查理卓别林翻译
当我开始爱自己(卓别林)教学文案
当我真正开始爱自己WHEN I STARTED LOVING MYSELF查理·卓别林（Charles Chaplin）当我真正开始爱自己，我才认识到，所有的痛苦和情感的折磨，都只是提醒我：活着，不要违背自己的本心。
今天我明白了，这叫做『真实』。
As I began to love myself,I found that anguish and emotional suffering are only warning signs that I was living against my own truth. Today, I know, this is "AUTHENTICITY".当我真正开始爱自己，我才懂得，把自己的愿望强加于人，是多么的无礼，就算我知道，时机并不成熟，那人也还没有做好准备，就算那个人就是我自己，今天我明白了，这叫做『尊重』。
As I began to love myself,I understood how much it can offend somebody as I try to force my desires on this person,even though I knew the time was not right and the person was not ready for it,and even though this person was me.Today I call it "RESPECT".当我开始爱自己，我不再渴求不同的人生，我知道任何发生在我身边的事情，都是对我成长的邀请。
如今，我称之为『成熟』。
As I began to love myself,I stopped craving for a different life,and I could see that everything that surrounded me was inviting me to grow.Today I call it "MATURITY".当我开始真正爱自己，我才明白，我其实一直都在正确的时间，正确的地方，发生的一切都恰如其分。
Charlie_Chaplin's 卓别林中英双语
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Parent
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• His father was a versatile vocalist and actor; and his mother, known under the stage name of Lily Harley, was an attractive actress and singer.
Mildred Harris
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• Though she did later give birth to Charlie's first child, who sadly only lived for three days. Their divorce, in 1920, was acrimonious. Mildred was an actress who appeared in a few films such as The Inferior Sex and For Husbands Only.
当卓别林和奥娜于1943年6月 结婚，他终于找到自己真正的 幸福。他们都找到了自己的灵 魂伴侣，尽管当时奥娜只有18， 查理53岁了。这与卓别林认为 她能在下一步无声电影《物质 与阴影》中参演的时候相遇， 是分不开的。
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Oona O'Neill
She supported Charlie totally throughout a particularly harrowing court case in the 1940's and when he was exiled from the U.S. in 1952.They eventually made their home in Switzerland. Together Oona and Charlie Chaplin had eight children (Geraldine, Michael, Josephine, Victoria, Eugene, Jane, Annette and Christopher).
卓别林
初恋
1908年，19岁的查理堕入情网。他所钟情 的海蒂.凯年仅15岁。在他们之间的恋情处 于萌芽状态时，海蒂的父母果断地终止了 它的发展，然而，海蒂迷人的丰采竟使查 理终生难忘。
Mildred Harris
In 1914, World War I had broken out. Chaplin contributed to the war in the best way he knew how-- he made a film "Shoulder Arms". He made a comedy set in the trenches. The returning troops enjoyed it. Being able to laugh at the insanity of war had been their only real defence. Two days after its release, Charlie
married Mildred Harris, pretty in the same way as his first
love Hetty Kelly. It was hopeless even from the very start. He had only one way to face such sorrow. He threw himself into work on a new feature-- length film called The Kid. The kid tackled another social concern that deeply upset Charlie Chaplin-- the treatment of abandoned children. The Kid was a success. But Charlie's private world continued to fall apart. In November, 1920, they were officially divorced.
卓别林(英文)
His childhood
but his mother Hannah was indomitable [in'dəumitəbl](不气 馁的). Somehow she not only manageቤተ መጻሕፍቲ ባይዱ to keep Charlie and his brother Syney clean and warm, clothed and fed but she conjured ['kʌndʒəd] little treats for them. Charlie took in her skills and went on using them all his life.
His childhood
Charlie Chaplin was born on April 16, 1889 in London. Her father was an entertainer and although not one of the big names, he was doing very well. Her mother Hannah was also an entertainer. A wonderful mimic, she had a sweet, charming voice. While they were by no means rich, the music hall provided the Chaplins with a comfortable living.
