autumn and winter respectively. The furniture
with carved flowers in the chamber are over 200 years old. In front of the chamber are many rocks brought here from Taihu Lake. Eroded by water, they are in different shapes, many, interestingly, resembling animals.
Here are two ancient trees: one gingko and the other, magnolia. It is said that Mr. Pan Yunduan’s father planted here 400 years ago two gingko trees,
one male and the other female. Later the female gingko died and a magnolia was planted in its place. Known as “living fossil”, gingko trees used to gro w profusely about 146 million years ago, but are now on the brink of extinction. It is also called “gongsun” tree because it grows so slowly that the grandfather plants the tree and the grandson picks the fruit. The tree looks like a large parachute because its dark green leaves resemble small fans. Its seeds and leaves can be used for medical purposes.
If you look up, you will see the second dragon on top of the wall. The dragon sprawls on the wall, with its head raised high, ready to mount the cloud. Hence the name “Dragon Mounting to the Clouds”. Dragon is a mythical。