Charlie Chaplin
Life is like a soap bubble,though beautiful but short-lived.Some soap bubbles can not show lifeblood,but some’ bright sinks into our mind,one of them is Charlie Chaplin.
查理卓别林名言英语
查理卓别林名言英语导读：本文是关于查理卓别林名言英语的文章，如果觉得很不错，欢迎点评和分享！1、我挚爱悲剧，因悲剧的底处，常有某种美丽的东西。
I love tragedy, because at the bottom of tragedy, there is always something beautiful.2、世界是一面镜子，你笑它便笑。
The world is a mirror, you laugh at it.3、我们要机器，可是我们更要爱。
We need machines, but we need love more.4、我们思考的太多，感受的太少。
We think too much and feel too little.5、无论天资有多么高，他仍需学会了技巧来发挥那些天资。
No matter how talented he is, he still needs to learn skills to use those talents.6、独裁者解放了自己，奴役着人民。
The dictator liberated himself and enslaved the people.7、我并不想制造革命，只是还要拍些电影。
I don't want to make a revolution, I just need to make some movies.8、什么是生活，生活不过是一种愿望。
What is life? Life is just a wish.9、必须有自信，这是成功的秘密。
Self-confidence is the secret of success.10、人必须相信自己，这是成功的秘诀。
One must believe in oneself, which is the secret of success.11、当我开始真正爱自己，我才明白，我其实一直在正确的时间，正确的地点，发生的一切都恰如其分。
新视野大学英语读写教程第4册1-4单元翻译
新视野⼤学英语读写教程第4册1-4单元翻译Unit 1汉译英1.这种植物只有在培育它的⼟壤中才能很好地成长。
The plant does not grow well in soils other than the one in which it has been developed.2.研究结果表明，⽆论我们⽩天做了什么事情，晚上都会做⼤约两个⼩时的梦Research findings show that we spend about two hours dreaming every night, no matter what we may have done during the day.3.有些⼈往往责怪别⼈没有尽最⼤努⼒，以此来为⾃⼰的失败辩护Some people tend to justify their failure by blaming others for not trying their best. 4.我们忠于我们的承诺：凡是答应做的，我们都会做到！We remain tree to our commitment: Whatever we promised to do; we would do it. 5.连贝多芬的⽗亲都不相信⾃⼰⼉⼦⽇后有⼀天可能成为世界上最伟⼤的⾳乐家。
爱迪⽣也同样如此，他的⽼师觉得他似乎过于迟钝Even Beethoven's father discounted the possibility that his son would one day become the greatest musician in the world. The same is true of Edison, who seemed to his teacher to be quite dull.6.当局控告他们威胁国家安全They were accused by authorities of threatening the state security.英译汉1.出⼊除⾃⼰家以外的任何场所时，如果你带有宠物，⼀定要了解有关宠物的规定。
新视野大学英语读写教程第4册1-4单元翻译
Unit 1汉译英1.这种植物只有在培育它的土壤中才能很好地成长。
The plant does not grow well in soils other than the one in which it has been developed.2.研究结果表明，无论我们白天做了什么事情，晚上都会做大约两个小时的梦Research findings show that we spend about two hours dreaming every night, no matter what we may have done during the day.3.有些人往往责怪别人没有尽最大努力，以此来为自己的失败辩护Some people tend to justify their failure by blaming others for not trying their best. 4.我们忠于我们的承诺：凡是答应做的，我们都会做到！We remain tree to our commitment: Whatever we promised to do; we would do it. 5.连贝多芬的父亲都不相信自己儿子日后有一天可能成为世界上最伟大的音乐家。
爱迪生也同样如此，他的老师觉得他似乎过于迟钝Even Beethoven's father discounted the possibility that his son would one day become the greatest musician in the world. The same is true of Edison, who seemed to his teacher to be quite dull.6.当局控告他们威胁国家安全They were accused by authorities of threatening the state security.英译汉1.出入除自己家以外的任何场所时，如果你带有宠物，一定要了解有关宠物的规定。
查尔斯卓别林
Comments:Compared his other movies,《The gold rush》is charlie's favorite movie,because it actual shows a man's surffering and dream.And,boots were boiled and their soles eaten withsalt and pepper like prime cuts of fish,dance with the dog,cliff's house......were the classic in comedy. He cost a great quantity of his time、money and energy to makeit,so,it deserves. 和他其他的电影相比，《淘金记》是查尔斯最喜爱的作品，因为它将 淘金狂的磨难和梦想真实地展现给我们。煮食皮靴、带狗跳舞、悬崖 木屋等片段已成为喜剧电影的经典.在这部影片里，他花了大量的时 间、精力以及财力。最终它得到了回报，风靡欧美。
Classic movies Nhomakorabea 《The great dictator》(1940)
《Monsieur verdoux》 (1946)《凡尔杜先生》
《Lime light》(1952)
The Gold Rush
Backgrounds:Charlie had been reading about the sufferings of the gold prospectors in the klondike . he decided to make gold rush , which was to be one of his most famous films.
Charlie-Chaplin-查理--卓别林(中英互译)
Charlie Chaplin 查理--卓别林He was born in a poor area of South London. He wore his mother's old red stockings cut down for ankle socks. His mother was temporarily declared mad.Dickens might have created Charlie Chaplin's childhood. But only Charlie Chaplin could have created the great comic character of "the Tramp", the little man in rags who gave his creator permanent fame.他出生在伦敦南部的一个贫困地区。
他穿的短袜是从妈妈的红色长袜上剪下来的。
他的妈妈一度被诊断为精神失常。
狄更斯或许能创作出查理·卓别林的童年故事，但只有查理·卓别林才能塑造出了不起的喜剧角色“流浪汉”，这个使其创作者声名永驻的衣衫褴褛的小人物。
Other countries—France, Italy, Spain, even Japan—have provided more applause (and profit) where Chaplin is concerned than the land of his birth.Chaplin quit Britain for good in 1913 when he journeyed to America with a group of performers to do his comedy act on the stage, where talent scouts recruited him to work for Mack Sennett, the king of Hollywood comedy films. 就卓别林而言，其他国家，如法国、意大利、西班牙，甚至日本，都比他的出生地给予了他更多的掌声（和更多的收益）。
新视野大学英语读写教程4,sectionA课文翻译
新视野大学英语读写教程4Section A 译文Unit 1 名气之尾Unit 2查理·卓别林Unit 3 渴望新的福利制度Unit 4 电信革命Unit 5 选择独处Unit 6 贿赂与商业道德Unit 7 对人种遗传学的研究Unit 8 奴隶身份并没有让我失去什么Unit 9 使欧洲迪斯尼乐园更欧洲化Unit 10 如何培养“情商”Unit 1 名气之尾艺术家追求成名，如同狗自逐其尾，一旦追到手，除了继续追逐不知还能做些什么。
成功之残酷正在于它常常让那些追逐成功者自寻毁灭。
对一名正努力追求成功并刚刚崭露头角的艺术家，其亲朋常常会建议“正经的饭碗不能丢！”他们的担心不无道理。
追求出人头地，最乐观地说也困难重重，许多人到最后即使不是穷困潦倒，也是几近精神崩溃。
尽管如此，希望赢得追星族追捧和同行赞扬之类的不太纯洁的动机却在激励着他们向前。
享受成功的无上光荣，这种诱惑不是能轻易抵挡的。
成名者之所以成名，大多是因为发挥了自己在歌唱、舞蹈、绘画或写作等方面的特长，并能形成自己的风格。
为了能迅速走红，代理人会极力吹捧他们这种风格。
他们青云直上的过程让人看不清楚。
他们究竟是怎么成功的，大多数人也都说不上来。
尽管如此，艺术家仍然不能闲下来。
若表演者、画家或作家感到无聊，他们的作品就难以继续保持以前的吸引力，也就难以保持公众的注意力。
公众的热情消磨以后，就会去追捧下一个走红的人。
有些艺术家为了不落伍，会对他们的写作、跳舞或唱歌的风格稍加变动，但这将冒极大的失宠的危险。
公众对于他们藉以成名的艺术风格以外的任何形式都将不屑一顾。
知名作家的文风一眼就能看出来，如田纳西·威廉斯的戏剧、欧内斯特·海明威的情节安排、罗伯特·弗罗斯特或T.S.艾略特的诗歌等。
同样，像莫奈、雷诺阿、达利这样的画家，希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。
他们鲜明独特的艺术风格标志着与别人不同的艺术形式上的重大变革，这让他们名利双收，但也让他们付出了代价，那就是失去了用其他风格或形式表现自我的自由。
卓别林介绍(中英双解)
In 1910, when Karno set off on his yearly American tour, "One of the best pantomime[6] artists ever seen here." They had reached Philadelphia when a telegram arrived and he was being offered the chance to replace a star in the Keystone film company.
Cinema was born in the same year as Charlie thought people still believed it was a passing fad, and would never replace live shows. He was kept hanging about[7] for several weeks and he used the time to watch and to learn. He was determined to master this new medium. It offered him the chance of money and success -- and it would set him free from the unpredictability of live audience.
e living.
Unfortunately happy life didn't last long. Father's alcoholism was slowly, but surely destroying his marriage. Finally it ended in divorce, but Hannah was indomitable[2]. Without her, Charlie Chaplin would have become just one more child lost in the poverty of Victorian London. Somehow she not only managed to keep Charlie and his brother Syney clean and warm, clothed and fed but she conjured[3] little treats for them. She would sit at the window watching the passersby and guess at their characters from the way they looked and behaved, spinning tales to delight Charlie and Syney. Charlie took in her skills and went on using them all his life.
The King of Comedy-喜剧之王查理·卓别林
The King of Comedy-喜剧之王查理·卓别林His own father had died from drinking too much. And his moth er wasn’t really able to look after Charles and his older half-brother2, Si d. She was often sick in mind and had to be sent into hospital. When Charles couldn’t get work he wandered about the city streets. He found food and shelter wherever he could. Sometimes he was sent away to a h ome for children who had no parents. He was cold and miserable there a nd the children were scolded and punished for the slightest fault. He hate d it.Thirty years later this same Charles Chaplin was accepting the h ospitality3 of kings. Everyone wanted to meet him. Pictures show him in the company4 of men like Churchill, Einstein and Gandhi. He had becom e almost a royal figure in the bright new world of the cinema—Charlie Chaplin, the king of comedy.He once wrote, “You have to believe in yourself. That’s the s ecret. Even when I was in the children’s home, when I was wandering t he streets trying to find enough to eat to keep alive, even then I thought of myself as the greatest actor in the world.”Any regular visitor to the cinema must have seen some of Charl ie Chaplin’s films. People everywhere have sat and laughed at them unti l the tears streamed down their faces. From his very first appearance they know what to expect from the mild little man with the stiff black moust ache, wide-open eyes, round black hat and shoes too large for his feet.The character of the “little tramp5”, which Chaplin played in hundreds of films, is one everyone can understand. The poor man makes all kinds of stupid mistakes. He is always in trouble. Yet he dreams of g reatness. He makes us laugh with his crazy attempts to escape6 his cruelfate. He finds surprising ways out of every difficulty. And life never qui te destroys7 him. The little tramp is not very different from the cold, ho meless, poorly dressed child who refused to despair8. Like the child he is weak, frightened and foolish, but he never gives up.Even people who don’t understand English can enjoy Chaplin’s films because they are mostly silent. It isn’t what he says that makes us laugh. His comedy depends upon little actions which mean the same t hing to people all over the world.Chaplin raises his thick black eyebrows or rolls his eyes. He str aightens his coat or swings his walking-stick in the air. He hides behind a fat lady or under a table to escape from his enemies. Trying to be bra ve, he faints away on the floor. He shakes the dust off his rags to make a proud appearance at some grand social occasion. He pretends to be w hat he is not and never could be—a rich, successful, important man. It is all the secret of Chaplin’s huge success.He discovered the character o f the little tramp almost by accident. As young men, he and his brother t raveled to America in a small company of actors and acted in various cit ies. One day Charles was invited to join a new company that was makin g film comedies. He accepted the offer9 and soon became popular.V ery soon he had made dozens of short films for this company. But it was in his second film that he wore the clothes which made his fame—black hat, tight coat, baggy trousers, huge shoes, moustache and w alking-stick.His appearance was a popular success, right from the beginning. But his first pictures hadn’t much story. They were full of action. His manner is terribly funny and makes one roar10 with laughter.By the time he was thirty Chaplin was the greatest, best known, and best loved comedy actor in the world. He received thousands of dol lars for each film he made. He had formed his own film-making company and was writing and producing his own films. He was welcomed by ex cited crowds wherever he went. But he worked very hard and had few cl ose friends.Perhaps that’s why the sad side of the little tramp began to sh ow more clearly in the films he made. The little man began to want mor e than food and a roof over his head. He began to want love.In one of his most famous films, “The Gold Rush”, a girl pla ys tricks on the little man. Then she begins to feel sorry for him and tre ats him kindly. He mistakes her pity for love. The girl in “City Lights”is blind. While she cannot see what he looks like she thinks he is the most wonderful man she has ever met. But then she recovers her sight a nd sees what a foolish figure he is. This sadness gives Chaplin’s films a depth of human experience which few comedy actors can equal.Chaplin married several times. But, although he was rich and fa mous, he was growing old before his wish for love was satisfied. Then h e married Oona, daughter of the American writer Eugene O’Neill and thi s marriage lasted.He came to dislike America, where he had lived for forty years and where he had become a great man. He moved with his wife and th eir large family to Switzerland. He described himself as a citizen of the world, rather than of any particular country.In the last few years of his long life he returned to the U.S.A. and to Great Britain to receive honours for his work in the cinema. The king of comedy died in Switzerland on Christmas Day, 1977, at the age of eighty-eight. There was sadness all over the world at the news of his death.时值1900年，人们经常看到一个叫查理·卓不林的黑发小男孩在伦敦各大剧院的后门外等待。
Charlie Chaplin 查理--卓别林(中英互译)精编版
Charlie Chaplin 查理--卓别林He was born in a poor area of South London. He wore his mother's old red stockings cut down for ankle socks. His mother was temporarily declared mad.Dickens might have created Charlie Chaplin's childhood. But only Charlie Chaplin could have created the great comic character of "the Tramp", the little man in rags who gave his creator permanent fame.他出生在伦敦南部的一个贫困地区。
他穿的短袜是从妈妈的红色长袜上剪下来的。
他的妈妈一度被诊断为精神失常。
狄更斯或许能创作出查理·卓别林的童年故事，但只有查理·卓别林才能塑造出了不起的喜剧角色“流浪汉”，这个使其创作者声名永驻的衣衫褴褛的小人物。
Other countries—France, Italy, Spain, even Japan—have provided more applause (and profit) where Chaplin is concerned than the land of his birth.Chaplin quit Britain for good in 1913 when he journeyed to America with a group of performers to do his comedy act on the stage, where talent scouts recruited him to work for Mack Sennett, the king of Hollywood comedy films. 就卓别林而言，其他国家，如法国、意大利、西班牙，甚至日本，都比他的出生地给予了他更多的掌声（和更多的收益）。
卓别林名词解释
卓别林名词解释
嘿，你知道卓别林吗？那可不是一般人呐！查理·卓别林，这名字简直就是电影史上的一颗璀璨巨星！他就像夜空中最亮的那颗星，无比耀眼。
他呀，那标志性的小胡子、肥大的裤子、紧身上衣，还有那独特的走路姿势，哎呀呀，简直让人过目难忘！这就好比是迈克尔·杰克逊的太空步，一说起来，你脑海里立马就能浮现出那个画面。
想想看，他在电影里那些滑稽的动作和表情，能让你笑得肚子疼，又能在不经意间让你心里涌起一股暖流。
就像你吃了一颗酸甜苦辣都有的怪味豆，味道丰富极了！他的表演，那可是充满了魔力呀，能把你瞬间带入到另一个奇妙的世界。
还记得里他在工厂里的那些搞笑场景吗？那不就像是我们在生活中遇到的那些让人哭笑不得的事情嘛。
他能把生活的苦涩用幽默的方式表现出来，这是多么了不起啊！还有，他竟敢用自己的方式去讽刺和批判，这得需要多大的勇气呀！
我跟你说，卓别林可不只是个会逗人笑的演员，他更是一位伟大的艺术家！他用自己的作品反映了社会的现实，让人们看到了那些不为人知的一面。
这就好像是一面镜子，照出了生活的百态。
他的影响力那可是超级大的呀！从过去到现在，有多少人是看着他的电影长大的，又有多少人从他的表演中获得了快乐和启发呢？数不胜数啊！他就像一股源源不断的清泉，一直流淌在电影的长河中。
所以啊，卓别林绝对是电影史上不可磨灭的存在！他的名字，就应该被我们永远铭记！。
查理·卓别林
查理·卓别林“ 查理.卓别林”是“ 查理·卓别林”的同义词。
本词条由zsy创建，共有10位协作者编辑了11次。
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查理·卓别林（英语：Sir Charles Spencer "Charlie" Chaplin Jr.，1889年4月16日－1977年12月25日），英国喜剧演员及反战人士，后来也成为一名非常出色的导演，尤其在好莱坞电影的早期和中期他非常成功和活跃。
他奠定了现代喜剧电影的基础，与巴斯特·基顿、哈罗德·劳埃德并称为“世界三大喜剧演员”，卓别林戴着圆顶硬礼帽和礼服的模样几乎成了喜剧电影的重要代表，往后不少艺人都以他的方式表演。
查理·卓别林1889年4月，查理·卓别林出身在伦敦的一个音乐之家，他5岁时就代替生病的母亲登台演出，8岁参加音乐剧《The Eight Lancaster Lads》的巡演，快11岁时小卓别林登上伦敦Hippodrome剧院的舞台，参演了《Giddy Ostende》一剧。
17岁他开始跟着弗雷德·卡诺的（Fred Karno）滑稽剧团四处演出，1910年21岁的卓别林抵达纽约并决定留在美国发展。
1914年他出演了银幕处女作《谋生之路》（Making a Living），但真正令他的事业发生完全改观的是第二部影片《Kid Auto Races at Venice》，片中他首度以礼帽、小胡子、窄衣阔裤和14码超大鞋子的招牌式打扮亮相，此后片约如潮水般涌来，那一年他总共拍了35部片子。
1918年他加入了第一国民公司（后被华纳兄弟吞并），1919年和道格拉斯·费尔班克斯（Douglas Fairbanks）等人一起组建了联美公司（United Artists）。
卓别林第一部电影长片是1921年《寻子遇仙记》（The Kid），两年后他为联美公司亲自监制、执导了《巴黎一妇人》（A Woman of Paris），1925年和1928年又先后推出经典之作《淘金记》（The Gold Rush）和《马戏团》（The Circus），在1929年的第一届奥斯卡上，《马戏团》一片为他赢得“集编剧、表演、导演和制作于一身的多才多艺天才”特别大奖。
查理·卓別林CharlieChaplin
查理·卓別林CharlieChaplin在世界电影史上靠拍悲剧成为大师的人数不胜数，但靠喜剧片成为大师的人却是少之又少，这足以证明喜剧是一门多么难的艺术，喜剧要让人发笑的同时还要给人强烈的震撼，这比悲剧要难上一百倍。
但查理·卓别林Charlie Chaplin做到了，百年来只此一人。
脚登大皮鞋、手拿细手杖，迈着企鹅步的流浪汉形象，给一代又一代的观众带来了无尽的欢笑。
这欢笑背后隐藏着人生的孤独与凄凉。
查理·卓别林(1889年4月16日－1977年12月25日)是一位英国喜剧演员及反战人士，后来也成为一名非常出色的导演，尤其在好莱坞电影的早期和中期他非常成功和活跃。
他奠定了现代喜剧电影的基础，与巴斯特·基顿Buster Keaton、哈罗德·劳埃德Harold Lloyd并称为“世界三大喜剧演员”，查理·卓别林戴着圆顶硬礼帽和礼服的模样几乎成了喜剧电影的重要代表，往后不少艺人都以他的方式表演。
查理·卓别林最出色的角色是一个外貌经常卖萌的流浪汉，内心则一幅绅士气度、穿着一件窄小的礼服、特大的裤子和鞋、戴着一顶圆顶硬礼帽、手持一根竹拐杖、留着一撇小胡子的形象。
在无声电影时期查理·卓别林是最有才能和影响最大的人物之一。
他自己编写、导演、表演和发行他自己的电影。
从在英国的大剧院作为孩童演员登台演出，到他88岁高龄逝世为止，他在娱乐业从事了70多年的生涯。
从狄更斯式的伦敦童年一直达到了电影工业的世界顶端，查理·卓别林已成为了一个文化偶像。
1999年，查理·卓别林被美国电影学会选为百年来最伟大的男演员第10名。
在2005年的“喜剧家的喜剧家”的大选中查理·卓别林被同行选为最伟大的20名喜剧家之一。
查理·卓别林终身是无神论者。
宗教在他眼里只有被开玩笑的分。
他有一次取笑说：“我愿意扮演耶稣，我最适合这个角色了因为我是一名喜剧演员。
人物丨查理·卓别林
人物丨查理·卓别林GO ON VACATION人物介绍Presonage Introduction查理·卓别林（Charlie Chaplin，1889年4月16日－1977年12月25日）著名喜剧电影演员、导演、制片人。
20世纪最卓越的喜剧电影大师、伟大的批判现实主义艺术家、反法西斯的和平、民主战士。
Charlie Chaplin (April 16,1889-December25, 1977) is a famous comedian,director and producer.Charlie Chaplin is the 20th century's most outstanding master of comedy films, great critical realism artists,anti fascist peace,democratic fighters.主要作品Representative Works查理·卓别林的第一部电影是《谋生》。
从1915年开始卓别林开始自编自导自演，甚至还担任制片和剪辑。
稍后他加入了埃斯安尼公司，并于1917年出品了《移民》和《安乐街》，1918年他和他的兄弟在洛杉矶开了自己的公司。
Charlie Chaplin's first film was Making a Living. From 1915 onwards Chaplin began writing, directing and acting, even producing and editing. He later joined esani and produced The Immigrant and Happy Street in 1917. In 1918 he and his brother opened their own company in Los Angeles.查理·卓别林在1919年召集到了道格拉斯·费尔班克斯等人。
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查理·卓别林
第一段：他出生在伦敦南部的一个贫穷地区。
他穿着从他妈妈的旧的红袜子上裁剪下来做的短袜。
他的妈妈患了精神病。
狄更斯可能创造了查理·卓别林的童年。
但是只有查理卓别林，那个使其创作者声名永驻的带来衣衫褴褛的矮个男人才有可能创造出伟大的喜剧人物“流浪汉”。
第二段：其他国家—法国，意大利，西班牙，甚至日本和韩国，给卓别林的掌声和利益比他的出生地更多。
1913年，为了更好的生活，卓别林离开英国，跟着一群表演者来到美国，被人才挖掘者雇佣去好莱坞喜剧之王麦克塞纳特的舞台上从事他的喜剧表演。
第三段a：遗憾的说，1920年到1930年间的很多英国人觉得卓别林的流浪者形象有一点，怎么说呢，粗鲁。
中产阶级的观众就是这样认为的。
工人阶级的观众更有可能为用他坏的拐杖来绊倒权威或者是用靴子的后跟来踢他的后跟的反抗权威的角色鼓掌。
尽管如此，卓别林的喜剧乞丐形象并不那么像英国人,甚至不像工人阶级。
第三段b：英国的流浪汉不留小撮胡子，不穿大的裤子或者燕尾服：而欧洲的领导人和意大利的服务生穿着类似这样的衣服。
而且，流浪汉对美丽女孩的犀利的眼神被认为是一种粗俗的行为。
噢，对于英国的观众来说不是那么好—这就是外国人的行为举止，不是吗？但是,超过一半的他的电影事业,没有屏幕的声音可以用来确认卓别林的英国国籍。
第四段：事实上，令卓别林头痛的是当他无法再抵抗有声电影和必需为他的流浪汉形象找到合适的声音。
他尽可能地把那天延迟：在1936年的摩登时代，第一部听到他作为服务员,唱歌，他胡言乱语，听起来不像已知的国籍。
后来他说他想象流浪汉是一个接受过大学教育的落魄的男人。
但是，假如他在早期那些短小喜剧电影中能操一口受过教育的人的口音，则他是否会闻名世界就值得怀疑了，而英国人也肯定会觉得这很“古怪”。
没有人能确定卓别林是否故意这样做，但是这帮助他取得了巨大的成功。
第五段：他是一个极其有天才的人，即使在好莱坞明星中也决定了一个不寻常的高度。
他巨大的名声给了他自己---更重要的，钱---使他成为自己的主人。
随着事业的发展，他有一种要去发掘并扩展自己身上所显露的才能的冲动。
“这不可能是我。
这可能吗？真奇怪啊，”这是当他第一次在屏幕上看到他自己的流浪汉形象时说的。
第六段：但是那个场面刺激了他的想象力。
卓别林并没有事先把他的笑料写成脚本；他一直就是那种依靠灵感来创造艺术的喜剧演员。
尤其是无生命的物体帮助卓别林发挥了自己成为一名艺术家。
他会将这些物体发挥成其他东西。
因此，在《当铺老板》中，一个坏了的闹钟变成了一个正在接受手术的“病人”。
在《淘金记》中，靴子被煮熟，靴底蘸着盐和胡椒被吃掉，就像上好的鱼片（鞋钉就像鱼骨那样被剔除）。
这种对具体事物的发挥转化，以及他一次又一次做出这种转换的技巧，正是卓别林伟大喜剧的秘密所在。
第七段：他也深切的渴望被爱，也害怕遭到背叛。
这两者很难结合，有时候这种冲突甚至---像他早期的婚姻一样---导致灾难。
然而这种以沉重代价换来的自知也在他的喜剧作品中得到了表现。
流浪汉从来没有对等着他和他一起步入夕阳中的卖花女失去过信心；而另一方面卓别林使他的《凡尔杜先生》，一个杀了妻子的法国人，成为仇恨女人的象征。
第八段a：令人宽慰的是，生活最终把卓别林之前没得到的安稳的幸福给了他。
在欧娜·奥尼尔·卓别林身上，他发现一个合作伙伴，她的稳定性和感情跨越了威胁他们的37岁的差异,在1942年,欧娜奥尼尔变成了美丽的十七岁的姑娘，当官方通知他们结婚的日期还有问：“年轻的新郎在哪里”---卓别林，已经54岁了，在外面小心翼翼的等待着。
第八段b：因为欧娜本人出生在一个被各种麻烦困扰的大家庭，她对卓别林生活中将面临的问题也做好了充分的准备，因为当时有毫无根据地流言说他们两个都是马克思主义的同情者。
而且，在他们自己的有着很多天才孩子的大家庭中，卓别林有时候会引发争吵，而她则成了安宁的中心。
第九段：卓别林与1977年圣诞节那天去世了。
几个月后，两三个贼把他的尸体从他的家族墓室里偷出来并且卖了钱：警察用比麦克塞纳特笨拙的手下更快的效率破案了。
但是人们不禁会想到，卓别林一定会把这一奇怪的事件看作是对他的一种恰当的纪念---他以这种方式给这个自己曾带来这么多笑声的世界留下了最后的笑声。